Gapers Block has ceased publication.

Gapers Block published from April 22, 2003 to Jan. 1, 2016. The site will remain up in archive form. Please visit Third Coast Review, a new site by several GB alumni.
 Thank you for your readership and contributions. 


Sunday, June 4

Gapers Block

Gapers Block on Facebook Gapers Block on Flickr Gapers Block on Twitter The Gapers Block Tumblr

« Chicago Urban League: Celebrating Black History Through Cinema Untitled Hosts "Unbustled," A Burlesque Competition »

Art Mon Feb 03 2014

Review: Post-Street Art in Two Exhibits at Maxwell Colette Gallery

peeta-wallview-GB.jpg The classically modern Maxwell Colette Gallery, open since 2010, is on an undistinguished strip of Ashland Avenue in Noble Square, but don't be deterred by the surroundings. The current exhibit of the work of two artists--one local, one internationally known--is artfully displayed in the two-level gallery and warrants a close look. The art is considered "post-street art" by gallery director Oliver Hild, whose gallery specializes in that genre.

The two exhibits provide a vibrant contrast in the evolution of street art.

White Out is the exhibit by Peeta, an Italian graffiti artist. His elegant mixed media pieces are created by taking the traditional letterforms that make up his name and bending, twisting, folding and styling them with shape and volume. His backgrounds suggest graffiti spraying, while the imagery is crystalline white and shadow.

Peeta says that the paintings in White Out are an "attempt to render the most deceptive condition that snow can cause; in which visibility and contrast are so severely reduced that no reference point remains, and the individual experiences a distorted orientation." Far from cold, these new paintings instead have a "bright, sparkling, total whiteness." Peeta, also known as Manuel Di Rita, lives in Venice; he has been a graffiti artist since 1993.

aleckscruzsign-2-GB.jpgIn Redemption, Chicago sculptor Alecks Cruz forms sculptures suggesting graffiti tags from corrugated containers, carefully cut to retain rough seams and preserve the product branding from the original containers. His six sculptures, three to four feet tall, are meant to be viewed from all sides. He adds no color or decoration, but lets the printing and branding color form marquetry patterns.

Cruz started with a spray can, as most graffiti artists do, but now focuses on letterforms that retain the stylistic essence of street art. Cruz is a self-taught artist and graphic designer who lives in Berwyn.

All the paintings and sculpture shown are for sale.

aleckscruzcloseup-GB.jpgWhat is "post-street art?," I asked Hild, whose background is in analog photography and who now buys and sells art in his gallery and online. "Post-street art is street art or graffiti that is no longer underground. It's now commercial and collectible." The tipping point that brought street art into the mainstream, Hild feels, came through two events.

In 2008 Shepard Fairey, a street artist, created posters for Barack Obama's campaign; the "Hope" portrait version was adopted by the campaign and became its iconic symbol. That portrait is now part of the permanent collection at the National Portrait Gallery in Washington.

The second tipping point was the 2010 documentary, Exit Through the Gift Shop, that explores the commercialization of underground art. An eccentric French filmmaker tries to make a film about the elusive Banksy, the graffiti artist with a global reputation. The film, which won an Academy Award nomination and several regional awards, is actually made by Banksy who turns the camera back on the amateur filmmaker. Peter Travers said in his Rolling Stone review "The wild ride of a film...sees the art world as a circus, taking in the nut jobs and the celebrated likes of Shepard Fairey, Neckface, Swoon and Banksy himself."


Today, the work of Banksy, Cause, Invader, Basquiat, Keith Haring, and other street artists, is shown in galleries, and Hild offers many of them for sale online. Banksy created a monthlong show on the streets of New York last October. Better Out Than In featured a new piece of art or an art event in an new location each day.

Of course, Chicago has a long and vibrant history of wall art and mural art in many neighborhoods. Much of it was originally underground art and tagging by graffiti artists, but now it is often fostered and supported by community organizations, as recent Gapers Block stories described.

The Chicago Cultural Center presented an exhibit titled Paint Paste Sticker: Chicago Street Art, which closed January 12. It is ironic to see the exhibit in a city-sponsored exhibit, Hild points out, when just 20 years ago, Mayor Richard M. Daley initiated a "graffiti blasters" task force focused on eradicating street art and gang symbols.

Redemption and White Out will be shown at Maxwell Colette Gallery, 908 N. Ashland Ave., through March 1. Hours are 12-6pm Wednesday through Saturday. Admission is free. For more information, call 773-496-3153.

Photos by Oliver Hild.

GB store
GB store

Architecture Tue Nov 03 2015

Paul Goldberger Describes the "Pragmatism and Poetry" of Frank Gehry's Architecture in His New Book

By Nancy Bishop

Architecture critic Paul Goldberger talks about Frank Gehry's life and work in a new book.
Read this feature »

Steve at the Movies Fri Jan 01 2016

Best Feature Films & Documentaries of 2015

By Steve Prokopy

Read this column »


An Angry White Guy
AREA Chicago
ArchitectureChicago Plus
Arts Engagement Exchange
The Art Letter
Art or Idiocy?
Art Slant Chicago
Art Talk Chicago
Bad at Sports
Bite and Smile
Brian Dickie of COT
Bridgeport International
Carrie Secrist Gallery
Chainsaw Calligraphy
Chicago Art Blog
Chicago Art Department
Chicago Art Examiner
Chicago Art Journal
Chicago Artists Resource
Chicago Art Map
Chicago Art Review
Chicago Classical Music
Chicago Comedy Examiner
Chicago Cultural Center
Chicago Daily Views
Chicago Film Examiner
Chicago Film Archives
Chicago Gallery News
Chicago Uncommon
Contemporary Art Space
Co-op Image Group
Co-Prosperity Sphere
Chicago Urban Art Society
Creative Control
Devening Projects
DIY Film
The Exhibition Agency
The Flatiron Project
F newsmagazine
The Gallery Crawl...
Galerie F
The Gaudy God
Happy Dog Gallery
Homeroom Chicago
I, Homunculus
Hyde Park Artcenter Blog
Joyce Owens: Artist on Art
Julius Caesar
Kasia Kay Gallery
Kavi Gupta Gallery
Rob Kozlowski
Lookingglass Theatre Blog
Lumpen Blog
Mess Hall
Neoteric Art
Not If But When
Noun and Verb
On Film
On the Make
Peanut Gallery
Peregrine Program
The Poor Choices Show
Pop Up Art Loop
The Post Family
The Recycled Film
Reversible Eye
Rhona Hoffman Gallery
Roots & Culture Gallery
The Seen
Sisterman Vintage
Site of Big Shoulders
Sixty Inches From Center
Soleil's To-Do's
Sometimes Store
Stop Go Stop
Storefront Rebellion
TOC Blog
Theater for the Future
Theatre in Chicago
The Franklin
The Mission
The Theater Loop
Thomas Robertello Gallery
Time Tells Tony Wight Gallery
Uncommon Photographers
The Unscene Chicago
The Visualist
Western Exhibitions
What's Going On?
What to Wear During an Orange Alert?
You, Me, Them, Everybody
Zg Gallery

GB store



A/C on Flickr

Join the A/C Flickr Pool.

About A/C

A/C is the arts and culture section of Gapers Block, covering the many forms of expression on display in Chicago. More...
Please see our submission guidelines.

Editor: Nancy Bishop,
A/C staff inbox:



A/C Flickr Pool
 Subscribe in a reader.

GB store

GB Store

GB Buttons $1.50

GB T-Shirt $12

I ✶ Chi T-Shirts $15