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DJ / Dance Thu Dec 04 2008

Hootenanny for the Headstrong

Given that this stretch of the Greater Midwest has long been a hive for breakcore activity, it's weird how little of it ever goes off in Chicago. Maybe it's because the breakcore crowd largely adheres to the original rave happening em-oh, and such events are most likely to take place in a warehouse on the outskirts of Pittsburgh or (no, not kidding) a barn in Wisconsin than at a legit/above-ground venue with a liquor license and neighbors who just might be inclined to complain about the noise.

When it comes to breakcore, many would argue that Venetian Snares (aka Winnipeg's Aaron Funk) pretty much rules the roost. Back when Aphex Twin dropped off the radar as Most Innovative And Fanatically Revered Mad Genius of the electronic-music community about five or so years ago, Mr. Snares immediately stepped in to fill the breach. Averaging about 3-4 albums' worth of released material per annum, he's widely hailed in breakcore subculture as the artist who defines (and pushes to re-define) the boundaries of leftfield extremist "electronica." Case in point: In the past few years, he's even made a few side-stepping excursions into composing beatless orchestral and chamber music.

Venetian Snares will be playing at Reggies Rock Club tomorrow evening, Friday the 5th, headlining an evening of nosebleed-inducing splatterbeats and bleeps. Joining him on the roster will be fellow and high-productivist squelch-wrangler Otto Von Schirach, who's currently traveling with VSnares as part of their "Detrimental Disco Wibble" joint tour. Cyrusrex, DJ Naha, Surachai, and Flashbulb are also piling onto the bill. With visual accompaniment by VJ Dizypixl. It ain't a party until someone calls for a medic! Doors open at 8 PM, and it's a 17 & over show. Tickets are $20, $25 the day of. 2109 S. State Street.

[video]: Venetian Snares - "Pink + Green"
[video]: Venetian Snares - "Hiszékeny"
[video]: "Notes On Breakcore" (documentary excerpt)

Graham Sanford / Comments (0)

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When talking musical influences with Helen Money, it's easy to forget her instrument of choice: cello. She references Bob Mould's Beaster, with its wall of sound and intense, thought-obliterating guitar work. She speaks of The Who and all the crazy rock bands she was exposed to in the '80s. "The stuff I like sounds like life or death," she reasons. And this coming from a woman with a picture of Jimi Hendrix taped to her cello case like he's a saint.

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Transmission is the music section of Gapers Block. It aims to highlight Chicago music in its many varied forms, as well as cover touring acts performing in the city.

Editor: Anne Holub, ash@gapersblock.com
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