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News Thu Jul 24 2008
James Wood on Alexander Hemon
James Wood writes a major critique of Alexander Hemon for the New Yorker:
"Hemon’s fiction has always been daring: Nowhere Man uses three or maybe four different narrators to rub in the silhouette of Jozef Pronek’s complicated life. The Lazarus Project is in some ways bolder still. It alternates chapters describing Brik’s travels with chapters imagining Lazarus Averbuch’s existence in the early twentieth century. It is both a historical fiction and an inquiry into the limits of historical fictionalizing."
