As of January 1, 2016, Gapers Block has ceased publication. The site will remain up in archive form. Please visit Third Coast Review, a new site by several GB alumni.
 Thank you for your readership and contributions over the past 12-plus years. 

TODAY

Monday, December 18

Gapers Block
Search

Gapers Block on Facebook Gapers Block on Flickr Gapers Block on Twitter The Gapers Block Tumblr


Transmission
« Review: Devotchka, Scotland Yard Gospel Choir, Angus & Julia Stone @ Lincoln Hall 10/15 Contest: Freaky Deaky 2 @ Congress! »

Review Mon Oct 18 2010

Riot Fest 2010 Wrap-Up

Photobucket
The Lawrence Arms. All photos by Katie Hovland.


For any fan of punk music, Riot Fest is a mecca. If it is not the world's largest punk festival, it is certainly up there, and each year they somehow continue to expand and bring in even more exceptional acts. Now that we've had a full week to recover from Riot Fest (and I've had a week to recover from the massive flu I somehow caught at the festival), let's take a look back at the memorable moments at this year's explosive fest.

Photobucket
Propagandhi

Thursday night brought us Red Oktoberfest, the showcase of Chicago label Red Scare Industries, over at Metro. This yearly event teamed up with Riot Fest for the first time in 2010, featuring Red Scare artists Cobra Skulls, Copyrights, The Brokedowns, and Vultures United along with a band not on Red Scare but who likely inspired many Red Scare artists, Propagandhi.

Lawrence Arms frontman Brendan Kelly began the night with a rare acoustic set. The short set included mostly stripped down versions of Lawrence Arms' songs, but also included a couple originals before the rest of his band joined him on the Metro stage for one last song, a preview of their rocking set at the Congress Theater the next night. The rest of the night was downright rowdy as each band became progressively louder and crazier.

The show was capped off with political punks Propagandhi. As I've gotten older I've become less and less rambunctious, so I had to scoot up to the balcony as moshers completely dominated the downstairs floor at Metro. Propagandhi frequently comprised much of my 'jumping around in my bedroom' soundtrack in high school, but unfortunately I haven't listened to much of the band since those days and they tended to stick to mostly newer material at Metro. They did throw in a few gems from the old days and I was thoroughly impressed with their more recent work, so all in all it was a fantastic night.

Photobucket
The Bouncing Souls


The Congress Theater may not be my favorite venue in the city, but each year the shows at the Congress embody the spirit of Riot Fest moreso than any other venue. From the AP Magazine meet-and-greet booth out in the lobby, to the raging mosh pit on the ground level, to the filthy, enter-at-your-own risk bathrooms, for some reason the Riot Fest shows at Congress always tend to bring in the most diverse crowd in style and age. Friday night was no exception, as Bouncing Souls, Circle Jerks, Lawrence Arms, and the legendary Bad Religion graced the stage.

Photobucket
Bad Religion


Sadly, with so many bands jam packed into one night, Bouncing Souls only had a 30 minute set. This, in combination with singer Greg Attonito's injured foot, meant their performance was not as lively as I would have hoped. Due to long washroom lines, I missed a good portion of Circle Jerks' set, but from what I saw, the crowd seemed to be digging it. The Lawrence Arms lit up the venue with some intense, hard-hitting punk rock. The band seemed really happy to be at the festival and even happier to be opening for Bad Religion. Bad Religion marched on stage with "Pomp and Circumstance" blasting through the venue, before bursting into the classic "Do What You Want". The crowd went absolutely nuts for them, and the band completely dominated that stage. The band may be showing clear signs of aging, but they certainly have not lost their ear-splitting intensity.

Photobucket
The Smoking Popes


Our wonderful photographer Katie Hovland and I ended up at different venues across the city on Saturday night to cover as much Riot Fest ground as possible. Katie headed over to Metro for what has been announced as Cap'n Jazz's last Chicago performance, as well as a performance by another hometown favorite, The Smoking Popes. Here's what she had to say:

Witnessing two of Chicago's most influential bands on the same bill was historic to say the least. The Smoking Popes delivered a blistering thirty minute set at Metro on Saturday night, which featured a brand new song called Punk Band that will be included on an album of all new material which will be out on Asian Man Records next spring.

Cap'n Jazz frontman Tim Kinsella summer-salted around the stage, played the French Horn, banged a tambourine and jumped into the crowd. They gave one of the most kick ass performances I've ever seen.

Photobucket
Cap'n Jazz


Meanwhile, I spent the night rocking out over at House of Blues for the much poppier sets of fun. and Steel Train. This night at House of Blues was a bit of the show that Riot Fest forgot, seeing as though the show had a completely different vibe than the rest of the festival. Gone were the mohawked, safety pinned audience I saw the night before at the Congress, and in its place I found a much younger, mostly female crowd. While this show was officially a part of Riot Fest, I saw not one Riot Fest banner, none of the musicians mentioned the festival and I have a feeling that a good portion of the audience didn't even realize the show was part of something much larger.

Fun. and Steel Train share member Jack Antonoff, and as I mentioned in my Riot Fest preview, due to conflicting tour schedules it is a rare treat to be able to see fun. as a complete whole. When Jack Antonoff is in the house, the band is an entirely different monster - they're rocking harder, louder, and you can tell they're all having a great time doing it. Fun. usually tend to throw a cover of singer Nate Ruess' former band, The Format, into their sets, and much to my delight Saturday night they covered my favorite Format song, the slightly overly-theatrical "Dog Problems". Fun.'s strength lies in their ability to tell a complete story in one song, only amplified by Nate Reuss' incredible voice. They ended the night with "Be Calm" and "Take Your Time (Coming Home)", two songs that had the entire crowd dancing and singing at the top of their lungs.

The organizers behind Riot Fest are already taking suggestions for the 2011 festival over on Facebook. The Specials? Rancid? Pegboy? I'm sure they'll have tons of surprises in store for us.

 
GB store
GB store

Feature Thu Dec 31 2015

Our Final Transmission Days

By The Gapers Block Transmission Staff

Transmission staffers share their most cherished memories and moments while writing for Gapers Block.

Read this feature »

Blogroll

  Chicago Music Media

Alarm Magazine
BackStage
Big Rock Candy Mountain
Boxx Magazine
Brooklyn Vegan Chicago
Can You See The Sunset From The Southside
Chicago Reader Music
Chicagoist Arts & Events
ChicagoMusic.org
Chicago Music Guide
Chicago Singles Club
CHIRP
Country Music Chicago
Cream Team
Dark Jive
Daytrotter
The Deli Chicago
Jim DeRogatis
Do312
Fake Shore Drive
Gowhere Hip Hop
Gridface
The Hood Internet
Innerview
Jaded in Chicago
Largehearted Boy
Little White Earbuds
Live Fix Blog
Live Music Blog
Loud Loop Press
Oh My Rockness
Pop 'stache
Pitchfork
Pop Matters
Resident Advisor
Songs:Illinois
Sound Opinions
Sun-Times Music Blog
Theft Liable to Prosecution
Tribune Music
UR Chicago
Victim Of Time
WFMU's Beware of the Blog
Windy City Rock

  Venues:

Abbey Pub
Andy's Jazz Club
Aragon Ballroom
Auditorium Theatre
Beat Kitchen
B.L.U.E.S
Bottom Lounge
Buddy Guy's Legends
The Burlington
California Clipper
Concord Music Hall
Congress Theater
Constellation
Cubby Bear
Double Door
Elbo Room
Empty Bottle
FitzGerald's
Green Mill
The Hideout
Honky Tonk BBQ
House of Blues
Kingston Mines
Lincoln Hall
Logan Square Auditorium
Martyrs'
Mayne Stage
Metro
The Mutiny
Old Town School of Folk Music
Park West
The Promontory
Red Line Tap
Reggie's Rock Club & Music Joint
The Riviera
Rosa's
Schubas
Thalia Hall
The Shrine
Smartbar
Subterranean
Symphony Center
Tonic Room
Township
Uncommon Ground
The Vic
The Whistler

  Labels, Promoters
  & Shops:

Alligator Records
Atavistic
Beverly Records
Bloodshot Records
Dave's Records
Delmark Records
Drag City
Dusty Groove
Flameshovel Records
Groove Distribution
He Who Corrupts
Hozac
Jam Productions
Jazz Record Mart
Kranky Records
Laurie's Planet of Sound
Minty Fresh
Numero Group
mP Shows
Permanent Records
Reckless Records
Smog Veil Records
Southport & Northport Records
Thick Records
Thrill Jockey Records Touch & Go/Quarterstick Records
Victory Records

GB store

Events

Featured Series














 

Transmission on Flickr

Join the Transmission Flickr Pool.


About Transmission

Transmission is the music section of Gapers Block. It aims to highlight Chicago music in its many varied forms, as well as cover touring acts performing in the city. More...
Please see our submission guidelines.

Editor: Sarah Brooks, sarah@gapersblock.com
Transmission staff inbox: transmission@gapersblock.com

Archives

 

Transmission Flickr Pool
 Subscribe in a reader.

GB store

GB Store

GB Buttons $1.50

GB T-Shirt $12

I ✶ Chi T-Shirts $15