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Gapers Block published from April 22, 2003 to Jan. 1, 2016. The site will remain up in archive form. Please visit Third Coast Review, a new site by several GB alumni.
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Review Wed Jul 22 2015

Eleventh Dream Day Beats the Future in a Staring Contest with New Album

Eleventh Dream Day - Works For Tomorrow Cover - 395-CD 1600-300dpi.jpg

For a band that's fast approaching the thirty year anniversary of its debut release, Eleventh Dream Day still rules the Chicago alt-rock scene with the energetic, feedback-laced fist of a twenty-something. This is nothing new. But what's different about the band's latest release, Works for Tomorrow (available in stores July 24), is that there's the experience of an aging rocker added to the pre-existing defiance. Over the course of the album's ten songs, the five-piece group grounds its sound firmly in its tumultuous past but points confidently into the unknown future, spitting hypnotic, fuzzy riffs and rebellious words into the wind without regard for which way it's blowing.

For the first time since the 1980s, EDD has brought in a second guitarist, and James Elkington -- formerly of Tweedy -- adds a Foo Fighters-like depth to the album's sound, particularly under Rick Rizzo's blistered-raw solos. As usual, Rizzo brings a devil-may-care attitude to both his vocals and his guitar playing, noodling all over the place like a thrashing shark in distorted sound waves and singing with a brutal Neil Young-esque honesty. Age hasn't detracted from his abilities, and in fact has given his voice a world-weary wisdom perfect for delivering Works for Tomorrow's message of persistence in the face of crushing nihilism. On songs like "Cheap Gasoline" and "The People's History," a detuning chorus effect on Rizzo's vocals adds a vintage punk kick of anarchy to accompany lines such as "Driving with no destination/Cheap thrills and cheap gasoline" and "There is no end and no design." After all that Eleventh Dream Day has been through in its long career -- fights with Atlantic, lengthy periods of inactivity, and the determination to keep rocking even without commercial breakthrough -- its latest album carries an authentic weight that the band bears with rabid energy, serving as an inspiration to anyone who has tired of the mainstream.

Eleventh Dream Day by Sam Prekop -  SDI3415.jpgSome of the most powerful words on the album, though, are delivered not by Rizzo but by drummer Janet Beveridge Bean, who brings Riot Grrrl into the 21st century with her best Dave Grohl screaming impression on "Vanishing Point," the album opener. She also adds haunting octave melodies to the chorus of the title track--really more like shrieks that convey the mood of driving a car off a ramp over the edge of a cliff with both middle fingers raised to the sky--and more earnest dual vocals with Rizzo on the soulful, rootsy "The Unknowing." Overall, the album strikes a nice balance between head-banging punk rock and a Wilco-inspired bluesy, shimmering sound that verges on psychedelic at times. But no matter the style, the theme of taking charge of the uncertain future carries across the work's entirety, right up to the very last words out of Rizzo's mouth: "It all has to end with me, end with me."

If you're looking for evidence that you can still find youthful spirit in your middle ages, Works for Tomorrow will give you that faith. If you're just in the market for some good hard-rocking music, the album works just as well. If you're taken by the songs, you can see Eleventh Dream Day perform live this Friday at The Hideout, located at 1354 W. Waubansia. Doors open at 9:30pm and tickets are just $12.

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Grace / July 23, 2015 11:45 AM

Riot Grrl is not the only alternative way to describe a woman's voice if she's not a pop artist. There are better descriptors out there, especially some really tasty gender neutral ones.

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Feature Thu Dec 31 2015

Our Final Transmission Days

By The Gapers Block Transmission Staff

Transmission staffers share their most cherished memories and moments while writing for Gapers Block.

Read this feature »


  Chicago Music Media

Alarm Magazine
Big Rock Candy Mountain
Boxx Magazine
Brooklyn Vegan Chicago
Can You See The Sunset From The Southside
Chicago Reader Music
Chicagoist Arts & Events
Chicago Music Guide
Chicago Singles Club
Country Music Chicago
Cream Team
Dark Jive
The Deli Chicago
Jim DeRogatis
Fake Shore Drive
Gowhere Hip Hop
The Hood Internet
Jaded in Chicago
Largehearted Boy
Little White Earbuds
Live Fix Blog
Live Music Blog
Loud Loop Press
Oh My Rockness
Pop 'stache
Pop Matters
Resident Advisor
Sound Opinions
Sun-Times Music Blog
Theft Liable to Prosecution
Tribune Music
UR Chicago
Victim Of Time
WFMU's Beware of the Blog
Windy City Rock


Abbey Pub
Andy's Jazz Club
Aragon Ballroom
Auditorium Theatre
Beat Kitchen
Bottom Lounge
Buddy Guy's Legends
The Burlington
California Clipper
Concord Music Hall
Congress Theater
Cubby Bear
Double Door
Elbo Room
Empty Bottle
Green Mill
The Hideout
Honky Tonk BBQ
House of Blues
Kingston Mines
Lincoln Hall
Logan Square Auditorium
Mayne Stage
The Mutiny
Old Town School of Folk Music
Park West
The Promontory
Red Line Tap
Reggie's Rock Club & Music Joint
The Riviera
Thalia Hall
The Shrine
Symphony Center
Tonic Room
Uncommon Ground
The Vic
The Whistler

  Labels, Promoters
  & Shops:

Alligator Records
Beverly Records
Bloodshot Records
Dave's Records
Delmark Records
Drag City
Dusty Groove
Flameshovel Records
Groove Distribution
He Who Corrupts
Jam Productions
Jazz Record Mart
Kranky Records
Laurie's Planet of Sound
Minty Fresh
Numero Group
mP Shows
Permanent Records
Reckless Records
Smog Veil Records
Southport & Northport Records
Thick Records
Thrill Jockey Records Touch & Go/Quarterstick Records
Victory Records

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Transmission is the music section of Gapers Block. It aims to highlight Chicago music in its many varied forms, as well as cover touring acts performing in the city. More...
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