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Preview Wed Sep 23 2009

Scout Niblett @ Subterranean Contest

scoutniblettphoto.jpg

I first saw Scout Niblett perform on June 22, 2008. Whatever else I did that day is long gone, but the performance I saw that night will always stick with me. It was a Sunday night and the show was at Schubas. I was there mostly to see Dax Riggs, but Niblett was opening. She began with "Hot to Death" from her album Kidnapped by Neptune, and she got my attention fast. Intense is not a strong enough word for what happened in that room, on that night. I was only slightly familiar with her before she started that first song. By the end of it I was enamored. I knew I was in for a binge. I bought (yes, bought) all her albums that night.

For those unfamiliar with Niblett, allow me a moment to proselytize: She is from Staffordshire, England, but currently lives in Portland, OR. Her music is very minimal, and consists primarily of vocals accompanied by guitar, drums and the occasional piano. Often, only one of these instruments can be heard at a time. She plays them all.

Niblett's singing is unconventional but fervent. She's cited grunge music and astrology as being major influences. She's worked with Chicago's own Steve Albini on multiple albums; her most recent, This Fool Can Die Now, features a hefty four duets with Bonnie "Prince" Billy. On April 14, 2009 she released the 7" single, It's Time My Beloved through Chicago-based indie label, Drag City. Her current tour comes to a close this Friday, Sep 25 at Subterranean: 2011 W North Ave. 9:30pm. 17 & over. Tickets are $12.

But why pay when you could go for free? That would be ridiculous, not to mention wasteful. We're giving away a pair of tickets. Be the first to email us at contests@gapersblock.com with your full name and "Niblett" in the subject line, and they're all yours. UPDATE We have a winner! Congrats to Dan B.

Brian Leli / Comments (0)

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By Kara Luger

When talking musical influences with Helen Money, it's easy to forget her instrument of choice: cello. She references Bob Mould's Beaster, with its wall of sound and intense, thought-obliterating guitar work. She speaks of The Who and all the crazy rock bands she was exposed to in the '80s. "The stuff I like sounds like life or death," she reasons. And this coming from a woman with a picture of Jimi Hendrix taped to her cello case like he's a saint.

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Transmission is the music section of Gapers Block. It aims to highlight Chicago music in its many varied forms, as well as cover touring acts performing in the city.

Editor: Anne Holub, ash@gapersblock.com
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