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Review Wed Oct 21 2009

Live Review: The Dodos @ Bottom Lounge

Dodos.jpgShame on me for not being familiar with The Dodos--especially when they're filling Bottom Lounge on a Monday night. I had certainly heard of them... I was told I would like them when they played Pitchfork Music Festival two years ago, and I remember a friend telling me she was a big fan around that same time. Even yesterday as I was searching for an email, I came across one from almost exactly a year ago from another friend inviting me to one of their shows (but I was already seeing Jamie Lidell that night).

Through all of this, I still managed to never hear or see The Dodos--that is until I recently happened upon their new album Time To Die streaming on their webpage. Their sound reminds me a lot of when indie rock really started to seep into the mainstream, the days when Death Cab was still indie and everybody was really into The Shins (Hey, remember The Shins?). There's innocence and hopefulness there with a driving beat and attention to melody.

They opened Monday's show in much the way I would describe them: surprisingly hard on the rock and heavy on the drums. There's no kick drum, just a bunch of toms making up drummer Logan Kroeber's set, hence the tribal sound. Keaton Snyder, the most recent addition to the band, is responsible for a lot of the trio's whimsy as the vibraphone player. He often played the vibes with a bow, making a beautiful screeching and humming sound that you might gloss over without the visual. Someone near me during the show noted the instrumental irony there stating "I like the vibes as a rock instrument."

One song was played in the dark with what I'm going to assume were light-up rings on their fingers, reminding me why glowlights were so popular in the electro scene. Kroeber was the most interesting to watch during this portion (obviously with the most arm movement), with vibes close second. They closed their set with an extended jam session at the end of what I think was the song "Jodie" (forgive me for not being more detailed with the setlist, as I said I am just now getting familiar with the group and their catalog). Lead Meric Long even took to a second mini drumset in the back to jam for a bit. During the encore, the crowd went crazy for what must be their most popular song, "Red and Purple." A nice way to start off an October week.

Michelle Meywes / Comments (0)

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DJ / Dance Thu Mar 11 2010

D3: Deconstruct, Discover Detroit Art and Music Series

By Mica Alaniz

In the world of sports, we might be rivals. In the world of industry, we're colleagues. On the world's stage, we're close relatives, but in dance music Chicago and Detroit are the kind of sister cities that finish each others' sentences. But in light of the ever-increasing ability to connect with people of the other side of the planet, Chicago's been neglecting regular contact with our own next door neighbor. There was once a time when music, artists and energy traveled freely between the two cities, and this Friday, March 12th at Smartbar, D3: Deconstruct, Discover Detroit Art and Music Series hopes to revive this exchange of ideas.

Read this feature »

Blogroll

  Chicago Music Media

Alarm Magazine
Avant/Chicago
BackStage
Big Rock Candy Mountain
Can You See The Sunset From The Southside
Crickets
Post No Bills
Chicagoist Arts & Events
Chicago Snacks
Chicagoverseunited
CHIRP
Country Music Chicago
Cream Team
The Deli Chicago
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Familiarize Yourself
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Five Tunes
Gowhere Hip Hop
The Hood Internet
Hot Biscuits
Innerview
Little White Earbuds
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Loud Loop Press
Oh My Rockness
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Resident Advisor
Songs:Illinois
Sound Opinions
Theft Liable to Prosecution
Trash Menagerie
Turn It Up (Greg Kot)
UR Chicago
Victim Of Time
WFMU's Beware of the Blog
What to Wear During an Orange Alert
Windy City Rock

  Venues:

Abbey Pub
Andy's Jazz Club
Aragon Ballroom
Auditorium Theatre
Beat Kitchen
B.L.U.E.S
Bottom Lounge
Buddy Guy's Legends
California Clipper
Congress Theater
Cubby Bear
Double Door
Elbo Room
Empty Bottle
FitzGerald's
Green Mill
The Hideout
House of Blues
Kingston Mines
LaSalle Power Co.
Lincoln Hall
Logan Square Auditorium
Martyrs' Mayne Stage
Metal Shaker
Metro
Morseland
The Mutiny
Old Town School of Folk Music
Park West
Reggie's Rock Club & Music Joint
The Riviera
Rosa's
Schubas
The Shrine
Smartbar Subterranean
Symphony Center
Uncommon Ground
The Vic
The Whistler

  Labels, Promoters
  & Shops:

Alligator Records
Atavistic
Beverly Records
Bloodshot Records
Delmark Records
Drag City
Dusty Groove
Flameshovel Records
He Who Corrupts
Jam Productions
Jazz Record Mart
Kranky Records
Laurie's Planet of Sound
Minty Fresh
Numero Group
mP Shows
Permanent Records
Reckless Records
Smog Veil Records
Southport & Northport Records
Thick Records
Thrill Jockey Records Touch & Go/Quarterstick Records
Victory Records

  Further Afield:

Analog Giant
Art Of Rhyme
BBQ Chicken Robot
Beats Per Millennium
Brooklyn Vegan
Bust The Facts
CMJ
Cocaine Blunts
Coke Machine Glow
Coolfer
The Couch Sessions
Count Me Out
Culture Bully
Daytrotter
Donewaiting
Fluxblog
The Futurist
Gorilla Vs. Bear
Hear Ya
Heave Media
Hot Biscuits
Hooves On The Turf
The Hype Machine
Idolator
Indie Ear
Killahbeez
Largehearted Boy
Leaders 1354
Market Frenzy
Moistworks
Music for Robots
Muzzle of Bees
My Old Kentucky Blog
NPR: All Songs Considered
Okayplayer
The Onion A.V. Club
Paste Magazine
Said The Gramophone
Shake Your Fist
Spin Magazine
Soul Sides
Stereogum
You Ain't No Picasso


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