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« Review: Jeff Garlin @ Steppenwolf Free Movie Tuesdays at the 360 »

Review Mon Jul 18 2011

Review: Alien Queen @ Metro

alienqueen.jpg

Ryan Lanning as Ripley, with puppet-sized Newt. Photo credit: Timmy Samuel.

Friday night I was introduced to something that I can't believe I never knew about before: Alien Queen. When I got the press release, I was intrigued. I love Queen like almost nobody else does: I have a Facebook profile picture of me genuflecting at the feet of the Freddie Mercury statue in Montreaux, my secret personal anthem is "Don't Stop Me Now" and I've performed "We Will Rock You/We Are The Champions" at live band karaoke, to rave reviews. I enjoy the Alien films as much as the next person (at least the first two in the series, before the franchise started heading into Alien vs. Mothra territory), but I wasn't sure how these two seemingly disparate things would fare mashed together in a midnight show.

As it turns out, they go together hilariously well. Over the course of an hour or so, the first two films in the Alien series are condensed, parodied onstage by an energetic cast starring Ryan Lanning as Ripley, and accompanied by a bonafide four-piece rock band that keeps the show moving forward. The Queen catalog comes into play at key moments: when the baby alien (represented by a sock puppet) springs from the stomach of Kane, it begins singing "Mama, just killed a man..." from "Bohemian Rhapsody"; when the cast of the first film fights the Alien, it's set to the song "Keep Yourself Alive"; and when Ripley goes into hypersleep at the end of the first film, it's to the strains of "All Dead All Dead/Nevermore."

After a musical interstitial, the cast picks up the story with Aliens, the second film in the series. Ripley's hair is shorter, but otherwise her costume is the same. "What happened to my hair, where am I?" she asks. "In the next film," comes the answer. The stage interpretation of the second film is even more flamboyant than the first, featuring several average sized aliens and one enormous, queen alien, who makes her entrance on the balcony. Surrounded by Metro security detail, she makes her way down to the first floor, where Ripley delivers the line: "Get away from her, you bitch!" to raucous applause. The final scene has Ripley singing the final strains of "Bohemian Rhapsody" with the lines "nothing really matters..." with a rapt audience singing along in unison. With that, the entire cast gets onstage and sings the incongruous "Fat Bottomed Girls," with the audience singing right along with them.

The cultish audience enthusiasm put me in the mind of The Rocky Horror Picture Show, and Lanning's portrayal of Ripley had just a hint of Kevin McDonald of the Canadian comedy troupe "Kids in the Hall." This was billed as Alien Queen's final performance, but I really hope it's not, it's just like me to discover something like this right at the end of its run. Alien Queen is produced by The Scooty & Jojo Show, and whatever they have up their sleeve next, I want in.

 

Timmy Samuel / July 19, 2011 8:50 AM

Seriously guys? Photo courtesy "the internet"? Is this the new standard for attribution? There didn't happen to be a photo credit on the particular "internet" you pulled the pic down from? Let me help you out:
Photo © 2010 Timmy Samuel.

Also, awesome review of an awesome show. I'm bitchy because I'm biased and love the show.

Oh all right, I'm just bitchy.

JP / July 19, 2011 1:25 PM

In fact, there wasn't an attribution on the site I found it on, and it cracked me up to attribute it to the Internet. Thanks for letting me know Timmy! I'll change the attribution.

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Culture Tue Nov 04 2014

7,550 Miles from Home, Chicago's Ethiopians Build a Cultural Museum

By Danielle Elliott

Some 7,550 miles separate Chicago from Ethiopia's capital, Addis Ababa. For the 10,000 Ethiopians living in Chicago, that distance seems a lot smaller due to the Ethiopian Community Association of Chicago.
Read this feature »

Steve at the Movies Fri Nov 21 2014

The Hunger Games: Mockingjay Part 1, Foxcatcher, The Homesman, Force Majeure, America the Beautiful 3: The Sexualization of Our Youth, National Gallery & Miss Meadows

By Steve Prokopy

Read this column »

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