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Thursday, February 26

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Review Wed Jun 04 2014

Kishi Bashi & Busman's Holiday Joyfully Burst at the Metro

kishi bashi.jpgIndiana label Joyful Noise Recordings puts out some of the best records year in and year out. They have a fantastic stable of artists that are dedicated and place every bit of themselves in to their music, something few labels can attest to. This past Saturday at the Metro, the label was well represented as Busman's Holiday and Kishi Bashi came out to support their recently released albums A Long Goodbye and Lighght respectively.

busman's holiday.jpgBusman's Holiday is made up brothers Lewis and Addison Rogers. Together they create touching and tender songs that deal with love, space and the things in between. The brothers are natural storytellers, which was evident in both their songs and crowd interactions. They had an instant rapport with the audience at the Metro, always taking a moment between songs to recount their adventures and follies. They gleefully reminisce about petting rhinoceros at the Lincoln Park Zoo and accidentally wearing the same black shirt and red socks.

busman's holiday2.jpgMusically, they had a strong grasp on everyone at the show. Lewis played guitar with the same affection as his voice had when he belted out "Baby Blue". Addison's drumming, performed on top of an old Samsonite suitcase, was fantastic. The suitcase wasn't just used for quirky charm, they have more than enough charm. Instead it acts as a completely integral and necessary part of their sound. Busman's Holiday DIY sensibility inhabits all their songs, connecting them and the crowd even closer together than their patter did. During "Daniel's Lament" the brothers took to tapping their chests and guitar, which got the crowd swaying and clapping along. Their cover of The Kinks "Waterloo Sunset" was nice detour from original songs, but finishing with their original "We are We" left the crowd with a warm and pleasant farewell.

kishi bashi1.jpgK Ishibashi, the man behind Kishi Bashi, experiments wildly with his violin, producing some of the most interesting music today. It's not surprising considering his work with Of Montreal, who he opened for at the Metro a couple years prior. It was clear that this night was special, becoming the headliner he has fully deserved after his amazing albums 151a and Lighght. Ishibashi came out with a sense of calmness and fortitude that matched the delicate sheets stretch across the wooden structures on stage. It was a nice sight that burst during "Philosophize it! Chemicalize It!", where a pop of confetti and streamers began to fall from the ceiling, shifting Ishibashi to hyperactivity that infected the rest of the set and crowd at the Metro.

kishi bashi3.jpgIshibashi's set was filled with small moments of improvisation, both on his violin and some beatboxing, all adding to his already great repertoire of songs. "Wonder Woman, Wonder Me" and both parts of "Hahaha" work incredibly well, almost seeming like entirely new songs under the band's live talent. Mike Savino, or Tall Tall Trees as he was known as through the night, jammed on his multipurpose banjo expertly. The banjo's continuously transforming face, lighting up in different colors, was drummed, bowed, and strummed passionately. It was really impressive, complementing Ishibashi's violin work.

kishi bashi 6.jpgkishi bashi5.jpgThe final few songs saw members of the band stripped away. Ishibashi and Tall Tall Trees played the immensely appropriate song for the hot summer night, "Evalyn, Summer Has Arrived", before Tall Tall Trees exited leaving Ishibashi alone on stage. He took the time to explain the his intentions with the creation story "Bittersweet Genesis for Him and Her". A dotted pattern of lights fell over the stage during "I am the Antichrist to You", giving Ishibashi's determined look a stronger and bolder underline. He balanced that professionalism with his joyful demeanor the entire night. During the novel "Manchester", the final song of the proper set, Ishibashi was less alone as the crowd lovingly sang along with every word.

kishi bashi2.jpgThe encore was rife with intense fervor. "The Ballad of Mr. Steak" , barring a moment of screeching technical difficulty, was an uproarious performance. It was faster and bubblier than on the album. Ishibashi dashed all over the stage before addressing the crowd as Paul McCartney to introduce "Live and Let Die". The song fit perfectly well with Ishibashi's energy, bouncing along magnificently. The set ended with a nice self-referential nod: band and crew members crowd surfed,Ishibashi donned a cat mask, more streamers and confetti rained down on the audience all the while "It All Began with a Burst" was played with the zeal it deserved. The set ended as it began, full of joy.


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Classical Mon Feb 09 2015

Pulling Strings: For Classical Music in Chicago, You Got a Guy - February 2015

By Elliot Mandel

See some classical music this month.

Read this feature »


  Chicago Music Media

Alarm Magazine
Big Rock Candy Mountain
Boxx Magazine
Brooklyn Vegan Chicago
Can You See The Sunset From The Southside
Chicago Reader Music
Chicagoist Arts & Events
Chicago Music Guide
Chicago Singles Club
Country Music Chicago
Cream Team
Dark Jive
The Deli Chicago
Jim DeRogatis
Fake Shore Drive
Gowhere Hip Hop
The Hood Internet
Jaded in Chicago
Largehearted Boy
Little White Earbuds
Live Fix Blog
Live Music Blog
Loud Loop Press
Oh My Rockness
Pop 'stache
Pop Matters
Resident Advisor
Sound Opinions
Sun-Times Music Blog
Theft Liable to Prosecution
Tribune Music
UR Chicago
Victim Of Time
WFMU's Beware of the Blog
Windy City Rock


Abbey Pub
Andy's Jazz Club
Aragon Ballroom
Auditorium Theatre
Beat Kitchen
Bottom Lounge
Buddy Guy's Legends
The Burlington
California Clipper
Concord Music Hall
Congress Theater
Cubby Bear
Double Door
Elbo Room
Empty Bottle
Green Mill
The Hideout
Honky Tonk BBQ
House of Blues
Kingston Mines
Lincoln Hall
Logan Square Auditorium
Mayne Stage
The Mutiny
Old Town School of Folk Music
Park West
The Promontory
Red Line Tap
Reggie's Rock Club & Music Joint
The Riviera
Thalia Hall
The Shrine
Symphony Center
Tonic Room
Uncommon Ground
The Vic
The Whistler

  Labels, Promoters
  & Shops:

Alligator Records
Beverly Records
Bloodshot Records
Dave's Records
Delmark Records
Drag City
Dusty Groove
Flameshovel Records
Groove Distribution
He Who Corrupts
Jam Productions
Jazz Record Mart
Kranky Records
Laurie's Planet of Sound
Minty Fresh
Numero Group
mP Shows
Permanent Records
Reckless Records
Smog Veil Records
Southport & Northport Records
Thick Records
Thrill Jockey Records Touch & Go/Quarterstick Records
Victory Records


Thu Feb 26 2015
Cam'ron @ Lincoln Hall

Fri Feb 27 2015
The Growlers @ Lincoln Hall

Fri Feb 27 2015
Soloists from Fonema Series I: Ryan Packard @ High Concept Labs

Fri Feb 27 2015
Marrow @ Subterranean

Sat Feb 28 2015
The Growlers @ Lincoln Hall

Sat Feb 28 2015
The Coup @ Reggies

Sat Feb 28 2015
Daniel Knox @ Constellation

Sat Feb 28 2015
Winter Block Party @ Empty Bottle

Sun Mar 1 2015
Ewert and The Two Dragons @ Schubas

Tue Mar 3 2015
The Joan of Arc Gang's Residency @ Hideout

Tue Mar 3 2015
Moon Duo (record release) / Verma / Richard Vain @ Empty Bottle

Wed Mar 4 2015
Ultimate Painting / Michael Rault / Clearance @ Empty Bottle

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