As of January 1, 2016, Gapers Block has ceased publication. The site will remain up in archive form. Please visit Third Coast Review, a new site by several GB alumni.
 Thank you for your readership and contributions over the past 12-plus years. 

TODAY

Wednesday, December 13

Gapers Block
Search

Gapers Block on Facebook Gapers Block on Flickr Gapers Block on Twitter The Gapers Block Tumblr


Transmission
« Contest: The Henry Clay People @ Empty Bottle Review: Tristan Perich @ Lampo »

Review Fri Oct 15 2010

Review: Four Tet, Matthew Dear, John Hopkins @ Metro 10/14

Triple bills on a weekday night are always a tough lot for the opener. Once, a Canadian rap-rock group named Kazzer opened for The Roots at the House of Blues — the audience was stone silent through some uneventful rapping and pseudo-breakdancing, causing the lead singer to shout "Who likes beer!? Who likes the Roots!?" in between songs. The audience declined to answer.

Luckily for Jon Hopkins, he held the fortunate advantage of some lead-in popularity (collaborations with Brian Eno on a score and album) as well as being a fine match to the performers following him. With tunes displayed Pet Shop Boys-pastorality to the thwomping bass of MSTRKRFT, Hopkins utilized three KAOSS pads to great dramatic effect, showing the energy of a drummer instead of a man squinting at a laptop.

20101014-IMG_7049.jpg
Matthew Dear (photo by Steve Stearns)

Matthew Dear and band came up next — their Black City logo had been hanging behind Hopkins forebodingly, but they looked all smiles and blazers upon entry. Dear's blazer and cropped hair looked Chris Issak, but his sexy was tinged by sinister. "You Put A Smell On Me" found Dear channeling his best Sign O' The Times-era Prince — a goofy synth line and 4/4 high-hat acting as background for the lustful sneer of "little red nightgown" ad nauseum. Tracks like "Monkey" showed more Bowie-like pop, and a trumpet and double cowbell came out for a spirited rendition of "Little People", which the crowd danced to with approval.

20101014-IMG_7382.jpg
Four Tet (photo by Steve Stearns)

Crew cleared the stage of Dear's banner, the drums, the synths, everything but one DJ table and two towers of speakers pointed right at the spot where Kieran Hebden would finish the night. He came out swinging, starting the audience right back up where Dear left them. Toy piano over club beats woven together with some trance, and Hebden liberally reworked pieces as he moved through his catalog. The ten-minute-long EP cut of "Ringer" made a particularly special appearance — the oscillating, hypnotic beat drew many cheers, and Four Tet chopped and screwed it into dust towards the middle, only to bring it back in full force for it's big drum-break conclusion. "Angel Echoes" brought more cheers. the crowd as appropriately as anyone can to Four Tet's music — one couple transitioned from shaking their ass to a slow-dance embrace in the same song. "Love Cry" brought the crowd back to club mode, and then a bone was thrown to old fans in the form of "Spirit Fingers" before Hebden took his bows. Naturally, he returned for one more — a very dreamy version of "Plastic People" that stopped even the early-departers in the doorways for one last dance party.

20101014-IMG_7460.jpg Four Tet's dance party (photo by Steve Stearns)

 
GB store
GB store

Feature Thu Dec 31 2015

Our Final Transmission Days

By The Gapers Block Transmission Staff

Transmission staffers share their most cherished memories and moments while writing for Gapers Block.

Read this feature »

Blogroll

  Chicago Music Media

Alarm Magazine
BackStage
Big Rock Candy Mountain
Boxx Magazine
Brooklyn Vegan Chicago
Can You See The Sunset From The Southside
Chicago Reader Music
Chicagoist Arts & Events
ChicagoMusic.org
Chicago Music Guide
Chicago Singles Club
CHIRP
Country Music Chicago
Cream Team
Dark Jive
Daytrotter
The Deli Chicago
Jim DeRogatis
Do312
Fake Shore Drive
Gowhere Hip Hop
Gridface
The Hood Internet
Innerview
Jaded in Chicago
Largehearted Boy
Little White Earbuds
Live Fix Blog
Live Music Blog
Loud Loop Press
Oh My Rockness
Pop 'stache
Pitchfork
Pop Matters
Resident Advisor
Songs:Illinois
Sound Opinions
Sun-Times Music Blog
Theft Liable to Prosecution
Tribune Music
UR Chicago
Victim Of Time
WFMU's Beware of the Blog
Windy City Rock

  Venues:

Abbey Pub
Andy's Jazz Club
Aragon Ballroom
Auditorium Theatre
Beat Kitchen
B.L.U.E.S
Bottom Lounge
Buddy Guy's Legends
The Burlington
California Clipper
Concord Music Hall
Congress Theater
Constellation
Cubby Bear
Double Door
Elbo Room
Empty Bottle
FitzGerald's
Green Mill
The Hideout
Honky Tonk BBQ
House of Blues
Kingston Mines
Lincoln Hall
Logan Square Auditorium
Martyrs'
Mayne Stage
Metro
The Mutiny
Old Town School of Folk Music
Park West
The Promontory
Red Line Tap
Reggie's Rock Club & Music Joint
The Riviera
Rosa's
Schubas
Thalia Hall
The Shrine
Smartbar
Subterranean
Symphony Center
Tonic Room
Township
Uncommon Ground
The Vic
The Whistler

  Labels, Promoters
  & Shops:

Alligator Records
Atavistic
Beverly Records
Bloodshot Records
Dave's Records
Delmark Records
Drag City
Dusty Groove
Flameshovel Records
Groove Distribution
He Who Corrupts
Hozac
Jam Productions
Jazz Record Mart
Kranky Records
Laurie's Planet of Sound
Minty Fresh
Numero Group
mP Shows
Permanent Records
Reckless Records
Smog Veil Records
Southport & Northport Records
Thick Records
Thrill Jockey Records Touch & Go/Quarterstick Records
Victory Records

GB store

Events

Featured Series














 

Transmission on Flickr

Join the Transmission Flickr Pool.


About Transmission

Transmission is the music section of Gapers Block. It aims to highlight Chicago music in its many varied forms, as well as cover touring acts performing in the city. More...
Please see our submission guidelines.

Editor: Sarah Brooks, sarah@gapersblock.com
Transmission staff inbox: transmission@gapersblock.com

Archives

 

Transmission Flickr Pool
 Subscribe in a reader.

GB store

GB Store

GB Buttons $1.50

GB T-Shirt $12

I ✶ Chi T-Shirts $15