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Album Sat Aug 30 2008

You are such a...

Shalloboi.jpgI am always amazed by duos that can create massive sounds with just two instruments. Examples that come to mind are The Black Key's and the full on roar of Daniel Auerbach or the room shaking sound of Matt & Kim or The Dodos. If I had just one word to describe the sound of Shalloboi it would be reverb; room filling, ever-growing and growling reverb. This Chicago duo, consisting of Tyler Ritter and Stefanie Goodwin, has figured out a way to capture their impressive sound without too much processing. Recorded through utilizing natural room sounds, mic placement, doubling and pure volume, Tyler is able to use this as an additional instrument. The huge drone makes for an unsettling, but always interesting platform for the hazy and wondering vocals of Stefanie Goodwin. All of the vocal effects were achieved through the use of natural reverbs courtesy of an abandoned stairwell in the apartment building where the band lives and several spaces in the congress theater. I'm not sure if I would want to live in their building, but I love how their latest album turned out.

Down To Sleep is actually their fifth record, and it took about two and half years to record. The opening track, "The Sun is so Bright" begins like a sunrise, slowly moving and illuminating the edges of the sky. It is clear and clean with faint electronics, tambourine, and whispered vocals. However, at the 4:37 mark the song filled with a forceful and heavy drone. The sound is powerful and unexpected, and it can be followed through the rest of album. Shalloboi is a member is cllct.com so this release and all five of their albums can be downloaded for free.

[MP3] Shalloboi - The Sun is so Bright

Shalloboi will be performing at The Empty Bottle on Wednesday Sept 3rd at 9:00pm with A Tundra, Ceiling Stars, and Umbra & The Vulcan Sisters. This show will be the release show for Down To Sleep, and tickets are $7.

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When talking musical influences with Helen Money, it's easy to forget her instrument of choice: cello. She references Bob Mould's Beaster, with its wall of sound and intense, thought-obliterating guitar work. She speaks of The Who and all the crazy rock bands she was exposed to in the '80s. "The stuff I like sounds like life or death," she reasons. And this coming from a woman with a picture of Jimi Hendrix taped to her cello case like he's a saint.

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Transmission is the music section of Gapers Block. It aims to highlight Chicago music in its many varied forms, as well as cover touring acts performing in the city.

Editor: Anne Holub, ash@gapersblock.com
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