As of January 1, 2016, Gapers Block has ceased publication. The site will remain up in archive form. Please visit Third Coast Review, a new site by several GB alumni.
 Thank you for your readership and contributions over the past 12-plus years. 

TODAY

Wednesday, December 13

Gapers Block
Search

Gapers Block on Facebook Gapers Block on Flickr Gapers Block on Twitter The Gapers Block Tumblr


A/C
« The Drowning Girls at Signal Ensemble Theatre: More Than a Tea Party in a Bathtub FlySpace Introduces New Partner »

Theater Mon May 11 2015

Review: The Project(s) at American Theater Company

GB_TheProject(s)_fullcast (1).jpg
Photo by Michael Brosilow.

American Theater Company's brave new world premiere, The Project(s), is a lesson in Chicago history and an explanation of some of its present troubles. Writer/director P.J. Paparelli conceived the play to dramatize the experiences of residents of Chicago's public housing projects, past and present.

His docudrama isn't a dreary recitation of blame and political failure. The problems are not ignored, but the resulting production is a lively and thoroughly engrossing story in words, rhythm and music. The ensemble is made up of outstanding performers with diverse theatrical backgrounds. Each plays many roles as residents, victims, observers and public officials. The result is a fascinating and illuminating drama about the creation and destruction of community.

Paparelli and his co-writer, Joshua Jaeger, conducted about 100 interviews over five years with current and former residents of public housing, plus scholars and city officials. Paparelli worked with Jakari Sherman on choreography and music compositions to represent the sound and movement inspired by the community, including body percussion and dance forms like stepping.

The cast of five women and three men excel at their many dramatic and musical roles. It's hard to choose any of the performers as superior to others, but Kenn E. Head as historian Dr. Timuel Black is memorable, as are Linda Bright Clay and Joslyn Jones as friends, neighbors and building organizers. Penelope Walker is eloquent as a narrative voice and Stephen Conrad Moore is convincing as Dr. D. Bradford Hunt, a white social science professor, who provides research insights on the history and nature of public housing in Chicago. Omar Evans, AmJi White and Eunice Woods round out the outstanding ensemble.

"Just looking out of the window, Watching the asphalt grow, Thinking how it all looks hand-me-down, Good Times, yeah, yeah Good Times"

The play begins with the cast singing the theme song from the TV series, "Good Times," set in an unnamed housing project (usually identified as Cabrini Green). Various characters take us on tours of the now-demolished housing projects (projected on the wall) such as Cabrini Green, Ida B. Wells, Clarence Darrow and the Robert Taylor Homes.

Looking at a projection screen, one actor says, "Robert Taylor. Yep. All this here was the Robert Taylor Homes. At the time, it was the biggest housing project in the country. I think there was like 27 to 28,000 people livin' there... Yes! I do not lie. And you want to know something? Everything you see here...gone. (Building projection fades.) Can you believe it? What a change! To witness something like this. And I keep askin', "Where are the people now, you know? Where'd they all go?"

The early development of public housing grew out of the progressive movement early in the 20th century, when the Great Migration brought 500,000 African-Americans from southern states to Chicago (more than 6 million moved from the Jim Crow South to the cities of the North, Midwest and West).

Dr. Black observes, "Families like mine came for three things: to vote, to get a better education for their children, and to protect themselves from the Ku Klux Klan." The settlers were concentrated in Chicago's Black Belt on the near south side. Low employment and unemployment created an environment of poverty and overcrowding in the available housing. Public housing was developed as a reformers' approach to improving the conditions in which poor people lived. Low-rise developments like Ida B. Wells and Wentworth homes were built in the late 1930s and '40s.

The 1950s development of public housing high-rises, built on the land formerly covered by black slums, was considered to be a grand improvement in residents' lives. The actors tell what it was like to live in the first low-rise public housing and how life changed in the high rises.

The architects and some planners favored high-rises; they saw them as "Towers in the park. Elevators, open-air galleries called sidewalks in the sky. This is cutting edge, very European." But they didn't foresee the problems of high-rise living, including maintenance problems, malfunctioning elevators and, of course, gangs. The high rises were sometimes called the "$70 million jungle" and the "Congo Hilton."

Finally, the high-rises are deemed a social failure and demolition begins on many of the large developments in the late 1990s. Some are replaced by mixed-income developments but most of the residents are moved out; their close-knit communities are destroyed.

The Project(s)' deceptively simple set was designed by William Boles. The backdrop is a projection wall -- "a massive concrete wall reminiscent of the fa├žade of the Robert Taylor Homes" -- with eight smaller screens. Michael Stanfill's projection designs are displayed on both the wall and the screens; the images include enlarged historical photos and documents. A time clock at the top of the wall counts off intermission time. Props are eight folding chairs and eight moving boxes from which actors draw props and costume items. Christine Pascual's clever costume plan dresses each actor in basic dark colors to which they add jackets, sweaters, scarves and headgear to suit the scene.

The Project(s) has been extended and will run through June 21 at American Theater Company, 1909 W. Byron St. Running time is 2-1/2 hours with two intermissions. Performances are at varying times Thursday through Sunday. Tickets are $43-48 and are available online or by calling 773-409-4125. A select number of free tickets is available for all performances for former and current public housing residents. Interested residents can call ATC at 773-409-4125 for details.

ATC will take its production of The Project(s) to the Cabrini-Green and Wentworth Gardens neighborhoods. Free public performances will be held at Edward Jenner Elementary Academy of the Arts, 1119 N. Cleveland Ave., at 6pm Sunday, May 17, and at Wentworth Gardens Fieldhouse, 3770 S. Wentworth Ave., at 5pm Sunday, May 24.

 
GB store
GB store

Architecture Tue Nov 03 2015

Paul Goldberger Describes the "Pragmatism and Poetry" of Frank Gehry's Architecture in His New Book

By Nancy Bishop

Architecture critic Paul Goldberger talks about Frank Gehry's life and work in a new book.
Read this feature »

Steve at the Movies Fri Jan 01 2016

Best Feature Films & Documentaries of 2015

By Steve Prokopy

Read this column »

Blogroll

ACRE
An Angry White Guy
Antena
AREA Chicago
ArchitectureChicago Plus
Arts Engagement Exchange
The Art Letter
Art or Idiocy?
Art Slant Chicago
Art Talk Chicago
Bad at Sports
Bite and Smile
Brian Dickie of COT
Bridgeport International
Carrie Secrist Gallery
Chainsaw Calligraphy
Chicago Art Blog
Chicago Art Department
Chicago Art Examiner
Chicago Art Journal
Chicago Artists Resource
Chicago Art Map
Chicago Art Review
Chicago Classical Music
Chicago Comedy Examiner
Chicago Cultural Center
Chicago Daily Views
Chicago Film Examiner
Chicago Film Archives
Chicago Gallery News
Chicago Uncommon
Collaboraction
Contemporary Art Space
Co-op Image Group
Co-Prosperity Sphere
Chicago Urban Art Society
Creative Control
Defibrillator
Devening Projects
Digressions
DIY Film
ebersmoore
The Exhibition Agency
The Flatiron Project
F newsmagazine
The Gallery Crawl...
Galerie F
The Gaudy God
Happy Dog Gallery
HollywoodChicago
Homeroom Chicago
I, Homunculus
Hyde Park Artcenter Blog
InCUBATE
Joyce Owens: Artist on Art
J-Pointe
Julius Caesar
Kasia Kay Gallery
Kavi Gupta Gallery
Rob Kozlowski
Lookingglass Theatre Blog
Lumpen Blog
Marquee
Mess Hall
N'DIGO
Neoteric Art
NewcityArt
NewcityFilm
NewcityStage
Not If But When
Noun and Verb
On Film
On the Make
Onstage
Peanut Gallery
Peregrine Program
Performink
The Poor Choices Show
Pop Up Art Loop
The Post Family
The Recycled Film
Reversible Eye
Rhona Hoffman Gallery
Roots & Culture Gallery
SAIC Blog
The Seen
Sharkforum
Sisterman Vintage
Site of Big Shoulders
Sixty Inches From Center
Soleil's To-Do's
Sometimes Store
Steppenwolf.blog
Stop Go Stop
Storefront Rebellion
TOC Blog
Theater for the Future
Theatre in Chicago
The Franklin
The Mission
The Theater Loop
Thomas Robertello Gallery
threewalls
Time Tells Tony Wight Gallery
Uncommon Photographers
The Unscene Chicago
The Visualist
Vocalo
Western Exhibitions
What's Going On?
What to Wear During an Orange Alert?
You, Me, Them, Everybody
Zg Gallery

GB store

 

Events


A/C on Flickr

Join the A/C Flickr Pool.



About A/C

A/C is the arts and culture section of Gapers Block, covering the many forms of expression on display in Chicago. More...
Please see our submission guidelines.

Editor: Nancy Bishop, nancy@gapersblock.com
A/C staff inbox: ac@gapersblock.com

Archives

 

A/C Flickr Pool
 Subscribe in a reader.

GB store

GB Store

GB Buttons $1.50

GB T-Shirt $12

I ✶ Chi T-Shirts $15