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Gapers Block published from April 22, 2003 to Jan. 1, 2016. The site will remain up in archive form. Please visit Third Coast Review, a new site by several GB alumni.
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Wednesday, July 24

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Review Sat Oct 05 2013

Ólafur Arnalds @ Constellation 10/03

Thursday in Chicago was an introspective day. The sky was an ominous shade of grey and a thick fog filled the air. As the day progressed, it started to rain. The city found itself temporarily transformed by the weather into a state of melancholy. It was the perfect weather to experience Ólafur Arnalds and his fantastic set of ambient modern classical.

Ólafur Arnalds played two sets on Thursday at the new jazz club, Constellation. I saw the later show at 9pm. Constellation opened in April on Western Avenue on the edge of Roscoe Village taking the space of the former Viaduct Theater. Founded by local jazz stalwart, Mike Reed, Constellation has taken on the mission of "present[ing] progressive performance and forward-thinking music with a focus on jazz, improvisation and contemporary classical." It's a really nice looking place and they're already booked an impressive lineup ranging from the aggressively avant-garde Peter Brötzmann to the master percussionist Hamid Drake.


The room in which we saw Ólafur Arnalds perform was a small minimalist area that embodied a sense of warmth and belonging. At one point during his set, Arnalds commented on this saying something to the point of, "It feels like I'm playing a private concert in the living room of my house. I do that for friends." He then smirked and further commented with his subtle wit, "It almost doesn't feel like you paid money to see me," before starting to play the baroque "Brim."

On stage, Ólafur was accompanied by a trio of musicians; vocalist Arnór Dan, violinist Viktor Orri Árnason and cellist Rubin Kodheli. Arnalds played the piano and handled sound manipulation with his assortment of devices. They played a set that leaned heavily towards the recently released album, For Now I Am Winter. Pieces like the aforementioned "Brim," and the Steve Reich inspired "New Skin" came alive with a sort of creative kineticism.

About halfway through the set, violinist Viktor Orri Árnason, performed an exhilarating and highly emotive solo. He played so intensely, his bow started to fracture yet he continued on and finished his performance. It was breathtaking. Afterwards, Ólafur commented with his subtle and charming wit, "Well...I guess I have to buy him a new bow."

He ended his set with a tribute to his grandmother, "Lag Fyrir Ömmu," a beautiful and haunting minimalist piece for piano and violin. "I owe my love of Chopin and all things non death-metal to her," he said before he began to play. As the piece reached its crescendo, an unseen violin suddenly played at the same intensity in tandem with the piano before both instruments slowly winded down to silence. The performance as a whole was a beautiful reminder of the subtle joys and subtle sorrows that life can sometimes provide.

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Feature Thu Dec 31 2015

Our Final Transmission Days

By The Gapers Block Transmission Staff

Transmission staffers share their most cherished memories and moments while writing for Gapers Block.

Read this feature »


  Chicago Music Media

Alarm Magazine
Big Rock Candy Mountain
Boxx Magazine
Brooklyn Vegan Chicago
Can You See The Sunset From The Southside
Chicago Reader Music
Chicagoist Arts & Events
Chicago Music Guide
Chicago Singles Club
Country Music Chicago
Cream Team
Dark Jive
The Deli Chicago
Jim DeRogatis
Fake Shore Drive
Gowhere Hip Hop
The Hood Internet
Jaded in Chicago
Largehearted Boy
Little White Earbuds
Live Fix Blog
Live Music Blog
Loud Loop Press
Oh My Rockness
Pop 'stache
Pop Matters
Resident Advisor
Sound Opinions
Sun-Times Music Blog
Theft Liable to Prosecution
Tribune Music
UR Chicago
Victim Of Time
WFMU's Beware of the Blog
Windy City Rock


Abbey Pub
Andy's Jazz Club
Aragon Ballroom
Auditorium Theatre
Beat Kitchen
Bottom Lounge
Buddy Guy's Legends
The Burlington
California Clipper
Concord Music Hall
Congress Theater
Cubby Bear
Double Door
Elbo Room
Empty Bottle
Green Mill
The Hideout
Honky Tonk BBQ
House of Blues
Kingston Mines
Lincoln Hall
Logan Square Auditorium
Mayne Stage
The Mutiny
Old Town School of Folk Music
Park West
The Promontory
Red Line Tap
Reggie's Rock Club & Music Joint
The Riviera
Thalia Hall
The Shrine
Symphony Center
Tonic Room
Uncommon Ground
The Vic
The Whistler

  Labels, Promoters
  & Shops:

Alligator Records
Beverly Records
Bloodshot Records
Dave's Records
Delmark Records
Drag City
Dusty Groove
Flameshovel Records
Groove Distribution
He Who Corrupts
Jam Productions
Jazz Record Mart
Kranky Records
Laurie's Planet of Sound
Minty Fresh
Numero Group
mP Shows
Permanent Records
Reckless Records
Smog Veil Records
Southport & Northport Records
Thick Records
Thrill Jockey Records Touch & Go/Quarterstick Records
Victory Records

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