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Wednesday, March 21

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« What's that Rumbling Sound? Pissy American Life »

Concert Mon Nov 06 2006

Where Have All the Cowbells Gone?

Recent interviews with the Rapture have stressed how chipper the band is these days. That effervescent joy was on display at the Metro last night, as the four-piece rollicked through songs from their latest, Pieces of the People We Love, and back catalog. While rarely transporting, the show was never dull and always good-natured. Luke Jenner and Matt Safer kept things fresh by trading off on lead vocals, but the pair came together at various points to choreograph the crowd's cheerleading moves. The upbeat spirit even manifest in a kiss-in: audience members were instructed to be brave and turn to plant one on their neighbor's cheek.

If this sounds a bit earnest, well, it was, and happily so. The band's 2003 record, Echoes, was overcast with a paranoia that couldn't be realistically sustained after Pitchfork picked it as the album of the year. That gloom -- and the sullenness that might easily have accompanied it on stage -- have apparently been banished for sunnier sounds and dispositions. As band members danced around the stage, that they were having a good time was clear, and there's little more infectious in a performance, especially when accompanied by tight musicianship. The crowd -- not quite capacity; just the right size for a venue that sometimes feels over-full -- was game, and, by the time breakout single "House of Jealous Lovers" showed up in the setlist, there were hands pumping the air and bodies pogoing in time. In this house, however, there was clearly no time for jealousy. Brooding, it seems, is so three years ago.

The Rapturethe Presets

Sydney's Presets opened and delivered the perfect companion set: good time electropop. Drummer Kimberley Moyes's shirt said, "The Kids Want Techno." They got it, and with a smile.

(Additional photos here.)

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Feature Thu Dec 31 2015

Our Final Transmission Days

By The Gapers Block Transmission Staff

Transmission staffers share their most cherished memories and moments while writing for Gapers Block.

Read this feature »


  Chicago Music Media

Alarm Magazine
Big Rock Candy Mountain
Boxx Magazine
Brooklyn Vegan Chicago
Can You See The Sunset From The Southside
Chicago Reader Music
Chicagoist Arts & Events
Chicago Music Guide
Chicago Singles Club
Country Music Chicago
Cream Team
Dark Jive
The Deli Chicago
Jim DeRogatis
Fake Shore Drive
Gowhere Hip Hop
The Hood Internet
Jaded in Chicago
Largehearted Boy
Little White Earbuds
Live Fix Blog
Live Music Blog
Loud Loop Press
Oh My Rockness
Pop 'stache
Pop Matters
Resident Advisor
Sound Opinions
Sun-Times Music Blog
Theft Liable to Prosecution
Tribune Music
UR Chicago
Victim Of Time
WFMU's Beware of the Blog
Windy City Rock


Abbey Pub
Andy's Jazz Club
Aragon Ballroom
Auditorium Theatre
Beat Kitchen
Bottom Lounge
Buddy Guy's Legends
The Burlington
California Clipper
Concord Music Hall
Congress Theater
Cubby Bear
Double Door
Elbo Room
Empty Bottle
Green Mill
The Hideout
Honky Tonk BBQ
House of Blues
Kingston Mines
Lincoln Hall
Logan Square Auditorium
Mayne Stage
The Mutiny
Old Town School of Folk Music
Park West
The Promontory
Red Line Tap
Reggie's Rock Club & Music Joint
The Riviera
Thalia Hall
The Shrine
Symphony Center
Tonic Room
Uncommon Ground
The Vic
The Whistler

  Labels, Promoters
  & Shops:

Alligator Records
Beverly Records
Bloodshot Records
Dave's Records
Delmark Records
Drag City
Dusty Groove
Flameshovel Records
Groove Distribution
He Who Corrupts
Jam Productions
Jazz Record Mart
Kranky Records
Laurie's Planet of Sound
Minty Fresh
Numero Group
mP Shows
Permanent Records
Reckless Records
Smog Veil Records
Southport & Northport Records
Thick Records
Thrill Jockey Records Touch & Go/Quarterstick Records
Victory Records

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Transmission is the music section of Gapers Block. It aims to highlight Chicago music in its many varied forms, as well as cover touring acts performing in the city. More...
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