Gapers Block has ceased publication.

Gapers Block published from April 22, 2003 to Jan. 1, 2016. The site will remain up in archive form. Please visit Third Coast Review, a new site by several GB alumni.
 Thank you for your readership and contributions. 


Sunday, July 21

Gapers Block

Gapers Block on Facebook Gapers Block on Flickr Gapers Block on Twitter The Gapers Block Tumblr

« The Hobbit: The Battle of the Five Armies & The Babadook Into the Woods, Big Eyes, Unbroken, The Gambler, Mr. Turner & Zero Motivation »

Chicago Speaks Mon Dec 22 2014

Chicago Speaks: American Sign Language, as Signed by Poet and Storyteller Peter Cook

Chicago SpeaksAs a global city, Chicago is home to many languages besides English. Chicago Speaks profiles speakers of these languages, and shares some of their personal stories along the way.

As a student at the National Technical Institute for the Deaf at the Rochester Institute of Technology, Peter Cook was a graphic design major who wrote poetry on the side, composing his poems in English and translating them into American Sign Language. Then, in 1984, he attended a poetry workshop Allen Ginsberg gave at the school with the Deaf poet Robert Panara.

"Allen was reading from Howl, and there was a sign language interpreter," Cook recounts. "He got to the words 'hydrogen jukebox' and he stopped."

The documentary The Heart of the Hydrogen Jukebox features footage of what happened next. "What is a hydrogen jukebox in sign language?" Ginsberg asks. "Does any kind of interesting sparkle come through with that combination? Or does that go dead in translation?"

In response to Ginsberg's question, the Deaf poet Patrick Graybill walks to the front of the room and, in Cook's words, "created in space a jukebox, and the record player ...and then it explodes." The audience erupts in applause. (The interpreter had only spelled the English words.)

"Allen Ginsberg said, 'That's it!'" Cook recalls. "He said modern American poets try to make their work as visual as possible, and that Patrick had done it instantly. And he said he was jealous. That workshop had big impact on me. It changed my life. I realized that I could let go of what I was writing down... and I could instead just really create poetry in ASL by itself."

Flying Words

Soon, Cook became an integral part of the ASL poetry scene that flourished in the 1980s in Rochester, New York. "A lot of people now will refer to that as a Deaf Rochester poetry movement that was happening, and I just happened to be there," he explains. During that period, he and a hearing collaborator founded the Flying Words Project, a two-person troupe that still regularly stages ASL poetry.

Today, Cook combines education with his performance work. He's acting chair of the Department of ASL-English Interpretation at Columbia College Chicago, where he started teaching as a part-time instructor in 1993.

ASL 101

When students start learning ASL, he notes, one of the biggest challenges they face is paying attention to nonmanual signs.

"When they're learning ASL, they want to look at what your hands are doing and only what your hands are doing," Cook explains. "But that's not enough. You have to watch everything that's going on in the face. . . . So, for example, the eyebrows are part of the sentence. If I were to ask you a yes-or-no question -- like, do you like ice cream? -- the eyebrows go up. That's a formal part of the grammar of ASL."

Many elements of ASL have roots in French Sign Language (also known as LSF, or Langue des Signes Fran├žaise). Laurent Clerc, who in 1817 cofounded the first American school for the deaf, had learned LSF in his native France and used it as his medium of instruction. The emergence of ASL is often attributed to the contact between LSF and the local sign languages used by the Connecticut school's first students.

ASL and LSF are not mutually intelligible. But they are more closely related than, say, ASL and British Sign Language. "People think everyone signs the same all over the world," Cook explains. "But of course each country has their own [sign language], because it's related to culture."

Another common misconception is that ASL is based on visual depiction; in fact, most of its signs are arbitrary, bearing no visual resemblance to their referents.

"Born Again Deaf"

The 51-year-old Cook, who has been deaf since he was 3, didn't learn ASL until he was 19. As a child, he attended a school that taught speech and lip reading and did not allow signing -- an approach, opposed by many in the Deaf community, that declined in popularity after a heyday spanning the end of the 19th century and the first half of the 20th. Since then, ASL has gained ground in education, but the history of debates about deaf children's schooling is complex and ongoing.

The Deaf community distinguishes between lowercase-d deaf, which refers to the condition of not hearing, and capital-d Deaf, which denotes a shared language and cultural identity. Even before Cook attended Ginsberg's workshop, learning that language -- and assuming that identity -- had changed his life.

"From the moment I got [to Rochester], it was a new world," he recalls in The Heart of the Hydrogen Jukebox, which features some of his work. "I felt like a B.A.D.: born again Deaf."

ASL-English interpretation provided by Candace Hart-Hathaway, a sign language interpreter at Columbia College Chicago.

GB store
GB store

Architecture Tue Nov 03 2015

Paul Goldberger Describes the "Pragmatism and Poetry" of Frank Gehry's Architecture in His New Book

By Nancy Bishop

Architecture critic Paul Goldberger talks about Frank Gehry's life and work in a new book.
Read this feature »

Steve at the Movies Fri Jan 01 2016

Best Feature Films & Documentaries of 2015

By Steve Prokopy

Read this column »


An Angry White Guy
AREA Chicago
ArchitectureChicago Plus
Arts Engagement Exchange
The Art Letter
Art or Idiocy?
Art Slant Chicago
Art Talk Chicago
Bad at Sports
Bite and Smile
Brian Dickie of COT
Bridgeport International
Carrie Secrist Gallery
Chainsaw Calligraphy
Chicago Art Blog
Chicago Art Department
Chicago Art Examiner
Chicago Art Journal
Chicago Artists Resource
Chicago Art Map
Chicago Art Review
Chicago Classical Music
Chicago Comedy Examiner
Chicago Cultural Center
Chicago Daily Views
Chicago Film Examiner
Chicago Film Archives
Chicago Gallery News
Chicago Uncommon
Contemporary Art Space
Co-op Image Group
Co-Prosperity Sphere
Chicago Urban Art Society
Creative Control
Devening Projects
DIY Film
The Exhibition Agency
The Flatiron Project
F newsmagazine
The Gallery Crawl...
Galerie F
The Gaudy God
Happy Dog Gallery
Homeroom Chicago
I, Homunculus
Hyde Park Artcenter Blog
Joyce Owens: Artist on Art
Julius Caesar
Kasia Kay Gallery
Kavi Gupta Gallery
Rob Kozlowski
Lookingglass Theatre Blog
Lumpen Blog
Mess Hall
Neoteric Art
Not If But When
Noun and Verb
On Film
On the Make
Peanut Gallery
Peregrine Program
The Poor Choices Show
Pop Up Art Loop
The Post Family
The Recycled Film
Reversible Eye
Rhona Hoffman Gallery
Roots & Culture Gallery
The Seen
Sisterman Vintage
Site of Big Shoulders
Sixty Inches From Center
Soleil's To-Do's
Sometimes Store
Stop Go Stop
Storefront Rebellion
TOC Blog
Theater for the Future
Theatre in Chicago
The Franklin
The Mission
The Theater Loop
Thomas Robertello Gallery
Time Tells Tony Wight Gallery
Uncommon Photographers
The Unscene Chicago
The Visualist
Western Exhibitions
What's Going On?
What to Wear During an Orange Alert?
You, Me, Them, Everybody
Zg Gallery

GB store



A/C on Flickr

Join the A/C Flickr Pool.

About A/C

A/C is the arts and culture section of Gapers Block, covering the many forms of expression on display in Chicago. More...
Please see our submission guidelines.

Editor: Nancy Bishop,
A/C staff inbox:



A/C Flickr Pool
 Subscribe in a reader.

GB store

GB Store

GB Buttons $1.50

GB T-Shirt $12

I ✶ Chi T-Shirts $15