Three Birds Pictures will screen Pitch and Tone at a special fundraising event at The Hideout, 1354 W. Wabansia, on Dec. 9 from 5 to 7pm. The $6 suggested donation at the door will go directly to the company's post-production fees.
Q: Cinema and literature. We've all described a movie as being literary from time to time, and on unique occasions I've been able to have a cinematic experience while in the midst of the written word. To your mind, what is it that seduces cinema and literature into sharing such aesthetic climaxes?
Cashiola: Storytelling is attractive because human beings are big projectors, and they tend to put themselves into every situation and see themselves as every character. The freedom in storytelling is appealing, similar to the Choose Your Own Adventure books that I read when I was younger. I prefer books. The climaxes can be much more personal.
Q: In many indie films, directors have used non-actors for important roles. I would think the attraction to non-actors for these directors (outside of the whole monetary thing) is largely sculpted by the idea that such talent lends more authority to the director's vision. What do you think?
Cashiola: "I just think that you give somebody something that they can do, and allow them to be a person. I just try to remove the technical responsibilities for a person so that he doesn't realize that he's being photographed." -John Cassavetes
"If you can just get them to do what they're doing, 'their relations with the objects and persons around them will be right because they will not be thought.'" -Jeff Harms quoting Robert Bresson
Q: A question I plan to ask each film director I engage for this column: Why aren't more attempts at the silent film made today? Is it a symptom of the "biz"? Is it a symptom of an industry that does not want to look back? Or, is it that the contemporary audience is utterly unequipped to experience such a visceral phenomenon?
Cashiola: I was driving one day and a song from Brian Eno's Music for Airports came over the radio. It was an audio piece and he was talking about how his intention for the album was to have a record that would accompany any environment anywhere. The type of music that you could put on and almost forget about, in the way that is opposite to active listening. As I drove, it happened in real time: The car became a theater, and the distance between me and all the life outside was mitigated by the car's windows, and all the background of life, the boring and mundane things of life were highlighted and colored so clearly by this low, electronic droning. In this way, the background became the focus. I imagine a silent film would do the same. The silence offers your attention a surge of freedom. I do not think a majority of people today are ready to look at the background.