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The Chicago Bluegrass and Blues Festival is back for its fifth year, with 17 shows over three weeks at four different venues across the city. The performances run from Jan. 10 to Feb. 1 at Concord Music Hall, City Winery, SPACE and Tonic Room. We've got a few favorite sets to let you know about, but see below for a full line-up to plan your CBB experience.
Five-piece bluegrass band Greensky Bluegrass will play at the city's newest venue, Concord Music Hall, which quickly became the go-to place to host concerts in Logan Square after the Congress Theater was shut down. Rusted Root, the dynamic band that is best known for "Send Me on My Way," will also perform there for one of the final shows of the festival.
There are so many ways to describe Chicago using the "descriptor + town" formula, that it's almost a pointless cliche to even try. Chicago is a blues town, it's a jazz town, it's a comedy town, it's an anything town. We get it. But get specific enough, and things start to get a little more interesting. Did it occur to anyone, for example, that Chicago is also a thriving harmonica town?
Well, it is, and there's a concert this Sunday at The Hideout to help you understand why.
Muddy Waters would have turned 97 on April 4. In 1974, the very first episode of "Soundstage" on PBS featured a "blues summit," featuring Muddy joined by an all-star band: Willie Dixon, Koko Taylor, Dr. John, Buddy Miles, Junior Wells, Nick Gravenites, Johnny Winter and Mike Bloomfield (as well as an uncredited Pinetop Perkins). Here it is in its entirety.
[This article was submitted by freelance writer Emi Peters.]
With the 27th annual Chicago Blues Festival kicking off Friday, and Eric Clapton's sold-out Crossroads Guitar Festival right around the corner, it's important to take a look at how much one of Chicago's top tourist attractions has changed since the musical genre's heyday in the 1950s and '60s. The Chicago blues sound is equal parts electric and soulful. It has inspired countless numbers of musicians and gave birth to rock 'n' roll. The blues is one of the purest forms of American music, and Chicago became the place to turn it on its head and make the blues its own.
Some 60 odd years ago, it was pretty customary to be able to drive through Chicago's South and West sides and see an immense number of blues clubs and juke joints, such as the Flamingo Lounge, Gatewood's Tavern and The Flame Club. Inside, one could find patrons dancing and singing along to some of the rawest, grittiest and sweatiest music the city has ever known. Smoke-filled, dimly lit rooms overcome with loud electric guitar and soulful crooning could carry on until the wee hours of the morning. Chicago blues wasn't just another sub-genre of music, though -- it was also very much a release for African Americans looking to escape the hardships and discrimination encountered in daily life.
Today, the number of blues clubs in the predominantly African-American neighborhoods of the South and West Sides has dwindled significantly. Many of the establishments that once played host to iconic blues men and women such as Howlin' Wolf, Muddy Waters, Little Walter, Junior Wells and Koko Taylor now cease to exist, as well as the aforementioned legends that frequented them.
Junior Wells c. mid-1960s (photo by Raeburn Flerlage courtesy Delmark Records)
In Sickness and Health is The Blacks' first album since their breakup a decade ago and their subsequent reunion after a performance at the Hideout's Block Party last fall. It is a six song EP, and is being released in digital format only on March 9, with an accompanying record-release show this Saturday, March 6 at Schubas.
Much tamer than their previous work, In Sickness and Health reflects the wisdom (and perhaps exhaustion) of mature musicians. Many of the punk rock riffs have been replaced by steady Americana strums, but the freshness is still there. This is music for people who don't want anything fancy--who love the blues and "real" country music but wish they weren't quite so darn sad. Make sure to check out the show this weekend and then let us know if they've still got the raw energy they used to.
The show focuses on the Blues, exemplifying and paying tribute to Bronzeville's musical legend, taking viewers on a tour of what most of us are too young to remember. Rare artifacts include an original booth from the legendary Checkerboard Lounge, original 1928 blueprints from the Regal Theater and Howlin' Wolf's original guitar.
As far as I can tell, the show will be up indefinitely. Don't take my word for it, though. Get down there now and check it out while you still can. Visit the DuSable Museum's website for more information.