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Transmission

Review Thu Jun 05 2008

Live Review: Jamie Lidell @ Abbey Pub, 6/4

Three years ago when Jamie Lidell performed at the Museum of Contemporary Art, he was still known primarily as half of Super_Collider. His setup then was a table full of samplers, keys, and other buttons and knobs. Even though he was on tour in support of the soul-inspired Multiply album, he didn't stray far from his comfort zone. He spent much of the evening playing with electronics in a way that often seemed more for his own amusement than that of the audience. However, the highlights that night were when he stepped out from behind the gear and performed as a singer.

Last night at the Abbey, it was evident that Lidell has matured in a live setting. He appeared more aware of his strengths and weaknesses than he used to. With a full band (keyboards, guitar, drums, sax) backing him, he was free to be centerstage playing to the crowd. Although, for wildly varied arrangements of "When I Come Back Around" and "A Little Bit More", the band disappeared and let him run the show. Lidell clearly still enjoys experimenting with his electronic gear, but only once (during the 10-minute "When I Come Back Around") did he lose the crowd's attention by making noise simply for the sake of it. The Jim songs stayed close to studio form with some improvisation keeping them fresh. (I can't imagine he puts on the same show twice.) When the set came to a close following a tremendous "Wait For Me" and the band departed, the audience continued the call and response until the encore. With much of Jim already played, they launched into "Game For Fools" and an arrangement of "Multiply" hardly recognizable until the lyrics kicked in. Now, if only a sold out show at the Abbey didn't make people feel like sardines, there may have actually been some good dancing too. But in lieu of that, the band gave a full effort that left them out of breath and us quite pleased. Jamie Lidell will return to Chicago for Lollapalooza. Who knows what tricks he'll have up his sleeve then?

- James Ziegenfus

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