Gapers Block has ceased publication.

Gapers Block published from April 22, 2003 to Jan. 1, 2016. The site will remain up in archive form. Please visit Third Coast Review, a new site by several GB alumni.
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TODAY

Tuesday, March 19

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Transmission

Concert Wed Dec 09 2015

James Hoff and the Night After the Sampling of the Death Virus @ Stony Island Arts Bank

The Stony Island Arts Bank (6760 S. Stony Island) is one of those places that might be on your radar -- once a large and beautiful bank building, it lay abandoned from the '80s until fall of 2015, when Theaster Gates and others turned it into a new arts and archive space, where performance areas will co-exist with abundant artistic and historic archives for community and scholarly use. It's open to the public six days a week, but maybe you haven't yet made your way there yet.

If not, the Rebuild Foundation, the Graham Foundation, and Lampo invite you to check out a FREE concert in the space this Saturday (December 12).

James Hoff, a New York-based performer originally from Fort Wayne, Indiana, will debut a new four-channel stereo work for Chicago in the Stony Island Arts Bank at 8 p.m. To date, his work has only been released via two records on the Berlin-based label Pan, and it's very in keeping with that label's stylishly packaged but recklessly experimental aesthetic. Hoff works with malware and computer viruses, injecting them into conventional dance music structures to create disruptions, distortions, and jittering fragmentation to conventional beats, editing and pasting them into song-like sequences to beautifully woozy effect. Sometimes, the kick-snare is sharp enough to keep you moving, but suddenly the viruses start to work their magic, causing the 4/4 beats to melt and drip and puddle at your feet, thrashing around and trying to hoist themselves back up into an upright position. Fans of Autechre, Pan Sonic, and other such rhythmically adventurous electronic music will find a new thrill in Hoff's virus-damaged beatworld.

Tickets are free with RSVP. If you want to get there earlier or make a day of it, Hoff will also be hosting a talk at 2:30, also at Stony Island Arts Bank, discussing the history of artists' books and his own artist book collective, Primary Information.

Chris Sienko

Review Sat Nov 07 2015

Shakey Graves, the Consummate Austin Entertainer, Enthralls Thalia Hall

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The last time I reviewed a show at Thalia Hall, they put me in the back right corner of the balcony. I got a great perspective of how large Noah Gundersen's crowd was but had to squint to see Gundersen himself. I figured that was just the designated media spot, and was therefore expecting something similar last night for the second of Shakey Graves' two sold-out shows. So you can imagine my surprise when I was directed to the lower left opera box, which I shared with Shakey's Chicago friends (pro tip: if you offer lodging to a band when they're playing Schubas and stay friends with them over the intervening years, it pays off). It was the best seat I've ever had for a concert, and I couldn't have picked much of a better show for it, as Shakey Graves put on an enrapturing performance.

Continue reading this entry »

Zach Blumenfeld

Review Sun Oct 25 2015

Kurt Vile and the Violators were Pretty Pimpin' at Thalia Hall

kurtvile1.jpg One of the big upsets about Pitchfork Music Festival this year was the rainfall that cut a few sets short, including that of Kurt Vile and the Violators. I didn't get to see any of his three song set and felt a little distraught by that. Vile's folk rock that has some country credence to it sound would have been for the festival atmosphere. Luckily, with a new album b'lieve i'm goin down being released, I knew I would get a chance to hear him live relatively soon.This past weekend Vile brought his Violators, along with Waxahatchee and Luke Roberts, to Thalia Hall for two sold out shows. I was in attendance the first night and it was worth the wait.

Continue reading this entry »

Julian Ramirez

Review Sun Oct 25 2015

Review & Photos: Joanna Gruesome @ Schubas

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It wasn't surprising that six-piece headliners Joanna Gruesome possessed a kind of frantic energy in the first night of their tour. What was much more astonishing was how tight they were considering this. The band has also had a couple of lineup changes in their relatively short time together but seems to be stronger than ever in both their sound and stage presence. The fact that none of them rammed into one another on stage was a feat in and of itself!

Continue reading this entry »

Kirstie Shanley

Review Mon Oct 19 2015

Lily & Madeleine and Shannon Hayden Left SPACE In Awe

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I first stumbled upon Lily and Madeleine's voices in 2013 through Son Lux's "Lost It To Trying." In that song the sisters harmonize with Ryan Lott almost seamlessly, but the ethereal quality of their voices had them standing out as something different. I searched out their output, which at the time was The Weight of the Globe EP and their self titled debut. Their voices sounded even better when they were the focus of songs, melding together with a beauty that balanced fragility and strength throughout their songs. It has taken me nearly two years to see Lily and Madeleine perform and that is far too long. The sisters, along with Shannon Hayden, came up from Indianapolis to very packed SPACE, still one of my favorite venues, and showed off their engaging songs.

Continue reading this entry »

Julian Ramirez

Review Sun Oct 18 2015

BRONCHO Goes Bananas At Lincoln Hall

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Did I expect BRONCHO to rock? Oh yes. Did I expect frontman Ryan Lindsey to be so endearingly peculiar on stage? Not exactly. But it was fantastic.

Last night's Angry Orchard Bonnaroo Spotlight Series show at Lincoln Hall gave BRONCHO a convenient excuse to visit Chicago and prepare for another tour supporting their 2014 album Just Enough Hip to Be Woman. They put the exclamation point on an evening of carefree CBGB-type music, cheering up saddened Cubs fans and bringing out the blithely rebellious teen in every audience member.

Continue reading this entry »

Zach Blumenfeld

Concert Thu Oct 15 2015

Kaskade to Electrify Navy Pier (A Contest!)

Arguably one of the most well-known and reputable DJs with a longstanding career, Kaskade will be stopping in Chicago, his hometown, to light up Navy Pier for an unforgettable evening this Saturday. Coming off of the heels of his most recent release this year, Automatic, Kaskade is on top of the EDM world with danceable hits with each and every play.

We've got a pair of tickets to give away to one lucky winner! To enter, simply comment here (use your email address!) by 6pm, and we'll pick a winner then. A winner has been chosen. Thanks for entering! Please keep in mind, this show is 18+. Happy entering, and best of luck!

Sarah Brooks / Comments (1)

Review Tue Oct 13 2015

An Informal Introduction to Kane West

DJ Kane West
The weather on an early October night in Chicago felt a little different from what I'm used to. It was just a little too warm, and the streets of Logan Square were more tame than usual, which made me question whether I was at the right place. I was standing slightly off of the corner of Milwaukee and Medill avenues, and I quickly double-checked the directions on my phone. Siri comfortingly reassured me that I was here -- at the East Room.

A black door embellished with indecipherable graffiti and musicians' marks lied against a seemingly vast brick wall. A glaring red light flickered right above the door, matching the rain that fell into a habit of turning on and off. The red light continued to haunt me, as I traveled up a narrow staircase, but a comforting, cozy darkness soon confronted me when I reached the last step. Tiny tea-light candles strategically placed on two-seater tables and booths provided a pathway to the bar.

The event was RSVP only, and the invite indicated the doors would open at 9pm. It didn't say when London-native DJ Kane West would perform, nor did it list who his special guests would be. A couple hours passed before small tight-knit groups traced the walls of the venue, leaving the dance floor open to anyone who dared to show off their moves.

Continue reading this entry »

F. Amanda Tugade

Preview Thu Oct 01 2015

Preview: Bellfuries with Jessica Lee Wilkes 10/2 @ Schubas

The Bellfuries sound like they're resurrecting music from before the day it died. They got an upright bass, a semi-hollow guitar, and a big yelping vocalist to prove it. And it seems they're only a duckwalk or a hip shake away from the '50s.

Continue reading this entry »

Colin Smith

Music & Film Wed Sep 23 2015

Le Révélateur Cruise the Back Alleys of Retrofuturism @ Siskel Center

For the inauguration of its 19th(!) year of programming cutting-edge experimental music events in Chicago, Lampo is hosting a rare weeknight event Thursday, Sept. 24 at the Gene Siskel Film Center. As part of its Conversations at the Edge series, the Siskel will host Le Révélateur, the duo of video artist Sabrina Ratté and Godspeed! You Black Emperor/Fly Pan Am's Roger Tellier-Craig.

Continue reading this entry »

Chris Sienko

Concert Fri Sep 18 2015

Got Plans for Tuesday? A Contest for a Concert!

Happy Friday, readers! As a special treat, we'd like to give away a pair of tickets to two very unique concerts coming up next week, accompanied by fun merch bundles!

Both shows are happening on this upcoming Tuesday, September 22. The first is Reverend Horton Heat at the Metro. Formed back in 1985, the group has rocked crowds since then with its unique contemporary rockabilly style. Featuring Jim "Reverend Horton" Heath, Jimbo Wallace, and Scott Churilla, their tunes boast an eclectic blend of country, punk, swing and much more, constantly keeping listeners on their toes. Heath hailed from Texas and Oklahoma, and brings those roots into the band's sound for an constantly electrifying musical experience.

The other show is Comeback Kid at Reggie's; with a bit of a different sound, Comeback Kid offers up punch-filled punk tunes. Formed in Winnipeg, Canada, the group's name is an ode to NHL player Mario Lemieux returning to the league. Andrew Neufeld and Jeremy Hiebert, former members of hiatus-status band Figure Four, began forming the unique group, who has released six albums, along with a live concert taping from 2002-2014. Indulge in a bit of mashing and head banging during this high-octane set.

To enter, list your concert preference (or if you're into both, list both for random entries!) within the comments. Be sure to use your email address so we can reach you! We'll be accepting entries until 1pm CST on Monday, September 21 and will alert the winners right after.

In addition to a pair of tickets to a show of your choice, each of our two winners will also receive:
-Autographed poster
-Vinyl 12" record
-CD
-T-shirt

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Good luck entering, and enjoy the show!

Sarah Brooks

Concert Tue Sep 01 2015

Chelsea Wolfe @ Thalia Hall 9/1/2015

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Chelsea Wolfe is no stranger to creating a distinct mood of rich velvety darkness. She accomplishes this with her recorded music and her live performance is always filled with a sense of an accomplished artist who has a profound sense of self to guide her and fills the air with a melody and texture that isn't vanquished until probably months after.

Continue reading this entry »

Kirstie Shanley

Preview Sat Aug 01 2015

Buke and Gase + Landlady Headline Schubas on 8/4

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One band just released an EP on cassette tape. The other named itself after its two members' handmade instruments, a miniature guitar and a guitar-bass hybrid. If that isn't enough to provoke your interest, let it be known that both Landlady and Buke and Gase live up to the intrigue with art-rock that successfully integrates mind-bending soundscaping with accessible melodies. The two New York-based acts will co-headline Schubas on Tuesday night, with Chicago's own Crown Larks opening the evening's festivities.

Continue reading this entry »

Zach Blumenfeld

Review Mon Jul 27 2015

Clap Your Hands Say Yeah Relived Their Debut at Lincoln Hall

cyhsy2.jpgThere's no denying that Alec Ounsworth output has changed drastically since Clap Your Hands Say Yeah's self-titled album. Ounsworth has taken his band's sound into a much fuller and atmospheric realm, filling in any gaps that were originally there with synths textured ambiance. While the evolution of the band has been interesting and actually quite good, there is still something immensely interesting about jangly self-released debut. It rambled along with a rawness and genuineness that most releases fail to achieve. It's no surprise that the beloved album's tenth anniversary has prompted Ounsworth to play the album in its entirety, reminding fans of a simpler and time. Clap Your Hands Say Yeah came to Lincoln Hall this weekend and transported people back to where they were a decade ago; giving the crowd a performance they had been eagerly anticipating.

Continue reading this entry »

Julian Ramirez

Review Fri Jul 17 2015

Xylouris White Quickly Captivated Schubas

xylouriswhite2.jpgEarlier this year I had the pleasure of seeing Jim White and Giorgos Xylouris perform earlier this year at Thalia Hall. It wasn't my first introduction to the two musicians. I was familiar with White's work with The Dirty Three and Xylouris' storied career with his musical family. However, that evening at Thalia Hall they were opening for Swan which resulted in more than a few people in the crowd being unsure of the duo's reputation. It took little time to see that Xylouris White were nothing short of astounding. Seeing them live was revelation even to me, completely blowing away my expectations derived from studio recordings. Their performance was , When they announced a show at the much more intimate Schubas, I knew it would be a must see show.

Continue reading this entry »

Julian Ramirez

Concert Tue Jul 14 2015

Z'EV's Cine(ma) and (Per)cussion Alchemy at Tritriangle

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If the moon is looking a little blue and the hen are all growing teeth, check your local listings -- it may portend a rare return of Z'EV to Chicago!

I wrote about Z'EV two other times, once in 2007 and again in 2010. At that time, Z'EV's style still largely involved styles and methods he's developed since the '80s -- resonant metals, found objects, and conventional percussion instruments both struck and rubbed, all of them strategically placed within the room to induce and capitalize on natural room echo and reverberation.

Continue reading this entry »

Chris Sienko

Concert Thu Jul 09 2015

MCA Opens "The Freedom Principle" with Examples of Musical Freedom

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Wadsworth Jarrell, New Orleans-style group photo in painter Wadsworth Jarrell's backyard, c. 1968/printed 2015. Courtesy of George Lewis.

This Saturday, the Museum of Contemporary Art (MCA), 220 E. Chicago Ave., will open their major summer exhibit, an art and music celebration titled The Freedom Principle: Experiments in Art & Music, 1965 To Now. Focusing primarily on avant-garde jazz and experimental music organization the Association for the Advancement of Creative Musicians (AACM) and visual arts group African Commune of Bad Radical Artists (AfriCOBRA), the exhibit promises to be a garden of challenging delights for ear and eye alike.

The exhibit will feature music and art from, among others, AACM-founder, pianist, and painter Muhal Richard Abrams; Art Ensemble of Chicago bandleader Roscoe Mitchell; and AfriCOBRA cofounders Jeff Donaldson, Jae and Wadsworth Jarrell, Barbara Jones-Hogu, and Gerald Williams, including album art, posters, graphic notated scores, and sheet music. In addition, contemporary artists such as Terry Adkins, Nick Cave, Renée Green, Rashid Johnson, Lili Reynaud-Dewar, Cauleen Smith, and Stan Douglas will be featured, serving as a bridge that, to quote the Art Ensemble of Chicago's motto, will explore "Great black music -- ancient to future."

With the opening of the event on Saturday, MCA will feature a day of free concerts, workshops, and events that are open to all Illinois residents. The day begins at noon and runs until 9:30pm.

Continue reading this entry »

Chris Sienko

Concert Tue Jul 07 2015

See Cameron McGill Off Tonight at Schubas

Singer-songwriter Cameron McGill is heading off to Idaho for grad school, where he'll work on his poetry and probably teach a class or two of undergrads. Tonight at Schubas, McGill says goodbye (for now) to Chicago the only way he knows how -- in music.

The opening act is Coins, the latest group from singer Angela Mullenhour. McGill and Mullenhour are good friends and collaborators, and they showcased the energy and emotion of their songwriting at the April edition of our Stars Align music series. Below is a recording of that show.

Tickets for tonight's farewell show at Schubas are $10, and doors open at 8pm. It's 21 and over.

Andrew Huff

Concert Sat Jul 04 2015

Edward Sharpe & The Magnetic Zeroes Cancel Second Night at Thalia Hall

edward-sharpe-and-the-magnetic-zeros1.jpgThose of us hoping to spend their Fourth of July at Thalia Hall with the Edward Sharpe and the Magnetic Zeroes just got a little bad news. It appears that the amazingly talented leader sing of the group, Alex Ebert, managed to over-work his voice after his first sold out show at Thalia Hall and unfortunately had to cancel the second completely sold out show. I had some fears that this would be the case after his Instagram post from a few days ago lamented the loss of his voice. According to Ebert, this would be the first cancelled show in seven years due to losing his voice. Hopefully he bounces back sooner rather than later.

If your feeling glum, don't fret missing out on the show too much. Ticketweb will be issuing automatic refunds to those who purchased tickets for the second night of Edward Sharpe and the Magnetic Zeroes. If you bought the tickets through the box office you can send an email to email info@thaliahallchicago.com to get your refund. You can read the full response from Thalia Hall on their Facebook page, where they shared Ebert's positive and hopeful message to fans wishing us a better night than even he and the band could have provided. That's quite a tall order, but luckily we're resourceful in Chicago.

Julian Ramirez

Concert Tue Jun 23 2015

Bark it Up at Woofstock This Weekend

Dog lovers and music lovers will unite at Soldier Field this Saturday at Woofstock, honoring adoptable dogs. Sponsored by Animal Planet, the afternoon's festivities will include entertainment from comedian Eugene Mirman and bands like Clap Your Hands And Say Yeah, JC Brooks and the Uptown Sound and The Suffers. Plus, there'll be special appearances by celebrity animals Lil BUB and Manny the Frenchie. It all happens at Stadium Green at Soldier Field from noon to 5pm. The event is free and open to the general public — and their dogs.

Owners of rescued dogs are encouraged to being their furry friends to participate in an attempt to break the Guinness World Record for "largest gathering of adopted pets," at 2:30pm.

Don't have a dog? Want to adopt one? There will be animals available from PAWS to meet and greet and maybe take to their forever home (aka your house). Details at PAWS Chicago.

Register for the fun online.

Anne Holub

Review Sat May 30 2015

The Storied Vance Joy Rolled Through Metro on Friday Night

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Some people are natural born storytellers. Narrative and description rolls off their tongue with ease and they can entrance an audience at the drop of a hat. Vance Joy strikes me as one of those people.

Continue reading this entry »

Celeste Mallama

Review Tue May 26 2015

Lincoln Hall Took a Swim with Surfer Blood and Alex Calder

surferblood2.jpgIf you're a fan of Surfer Blood, it can hard to get past the troubles that come along with the band. After their first amazing and still catchy album Astro Coast, Surfer Blood was signed to Warner Bros and released Pythons in 2013 to mixed reviews. Their shift to a major label didn't work out as well as they were dropped later that year. But the issue that has been most problematic is lead singer John Paul Pitts arrest for domestic battery in 2012. I don't mean to riddle this review with ethical dilemmas of separating the art from the artist, but I would be remiss not to mention the arrest and subsequent dismissal of the charges. Pitts, too, understands that this incident will follow him throughout his career. I will say, when warranted, I prefer to advocate against such abuses with an inclination toward rehabilitation rather than a complete ostracization.

Surfer Blood returned to the rawer DIY nature of their beginnings in hopes of finding themselves again with 1000 Palms . It sounds as though they succeed, creating songs that feel a lot closer to Astro Coast than Pythons. A few weeks before the release, Surfer Blood suffered another devastating hit in the form of a sarcoma diagnosis for guitarist Thomas Fekete. The tour for their album became a sounding board for their bandmate and friend as they began collecting donations for his treatment at the merch booth, which would unfortunately be stolen from their car while in Schaumberg the evening following the concert. Despite all the dilemmas, it seemed that everyone at Lincoln Hall this past weekend was able to find some good in the band's set.

Continue reading this entry »

Julian Ramirez / Comments (1)

Review Mon May 25 2015

Torres Hit Her Stride at Empty Bottle

20150521_232948(0).jpgBefore this concert, I have missed every Torres show she's had in Chicago. Various goings on and last minute changes prevented me from seeing Mackenzie Scott perform songs off her first album and I was always devastated. Scott's lyrics and guitar work is incredibly affecting and instantly hypnotic. i could only imagine how great she would be live. Then she released "Sprinter" and my mind was made up. I needed to see her perform these new more elaborate songs. After seeing her this past week, I severely regret having missed those previous shows. Scott had a performance that every rock singer should aspire to put on at the Empty Bottle. It was a raw and powerful show that resolidified Scott as an amazing musician.

Continue reading this entry »

Julian Ramirez / Comments (1)

Preview Wed May 13 2015

Towkio Set to Electrify The Metro on May 16

If you haven't heard Towkio's fresh beats, now is the time. A member of the talented, much-loved SaveMoney crew alongside Chance The Rapper and Vic Mensa, 21-year-old Towkio's eccentric musical stylings are drawing listeners into the unique world he is able to curate. Seamlessly blending hip hop and electronic dance genres, Towkio's music keeps listeners interested and engaged, as well. Adding layer upon layer of production, rhythmic effects, and one-of-a-kind phrasing, Towkio's tunes make us want to dance and stop to listen to his rapid fire lyrics, all at the same time. The beats comprise a sensuality that allows each ballad to contain a rampant emotional tone, which seeps into the production of his newly released album, .Wav Theory.

Take a listen to his new album below, and if you enjoy what you hear, Towkio will be performing for a packed house at The Metro on May 16. My personal favorite? Free Your Mind, with its summery vibes and horns by Donnie Trumpet. A part of Chicago's strong hip hop scene, Towkio is sure to impress during his upcoming hometown show.

Towkio will be at The Metro on Saturday, May 16, with Kehlani and DJ Spinn as support acts. Tickets are $18 in advance, and $21 at the door for this all ages show, with sets beginning at 7pm and doors opening at 6pm. The Metro is located at 3730 N. Clark St.

Sarah Brooks

Review Wed Apr 29 2015

Shy Girls and Young Ejecta Shined at Schubas

shygirls1.jpgRecently I've seen my fair share of minimalist musicians in a live setting and every time I'm blown away. The transition from the studio sounds to the live in person experience is massive. There is an added expansiveness to their sound, making the already emotive experience all the more affecting. Young Ejecta and Shy Girls were no exception at their Schubas show this past weekend. Both bands were completely different from what I was expecting, with Young Ejecta delivering more with fewer members and Shy Girls creating instant R&B classics with relative ease. They were a fantastic pairing that fed on the audience's energy, putting together a passionate show.

Continue reading this entry »

Julian Ramirez

Review Tue Apr 21 2015

The Mountain Goats Continued Their Reign as Musical Champions at the Vic

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The Mountain Goats Regional Heat Tour Poster "Werewolf Gimmick" by John Keogh

There is a certain level of trust gained after two decades and over a dozen records, and John Darnielle knows that. Halfway through his set this past Saturday at the Vic he remarked that very sentiment in regards to Beat the Champ, the grappling concept album that marks his 15th under the name The Mountain Goats. I doubt many artists would be able to get away with an album devoted entirely to wrestling, particularly the '70s and flashy '80s that Darnielle has set his focus on. Even fewer could find the emotional resonance and beauty within those songs. Darnielle noted that the album were not as universal as his previous efforts, but I think that The Mountain Goats were able to dig down and show off the ubiquitous depths of those songs and gave the audience at the Vic a good look at what wrasslin' can offer.

Continue reading this entry »

Julian Ramirez

Review Fri Apr 17 2015

José González and Ólöf Arnalds Left A Beautiful Impression on Lincoln Hall

josegonzalez4.jpgThere something incredible in the simplicity of a beautiful voice imparting a story through a song. It may seem like an obvious observation, but when this deed is accomplished with as much passion and sincerity as José González and Ólöf Arnalds did this past Wednesday, it becomes a revelation. These two musicians craft their infinitely loving songs with full regard of their emotions; wearing them right on their sleeves and letting the listener take them in. They had a two sold out nights at Lincoln Hall and I was lucky enough see one of their performances that were completely filled with grace and life.

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Julian Ramirez

Review Wed Apr 15 2015

Beat Kitchen Rocked Out With Colleen Green and Upset

colleengreen.jpgWhen this show was first announced it was only the pairing of Collen Green and Upset, who had just released I Want to Grow Up and '76 EP respectively. The lineup for this show at Beat Kitchen slowly grew larger as the date crept up. Two local acts, Sam Vicari and Impulsive Hearts, were added to the already worthwhile show. Little did I know that I would walk away from this show with a couple new bands to follow and a greater appreciation of the ones I already loved.

Continue reading this entry »

Julian Ramirez

Concert Fri Apr 10 2015

Photos/Review: Foxygen at Cabaret Metro Thursday, August 9th, 2015

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Sam France is a maniac. In a good way, that is. If you took the antics of Matthew Shulttz of Cage the Elephant and combined it with a little paisley, you might have something close. Or, even more accurate a Kevin Barnes in the height of Of Montreal's career. At the same time, there are also some heavy glam influences within the set, recalling the unpredictable energy and theatrics of a Rocky Horror Picture Show or Hedwig and the Angry Itch sort of feel with a combined drama and music and choreography from three energetic dancing ladies AKA Star Power.

Continue reading this entry »

Kirstie Shanley / Comments (1)

Concert Mon Apr 06 2015

Preview: Foxygen at Cabaret Metro Thursday, April 9

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The four-piece Californian Foxygen is coming back to Chicago this week to play at the Metro! For anyone who has ever witnessed the unpredictable antics of lead singer Sam France live, you'll know that the band is exceptionally intriguing to see live as literally anything can happen. Their melodious poppy psychedelic sounds are always pleasing to the ear and with their stage presence, each live show is definitely memorable!

Foxygen is playing an 18+ show at the Metro this Thursday. Tickets are $17 and you can purchase them here.

Kirstie Shanley

Review Wed Apr 01 2015

Ibeyi and Flo Morrissey Connected with Lincoln Hall

ibeyi2.jpgThere is something really special about Ibeyi. Twin sisters Lisa-Kaindé Diaz and Naomi Diaz imbue an abundance of culture into their music, finding just the right words to sing in English, French, and Yoruban. Their self-titled debut is a gorgeous collection of songs that cling to a beautiful and devastating history, looking at personal and universal conditions without ever faltering to platitudes. This past weekend Lincoln Hall was treated to an incredible performance by Ibeyi and Flo Morrissey, a singer-songwriter from the UK. These three performers are wise beyond their years. That seems like an overused descriptor of young and talented artists, but I assure you it applies to these three musicians.

Continue reading this entry »

Julian Ramirez

Review Tue Mar 31 2015

Peeling Back the Layers of Earl Sweatshirt

Riding off the explosive release of his dynamic debut album Doris, Odd Future's rambunctious MC Earl Sweatshirt abruptly abandoned his worldwide tour, citing a "lack of self-maintenance" and confessing he wore himself down — physically and mentally — to the end of his rope.

Emerging from the shadows eight months later spiraling in bleak sincerity, Earl launched his introspective sophomore effort I Don't Like Shit, I Don't Go Outside on March 23. Now he's embarking on a colossal tour, aptly titled "Not Ready 2 Leave," which stopped at Chicago's Concord Music Hall on March 29.

The crowd received a fervid opening act from Chicago newbie Remy Banks — who proclaimed he was "too high" to perform (an irony not lost on audience members who were unable to sneak a puff of anything unless they wanted to be ejected by beefy security guards). He was followed by West Coast MC Vince Staples, who was unable to keep the energy burning, even in a Metallica T-shirt. That is, until Earl appeared.

"Y'all ready to have some fun?" A bulkier, khakied and afroed Earl invited the audience, "Cuz we 'bout to take it the gangsta route."

After the crowd settled in, Earl began to clear his throat as he hesitated to introduce his new material. As he admitted in recent interviews, I Don't Like Shit is the first album that he feels fully confident in its truthful expression. It's dark stuff, hollowed and empty, slowed flow and scratching self-production, but juxtaposed against his earlier, more commercial tracks, he's beginning to take off the mask and let us in.

Continue reading this entry »

Emily Ornberg

Concert Sat Mar 28 2015

Photos/Review: Benjamin Booker@Cabaret Metro 3/28/15

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Benjamin Booker is both incredibly talented and quite charming in his honesty and sincerity that seems quite evident as he performs. What could be a very simple set up of guitar bass and drums (with occasional mandolin and fiddling from band mates) becomes more complex when you think of all the influences responsible for this greatness. Throughout the hour long set, one could decipher an intriguing mix of garage rock, soul, bluegrass, and blues that seem to all come together, with one or another genre emphasized more in some songs. It's exciting that Booker is so young when you think of what he'll continue to do with all of these genres in a hopefully long career ahead of him.

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Kirstie Shanley

Review Thu Mar 26 2015

TV on the Radio Gave the Metro a Strikingly Intense Night

TVOTR1.jpgTV on the Radio have been around for a little over a decade and they have been releasing the most unique albums I've ever heard. Their music grabs inspiration from such varied sources and are brought together in such innovative ways, it seems like they are forever destined to be ahead of their time. Last year they released Seeds, their first album since Gerard Smith's passing. As a huge fan of TV on the Radio, Smith's passing came at a time where it affected me greatly. It was a loss that certainly could have stopped TV on the Radio in its tracks, but instead it strengthened and encouraged the band to continue creating. Seeds feel like a beautiful tribute to Smith, featuring some of the brightest songs the group has written. It's a testament to their ability and fortitude to strive forward without forgetting of their past .This past Monday, TV on the Radio stopped by the Metro and showed their resilience and amazing showmanship to a sold out audience.

Continue reading this entry »

Julian Ramirez

Review Mon Mar 23 2015

Schubas Was Entranced By Craft Spells

craftspelle.jpg Craft Spells, primarily the project of Justin Paul Vallesteros, started out with some instantly great electronic pop. But in the three years between his debut Idle Labor and last year's Nausea, there was a shift to a more organic sound. Vallesteros produced a more mature tone than his first album by bringing in live instrumentation and writing songs for the piano. It was a change that showed just how diverse Craft Spells and the genre he operates in can be. Last week, Craft Spells was joined by The Bilinda Butchers and Tiny Fireflies at Schubas, where the three bands showed off how varied and interesting dreamy pop can be.

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Julian Ramirez

Concert Sun Mar 22 2015

Preview: Benjamin Booker @ Cabaret Metro 3/28/15

This Saturday is going to be a very special one at the Metro in Chicago. Musician Benjamin Booker will be playing an XRT sponsored show with Olivia Jean as his opener. I caught Booker's set at last year's Lollapalooza and he had an honest and urgent energy that did not disappoint with the stellar songs to back up his stage presence. His self titled album earned him plenty of deserved accolades and it's always exciting watching a young musician come into his own sense of self and artistry.

This show is sold out but you might be lucky enough to win XRT tickets. It's an 18+ over show and doors open at 8pm.

Kirstie Shanley

Review Mon Mar 16 2015

Brazilian Girls Treated Thalia Hall to a Dance Party

braziliangirls2.jpgIt's been quite a while since Brazilian Girls have released an album together. Last year we got a little taste of the band through lead singer Sabina Sciubba's solo debut Toujours. But it's coming on seven years since New York City, the last album Brazilian Girls released together. It's strange not having the group's eclectic dance music buzzing around or a steady stream of their unbelievably fun live shows. Sciubba has a knack for combining theatrical antics to Brazilian Girls' performances. After years of random appearances, Brazilian Girls have finally returned in earnest. Last week, they foursome made a stop in Pilsen at the magnificent Thalia Hall with a few new songs and a promise in tow.

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Julian Ramirez

Concert Sat Mar 14 2015

Photos/Review: Levitation Festival in Chicago@Thalia Hall 3/13/15

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The first day of Levitation Festival kicked off with both it's share of awe inspiring and tumultuous moments. One thing that this Chicago showcase does that Austin Psych Fest in Texas also succeeds at is bringing forth a somewhat eclectic mix of psychedelic music from the genre without diverging too much from the ultimate path. This leads to greater active listening on the part of the audience, who will experience each band a little differently but never feel let down or bored with it all. It takes a great deal of planning and inspiration to make any festival lineup work out this well so great thanks are in order to those who planned and booked the event.

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Kirstie Shanley

Preview Thu Mar 12 2015

Preview: Industrial Unplugged at Abbey Pub

By Alan Lake

blackfriars.jpgMark Panick, best known for his work in seminal post-punk outfits Bonemen of Barumba and Chac Mool, writes with his industrial rock roots planted firmly, but don't be fooled: he may be a composer entranced by the darkness of the human condition, but he isn't one to be pigeonholed. His recordings are rife with unabashed sexuality, gutter-punk abandon and tasty grooves.

His latest projects include Razorhouse and their industrial unplugged offshoot, The Black Friars Social Club, who as luck will have it are performing Saturday, March 14 at The Abbey Pub, 3420 W. Grace St., at 8pm. Tickets are $5.

Joining him are a distinguished group of Chicago music veterans/reprobates in the likes of David Suycott, Jim DeMonte, Danny Shaffer, Rob Roberts, and me, Alan Lake. Collectively they've played with Ministry, Stabbing Westward, Insiders, Bryan Ferry and more.

Says Panick, "I'm just doing what I've always done, building forts and looking for others who wanna play."

Transmission

Concert Sun Mar 08 2015

Preview: Austin Psych Fest in Chicago

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Austin Psych Fest, now known as Levitation Fest, is one of the finest festivals in the world. For any fans of psychedelic music, this is quite possibly the most highly recommended festival one could attend. The festival features a whole range of both experimental, slightly ambient to more jarring and also more well known standard examples of psychedelic music for fans who are curious about what is being created nationally and internationally as well as to relive previous moments of psychedelic grandeur.

This year, Chicago is extremely lucky to have a smaller showcase of this wondrous event right at Thalia Hall, which covers some of the fantastic bands playing the festival and will definitely be two nights local psychedelic music fans will relish in. In case you cannot attend the entire Austin Psych Fest in Chicago or, like this reviewer, you just can't get enough of this genre, this weekend at Thalia Hall is not to be missed! The festival kicks off Friday, March 13th at 7pm and continues Saturday March 14th at 6pm. This local festival features amazing bands such as Lumerians, Viet Cong, Swervedriver, Noveller, and The Pop Group!

Kirstie Shanley

Contest Thu Mar 05 2015

Win Tickets to Rock Out with the Tossers this Weekend

It's not quite St. Pat's but you can still get your Erin go Bragh on this Saturday, March 7, at the Metro (3730 N. Clark St.) with local favorites, The Tossers. Southsiders by birth, the band makes it's annual pilgrimage to Wrigleyville this weekend with an action-packed night of music and general Irish-themed musical merriment. Seriously, if you can't get to a pub in Ireland this year, this is the next best thing (even if you're not too sure about that pennywhistle, just go along for your own sake). No green beer, no pinching, just old fashioned good times.

But that's not all! We've got two pairs of tickets to giveaway. Just email us at contests@gapersblock.com with the subject line "Tossers!" and we'll pick two winners at random at 3pm today. Must be 18+.

Here's a great Tossers tune, complete with some classic Chicago scenes. It also happens to be the title track of their latest album from 2013.

The Tossers play the Metro on Saturday, March 7. Kevin Flynn and the Avondale Ramblers and Continental open. Tickets are $18 (adv) $20 (day of). Doors open at 8pm, music starts at 9pm. 18+

Anne Holub

Concert Wed Mar 04 2015

In Tall Buildings Debuts Driver @ Schubas 3/5

Tomorrow night, Erik Hall's diligent efforts will pay off with a hometown album release party at Schubas. His latest work as In Tall Buildings, Driver, is his sophomore album but it's sticking to the same formula (home recording) that served him so well with his self-titled debut in 2010. His textured pop vocals and intriguing synths prove mesmerizing. In Driver, there's raw sonic qualities of mellow singer-songwriters like Beck or Bon Iver. Hall's songs are great for walking deserted Chicago streets during a snowstorm, or daydreaming on the beach. Generally, they're something perfect for getting you through the last blast of winter and into the warm embrace of spring.

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Erik Hall (aka In Tall Buildings) Photo by Caleb Condit

In Tall Buildings performs at Schubas (3159 N. Southport) on Thursday, March 5th. Fred Thomas (of Saturday Looks Good to Me) and Elliot Bergman (of Wild Belle) open. Music starts at 9pm. Tickets are $12 and the show is 21+.

Anne Holub

Review Tue Mar 03 2015

The Growlers Changed the Tides at Lincoln Hall

growlers1.jpg My cousin and I have been to dozens upon dozens of concerts and we have noticed something about Chicago crowds over the years. There was a time where the overarching generality about Chicago audiences was that we were a somber bunch, quietly dancing in place no matter how intense the band was. Recently, we've seen an upswing in energy. The tides have been changing. There is still reverence for shows when appropriate, but the rowdiness factor has certainly risen. There's more dancing, jumping, pushing, and people just let go to the music. An animated group of people can affect an experience, giving the atmosphere a more raucous note for better or worse. Luckily the wild mood of the crowd leaned towards the better for The Growlers and BRONCHO during the last night of two sold-out shows at Lincoln Hall.

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Julian Ramirez / Comments (2)

Review Tue Feb 24 2015

Swans Loudly Helped Thalia Hall Reach Transcendence

swansth.jpgIt's incredibly hard to prepare for a Swans concert. It makes no difference whether you're familiar with Swans' leader Michael Gira and his experimental post-rock or not. Their live show is consistently visceral experience that tests the very idea of the band and the creation of music. Swans' songs have never been easy to take in as they dredge down to some very scathing and torturous sounds. Despite the inherent harshness, there is a longing for love underlining their existence that somehow become incredibly rewarding the more you listen. It's a tumultuous back and forth that makes the band all the more interesting.

The closest one can get to being ready for a Swans show is to listen to their latest work. Their last two albums The Seer and To Be Kind clocked in over two hours a piece, indulging further into Gira's dark and inviting noises. These albums are the height of Gira and his current bandmates impressive collaboration. This weekend at Thalia Hall, Swans performed about six songs during their near non-stop two hour plus performance. It was one of the loudest and most transcendent concerts I've had the pleasure of attending.

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Julian Ramirez

Review Thu Feb 19 2015

Sleater-Kinney Reminds Chicago They're the Queens of Rock & Roll

sleaterkinneyriv.jpgBack in 2006, Sleater-Kinney announced an unelaborated and indefinite hiatus, leaving their fans with little to no hope of seeing the band together again. It may seem like an overreaction but that is at the very least how I felt as a burgeoning adult losing one of his favorite bands. Granted in the following years all the members continued making amazing music. Corin Tucker released a couple of albums that I gravitated to immediately. Drummer extraordinaire Janet Weiss played with nearly every other band I like including the Jicks, Quasi, and the Shins. Carrie Brownstein added writing and acting to her repertoire, all the while making more and more music. When Weiss joined Carrie Brownstein on Wild Flag, it was the closest thing to a Sleater-Kinney reunion most fans could clear see at the time.

Thankfully, with the release of their box set Start Together last year, new music emerged and a fully formed concept of the band returned. No Cities to Love, their first album in a decade, doesn't feel like a simple reunion album. I don't think Sleater-Kinney is capable of that. Every song on the album is a new classic that makes it seem like they never actually left. That was definitely the feeling at the Riviera, where the crowd jumped and sang along with Sleater-Kinney in an amazing show.

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Julian Ramirez

Interview Wed Feb 18 2015

Four Questions with Andy Gill from Gang of Four

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The post-punk band Gang of Four have a new album, What Happens Next, which is being released on Feb. 24. It features collaborations with Alison Mosshart from The Kills, Robbie Furze from The Big Pink, Gail Ann Dorsey, German superstar Herbert Grönemeyer and Japanese superstar Hotei. The band is coming to the Park West March 13; I reached frontman Andy Gill over the phone last week to ask a few questions about the upcoming show.

I had a chance to listen to the new album a bit, and each song is distinct, giving it a sound like a compilation album. I'm curious if one of these songs is going to be the new GOF sound, or if the new sound of GOF is collaborating with other artists.

I think you kind of take it one step at a time... I always felt that when working on a new record it is like starting from scratch. I know there are some bands that kind of plowed their furrow and they're gonna stick to it -- they've got their sound and the way they do things, and stick to what they do. Right from the beginning GOF was different with every record. It's like if you're asking similar questions but coming up with different answers. To me time moves on, I move on, I'm not exactly the same as I was four years ago, and when I was 27 I wasn't the same guy as when I was 22. Time moves on and you come up with some different answers to the way to proceed and the way to make songs and the way to make records. I think with this record I think even more so because Jon King who's been on previous records is no longer in the project, so that makes it even more the case of reinventing the wheel.

Doing the collaboration thing was something that I had felt like doing for quite a long time, it's something that's quite common in hip hop bands and I think that's quite healthy -- you can do some things that perhaps might surprise you. In terms of defining the GOF sound, the next record -- for which I have ideas and songs, will probably involve collaborations. Beyond that can't say where it's going, with each album I didn't know quite where things were going, once you've got four or five songs on the go you start to see what direction its taking.

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J.H. Palmer

Review Fri Feb 13 2015

Kaki King and Celine Neon Enthralled Lincoln Hall

Kaki King has been creating beautifully intricate songs for years. Her work is mostly wordless, letting her guitar work to speak for itself save for a few lovely lyrics in songs here and there. Recently she has taken this instrumental focus to a marvelous extreme with her multimedia art piece The Neck Is A Bridge To The Body, which King performed this past Wednesday at Lincoln Hall. The art piece is a collaboration between King's complex guitar work and Glowing Pictures' visual artists including Beth Wexler who was in control of the visuals. The whole production centers around King's white guitar as it transforms itself into a unique canvas for the ever evolving video art. The kaleidoscope of imagery was as strange and wonderful as it sounded coming through King's guitar.

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Julian Ramirez

Concert Thu Feb 05 2015

Arnold Dreyblatt is giving you (nodal) excitations at Lampo

Long-running Chicago experimental arts and music organization Lampo soft-launched its Winter 2015 season with a very surprising and exciting opener. This Saturday at 8 p.m., the Graham Foundation's Madlener House (4 W. Burton Pl.) will host the legendary composer Arnold Dreyblatt. Dreyblatt will perform two pieces; Spin Ensemble (2011), a piece created with recordings of an MRI machine, and a live performance of his best known piece, Nodal Excitation (1979).

If you are of a certain age, you might remember Dreyblatt from his CD on John Zorn's Tzadik label (Animal Magnetism, 1995). If you're a bit older, you might remember the Nodal Excitation LP on India Navigation (or its reissue on Dexter's Cigar). He's best known for his shimmering, overtone-rich pieces involving taught strings and wires set to vibrating by plucking, bowing, or hammering. The opening piece sounds equally intriguing: "In Spin Ensemble (2011), Dreyblatt creates a palette of acoustic signals and patterns from recordings of an MRI machine (specifically the "Siemens Magnetom Symphony Maestro Class") in the Martin-Luther-Hospital in Berlin. He considers the device something like a giant Tesla coil, in which the alignment and resonances of a powerful magnetic field are gradually altered by rotating radio frequencies. Under Dreyblatt's direction, Siemens technicians operated the machine expressly for these recordings, searching for software settings to generate a desired sound. Later he analyzed the audio segments, and grouped them by pitch, rhythm and density. For the resulting composition, these files have been combined and fused, but they have not been digitally treated in any way."

Tickets are FREE with RSVP. Click here to reserve. (update: tickets are sold out, but it might not hurt to wait around to see if any claimed tickets open up.)

Chris Sienko

Concert Mon Jan 26 2015

Faith No More Returns to Chicago

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Faith No More have always reminded me of PiL on steroids. Amp PiL's post-punk sound to hardcore and metal, throw some rap, funk and R&B in the mix and have a jack-of-all-trades vocalist (Chuck Mosley & Mike Patton) who can sing as well as scream. For years FNM made some awesome music and seemed to always be doing something different. After a long break, the band got back together in 2009 and have done shows here and there (mostly there) since. In May, they'll return to Chicago for the first time in a while.

Faith No More headlines Concord Music Hall on Thursday, May 7. Tickets are on sale this Friday. It's 18+ and $44.50. Concord Music Hall's at 2047 N Milwaukee.

James Ziegenfus

Concert Wed Jan 21 2015

Sofar Sounds Brings Bands into Music Lovers' Living Rooms

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Matthew Santos performs at Sofar Sounds: Chicago. Photo: Jim Vondruska

As the last light of the evening streams through the windows of a Wicker Park loft, uneven rows of people sit cross-legged in reverent silence.

Bottles of beer or wine sit by many of them. But there's no talking, no clanking glasses. Just music.

The source of these songs stands at the head of the crowd: a standing bass, a guitar, unplugged. A singer croons out into the room.

This is Sofar Sounds, a global phenomenon that's taking music out of traditional venues and into living rooms, stores, and random spaces around the world.

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Mike Ewing / Comments (1)

Concert Fri Jan 16 2015

Dead Announce Final (Yes, Really) Shows This July at Soldier Field

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For the band's 50th anniversary, and apparently their swan song, legendary musical psychonauts The Grateful Dead today announced a series of three shows at Chicago's Soldier Field — scene of the group's last run before the death of frontman Jerry Garcia in the summer of 1995. Dubbed "Fare Thee Well," the three shows — July 3, 4 and 5 — will feature guest musicians Trey Anastasio, Jeff Chimenti, and Bruce Hornsby, all artists with a history of collaborating with the Dead or its various members' post-Grateful Dead projects. The shows will apparently mark "the surviving original members' last-ever performance together."

Want tickets? In a tip of the hat to the Grateful Dead's pioneering (at the time) mail-order ticket system of yore, tickets will be made available starting Jan. 20 via old timey, actual, postal mail, with a subsequent online pre-sale beginning Feb. 13, and a public on-sale beginning Feb. 14.

Dan Snedigar / Comments (1)

Concert Wed Dec 17 2014

Shake It Up: Gapers Block Holiday Concert

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The crowd cheers at the Metro. Photo: Jim Vondruska

Thank you to everyone who joined us for our 2014 Holiday Show at the Metro. It was a great time, and we were blown away by Pop Goes the Evil, the Kickback, Archie Powell & the Exports, and MUTTS.

It was definitely a family affair for the bands, with them all coming together for a finale of Paul McCartney's "Monkberry Moon Delight." It was also a big moment for MUTTS as they released their latest album, Fuel Yer Delusion vol. 4.

Whether you were there or not, here are some photos, videos, and reviews of the night.

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Mike Ewing

Concert Fri Dec 12 2014

Tristan Perich's Elegy for One-Bit Alone at the Logan Center (Hyde Park)

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Tristan Perich.

Four years ago, Lampo hosted composer and installation artist Tristan Perich as part of its fall series, where he performed his composition "One-Bit Symphony" (2010), accompanied by visual accompaniment of his on-the-spot pattern generation across five black and white TVs. You can see my review of the event here. It was a hell of a thing, that night. Perich's composition, small enough to fit on a small circuit mounted inside of CD jewel case with a headphone jack, created its rising and falling patterns out of endless 1s and 0s, yet like Nancarrow's ultra-complex player piano work, the music was soulful and heartbreaking and lusty and vivacious, despite (or because of) its adherence to a restrictive medium.

Perich returns this Saturday (December 13) at 8 p.m. to the Logan Center for the Arts (915 East 60th Street, performance penthouse 901) to present "Noise Patterns," the next development in his one-bit music. Admission is free with RSVP.

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Chris Sienko

Concert Fri Dec 05 2014

Gapers Block Holiday Concert Saturday at Metro - Don't Miss It!

2014 Gapers Block Holiday ConcertThis Saturday, Dec. 6, Gapers Block is bringing together some of Chicago's best up-and-coming bands for our 2014 Holiday Concert at the Metro, 3730 N. Clark St. Featuring MUTTS, Archie Powell & the Exports, The Kickback and Cincinnati's Pop Goes the Evil, this is one show you don't want to miss. Grab $9 advance tickets while you can or pay $12 at the door. Either way, it's going to be a great time.

MUTTS will be celebrating the release of their latest album, Fuel Yer Delusion, vol. 4, which is dedicated to anyone who's chasing a dream. It's something MUTTS knows plenty about, traveling across the country to play their heavy, bluesy rock at over 100 shows in the past year.

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Mike Ewing

Review Wed Dec 03 2014

Lincoln Hall Drifted Off With Allah-Las and Tashaki Miyaki

allahlas2.jpgThe past couple years have been good to Allah-Las. They have gotten better and better with every passing performance, honing their skills and building up a reputation of great shows. Their latest album, Worship the Sun has the band completely submersed in their music, becoming more than just another simple 60s psychedelic revival. Allah-Las embody the sound so well they seem displaced in time and we in the present are all the better for it. This past weekend Allah-Las returned to Chicago and took Lincoln Hall on a very satisfying musical journey.

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Julian Ramirez

Review Mon Dec 01 2014

Death From Above 1979 Came Down on the Riviera

DFA1979.jpgThere is nearly a ten year gap between Death From Above 1979's You're a Woman, I'm a Machine and their second album The Physical World. One would think that with so much time having passed that Jesse F. Keeler and Sebastien Grainger would have lost a step or at the very least drifted to far from their initial sound. It's a fair concern considering how different the two member may be. Luckily, these notions could easily placed aside with the release of The Physical World. DFA1979 continues right where they left off by elevating the melodic undertones of their sound to the forefront while maintaining the heavy rock.They have been touring in support of their reformation and made their way to the Riviera last week for one of the loudest shows of the year.

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Julian Ramirez

Review Tue Nov 25 2014

Schubas Warmed Up with Kevin Barnes and Está Vivo

kevin barnes1.jpgThe first thing I think of when I hear Of Montreal is the rich imagination of Kevin Barnes. He has managed to create a dozen records filled with a surreal psychedelic pop that transport you increasingly magnificent locations. It was no surprise then when Barnes spoke and performed at Museum of Contempory Art Chicago for their David Bowie exhibit last Thursday. It's a combination that seems to have been made in heaven. Judging by his music and stage presence with Of Montreal, you can see the direct lineage from Bowie to Barnes. They both exude otherworldly attributes that enlighten and elevate you to their level. Even as Barnes was toned down from his exuberant theatrical Of Montreal persona, he was still able to invoke a powerful presence while performing a tender and intimate set for his astoundingly loyal fans for a sold out show at Schubas this past weekend.

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Julian Ramirez

Preview Fri Nov 21 2014

Run the Jewels Take Over the Metro 11/22

run-the-jewels-animated.jpg Since their inception, Run the Jewels seems incapable of doing any wrong. This year is no exception. The group is a meld of two substantially different rap styles, one coming from El-P 's New York flow and production and Killer Mike's dirty south genius. They just released Run the Jewels 2 which continues the pair's utterly crazy verses and impeccable production. The songs are outlandish, clever, filthy, complex, willfully ignorant, and infinitely referential all in the name of entertaining rap. It's the perfect combination of unabashed grandstanding and pure skill. If you aren't having fun listening to these guys throw down, then you need to consider not taking everything so seriously. Run the Jewels certainly have found the balance between seriousness and enjoyment considering their offer of a meow-mix of the album. Thanks to a Kickstarter campaign they will be releasing Meow the Jewels. Only Run the Jewels have the audacity to run with something so ridiculous.


Saturday may as well be Run the Jewels Day in Chicago as they will be all over the city. El-P and Killer Mike will be signing copies of the new album at the Reckless Records, 3126 N. Broadway, from 2-3pm before doing two shows at the Metro . Run the Jewels will be joined by New York rappers Despot and the group Ratking, the latter of which had an amazing head busting set at Lolla earlier this year. The late show, which will also feature David Ruffin Theory, is sold out but somehow there are still tickets available for their early show at 5:30. Don't miss this show.

Julian Ramirez

Concert Wed Nov 12 2014

Photos/Review: Gruff Rhys @ Schubas Tavern 11-12-14

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It's always good to see the Super Furry Animals frontman Gruff Rhys up to anything, even if it isn't involving a proper Super Furries show. Showcasing his newest solo release, American Interior, his imagination, wit, and intellect again made for a rare treat to the midwest crowd. Hailing from Wales, Rhys was all about Welsh pride in his two hour-plus alternate history of how Prince Madoc and John Evans help discover America (instead of Columbus) and how some of the First Nation ended up speaking Welsh.

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Kirstie Shanley / Comments (1)

Preview Wed Nov 12 2014

Preview: Survival Knife at Subterranean Nov. 14

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Unwound never really died. Yeah, the band called it quits years ago and everyone involved left to embark on all sorts of new adventures, but the legacy of Unwound lives on. The latest manifestation of Unwound's legacy is a band playing at Subterranean this coming Friday: Survival Knife.

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Justin Freeman

Review Thu Nov 06 2014

The Riviera had a Lovely Day with Alt-J

altj1.jpgI didn't give Δ, pronounced alt-J, a fair chance when they released their initial EP and subsequent album An Awesome Wave. It was more than likely a combination of something just not clicking with the songs I had heard. Maybe it was the convolution of their name, the Mac key sequence to produce the fourth letter of the Greek alphabet that indicates change in mathematical equations. Whatever the reason, it wasn't until my sister Kayla insisted that they were indeed a good band and that I should take a second listen. My resistance to the band would ultimately not make sense considering how strange and inventive they turned out to be.

Since then I've been an advocate of Joe Newman's weird warbling voice and the band's complex compositions. Δ came to the Riviera this past weekend and reaffirmed my sister' assertions of quality. They played and 18-song set, touching upon everything one would hope for, and it was breathtaking.

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Julian Ramirez / Comments (1)

Review Wed Nov 05 2014

Slowdive & Low Flowed Steadily into The Vic

slowdivevi.jpgSlowdive made their return to music after nearly 20 years of absence. It says a lot that a band with only three albums to their name has ad as much attention and fervor associated with their reunion. You could chalk it up to nostalgia of a better time, but their sound has a much more eternal quality. I am almost certainly on the younger end of Slowdive fans considering my newborn status at the time of their formation, nonetheless I've been enchanted by their dreamy sound for years. Their return fills me with unfettered joy and stands a chance for their songs to get the due they richly deserve.

The reunion tour has placed Slowdive with a really apt pairing, placing Low's softer and mellower music as a lead in to Slowdive's more expansive wave of sound is one of those perfect transitions. This past week's show at the Vic was Slowdive's second time playing in Chicago this year, following up the amazing performance at Pitchfork Festival this summer. With a closed and more sound-pleasing venue, Slowdive simply couldn't, and didn't, disappoint.

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Julian Ramirez

Review Tue Nov 04 2014

Ben Frost Creates Panic at Constellation (10/31)

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photo credit: Kelav Slavoran

As I left my apartment to see Ben Frost the other day, the weather shifted. The sky changed to a ominous shade of black. An inescapable coldness filled the air as flakes of snow fell from the sky, their luminous white color in stark contrast of the overwhelming darkness around them. It was beautiful.

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Justin Freeman

Review Sat Nov 01 2014

Dial In, Rasplyn & Brash Flair Shared Their Eclectic Sounds with Schubas

Sometimes it's better not knowing much about the musical acts you're going to see. It's an incredibly great feeling to be surprised and turned into a genuine fan of musicians that you were unfamiliar with. Such was the case this past week at Schubas, where I was met with an diverse and all around fantastic collection of local musicians. Originally I was expecting to see Gemma Ray, but her cancellation came far in advance and I was ready to experience what the Chicago music scene had to offer. Turns out I got way more than I was expecting from all three acts. The groove-able sounds of Brash Flair, the darky mystical Rasplyn, and the electronically inclined rock of Dial In delivered a great eclectic night of Chicago musicians at Schubas.

brash flair.jpgThe duo of Kristin Johnston and Joshua Wentz started off the evening as Brash Flair and they really impressed me. Their sound is really a complex assortment of beautifully arranged beats and keys cast beneath Johnston's unwavering voice. The music and vocals never fight for attention, rather melding together in a sonically satisfying array. Their songs are ambient electronic music that often finds itself spread across genres. There elements of glitch sewn into some song that end up experimenting with an almost modern hip hop beats. They created lush and dense soundscapes that rise up to these intricate highs that transcend the sum of the parts. "Good Morning" was a particularly powerful stand out in their set, showcasing Johnston's voice prominently. Johnston and Wentz continuously switched places behind their setup, taking control of every aspect of their flowing sound with an effortless grace. They ended their set by building up a song on the fly, a beautiful expression of how well the duo work together.

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Julian Ramirez

Stars Align Thu Oct 30 2014

Stars Align: Mike Maimone and Archie Powell

Frontmen Mike Maimone of MUTTS and Archie Powell of Archie Powell & the Exports are known for their heavy, raucous rock, but they're turning it down from 11 to join forces for one night only.

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Archie Powell and Mike Maimone perform at Riot Fest. (Photos: Jim Vondruska and Rob Holysz)

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Mike Ewing

Preview Thu Oct 30 2014

Stephin Merritt Coming to Chicago for a Rare Solo Performance

Stephin Merritt.jpgStephin Merritt's range as a musical artist knows no bounds. Merritt may be best known for his extensive catalog of magnificent pop music as the head of The Magnetic Fields, but this barely scratches the surface of his work. He has found himself working within musical theater, contributing fantastic original music to audio books, creating film soundtracks, and as part of the multitude of side projects including The Gothic Archies, The 6ths, and Future Bible Heroes. There are very few writers than can be as introspective and genuine as Merritt when it comes to songs about something as delicate as love. Merritt has managed to infuse every project with his lovely and always entertaining songwriting along with his intoxicating bass voice. His prowess doesn't end with his musical talents. He has recently released his first book, 101 Two Letter Words, a collection of poetry accompanied by illustrations by Roz Chast. It would seem as if Merritt's reach knows no bounds, expanding into every realm his vast talents will take him.

Stephin Merritt will in Chicago for two very special events. On Nov. 7 he will be speaking with Peter Segal as part of the Chicago Humanities Festival. Tickets for this event are $12. The following evening, Nov. 8, Merritt will be performing an intimate solo set at the Old Town School of Folk Music. This rare event will have Merritt performing pieces from his massive oeuvre in alphabetical order. Advance Base, a solo project of Owen Ashworth, will be opening for him. Tickets are $30 for the general public, $28 for members.

Julian Ramirez

Review Sat Oct 25 2014

Open Mike Eagle and Serengeti Elevated Rap at Empty Bottle

openmikeeagle2.jpgThere are many names for alternative rap, the spectrum of hip hop that looks deeper into the craft of the verses and beats. Open Mike Eagle calls his version of the genre Art Rap and I couldn't imagine a better way to describe it. Eagle, along with Serengeti and Jeremiah Jae, create wordy and ultimately more fulfilling tracks, putting emphasis on characters and message while still putting up memorable tracks. Eagle's Dark Comedy and Serengeti's Sisyphus project and his forthcoming Kenny Dennis III are easily shaping up to be the best alternative rap albums of the year. This past week, the three rappers stopped by Empty Bottle and put on a solid rap show.

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Julian Ramirez

Review Tue Oct 21 2014

Schubas Swooned For John Mark Nelson and Kara Laudon

kara loudin.jpgThis past Friday I was supposed to go see Haley Bonar at Schubas. Earlier that morning on her Facebook page she announced that she would not be able to perform that evening due to laryngitis. With an upcoming tour in Europe, it made sense for her to rest up. While such news is usually a downer, Bonar had luckily announced that the show was going to be carried on by her opener John Mark Nelson and Kara Laudon. I was only slightly familiar with Nelson and Laudon's music, but after a second or two of hearing them perform I knew that Bonar had left Chicago in the amazing hands of two wonderful musicians

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Julian Ramirez

Review Sat Oct 18 2014

Owl John Tugged The Bottom Lounge's Heartstrings

Years ago I was given a copy of Frightened Rabbit's first album Sing the Greys and instantly knew that Scott Hutchison's songs would be something I would want to seek out. When The Midnight Organ Fight was released, it cemented Frightened Rabbit and Hutchison in my mind as one of the best modern bands. Every song simply grabbed me, leaving me aching for the same reason they ached. Hutchison's ability to capture little idiosyncratic moments into a universal understanding is uncanny. This past Wednesday Hutchison performed a lengthy set under his solo moniker Owl John at the Bottom Lounge, further showing his ability to captivate with his songs.

wedding dress.jpgChicago's Wedding Dress opened the night up quite well. The group is a nice collection of other Chicago area band including Maps & Atlases, Joan of Arc, and Suns. Together they create a dreamy indie rock sound that is accented with some interesting features. The slow and atmospheric build up to "Dangerous Living" had an almost post-rock quality to it before it submerged itself into the band's more identifiable sound. That's not to say that their music isn't filled with surprises, though. There is a bit of experimentation happening throughout their songs, particularly in when group blends in some interesting drums and keys into their work. The cover of Wild Beast's "The Devil's Crayon" fit the band quite well, really making it their own especially through Erin Elders vocals. They ended their set with "Simple Cords," which has the band at their most entertainingly folky.

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Julian Ramirez

Concert Thu Oct 16 2014

Photos/Review: The Districts @ Park West 10-16-14

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The Districts may have only played 35 minutes in their opening set for Temples Thursday night but it was none stop energy. The Pennsylvanian four piece is composed of two guitarists which helps emphasize the melody lines and enhances the energy of the rifts and pedal effects. Additionally, a bassist, and bombastic drummer add to the overall effect. At any given point, all members except the bassist may be providing vocals but all four seen strongly invested, especially their lead singer, Robby Grote.

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Kirstie Shanley

Concert Wed Oct 15 2014

Photos/Review: Rural Alberta Advantage @ Cabaret Metro 10-14-14

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It's no surprise that three piece Canadian trio Rural Alberta Advantage keep playing larger venues. The packed Tuesday night crowd huddled in the rain to gladly see one of their favorite bands again play for a near 90 minute long set. The band's live performance only grows more heightened with a sense of the songs coming into their own greatness with lead singer Nils Edenloff's ability to project his voice even in more expansive spaces increasingly apparent.

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Kirstie Shanley

Concert Tue Oct 14 2014

Sonic Highways Leading Foo Fighters to Cubby Bear

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Hardly ever the type to be conventional, Foo Fighters have announced that they'll play Cubby Bear on Friday, the 17th. The Dave Grohl-directed Sonic Highways series is about to debut on HBO and their new album of the same title comes next month. The band will play after screening the first episode from the series. The new album, which they'll likely play in full on Friday, was recorded over the last year in eight US cities, including Chicago, of course.

Foo Fighters headline Cubby Bear on Friday, October 17. Tickets will be available Wednesday at 10am from here. There's a 2-ticket limit and they're doing everything they can to eliminate a second market. It's 21+ and doors open at 8:30PM. As of Tuesday morning, a price hadn't been announced, but it probably doesn't matter to many people. The Cubby Bear's at Addison & Clark.

James Ziegenfus

Concert Wed Oct 08 2014

Lampo says, "Welcome to (Rene) Hell"

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Jeff Witscher (Rene Hell)

This Saturday (October 11) at 8 p.m., experimental music organization Lampo begin their Fall 2014 season with the first of four free performances around Chicago. With the help of their long-running collaborators at the Graham Foundation, The Smart Museum of Art, and the Logan Center for the Arts, Chicagoans will have architecturally complimentary environments in which to experience a wide variety of unconventional, often abstract sounds and compositions.

The fall schedule is as follows:
October 11: Rene Hell
November 8: Robert A. A. Lowe
November 22: Lucky Dragons
December 13: Tristan Perich

Saturday's performance (which is free with RSVP, and takes place at the Graham Foundation's Madlener House, 4 W. Burton Pl.) will include a performance of a new composition by Jeff Witscher (aka Rene Hell), titled "Bifurcating a Resounding No!" The piece draws from years of recorded sounds (acoustic instruments, field recordings and voice), collected in cities across the U.S. and shaped with various digital techniques into a new long-form work.

If you don't know Jeff Witscher by name, you may know him by one of many others. From 2004 onward, Witscher has morphed into and between numerous guises and musical approaches, from harsh noise (Impregnable) to forlorn ambient soundscapes (Marble Sky) to anguished power electronics (Secret Abuse), releasing music through his Agents of Chaos label and many others channels. But most revered and, truthfully, the most mysterious of them all is his flagship project, Rene Hell.

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Chris Sienko

Concert Wed Oct 01 2014

Photos/Review: Kasabian @ Cabaret Metro 10-1-14

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England's Kasabian has yet another hit album with 48:13 and easily sold out the Metro with fans who danced and knew every word. As this photographer/reviewer was walking into the Metro, she overheard someone explain."Kasabian is like Oasis only with.a better sense of humor" and there is some merit in that. They write and rock out with the kind of songs people feel good dancing in a club to with all of their friends and they aren't about to let their presence be weighted down by a bunch of heavy ballads.

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Kirstie Shanley

Review Wed Oct 01 2014

WHY? Undoubtedly Wowed Lincoln Hall

why.jpgOriginally, Why? was the solo project of Yoni Wolf, but with the release of the Sanddollars E.P. and Elephant Eyelash, Why? became a full band project. The music became cohesive melding of hip hop and indie rock, always moving between the two without being held down by either of them. His songs are colorful and verbose, creating intense imagery that never fails to impress. Why? came to Lincoln Hall this weekend for a two night stint, which he announced would be made up of two completely different set lists. I had the opportunity to see him on the first night and was blown away.

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Julian Ramirez

Concert Fri Sep 26 2014

Announcing the Gapers Block Holiday Concert Dec. 6 at Metro!

2014 Gapers Block Holiday Concert

Gapers Block is proud to announce its 2014 Holiday Concert at the Metro, 3730 N. Clark St., on Saturday, Dec. 6. The lineup will feature MUTTS, Archie Powell & the Exports, The Kickback and Cincinnati's Pop Goes the Evil -- plus some added surprises we'll share later. Tickets are $9 in advance, $12 at the door, and are on sale now.

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Andrew Huff

Review Tue Sep 23 2014

Nellie McKay and Diana Lawrence Charm an Appreciative SPACE

nelliemckay.jpgI can still vividly remember walking into a big box store and purchasing a CD of Get Away From Me, the amazing double album debut of Nellie McKay. I had seen the album online on some random message board thread heralding the best albums of 2004. The cover's unlikely combination of visuals grabbed me. McKay, with her golden locks spilling out of her red hooded coat, looked completely out of place in front of the graffiti packed brick wall. Toward the bottom left corner of the cover laid the stark parental advisory warning. I couldn't understand how all these elements came together, but I needed to find out. I quickly walked out of the store and began playing the album in my father's car. I fell in love with the brilliant storytelling, beautiful instrumentation, and rapping ability of Nellie McKay. A mix of jazz, hip hop, blues and countless other genres appeared on McKay's oeuvre over the next decade and every one of them was gracefully mastered by her voice. This past weekend, Nellie McKay came to SPACE and showed every bit of her mastery.

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Julian Ramirez

Review Sat Sep 20 2014

Lincoln Hall Gets Weird With Tobacco

tobacco4.jpgTobacco is weird. Luckily, it's the kind of weird that offers up one of the most entertaining and abstract musical artists today. Thomas Fec, the man behind Tobacco and head of the psychedelic Black Moth Super Rainbow, has built an irreverent lore around himself. It's a haze of b-movie shocks, fuzzy statements, and recently some beard rubbing. Take the Nickelodeon commercial incident, where Fec feigned interest about his music being used without permission. That event actually had Fec reveling in the silliness surrounding it by using Nickelodeon-esque visuals for online promos and inserting the word scrote into the vernacular of his fan base. The half serious, half joking oddities revolving around his electronic pop fused with gnarring sounds enhance the experience of Tobaxxo, as its occasionally stylized. This week, Fec along with BMSR cohort The Seven Fields of Aphelion, Maureen Boyle, put on an amazing show at Lincoln Hall.

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Julian Ramirez / Comments (1)

Review Wed Sep 17 2014

Shabazz Palaces Experiments with Lincoln Hall

20140914_000519(1).jpgExperimental hip hop has on the rise recently; bringing influxes of strange and often thought to be counterintuitive elements into the hip hop world with great results. The experimentation with beats and flows has been reaching an tremendous peak over the last few years, with Shabazz Palaces being very close to the top. The group, consisting of Ishmael Butler and Tendai Maraire, meshes incredibly dense verses while reaching out for more obscure sounds from a number of genres including jazz, funk, and tribal music. The combination is at times off-putting, making more artistic hip hop than the usual party anthems. Shabazz Palaces fights their way through the norm and emerges with a complexity that few are capable of achieving. They put this complexity on full display at Lincoln Hall this past weekend.

Chicago's own Chandeliers set the tone for the night with their entrancing electronic sound. The songs they played had an impressive depth, layering both synthetic sounds and a live drum into the set. I wouldn't be surprised if a rapper repurposed Chandelier's compositions as beats they have an inherent hip hop quality, blurring the edge between the more ambient moments and the bass intense sections in their tracks. The trio, Chris Kalis, Harry Brenner, and Scott McGaughey, performed in a facing one another in what looked like a trance. Projected above them were equally absorbing visuals, reminding me of an endless tracking VHS copy of the stargate scene in 2001: A Space Odyssey. It was easy to just let go and groove along with the band as they embodied the epitome of a late night vibe.

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Julian Ramirez / Comments (1)

Review Fri Sep 12 2014

Jad Fair and Danielson Showed Schubas Their Solid Gold Heart

There is rarely a year where Jad Fair isn't a prolific and mesmerizing artist. 2014 is no different, seeing how he has released a new Half Japanese album Overjoyed and was named Joyful Noise Recordings' "Artist in Residence", which has Fair collaborating with four different artists to release four full length albums throughout the year. The most recent release, Solid Gold Heart, was made in conjunction with Daniel Smith of Danielson and the incredible Kramer. The album itself is a product only this grouping could make. It's a big and energetic display of pop songs at their most entertaining. They came to Schubas earlier this week to share the album with the Chicago crowd.

casey scott.jpgThe show started with Scott Ligon and Casey McDonough, members of the long running NRBQ. They both are great musicians with a wonderful handle on their instruments, which included a kazoo Ligon pulled out for a song or two. That being said, it was a bit surprising when they noted it was McDonough's first time playing the upright bass in public. There was no indication in his performance which was virtually flawless. The songs were a mix of NRBQ songs ad covers from a variety of artists including The Delmore Brothers and Roy Orbison. They even asked for a request, which came in the form of "Walk Right Back", originally recorded by The Everly Brothers, whose songs were covered quite a few times. "Bottom Buck", a song Ligon wrote with his brother in mind, was a nice bright spot of the set, which ended with a compassionate rendition of "Don't Blame Me". The duo garnered the approval of the audience and Jad Fair, who sat off to the side tapping his foot and applauding along with crowd.

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Julian Ramirez

Preview Tue Sep 09 2014

Califone and S. Carey Return to Lincoln Hall

califone scarey.jpgCalifone is a wonder of a band. They have managed to create music that finds itself progressively experimenting with the past; creating a large collection of songs that are as new as they are familiar. It's a modern Americana that Califone plays, one filled with the resonances you'd expect but brought to light in a fascinating way. Tim Rutili, the band's constant visage, combines his meditative lyrics with soundscapes that have ranged from synthesized sounds to organic hums. The band's latest album Stitches favors the latter, featuring more natural acoustics amidst the ever evolving structures of his songs. Rutili has guided the band's sound for over 15 years, never ceasing to find new ways of improving on his never ending experimentation.

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Julian Ramirez

Interview Mon Sep 01 2014

Beyond and Back with John Doe

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John Doe. Photo credit: Autumn De Wilde.

This week the band X, who rose to punk rock fame in LA in the late '70s, will be performing their first four records (Los Angeles, Wild Gift, More Fun in the New World, and Under the Big Black Sun) at the City Winery. I spoke to X co-founder John Doe as he and his fellow band members wrapped up the New York leg of their tour.

X was influenced by country and blues from the '40s. The amount of time that's passed between the era of the music that influenced X and when X began performing is about the same amount of time that's passed between when X started and now. Is there a detachment from playing your own work over time, or do you feel more connected to it?

Well, you lose the immediate connection, but it becomes so engrained to how you play and the way you play, and it's always evolving.

Does it ever feel like you're playing a cover of your own song?

Hah, on a really bad night maybe.

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J.H. Palmer

Review Sat Aug 30 2014

The Dutchess and The Duke Return to the Empty Bottle

dutchessduke1.jpgIt's been four years since The Dutchess and The Duke, Kimberly Morrison and Jesse Lortz, were at the Empty Bottle for an epic and legendary show filled with stories about cowboy kisses and bar top dancing galore. A little after that the same year the duo called it quits, leaving behind two incredible albums, She's The Dutchess, He's The Duke and Sunset/Sunrise, drenched with warm memories of their lovely voices. Luckily the duo reunited this past Wednesday with a full band for a pair of Midwest shows, returning to an adoring crowd at the Empty Bottle.

Opening up the night was Brian Case of Disappears with a particularly interesting set consisting one uninterrupted study on sound. It definitely wasn't or everyone, but it's the sort of experimentation that I eagerly enjoy. Case played a slowly evolving drone, keeping it low and haunting as the deep bellows of the guitar would occasionally rise out, seemingly without warning. It was a very atmospheric performance, with Case's meditative rocking edging on transcendence, gently shifting the hum of his guitar for nearly 20 minutes.

The second opener diverged from Case's long dirge to incredibly short poppy songs of The Lemons. I would be surprised if any of the songs they performed clocked in longer than a couple minutes, which was really part of their charm. You know you're in for a treat with citrus centric stage names like John Lemon and Chris Twist are commonplace. The Lemon's rapid fire set was filled with just enough goofy cartoon voices from their drummer Juicy James and self-deprecating humor. "Is this our worst show?" they quietly quipped between some of the most enjoyable bubblegum pop I've heard in sometime. Their songs were danceable and instantly catchy, from the super sweet "My Candy Girl" to the cheerful "Best Day" that ended their set.

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Julian Ramirez

Review Tue Aug 26 2014

Jeff Daniels Made SPACE Feel Like Home

jeffdanielsone.jpgThere is a pretty good chance you know Jeff Daniels from his acting roles. He has endlessly shown his acting proficiency, whether it's the nostalgically classic comedy Dumb and Dumber, his more serious turn in The Squid and the Whale, or roles that straddle the line between the two like in The Newsroom. What you may not know is that he is a very talented musician, playing guitar in a variety of genres including blues, jazz, folk, and a little bit country. He's been doing so for over well over a decade, taking his career as a musical artist as seriously as his acting. His ability to entertain as an actor spills over greatly into his music, making him even more of a storyteller than he already was. This past weekend, Jeff Daniels returned to SPACE for a sold out show.

Right off the bat one could tell the Jeff Daniels is incredibly comfortable on stage. He and his son's group, The Ben Daniels Band, began the show with a couple of songs before coming to Daniels first story of the night. It was the beginning of a great pattern, seamlessly transitioning from tales of his life to his wonderfully sincere songs. Through out the night he spoke of encounters with Jack Lemon, local pastors, and overstressed moms at malls with the same zeal. There was no pretense during his singing or storytelling. His performance honestly felt like it came from a different era, where a musician's relatability wasn't faked as it simply was cultivated by genuineness. It made the room feel like an inviting home with Daniels at the head of the table.

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Julian Ramirez

Concert Tue Aug 26 2014

City of The Weak Rolls Into Reggies 9/2

By Lucy Rendler-Kaplan

Consider it a sign of the times — modern rock band City of the Weak found their band through a text message conversation. As Stef Huschka (vocals) explains it, "A former member and I were texting each other trying to decide between 'Conquer the City' & "Day of the Weak." I got a text back combining them that said 'City of the Weak,' and we all were like, 'that's it.'"

City of The Weak (COTW) is a young band with some serious sound. They're able to combine a modern rock 'n roll overtone with catchy pop melodies, rhythmic riffs and moving bass lines. Stef ("with an F") founded the band after she moved from Montana to Minneapolis. "I moved specifically to start a band," she said. In 2011 at McNally Smith College of Music, Stef said she "jammed with different groups of people at the school, stuck with what I had, and rotated our lineup when needed." Joining Stef is Jackson Weyrauch (backup vocals/guitar), Brent Lindblad (guitar), and Cody Hoffman (bass).

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Transmission

Review Fri Aug 22 2014

The Perfect SPACE for The Polyphonic Spree

polyphonic1.jpgThe Polyphonic Spree is a really big band. They often are made up of more then twenty members playing an impressive range of instruments. Although the band was pared down to around fifteen members for this showat SPACE in Evanston, it was very clear that the energy and talent was not scaled back at all. With no opener, The Polyphonic Spree played for a spectacular hour and forty five minutes. SPACE turned out to be the ideal venue for the band, big enough to house their still large numbers and enthusiasm, but intimate enough to create the perfect atmosphere for everyone at the show.

polyphonic2.jpgIt was near impossible upon entering the venue not to immediately notice the large white partition separating the crowd from the stage. It spanned across the room, attempting to obscure the plentiful colors and shiny streamers of the set display. Audience members, most of which were obviously die-hard fans of The Polyphonic Spree, would sneak glimpses from both ends of the divider, feeding their anticipation. That wait was infectious, spreading throughout Space till the moment the house lights went down and the soft blue beams lit up the opaque cloth followed by a steady plume of smoke. The wonderful droning of instruments was accompanied by faint hiss of a spray paint can that rose from behind the canvas, producing a decree written in reverse from the band's leader Tim DeLaughter. Every letter that appeared prompted a louder response than the last, ultimately convening the message: MAKE SOME ILLINOISE. The partition was brought down in quick flash, revealing the members of the night's Polyphonic Spree.

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Julian Ramirez

Review Thu Aug 21 2014

OK Go Charm Lincoln Hall

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"It's so intimate in here. I can see everyone's faces. Does anyone have any questions?" asked OK Go vocalist Damian Kulash to a sold out crowd at Lincoln Hall last week. "Where the fuck have you been?!" someone from the crowd playfully shouted. "Dude. It takes us six months to make a video. I just wish we could make videos faster."

Flanked by a constantly evolving and intricate set of visuals which rivaled their infamous music videos, OK Go are currently on tour in support of their upcoming new album Hungry Ghosts. Singles such as "The Writing's on the Wall" ooze with New Order and Prince influences. "I Won't Let You Down" sounds like a b-side for Gap Band's "You Dropped a Bomb On Me" while "Turn up the Radio" sounds like a love letter to acts such as The Cars.

Throughout their performance, the band was charismatic as ever as they unleashed a literal torrent of white confetti which glimmered in the lights and visuals during many of the songs. They also waxed poetic of their time living here in Chicago. At one point, Damien came into the crowd to perform an acoustic version of "New Leaf" after which some equipment failed and the band sang a passage from Les Misérables as it was repaired.

"In the end, maybe it's better we focused on videos instead of posters. Cops don't hate us nearly as much as they used to," Damien mused out loud before ending with an encore of "Here it Goes Again" as more white confetti fell to the ground, finding color in the idiosyncratic visuals and lights.

Justin Freeman

Contest Mon Aug 11 2014

Contest: The Ballroom Thieves Perform at SPACE This Wednesday!

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Although they hail from Boston, folk trio The Ballroom Thieves exude soulfulness from the Delta south. Martin Earley strums his guitar with feverish finesse as Devin Mauch rattles away with his diverse percussion with Calin Peters' filling out the band's sound with the tender rhythm of her cello; all the while weaving their voices together in wonderful harmonies. The band manages to imbibe a hearty sense of rock into their music and still maintaining a gentle sincerity. Their songs are personal and earnest about their themes, whether it is the anguish of defining oneself in "Coward's Son" or delving into bad relationships by way of metaphor in "Vampires".

The Ballroom Thieves will be playing at Evanston SPACE, 1245 Chicago Ave., Evanston, this Wednesday, August 13, at 7:30pm. They will be joined by Humming House, a collection of musicians who've gather influences from Americana, bluegrass and traditional Irish music.

Tickets for this sure to be fantastic show are just $10, but you also have a chance to win a pair of tickets! Just email us at contests@gapersblock.com with the subject line "Ballroom!" and we'll pick a lucky winner at random. Email by 5pm today! [Update! We have a winner! Congrats to Joseluis!]

Julian Ramirez

Concert Mon Aug 11 2014

Photos/Review: Echo and the Bunnymen @ Cabaret Metro 8-10-14

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It's always an exceptional thrill to see a band of the caliber of Echo and the Bunnymen play The Metro because their sound is quite massive and has become the stuff of legend. For 36 years now, Ian McCulloch's vocals alone have helped inspire countless other bands and served as a soundtrack to the childhood of anyone who grew up in the '80s and early '90s. Today, McCulloch's voice still keeps quite a bit of its range and distinctiveness while the backup band makes the songs sound impressively close to their original recordings.

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Kirstie Shanley / Comments (1)

Concert Wed Aug 06 2014

Photos/Review: Lil Bub with David Yow @ Cabaret Metro 8-6-14

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For those who may not know, Lil Bub is a very special female cat from outer space who has special needs. Lil Bub and her dude, Mike Bridavsky, have helped raise over $100,000 for animal shelters. Typically, Lil Bub's shows which have featured everyone from Whoopi Goldberg to Andrew WK to Amy Sedaris happen in a more controlled studio so Chicago was lucky to behold Bub in all her feline glory at Cabaret Metro.

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Kirstie Shanley

Concert Fri Aug 01 2014

Darren Hayman is Coming to Town (and You're About to Miss It)

By Phil Huckelberry

In 1998, an English pop-rock band released their first album. You probably didn't hear about it. It came out on a very hip indie label, but remained mostly unknown on this side of the Atlantic. This was back in the day of listservs — run off of obscure university servers and beloved by the internet's earliest adopters. On one such listserv a guy named Spencer insisted that we all had to listen to this band Hefner.

Many years later, I rank Hefner's debut album, Breaking God's Heart, as one of my top ten albums of all time. It contains brilliant pop songs, mostly about relationships and their attendant failures. The subject matter seemed universally familiar even while totally off the wall. Nobody else was writing breathtaking love songs about witches and librarians, all while bemoaning the state of British politics. The tenderness in the first song, "The Sweetness Lies Within," slams against harried guitars, creating not a strange juxtaposition but instead the appropriate sonic context for how insane it is to be young and single and not single and single again. At times it was like finally hearing what everybody else had to have been thinking all along.

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Transmission

Concert Tue Jul 29 2014

Neon Marshmallow Provides 4-day Walk-free Alternative to Lolla

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Missed out on tickets for Lollapalooza? Can't afford tickets for Lollapallooza? Pining for the good old days when Lolla hosted legitimately frightening acts like The Boredoms and Nick Cave and the Jesus Lizard? Don't like walking/daylight/the outdoors/Skrillex fans?

This Thursday through Sunday, The Burlington (3425 W. Fullerton Ave.) has your alternative as they host the 2014 Neon Marshmallow festival. With 16 acts for $30, you're unlikely to find a better jams-to-buxx ratio this weekend, with styles ranging from day-glo to funereal, garage-tastic to grave-shufflin'.

Weekend passes will be sold through Wednesday. They include access to all four days' worth of acts (four per night), an unreleased track by festival regulars Telecult Powers, and an hour of free select Stoli beverages each night. (Individual night tickets will be available at the doors as well.)

Below the jump, a night-by-night guide to everything.

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Chris Sienko

Concert Wed Jul 16 2014

OOIOO Awe the Crowd at Schubas 7/15/14

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Yoshimi Yokota is no stranger to the creative Japanese music scene having been a pivotal member of Boredoms with Yamatsuka Eye. Fans and critics alike have experienced a challenge in terms of describing OOIOO. Their sound varies from the tribal to the psychedelic. With six band members, they create compositions that are complex and would be chaotic if they weren't incredibly tight.

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Kirstie Shanley

Concert Mon Jul 14 2014

Aloe Blacc and The Wailers Groove Out the Last Day of the Taste

To round out the weekend at the Taste of Chicago (after a sad cancellation Saturday due to weather, which included performances by Jeff Tweedy and Lucinda Williams) we needed something mellow and sweet. Thankfully, Aloe Blacc and The Wailers were there to provide just the right send-off. Our photographer Amanda Koellner was there to capture the action.

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Aloe Blacc at the Taste of Chicago, Sunday (photos by Amanda Koellner)

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Anne Holub

Concert Fri Jul 11 2014

Janelle Monae and Gary Clark Jr. Rock the Taste

Super cosmic songstress Janelle Monae grooved her way into our hearts yesterday evening at the Taste of Chicago. Photographer Amanda Koellner got some photographic proof of her awesomeness.

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Janelle Monae at the Taste of Chicago 2014 (Photos by Amanda Koellner)

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Anne Holub

Review Mon Jul 07 2014

An Evening with Gillian Welch and Dave Rawlings

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Gillian Welch & Dave Rawlings (Photos by Katie Hovland)

Since her debut album Revival, Gillian Welch has constantly had her musical partner Dave Rawlings by her side. It has become a little difficult to separate them from one another, seeing as every album that bares one of their names holds the other in tow. After an eight year absence from recording songs under Welch's name, the duo released The Harrow & The Harvest, one of the best folk albums in recent memory. This past Wednesday at the magnificent Thalia Hall, Welch and Rawlings presented their pairing with delightful sincerity.

They came out with no introduction and they certainly didn't need it. The night was set aside for just the two of them, no opener other than themselves. The crowd whooped and hollered with all the veracity of much more elaborate or gaudy show, when it was just Dave Rawlings, Gillian Welch, their stringed instruments, and a few mics at center stage. The simplicity of having these two musicians stand tall in the middle of the stage amplified not only their talents but the majesty of Thalia Hall. It left everything out in the open, no fuss to distract from "Tear My Stillhouse Down", the first song of a very fulfilling night.

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Julian Ramirez / Comments (1)

Review Wed Jul 02 2014

A Night of Devastating Beauty with The Antlers

There are plenty of ways to look at death and loss, but rarely is it ever as deeply touching and beautiful as the way The Antlers look at it. Over the course of five albums, they have managed to successfully mine these issues for every bit of their emotion. The results have been amazing, creating sonically breathtaking and enjoyable works about some of the worst moments in life. This weekend at Lincoln Hall, The Antlers took the stage to show just how magnificently they can represent the saddest moments in our lives.

yellow ostrich.jpgThe show opened with Brooklyn's Yellow Ostrich. The band recently released Cosmos, which lead singer Alex Schaaf joked as being the soundtrack for the hit TV show. That sense of fun emanated throughout their much of their music, despite some more somber lyrics. "How Do You Do It" speaks of a someone who gets through countless failures, but the instrumentation felt joyous. However, there were moments where Yellow Ostrich matched their songs earnestness. The use of electronic drums on "Ghost" and Schaaf's tremendous guitar gave the song an epic feeling. The slow and lovely pace of "I Know You are Lost" was accompanied by a venue shaking bass that wrapped around the crowd. They ended their set with "Shade," which places Schaaf's fantastic vocals in the forefront.

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Julian Ramirez

Concert Fri Jun 20 2014

Robert Beatty & Takeshi Murata Make Motorcycle-Riding Werewolves Cool Again @ Lampo

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Robert Beatty. Photo by Angie Evans.

The 15+ year experimental music organization Lampo concludes its winter/spring 2014 season this Saturday, with a mix of sound and visuals by long-running collaborators, musician Robert Beatty and filmmaker Takeshi Murata. The event is free with RSVP, and will contain both live performances and film screenings. It takes place at the Graham Foundation's Madlener House, 4 W. Burton Pl., and starts at 8pm.

For many years, Beatty was probably best known as the electronics mangler in Hair Police, a long running trio of nice guys who manage to sound like a body being buried before fully dead. The group's commitment to audio asphyxiation is a thing to be admired. But when not grinding his electronics into the unforgiving soil with that lot, his solo work, first under the moniker Three-Legged Race and now under his own name, aimed itself directly into the inner eye of the cosmos. With albums like 2012's Persuasive Barrier and 2008's Living Order/Mourning Order, Three-Legged Race revealed itself as a supple, endlessly inventive purveyor of head-bound electronic music, conveying shades of light and shade with beauty and heart. Beatty's distinctive visual art has also adorned LP covers like Burning Star Core's "Challenger" and Ga'an's "Black Equus."

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Chris Sienko

Review Wed Jun 18 2014

Empty Bottle Filled Up with Allah-Las' Psychedelia

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Allah-Las (Photos by Cody Davis)

The resurgence of psychedelic rock should come as no surprise by now. The past few years have been filled with bands mining the genre that was most prevalent during 60s and 70s for inspiration. Many tend to fall too far into the sound for their own good, while the immersion for others works so well that it's hard to believe they aren't directly from that time period. California's Allah-Las easily fall into the latter. They have managed to replicate that old garage psychedelic rock without being tiresome or boring. They wholeheartedly embrace the sound, especially when playing live. Such was the case this past weekend at their sold out show at Empty Bottle.

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Julian Ramirez

Concert Mon Jun 16 2014

Photos/Review: Richard Thompson @ Pritzker Pavilion 6-16-14

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Richard Thompson, lead singer of the legendary folk band The Fairport Convention, is a man whose presence on stage carries much weight. His adeptness at guitar playing as well as his aptitude as a lyricist are deservedly renown but one thing some who haven't seen him live may not realize is how charming he is. He's also rather funny, joking that he found the bassist,Taras Prodaniuk, and drummer, Michael Jerome, of his electric trio out in the alley and supposing Chicagoans might have lake chanties instead of sea chanties.

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Kirstie Shanley

Review Wed Jun 04 2014

Kishi Bashi & Busman's Holiday Joyfully Burst at the Metro

kishi bashi.jpgIndiana label Joyful Noise Recordings puts out some of the best records year in and year out. They have a fantastic stable of artists that are dedicated and place every bit of themselves in to their music, something few labels can attest to. This past Saturday at the Metro, the label was well represented as Busman's Holiday and Kishi Bashi came out to support their recently released albums A Long Goodbye and Lighght respectively.

busman's holiday.jpgBusman's Holiday is made up brothers Lewis and Addison Rogers. Together they create touching and tender songs that deal with love, space and the things in between. The brothers are natural storytellers, which was evident in both their songs and crowd interactions. They had an instant rapport with the audience at the Metro, always taking a moment between songs to recount their adventures and follies. They gleefully reminisce about petting rhinoceros at the Lincoln Park Zoo and accidentally wearing the same black shirt and red socks.

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Julian Ramirez

Review Tue Jun 03 2014

St. Paul & The Broken Bones and John & Jacob Energize SPACE

st paul.jpgThis past weekend, Space in Evanston hosted two substantially different bands from Birmingham, Alabama. It felt like showcase of the sounds of that city, showing just how diverse and ultimately unique the music scene there can be. John and Jacob took care of the rock and country side of things while St. Paul and The Broken Bones handled the soul. The energetic pairing had the sold out crowd dancing the entire night, far past the end of the show.

john and jacob.jpgJohn and Jacob were an interesting choice to open for St. Paul and the Broken Bones. They may be easily seen as a country act, but their music holds more weight than that. John Davidson and Jacob Bryant infuse their songs with elements from all ends of the rock spectrum. Elements of blues, rockabilly, hard rock, and even a little bit of 90's alternative can be heard in their music. They combine all these varied parts while retaining country music at the core.

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Julian Ramirez

Concert Fri May 30 2014

Photos: Conor Oberst and Dawes Rock the Metro

Touring for his latest album Upside Down Mountain, Conor Oberst hit the Metro stage last night along with Dawes. Our photographer Amanda Koellner was there to catch the action on film.

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Photos by Amanda Koellner

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Anne Holub

Concert Thu May 29 2014

MØ Brings Down the House @ Lincoln Hall

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It all started with the sublime "XXX 88," a Diplo-produced absolute siren of a jam the Danish 25 year-old dropped last August (and which played an integral and much-repeated part in my Indian Summer playlist).

seems to be a member of a rising crop of new artists on the brink of mainstream success--Sam Smith, Banks, and Charli XCX among others--who legitimately seem to be exploring new territory in the pop music landscape. Mø's music is hard to describe, a quality that most likely contributed to her early hype. Part pop, part modern electronic, part dance, part R&B-- these disparate parts make up a whole that is more original and engaging and raucous than 99% of the dreck that currently occupies the mainstream charts.

Mø graced Lincoln Hall this Wednesday night, accompanied by fellow Scandinavian Erik Hassle, the latter of who delivered a heart-melting rendition of his blogosphere hit "Talk About It" to great effect. But it was Mø, whose stage name means "Maiden" in Danish, who unequivocally owned the night, the audience, and the venue.

Mø left no corner of Lincoln Hall unexplored, determined to reach every member of the audience in a city that she had never been to until that same day.

She sang from the balcony. She crowd surfed multiple times. She even got up on the bar, Coyote Ugly style (minus the gyrating stripteasing). This girl goes hard, and it's difficult to assume she doesn't do this for every show. Here is an artist who actually enjoys her own music--she owns her songs, and gives herself up to the music--which is wholly refreshing when compared to the sullen and un-emotive alternative.

Now, I'm no concert novice. I've seen shows that left my ears ringing for a full 24 hours, but the bass--and synths and guitar and 808s--at this show were of a class unto themselves. Particularly, the bass was so potent and booming it's difficult to describe without resorting to hyperbolics. It's a miracle the audience left with their internal organs intact.

If Mø's EP Bikini Daze was a late summer soundtrack to the winding down party of the warm months, then No Mythologies, with its 808's and massive synths, represents the genesis of a new season. This particular spring night, she barreled through almost her entire debut, opening with "Fire Rides," bringing down the house with single "Glass," and serenading the audience Romeo-and-Juliet-style from the second level.

Scrunchie high on her head, face matted with sweat, voice hoarse by the end of show, and what had to be a severely sore neck from her insistent headbanging and Stevie-Nicks electro-gypsy dancing, Mø backed up every promise of her album and early hype to the entire audience at Lincoln Hall last night. Safe to say no eardrums will be spared as Mø makes her way through her North American tour. It's well worth the ringing sensation.

Emma Gase

Concert Sun May 25 2014

Metronomy and Cloud Control Impress at Metro

Metronomy has gone through some massive growth spurts in its inception. Originally the group consisted solely of Joseph Mount creating experimental electronic music. Quickly he began adding members for live shows, expanding his music simultaneously. Eventually the group grew to a veer full-fledged band, much grander and substantially different from its origins. They've gone shifted through soundscapes, from the accessible The English Riviera to the surprisingly psych Love Letters. They came through Metro this past Wednesday, showing how far they gotten in recent years.

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Cloud Control, an Australian psych rock opened the night. While it's relatively easy to define them as a psych rockers, they tend to veer towards a very poppy version of it. A lot of the pop sensibilities could be attributed to the infectious energy that the band's vocalists exhibited. Heidi Lenffer's heavily modified voice on one of the songs was delightful. Alister Wright's voice was also incredibly versatile, gleefully transitioning from mannered vocals to high pitched snarls. The band is incredibly cohesive, with songs like "Promises" sounding similar to the Pixies in their prime.

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Julian Ramirez

Concert Sun May 18 2014

Mirah, Loamlands, & Led To Sea Find Their Way to SPACE

Over the years, Brooklyn based Mirah has taken her music on an interesting journey. She has worked with a large assortment of musicians, from Phil Elvrum of The Microphones to Thao Nguyen. Mirah has progressed her music from her early and wonderfully lo-fi sound to a more polished and mature state. Mirah, along with Loamlands and Led to Sea, came to Space this past Wednesday in support of her latest album Changing Light.

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The first musician of the night was Led to Sea, consisting of the talented Alex Guy and her violin. The solo performance was absolutely astounding. There is something genuinely delightful about Guy's stage presence, whether elegantly bowing or gently plucking her violin. Her songs are infinitely absorbing, stemming from assessments of sometimes being a bad girlfriend and crashing bike into a BMW. Guy played a few new songs from a forthcoming album, which she teased throughout the night. She harmonized with her looped voice and instrument; a unison so well assembled that it sent verifiable chills across the room. Her set was short and sweet, a mere glimpse of her talent.

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Julian Ramirez

Review Thu May 15 2014

Review: Cartridge B-Sides, Aggro Control & Bluster @ Subterranean

The best things about being in the Chicago music scene are the nonstop opportunities to see new and upcoming bands perform. There are more than a few hidden gems out there that will satisfy your musical needs. It is imperative to seek out the types of shows that venues like Subterranean host, allowing local bands to grow and flourish. This past Sunday they hosted a nice grouping of punk and indie rock in the form of Bluster , Aggro Control, and the Cartridge B-Sides.

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Bluster began the night with their eclectic sound, which times the felt like straight up rock before delving into more post punk territory. The singing was split between guitarist Mark and bassist Anne, who happened to be the only woman and mother playing on that lovely Mother's Day evening. Their songs have a catchy edge to them and while Bluster's status is particularly new, you can definitely see their cohesive talent. Bluster was quite fun, bantering with the crowd and chalking up a slight misstep to a necessity of rock and roll. They certainly hit a wonderful rocking high with their final two songs, especially with the ecstatic "Elegy" which best captures Bluster's energy.

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Julian Ramirez

Concert Tue May 13 2014

Hozac Blackout Fest Descends on the Empty Bottle this Weekend

Once again, the Empty Bottle (1035 N. Western Ave) brings out the dark and sticky from the corners and onto the stage for the three days of springtime mayhem known as the Hozac Blackout Fest. This weekend's conflagration of songs to stomp things to includes punk and proto-punk favorites, local bands, imported bands, and bands you're gonna wish you heard in the Music/Friendly/Dancing confines on Western Ave. Get your 3-day pass while you can (if you still can) or plop down some dough for your steady's new favorite date night.

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Friday

In many ways the music of the The Boys is like a transitional fossil, somehow quietly bridging the gap between a poppier 1960s British music scene and the late '70s London punk explosion. Long overshadowed by the work of contemporaries and peers such as the Clash and the Sex Pistols, The Boys' songwriting and musicianship are in many cases the equal of or superior to their better known genre-mates. Though The Boys never really reaped commercial success, they've long been critical and cult darlings, inspiring, perhaps most notably, Germany's iconic punkers Die Toten Hosen, who have long championed their music. Their Blackout Fest appearance comes on the eve of their first new album in over 30 years, Punk Rock Menopause, set for release on June 20, and offers a seriously rare opportunity to see the band stateside.

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Transmission

Concert Fri May 09 2014

Finding a Freakout with the Nels Cline Singers @ SPACE

By Griffin Wenzler

Nels Cline is more fluent in music than you are with the English language. In fact, everyone in his ensemble, The Nels Cline Singers, speaks through their instruments with the eloquence and precision of America's greatest novelists. Tuesday night at Evanston's SPACE (1245 Chicago Ave.), the quartet rocked, jazzed, and freaked their way through two sets of the most soulful, energetic, human music I've heard in Chicago. The Singers, which consist of Trevor Dunn (bass), Scott Amendola (drums) and Cline (guitar) were joined by Brazilian percussionist and Cheshire Cat impressionist, Cyro Baptista.

Every time I walk away from a Singers show I feel younger and invigorated, inspired to do anything with as much passion as they put into their craft. Tuesday night I almost couldn't handle it. As they played, each song brought to mind different scenes and scenarios: a bubbly swamp, a smoky New Orleans pier, the western plains but with robots instead of cowboys. I was ready to take to the page and gush nonsense about the journey I had been taken on. But then I realized that I was imposing human order on the chaotic beauty of the natural world. That is what the Nels Cline Singers tap into. They play with such sincerity and joy that the songs are imbued with the ineffable quality of natural beauty. Baptista spent the night alternating between drumming on odds-n-ends and slinging odds-n-ends around his head as he mumbled gibberish into a vocal synth. Trevor Dunn's upright chops are other worldly. More than once, the people in front of me did cartoon double takes and stared at each other in a Bill and Ted "Excellent!" sort of way. Scott Amendola and Nels Cline shared "electronic freakout" duties alongside their doctorate level performances on drums and guitar.

The incredibly energetic performance was buttressed by the impeccable acoustics of SPACE. The owners have gone out of their way to ensure they run not just a world class performance venue for rock, but also a listening room for the jazz heads.

Nels Cline doesn't play in Chicago often, and it's too bad because his blend of experimental rock, noise, and jazz speak directly to this city's musical heart. He approaches songcraft with the joy of a child and through that his music offers something for fans of nearly any genre.

Transmission

Review Thu May 08 2014

Chromeo Flaunts 'Fancy Footwork' at Lincoln Hall, 5/5

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Hundreds of twenty-something funk seekers packed into Lincoln Hall for a sold-out Chromeo show on Monday night. Lucky for them, the Canadian electro duo was on point, bringing their '80s-reminicent beats, silly lyrics and sex appeal for a special show on Cinco de Mayo -- dubbed "CIN-CHRO de MEO" on their Twitter account.

Loud chants of "Chromeo...OOOOOH!" welcomed guitarist Dave 1 (David Macklovitch) and keyboardist P-Thugg (Patrick Gemayel) onto the stage as they sauntered over to their instruments while the "Intro" of the band's sophomore album, "Fancy Footwork," began to blare throughout the intimate venue.

Then they officially kicked things off with a couple of the most infectious songs from 2010's "Business Casual." Somewhere between "Night by Night" and "Host Mess," Dave 1 took the opportunity to show off an impressive talent. He stood in the middle of he stage, commanding all of the attention, as the almost unbearably incandescent strobe lights converged on his reflective guitar. But he really wowed everyone, including himself, when he directed one of the beams up to the disco ball, causing little lights to dance amongst the crowd.

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Brianna Kelly

Concert Thu May 08 2014

Photos/Review: Thee Silver Mount Zion @ Lincoln Hall 5/8/14

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If anyone was concerned before about the Godspeed You! Black Emperor reunion shows possibly putting Efrim Menuck's other project, Thee Silver Mt. Zion on hold, there now seems to be no reason to doubt that Efrim Menuck can handle somehow being a parent, releasing albums under both bands, and touring heavily. It's enough to inspire awe in both his creativity and his stamina.

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Kirstie Shanley

Preview Thu May 01 2014

Preview: Mount Salem at Township 5/1

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Things seem to be escalating quickly for the local doom metal quartet, Mount Salem. First, they were signed by the influential Metal Blade Records. In March, they released their debut album, Endless, which has been on heavy rotation ever since I acquired it. Tonight is another achievement as it marks the start of their nationwide headlining tour.

In addition to having some of the raddest (potentially NSFW) cover art I've seen in awhile, what I find appealing about them is that they do so well what early Black Sabbath albums did. What I mean is that they've found the sinister undertones of old blues records and amplified it to its logical endgame.

Mount Salem play tonight, May 1st, at Township (2200 N California Ave.) This is a 21+ show. Cokegoat, Lagoon, and Jap Herron all open. Tickets are $8 and can be purchased here.

Check out a video of them performing at Ultra Lounge (RIP) last summer below.

Justin Freeman

North Coast Music Festival Thu May 01 2014

North Coast Music Festival Announces Part of Their 2014 Lineup

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A few minutes ago, North Coast Music Festival released the first wave lineup of this year's event. The late summer festival returns for its fifth year on August 29th through the 31st at Union Park. Weekend passes will run you $150 and can be purchased here.

The lineup itself looks impressive. North Coast has always focused on the intersection of rap, jam bands and EDM. This year looks no different with STS9, Bassnectar and Snoop Dogg all set to headline. The undercard looks intriguing too, with Future Islands, Riff Raff, Washed Out, Action Bronson, Dr. Dog, Cashmere Cat and a slew of others all scheduled to appear. Chicago acts have a sizable presence as Wild Belle, Prob Cause, Ghosthouse, Zebo and several others perform.

Check out the full announcement below.

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Justin Freeman

Concert Wed Apr 30 2014

2014 Downtown Sound Lineup Revealed

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The City of Chicago finished announcing their various summer festivals this past Monday as they announced the lineup of the always popular Downtown Sound Music Monday series.

Things get started on June 2 and continue Mondays at the Pritzker Pavilion in Millennium Park until August 11. The Downtown Sound series is known for their eclectic and well curated indie and world music bookings. This year is no different with offerings that range from the punk singer/songwriter stylings of former Hüsker Dü frontman, Bob Mould (June 23rd), to the of hypnotic Syrian desert rock of Omar Souleyman (June 9th). A favorite of mine is local post-metal collective, Russian Circles (August 11th), who are in the the middle of a victory lap after releasing the absolutely fantastic album, Memorial, last year. I'm also quite excited for Wooden Shjips (August 4th) who are signed to Thrill Jockey and create intensely sludgy works that are kinda captivating. The seemingly omnipresent, White Mystery (June 30th), also make an appearance opening for My Brightest Diamond. All shows are free and start at 6:30 pm at Millennium Park.

Check out the full schedule below.

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Justin Freeman

Review Sat Apr 26 2014

S. Carey and White Hinterland Impress at Lincoln Hall

One might be more familiar with Sean Carey's work with others bands, specifically as the drummer and supporting vocalist of Bon Iver. It can be hard to look past the massive nature of that band to see Carey's amazing work, but after the release of All We Grow, it became a little easier to envision Carey as a fantastic solo artist. His sound similar to that Bon Iver, but likens itself to even softer and more ambient textures, making his sound a perfect fit with Lincoln Hall.

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Opening the night was White Hinterland. I've been a fan of White Hinterland since her debut under her own name Casey Dienel. ". Dienel's sound has change substantially since the opening notes of Wind-Up Canary. What was once a delicate piano behind a wonderful voice has transformed into the current White Hinterland, more intricate instrumentation fronted by a more complex and experimental voice. Playing by herself, Dienel used a variety of loops and pedal to create lovely and powerful songs such as "David" and "Baby". Dienel connected with the crowd with her funny patter, ranging from Seth Rogan induced sex dreams to an unyielding hope to attain Hannibal Buress' phone number. Her candor and delicate attitude made it a pleasure to follow her lead and sing along during a couple of songs, including "Ring the Bell". While the was was tentativeness from the crowd, they eventually gave in during her final song. Dienel left the stage through the crowd as they soft sang along with her, giving her as much love as she gave them.

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Julian Ramirez

Event Fri Apr 25 2014

Musicians, Global Citizens Make a Difference at The Vic

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Photo by Ryan Gall, courtesy of The Global Poverty Project

Recording artists and activism aligned at The Vic, 3145 N Sheffield Ave, last night, for Global Citizen Nights; an event driven by the efforts of the Global Poverty Project to raise awareness of, and end extreme poverty by 2030. Neo-soul singer/songwriter, Aloe Blacc, was headliner to the evening, led by performances from Johnnyswim and The Main Squeeze.

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Ricardo Villarreal

Concert Wed Apr 23 2014

Sam Smith Lays it Down at the Vic

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Sam Smith's "Nirvana" is one of those songs. You know, the kind that you listen to five (okay, maybe ten) times in a row because the experience of hearing it floods dopamine to your brain over and over, making you feel noticeably happier, emotional, and hungry for another listen despite having it on a loop. So when Sam Smith kicked off his show last night at the Vic with "Nirvana," you can imagine the insanity the opening notes inspired. Those kinds of songs come around only a few times a year, but when they do, they are gift. And that is precisely what Sam Smith is: a gift to the music world.

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Emma Gase

Concert Tue Apr 22 2014

Blondes Groove Deep Into The Night at Smartbar 04/19

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NYC's Blondes make blissfully distorted chill out electronica. Signed to the tastemaker label, RVNG Intl, Sam Haar and Zach Steinman have crafting beats since the early 2010's, releasing a steady amount of DJ mixes, EPs, and remixes to ever increasing notoriety. Their single, "Wine," with it's classic house arpeggio synth and hypnotically warbled vocals evoke a manic sensation which commands the listener's attention and compels that person to move and react. They're reminiscent of acts such as Teengirl Fantasy, Mount Kimbie and Laurel Halo. With this in mind, I went to see them a few days ago at Smartbar.

Cloaked in smoke and light, Blondes opened their set with a prolonged burst of shoegaze-esque disarray before delving into a set of deep house grooves and Kraftwerk inspired techno beats. Over the course of their set, the room became a patchwork of vastly diverse styles of dance. There was the woman who pranced throughout the dancefloor, often intensely gazing directly into the eyes of people in the crowd, with this weird yet smoothly jagged interpretive dance that looked like something Marina Abramović would do at MoMA in a Jay-Z video. There was the sharply dressed man who pop and locked with style and expert skill. There were the people who stood in the back near the speakers, minimalistically moving their bodies, getting a physical sensation from the bass. One of the things that I absolutely love about Smartbar is now unpretentious it is, how everyone is welcome and made to feel accepted. This past Friday at Smartbar was no exception, as Blondes pulsing beats kept the crowd moving deep into the night.

Opening and closing the night for Blondes were Smartbar affiliates, Kiddo and Antiphase, who played fervent sets of dark and decadent techno. Below is a recent mix by Kiddo which is somewhat similar to her set from a few days ago that's totally worth checking out.

Justin Freeman

Concert Fri Apr 18 2014

Riot Fest Announces 2014 Chicago Dates

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Yesterday, the internet's most lovable grump announced the dates for this year's edition of Riot Fest. Riot Fest will return to Chicago this September 12th - 14th. Before that, it'll be in Toronto on September 6th - 7th. Riot Fest will wrap up this year's season in Denver on September 19th - 21st.

From the looks of it, they plan to keep building on what they've started when they pivoted to become a major festival. They plan to expand the grounds at Toronto in order to have more carnival rides. In Denver, they plan to revamp the camping areas. 2014 also marks the ten year anniversary of Riot Fest being in Chicago. In response, they promise "special surprises and attractions."

Ticket and lineup information has not yet been released, but should be provided soon.

Justin Freeman

Review Thu Apr 17 2014

Arc Iris and The Fruit Flies Dazzle at Schubas

Arc Iris is a well-crafted tornado of musical genres, taking considerable cues from all over the place. One song can have a country twange while the next is a frenzied folk song you've never could have imagined. Jocie Adams, the group's unfathomably talented leader, has been compared to Joanna Newsom, Bjork, and countless others. The comparisons do very little to full grasp what is going on with Arc Iris. Their sound moves around so much that there is no telling where they will go and that is certainly what makes Arc Iris such a please to listen to. I had previously seen the band open for Nicole Atkins and immediately knew that I had to see them again. Luckily, Arc Iris had their CD release party at Schubas.

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The Fruit Flies, a local Chicago duo Molly McCormick and Danni Parpan, started off the night quite nicely. I believe they were a late addition to the evening, so I was pleasantly surprised by their really catchy indie folk that one can't help but move along to. Songs like "Summer in the City" required a bit of crowd participation in the form of clapping throughout and It didn't take much convincing. The Fruit Flies have a fun stage presence, throwing out jokes at every possible opportunity. They are instantly lovable as they muse about being a package deal in McCormick's engagement or doing a comedy open mic later.

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Julian Ramirez

Concert Thu Apr 17 2014

The Men Create a Frenzied Spectacle at Empty Bottle 04/12

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The Men appeared this past Saturday to a full house at Empty Bottle without a word. Drums cacophonously clattered, filling the air with tangible bass and impending doom. Thier guitars were loud, filling the room with curated noise and an overall sense of anticipation. It was only for a moment before seamlessly launching into their first song of the night, the incredibly anxious "Lotus." Those first few moments set a clear precedent for their rest of their performance; a frenzied spectacle.

The Men are a noise punk band from Brooklyn who have been gravitating towards no frills garage rock over the last few years. They create raucous anthems for the working class driven by loud guitars and thundering drums. They are the soundtrack to a night of drinking cheap beer and whiskey with your friends at questionable dive bars. As they played songs scattered throughout their discography, I looked around around the room and took in what I saw. Lovers held hands and danced the night away to the pounding rhythm of the drums. Friends laughed as they played pool and engaged in general revelry in tandem with the guitar riffs. Eventually, I found myself in the middle of the crowd as they played "If You Leave...," a song that has room to breathe while progressively building up to a violent and wordless chorus. It was exhilarating.

After a quick break, The Men returned and and wrapped things up with an unexpectedly gnarly cover of The Stooges "I Wanna Be Your Dog." Though it turned out to be a false alarm, The Men unexpectedly found themselves being the soundspace to this year's first summer-esque night and it was everything I wanted.

Unfortunately, I couldn't arrive in time to check out the opening act, Basic Cable. This bums me out, because I tried to catch them at Hideout's SXSW Send Party that we recently talked about, but something came up. I've heard nothing but good things about them. Our friends over at Loud Loop Press named them as one of the "14 Bands to Watch in 2014" and the folks over at Notes + Bolts interviewed them not too long ago. Listening to their album I'm Good to Drive reminds me of bands of Sub Pop past while simultaneously making me excited for their future. Check out a stream of it below.

Justin Freeman

Preview Wed Apr 16 2014

Dosh and Bitchin Bajas Bring Warm Sounds to The Hideout

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There are few musicians like Martin Dosh. He is a gifted collaborator, having worked with Andrew Bird and Bonnie "Prince" Billy. He is able to create wonderfully expansive compositions, always standing out. His unique solo work edges off to all ends of the spectrum, incorporating elements of jazz, hip hop, and surprisingly warm electronic noise. As displayed on the cover last year's Milk Money, Dosh is a one man band. He switches from a variety of instruments, using loops and innumerable knobs and switches to create lush soundscapes that at times are accented with soft bursts of vocals. Dosh's music is interesting and utterly engulfing.

Dosh will be joined by local Chicago band Bitching Bajas. They specialize in achingly long but undeniable beautiful pieces of music. Their latest album, Bitchitronics is made up of only four songs, the shortest of which clocks in at just over five minutes and the longest at a massive sixteen minutes. Every moment of their lightly drizzled droning feels like deep meditation tha is occasionally interrupted/enhanced with soaring guitar solo. It wouldn't be hard to find yourself melting into their sound.

Dosh and Bitchin Bajas will be playing at The Hideout, 1354 W. Wabansia Ave. Chicago, IL, on Thursday April 17. Tickets are $12 and the show starts at 9pm

Julian Ramirez

Review Mon Apr 14 2014

Lotus Vibes Bloom at the Riv, 4/12

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(Photos by Brianna Kelly)

After a severe thunderstorm briefly hit the northern suburbs Saturday afternoon, the sun came out in full force and brought forth the most glorious day Chicago has experienced so far this year.

To commemorate the inaugural patio sit of the season, I sipped margaritas and munched on chips and guacamole outside of a Mexican restaurant in Lakeview. That was followed by a good old barbeque because it was necessary to take full advantage of the warm weather.

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And then to top it all off, I moseyed down to the Riviera Theatre with a happy belly to see one of the funkiest bands in the jam scene, Lotus. The show started at 8:30pm to allow two opening sets before the main attraction. Electronic music blared throughout the lobby, as Daedalus played his last couple of songs.

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Brianna Kelly

Review Wed Apr 09 2014

Taking Back Sunday and The Used Took Over The Concord

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Its been a little under four years since the original lineup of Taking Back Sunday got back together. In the time since they've reunited, they've toured endlessly around the world in celebration of the 10 year anniversary of what is probably their finest hour; Tell All Your Friends. They've also released two new albums, 2010's self-titled reintroduction and Happiness Is, which came out early last month. Their new work sounds like what you would probably imagine a 30-something Warped Tour-era emo band sounds like, slightly less harsh and a bit more mellow overall as they wear the classic college radio rock influences of their youth boldly on their sleeves.

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Justin Freeman

Concert Mon Apr 07 2014

Paging All Stuarts (or Stewarts): You've Got a Free Show Coming

Are you named Stuart (or Stewart)? Do you love good music? Are you free tonight? If you answered "Yes" to all three questions, well, sir, you just might be in luck. Robbie Fulks (who obliged us with some amazing SXSW tour diaries this year) is playing a show tonight at the Hideout, and all Stuart/Stewarts get in FREE. Just bring your ID and get ready to rock. Music starts at 7pm at the Hideout, 1354 W. Wabansia. Show up, and find out who the "special guests" might be tonight at the show dubbed "House of Stuarts." Non-Stuart/Stewarts can get in for a $10 donation.


Anne Holub

Preview Sat Apr 05 2014

Cities Aviv Gets the Weekend Started Right Tonight at Empty Bottle

A few months ago, I wrote about the band Weekend. They were in town opening for Dissapears at Empty Bottle back and we gave away a pair of tickets to see them. I went to the show, later on that week, and they were truly fantastic. Loud, desolate, and claustrophobic. That intense wall of sound that they created during the chorus of "Oubliette" is probably a highlight of things I experienced last year. All of this is to say that Weekend is back in town, tonight at Empty Bottle. I recommend checking them out and I also recommend checking out their stellar album Jinx, but Weekend isn't the point of this; their opener Cities Aviv is.

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Photo Credit: Maria Elba

Cities Aviv is a rapper from Memphis who finds himself deconstructing what rap is while challenging preconceptions of what rap is supposed to be. Sometimes tagged with tumblr-born genre descriptors such as "cloud rap" or "trillwave" along with rappers such as Spaceghostpurrp and producers such as Clams Casino, I discovered him while in the midst of a depraved insomniatic state in the middle of the night a few years ago when he appeared on the overlooked track by Lushlife, "I'm a Buddhist, She's a Cubist." I was stricken by his surrealist wordplay and etherealized delivery, vaguely reminding of things like Tricky's "Hell is Round the Corner." I sought out his mixtape, Digital Lows (album artwork potentially NSFW) and was enraptured by songs such as the hazy sounding "Jaguar" and the beautifully dense Depeche Mode sampling, "Die Young." His latest album, Come to Life came out earlier this year and continues his experimentation. "IRL URL" acts as a triumphant call to arms while other tracks are zoned out and introspective. You should check him out. Our friends at the Chicago Reader agree.

Cities Aviv plays tonight, April 5, at Empty Bottle opening for Weekend. Local band Supercell Mothership kicks the night off. Tickets are $12 at the door and the show starts at 9:30pm. You must be 21+ to attend. You can get tickets here.

Justin Freeman

Concert Wed Apr 02 2014

Dum Dum Girls, Blouse & Radar Eyes Fill Up Empty Bottle

I saw Dum Dum Girls open for Vampire Weekend a few years ago at Aragon. They were right on the heels of their first album I Will Be and the played well, their energy filling the venue quite well. Since then, members have come and gone and their music has matured. Their stage presence has also become more pronounced and fluid. It's no wonder that they, along with Radar Eyes and Blouse, quickly sold out the Empty Bottle.

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The night at Empty Bottle started out with a great early crowd. It's a rare sight, seeing so many people come early to concert. They were lucky that the consistently entertaining Radar Eyes opened the show. The local Chicago rockers doled out their fuzz rock by the bucket. Anthony Cozzi sings over wonderful guitar noise than one could listen to for hours. Nithin Kalvakota, bassist for Marnie Stern, took over drumming duties for Radar Eyes after Shelley Zawadzki left the band and it was a great choice.There's a lot to like about Radar Eyes as they barreled through their quick, but satisfying set.

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Julian Ramirez

Concert Mon Mar 31 2014

How to Dress Well and Forest Swords Soothe Lincoln Hall

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(Photo by Amanda Koellner)

Some of the most interesting bands truly transcend the genres and descriptions placed on them.They make music beyond the norm, in lieu of the confines that try to define them. Forest Swords and How to Dress Well embody this sentiment. Both have been bestowed as experimental and ambient R&B (or the ridiculous PBR&B). It would be easy to just stop there, but it would be a massive disservice to the immersive and incredible music they make. After a month of touring together, they ended their trek at Lincoln Hall and put on a unique show.

Forest Swords' music fills a room like no other. Almost instantly the crowd felt themselves swimming in Matthew Barnes' darkly toned music. He was accompanied by a bassist, whose sound intertwined with Barnes' soft electronic noise perfectly. Barnes minimal arrangements burst to grander and more intricate creations in this setting. Maniacal clanging offset the soothing beats that pulled the crowd in.The set was a hypnotic dream as Barnes' and his bassist played against a backdrop of images ranging from beatific flowers slowly falling to haunting burning patterns. Forest Swords played continuously, merging songs together for nearly the entire set, leaving few moments for the crowd to cheer and applaud. However, the crowd got the chance to show their approval after the dizzy array of images at the end of Forest Swords' set.

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Julian Ramirez

Concert Sat Mar 29 2014

Photos/Review: Warpaint and Cate Le Bon @ Cabaret Metro 3/28/14

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Few bands have such a defined sound as Warpaint after having released only two full lengths and one EP. The band's sound is somewhere between psychedelic and arty with a balance of both feminine etherea with the vocals, keyboards, and guitar melodies and the muscle made with the combination of bass and drums. The Los Angeles four piece have a way of emphasizing both a lingering richness in their sound as well as a more climactic feel at times. One could make the case that their long songs seem to lack the catchiness of a chorus with a hook but their strange and wondrous moments found deep within the recesses of the music elevate the band overall to be greater than the sum of it's parts.

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Kirstie Shanley

Concert Thu Mar 27 2014

Son Lux and Leverage Models Give It Their All at Schubas

Ryan Lott, the main component of Son Lux, creates post-rock songs infused with flashes of lush hip hop beats. It's this kind of genre bending that often fills me with curious glee. There are so many possibilities with this mix, so I had no idea how much I would end up enjoying and obsessing over Son Lux on my first listen. I had a similar experience with Leverage Models. I picked up their vinyl solely based on their album's cover and the touted connections with LCD Soundsystem and Sharon Van Etten. Both of these purchases were blind and I got more out of them than I ever expected. The sold out audience at Schubas certainly got more than they bargained for from the pair's fantastic show.

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Leverage Models started out the night right as lead singer Shannon Fields spoke through a garbled and deeply distorted voice as drummer Max Jaffe wrapped a scarf around his head. Fields tore into the set, sounding demonic and speaking of Jordanville and Eleanor Roosevelt before uttering the name of the band. Fields' introduction was exactly want the band needed, it held a unique grandness over the packed crowd. It cast a surrealistic vibe around the set that only amplified the band's energetic and inspired performance.

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Julian Ramirez / Comments (2)

Concert Sun Mar 23 2014

The Love on Top Tour Throws a Dance Party at Schubas

I saw TOPS perform last year when opening for King Krule. I was immediately impressed with their pop driven songs. I honestly felt like they were old classics, songs I had heard countless times and still had not grown tired of them. As soon as this feeling would sink in, TOPS would change it up. They are not a simple retread of familiar sounds, but rather an evolution of them. It only makes sense that they are touring with their fellow Canadian Calvin Love, whose own music go towards a similar sense evolution, albeit via a different path. Together they form the Love on Top Tour as they passed through Schubas this past Thursday.

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It is crucial emphasize how great it is to come on time to see openers, especially when they are as talented as Calvin Love. Love started his set to a very sparse crowd. Aside from a few very direct jokes about the latecomers, like dedicating "Waiting on You" to them, it didn't seem like Love cared. He played like he was in a full house. On his records, Love's music is a very dark and experimental version of the 80s synth that has come back into fashion. But when performing live he is filled with pure punk fury, which makes sense considering those are his roots. His croon is much grittier and his songs are faster. Luckily more and more people started coming into Schubas as "Cool", Love's most appropriately named song, sparked a dance party. I'm not saying the typical concert swaying and grooving, I mean full on across the room dancing. Even TOPS lead singer Jane Penny joined in as more than just a few rugs were cut during the second half of his set.

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Julian Ramirez

Review Fri Mar 21 2014

Childish Gambino's Deep Web Surprises Riviera

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(Photos by Sara Pieper )

I think that at this point, we can get over the whole actor turned musician stigma that has followed Donald Glover around. Bringing it up now seems needless seeing as how he has left his most prominent acting presence, Community, for his Childish Gambino persona. But when you look at what he's doing now, the stigma has become an asset. It has been helping him mold this new venture. Even after his early releases proclaimed that he is just a rapper, this is not the case. A 72 page script, a short film that loosely follows said script, and a release of a "bootleg" vinyl of Because the Internet barely begin to describe the experience that he is attempting to create. Childish Gambino succeeded with an incredible show at the Riviera this past Wednesday.

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Julian Ramirez / Comments (1)

Concert Wed Mar 19 2014

Islands and Escondido Shine Bright in SPACE

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Islands (Photos by Steve Sterns)

Before I get into the amazing performances, I have to applaud the atmosphere at SPACE. It is an extraordinary place to see a show. Don't get me wrong, there are plenty of fantastic intimate venues all around the Chicagoland area, but SPACE in Evanston is a must see. SPACE feels like the clubs I imagined when I was younger, big enough to get a crowd but small enough for it to feel special. The sound travels nicely through the room, capturing the bands in the best way possible. It certainly didn't hurt that the groups were Islands and Escondido, whose sets were fantastically crafted and performed.

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Escondido (Photos by Steve Sterns)

There's something really wonderful about Escondido. The openings to some of their songs sound like scores from old westerns filled with sweeping trumpets and gently strummed guitars. Their music is warm to the touch, a mixture of twang and straight up rock. Plenty of influences come to mind, but rarely overcome the band. Despite their name meaning hidden in Spanish, Escondido's sound and stage presence is anything but. They just have a unique aura about them that comes through in their music and lyrics, wrapping up whatever room they're in.

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Julian Ramirez

Concert Wed Mar 12 2014

Ice Balloons Popped at Empty Bottle

I doubt there is any way to fully describe the evening I had this past Monday at Empty Bottle. It was a collection of dark folk singers and punk madness. It didn't quite make sense to see Coins, Kyp Malone, and Ice Balloons on the same bill. Their individual styles are so different, running off to different sides of the musical spectrum. Nonetheless, it was great to see such diversity in one night. The grouping actually had an escalating effect, starting with calmer sounds before culminating in a frantic and obscenely loud set that straddled the line between lunacy and brilliance.

coins.jpgCoins started the night off with some hauntingly serene soundscapes. The local Chicago duo is quite a sight and sound to behold. Their brand of folk leans toward darker and slower tone, putting out a mesmerizing spell on the audience. You can definitely melt into their songs. Their lyrics are really fun and impactful, whether it's a depressing one about getting stuck by lightning or one about aliens. Angela Mullenhour's voice was strong and full while she gracefully played guitar, which at times dove into more rocking territory. Her laugh emanated through some the verses while Ellen Bunch's gentle keys carried the songs into a surprising sway, making their already likable style overflow. Coins are a great dark folk group that immediately grabbed the audience during their set.

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Julian Ramirez

Concert Mon Mar 10 2014

Flogging Molly @ the Aragon - a Review in Pictures

Photographer Steve Stearns captured the excitement at Flogging Molly's latest Chicago visit, last night at the Aragon Ballroom along with The Drowning Men.

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Nato Bardeen of the Drowning Men (Photos by Steve Stearns)

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Todd Eisenkerch of The Drowning Men (Photos by Steve Stearns)

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Transmission / Comments (2)

Preview Fri Mar 07 2014

Weekend Preview: Freddie Gibbs + Madlib and Hideout's SXSW Preview Party

I'm looking at the weather report and it's supposed to be 50 degrees in a few days. There still might be some snow on the ground, but it looks like we've almost made it through this winter. Things outside seem to be increasingly pleasant and this may be the first weekend to truly resemble spring that we've had in 2014. What are you going to do with this not hibernating in your comfortably warm apartment whilst binge watching Pokemon cartoons on Netflix and eating leftovers of cheap chinese food time you've suddenly found yourself with this weekend? If you want to get out of the house, a few good shows are coming up that you may want to check out.

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Justin Freeman

Preview Tue Mar 04 2014

Saintseneca to Mix up the Mood at the Empty Bottle Friday

By Jen Emmert

The vibrant music of Columbus-based band Saintseneca is full of triumphant contrasts — they're the hammock you want to lay in on an endlessly sunny, summer day, and they're the hearty, comforting stew that you want to eat after a long winter's shoveling. Their sound is reminiscent of of Neutral Milk Hotel mixed with Violent Femmes and The Cure, not to mention tinges of the rural music of Appalachia (deriving from front-man and songwriter Zac Little). Floating leisurely like dust particles in an empty room, the buildup of so many influences create dynamically melodic molecules eager to reach listeners everywhere and anywhere.

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Transmission

Concert Fri Feb 28 2014

Corgan's Siddhartha Suite, Live Right Now

Billy Corgan is performing an eight-hour live solo concert based on Herman Hesse's book Siddhartha right now at his Highland Park tea shop, Madame Zuzu's. You can watch it live on YouTube.

The Tribune's Rex Huppke says Corgan kicked a Trib reporter out of the performance, possibly in retaliation for Huppke's column yesterday in which he called the concept pretentious.

Andrew Huff

Concert Thu Feb 27 2014

The Empty Bottle Hosts The Graveface Roadshow

Graveface Records is a wholly independent label, the brainchild of Ryan Graveface who plays for a few of the bands that call his label home. The extraordinary music that comes out of the Savannah, Georgia based outfit ranges from the psychedelic sounds of Black Moth Super Rainbow to the avant-garde Xiu Xiu. Recently they began a tour called The Graveface Roadshow ,featuring a compendium of the label's artists performing together. This past Monday they brought Dreamend , The Stargazer Lilies, and The Casket Girls to the Empty Bottle for a free show. Rarely does it get better than this.

Dream End.jpg Dreamend started their set a little later than the listed start time, which allowed for the late comers to enjoy the band's post-rock fuzz. Once the room had a decent crowd the band hit the ground running, delving straight into a heavy and absorbing song. Dreamend is main project of Ryan Graveface and it's definitely worthwhile. A barely visible video projected onto the stage as Graveface played off to the side behind a case with the words The Casket Girls written on the lid. He wore a balaclava like headgear the entire time he played guitar. The microphone attached to the front of the mask weighed it down, distorting Graveface's look into something twisted and surreal. The near childlike thank you toward the end of the set, seemingly the only time Graveface addressed the crowd, made me jump. It was a drastic shift from Graveface's deep droning singing voice. His presence onstage was a magnificent façade that worked well with the music, giving him a nice dreamlike appearance.

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Julian Ramirez

Concert Mon Feb 24 2014

Nicole Atkins Plays an Inviting Show at Beat Kitchen

I stumbled across Nicole Atkins' music when she appeared on the Ron and Fez show on SiruisXM. She was promoting her first album Neptune City, which was a great showcase of her voice and her quirkiness. Atkins was smart and engaging on what had to be one of her first nationwide shows. Since then her music has matured quite a bit and the comparisons to Roy Orbison multiplied, which is certainly not bad thing. She seems destined for the larger venues, so seeing her at a smaller place like Beat Kitchen was certainly a treat.

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First up on stage was Davey Horne, a soft spoken Scottish folk singer. He came off as charming. His accent clearly affected the crowd, with a few shouts proclaiming his attractiveness. He even joked about it being too thick. Luckily he was able to back up that response with a very good, albeit short, set. Horne completely personified the image of a traditional folk singer, right down to the harmonica around his neck during a few of the songs.

Arc Iris was up next and I was not prepared for their amazing performance. They certainly dressed to impress. Lead singer and multi-instrumentalist Jocie Adams wore a white leotard adorned with a splash of glitter. Cellist Robin Ryczek wore a sequined vest that mirrored keyboardist Zach Tenorio-Teller's shiny shirt. Drummer Ray Belli's white shirt and white pants made him look like a droog straight out of A Clockwork Orange. Their attire combined with the leafy vines adorning the stage created the effect of stumbling upon a group of musical faeries. It felt magical, especially since their music matched the scene.

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Julian Ramirez

Concert Sat Feb 22 2014

Stephen Malkmus and the Jicks Jam Out at Lincoln Hall

I can safely say that Stephen Malkmus was one of the first musicians that captured my attention. During my early teens I was stuck in a desert of bad music, listening only to what friends and family listened to. It wasn't all bad, it just didn't grab me. Around 14 or 15 I was hit with a wave of incredibly great music with Pavement being one of the standouts. By that time they were no longer together, but Stephen Malkmus was still going strong with his new band the Jicks. I played that first solo-but-not-really-solo album nonstop. This was my first opportunity to see Stephen Malkmus after I missed the Pavement reunion shows in 2010, so I was incredibly excited.

Opening up the night at Lincoln Hall was Chicago band Disappears. Brian Case, lead singer and founding member of the group, quickly introduced the band though a haze of unintelligible reverb. It really suited the band as they started off mysteriously quiet, guitars and bass buzzing lightly. Drums came in a slow burn that eventually turned into a strong post rock sound. Disappears have a very laidback feel to them, especially Case as he rocks back and forth during the set. A near industrial screech filled the area between the heady songs, all while an array of geometric shapes projected behind them danced to and fro. The video started off slow, but much like the band it continued to transform at dizzying speed. The lines doubled and tripled until they looked as if they were an alien language, perfectly accompanying the Disappears sound.

Despite a slight technical difficulty with the patterned video at the end of the set, Disappears put on a incredible show with the highlight surely being Noah Leger's drumming. The four piece band has gone through numerous drummers over the years, each one offering something substantially different than the last. Leger showed what an incredible addition he is to the group. Toward the end of the set, Leger hit a grandiose peak, as he skillfully assaulted the translucent drum set to a surprisingly ethereal moment.

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Julian Ramirez

Concert Sat Feb 22 2014

Preview: Touché Amoré @ Bottom Lounge 02/22

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"I made a pledge to myself. If I was to raise my voice, be direct as I can be. No matter what I may destroy," Jeremy Bolm screams during the song "To Write Content." Touché Amoré is a hardcore band from California who have been making waves these last several years with their impassioned recordings and incendiary live shows, destroying conventions and creating believers in their wake.

Inspired by bands such as Converge, Thursday and Refused, Touché Amoré have been carving their place in the world of hardcore for the better part of a decade. Thier latest album, ...Is Survived By, has gathered a substantial amount of attention for the band, earning accolades such as Pitchfork's "Best New Music" and has enabled them to perform for larger crowds including their set during prime time at last year's Riot Fest.

What I find most interesting about them is Bolm's heartfelt spoken word-esque lyricism which acts as the driving force of the band. Songs such as "Just Exist" deliver a sensation of intensity paired with a message of hopeful catharsis as Bolm passionately proclaims "All of these things scare me half to death. I'll suffer the day just hoping for the best," while the drums clatter claustrophobically followed by a luminous bit of guitar that calls back to bands like Fugazi.

Opening for Touché Amoré are survivors of the Tooth and Nail / Equal Vision / Epitaph / Victory Records hardcore bubble burst of the mid 2000s, MewithoutYou. Over the course of their last several albums, MewithoutYou have been experimenting with folk while retaining their sense of intensity; just now that intensity is manifested differently. In their current form, they remind me of bands such as Murder by Death but exploring issues of philosophy and religion.

Touché Amoré play tonight at the Bottom Lounge (1375 W Lake Street) on Saturday, Feb. 22. In addition to MewithoutYou, Seahaven and Caravels open. This is an all ages show and starts at 5p.m. Tickets can be purchased here.

Update: ...And this show is now sold out. You can try contacting Bottom Lounge to find out if they'll have any additional tickets at the door, but as of right now tickets are no longer available to purchase. If you're into it, I still recommend checking out Touché Amoré and MewithoutYou on Spotify, though.

Justin Freeman

Benefit Mon Feb 17 2014

Jeff Tweedy Charms Vic at Solo Benefit

This wasn't the first time I've set an alarm to buy Jeff Tweedy solo tickets for his show at the Vic.

The first time was way back yonder in 2009, where my 17-year-old self eagerly bought the tickets with my parents credit card at 10am on a Friday morning during Winter Break, only to be utterly devastated to find out -- after purchasing the tickets, of course -- that the show was 18 and up. My parents call it one of the best shows they have ever seen. I sulked for the entire week.

Five years later, I finally got my chance to redeem the follies of my teenage self. Seeing a solo Jeff Tweedy show has long been on my bucket list, with reason Numero Uno being that Jeff Tweedy is the ultimate Chicago hometown golden boy, andfrontman of what may be the Chicago-iest Chicago band in recent times: Wilco. Tweedy and co. are practically an institution at this point, and every year around this time, Tweedy plays a string of solo shows at the Vic to benefit an academic scholarship for the Montessori school his children attended. Tickets to the show weren't cheap -- they ranged from $75-$150, but hey, they're tax deductible... I think.

Steep price or not, the show was worth every penny. With hair like a mad scientist and an arsenal of acoustic guitars that rivaled Neil Young's (OK, a stretch, but it was an impressive array nonetheless), Tweedy played a set of deep cuts, covers, and die-hard favorites.

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Emma Gase / Comments (1)

Concert Sat Feb 15 2014

Linnea Olsson with Ane Brun @ Schubas 2/15/14

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Linnea Olsson is remarkable. With just one album release so far, Ah, she already shows promise and a sense of accomplishment. Live, she lived up to the hopes of the sold out audience. Those there to see Ane Brun were quite pleasantly surprised with Olsson's talent as a songwriter. Those there to see Olsson primarily were not disappointed.

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Kirstie Shanley

Concert Thu Feb 13 2014

Show Preview and an Interview: Linnea Olsson

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The lovely Linnea Olsson from Sweden is playing at Schubas this Saturday, and she had time to answer a few questions for her fans.

I heard the NPR interview when you talked about heartbreak and restlessness in these songs and the joy music brings you. Do you think you are a better song writer because of the way you experience your every day life?

I take stuff from my everyday life and put into songs, but I also make a lot of stuff up. I don't know if it makes me better, I mean, I try and write about stuff that makes me feel things. It doesn't have to be a certain feeling, but I need to feel. I try and put myself in a different state while writing and performing music. But also be very present at the same time. It´s great when I manage to combine the two.

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Kirstie Shanley

Concert Wed Feb 05 2014

Bass Drum of Death Search and Destroy the Empty Bottle

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Photography credit - Rory O'Connor

Bass Drum of Death make swampy garage rock and they do it incredibly well. It makes sense then that they're from the depths of Mississippi where bluesmen such as RL Burnside call home. Started as solo project by former Fat Possum employee John Barrett, he recorded the album GB City off hours DIY style using simple tools such as a drum kit, a guitar and a USB microphone. The band has since filled out to include a touring drummer and guitarist. It was with this lineup that they played to a fervent sold out crowd at the Empty Bottle last Thursday.

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Security had their hands full as people tried in vain to crowd surf while the room filled with the sounds of distorted guitars and warped vocals. Songs like "Bad Reputation" and "Nerve Jamming" took on a newfound form of intensity as massive mosh pits emerged within the crowd. Throughout it all, Barrett and his band kept the momentum up as they played a large amount of both of their albums to a completely enthralled crowd, occasionally punctuating songs with random onomatopoeic sounds yelped into his microphone with an echoing effect.

Before Bass Drum of Death took the stage, I was able to catch a set from Blasted Diplomats, a local garage rock quartet who just released their self titled album via BLVD Records and I really dig what I heard. Afterwards, I sought out some of their things on Bandcamp and it's been on regular rotation as of late. Both bands provided an excellent soundtrack to an evening of drinking and revelry amongst friends, and in the end this was all that was wanted.

Justin Freeman

Preview Mon Feb 03 2014

Little Hurricane to Woo Away Winter Blues @ The Vic this Weekend

By Jen Emmert

There's a motif that sweeps through the spectrum of bluesy-rock duo Little Hurricane like an unexpected storm, and that's the underrated factor; indeed, the San Diego-based band consisting of Anthony "Tone" Catalano (vocals and guitar) and Celeste "C.C." Spina (drums and vocals) spans so extensively that the effect is like the impact of a hurricane. Don't be fooled by the "little" portion in their name — their sound is nothing short of explosive. In fact, the intertwining vocals between Tone and C.C. is reminiscent of a salted caramel old-fashioned doughnut from the Doughnut Vault, with its rich and multidimensional flavor. Alongside that, though, there's an underlying grit and gristle that impulsively perks the ear buds and urges listeners to sway and become one with the hurricane they've cast upon a stage and studio. This soul-seeping inundation sets Little Hurricane apart from many indie acts in the music industry, and they're not one that should be ignored. The band has already received acclaim from IHeartRadio and Rolling Stone.

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Beyond general gusts from reputable outlets, Little Hurricane has caused even more wondrous wreckage: two songs from the band's 2011 release, Homewrecker, aired on television (the track "Get By" was on Revenge and "Hold Me Back" in a Taco Bell commercial), while their vast appreciation for making music and sharing it with their fans led them to an August 2013 release of Stay Classy, a 10-track collection of the band's favorite covers (including "Ain't No Sunshine," "Don't Wanna Miss a Thing" and "Blue Jean Blues," among others). Little Hurricane will release their next album, Gold Fever, on March 4 on Death Valley Records (a label the band created). Most recently, Paste Magazine premiered their new single, "Sheep in Wolves Clothes", and the band has shared four video teasers promoting the record on its Facebook page.

Little Hurricane performs to a sold-out crowd at The Vic (3145 N. Sheffield Ave.) this Friday and Saturday at 8pm, opening for the John Butler Trio.

Transmission

Concert Mon Feb 03 2014

Hugs and Love from Iron & Wine's Sam Beam @ Old Town School

By Amanda Koellner

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Sam Beam (photos by Joshua Mellin)

About three quarters of the way through Sam Beam's set at the Old Town School of Folk Saturday night, a woman in the crowd yelled, "Can I hug you?" "I've been giving you spiritual hugs all evening," Beam replied matter-of-factly. Such was the tone of the singer's Saturday night show, a benefit concert for the school, during which he largely played whatever the small audience requested with only the help of his acoustic guitar, squeezing our spirits on a cold Chicago evening.

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The Haden Triplets (photos by Joshua Mellin)

Third Man Records artists The Haden Triplets opened the night with a handful of striped-down country tunes that sounded completely Coen Brothers approved, as if they could have been heard during an opening set for O Brother, Where Art Thou?'s Soggy Bottom Boys or at The Gaslight on the same night as Llewyn Davis. Although the sisters have been in music for a couple of decades (they're the daughters of revered jazz bassist Charlie Haden), they only recently united as a band. Rife with talent, the charming act's set featured covers like The Carters' "Single Girl, Married Girl" and Webb Pierce's "Slowly". When they gushed about the immense sound quality in Maurer Hall, violinist and most prominent of the singing sisters, Petra, said, "I can hear my heartbeat," appropriately capturing the Lincoln Square venue's crystal-clear acoustics.

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Transmission

Review Tue Jan 28 2014

Review: Action Bronson @ Metro 1/24

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Photo credit - Complex

"If there are any rappers in the building, you have to keep trying," Action Bronson says in between drags of a joint in front of a sold out crowd at the Metro this past Friday. "You're not going to make it off of your first mixtape. I mean, look at me. What the fuck?!" Large and imposing in his physique, Action Bronson is the embodiment of recently vintage 90's NYC rap. Raised in Queens, Ariyan Arslani grew up listening to rappers such as Nas, Mobb Deep, Cam'ron, Big Pun, DMX, and of course, the Wu Tang Clan. He grew up idolizing these artists, but never thought he'd be one of them. His intended path was something different, he wanted to be a chef.

The details are fuzzy, but it looks like he went to culinary school and worked various kitchen jobs while climbing his way up the ladder of the NYC food scene. According to various sources he was a sous chef at a steakhouse and worked as a cook for the New York Mets? Like I said, the details are kinda fuzzy. I personally dig the slightly mysterious aspect of his past, though. It make his persona more interesting to me. At some point, he started rapping. He gained traction with his music and found himself needing needed to choose between the mic or the kitchen. He chose the microphone. Several mixtapes and EPs later, he's finally arrived.

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Justin Freeman

Concert Fri Jan 24 2014

Review: Greensky Bluegrass @ Concord Music Hall 1/18

There's nothing quite like a little bluegrass to warm you up on a wintry Midwestern night. Between the polar vortexes and snowstorms, the fifth annual Chicago Bluegrass and Blues Festival was just what the doctor ordered. It continued for its second week at Concord Music Hall last Saturday night.

Dog1 and Escondido opened up the show for Greensky Bluegrass, as people filtered in gradually. It seemed that they took their time to arrive at the venue since there were three bands on the lineup. The overwhelming chatter during Escondido's down-tempo, folk tunes made it clear that the majority of the crowd was there for the high-energy quintet from Michigan.

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Brianna Kelly / Comments (1)

Concert Fri Jan 24 2014

Review: Perfect Pussy @ Schubas 1/22

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Photo credit - The Guardian

Perfect Pussy created a little bit of a reputation for themselves with their chaotic shows during the CMJ music marathon last year. They parlayed that buzz into a well received EP, I Have Lost All Lost All Desire For Feeling. They were subsequently signed by the tastemaker label Captured Tracks, and tasked with recording a full length album and going on tour.

I arrived at Schubas on Wednesday around 8:30 to an increasingly full house. I grabbed a beer and made my way through the growing crowd. The band was already on stage setting up, and without much fanfare or warning, started playing around 8:45. The problem with that was they weren't supposed to start until 9.

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Justin Freeman / Comments (15)

Tomorrow Never Knows Sun Jan 19 2014

Day Four: Tomorrow Never Knows - Superchunk, RoomRunner, Split Single @ Cabaret Metro 1/18/14

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It's never a dull moment when Superchunk is in town! The four piece has rearranged itself a little without Laura Ballance accompanying the band for live tours but with more practice given the current lineup, they've become even tighter than when they played a stellar set at this year's Hideout Block Party, giving both their old favorites and their new songs from 2013's ironically entitled I Hate Music. The crowd emphatically knew the words to all of the songs they played and were almost as invigorated as the band seemed, echoing a sense of energy with moshers up front and center.

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Kirstie Shanley

Tomorrow Never Knows Sun Jan 19 2014

Day Three: Tomorrow Never Knows - Weekend, Bare Mutants @ Schubas, 1/17

tomorrowneverknows2014.jpgFriday night's Tomorrow Never Knows show at Schubas was headlined by Weekend, whose previous Chicago shows have arguably been upstagings of bill mates. Their fuzzy post-punk calls to mind a chugging My Bloody Valentine or, say, a Glasvegas with more oomph. Their two albums are solid efforts and 2013's Jinx shows evolution, but live they are another beast. Hypnotic percussion and pummeling guitars make them an aural delight. A song like "Oubliette" may have noisy pop hints of Slumberland labelmates the Pains of Being Pure at Heart, but it's the life that gets added to songs like "Mirror" and "July" where they're at their best. Singer Shaun Durkan thrashes on stage, sometimes just sitting down for half a song, but never falling out of step with everyone else as they punish chords. A 10-minute long closer that meandered but never bored built into a fury of noise as they left for the night.

Bare Mutants opened with a set mostly from their debut album, The Affliction. The Chicago band's developed over the last few years into something that has a little shoegaze but also borrows nicely from the Velvet Underground's more rock'n'roll years. Their best songs ("Without You," "Crying with Bob," etc.) tend to build to heavy last acts and earworm their way into your head. On Friday, they had a few new songs that fit perfectly with everything else. It seems they are in good shape for the near future and shouldn't be missed.

Read all our Tomorrow Never Knows coverage.

James Ziegenfus

Tomorrow Never Knows Sat Jan 18 2014

Day Two: Tomorrow Never Knows - Rural Alberta Advantage, Kopecki Family Band, Mutual Benefit at Lincoln Hall 1/17/14

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If there was any previous doubt how much Chicagoans love The Rural Alberta Advantage, Friday night would put those thoughts to rest. The audience for the RAA was better than ever in their deeply felt love of all of the lyrics to the songs they knew by heart. It's a rare day in this jaded postmodern world when a band doesn't have to ask the audience to sing along and they just passionately feel so inclined as if they were fulfilling some deep aspect of their souls.

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Kirstie Shanley

Tomorrow Never Knows Fri Jan 17 2014

Day Two: Tomorrow Never Knows - Circuit Des Yeux, Tim Hecker, Oneohtrix Point Never 1/16/14 @ Lincoln Hall

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This was the first time this reviewer had seen the one-piece wonder that is Haley Fohr of Circuit des Yeux. She was often able to use pedal effects to her advantage but perhaps even more amazing was her very deep and resounding voice with the powerful distinctiveness of a Patti Smith for this postmodern age. She didn't speak very much and so her personality remained a little mysterious but songs that often began rather gentle acquired a tone filled with anguish before their finish, which in a way speaks volumes on its own. She also has an incredible command over the projection of her voice as well which was both disarming and engaging.

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Kirstie Shanley

Tomorrow Never Knows Fri Jan 17 2014

Day One: Tomorrow Never Knows Fest - Cayucas @ Lincoln Hall 1/15

tomorrowneverknows2014.jpgThe opening night of this year's Tomorrow Never Knows festival hinged upon opportunity. For not only were more established bands headlining at many of Chicago's most cherished venues, but also we were presented with bands beginning their careers and making their first appearances in Chicago, anticipating where their music will take them next.

On Wednesday evening, I was lucky enough to hear three bands showcase their talents for a completely packed house at Lincoln Hall, eagerly awaiting headliner Cayucas. Each band's sound was vastly different than the next, and the immense variety present kept listeners guessing as to what they would be welcomed with next.

Opener Bad Bad Hats played a short but sweet set that filled me and surely many other listeners in Lincoln Hall with pure, unadulterated joy. Minneapolis native duo Kerry Alexander and Chris Hoge combine their talents for the perfect musical chemistry, unabashed in the sweetness that their music possesses, but it is never saturated with too much. I had never heard their music before, though it felt like I was listening to a band I had followed for years as their sound was welcoming and jubilant. They opened with "9 AM," a track off of their early 2013 EP It Hurts, which is available for a free download via their Bandcamp page. The song immediately showcased their lyrical prowess; though the beats remain light, the lyrics find frequent moments of serendipitous wisdom that showcase their ballads as not only sweet, but smart. Kerry Alexander's voice is mature and soulful, and comprises a large vocal range, reminiscent of a Karen O and Bethany Cosentino vocal hybrid, with an additional zest that is all her own.

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Sarah Brooks

Concert Mon Jan 13 2014

Preview: Dawn Golden @ House of Blues 01/14

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Dexter Tortoriello is a restless man. The former Chicago native gained attention the last few years alongside Megan Messina masterminding the band Houses together. With Houses taking a break at the moment, he's getting attention for his latest project; producing electronica as Dawn Golden.

Houses made soft and sombre indie pop with a subtle sinister edge. It appears that Dawn Golden aspires to kinda be the opposite of that; an idiosyncratic soundtrack to a night of insomnia in which the narrator seeks a human connection amidst a psychedelic fog of death metal inspired drum machine loops and trippy slowed down vocals. This new musical direction seems fitting since Tortoriello is candidly into bands like Neurosis and opened for Pelican during the Adventures in Modern Music festival at the Empty Bottle awhile ago. I find Houses to be pleasant, but I personally find his Dawn Golden project to be more dangerous, engaging and thats what appeals to me.

Check out Assorted Tracks, his makeshift mixtape of what he appropriately describes as sad bangers below.

Dawn Golden plays tomorrow, January 14th, at the House of Blues (329 N. Dearborn Street.) The Dead Woods and Makeshift Prodigy both open. The Deftones side-project, Crosses, headline. This is an all ages show. Tickets are $13 and can be purchased here.

Justin Freeman

Preview Tue Jan 07 2014

Chicago Bluegrass and Blues Festival Warms Up Your Chicago Winter

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The Chicago Bluegrass and Blues Festival is back for its fifth year, with 17 shows over three weeks at four different venues across the city. The performances run from Jan. 10 to Feb. 1 at Concord Music Hall, City Winery, SPACE and Tonic Room. We've got a few favorite sets to let you know about, but see below for a full line-up to plan your CBB experience.

Bluegrass composer and mandolinist David Grisman returns for his third year at the wintertime roots festival for two sold-out performances with David Grisman JazzFolk Trio at City Winery. Blues vocalist Shemekia Copeland also performs twice, with The Lucky 3 Blues Band on Jan. 17 and Frank Bang and the Secret Stash the following night, at Evanston's SPACE.

Five-piece bluegrass band Greensky Bluegrass will play at the city's newest venue, Concord Music Hall, which quickly became the go-to place to host concerts in Logan Square after the Congress Theater was shut down. Rusted Root, the dynamic band that is best known for "Send Me on My Way," will also perform there for one of the final shows of the festival.

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Brianna Kelly

Concert Sat Jan 04 2014

Flosstradamus @ The Riv 12/30

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It's been awhile since we checked in with Flosstradamus. The last time we saw one of their shows was at Lincoln Hall; coincidentally during New Year's Eve of 2010. Some things have changed in the last three years. Lead by producers such as Skrillex, a new generation of electronic music has exploded into the mainstream and Flosstradamus have found themselves performing to ever growing crowds around the world in between recording EPs and new mixes. We remember Flosstradamus playing small yet intense sets at dive bars, so we wanted to see how they would transition from that setting to an almost arena sized theater. It was with this in mind as we headed to The Riv on a snowy Monday night for the first of two sold out performances.

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Justin Freeman

Concert Fri Dec 13 2013

King Krule and Tops Take Control of Lincoln Hall

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King Krule (Photos by Cody Davis)

King Krule, the stage name Archy Marshall, may be the most confident 19-year-old you will ever see. Sometimes when such a young artist hits the stage, a few missteps are expected. They possibly may not have enough maturity or experience to fully capture the attention of crowd. This is not the case with King Krule. Having played on Letterman and Conan earlier this year, they have displayed that he and his band can grip an audience quickly and tightly. King Krule took control of the very animated Lincoln Hall crowd and never considered the possibility of losing them.

Tops started of the night with their incredibly danceable pop music. Tops' sound is warm and soft, which is a striking contrast to that King Krule, whose music wallows in deep bass and sharp guitars. They seemed like a bewildering choice to open the show, but after a few notes into their first song they felt like they were the only choice to open. Someone in the crowd yelled out to the band, asking who they were and where they were from, to which Tops guitarist David Carriere responded, "We're you and we are where you're from."

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Julian Ramirez

Concert Thu Dec 12 2013

Review: Brendan Bayliss and Jake Cinninger Acoustic Holiday Show

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(Photos by Brianna Kelly)

Christmas spirit was all-aglow in Park West on Saturday night for the 11th Annual Brendan Bayliss and Jake Cinninger Acoustic Holiday Show. The halls were decked from the venue's entrance to the stage. People in red and green, some donning festive hats and gaudy sweaters, eagerly filed in to find a spot and post up for the sold-out show that benefited The People's Music School.

The stage was converted into a makeshift family room, complete with all of the comforts of home. The two guitarists from local jam band Umphrey's McGee, Brendan and Jake, sat next to each other on a couch as they strummed away on their acoustic guitars. The atmosphere was very intimate, which paired nicely with the stripped-down tone of the performance.

They kicked off the show with a slew of unplugged Umphrey's originals. Some already featured acoustic guitars, like the melodious "The Pequod," and others did not, like the usually bass-heavy "Puppet Strings."

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Brianna Kelly

Concert Thu Dec 12 2013

The Kills and U.S. Girls Rocked the Vic

When they started out as a band, The Kills had very minimalist songs and a mysterious aura. Instead of being Jamie Hince and Alison Mossheart when they performed, they were Hotel and VV. They embraced a cool aesthetic that shunned traditional popularity. Comparisons to The White Stripes were inevitable, but through years, The Kills have changed their tune somewhat (so to speak). Their last two albums added a more varied production to their minimalism. It's hard not to see them as bigger and a bit less mysterious given Hince's marriage to Kate Moss and Mossheart's collaborations with Jack White. But all of these notions fell to the wayside when they started playing their set at The Vic Monday night.

Opening for The Kills was U.S. Girls, an eccentric and very experimental project of Meghan Remy. Usually Remy performs alone, with only some loopers and mixers to fill in for live musicians. However, this performance featured a very full band accompanying her on stage. After a very quiet and humble greeting to the crowd, loops of electronic noise filled the Vic. It was a loud abstract prelude that slowly introduced Remy's penetrating voice. Moments later the band tore into the song, instantly making U.S. Girls' music sound fuller and more complete. The live drumming especially added an interesting depth to the songs. "Island Song" started off with her haunting vocals before being transformed into a bouncing rhythm barely recognizable from the way it sounds on U.S. Girls on Kraak. Even with all the help, Remy still utilized some familiar equipment from her completely solo shows. She could be seen occasionally crouching down and fiddling with knobs on her mixers, creating interesting transitional pieces that allowed the songs to flow into one another. Unfortunately this seemed to extend their set and caused it to end prematurely with Remy teasing the audience about an unplayed Bruce Springsteen cover.

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Julian Ramirez / Comments (1)

Concert Wed Dec 11 2013

Jump on This: Tift Merritt @ Comfort Station

Singer-songwriter Tift Merritt, who's been opening for Andrew Bird at his Gezelligheid concerts this week, just announced that she'll be playing a show at the Logan Square Comfort Station, 2579 N. Milwaukee Ave., this Friday, from 7 to 9pm. Tickets are $20, and seeing as the Comfort Station maybe has a capacity of 50, you better get on that ASAP. And wear a coat.

Andrew Huff

Concert Wed Dec 11 2013

Mary Wilson and The Four Tops Make the Holidays "Spectacular"

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Motown may have begun as just another record label; however, with a roster of groundbreaking artists like The Temptations, Marvin Gaye, Smokey Robinson and The Miracles, The Jackson Five and others, it quickly skyrocketed into a pop culture phenomenon.

Having an impact that has reached beyond music to other areas that include fashion, film, movies, theater, and television, Motown, the brainchild of founder Berry Gordy, is responsible for some of the most memorable melodies in music history.

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LaShawn Williams / Comments (1)

Review Tue Dec 10 2013

Cass McCombs Rode a Big Wheel to the Empty Bottle

Cass McCombs' has often been compared to Bob Dylan or Neil Young, but those comparisons seem a tad too simple. McCombs has the ability to summon a sense of anxiety, and even a touch of anarchy, into a style of music that can sometimes err on the side of being overly sedate. This was put front and center during his sold out show at the Empty Bottle last Friday.

Opening the evening was Baltimore band Arboretum. With a Rhodes keyboard accompanying a bass/drums/guitar setup, the sound emanating from the stage evoked raggedy Appalachian folk melodies backed by pulsating post-rock. The instrumentation was muscular, and surprisingly bass-heavy in contrast to the pinched twinge of Dave Heumann's vocals. His guitar playing was given ample time, as the songs stretched over minutes of instrumental breaks, and tentative guitar arpeggios and swells gave way to more conventional, searing leads.

McCombs and company took the stage and lumbered into "Big Wheel," the (sort of) title track off his newest release, Big Wheel and Others. The tune's circular guitar riff was accompanied by a hypnotizing drumbeat, with the stuttering rumble of the toms reverberating throughout the room. It drew my focus towards Joe Russo, the man behind the kit; I was hooked on his playing all night as he expertly balanced intricate beats while maintaining the spare dignity so many of McCombs' songs generate.

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Pat Donachie

Preview Tue Dec 10 2013

Preview: Holograms at Schubas

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Copenhagen has been getting an increasing amount of attention recently for their flourishing punk scene. But as bands such as Iceage and Lower become ad hoc ambassadors for the disenfranchised youth of the region, another band that is quietly emerging is Holograms.

A few years ago, after a few singles of theirs went viral, the young band were signed to Captured Tracks, recorded an album, and went on tour around Europe. This turned into a series of discouraging events such as their van being broken into and finding themselves stranded in Paris with no money for several weeks.

Upon their eventual return home to Stockholm in the dead of winter, they found themselves in a weird insomniaic fog. Nothing, seemingly, had changed. They had no money or jobs. They found themselves restless with boredom. Conceived out of this sense of isolation, they started to record their second album, Forever. The album has a full sound to it, channeling the bleakness of bands such as Joy Division as well as the melodramatics of Swedish metal bands such as In Flames.

Check out the video for their latest single, "Luminous," below.


Holograms play tonight, December 9th, at Schubas (3159 N. Southport.) This is a 21+ show. TV Ghost opens. Tickets are $10 and can be purchased here.

Justin Freeman

Concert Tue Dec 10 2013

Drake & Miguel to Charm Chicago @ United Center

Drake and Miguel want to know: Would You Like a Tour? Perhaps a more unnecessary question has never been asked. Two of the biggest crooners in the game hit Chicago's United Center this Thursday. Drake and Miguel need not worry about their fan's desire for a tour; 2013 has proven to be big years for both artists. Miguel's 2012 sophomore record, Kaleidoscope Dream, finally took off, both by the virtue of it being an incredible record containing more sultry burners than Drake has failed relationships and a long overdue radio presence.

Which brings us to Drizzy Drake. Mopey Millenial attitude aside, when Drake dropped this September's Nothing Was the Same, it managed to strike the perfect tone between his narcissistic hedonism and his EveryDude, shrug-at-the-fame front.

You gotta give it to him, though: Drake has proved to have some killer instincts when it comes to music. The fear of being a one-off is long gone, and with his bourgeoie claws firmly gripped on Top 40 and the last vestiges of "traditional" hip hop (whatever that means), he has rightfully earned his place as one of the most exciting artists of the last five years. With his now-trademark moody sonics courtesy of Noah "40" Shebib, Drizzy's longtime producer and fellow Canuck, and Drizzy's painfully self-aware flow, it's hard to imagine that formula dying down anytime soon.

As for the Drake/ Miguel cocktail that Chicago is about to enjoy, I'd guess that the only real concern one should have going into this show is how to avoid the swarm of panties that are sure to be thrown onstage. These are two of the most sensual dudes in the game, and damned if they don't bring their Lady-Killing smirks to Chicago this week.

Drake and Miguel will perform at United Center, 1901 W. Madison Street, this Thursday at 7pm. Tickets begin at $59.75.

Emma Gase

Review Sun Dec 08 2013

Chance the Rapper Rocks The Riv

Image via Time Out Chicago

Chance the Rapper just may be the new American Dream. A product of the city's south side, Chancelor Bennett found himself sometimes ridiculed by his peers and teachers for dreaming big and being told instead to have more sensible aspirations. Bennett rejected these notions and somehow got himself suspended from school for ten days. In reaction, he holed up in the Harold Washington Library's digital media lab, YOUmedia, and recorded his debut mixtape 10 Day. This was barely two years ago. In the time since, everyone has seen tremendous growth from him. I've seen him transform from a promising upstart at small clubs to a charismatic performer at larger venues, but none as large as the almost arena sized Riviera Theatre. Would he be able to captivate such a large audience and make the leap to the next level? The answer to that turned out to be unequivocally yes.

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Justin Freeman

Concert Wed Dec 04 2013

VHS Darling Jan Terri Returns to Reggies


We're always looking for a good excuse to post one of Chicagoland hero Jan Terri's legendary music videos, so I was pleased to discover that the VHS star will be performing at Reggies next week. Her cult favorite music videos have gained newfound popularity on YouTube - the most famous of which is appropriately labeled "Worst music video ever". And now, Terri is finally being featured in a documentary on her life and her rise to viral video glory. Per the Sun-Times, next week's show will be taped as part of the film "Jan Terri -- Badder Than Ever".

Jan Terri plays Reggies' Rock Club Wednesday, December 11th at 8 pm. Tickets are $10 and can be purchased here. Blue Ribbon Glee Club opens.

Stephanie Griffin

Concert Mon Nov 25 2013

Chance the Rapper Brings Acid Rap to the Riv

Some albums arrive just when you need them most. Remember April? Summer was near, hip hop was still devoid of Yeezus, Random Access Memories loomed on the horizon, and Modern Vampires of the City was still six weeks out. Whither our summer jam album? And then along came Acid Rap, and young Chicago upstart Chance the Rapper saved us all in one fell swoop.

With a soul sound that heavily tips a hat to College Dropout and an attitude that can probably be attributed to the perma-smirk of someone only one year removed from teenagedom, Chance's croaky delivery on Acid Rap may take some getting used to, but it's one in a handful of the most genuinely charismatic debuts of a new rapper in years. Chancelor Bennett is only twenty, but his verses are nothing if not witty, wise, and, when appropriate, calculatedly youthful.



Currently on his Social Experiment tour, Chance ended up adding another Chicago show due to overwhelming hometown demand--hardly surprising, when you consider that Chance's Lollapalooza set this past summer accommodated perhaps 1/3 of the actual folks who showed up to his show.

Since Acid Rap dropped, Bennett has been on the cover of multiple major music magazines and reviewed by just about every esteemed music publication. Downloads of Acid Rap have caused multiple websites to crash, he's jumped on Lil Wayne and James Blake joints, and headlined his own North American tour. All the hype a rapper could ever want, and yet Chance remains unsigned by a label. And so goes the entrepreneurial spirit of the self-starting millennial set. Here's to hoping he keeps doing what he's doing.



Chance the Rapper performs at the Riviera Theatre, 4746 N. Racine, on Wednesday and Friday, at 7:30pm. Both shows are sold out.

Emma Gase

Preview Fri Nov 22 2013

Pop Out with Sky Ferreira and Smith Westerns @ the Vic Tomorrow

Sky Ferreira is finally having her post-"Everything is Embarassing" moment. Though she may never truly bypass the original sleeper Internet hit that made her something of an indie phenom, Ferreira makes a good case with her first full-length album, Night Time, My Time, which was released in October.


Her album cover (which is NSFW, to put it lightly) either gives no fucks or is as calculated as MTV's "Miley: The Movement." The great thing about Ferreira is that it doesn't matter. Nude album cover or not, her songs speak for themselves. Beautifully unraveled at the edges, melodic to a fault, and at once perfectly modern and retro, Night Time, My Time, must come as a relief after years of being jerked around by her record company.

It's hard to imagine the record company complaining now, considering "You're Not the One" is pure pop majesty, a driving anthem that begs for car speakers and rolled down windows. Same goes for the heartbreaking "I Blame Myself" and the angry, frantic guitars of "I Will."


Smith Westerns, a band comprised of native, long-haired Chicagoans, share the bill with Ferreira. The band's garage-y, glam-rock sound should complement Ferrerira's unhinged, '80s-esque pop ditties nicely. Whoever made this match knew what they were doing. The show is at the Vic, 3145 N. Sheffield Ave, Saturday night, and begins at 8pm. Tickets are $21.

Emma Gase

Concert Thu Nov 21 2013

Join Cults @ Metro Saturday Night

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It's somewhat apropos that a band called Cults has, well, developed a bit of a cult following in the three years since singer Madeline Follin and guitarist Brian Oblivion formed in New York City. And why not? Catchy indie tunesmithing and a quirky and widely circulated video for the song "Go Outside" off their eponymous 2011 full length helped build buzz and garnered a fair amount of critical acclaim and has led to a great deal of touring in the past few years. Their 2013 release Static features a somewhat more aggressive sound, but it's still clear that this band took some notes from shimmery late-'60s California pop, a la Pet Sounds-era Beach Boys or Mike Curb Congregation bubblegum. Check it out for yourselves, with a sample below, or head out Saturday night to the Metro to see it live and in person.


Cults play the Metro, 3730 N Clark St, Saturday night at 9pm. Sacco and Mood Rings open. Tickets are $21. Doors open at 8pm. 18+.

Dan Snedigar

Concert Thu Nov 21 2013

Avett Brothers & Deer Tick Head to UIC Pavilion Friday

By Patrick Donachie

The Avett Brothers have built an audience show-by-show over the past decade, and the band has negotiated a gradual climb from rock-influenced bluegrass upstarts to arena headliners (produced by Rick Rubin, no less). Their three major label releases have charted the band's attempt to impart pop song craft and elegance onto their well-honed caffeinated country style. The band visitings Chicago Friday in support of their newest record, Magpie and the Dandelion, which was recorded during the same studio sessions for last year's release The Carpenter.

Kicking off the evening is Providence, RI group Deer Tick. The band has navigated its own transition into bigger venues, albeit in a different direction than The Avett Brothers. Deer Tick's previous records have always struck a woozy balance between traditionalist Hank Williams-esque balladry, and the ramshackle, beer-soaked verve of The Replacements' more up-tempo tracks. 2010's Dear Providence tilted the scales decidedly in the latter direction, as lead singer John McCauley yelped over sandpaper guitar tones about an assorted cast of characters fueled by an endless amount of alcohol. Deer Tick's newest release, Negativity, can't help but feel like sobering up on the morning after, but it does so with a burgeoning diversity of styles for the band to draw on, including power pop, horn-infused soul, and a refined, weary lyricism. The band is a livewire act to see in person; I've been lucky enough to see them several times, on stages that ran the gamut from dive bars to festivals, and they've never failed to deliver a spirited and hysterical show.


The Avett Brothers and Deer Tick perform at the UIC Pavilion, 525 S. Racine Ave., Friday November 22 at 8pm. Tickets are $38.50-49.50.

Transmission

Concert Fri Nov 15 2013

Albert Hammond, Jr. and Rathborne Knockout Double Door

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Photo courtesy Rathbourne's Facebook page

Double Door has a long storied past. The smallish venue has hosted some of the biggest names in music, ranging from a secret Rolling Stones show to a Sonic Youth fronted Lollapalooza after party. The venue's countless events have cemented its reputation and iconic status, but for last night's opening band Rathborne, nobody has ever come closer to embodying fictional DD band Sonic Death Monkey (now Barry Jive & The Uptown Five) and Rob Gordon's DJing. The High Fidelity reference fell flat for some of the audience, (with quite a few asking who are Sonic Death Monkey?) but that didn't stop the bands' consistently fun interaction with the crowd.

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Rathborne, an incredibly polished four piece band out of New York City, opened up the night very at ease.They played like they were right at home, which isn't that much of a stretch as Luke Rathborne shared a story about almost going to Columbia College, only to drop out when he saw crumpled up school pamphlets after missing the orientation and realizing his father would no longer be paying the tab. It was a fun soliloquy between songs that fit perfectly with the band's attitude. Jokes about a fake Tecate sponsorship and syth/guitar player Jimmy Gianopoulos' "Here's the Beef" shirt only added to their playfulness. There never seemed to be a misstep from the band, always playing to the crowd with an intensely confident swagger as Luke Rathborne occasionally shredded at the edge of the stage.

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Julian Ramirez / Comments (1)

Concert Fri Nov 15 2013

DEATH and New Year's

Oh, I know, you haven't even carved up your tofurkey and here we are talking New Year's Eve, but in Chicago, it's never too early to start planning your concerts, and this is one show announcement we're pretty excited over. DEATH is coming to town, namely Reggie's, 2105 S. State St., for a sure to be epic New Year's Eve show.

The relatively underground protopunk/garage trio, founded in 1974 in Detroit by three music-obsessed brothers, struggled to find the right musical niche but gained notoriety with crate divers and indie music lovers in recent years, culminating in the band biopic "A Band Called DEATH". Those who've studied the band or seen the film know of the struggles for commercial success and the tragic death of David in 2000 from lung cancer. But that wasn't the end of the story. Lucky for us, after the internets picked up the scent of how great this band was/is, Drag City picked up the band and has since started re-releasing their work, to the glee of many. And now they're headed to Chicago (not for the first time, but still, it's exciting).

DEATH plays NYE at Reggie's. Doors will open at 8:30pm with El Mejor opening. Tickets are $20 for GA (multiple VIP options available for more) and go on sale today. 17+

If you haven't seen the film yet, it's streamable online, or you can head to Reggie's December 20th for a special screening to get you in the mood for ROCK.

Anne Holub

Preview Fri Nov 15 2013

Through The Wire: The music of Eli Keszler, the art and design of Lampo

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Eli Keszler

For this Saturday's performance of Lampo's Fall 2013 season, guests will taken several steps off the standard path. For starters, the event is at the Post Family Gallery (1821 W. Hubbard, #202), a new collaborator for this venerable experimental music organization. The gallery, which emphasizes photographic and design art, will also be hosting Reading Lampo, a month-long exhibit of printed material from the Lampo archives. Anyone who has ever received one of Lampo's elegantly designed postcards in the mail or purchased a gig poster knows the consistently top-quality design sense of every piece of printed collateral, and many of your favorites will be on display. The exhibit is mainly open by appointment, but on the night of the show, the exhibit will be open to the public for free.

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Chris Sienko

Review Tue Nov 12 2013

Sleigh Bells Wind Up the Crowd at Metro

By Patrick Donachie

Sleigh Bells' sold-out show at the Metro last Sunday was their fourth at the club, and vocalist Alexis Krauss noted it from the stage. "When are you guys gonna get sick of us?" she asked after expressing her thanks to the venue for continuously having them back. If the reaction of the crowd is any indication, both the venue and the band's fan base are unlikely to turn on them anytime soon. The audience gave as good as they got throughout the high-energy performance, not content to merely offer polite applause during the breaks; they were there to equal the band's high-wire enthusiasm.

The night began with Doldrums, an electronic trio based out of Montreal. Their sinewy arrangements fluctuated between hard-hitting bass and synth attacks and more serene mood-setters, often within the same song. Considering the excitement of the crowd, it seems likely they left with more than a few new converts. Shortly thereafter, the lights dimmed, the smoke machines turned on, and enough strobe lights flashed to risk a seizure. Guitarist Ryan Primack and drummer Chris Maggio appeared first (Sleigh Bells is utilizing a live drummer for the first time on this tour), followed by guitarist and producer Derek Miller. Finally Krauss, clad in a boxer's robe emblazoned with her initials, came onstage to massive applause. The band crashed into "Minnie," a track off their new record Bitter Rivals, and by the end of the song the boxer's robe had been tossed to the side. Krauss engaged the crowd from the first note to the last, not content to let the musical performance do all the work.

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Transmission

Concert Tue Nov 12 2013

Mazzy Star's Ethereal Rock to Grace the Vic

Though Mazzy Star went on hiatus in 1997 — much to the disappointment of scores of lovesick teens and introverts around the world — they've finally returned earlier this fall with Seasons of Your Day, their first full-length LP in over fifteen years. With roots in California's Paisley Underground movement in the '80s, it's lucky for us the band didn't let their legacy lie with the incomparable movie-montage magnet "Fade Into You."


With slide guitar and dreamy sonics reminiscent of Beach House and a voice so breathy it sounds like it could float away, Mazzy Star is anchored by Hope Sandoval's breezy vocals and David Roback's guitar.


Though Seasons of Your Day sees the band diversifying from the reverb-soaked sound they favored in their earlier days, there's no mistaking the wistful, airy ambience for any other band. The descending organ on "In the Kingdom" is achingly beautiful and sad at the same time, retaining just the right amount of '90s melancholy, while the Led Zeppelin-esque "California" brings a welcome change of pace with a crisp acoustic guitar riff.

Mazzy Star plays at the Vic, 3145 N. Sheffield, on Wednesday night at 8pm. The show is 18 and up, tickets are $35, and Psychic Ills opens.

Emma Gase

Review Thu Nov 07 2013

Review: ICE plays John Zorn @ MCA

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Michael Nicolas (cello) and Cory Smythe (piano) perform John Zorn's 'Occam's Razor'

As I settled in to my seat, eager for the International Contemporary Ensemble (ICE) to begin their performance of a half-dozen compositions by John Zorn at the MCA, I thought about the years I've spent listening to John Zorn's records, both written and improvised, wondering what these through-written pieces would sound like, when suddenly, out of the corner of my eye, I spotted a familiar site. A man dressed in a very familiar pair of camouflage cargo pants and a zippered hoodie popped out of a side door to have a quick glance at the stage. The most comfortably-dressed man in modern composition was here tonight! It added a hot spark to the anticipation knowing that Zorn himself would be watching from the wings.

Considering the breadth (and, in many cases, extremity) of Zorn's work, I came in expecting ear-bleed and grinding teeth from start to finish, but was surprised to hear not just his tender side, but also his beautifully classicist nature. The opening piece, a work for solo clarinet based on Herman Hesse's novel "Steppenwolf," was a long, lyrical work that sounded like the 1930s as inhabited by early modernist pioneers like Charles Ives and Henry Cowell, using abstraction as a way to color the mind and the mood, building to a dazzling sequence where clarinetist Joshua Rubin cleared intervallic jumps like he was playing hopscotch. To use Anthony Braxton's terminology, the gravallic weight of this piece was off the charts. The fireworks evoked, however, never overpowered the sheer lyrical beauty of the composition and Rubin's masterful handling of it.

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Chris Sienko

Concert Wed Nov 06 2013

My Bloody Valentine @ Aragon 11/03

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Several years ago, I saw a performance by the avant-garde composer, Roc Jimenez de Cisneros. The piece was entitled "Tetralemma + Tetrafluoroethane" and was written for computer and air horns. To make the piece work, Cisneros meticulously altered a batch of air horns so that each one had a different pitch and key. Some horns were loud and sharp, while others were surprisingly subtle and sombre. The majority of the horns, though, occupied an ambiguous grey area between noise and melody. Over a sparse ambient skeleton produced by the composer's laptop, he and his makeshift orchestra started to use the various horns. Different horns of different sounds were used for different amounts of time at different locations throughout the performance space. One horn would create a loud droning sound while others created subtle bursts seemingly all around you. Things appeared to be a maddening mess, but slowly a pattern emerged. Engulfed by this odd wall of sound, a sense of catharsis took over as once familiar individual objects and noises found themselves transformed into a union of weirdness. It was an abrasive and experimental work, making the point that there is a kind of beauty in extremity.

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Justin Freeman / Comments (1)

Concert Tue Oct 29 2013

Review: King Louie @ Reggies, 10/24

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Chicago is a city in transition, transforming into a central force in hip-hop before our very eyes. In between the meteoric rise of Chance the Rapper and the relentlessly confrontational presence of Chief Keef, Chicago plays host to a slew of artists who are on the verge of making it. This past Thursday at Reggies, I was able to witness one of those on the cusp artists; King Louie.

You may recognize King Louie from his appearance on Kanye's latest album Yeezus, where Louie raps the first verse and chorus on "Send it Up." Perhaps you recall seeing his Basquiat-inspired promo stickers all over town a year or so ago. Maybe you're into the local rap scene and are already familiar with him and his impressive lineup of mixtapes. The point of this is that knowingly or not, you probably at least have a passing knowledge of the man and his work.

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Justin Freeman

Preview Mon Oct 21 2013

Tempest in an ICEcube: International Contemporary Ensemble plays John Zorn

zorn.jpgLike the elephant to the blind men, composer John Zorn looks completely different depending on where you first experienced him, and like Walt Whitman, he contains multitudes. No single description will wrap it all up tight. If you watched "120 Minutes" in the '90s, you remember being pinned to the wall any time his group Naked City strafed your susceptible mind. Perhaps you even went further with his "death jazz" group Painkiller, and he hepped you to Japanese noise and grindcore terror. If jazz was your bag, perhaps you have fond memories of Masada, his "Judaism meets Ornette Coleman" project, with 500 compositions and dozens of recordings on display. Free improv fans remember seeing the weird, cartoonish mayhem of his game-based improv pieces like Cobra, Archery, or Xu Feng. Maybe your heard him blow duck calls on early Golden Palominos records, or subliminally took in his scads of soundtrack work. Back in the day when Best Buy and Borders catered to all tastes, you might have taken a chance on releases on his ultra-prolific Tzadik and Avant labels.

But amidst this sprawling hedge-maze of musical styles and approaches, John Zorn is first and foremost a composer. His works for variable ensemble units range from Feldman-like rivers of calm ("Redbird") to blood-draining exorcisms ("Kristallnacht").

This Saturday, Chicago's International Contemporary Ensemble perform an evening of Zorn compositions at the Museum of Contemporary Art, including pieces written specifically for ICE, and several receiving their Chicago premiere.

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Chris Sienko

Artist Fri Oct 11 2013

Erase the Word...and the Song: Ben Vida at Lampo

BenVida.jpgFormer Chicagoan (now ensconced in Brooklyn) Ben Vida presents several works of sound poetry, abstract electronics, and atmomized speech particles as part of Lampo's Fall 2013 series. The event is free (with RSVP), and takes place at the Graham Foundation's Madlener House, 4 W. Burton Pl., this Saturday, Oct. 12 at 8pm.

Vida presents several works as part of the program. In "Tztztztzt Î Í Í...", several performers (including Tyondai Braxton, Sara Magenheimer and Vida himself) were filmed performing a sound-poem by Vida, accompanied by synthesized approximations of their vocalizations, thus dislocating sound from action in peculiar ways. As Vida writes, "This attention to shifting relationships of inputs and outputs, cause and effect, was created with the intention of recalibrating the viewer's awareness of their own senses. The possibility of a recalibration and the desire to remind the viewer of how well they are able to receive and decode discordant information acts to reveal the brain's ability to create order out of multi-sensory distortions." Loosely translated, this means "take a deep breath and count back from 10, ace -- you can figure this out without mommy."

Also on the program is "Damaged Particulates," a piece composed for four-channel stereo with "fixed and live electronics" (pre-records and johnny-on-the-spot, friend) with an emphasis on single and dual deployments of stark sounds in fascinating contrast to one another. The use of such naked, visceral sonic artifacts prevents the ease of simply drifting along in the sonic stream, with layers rising and falling in the morass, in favor of discrete events that pop up out of nowhere, announce themselves, and then pop out of existence again -- sometimes one at a time, sometimes two in opposition, and occasionally a chorus of four just to keep you off your guard.

This is the second concert in Lampo's Fall series. Future events will include electronic composer Mark Fell (Nov. 2), percussionist Eli Keszler (Nov. 16) and former Emeralds synth guy Steve Hauschildt (Dec. 7).

Chris Sienko

Review Sat Oct 05 2013

Ólafur Arnalds @ Constellation 10/03

Thursday in Chicago was an introspective day. The sky was an ominous shade of grey and a thick fog filled the air. As the day progressed, it started to rain. The city found itself temporarily transformed by the weather into a state of melancholy. It was the perfect weather to experience Ólafur Arnalds and his fantastic set of ambient modern classical.

Ólafur Arnalds played two sets on Thursday at the new jazz club, Constellation. I saw the later show at 9pm. Constellation opened in April on Western Avenue on the edge of Roscoe Village taking the space of the former Viaduct Theater. Founded by local jazz stalwart, Mike Reed, Constellation has taken on the mission of "present[ing] progressive performance and forward-thinking music with a focus on jazz, improvisation and contemporary classical." It's a really nice looking place and they're already booked an impressive lineup ranging from the aggressively avant-garde Peter Brötzmann to the master percussionist Hamid Drake.

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The room in which we saw Ólafur Arnalds perform was a small minimalist area that embodied a sense of warmth and belonging. At one point during his set, Arnalds commented on this saying something to the point of, "It feels like I'm playing a private concert in the living room of my house. I do that for friends." He then smirked and further commented with his subtle wit, "It almost doesn't feel like you paid money to see me," before starting to play the baroque "Brim."

On stage, Ólafur was accompanied by a trio of musicians; vocalist Arnór Dan, violinist Viktor Orri Árnason and cellist Rubin Kodheli. Arnalds played the piano and handled sound manipulation with his assortment of devices. They played a set that leaned heavily towards the recently released album, For Now I Am Winter. Pieces like the aforementioned "Brim," and the Steve Reich inspired "New Skin" came alive with a sort of creative kineticism.

About halfway through the set, violinist Viktor Orri Árnason, performed an exhilarating and highly emotive solo. He played so intensely, his bow started to fracture yet he continued on and finished his performance. It was breathtaking. Afterwards, Ólafur commented with his subtle and charming wit, "Well...I guess I have to buy him a new bow."

He ended his set with a tribute to his grandmother, "Lag Fyrir Ömmu," a beautiful and haunting minimalist piece for piano and violin. "I owe my love of Chopin and all things non death-metal to her," he said before he began to play. As the piece reached its crescendo, an unseen violin suddenly played at the same intensity in tandem with the piano before both instruments slowly winded down to silence. The performance as a whole was a beautiful reminder of the subtle joys and subtle sorrows that life can sometimes provide.

Justin Freeman

Review Thu Oct 03 2013

Atlas Genius @ House of Blues 10/01

Atlas Genius was greeted by a sold out crowd as they took the stage at the House of Blues Tuesday night. The band looked visibly shaken but equally surprised and humbled at the large gathering of people there to hear them perform. As they started to play, I looked around for a moment and found myself a bit surprised at how varied their fanbase is. Q101 refugees stood side by side with NPR devotees in a temporary brotherhood as they sang along in tandem as the band played their current single, "If So."

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Atlas Genius have always sounded very influenced by Phoenix, especially their albums Wolfgang Amadeus Phoenix, and It's Never Been Like That. This admiration was clear throughout the night, and was most apparent when they played their song "Back Seat" in a slick and charismatic manner. Keith Jeffery, guitarist and singer, stepped into the crowd for a solo during an extended breakdown as the rest of the band encouraged the audience to clap and dance before leading the song to it's conclusion.

They then jammed for a little bit before moving on to the next song. This is a theme that was continued throughout the night; play a song and then jam for a few minutes before moving on. I get it. The album is only a little over thirty minutes long and they had a hour long set to fill. However, they're talented musicians who knew at least to keep the jamming interesting and somewhat brief, so I was fine with it for the most part. The musical interludes were interesting, in the post-rock stylings of Explosions in the Sky and Mogwai. All of that said, I wouldn't have minded a cover or two.

They played a few more songs from their album When it Was Now before playing their big crowd pleaser, "Trojans." The band seemed to build an increasingly confident swagger throughout the night and it reached a crescendo with their final song, the pulsing and arena rock ready "Electric." As they performed these two tracks, it seemed like practice for the bigger stages they will likely soon be playing.

"Thanks for selling us out," Atlas Genius earnestly yelled at some point during the night. "I think we play this city more than any other." If they continue at this rate they'll be back soon, quite possibly at the larger venues the bands they admire play.

Justin Freeman

Concert Mon Sep 30 2013

Andrew Bird Announces Gezelligheid Dates

andrew bird gezelligheid posterAndrew Bird has announced dates for his popular Gezelligheid concerts. This year's shows will be in Los Angeles, San Francisco and Chicago, with three shows here Dec. 9-11at the Fourth Presbyterian Church. Tift Merritt will open on Dec. 9 and 11 (it's possible she'll open on the 10th as well, but she's not currently listed.)

Pre-sale tickets will be available this Thursday, Oct. 3, and go on sale to the general public on Friday, Oct. 4.

UPDATE 10/21: If you missed out on tickets, you have one more chance. A fourth show has been added for Dec. 12, and tickets go on sale at 10am Friday, Oct. 25.

Andrew Huff

Review Thu Sep 26 2013

Review: No Joy, Hand Practices & Alex Calder @ Schubas 9/14

By Julian Ramirez

When it comes to smaller venues, people tend to trickle in at inconsistent rates. Opening bands end up playing for less than half empty rooms. More often than not, one ends up missing a gem of a band that can hold their own just as well as the headliner.

Such was the case at Schubas when last minute addition Alex Calder and his band began playing. Calder's sound, very much indebted to the '60s pop, truly deserved a bigger audience. The songs played a little quicker and a little heavier than I thought they would, almost as if taking a quick detour through '90s alternative to get to the show. A larger crowd would have definitely added to the energy as Calder's guitar work contained several moments of brilliance. Calder's set was short but incredibly good; the band was determined to set up a night of psychedelic sound. Thankfully, they succeeded.

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Transmission

Review Wed Sep 25 2013

Review: Brother Ali and Immortal Technique @ Metro, 9/22

"We're here in the name of hip-hop," host Poison Pen declared, as the diverse throng of people inside of the Metro cheered. Even on a Sunday night, a rowdy crowd was packed in from the front to back of the venue.

After a somewhat brief performance by Poison Pen, Hasan Salaam was the first rapper on the bill to hit the stage. He announced that 100 percent of the profits made by his most recent album, Music is my Weapon, go toward funding a school, well and clinic in Guinea-Bissau, West Africa.

He asked the audience, "If America was a woman would you date her?" A large handful of people in the crowd yelled back, "F*** no!" Then Hasan played "Miss America," a song about the hypocrisy of American democracy.

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Brianna Kelly / Comments (1)

Preview Mon Sep 23 2013

Shovels & Rope Slide Into the Metro 9/26

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Coming off a tour opening for Dawes, Shovels & Rope are no strangers to the road. Founded in 2010, they were previously tapped by Jack White to open some of his first Blunderbuss tour dates, and have been on a roll ever since. Hailing from Charleston, SC, the duo blow into Chicago to headline a Metro show on 9/26.

The band's 2012 album O' Be Joyful has racked up the acclaim for wife and husband singer/songwriters Cary Ann Hearst and Michael Trent. Their music has been praised for raising a "ruckus" at the Newport Jazz Fest, and there's nothing but high expectations as they head west and cross our city limits. This won't be your classic Folk Americana music set. Tunes by Shovels & Rope are at once dark and sinister, like a shot of whiskey that makes you smile after the burn.

The duo have a musical vibe reminiscent of great pairings like Gillian Welch and Dave Rawlings. Cary Ann and Michael's world is filled with love and not-so-thinly veiled threats of murder — like all great marriages. Their southern twang and delicious charm leaps off the album's grooves, leaving you with the feeling that this is a truly great working relationship. Songs like "Birmingham" and "Lay Low" bring feelings like this to light with a burst of raw emotion and passion (to the death). Or you can put on your boots and stomp and dance through title track "O' Be Joyful," relationship or no. Learn a little bit about it yourself, and see them grace the Metro's stage on Thursday.

Shovels & Rope perform at the Metro (3730 N. Clark St.) on Thursday, September 26. Shakey Graves opens. Music starts at 7:30pm. Tickets are $20 and the show is all ages.

Anne Holub

Preview Tue Sep 17 2013

Catch D.C.-Favorite U.S. Royalty Rock the Beat Kitchen

Back in 2009, I worked at a small public relations outfit owned and run by the sister of Chicago's own Ike Reilly (of The Ike Reilly Assassination). My employer invited me to go see her brother play one cold December night, and never one to say no to live music (and not wanting to stay at the office to work late), I agreed. Despite the fact that my former employer was always late, we arrived in enough time to see the opener, U.S. Royalty.

To say I was impressed would be an understatement. I was floored — who was this band and where did they come from?! They not only commanded the attention of the audience right off the bat, they rocked the house as if that night was their last on stage. U.S. Royalty left nothing to be desired.

Their first full-length album, Mirrors, is a great balance of music that you want to rock out to and songs that you put on your road trip list. Of the album, singer John Thornley says, "Because we traveled for about a year and a half before we recorded the album, there is definitely a travel vibe to the record."


U.S. Royalty produces a sound that has been likened to The Strokes, The Killers and Fleet Foxes. The band of four is composed of brothers John and Paul Thornley on vocals/piano and guitar, Jacob Michael on bass, and Luke Adams on percussion.

U.S Royalty plays the Beat Kitchen this Thursday. They'll be joined by openers Hemmingbirds and The Van Goghs. Doors 8pm, show 8:30pm. Tickets are $10 for the 17+ show.

Kelly Williams

Concert Tue Sep 17 2013

Contest: The Weekend @ Empty Bottle, 9/20

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The Weekend (not The Weeknd, the R&B singer of the somewhat same name) are disciples of bands such as Joy Division, Sonic Youth, and My Bloody Valentine. They make aggressively loud experimental post-punk, and they do it rather well. Their latest album Jinx is a cathartic love letter full of atmospheric sonic brutalism and manic paranoia to the bands they clearly admire.

Listen to their blistering single "Mirror" below.

We're giving you the chance to check them out for free. Email us at contests@gapersblock.com with the subject line "The Weekend" and we'll pick a winner by 5pm today to go to the show with a friend. [Update: We have a winner! Congrats to John!]

The Weekend play at the Empty Bottle this Friday, September 20th, opening for local noise rockers, Disappears, as they celebrate the release of their new album Era (a show we just previewed). Outside World kicks the night off. Tickets are $12 adv/$14 door. You must be 21+ to attend.

Justin Freeman

Preview Mon Sep 16 2013

Scout Niblett and Dope Body Bring Silence and Noise to the Hideout

By Julian Ramirez

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Scout Niblett (photo by Devin Ludwig)

This Saturday, The Hideout will host Scout Niblett — an eccentric musical pleasure of the highest order. The British singer songwriter offers an interesting blend of painfully beautiful vocals and sparse instrumentation that occasionally transitions to pulse pounding chords. The moments of silence between the notes are as powerful as the crushing arrangements themselves. Niblett has a way of linking these moments together wonderfully, as is evident on her last two albums The Calcination of Scout Niblett and It's Up To Emma. Her fascination with astrology and alchemy lends itself to her rocking guitar work and continually finds its way into her lyrics, evoking otherworldly sensations that deliver on all the right spots.

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Transmission

Concert Fri Sep 13 2013

Youth Lagoon Puts On a Show to Remember, Pure X a Show to Forget

Doing my homework before seeing opening band Pure X, a group from Austin, TX., would have clued me into what I was about to experience. For one thing, I would have found their Tumblr, Mellow Thrasher. I'm still debating whether or not that fully encompasses their "vibe." To start, not once did any of the four band members make eye contact with the audience, nor acknowledge that we were there. For an hour, we listened to the lead singer whine about something. (I'm not sure what, the filter on his mic was so thick I couldn't understand the words coming out of his mouth.) On top of that, his face was so constricted, the look of udder pain on my face undoubtedly rivaled his. The music was a bad marriage between the worst kind of emo and the most awkward kind of adult contemporary. Of their 2012 appearance at SXSW, Pitchfork tactfully wrote that Pure X was "adept at conjuring six-string clouds of lazy-day nothingness."

I was still traumatized when Youth Lagoon came on stage to save the day. But thankfully, Trevor Powers immediately connected with the audience and even called out some "bro" who urged him to chug his drink, getting a rise out of the crowd in solidarity against bro-dom. United we progressed, with Powers as our leader guiding us back to music sanity.

The vibe of the show was very much in line with the inspiration behind Youth Lagoon's sophomore album, Wondrous Bughouse. Powers refers to the music as an exploration of "the human psyche and where spiritual meets the physical world." The set was pretty awesome — a backdrop of multicolored waves and lighting that created a band of silhouetted shadows, setting the stage for a mysteriously seductive ambience. The change in energy was palpable and the audience grooved with the Youth Lagoon in a much more united front. The separation of band and audience was no longer, it was one group navigating various expressions of electronic pop music.

Rarely was there much, if any, pause between songs, with the band flowing from one crowd-pleaser to another, slightly favoring songs from their 2010 debut album The Year of Hibernation, with songs such as "17" and "Cannons," but the audience responded well to newcomers "Mute" and "Dropla."

Overall, Youth Lagoon put on a great show that showcased the bands balance of experimental electronic and pop sound. But I will never see Pure X again. Like, ever.

Kelly Williams / Comments (1)

Concert Thu Sep 12 2013

Review/Photos: CHVRCHES with XXYYXX @ Cabaret Metro 09/10/13

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Like a sudden meteor shower in a starless quiet sky, CHVRCHES seemed to emerge out of nowhere. The Scottish electro-pop three piece is almost relentlessly fun and catchy but there are plenty of bands out there boasting such a quality that aren't selling out much smaller venues. Their sudden popularity and ability to sell out The Metro on a Wednesday night after only a couple of EPs to their name (their first full length entitled The Bones of What You Believe will be released later this month) piqued this reviewer's/photographer's interest.

Continue reading this entry »

Kirstie Shanley

Concert Wed Sep 11 2013

Review/Photos: Deerhunter with Marnie Stern @ Cabaret Metro 09/10/13

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Bradford Cox might present as a reinvented post-modern Joey Ramone but Deerhunter's songs are far spookier than anything The Ramones dreamed up in their darkest nightmares. Swirling reverb and bass so heavy it made the floors and walls shake tended to mark the show as the songs swayed between dissolving lucid noise to a complete transcendental experience.

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Kirstie Shanley / Comments (2)

Concert Thu Aug 15 2013

Preview: Chandler London, ShowYouSuck & ProbCause @ Empty Bottle 8/17

Chicago has emerged as a central force in hip-hop, incubating rappers on the ascension such as Sasha GoHard and Chief Keef while at the same time acting as a homeland for established legacy rappers such Kanye West and Lupe Fiasco.

With that said, our friends over at Vocalo are putting on a rap show at the Empty Bottle this Saturday. They're showcasing three rappers that personify the increasingly diverse and complex ideals of the modern Chicago rapper who are all on the verge of potentially being a next big thing; Chandler London, ShowYouSuck, and ProbCause.

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Justin Freeman

Concert Mon Jul 22 2013

Pearl Jam Rocks Wrigley Despite Rain Delay

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The wind was blowing out on a hot and humid Friday afternoon at the corner of Clark and Addison, which always is a perfect recipe for a lot of hits. With the Cubs in Colorado, playing the Rockies, the hits came from grunge-era rockers Pearl Jam, who made their debut in the Friendly Confines.

The iconic band, which has played together for the past 20-plus years, has seen it all, playing in legendary venues from The Offramp in Seattle to Soldier Field. It only was a matter of time before they rocked it out in front of the ivy.

Though hailing from Seattle, front man Eddie Vedder was born and raised in Evanston, and grew up rooting on the northsiders back when "Mr. Cub," Ron Santo and Billy Williams were gracing the covers of programs. So needless to say, the anticipation of hearing classic 90s hits such as "Alive," "Even Flow," and "Spin The Black Circle;" Mr. Vedder's homecoming; a beautiful sunset in a gem of a ballpark made for a perfect storm in what was to be a night to remember. That's right when the wind began to shift from the west and cloud cover began to set in.

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Jim Crago

Hideout Block Party Tue Jul 16 2013

A.V. Fest/Hideout Block Party Lineup Announced

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The lineup for the 2013 A.V. Fest/Hideout Block Party Sept. 6-7 has been announced, and it's a doozy. Both days are stacked with talent, including Mavis Staples and Neko Case topping the bill Friday and The Walkmen, The Hold Steady and Young the Giant holding down Saturday night.

Two-day passes are still available for $60; single-day passes have not yet been released.

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Andrew Huff

Concert Sun Jun 30 2013

Review/Photos: CSS @ Lincoln Hall 06/29/13

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If you like Brazilian pop music, CSS is your band, and if you tend to favor bands with a triumphant lead singer who transfixes her audience, CSS could very well be or become your favorite band. Based in São Paulo, the four piece captures their songs with a sense of energetic laughter and considering the crowd knew many of the lyrics (both the English and Portuguese words) to sing along, it made the night even more incredible.

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Kirstie Shanley

Concert Fri Jun 28 2013

Reminder: Tonight Gapers Block Presents the MAAF Afterparty @ Logan Square Auditorium

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Just a reminder that tonight Gapers Block Presents The Milwaukee Avenue Arts Festival Afterparty at Logan Square Auditorium. We've got an eclectic bill for the night, including Tobacco, CAVE, Oscillator Bug, and Jamaican Queens. And to sweeten the deal, we'll be giving away two three day passes for Pitchfork Music Festival! The weekend passes are already sold out, but we've got a pair to give away at the party tonight. Hope to see everyone there tonight!

The MAAF Afterparty, presented by Gapers Block, I Am Logan Square and Land And Sea Dept., features Tobacco, CAVE, Oscillator Bug and Jamaican Queens on June 28 at Logan Square Auditorium. Tickets are just $10. Doors open at 8:30pm, with music from 9pm to 1am. The Milwaukee Avenue Arts Festival runs all weekend, from June 28-30, with music, food, art and more.

Lisa White

Interview Mon Jun 17 2013

Interview: Harmonizing with John C. Reilly at the Old Town School of Folk Music

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Left to right: Becky Stark, Tom Brosseau, and John C. Reilly

Anyone who has followed actor John C. Reilly's career up to this point shouldn't have a hard time discovering his musical talents. In addition to roles alongside Will Ferrell in comedies such as Step Brothers and Talladaga Nights: The Ballad of Ricky Bobby, Reilly sang in the 2002 movie adaptation of Chicago, and he also starred, sang, and played guitar as the fictional music icon Dewey Cox in Judd Apatow's biopic parody Walk Hard. He even made a brief appearance in A Prairie Home Companion as one-half of a hoakey folk-comedy duo alongside Woody Harrelson.

By now, though, the secret is most definitely out in the open. Reilly, who grew up in Marquette Park and went to college at DePaul University, is currently on tour as the lead singer and guitarist for his own group, John Reilly and Friends.

Roughly three years ago, Reilly teamed up with musicians Becky Stark and Tom Brosseau after bonding over a shared love for the close-harmony folk and country music of groups such as the Delmore Brothers and the Louvin Brothers. The trio initially played small shows for friends in living rooms around Los Angeles. More recently, they recorded a handful of singles for Jack White's Third Man Records in Nashville. And now, Reilly and Friends are on a worldwide tour with an entire band consisting of musicians from Old Crow Medicine Show, Soul Coughing, and more.

Reilly spoke to Gapers Block over the phone recently about his background in music, how he formed this band, and the epiphanies he experience while attending school just blocks from the Old Town School of Folk Music, where he'll be playing with his band this Saturday.

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Marc Fishman

Concert Thu Jun 13 2013

Gapers Block Presents: the MAAF Afterparty 2013 @ Logan Square Auditorium

gapers block maaf afterpartyGet on your dancing shoes, because we're excited to announce an awesome show as part of our series of events celebrating 10 years of Gapers Block! On Friday, June 28, we're inviting you to enjoy Tobacco, CAVE, Oscillator Bug and Jamaican Queens at a special Milwaukee Avenue Arts Festival Afterparty at the Logan Square Auditorium, 2539 N. Kedzie Blvd.

Tobacco's not shy for creating beats that are drrrrrty good. And what better way to kick off your weekend than with some serious beats and a chance for making some new friends on the LSA dance floor? Part of the mysterious Black Moth Super Rainbow, and known for genuine weirdness sure to be something to tweet about, check out Tobacco's eerie synth stew, topped off with talk-box seasonings, which might go a little something like this:

Chicago's CAVE bring their brand of rock to LSA for this special after party. Sometimes droning along with some serious bass and keys, sometimes rocking like a psychedelic disco from the future, CAVE brings it in all-caps rock out glory. Just check out what happens when they get together and ride around on the back of a truck:

Coming off a spring tour with Black Moth Super Rainbow and The Hood Internet, Oscillator Bug makes a case for booty-shaking beats. And the trio Jamaican Queens round out the evening's entertainment, bring their synthy goodness to the floors at Logan Square Auditorium.

The MAAF Afterparty, presented by Gapers Block, I Am Logan Square and Land And Sea Dept., features Tobacco, CAVE, Oscillator Bug and Jamaican Queens on June 28 at Logan Square Auditorium. Tickets are just $5 for the first 50 people who grab their tickets, and $10 after. Doors open at 8:30pm, with music from 9pm to 1am. The Milwaukee Avenue Arts Festival runs all weekend, from June 28-30, with music, food, art and more.

Anne Holub

Concert Sun Jun 09 2013

Review/Photos: The Bats @ Schubas Tavern 06/09/13

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It has been 19 years since the legendary Kiwi band The Bats have visited Chicago so for many fans this show felt as rare as an eclipse and therefore extremely special. The Bats probably realized this in some way, even though the four New Zealanders on stage were nothing but modest and appreciative of Schubas, Laurie's Planet of Sound where they had performed at an earlier in-store, and even the beer from the local brewery Revolution that they liked. They seemed so excited for their sold out audience that they took a picture from the stage. This reviewer/photographer is happy to say that their one hour and forty minute set of 21 songs did not disappoint. The timing and interplay vocally and musically of the four piece was exceptional throughout the night and it was impossible deny the sense of wonder we all felt, old and new fans alike to witness these songs come to life in front of our very eyes and ears.

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Kirstie Shanley

Preview Thu Jun 06 2013

Spitalfield Remember Right Now at Bottom Lounge on Friday

If you're like many 20-somethings, you were probably really into the pop-punk scene of the early 2000s like I was. I would ride to high school on my bike listening to Taking Back Sunday in the morning and hang out on message boards talking about bands signed to Drive-Thru Records all night. I would fantasize all day about escaping the suburban projects and working for a label such as Victory Records or Touch and Go. (Oh, Bush-era awkward teenage youth, sometimes I miss you. But not very often.)

I romanticized working for Chicago labels because Chicago has such a vibrant scene of bands that I looked up to: Lucky Boys Confusion, Fall Out Boy, The Dog and Everything, Alkaline Trio, and of course, Spitalfield.

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Spitalfield are a pop-punk band based here in Chicago. They formed in 1998 and acquired the attention of Victory Records back in 2002 with their EP The Cloak and Dagger Club. Ten years ago, Spitalfield released their album Remember Right Now, and it has since amassed a cult following. They toured relentlessly and recorded two more albums before going their separate ways in 2007, but they've been reunited since 2010 playing the occasional show here and there. For the ten year anniversary of their seminal album, they've decided to go on tour to celebrate, and will play for their hometown crowd this Friday at the Bottom Lounge.

Check out a video of them performing "Those Days You Felt Alive" at the Beat Kitchen in 2010.

Spitalfield play their album Remember Right Now in its entirety this Friday, June 7th at the Bottom Lounge, 1375 W. Lake St. Shane Henderson & the Future Perfect and Jon Walker open. The show is 17+ and tickets are $16, and doors are at 7pm.

Justin Freeman

Concert Wed Jun 05 2013

The musician as escape artist - Jason Lescalleet at U of C (Lampo)

This Saturday, Lampo presents its final show of the Winter/Spring season, this time taking place at the University of Chicago's Bond Chapel (1050 E. 59th St.). The show is free, no RSVP required, and it starts an hour later than usual, 9 p.m.

First, a note about the Bond Chapel. Damion Romero played here last year, and with speakers blazing, he managed to atomize us and reduce us to our respective quarks and subatomic particles with his massive, vibratory bass attack. As Mark Solotroff noted, "I think my head is supposed to have a suspension system to prevents this from happening, but my EYES were vibrating during that set." It's a gorgeous, resonant space that can pay off big for performers willing to fill it.

On that note, Mr. Lescalleet isn't loathe to lay back quietly if necessary, but he's at his best when he's pushing himself and his massive, overheating reel-to-reel tape decks to exhaustion. I asked him what he had on tap for Saturday's show, and he said he'd be "utilizing the room's resonance in a manner similar to Lucier's I am Sitting in a Room." If you don't know that piece, it's 43 minutes long, and consists of one short spoken text -- explaining the process -- which is then played into a room, recorded, then played back into the room, recorded, etc., accumulating not tape hiss, but the natural resonances of the room, which feather and warp the original text beyond recognition, treating the otherwise static room tone like a body of water that is rippled by the disruptions of the speech. It's a masterwork of acoustic, almost scientific investigation fashioned into otherworldly music.

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Chris Sienko

Contest Fri May 31 2013

Contest: The Uncluded @ Old Town School

The Uncluded at Old Town School of Folk MusicCan a duo be a supergroup? If so, The Uncluded fit the bill. Like an indie version of the Judgment Night soundtrack, rapper Aesop Rock teams up with indie-folk darling Kimya Dawson for an odd but endearing mix of their respective styles.

The Uncluded headline the Old Town School of Folk Music next Saturday, June 8, with Hamell On Trial opening. Tickets are $20 ($18 for members) and are on sale now. But hey, we've got two pairs to give away right now! Enter to win by emailing contests@gapersblock.com with the subject line "Delicate Cycle" by 5pm today. UPDATE: We have our winners! Congrats to Kristin and Brian!

Andrew Huff

Concert Tue May 28 2013

Magic Time with PCRV and Crank Sturgeon @ Tritriangle

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Let's say you've got a thing. A thing you're interested in. Movies, or stand-up comedy, or jazz, or RPGs. Most of the stuff you check out or attend in service of your thing you might go alone. Your friends/family/spouse know you have that thing, but they don't need to endure every grinding minute of it with you. But once in a while, an exceptional outlier in that thing comes around, and, well, you've just gotta share. You might go to open mics at Cole's on Tuesday by yourself, maybe, but when Jimmy Pardo comes to town, you drag your friends along. Your significant other may appreciate your interest in silent movies, but you'll be going it alone most days, except when "Safety Last" comes to the Music Box. Certain exceptions break past the workmanlike high-middle ground of the things we love and become something that we can take others without fear. No off nights for these people.

For experimental/noise music, I can take anyone with a halfway open set of ears and frontal lobes to a show by Emil Beaulieau, or Joseph Hammer, or Damion Romero, or Sudden Infant, and I know they'll at least appreciate the power of it, the fascinating performance, or maybe even the streak of humor. Two acts that regularly come through Chicago that get this seal of approval and which are playing tonight [Wednesday the 29th, not Thursday as previously stated] are Montana's PCRV and Maine's Crank Sturgeon.

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Chris Sienko

Album Wed May 22 2013

JC Brooks & The Uptown Sound Continue to Evolve Their Funk with New Album

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I've been following the rising star of Chicago neo-soulsters JC Brooks & The Uptown Sound for a while now, and (besides being one of my favorite bands with an ampersand) I'm not ashamed to say the band always gets my booty out on the dance floor. With their new album Howl out this week on Bloodshot Records, the band takes on the next phase of their musical journey, with a somewhat more mature and (not a little bit) darker point-of-view.

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Anne Holub / Comments (2)

Concert Fri May 10 2013

Review/Photos: Daughter with Wilsen @ Lincoln Hall 05/09/13

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Elena Tonra of the London based band Daughter couldn't have seemed more modest and pleased with the sold out crowd at Lincoln Hall, which was perhaps the reason why the band played over an hour and their set included a few songs not listed on the setlist. Though the band performed as a four piece, Tonra stole the show with her rather tormented looking eyes catching the light amidst the smoke during several parts of the evening. And, as the audience filled with adoring girls especially, looked up in awe to her, she saw them as they sang along with the lyrics they felt deeply to Landfill "I wanted you so much but I hate your guts."

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Kirstie Shanley

Concert Tue May 07 2013

Camper Van Beethoven and Cracker Play the Cubby Bear This Friday, 5/10

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Photo by Jason Thrasher

Eclectic indie-rock veterans Camper Van Beethoven and Cracker head to Wrigleyville this Friday for a show at The Cubby Bear in support of Camper Van Beethoven's latest album La Costa Perdida.

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Marc Fishman

Concert Sun May 05 2013

Review/Photos: Purity Ring with Blue Hawaii @ Cabaret Metro 5/3/13

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There is a definite ominous yet playful sense to Megan James of the Canadian duo Purity Ring. She's clearly spent a great deal of time thinking about certain things like performing with her entire body and how to look as cinematic as possible. Just the very nature of her pounding on a drum is as cinematic as Lykke Li at times (only definitely with more smoke) and the way she can channel a wild look while she dances with a light makes one think she can make mischief if she pleases. Purity Rings, of course, are signs of chastity which also heightens the sense of Megan James coming out in an all white dress looking as if she's a bride who might at the very last moment change her mind.

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Kirstie Shanley

Concert Thu May 02 2013

Music on 1K of RAM a Day: John Bischoff's Computer Constellations at Graham Foundation / Lampo, 5/4

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John Bischoff (photo by Angie Evans)

This Saturday, Lampo welcomes John Bischoff, a composer of computer-generated (and manipulated) music and founder of pioneering computer-based music groups The League of Automatic Music Composers and The Hub, at the Graham Foundation's Madlener House (4 W. Burton Pl., Chicago) at 8 p.m. Admission is FREE with RSVP. Do so here.

These days a lot of electronic music could realistically be called "computer music," in that way your parents might have called anything from Tangerine Dream to Devo. Because nearly all music today is made with some sort of computer interface or another (even if just in the mixing and mastering stage), the idea of "music made with computers" seems less radical than it did in, say, 1977. At that time, if you really wanted electronic technology harnessed to what you'd call a "computer," you probably had to have access to an academic computer lab or a multi-million-dollar assemblage of devices, whether it was the MIT electronics lab or the TONTO system (as used by Stevie Wonder and others). But even then, what you were really talking about was an analogue synthesizer system using a computer interface as a sequencer. Computers were not the ubiquitous devices they are now. There wasn't that sense that everybody had a right to his or her own computer. In fact, most people probably thought the "computer lifestyle" wasn't for them, or wouldn't be until we all lived in the future.

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Chris Sienko

Preview Mon Apr 29 2013

Preview: Bill Callahan @ Garfield Park Conservatory, 5/6

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Venerable lo-fi luminary/folk-hero Bill Callahan will be appearing at the historic Garfield Conservatory, 300 N. Central Park Ave., on Monday, May 6, as part of a short spring series of performances that marks his first live return since touring on the back of 2011's excellent Apocalypse. Courtesy of Land and Sea Dept., Callahan will perform in the pastoral Horticultural Hall, surrounded by "festive flowers" and other assorted greenery, lest any of us forget he is a romantic of the highest, if not most inscrutable, order.

(Here, a break for those not yet poised or privy toward the Callahan cult: After penning the definitive Replacements fanzine Willpower from his childhood perch in Columbia, MD, Callahan rose to prominence in the early '90s under the (smog) moniker, and was an early beacon in the lo-fi indie-rock movement championed by label Drag City, Callahan's longtime home. Emerging under his given name in 2007 with the fantastic Woke On A Whaleheart, Callahan continued producing bracingly beautiful songs, gradually lending his evocative baritone a slight country-troubadour tinge. It suits him well.)

The man, myth (and, increasingly, legend) seems to grow in mystery, depth, and lyrical poise with each album, and Apocalypse in particular emerges as perhaps his best to date. Callahan will be playing material from that record and beyond on May 6th, but listeners should be advised for a stray (Buck Sergeant) Mickey Newbury cover or two. And because floral imagery colors his lyrics throughout Apocalypse, we fully expect his songs will feel right at home among the Horticultural Hall's azaleas and forget-me-nots (because you won't!)

Tickets are available for $25.

Mike Bellis

Concert Wed Apr 24 2013

Wake Your Heart with He's My Brother She's My Sister on 4/26

A group recalling nostalgic images of road trips, sunshine-soaked journeys and wanderlust, West Coast outfit He's My Brother She's My Sister will be gracing Schubas with their presence this Friday, 4/26. Their first self-titled, seven-song EP is more rugged, recalling a quality of live precision that can only be found in in-the-moment recording, while their first full-length album released this past year, Nobody Dances in This Town, presents their sound as beachy, full and groovy.

Hailing from Los Angeles, the influence of location is evident. The riffs are psychadelic, the vocals infused with pop, blues and beach-rock. The California sun clearly made an impact on their sound, which is rhythmic and energized. Their attire evokes a snapshot from another era, flanked with psychadelic, free-spirited influences, which filters directly into their sound. Though newer to the scene, they've traversed America over by touring extensively, including a West Coast tour and a SXSW appearance. Their glittery pop sound is meshed with unabashed folk twang, creating the perfect blend of rockabilly jams. Catching them in Schubas' intimate space will be a musical journey you won't soon forget.

Take a listen to their live recording for "How'm I Gonna Get Back Home Tonight" below, which showcases their effortless sound and carefree style.

He's My Brother She's My Sister plays Schubas this Friday evening. The 21+ show begins at 10pm, featuring opening act Jessica Hernandez & The Deltas. Tickets are $12 online or at the door. Schubas is located at 3159 N. Southport, (773) 525-2508.

Sarah Brooks

Concert Mon Apr 22 2013

Dylan, Wilco & MMJ Unite for Americanarama Fest

americanarama festival of music - Bob Dylan, Wilco, My Morning JacketBob Dylan has dubbed the next leg of his ongoing tour the Americanarama Festival of Music, and is bringing Wilco and My Morning Jacket, as well as a couple rotating openers, along for the ride.

The tour kicks off in West Palm Beach, FL on June 26, and arrives in Peoria on July 11 and Chicago at Toyota Park on July 12. The Richard Thompson Electric Trio is the special guest opener for both dates. Pre-sale for the Chicago show is this Wednesday, April 24; tickets officially go on sale April 27 for $77.70 including Ticketmaster fees. The Peoria show's presale will be April 30, with broad sales beginning May 4.

Andrew Huff

Concert Wed Apr 17 2013

Quadrophonic Excursions: Takehisa Kosugi at Lampo

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Takehisa Kosugi -- composer, violinist, creator with electronics, Fluxus member, and founder of legendary Japanese groups Group Ongaku and the Taj Mahal Travelers (an AMM-like group who performed all over Europe and Asia, and eventually did visit the Taj Mahal), performs this Saturday at the Graham Foundation's Madlener House (4 W. Burton Pl., Chicago) as part of Lampo's Winter/Spring season. Kosugi will perform works spanning 30 years, many written for the legendary Merce Cunningham Dance Company. Cunningham, the close confidant and collaborator with John Cage, revolutionized dance as Cage did music and composition, and his dance company consistently worked with the most cutting-edge composers in the world -- check out the 12CD boxset Music For Merce (New World Recordings), which features Kosugi, for proof.

In concert, Kosugi will perform four pieces of electronic music, using "homemade audio generators, ready-made sound processors and light/sound interactive materials." Lampo's hardy four-channel speaker setup will immerse guests in a strange, bubbling cauldron of rising and cresting electronics. The five pieces to be performed are "Cycles" (1981), "Streams" (1991), "Op Music" (2001), "Music For Nearly 90, Part-A" (2009), and "Octet" (2011).

Tickets are free, but require RSVP. Reserve tickets HERE. The performance begins and 8. Stop by a little early and take a look around at the lovely Graham Foundation building and the many free art and photography exhibits on display.

Here is a 2003 performance of 2001's "Op Music."

Chris Sienko

Preview Thu Apr 11 2013

Taste of Randolph Offers Tasty Tunes in June

Taste-of-Randolph.pngTaste of Randolph Street returns to the West Loop June 14-16. The three-day celebration, which occupies six blocks of the Randolph Street Corridor, boasts some of the best food, artwork, merch and music in Chicago.

Popular restaurants from the surrounding area, including BellyQ, Publican Quality Meats, De Cero Taqueria, Pork Chop, Grange Hall Burger Bar, Vivo and La Sardine, will serve as the festival's food vendors.

Music promotion company Silver Wrapper has booked an impressive selection up-and-coming indie rock and local bands to perform on three stages throughout the weekend. The Mid will also host a dance stage, featuring established DJs in Chicago.

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Brianna Kelly

Concert Wed Apr 10 2013

Jamie Lidell brought down the (Chicago) House at Lincoln Hall

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"You know, I love to play house in Chicago, and I've been looking forward to this date the whole tour" an elated Jamie Lidell exclaimed to his sold out audience at Lincoln Hall last Saturday night. Any fan of Lidell knows his love of funk, soul, and electronic, so it was no surprise that his set was chocked full of homage and honor to the Chicago house style that he loves as a fan himself. Weaving together a set of new tunes, soul crooners and house style, his one man set-up showcased Lidell at his finest form. Like a kid fiddling knobs in his basement, elated with joy at the creation of his art, he spent the night tucked behind at minimum six mixing boards and dancing along with the audience until the very end.

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Lisa White

Concert Mon Apr 08 2013

See Pegi Young at Mayne Stage April 11

To say that singer-songwriter Pegi Young is overshadowed by her husband is a mighty understatement. She has been married to Neil Young for 35 years and has sung backup with his band for decades, but didn't release her own solo debut until 2007. Since then she's released two more albums, including 2011's Bracing For Impact.

Pegi and her band, The Survivors -- Spooner Oldham (Rock & Roll Hall of Fame-inducted sideman), Kelvin Holly (Little Richard, Gregg Allman), Rick Rosas (Neil Young, Joe Walsh), and Phil Jones (Tom Petty, Rolling Stones) -- will perform at Mayne Stage, 1328 W. Morse Ave., on Thursday, April 11. Tickets to the show are $20, but you can get up to four tickets free by emailing promo@maynestage.com.

The concert also features local act Cloudbirds and Patti Rain as openers. Doors open at 6:30pm, show starts at 7:30pm. 18+

Andrew Huff

Contest Fri Apr 05 2013

Contest: Jamie Lidell @ Lincoln Hall, 4/6

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I first witnessed the one man wizardry of Jamie Lidell when he played Pitchfork Festival in 2007. Dressed like a shaman of funk in a kimono and headdress made of metallic streamers, he curated live a chopped up blend of soul, funk, and electronic. It was bizarre at first, then instantly mesmerizing and addictive. I bought his album the next day.

Much has stayed the same since that day, as he continues to toe the line between a soul, funk, and electronic artist. Whether crooning with a backing band or mixing behind machines, Lidell is an electrifying performer, constantly moving and making sure the audience understands the main objective of his music is to move. And with his recent self-titled album he continues this tried and true method, crafting one of my favorite albums released so far this year. It's an album that makes you yearn for a disco ball and a dance floor with tracks like "What a Shame" and "You Naked." He perfectly channels Morris Day and the Time style funk on "You Know My Name," thumping out a bass beat and Prince style guitar lick that makes you want to two step whether you know how or not.

Lidell is stopping in Chicago on his tour to promote the album tomorrow night at Lincoln Hall. The show is unfortunately sold out, but we've got a pair of tickets to give away to one lucky reader. Just email us at contests@gapersblock.com with the subject line "I'm Selfish" (another great track off the new album) and you and a friend could spend Saturday night on the dance floor at Lincoln Hall. We'll pick a winner by 3pm today. Update: We have a winner! Congrats to Nina!

Check back next week here on Gapers Block with an interview with Jamie and our thoughts on his show Saturday night.

Jamie Lidell headlines Lincoln Hall Saturday April 6th, with Empress of and Ludwig Persik. The show is sold out, 21+ and starts at 10pm.

Lisa White

Interview Thu Apr 04 2013

Inspired Clowning: An Interview with Mucca Pazza's Mark Messing

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A still from the video for "Boss Taurus." Sousaphonist and band leader Mark Messing (center) is filling a new role this spring for a residency at Revolution Brewing.

How long have humans sat in chairs? A very long time, Mark Messing concedes. It's not a new idea. But it is new for Mucca Pazza, Chicago's resident punk marching band.

The group is known for selling out rock venues and providing an eccentric and spirited soundtrack to a number of local summer events, often when Chicagoans least expect it, as if somehow twenty-odd horn players and percussionists (and don't forget the violinist, guitarist, accordion player, and cheerleaders) can just materialize out of thin air.

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Timothy Schuler / Comments (1)

Concert Wed Mar 27 2013

Valerio Tricoli and the real Art Of Noise(s) at Lampo

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Valerio Tricoli

To fans of harsh noise and experimental music, the name Luigi Russolo is intoned solemnly the way jazz buffs call upon Buddy Bolden in their hour of reverence. The two share a shortfall -- they were innovators in their form who existed just before the advent of readily available mechanical reproduction. Russolo, a painter, theorist, and member of the Futurist art movement, created The Art Of Noises (ring a bell?), a manifesto that suggested that life after the Industrial Revolution had created an evolution not just in production, but in consumption. He believed that people living amidst the audible detritus of modern life had become more able to appreciate more complex sounds, and looks fondly toward the day when the composer "strives to amalgamate the most dissonant, strange, and harsh sounds. In this way we come ever closer to noise-sound." He even created his own pitched noise instruments, which he called Intonarumori. The trouble is, these noise-machines were created in the mid-1910s and never really properly recorded or documented. The few acetates that exist give us only a bit more flavor of their existence than the scores of legends and second-hand stories about Buddy Bolden walking through the streets of New Orleans, wailing so loud he could be heard five blocks over.

2013 marks the 100th anniversary of The Art of Noises, and a number of celebrations are happening this year in Italy. In additional, Chicago's avant garde music organization Lampo will also be celebrating Russolo's shot heard 'round the heavens this Saturday (March 30, 8:00 p.m.), as Valerio Tricoli performs two pieces at the Graham Foundation's Madlener House (4 W. Burton Ave., Chicago). The pieces have been written exclusively for Lampo, and are tributes to Russolo and his groundbreaking ideas.

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Chris Sienko

Concert Sun Mar 24 2013

Review: Las Guitarras de España @ City Winery, 3/21

"The Guitars of Spain" had guitar-like instruments from at least three other countries besides Spain on stage with them last Thursday by the end of their performance at City Winery.

But even from the start of the set, bandleader Carlo Basile's namesake flamenco guitar was merely the accompaniment, as a sitar-like Indian veena introduced clear Indian influences into Las Guitarras de España's globe-trotting set of Spanish-langauge world music. By the last two songs of the evening, not only were the flamenco guitar and veena plucking along together, but a special guest from Senegal appeared, adding his own contribution to the stringed instrument fanfare with a 21-stringed west-African kora. Colin Bunn, of openers Los Hombres Perdidos, rounded it all out with a good 'ol American hollow-body jazz guitar for good measure.

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Marc Fishman

Preview Thu Mar 14 2013

Preview: Wilco Drummer Glenn Kotche, Others Team Up for Improvised Set @ The Hideout, 3/16

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Darin Gray and Glen Kotche (Photo by Nathan Kaye)

What happens when four musicians from some of Chicago's most experimental and forward-thinking bands come together for a night of improvised music at The Hideout?

Well, by nature, of course, not even the musicians should know. But if you're curious to find out, The Hideout hosts a rare evening of improvised music this Saturday from Califone multi-instrumentalists Jim Becker and Joe Adamik along with bassist Darin Gray and Wilco drummer Glenn Kotche.

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Marc Fishman

Concert Wed Mar 13 2013

Preview: Django Django @ Metro, 3/15/13

This isn't the first time that British psych art quartet Django Django has performed in Chicago (they played Schubas last summer), but this time, they'll be hitting the Metro's stage to lay out their synth experiments for all to see. Cutting through samples in a style reminiscent of The Beta Band (drummer Dave Maclean is younger brother to Beta's keyboardist John Maclean) or (dare I say it) Animal Collective, Django Django offers up sonic landscapes that are infinitely catchy, addictive and fun. If there was ever a cure for a Chicago winter that just won't quit, the sweat you'll work up dancing to this band could be just what the doctor ordered.

The band's harmonizing over keyboard tones, amalgamated drum beats, guitar twangs and various bloops and bleeps may seem like aural overdose when you lay it out on paper, but their multi-layered approach to song building is warming. The songs on their self-titled full-length debut album feel constructed like colored sand in a bottle. Even if you were to shake them up out of order, you'd still be left with a beautiful set of notes to follow into the sunset.

Django Django plays the Metro at 3730 N. Clark St. on Friday, March 15. Night Moves opens at 9pm. 18+ The show is sold out.

Anne Holub

Concert Sun Mar 03 2013

Review: Tea Leaf Green Jams at Lincoln Hall

After seeing Tea Leaf Green at the 10,000 Lakes Festival in 2009, I was happy to have the chance to catch them again, this time at Lincoln Hall on February 23. After an opening set by Tumbleweed Wanderers, Tea Leaf Green came out jamming. They included some beautiful build-ups to lead into transitioning songs. The guitarist, Josh Clark, can absolutely shred. Keyboardist Trevor Garrod is borderline impish. He has a glimmer in his eyes like he's up to something wonderfully mischievous and long, flowing blonde locks. With those two things combined he could easily be mistaken for an elf from Middle-earth. His voice is raw and smoothly at the same time. He sings like he plays the keys, in a manner that demands attention, but still maintains much grace.

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Tea Leaf Green's Trevor Garrod (Photos by Brianna Kelly)

One of the best things about Tea Leaf Green is that it has two drummers on the roster. Drums are completely underrated. Having an extra kit in the mix really adds a whole different layer to a band's sound. There's even a fun and playful dynamic between the bassist and guitarist. They have all the necessary ingredients of a successful jam band. But their sound is still more polished than improvisational.

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Brianna Kelly / Comments (1)

Concert Thu Feb 21 2013

Glen Hansard Announced for Metro 30th Anniversary Show

Glen Hansard has traversed the musical landscape far and wide to make a name for himself. As a teen, this Irish musician dropped out of school in order to follow his dream, serenading his Dublin streets with his lilting guitar-playing and distinct, smooth vocals that pack a punch. Lead singer in group The Frames, and then later joining forces with songstress Marketa Irglova to form The Swell Season, Hansard gained more exposure, leading to his acting and musical role in the emotionally turbulent film Once. Hansard released his first solo album in 2012, Rhythm and Repose, which showcases Hansard's ability to compress vast amounts of raw emotion into finite pieces of music.

It's with great joy that Hansard has been announced as a part of the Metro's 30th Anniversary Show, occurring on Sunday, June 9. This will be part of the Metro's 30th Anniversary series, celebrating the venue's revered place in the Chicago music scene. As he is an infrequent performer for this city, last appearing in September of 2012 at the Hideout Block Party, I can attest to the fact that Hansard's shows are lively and magical, and my description doesn't do them justice - there's a reason his returns back to our city are so celebrated. Tickets go on sale at noon tomorrow, and will feature some of Hansard's bandmates from The Frames as well as a horn and string section.

Sarah Brooks

Concert Thu Feb 21 2013

Mouse on Mars play the Mayne Stage, plus a contest

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Electronic music seems to be the current musical lingua franca, if one follows the business very closely. Acts like Skrillex and the Swedish House Mafia are playing arenas rather than basements, and the dance beats and synth-reliant riffs are truly becoming mainstream. Amidst the tide of new electronic music, it's easy to overlook the fact that, in many ways, this generation's electronic artists are kind of just reinventing the wheel. Fair enough, but Chicago is in for a treat next week, as CHIRP welcomes German IDM/Electronic duo Mouse on Mars to the Mayne Stage Theater in Rogers Park as part of their first U.S. tour in six years.

Formed in 1993, Mouse on Mars consists of Jan St. Werner and Andi Toma. Over a nearly two decade career, the duo has specialized in a very Krautrock-tinged version of IDM, often somewhat herky-jerky, occasionally challenging, but always thoughtful and well-composed. The result is often a kind of musical pointillism, somewhat disjointed in its individual components, but cohesive when appreciated in its entirety. The band itself released material on Chicago's Thrill Jockey records, and St. Werner has continued that relationship releasing material under the name Lithops, and has collaborated with fellow German avant-artist Oval.

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Dan Snedigar

Concert Mon Feb 18 2013

Host Califone in Your Living Room This Spring

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Califone's Tim Rutili

Great news for anyone who has a large living room, basement or loft, has chill neighbors, and likes the band Califone.

The Chicago-based experimental folk band, led by Tim Rutili, is embarking on a living room tour of North America this spring in anticipation of the band's upcoming follow-up to 2009's album/film soundtrack All My Friends Are Funeral Singers. Rather than playing small clubs and venues, the band is soliciting offers from anyone interested in hosting the band in their own home. Califone has a Chicago date scheduled on May 17 and is looking for a good host.

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Marc Fishman / Comments (2)

News Tue Feb 12 2013

Lady Gaga Postpones Chicago Shows

Lady Gaga announced today the cancellation postponement of her concerts in Chicago on Feb. 13 and 14, as well as shows in Detroit and Hamilton, Ontario, citing a case of synovitis, a painful inflammation of the membrane lining the joints. If you have tickets, hold onto them, as they'll be honored at rescheduled dates.

Lady Gaga posted the following message on her Facebook page:

There's an unfortunate announcement coming out right now, concerning myself and the Born This Way Ball. Im so sorry. I barely know what to say. I've been hiding a show injury and chronic pain for sometime now, over the past month it has worsened. I've been praying it would heal. I hid it from my staff, I didn't want to disappoint my amazing fans. However after last nights performance I could not walk and still can't.

To the fans in Chicago Detroit & Hamilton I hope you can forgive me, as it is nearly impossible for me to forgive myself. Im devastated & sad. It will hopefully heal as soon as possible, I hate this. I hate this so much. I love you and Im sorry.

Andrew Huff / Comments (1)

Concert Mon Feb 11 2013

Sculpting the new repertory: ICELab at the MCA

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Like every classical art form, the avant garde has a canon. It seemed unlikely in their early lives that composers like John Cage and Karlheinz Stockhausen would eventually be an accepted form of entertainment (or, if we shrink from that word, let's say emotional and intellectual stimulation) for a respectable, concert-going crowd. But goalposts, they do move. In any city that of a certain size and cultural infrastructure, you can support a new music group that can play "repertory," and make a return on investment. But even with the most open-minded audience, what's hard then, now, and always is bringing a crowd out for untested talent.

For the International Contemporary Ensemble (ICE), the thrill of the new is always the most important, but introducing crowds to the true unknown is the most important of all. It's why over half of every year's ICE events are given over to young composers. "People come for one fundamental reason: they want something unexpected to happen," says Claire Chase, flutist and artistic director of ICE. While it's fundamentally easier to fill an auditorium with promises of seldom-performed Xenakis pieces or interlaced programs of octet music by Franz Schubert and George Lewis, Chase says ICE is equally drawn to attacking the problems burdening young composers, namely lack of stage time. "It's one of the most optimistic things we can do as humans," says Chase.

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Chris Sienko

Concert Mon Feb 11 2013

Rock Your Valentine With White Mystery

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It's not your by-the-book Valentine's Day event, but your heart might just melt at this benefit show at Schubas Thursday night. Come out for the guitar-and-drum-fueled fury of White Mystery, and show your Valentine you Choo-Choo-Choose to rock.

White Mystery will perform their ginger-haired brand of rock this Thursday fresh off of their European tour. And what better way to welcome this brother/sister team back to Chicago than with a rollicking show at Schubas on a February night? Forget all that lovey-dovey stuff, and let White Mystery warm your body from your ears on down.

White Mystery will be joined by Absolutely Not, Twin Peax, and Post Honeymoon this Thursday, February 14, at Schubas, 3159 N. Southport Ave. Music begins at 9pm (18+). Tickets are $10 and proceeds benefit the Chris Saathoff Foundation.

Anne Holub

Concert Thu Feb 07 2013

The Sound of No Needle Clapping (Hong Chulki and Choi Joonyung @ Lampo/Graham Foundation)

A turntable without a needle...a turntable without a needle...what the hell good is a turntable without a needle!?

I pondered this in my mind (figuratively, of course...I may have only spun 38 times round the sun, but I know from Cartridge Music), the benefits of using a turntable without a needle to generate sound. The turntable's tonearm, of course, is still an amplified, resonant objects, and vibrations sent through it by cyclical friction will still produce interesting results, if not crisp, His Master's Voice-level precision. And maybe that's music to your ears. It is to mine.

This is the hook provided for the work of Hong Chulki, one-half of a performing duo performing this Saturday, hosted by Lampo at the Graham Foundation's Madlener House (4 W. Burton Pl., Chicago). Along with Choi Joonyung, who plays "playback devices such as CD-player, MP3-player, tape player, VCR, or loud-speaker," while "push[ing] an amplifier in and around the audience as if he were a noise vendor," Chulki creates an especially unconventional duo. Joonyung, similarly drawn to non-musical non-event based experimental music, has also published several albums manipulating damaged CDs. (One is cheekily titled I Am Scratching A CD In A Room.)

The pair founded South Korea's first noise group, Astronoise. But that was a long time ago -- the last release I can determine comes from 2006. Since then, Chulki and Joonyung perform solo, in a duo with each other, or in collaboration with others. Chulki and Joonyung have released a dozen or more collaborations on their Balloon & Needle label, collaborating with other South Korean improvisors/noise musicians, but also with international stars like Jason Kahn and Zbigniew Karkowski.

The event begins at 8 p.m. and is FREE with RSVP. You can do so here.

Here's the pair in trio, with Ryu Hankil on, er, typewriter.

Chris Sienko

Concert Fri Feb 01 2013

Preview: Kim Gordon and Peter Hook @ MCA

The Museum of Contemporary Art, in a move to continue its hot streak of cold-month showcases in recent years, will be featuring Peter Hook (Joy Division, New Order) and Kim Gordon (Sonic Youth) in upcoming events on the museum's Streeterville premises. Mr. Hook will be appearing on Tuesday, February 5 via special invitation courtesy of the MCA, while Ms. Gordon will be appearing on Tuesday, March 26 as part of the famed, worth-its-weight-in-weirdness series known around these parts as Face The Strange.

Mr. Hook will be appearing to discuss his new career retrospective, Unknown Pleasures: Inside Joy Division, which is described as offering "fascinating insight into the larger-than-life characters that formed a vital part of the Joy Division legend." Lots to chew on there, folks! He'll be appearing with Metro Chicago main-man Joe Shanahan, who will lead the conversation and hopefully provide fond anecdotes of New Order's first Chicago appearance at the Metro thirty years ago. Memories, make no mistake, will be the focus here — and lots of 'em!

Ms. Gordon will be appearing with Chicago psych-droners White/Light, whose members Matthew Hale Clark and Jeremy Lemos help coordinate the MCA's series (and who can also, most importantly, call up Ms. Gordon to sit in for one of their sets.) For those counting, this will be the second appearance by a member of (the late?) Sonic Youth for Face the Strange; drummer Steve Shelley appeared with kraut/drone locals Disappears and White/Light when he was still a member of the former in March 2011. White/Light, it should perhaps also be noted, is a current member of the Smells Like Records roster run by Shelley. So, really, it's all in the family.

Tickets for Mr. Hook's event are $10 at the MCA box office to reserve a seat, and the price of admission will be deducted from any audience purchases of Unknown Pleasures, which Mr. Hook will sign following his talk. Tickets for Ms. Gordon's Face the Strange showcase with White/Light are free for Ilinois residents or with suggested museum donation for all others. Capacity is very limited for both events, but you probably already knew that.

Mike Bellis

Preview Fri Jan 25 2013

Preview: The Jordan Years @ Subterranean 2/01

jordanyears_homemadehustler.jpgRetro-soul/R&B trio The Jordan Years is releasing its first full-length album, Homemade Hustler, on Friday, Feb. 1 at the Subterranean.

The Jordan Years is Wes Restless on vocals, Michael Andersen on bass and Roger Panella on guitar (guest musicians fill in details such as drums, keyboards and brass). The trio got together in 2008, practicing and recording in Anderson's Humboldt Park basement. According to press materials, Homemade Hustler "follows the story of a recent corporate castaway who decides to make ends meet on his own terms. He finds love, money, uncertainty, stress, and eventually trouble, but in the end he knows he wouldn't have it any other way."

You can judge for yourself -- and download the album's title track for free -- on Bandcamp, or watch the video for "We Got Guns" below.

The Jordan Years' record release show is presented by House Call Entertainment and Gapers Block, the show will also feature The Congregation and The Skinny, as well as DJ Intel spinning between acts and GB editor Andrew Huff (that's me!) emceeing. The Subterranean is located at 2011 W. North Ave. Doors open at 8pm. 21+

Andrew Huff

Tomorrow Never Knows Mon Jan 21 2013

Review: Freelance Whales @ Lincoln Hall, 1/19

When you are a lover of music festivals, the day, to hours, to minutes winding down to the end is always the hardest part. We enter a world of exuberant bliss, an alternate reality, a bubble-esque respite from our usual routine. We celebrate the sets of seasoned favorites, while catching on to a new artist and falling in love with our next favorite band. It's magical. However, magic has to end. This year's Tomorrow Never Knows festival was filled with acts we revered, with fresh talent also added to the mix in an ample supply. Saturday night featured a blend of both of these aspects; new acts Snowmine and Hundred Waters meshed perfectly with celebrated act Freelance Whales for a night of electronic indie-pop fusion.

Opener Snowmine combined their futuristic, big sound with an eclectic video feed of themselves on stage, the colors obscured and inverted. For some reason, this combination made sense for their performance and identity. Trippy backgrounds complemented the dreamy, atmospheric sounds that emanated from the stage. Lead singer Grayson Sanders's voice floated above the crowd, as each member in the band jolted to the reverberating beats they were creating. It was a great way to start the show off; they've only been on the scene for a little over two years now, but they've made quite the initial impression as they hooked the audience's attention for the entirety of their set.

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Sarah Brooks

Tomorrow Never Knows Sun Jan 20 2013

TNK Fest Recap: Night 3 - Free Energy @ Schubas, 1/18

"Free Energy" is such a great band name. Whether the phrase evokes an open offer for fun or a thermodynamics concept, it all pretty much describes what happens when you listen to the band's music or see them live.

On Friday night, cozy little Schubas turned into a sold-out celebration of pure, dumb rock and roll, thanks only in part to Free Energy's unapologetically feel-good set. I don't know about all of the other five venues that had music on night three of Tomorrow Never Knows Fest, but I'm going to guess that Schubas had the rowdiest bill. With a solid lineup split between two local and two non-local acts, the people at Schubas were in for a night of increasingly building energy, in which glowsticks abounded and where there were at least two different instances of band members leaping up onto stacks of amps around the stage, turning Schubas into as much of an arena-rock jungle gym as possible.

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Marc Fishman

Tomorrow Never Knows Sun Jan 20 2013

Review/Photos: Tomorrow Never Knows - Chelsea Wolfe, The Amazing, King Dude & Sabers @ Schubas Tavern 1/19/13

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Chelsea Wolfe wasn't just the most unusual musician playing in a night of quite varied and unique bands but she might very well be one of the strangest and most intriguing musicians in the entire world at large. She is striking in her very tall, thin stature and she seems like she comes from a totally different time and place, like the silent film era for instance. Wolfe possesses the kind of eyes that make her seem irreconcilably lost. Her music is typically experimental and distorted as in the case of her second full length album Ἀποκάλυψις, which is also referred to as Apokalypsis. She has become known for a sound that is unpredictable and as wild as it is strange so this reviewer wasn't quite sure how a more acoustic set was going to work.

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Kirstie Shanley

Concert Thu Jan 17 2013

Review: Christopher Owens @ Lincoln Hall 1/15

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Photos by Cody Davis

This sounds weird, but I'm used to picturing Christopher Owens singing in his underwear.

It's probably because that was the first image most of us ever saw of him, on the cover of the debut Girls album back in 2009, sitting on the edge of a bed playing his guitar in nothing but underwear and socks, looking either seriously hungover, lovesick, or both. But the image turned out to be a pretty accurate visualization of the music on that album--and for the rest of his music with Girls, for that matter. The songs Owens wrote for Girls laid bare a deeply wounded soul without ever being too specific about anything. Lyrics like "I was feeling so sad and alone / but I found a friend in the song that I'm singing" would have likely sounded trite and unoriginal coming from anyone else. Coming from Owens and his erratic, disturbed singing voice, they were somehow gut wrenching. It was as if he was, in fact, showing himself half-naked and vulnerable.

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Marc Fishman

Concert Wed Jan 16 2013

She's Crafty, Chicago's All-Female Beastie Boys Tribute Band

She's Crafty, Chicago's all-female Beastie Boys tribute band, is starring in their very first solo concert at Underground Lounge, 952 W. Newport Ave., this Friday, Jan. 18, at 8pm. Come check out MCAmy, Ken D, MagRock and DJ Sara Tea, about which one person once said, "She's Crafty, not a novelty act."

Your $10 cover includes a raffle ticket for door prizes; additional raffle tickets will be $5 each or five for $20 for a chance to win an iPod, an autographed Starlin Castro baseball, Bulls tickets and more.

Niki Fritz / Comments (1)

Concert Thu Jan 03 2013

"Nice Fence Posts, Schubert!" ICE, bowling, and octets this Sunday

This Sunday, catch the International Contemporary Ensemble (ICE) in two different locations in Chicago, first as a listener, then as a competitor.

At 3 p.m., the Chicago Cultural Center (78 E. Washington St., Preston Bradley Hall) welcomes ICE for Shadowgraph: Octets by Franz Schubert and George Lewis. Using the wide-open theme of "music for octet," ICE contrast Schubert lyrical yet complex piece from 1824 with two compositions by AACM member George Lewis, whose works ICE performed at the MCA in February of last year. Shadowgraph (1977) and a reprise of Artificial Life 2007 (2007) will bookend the Schubert piece, giving listeners a look at the many ways that groups of eight can be ordered and utilized. The performance is free, seating is first come, first served.

If you're feeling making a day of it, head over to the Fireside Bowl (2648 W. Fullerton) at 7 p.m. for ICE's 10th Birthday Bash. The $10 admission fee gets you unlimited bowling and shoe rental, with live music by DJs Searchlight and Good Evening. There's also talk of rouge ICE performances throughout the night. Go frame for frame against an honest-to-Debussy MacArthur Grant winner in the true sport of kings!

Chris Sienko

Hip Hop Fri Dec 07 2012

Review: Return of the Mecca Don & Chocolate Boy Wonder

Keeping the rhythm of its recent rally of bringing some of the most prolific faces and sounds of hip-hop and R&B to the city, The Shrine upped the volume once more last Friday, by welcoming a duo that practically epitomizes an era; Pete Rock & CL Smooth.

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Pete Rock & CL Smooth at The Shrine. Photo by Ricardo Villarreal

Celebrating twenty years since the release of their debut LP, Mecca and the Soul Brother, the originators were set to perform the album in its entirety. They took to the stage with all the command and comfort of a veteran, but the energy and excitement of a pair of performers in their prime. Pete Rock excelled behind the decks, as a master of his craft would, at interluding and blending his tracks with their samples, and even including some classics off of the pair's 1991 EP, All Souled Out. CL Smooth's lyrical performance was complimented by his physical one, as he moved and grooved through every beat of every track, making it clear that the birth of the "hype man" marked the decline of the real emcee.

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The two performed together as though they had never stopped, and provided, as promised, a momentary cure and escape, or "medicine", as CL Smooth called it, for the currently troubled times. They took the room back to '92, or rather, the golden age of hip-hop that Millennials imagine it to be, with the music, and the moves, and the mood they set with a flawless live rendition of their masterpiece. The album may as well have been recorded in that room that night, because the perfection that boomed through the speakers equaled that of the LP.

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Pete Rock & CL Smooth at The Shrine. Photo by Ricardo Villarreal

Wrapping up the night with their most known, respected, and most magnificent track, T.R.O.Y. (They Reminisce Over You), carried all the power that an ode to a fallen friend would, but it also blared with a reminiscence of the music, and the feeling that comes with thoughts of "the good ol' days," and everyone's varied recollection of them. It was nostalgia at its finest, channeled through legends in their truest form.

Ricardo Villarreal

Concert Fri Dec 07 2012

Andrew Bird Announces December Hideout Show

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In a whirlwind announcement this morning, Andrew Bird (and friends), will add to his Chicago performances this December, with a special show on 12/22 at the Hideout (1354 W. Wabansia), benefiting local music education charity Rock for Kids. Early-bird tickets sold out pretty much instantaneously, but there are still general admission and VIP tickets (which include a meet-and-greet with Mr. Bird) are still available, running $100 and $200, respectively.

Now, before you get all huffy about the price, remember this charity show will benefit a special Andrew Bird Scholarship Fund at Rock for Kids, and try let your heart grow a few sizes before you Grinch out about it. If you can shell out the cash, you'll also get a special show poster designed by Jay Ryan in addition to admission to this cozy venue. So that, plus an intimate setting with Mr. Bird and friends, is a nice present to yourself, at least.

Anne Holub

Concert Thu Dec 06 2012

ICE hosts a night of Brazillian composers

If you're hipper than me, you might've already known that Chicago has a Museum of Contemporary Photography (MOCP). I, however, am exactly as hip as me (let A=A), so this was news in this household. Better still, if you didn't know about MOCP, you might not have known that this Saturday, the International Contemporary Ensemble (ICE) is hosting a night of works by four up-and-coming Brazilian composers this Saturday at 7:30 p.m. at MOCP (600 S. Michigan Ave.)

Said composers are not altogether new to the Chicago arena. Marcos Balter, for example, composed Descent From Parnassus, a piece for solo flute performed by the dazzling ICE flutist/artistic director/MacArthur Grant recipient Claire Chase back in January of this year at the Art Insititute. That piece will be performed again this Friday, along with two other Balter works, Passará, for tape, and Edgewater, for alto and bass flutes. ICE will also perform works for solo and small group work, including Alexandre Lunsqui's Topografia de Um Caminho Andado, for bass flute, and Daniel Puig's Caotrios, for two flutes and horn. Most intriguing is Arthur Kampela's Not I, for solo horn and light, using text from Samuel Beckett's play of the same name, combining recitation, horn playing, and, yes, a light being turned on and off to create unique atmospheres and compositional strategies.

This performance starts promptly at 7:30. It is FREE, but RSVP is required, and as the space is sure to sell out, I'd recommend securing spaces quickly. Email reservations@iceorg.org for tickets.

Here's a rendition of Descent From Parnassus by Chase, live in Sao Paolo, Brazil:

Chris Sienko

Concert Thu Dec 06 2012

Preview: Secret History of Chicago Music Series @ The Hideout 12/8

One has a sweet, high voice; the other a gruff drawl. One specializes in clean-cut, charming soul music; the other in raunchy, gritty blues tunes. One experienced brief and minor success in the Chicago-soul scene of the late '60s and early '70s; the other made his name as a Detroit bluesman even earlier, in the late '50s.

They are Renaldo Domino and Andre Williams, respectively, and both are relatively unsung heroes of Midwestern soul. They perform this Saturday, December 8, at The Hideout as part of the ongoing Secret History of Chicago Music Series presented by both the Chicago Reader and Galactic Zoo.

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Marc Fishman

Concert Sun Nov 18 2012

Review/Photos The Fresh and Onlys, Quilt, Radar Eyes @ Lincoln Hall 11/17/12

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The Fresh & Onlys five piece (typically in the past, they have played live as a four piece but this time around, they had a female backup vocalist who played keyboards) may have started off a little silly with lead singer Tim Cohen wearing a Chicago shirt and offering the audience an extra beer. The San Francisco band may have even sounded a little sloppy at first as if they were just ready to have some fun with the audience on their Saturday night. But, by the middle of the set, they had evolved into the garage rock stars we've come to know and love with a solid tightness to their very best songs that should have impressed any audience member with a working pair of ears and discerning taste. The fact that Fresh & Onlys songs aren't played on every mainstream radio station just proves the point that mainstream radio isn't really worth listening to. Their hour long set included highlights such as "Waterfall". "20 Days and 20 Nights", "Peacock and Wing" and "Yes or No."

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Kirstie Shanley

Benefit Fri Nov 16 2012

Preview: JC Brooks & the Uptown Sound @ Metro 11/21

poster.jpgChicago's own JC Brooks and the Uptown Sound team up with a whole lineup of bands Wednesday for a concert benefiting WXRT's 30th Anniversary of the Holiday Concert For The Kids. I spoke to JCBUS bassist Ben Taylor and got to ask all the important questions.

You know, I didn't realize until I read the press materials that the reason you're the Uptown Sound is that you're from Uptown.

Yes, we've been based out of Uptown the whole time, we started in the spring of '07, five years ago.

I got to see JCBUS in the musical production Passing Strange last year, it was amazing. Was the full band in that show?

Yes — there were four of us, and right after that is when we added our keyboard player Andy Rosenstein full time. The heart of the band was there, and some extra people — there were two extra people that just did the production with us.

I watched the Spike Lee film version after seeing it live in Chicago, and I have to say, I liked the JCBUS version better.

There was a lot there that really resonated with people, it was a great experience. It was a lot of work going into it; right after recording an album we had to throw ourselves into learning and doing a show, do a 6 week run of it, then we immediately finished that and started touring.

So what can we expect to see at the Metro show?

This show is us previewing the new songs we're working on for our new album which we're going up to Montreal at beginning of December to record, and actually have a ton of new material we're going to be playing; this show is kind of like a re-launch, the unveiling of what comes next.

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J.H. Palmer

Concert Fri Nov 16 2012

A Time to be Thankful... for Music

Thanksgiving is a time to be thankful. Not only for good friends and family, but also for live music. Every year this delectable holiday provides a long, wonderful weekend filled with fun. The festivities begin on Black Wednesday, the biggest party night of the year. Since many people return to their hometowns for the holiday, it is a common time of reunion that is apparently best celebrated with binge drinking.

On Thanksgiving Day you can sleep off your hangover and then later refuel with a massive turkey dinner. Whether you choose to continue the party after grandma and grandpa go home is entirely up to you. Many people choose to get a good night's rest so they can wake up at the crack of dawn for some notoriously American shopping on Black Friday, but this year you might want to consider spending your money on memories instead of material objects. There are plenty of deals at local bars and venues that will help you do so.

Here's a preview of a few of your many musical options before and after Thanksgiving.

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Brianna Kelly

Concert Fri Nov 16 2012

Preview: Making Americana Pop with Exit Ghost @ Double Door 11/20

Recently named one of "Paste's Top 10 Illinois Bands You Should Listen to Now," Exit Ghost has steadily been building a following around town playing traditional venues along with galleries and theater spaces over the past few years. Their recently released album Move Alone (which can be heard in its entirety on their soundcloud), hits a sweet spot between Springsteen's anthemic pomp and Harvest's nonchalant, folky swagger. On Tuesday, November 20th, the local country-rockers will be playing the Double Door, 1572 N. Milwaukee, after capping off a late-summer tour of the Great Plains.

On record, lead songwriter Evan Holmes takes on the many disparate strains of mournful Americana blazed by artists like Neil Young and Springsteen with renewed optimism, giving each song a pop sensibility similar to peppy indie-poppers like Tegan and Sara and an attention to atmospherics on loan from The National. The result leans more toward classic pop than dust-bowl Americana, but the songs pack plenty of gnashing guitars, densely layered production and sincere lyrics throughout to keep listeners guessing. On stage, the newly minted five-piece band gives the tracks from Move Alone a three-guitar attack, with as many as four members offering harmonies to help each chorus swell. The band often plays new and unreleased material from show to show, the result of constant demoing and Holmes's workman-like approach to songwriting. Tuesday's show continues their upward streak, showcasing the band's attention to contemporary detail and reverence for their past.

Check out their video of "Delicate Man" on Show Me Shows, a monthly music video series based in St. Louis, MO:

Exit Ghost will be followed by headliners Rah Rah, with Violet Lights and Parallels and Lies opening at the Double Door on Tuesday. Tickets are $5 at the door and $7 online, and can be purchased here.

Mike Bellis

Concert Thu Nov 15 2012

Thrill Jockey Announces 20th Anniversary Party with Tortoise, The Sea and Cake

Thrill Jockey, the venerable local label that's given us releases from Tortoise, The Sea and Cake, High Places, and many others, is celebrating its 20th anniversary at the Empty Bottle, 1035 N. Western, on December 20. The event will feature performances and DJ sets from Tortoise and The Sea and Cake performing "material you wouldn't expect," as well as a set from Kid Millions' Man Forever, which features members of Arriver. Label staffers (and possibly more TBA) will also be on hand spinning their own DJ sets throughout the night.

As a way of saying thanks to their hometown for 20 years of support, admission is free with RSVP, and will feature complimentary beverages courtesy of Goose Island and Virtue Cider. Act quickly — those free tix will sellout quick.

Mike Bellis

Concert Fri Nov 09 2012

Review/Photos: Sharon Van Etten @ Cabaret Metro 11/07/12

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There is a certain way in which Sharon Van Etten has always been powerful. Her grace and elegance were never an issue in making her songs great and her live performance memorable. At the same time, it seems each visit to Chicago, her fans see a woman that is slowly transforming into someone who is stronger and who makes the songwriting seem less like simple poems and more like challenges to the psyche. We're seeing her take control and possess more of her songs both instrument wise and lyrically even though she's now playing with a band behind her. In other words, it still seems like it's coming from Sharon Van Etten and even in her most cool and collected moments where she's joking around, there's a sense that she feels good taking herself seriously because that's exactly what her songs deserve.

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Kirstie Shanley

Concert Fri Nov 02 2012

Review: Beats Antique @ Park West, 10/31

There's truly nothing better than going to a concert on Halloween. It's a giant costume party with live music and dancing. What could be more fun?

Wednesday night the Park West was packed with seemingly every character, creature and celebrity imaginable for Beats Antique's sold-out show. People decked out in costumes from head to toe were ready to get weird. The Michelin Man, Pikachu, bananas, Smurfs, and aliens gathered together under the disco ball and got their groove on. Breaking Bad's Walter and Jesse made an appearance — there was even a group of friends dressed as Adventure Time characters.

The Coop, dressed up as Johnny Depp characters, from Jack Sparrow to Raoul Duke from Fear and Loathing in Las Vegas, opened the show with a short and notably electronic set. Their sound has moved further away from the typical jam band sound and is becoming increasingly more influenced by electronic dance music. It seems to be working for them because the crowd keeps on dancing.

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Brianna Kelly

Concert Thu Nov 01 2012

Preview: Daniel Johnston @ Bottom Lounge 11/3

There is so much legend and backstory around Daniel Johnston that it's almost hard to believe he's still a real guy on the road playing shows. For several decades already, he has self-released an extraordinary catalogue of strikingly stark, imaginative songs and illustrations despite the ups and downs of his continuous struggles with mental health.

Yet Daniel Johnston's uniquely genuine music has managed to have an irreplaceable influence on much of today's artists without Johnston himself ever really having a direct presence in the scene. In fact, a typical way to discover Johnston isn't even through his own recordings, but through the many covers he has inspired among some of the bigger names in indie rock.

But Johnston has continued quietly producing his art all along. Even now in his 50s, Johnston's playful creativity seems to be flowing out of him as much as ever, both through music and illustration.

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Marc Fishman

Contest Wed Oct 31 2012

The Hood Internet Heads to the Metro 11/2 (and a contest)

You're used to hearing their most excellent mashups, but with an actual album to celebrate, it's a true reason to get your booty to the dance floor for some Hood Internet action this week. The Hood Internet hits the Metro on Friday night as their (rescheduled) album release party for FEAT finally gets underway. They'll be joined by My Gold Mask, Psalm One, Oscillator Bug, and BBU (who'll be giving their final performance!).

Here's a fresh video for "More Fun," from the album FEAT, featuring Psalm One and Tobacco:

Head to the show for free with a friend when you win a pair of tickets to the show, courtesy of the Metro! Just email us at contests@gapersblock.com with the subject line "Feat" and we'll randomly select a winner at noon on Friday.

Tickets to Friday's show are $15 (if you had tickets to the original show date, September 20, 2012, bring them along -- all tickets for the previous date will be honored). Doors open at 8pm. 18+ The Metro is located at 3730 N. Clark St.

Anne Holub

Preview Fri Oct 26 2012

Preview: Beats Antique @ Park West 10/31

beats-knife-fight.jpgThough Halloween is on a Wednesday, you shouldn't let that stop you from getting your freak on. It only comes but once a year so you might as well do it right. There are several shows occurring throughout the city, but Beats Antique at Park West, 322 W. Armitage Ave., will surely make for a bewitching evening.

Two supporting acts are set to open the show before Beats Antique. Both bring slightly different genres to the table, which should coincide with the featured band's hybrid sound very nicely. Local jamtronica band The Coop will start the night off with their funky tunes. Singer-songwriter, producer and beat-boxer Lynx will further the musical diversification with her genre-bending sounds.

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Brianna Kelly

Concert Thu Oct 25 2012

Review/Photos: Divine Fits @ Logan Square Auditorium 10/25/12

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It was definitely a dark and stormy Thursday night but though it may have been hailing outside, Logan Square Auditorium seemed rather warn and welcoming in comparison, especially because they were playing The Kinks as the house music before the bands (that always helps the mood.)

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Kirstie Shanley

Concert Wed Oct 24 2012

Strings and Circuits, Words and Actions

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Okkyung Lee and David Behrman


As we enter the back 40 of Lampo's Fall 2012 season, concert #3 promises not only a fascinating listening experience, but a bonus event that is more interactive in nature. Come to the Graham Foundation's Madlener House (4 W. Burton Pl., Chicago) on Friday afternoon and Saturday evening to listen, learn, and interact with two great artists.

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Chris Sienko

Concert Wed Oct 24 2012

Opening Acts Set Bar High at Heartless Bastards Show

It's a rarity when a supporting act's performance rivals that of the headliner. So it must be an anomaly when there are two openers that give the featured band a run for its money. Well, it most certainly happened Monday night at the Metro. The crowd that came out to the treasured Wrigleyville venue to see Heartless Bastards was in for a long night, with three bands scheduled to play.

Luckily, the four musicians that compose the soulful garage rock group have impeccable taste in music. Not only can they play it, they can pick it too. The two opening acts that were chosen to play before Heartless Bastards had both sounds and styles that complimented each other eminently well.

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Dana Falconberry (Photos by Brianna Kelly)

At 9 o'clock sharp Dana Falconberry and her eclectic folk band took to the stage. Each of the six musicians had their own distinct, unique look. Falconberry looked like a country western star from the '60s in a classy vintage dress and cowboy boots, while the banjo player, Gina Dvorak, looked like she had just returned from a photo shoot from an American Apparel ad, with red lipstick and glasses with thick frames.

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Gina Dvorak (Photos by Brianna Kelly)

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Brianna Kelly

Preview Wed Oct 24 2012

Post-Rocking with The Sea and Cake at City Winery

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The Sea and Cake (photo by Jim Newberry)

"Post-rock" is the term that most often gets thrown around when discussing bands like The Sea and Cake, but while it suits their more experimental tendencies to a point it's certainly something of a misnomer. Where "post-rock" can easily be mistaken as an outright dismissal of the rock form itself ("rock is dead" tropes notwithstanding), it seems that what bands like The Sea and Cake are really doing is simply broadening the definition of "rock" and fashioning it within a more global context. Perhaps they continue to get stuck with the tag because they, along with Chicago peers Tortoise, were one of the first bands in the indie sphere of the '90s that sought to push beyond the confines and clichés of Western punk- and guitar-based rock'n'roll in favor of more eclectic things like West African pop, dub grooves, and third-world funk. With ears craned more toward these types of sounds, bands like The Sea and Cake certainly seemed post-something. Interestingly enough, almost two decades in, they still do.

The Sea and Cake features a clutch of veteran Chicago musicians in Sam Prekop, Archer Prewitt, Eric Claridge and drummer John McEntire (also of Tortoise), each of whom has been synonymous with the more experimental and collaborative side of Chicago's independent music scene for well over 20 years. With a new album in this fall's Runner; to support, The Sea and Cake will be appearing this Monday, October 29, at the City Winery, the latest addition to the Randolph St. strip. Matthew Friedberger, an Oak Park native best known for his brother-sister duo Fiery Furnaces, will open with a set featuring tracks off his latest, the Parisian-inspired Matricidal Sons of Bitches.

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Mike Bellis

Concert Tue Oct 23 2012

Preview: Cat Power @ The Riv The Vic, 10/28

By Abigail Covington

[Update: This show has been moved to The Vic Theater, 3145 N. Sheffield Ave. All tickets will be honored.]

Chan Marshall, better known as Cat Power, has a reputation for live performances that follows her as closely as her own shadow. She has had more than a few uncouth moments and her mercurial disposition has caused her to miss just as much as she has hit. Though even when she misses, she's enchanting. Right or wrong, it has become a part of her mystique. Plus, she is on the mend. With Sun, a brighter Cat Power prevails and makes a moot point of her former somber self and the associated foibles. Of course, a few rehab stints here and there and all that vitamin D that life in Miami can provide help as well.

Still, she is going into this show with something to prove: That this time around, the $35 audience members spent to attend was well worth it. One can only hope that Cat Power will be able to reverse the trend and rein in those vices (insecurity, self-loathing, stage fright, and a dash of neuroticism) that tend to hold her in their grip as she performs. If she can do so, she has a good shot at endearing the audience to her simply by being sincere and enigmatic, never showy. She's not Neil Diamond. If she can't, history tells us that concertgoers might be in for a night of erratic behavior, incomplete songs, and perhaps even, a cowering Cat Power crying awkwardly over something nobody in the audience understands. This is worst-case scenario though and unlikely. What is more likely to be seen is a thin-skinned and reactive singer being herself- which could be somnolent and uncomfortable or approachable and engaging. Mystifying, nonetheless.

Consider yourself warned: with Cat Power, it's a gamble.

Cat Power, takes to the stage at The Riviera The Vic Theatre on Sunday, October 28. X-Ray Eyeballs and Willis Earl Beal will open the show. Doors open at 7pm, and music starts at 8pm. Tickets are $34, 18+. The Riviera is located at 4746 N. Racine Ave. The Vic is located at 3145 N. Sheffield Ave. (Note: Due to a change in venue, all tickets purchase for the Riviera Theater show will be honored.)

Transmission / Comments (2)

Preview Thu Oct 18 2012

Preview: Experimental and Improvised Music by Chicago Latino Composers @ Elastic Arts Foundation 10/21

There was an episode of WBEZ's Morning Shift a few weeks ago in which host Tony Sarabia spoke with the members of a local jazz quartet about the differences between improvising and composing, and whether or not the two are mutually exclusive. The conversation particularly grabbed my attention, as one of the things that often turns me off to classical music is its seeming lack of spontaneity or overwhelming sense of perfection.

"I would like to suggest that every musician is an improviser — or can be," clarinetist James Falzone ended up arguing in the episode. That also seems to be the argument the Latino Music Festival will make when it brings a showcase of Experimental and Improvised Music by Chicago Latino Composers to the Elastic Arts Foundation this Sunday in Logan Square.

The event features work from composers Marcos Balter, Gustavo Leone, Elbio Barilari, Pablo Chin, and Guillermo Gregorio — all of whom are currently active in some form or another in the Chicago classical music scene. But given the festival's focus on classical and traditional music from Latin America and Spain, Sunday evening's showcase offers a rare change of gears with a focus on more unconventional music in an intimate setting.

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Marc Fishman

Concert Wed Oct 17 2012

Spend Two Nights With Yonder Mountain This Weekend

One of the benefits of living in Chicago is that with the slightest effort, the city will deliver up on whatever scene you could possibly desire. While seemingly not quite as well-publicized as some other, perhaps more indigenous genres, the bluegrass scene is surprisingly vibrant, owing to talented home-grown bands such as Sexfist and Flatland Ramble who keep the scene interesting with regular performances around town, and the occasional guerrilla jam at random illegal back-alley microbreweries. For devotees of the bluegrass scene, and there are plenty in cultural Mecca that is Chicago, this weekend will provide a special treat as Colorado-based neo-bluegrass jammers Yonder Mountain String Band play a two night stand at The House of Blues this Friday and Saturday.

To look at the band, made up of Adam Aijala on guitar, Dave Johnston on banjo, Jeff Austin on mandolin, and Ben Kaufman on bass, one might expect them to stick to the script and play traditional bluegrass, or perhaps to dabble in the sort of pyrotechnic "newgrass" of legends such as New Grass Revival, but that would be selling them short, as their latest album, 2009's The Show amply demonstrates. While the band is indisputably technically proficient, and is capable of delivering on that promise on more traditional leaning numbers such as "Out of the Blue," Yonder's music really gets interesting when the songwriting dips into the group's rock influences, lending a funked-up swing to the classic instrumentation. Songs like "Steep Grade, Sharp Curves" seem an obvious tip-of-the-hat to classic mid-'50s country music, while others with a more obvious modern feel such as "Belle Parker" and "Complicated" sound a little like what you'd get if you crossed indie-rock with a front porch jug band. While there is nothing at all wrong with their recorded output, Yonder Mountain's forte has always been the live show, where they can truly blend their extremely diverse musical influences and launch on interesting excursions and distractions highlighting both their chops, and their whimsy.

Yonder Mountain String Band plays two shows at the House of Blues Friday, October 19 and Saturday, October 20 at 8:30pm. Tickets are $26 in advance, $30 the day of the show, or available as a two-day pass for $49. Brown Bird opens. The House of Blues is located at 329 N. Dearborn St.

Dan Snedigar

Concert Tue Oct 16 2012

Review: Calexico @ Lincoln Hall 10/15

"It's great to be back home in Chicago," said Joey Burns, lead singer of Calexico -- a band that hails from Tuscon, AZ. This was just before Calexico walked off the stage after their last song of the set on Monday night, and the sudden declaration that this was actually homecoming show for them took me by surprise. Even other people around me in the sold-out Lincoln Hall crowd were asking themselves what the Chicago connection could be.

It turns out the Chicago connection is through the band's longtime record label Quarterstick, a sublabel of the Chicago-based Touch and Go Records. But really, all you even had to do was take a quick look at the band's Instagram posts from earlier that day to see how much fun they had roaming the city and how that might have contributed to them being so on top of their game later that night.

One thing is immediately clear when you see Calexico live: this band's love affair with Southwestern music is not a shtick. It's simply the form in which the band operates, and you can tell just by how solid they are as a band that they take it seriously.

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Marc Fishman

Concert Fri Oct 12 2012

Keith Rowe: The Six Strings That Draw Blood

Keith Rowe plays guitar. He plays it on its back, on a table, using piles of raw materials (springs, bows, coins, credit cards, steel wool, wood strips) to resonate the strings. In 2012, this is hardly uncommon, but in 1966, when Cronos-like Ur-free improv group AMM recorded their debut, it was like saying you eat your dinner with a windshield wiper. Rowe's relentless push to the edges of abstract sound and telepathic improvisation (as well as that of his former AMM colleagues Eddie Prevost, Cornelius Cardew, and others) built a cottage industry of abstract improvisers who are serious, humorless, and often proprietary in their explorations. Not so Rowe...at a solo performance hosted by Lampo in 2001, he ended his set -- 45 minutes of enveloping, genuinely alien atmospheres -- he asked the crowed with a big grin whether anyone else wanted to "have a go" at playing his rig for a while. No one stepped up -- attempting our own rendition would have been like taking Yo Yo Ma's still-warm-from-use cello out of his hand and farting "Happy Birthday" into the resonators. (His selective use of shortwave radio during long, serious improvisations also helps to incorporate the outside world into an inherently isolationist art form.)

Following a second solo performance at Lampo in 2005, Rowe returns this Saturday with another Lampo performance, performing a composition titled "City Music," written for him by Chicago composer Frank Abbinanti. The performance takes place at the Renaissance Society in Hyde Park (5811 S. Ellis Ave, Cobb Hall 418). Admission is FREE, no RSVP required, and the performance begins at 8:00.

Here is an excellent clip that not only allows Rowe to show of hiss techniques, but also lets him speak about the genesis of his style.

Chris Sienko

Concert Wed Oct 10 2012

Trey Anastasio Hits Chicago Solo (Plus, a Contest)

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Chicago-area Phish phans may still be coming down off from what was widely heralded as their best tour in at least a decade, but for devotees of the jam juggernauts, there is no respite in the month of October. For followers of the band and frontman Trey Anastasio the next couple of weeks should prove productive, to say the least.

First, local landmark and former hole-in-the-wall dive Tuman's is one of eight locations chosen nationally to host a listening party for the debut of lead guitarist and singer Anastasio's solo album Traveler, which drops October 16th. In addition to an ATO records supported listening opportunity, fans will be able to take in an optional parking-lot-food-inspired tasting menu served up by head chef, and noted local Phish enthusiast, Jim Day.

Second, a mere three days after the release of the album on October 16th, Anastasio brings the circus to town for a solo show at the historic Chicago Theatre. Attendees can expect a show heavy with tracks off the new album, which ventures further into modern pop than many of Anastasio's previous efforts.

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Dan Snedigar

Preview Wed Oct 10 2012

Preview: Calexico @ Lincoln Hall 10/15

Calexico does so many things well. While some bands need entire albums to try on different genres (a "country album," etc.), the members of Calexico tend to pull off multiple style shifts in the same song — and always within the scope of an album. Named after the small town on the U.S.-Mexico border in California, the band writes music that soundtracks desert landscapes while often opening up in the most unexpected ways.

Even in their first few albums and EPs in the late '90s, core members Joey Burns (guitar and vocals) and drummer John Convertino were using their South-of-the-Border sound as a platform to sneak into jazz, post-rock, or other times straight-up Mariachi. And if that seems like an impossible combination of sounds, just listen to their 1998 EP Even My Sure Things Fall Through. It worked. Since then, the band has consistently churned out solid albums that refuse to take on one specific shape stylistically.

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Calexico's John Convertino and Joey Burns (photo courtesy of the band)

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Marc Fishman

Review Tue Oct 09 2012

Review: Tilly and the Wall @ Lincoln Hall 10/8

By Abigail Covington

Tilly and the Wall is a great band and Lincoln Hall is a marvelous modern venue, but when your sound guy is messing around on his iPhone during sets, it doesn't matter if you are Bruce Springsteen at the Sydney Opera House, the concert will be fraught with errors. From start to finish Tilly and the Wall's run at Lincoln Hall on Monday night was bogged down by unfortunate events. There was the inattentive sound guy who took a reactive rather than proactive approach to level setting. There was the overly emotional and sauced fanboy who clawed his way onto the stage, hugged Neely Jenkins and Kianna Alarid, and then sketchily lingered among the band members. There were the off-key harmonies and the breaking voices among the band. There were some issues, OK?

However, there was also tap dancing and rhythm that rocked the placid crowd from the bottom of their feet to the crowns of their heads. At first, I felt full of promise when the band thundered onto the stage with a rousing call and response of "When we say oh, you say fuck," backed by some Nebraska-style step dancing, but my hopes were quickly dashed when they then tore into their yet-to-be-perfected live rendition of "Love Riot" the first track off of their new album, Heavy Mood. The song is cacophonous and noisy in nature, but what was emitting from the speakers sounded more like misfired strums and hums than artful distortion. Thankfully, the volumes on the lead guitar came back from the outer spheres of the universe and towards earth where the other instruments held steady during the second song, making "Alligator Skin" much more balanced and enjoyable than the opener.

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Transmission

Review Wed Oct 03 2012

Review: Thee Oh Sees and Ty Segall @ Logan Square Auditorium 9/28

By Mike Bellis

There's something about the Logan Square Auditorium that somehow lends a loose, battle-of-the-bands feel — its open stage and lack of any sort of fourth wall means it works just as well for a packed punk show as it might a senior prom. That its notoriously awful acoustics give it the same, airy charm (or frustration, you choose) you might expect from a DJ spinning tunes for couples dancing on a cleared-out basketball court helps, too. It's probably no surprise, then, that bands like Thee Oh Sees and Ty Segall — bands that thrive on lack of pretense, absence of razor-sharp fidelity and that might actually prefer physically engaging with their fans — might love playing a place like Logan. And on a night where sound checks and guitar tune-ups bled into the beginnings of songs (and even sets), Friday's marquee double bill of San Francisco scuzz-rock's finest fit right in.

Alternating headlining slots between the earlier all-ages and later 18+ shows, Thee Oh Sees and Ty Segall make the kind of freewheeling grooves so packed with energy and noise that you might not notice they've been throwing pop-perfect hooks your way the entire night. I showed up just as the younger scenesters from the night's first show started to file out, all sweat-drenched and out of breath from Ty Segall's bill-topping set minutes before. With Thee Oh Sees at the height of their national visibility and Ty Segall in the midst of a whirlwind year that has already seen two full releases in the fuzzed-out Hair and Stooges ode Slaughterhouse with a third, Twins, hitting shelves in a matter of weeks, Friday night's show caught two very vital acts at the peak of their powers. More importantly, they played like it, too.

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Transmission

Concert Tue Sep 25 2012

Review: Prince @ United Center, 9/24/12

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There is an elephant in the room that will be addressed, but let's start with something positive in regards to the strange set Monday night from Prince at United Center. His performance of "Purple Rain" was hands down one of the best musical performances I've ever seen live. And there is no denying that in that moment, the crowd saw truly how amazing of a performer, writer, and artist Prince truly is. I sung along with everyone, was moved to tears, and it was an incredible moment. But, it was a bittersweet reminder of what I missed out on by not seeing Prince years ago, as his set Monday night was full of tease and confusion, and a poor example of what the artist really is about.

Now, back to that elephant in the room, which is the now infamous third encore situation Monday night. After playing a second encore of snippets of hits ("Girlfriend," "When Doves Cry," "Kiss") Prince said goodnight, exited the stage, and the house lights stayed off as crew members swept purple confetti off the stage. The stage still lit and lights off, fans sat for 40 minutes anticipating a return, when suddenly the house lights went up. The crowd erupted, booing and shaking heads abound, as we waited about 10 more minutes before the staff at the United Center started asking us to leave the building. After a 40-minute tease, the show was over. Or so everyone thought. As I sat on the #20 bus reflecting on my conflicted feelings of the show, I saw on Twitter that about an hour after leaving the stage, Prince returned to the small crowd still left and performed "1999" and "Red Corvette." I was stunned, an artist usually so dedicated to his craft and fans totally dropped the ball and simply fell flat as he ended an already mixed show.

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Lisa White / Comments (17)

Preview Mon Sep 24 2012

Preview: Mission of Burma @ Lincoln Hall, 9/29/12

By Mike Bellis

Can you still call it a comeback when you might be better than ever? The kind of hard-won legacy that Boston noisemakers Mission of Burma made for themselves in the years since their early hardcore salad days is rare: As a band that was only together for about four years at the turn of the '80s and with only one album to its credit, the story went that Mission of Burma crashed before it ever really had the chance to get off the ground. But that album, the now-legendary Vs. — with help from the band's infamous ear-splitting live shows — gained near-mythic status among the independent underground scene in the decades that followed. With hype and nostalgia finally reaching a breaking point in 2002, the band reunited in with all of its original members (sans tape manipulator Martin Swope) including Roger Miller (guitar, vocals) Clint Conley (bass, vocals) and Peter Prescott (drums, vocals). And unlike other marquee post-punk reunion acts like Pixies, Pavement, or (as of yet) My Bloody Valentine, the band found enough inspiration in their reconstituted form to actually write new material. It could be said they had some unfinished business that needed a tending-to.

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Mission of Burma (photo by Jesse Jarnow)

Now in the midst of one of the better second acts in rock, and with a steady stream of new records that easily eclipses the band's original material at least in terms of output, Mission of Burma returns to Chicago on the back of its new album, Unsound. Over the course of the past decade, the band has been lauded for its spectacular (not to mention age-defying) return to form. Since its first post-reunion release, 2002's ONoffON for Matador Records, the band has enlisted Shellac's Bob Weston to man the mixing boards and commandeer the band's pioneering form of live tape manipulation in place of the departed Swope. Though Weston only makes casual encore appearances with the band (most of his contributions are in-studio), Chicago scene vets will no doubt be on the lookout out when the band heads to the pristine Lincoln Hall stage this Saturday.

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Mike Bellis

Riot Fest Sat Sep 15 2012

Riot Fest Day One: The Offspring, Neon Trees

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Photo by Stephanie Griffin

Before we all head off to the new incarnation of Riot Fest this weekend, the festival kicked off with some familiar territory -- the fest's old stomping ground, Congress Theater. Saturday and Sunday we head to Chicago's first outdoor Riot Fest, complete with a carnival and luchadores, over in Humboldt Park. Friday night had no frills, just a great line-up of bands playing a dark, grimy club with plenty of mosh pit space. This is the Riot Fest I am used to.

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Stephanie Griffin / Comments (1)

Preview Thu Sep 13 2012

The Perfect Place to Hideout This Weekend

Well folks, the time has come again. The 16th annual Hideout Block Party/A.V. Club Festival is upon us, and this year we are presented with some fantastic acts that are going to bring high-caliber indie rock music to (just outside) one of Chicago's most unique music venues. We here at Gapers Block have decided that there are several new acts that you should be sure to catch, and familiar acts that you should consider catching up with.

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Sarah Brooks / Comments (1)

Concert Wed Sep 05 2012

The Hood Internet Hits Metro with Feat

the hood internet featThe Hood Internet made its name creating masterful mashups of hip hop and indie rock for a few years now, regularly releasing free mixtapes filled with their best tracks. But now they're ready with something completely their own. Feat will be released Oct. 2 on Decon Records, and is all original -- no samples, no covers, lots of collaborations with artists, ranging from AC Newman to BBU to Kid Static.

On Thursday, Sept. 20 [Update: the show has been rescheduled for November 2, 2012. All original tickets will be honored.], The Hood Internet returns to its ancestral home, The Metro, for an 18-and-over record release show. Body Language, My Gold Mask and Oscillator Bug will open, with doors open at 8pm. Tickets are $16 in advance or at the door.

Andrew Huff

Review Tue Aug 28 2012

Review: Lindsey Buckingham @ Chicago's City Winery (and a Look at the New Venue)

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Chicago's City Winery (photo by John Zomot, courtesy of City Winery)

The Chicago outpost of New York's City Winery has sort of been slowly rolling out the welcome mat over the past three weeks with a flurry of soft-opening and press events, a week's worth of Lewis Black shows, and a few musical acts to break in the venue. Last night, the second of two sold-out shows by legendary guitarist Lindsey Buckingham provided a great opportunity to really see how the new venue is settling into Chicago's musical landscape.

First, the venue itself. Chicago's iteration of City Winery represents the "2.0" version of New York's City Winery, the creation of Michael Dorf, founder and long-time CEO of legendary jazz and rock venue The Knitting Factory. Building on the success of the New York outpost, Dorf brought the concept to Chicago, where it has been fully realized in a very heavily re-purposed warehouse space on Randolph Street, just west of that area's burgeoning restaurant zone. Intended to be something of a one-stop shop for your nightlife needs, City Winery incorporates a large restaurant, several informal lounge areas, various spaces that are intended to serve as flexible private areas, and a functioning winery that will soon take its first delivery of grapes and begin serving its own house wines early next year. Attached to the attractive public spaces is a roughly 300-seat well designed "listening room" that will feature mostly musical acts, booked by Old Town School alum Colleen Miller. While the restaurant, lounge, and winery spaces are perfectly nice, it is the venue that makes City Winery unique in Chicago, and in this way, it is less filling a niche in a town with an already vibrant musical scene, than finding its own way.

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Dan Snedigar

Review Mon Aug 27 2012

Review: Gotye, Missy Higgins @ Charter One Pavilion, 8/24

It was an all-Australian cast on Northerly Island Friday night. Openers Jonti and Missy Higgins paved the way for radio darling Gotye and his band on a night filled with moonlight and lake breezes. Just a few days into his second North American tour of 2012, the crowds amassing were part curiosity seekers and part bargain hunters who'd scored a deal on tickets through Groupon. Attention spans were diminished, to be sure, but while there may have been some "concert tourism" going on in the stands, there was nothing but earnest professionalism coming from the stage.

Sound crafter Jonti opened up the night right on time with loops and sonic spins from an array of (perhaps homemade?) equipment on the stage. A lone figure in the fading light of the sunset, he didn't conjure much attention from the post-work crowd who'd snugged in close to the stage for prime spots. The second opener, Missy Higgins, fared much better with the crowd, which at least had some experience with her music. The stage lights were just warming up when Missy hit the stage and for three or four songs, her band seemed lost in a half-glow of stage lights that seemed an afterthought. By the end of her set, however, both the lighting and the crowd had warmed up to this wee singer. Backed by a band filled with fine harmonizing singers, and some great bass playing from fellow Aussie, Butterfly Boucher (who the local camera guys seemed to find very interesting, indeed), Missy did an all-around solid job of weaving through her hits and her new album. I wanted her songs to be a little harder, a little more in-your-face with emotion, but I don't think that's really Missy's style. She was sweet and charming and perfectly sing-a-long-able. I think her best qualities were likely lost on a crowd set against the backdrop of a Great Lake, and she'd do better in smaller venues with more wood paneling and hushed ambiance. Still, Missy did a fine job making the crowd her new best friends, and kept everyone fixated on the stage, wondering what was still to come from the headliner who followed her.

After what seemed like an eternity of focusing each individual light by the band's obviously perfectionist light designer, the main attraction finally took the stage. When I'd spoken with Gotye earlier, he remarked that the band was bringing redesigned visual accompaniment with them on tour. Having never seen the show, I expected some lighting swirls and maybe a few scrims. What I was confronted with, however, was much much more than that. Gotye's live show is an auditory and visual assault on the senses. Each song is paired with a perfectly synced music video of sorts, displayed on a large screen running the length and width of the back of the stage. Ranging from nightmarish cartoons, to ink swirls in tanks of water, each song comes with its own visual narration to pair with the words and music performed on stage. It reminded me of the very best of MTV before the network went all reality show, all the time. The utter synchronicity of the images with the live performances was an accomplishment in itself, but the fact that these visuals seemed to add a deeper quality to the narrative, even to songs that didn't have lyrics, was a treat for everyone in attendance.

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Anne Holub

Video Tue Aug 21 2012

The Grid: LAMPO

"LAMPO" is the ninth installment of our short film series, The Grid. These documentaries are posted throughout Gapers Block and compiled in their own multimedia feature section.


Since 1997, LAMPO has presented experimental music and intermedia events to adventurous Chicago audiences. Find out about upcoming shows at lampo.org, and hear more about LAMPO from Director Andrew Fenchel on WBEZ.

About The Grid

This video is part of a series profiling Chicago businesses, subcultures and landscapes. These short, lyrical documentaries aspire to be art cinema, ethnographies, and experiments in form. Producer Ben Kolak's directorial debut, Scrappers, scrappersmovie.com, won Best Documentary at the Chicago Underground Film Festival and made Roger Ebert's list of top documentaries for 2010. Sound recordist and editor Alex Inglizian does sound for LAMPO and is chief engineer at Experimental Sound Studio. Graphic Designer Akemi Hong is a recent graduate of the School of the Art Institute of Chicago's graduate program in Visual Communication Design.

The Grid is funded in part by the Chicago Instructional Technology Foundation Digital Media Production Fund.

Transmission

Concert Tue Aug 14 2012

Opera for the Masses

By Robert O'Connor

Opera is not the most accessible or popular art form, which is too bad, since its creators intended it to appeal to everyone. Its power is lost on most audiences since it is usually in a language they don't know, and tickets for just one concert at the Lyric Opera can cost as much as $200.

The American Chamber Opera, based in Chicago, is trying to change that, with productions in English of popular operas for a much lower price. It started its season last weekend with a performance of Mozart's opera Don Giovanni.

The ACO performs the opera in the Sanctuary of the Chicago Temple Building, without a set or props. They use the space effectively, with characters walking down the aisle, entering in the back and hiding under the front pew.

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Transmission

Review Mon Aug 13 2012

The Smallest, Craziest Weekend Fest You Didn't Go To

By Timothy A. Schuler

The sun was still high and traffic on Western Avenue still thick, yet the Empty Bottle was filling up, octogenarians clumping around the few tall tables, millennials ordering pints of Green Line from the cash-only bar. By 4:50pm, when 98.7s WFMT's Relevant Tones program went live from the stage, the venue was nearing the capacity of a Friday night punk show.

Despite the club's 20 years bringing noteworthy bands to Ukrainian Village, this was the first live radio broadcast from the Empty Bottle, though it'll be a surprise if this doesn't plant a seed or two in the heads of other Chicago producers. The Thirsty Ear Festival, hosted by Relevant Tones' Seth Boustead, a Chicago composer and founder of education and advocacy group Access Contemporary Music (ACM), was, judging by the performances and the crowd's response and Boustead's own admission at the close of the show, a huge success. Which means the organizers' goal of making it an annual affair is most likely guaranteed.

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As this city does so well, Thirsty Ear was really a celebration of Chicago. A person connecting the dots of Chicago's classical scene would quickly make an intricate web, and that was evident on Saturday. Not only were performers local, but so were many of the featured composers. Everything the Chicago Q Ensemble played was written by a Chicagoan. The Maverick Ensemble's Jason Raynovich slipped an original into the program, as did Boustead actually. Clarinetist James Falzone's set was a single, self-authored composed improvisation (more on that paradox in a minute). And the finale — the Boustead piece — also celebrated contemporary Chicago through visual art. "Three for Zhou B." is a three-part rumination on a trio of paintings done by Bridgeport artists Shan Zuo and DaHuang Zhou.

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Transmission / Comments (2)

Preview Thu Aug 09 2012

Preview: Thirsty Ear Festival @ Empty Bottle, 8/11

By Timothy A. Schuler

If a person camped out at the Empty Bottle for seven nights straight, they'd almost be guaranteed to see seven shows that shared nothing but the same small, corner stage. It's a venue known for its eclectic taste and a bent toward the fiercely independent, and yet on Saturday it will open its doors for an event that will be somewhat of an outlier to its already fantastically peppered scatter-plot and will make Empty Bottle history.

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The Thirsty Ear Festival, from 5pm to 7pm on Saturday, will be a showcase of contemporary classical music, featuring four Chicago-based groups, including the MAVerick Ensemble, James Falzone, Palomar, and the Chicago Q Ensemble. Organized by Seth Boustead, the executive director of Chicago non-profit Access Contemporary Music and host of WFMT 98.7 FM's Relevant Tones program, the "festival" will also be the first concert ever broadcast live from the Bottle.

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Transmission

Concert Wed Aug 08 2012

The Lumineers Announce Chicago Concert

Compelling. Heartfelt. Timeless. Folk music heaven. Those are just a few of the terms that come to mind when I listen to one of my favorite new albums of the year, self-titled debut from emerging folk group The Lumineers. If you haven't heard their music yet, you sure will soon; their single "Ho Hey" is beginning to take airways by storm, as fans are becoming captivated by their refreshing folk sound.

The story of the group's formation began as two men, Wesley Schultz and Jeremiah Fraites, experienced grief at the loss of a mutual companion, Jeremiah's brother, Josh Fraites. They played music together to wrestle with their pain, and after doing a stint of shows in New York City, they packed up everything they had and took off for Denver. After discovering multi-instrumentalist Neyla Pekarek via a Craigslist ad to join their group, The Lumineers were formed. From playing at a local open mic night at the Meadowlark, to playing through their own self-booked tour, The Lumineers gathered fans from across the country with their charming folk revival style.

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Sarah Brooks

Concert Tue Aug 07 2012

Review/Photos: Garbage @ Cabaret Metro 8/07/12

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After seeing Garbage play last night, it's pretty doubtful that anyone in her/his right mind could claim that Shirley Manson isn't on top of her game. She owned the stage with a strong female assertiveness and her distinctive voice coupled with her rock moves and didn't even seem tired after playing a set that lasted over ninety minutes.

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Kirstie Shanley / Comments (2)

Benefit Mon Jul 30 2012

Preview: Benefit for Ashley Pruneau @ The Dark Room

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You may have heard about Ashley Pruneau, a cook at Mana Food Bar who was assaulted in her home on July 1. A benefit to help support her recovery takes place on Wednesday, August 8 at The Dark Room (2210 W. Chicago) featuring music by DJ White Shadow, Casa del Sol, and Lightfoils. There will be food and drink from Mana Food Bar, among many others, and a raffle and silent auction for goodies from a slew of area businesses. $15 gets you in, for more info visit Infoonashley on Facebook. Event begins at 7pm.

J.H. Palmer

Event Tue Jul 24 2012

Preview: Scotland Yard Gospel Choir @ Empty Bottle 7/26

Scotland Yard Gospel Choir (LIVE) - "And the horse you rode in on" from Bloodshot Records on Vimeo.

In an event so diverse I don't know whether to post it in Transmission, A/C, or Book Club, SYGC performs Thursday at the Empty Bottle (1035 N. Western Ave.) along with Cloudbirds, and Angelina Lucero.

Their performances are part of Curbside Splendor Publishing's event "Words & Music," with readings by authors Joe Meno (writer of Hairstyles of the Damned, and Office Girl,) Patrick Somerville (The Cradle, The Bright River,) and Jac Jemc (My Only Wife.)

This event is free with RSVP on Facebook and will have a raffle to benefit Chicago Writers House. Music, writing, and philanthropy all in one event!

J.H. Palmer / Comments (1)

Concert Fri Jul 20 2012

Review/Photos: Liars @ Cabaret Metro 7/19/12

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Amongst all of the indie bands out there today, it seems Liars is continually setting the standard for a intensely memorable set. They've defined their sound and honed in on creating what almost seem like dance hits that made lead singer Angus Andrew so angry he attempted to destroy them. They are still catchy but, just like their lead singer, they often threaten to spin out of control with inner turmoil.

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Kirstie Shanley

Review Thu Jul 19 2012

Review: Charles Bradley @ Pritzker Pavilion, 7/16

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Charles Bradley at Millennium Park (photos by Steve Stearns)

Chicago is a bustling city all year round, but it seems that this city feels most alive during the summertime. Everyone steps outside to greet the sunshine's warmth post-intense winter doldrums, and the options for sightseeing and free attractions (especially music) abound. Monday's Downtown Sound installment at Millennium Park unfortunately was featured on one of those summer days that most Chicagoans would want to remain inside for; the sticky, thick heat was unbearable, and the oppressive sun beat down on concertgoers flanking all ends of the Pritzker Pavilion. However, the unpleasant weather didn't stop these swarms of individuals from staking their claim for a front row seat to see both Abigail Washburn and Charles Bradley. Arriving mighty early for a 6:30pm show, excitement buzzed in the air to see the screaming eagle of soul himself, with many a devoted fan awaiting Abigail Washburn's unique set.

Washburn opened the show, and stepped onstage in a flouncy floral dress, positively beaming at the audience. Her light and playful appearance was juxtaposed by the intense jazz style that emanated from her voice, as she sang her version of "Keys to the Kingdom." The entire audience was so hushed that a pin could have dropped and everyone would have noticed, as concertgoers became captivated by her sultry, lounge jazz vocals. Slowly her hauntingly stunning pitches were backed by the light pizzicato from a violin and the hushed whisper of a trumpet, gradually increasing the ballad's intensity. Beyond playing a range of genres, she dotted her set with quirky anecdotes that exposed extremely raw and personal aspects of her life, from spending time in China, to details of her family history, who actually owned a roller rink in nearby Evanston.

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Abigail Washburn at Millennium Park (photos by Steve Stearns)

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Sarah Brooks

Concert Thu Jul 12 2012

Review: The Shams Band Kicks Off Schubas Monday Night Residency

By Davis Inman

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The Shams Band (photo by Laura Brown)

The Shams Band is kind of like the Chicago alt-rock tradition squeezed into a joyful country-folk setting. On Monday night, the band kicked off their July residency at Schubas with Charleston, South Carolina's Shovels & Rope and Chicago's Jeremy David Miller. The headlining Shams mixed up their set with older tunes and new ones from the just-released Cold City.The hillbilly banjo romp "Travel By Sea," on which Paul Gulyas turns his guitar into something more akin to a skronking Appalachian fiddle, started like a tune straight from the Bill Monroe songbook but ended more in the vein of hardcore.

In a different decade, "Breadwinner" could have been a raunchy Southside blues jam, while the pensive walk-down of "Cause You Can" and its last line ("this whole sad city full of fools, just waiting to be your man") recalls the songwriting from Dylan's Nashville period. The Shams know how to twist a good joke out of a country song — just like Gram Parsons did 40 years ago — but they also have a knack for heartfelt sing-alongs. The album's title track has one line in particular that all Chicagoans should keep dear to their heart next winter: "You dream of California and I dream of Chicago." Kind of says it all for this town.

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Transmission / Comments (1)

Concert Wed Jul 04 2012

Preview: Young Magic @ Schuba's 7/8

Upon my first listen to Young Magic's 2012 full-length debut Melt, I was entranced by the dreamy, shimmering ballads that emitted from my stereo speakers. Infusing lush, layered rhythms with mesmerizing beats and haunting sound effects, the group's style is distinctive and bewitching.

I can only imagine how their psychedelic sounds will translate in a live setting, and you can find out for yourself this week as they make a tour stop at Schuba's Sunday evening. Young Magic's website touts the trio as gathering their musical influences from traversing the world, from New York City, to Buenos Aires, to Antwerp. Though ending up back in America, the group traveled the world over, leaving them with vast amounts of musical inspiration. This wanderlust leading to their sound's global influence is evident within their music, as the melting pot effect takes shape to give it a worldly quality. I certainly can't pigeonhole their music as stemming from just one specific locale or genre, though it's extremely fun to try, as each song contradicts and complements elements in the next.

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Sarah Brooks

Concert Mon Jul 02 2012

Review: Fitzgerald's American Music Festival, 6/29/12

By Davis Inman

Bill Fitzgerald is still reeling from when John Prine sprung a surprise visit to his club last Sunday for the Earl of Old Town tribute show. He pulled out his smartphone to show a picture he took of his wife basking in the great man's glory.

John Prine. The name conjures up images of the best of Chicago's folk music history — the scene Fitzgerald's has helped foster and promote for 32 years. Incidentally, that's the same number of years they've been putting on the annual American Music Festival.

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Fitzgerald's American Music Festival (photos by Davis Inman)

In keeping with the patriotic theme, American flags dotted almost every inch of Fitzgerald's during the pre-Fourth of July celebration. Nearly every hand cradled a red, white, and blue can of High Life beer.

Modeled in part on the New Orleans Jazz & Heritage Festival, Fitzgerald's has long brought Louisiana acts like Marcia Ball to the fest. Caterer Tom Cimm's "cochon de lait" po' boy might even rival the real thing.

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Transmission

Contest Thu Jun 28 2012

Contest: See the Hives And Get Some Vinyl

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We already told you the reasons why you should "Go Right Ahead" and see The Hives at The Vic Saturday night, June 30, but now we're giving one lucky reader a free pass, plus so much more. One lucky reader will win a pair of tickets to the show, plus a copy of the band's new album Lex Hives on 180 gram vinyl, plus a Hives 4-set pin pack and (oh, what the hell) some stickers. Just email us at contests@gapersblock.com with the subject line "Lex Hives" and we'll select a winner at noon on Friday. You must be 18+ to attend this show. [Update: We have our winner! Congrats to Othy!]

Anne Holub

Concert Fri Jun 15 2012

Chicago, Make Some Noise for [Insert Name Here]!

b96pepsisummerbash.pngBy Jason Prechtel

When a staffing agency called me last year and asked if I wanted to work the B96 Pepsi Summer Bash, I was intrigued. CBS Radio's Top 40 station, 96.3 FM, WBBM, had been a nearly ubiquitous presence while growing up in suburban Chicago. Without fail, the Summer Bash would be hyped up every year across the radio speakers of minivans, swimming pools, and shopping mall clothing stores as the biggest music event of the summer.

2011 B96 Pepsi SummerBash [Time Lapse] Main Stage from Ward 1 Design on Vimeo.

First held in 1992, and later sponsored by Pepsi some years later, the Summer Bash has always been a cross-section who's hot, who's established, and who's emerging in Top 40 mainstream pop radio. Bigger names like T-Pain, Chris Brown, Pitbull, and Lupe Fiasco were on the bill for the 2011 edition, along with acts with hit singles like Far East Movement, Tinie Tempah, Keri Hilson, Jay Sean, and the New Boyz, and tween heartthrobs Joe Jonas, Cody Simpson, and Big Time Rush.

Curious to see what the current crop of mainstream pop acts were like in a live setting, I said yes.

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Transmission

Concert Thu Jun 14 2012

Review/Photos: Deerhoof @ Prtizker Pavilion in Millennium Park 6/14/12

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The evening of Loops and Other Variations began with Ensemble Dal Niente performing Donatoni's "Hot" Fausto Romitelli's "Professor Bad Trip Lesson 3" and an arrangement of Deerhoof's "Eaguru Guru." The non-Deerhoof pieces were both creative and climactic at times keeping the audience on the edge of their seats as if watching a Hitchcockian thriller. Still, it was quite strange to be present for the indie rock and listening to classical compositions. It made sense mainly from the perspective that Deerhoof has always created music that is both interesting and innovative and, with the arrangement of the Deerhoof song, it tied the two performances together nicely.

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Kirstie Shanley

Concert Thu Jun 14 2012

Review: Deer Tick @ Metro, 6/9

Something was building in intensity Saturday night at the Metro: a raucous, debauchery laden atmosphere that communicated to everyone in the place, this concert is going to be a celebratory event. Though my spirits were briefly defeated by the standard concertgoers that somehow manage to find their way right next to me at each show, from the individuals who became far too intoxicated before the show to the point that I'm pretty sure the woman next to me fell asleep standing up, or the unknowingly tone deaf man behind me who insisted on singing every word to each song, the Metro's lively atmosphere was translated from the stage, as each band who played a set brought a dynamic, energized presence to the Metro, allowing me to forget what was going on around me.

First to play a set was group Scott Lucas & The Married Men. The band contrasted with the casual concertgoers, as they appeared wearing coordinated and dressy attire. This complimented their sound; with loud, powerful bass riffs, and sounds suitable for a stadium audience, Scott Lucas & The Married Men brought the energy to the Metro and kept it coming. Highlights of their set included dropping in segments from The Beatles number "I've Got A Feeling," and their end ballad which featured a lengthy, dark guitar solo and lead singer Scott Lucas wailing into the mic.

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Sarah Brooks / Comments (1)

Concert Mon Jun 11 2012

Live and Let Dynasty: Joseph Hammer @ Lampo

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Joseph Hammer

Last month, Jason Lescalleet got his hands dirty on ferric oxide at The Burlington. As I said then, Lescalleet's approach to tape loops is the yang to Joseph Hammer's yin. With Hammer's upcoming appearance at the closer of Lampo's Spring series this Saturday, it might be beneficial to compare the styles.

Lescalleet is constantly building and tinkering. He wraps his spools of tape across several reel decks, stretching them long distance and overlapping them in confusing ways. In fact, he starts his sets before he's even completed his setup, a literal application of Ray Bradbury's declaration that artists should "jump off cliffs and build their wings in the air." His process, though transparent in theory -- everything's happening right in plain sight -- is incomprehensible in practice. I can't sync up what I'm hearing with what I'm seeing, other than the physicality of the two. Lescalleet roughhouses his decks, and the sounds respond by taking it out on the audience.

Hammer, on the other hand, has refined his technique until it is as straightforward and intuitive as Tai Chi. Compared with Lescalleet's knotty, dirt-track obstacle course, Hammer is like a velodrome, his frictionless surfaces removing all impedance to a soaring audio experience.

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Chris Sienko

Concert Mon Jun 11 2012

The Hideout & A.V. Club Partner for the Hideout A.V. Block Party Fest

a.v. fest / hideout block partyThe Hideout Block Party and the Onion's A.V. Fest are combining forces this year, presenting one festival Sept. 14-15 in the City vehicle depot lot across from the Hideout, as in prior years. Iron & Wine, Glen Hansard, Lee Fields & the Expressions, the Corin Tucker Band, the Waco Brothers with Paul Burch and Redmoon Theater are the first acts to be announced, with another announcement June 25 and more in July.

Two-day passes are on sale now. If you move quickly, you'll get the $40 early bird rate; once those run out they'll be $50 and then $60. Single day passes will go on sale later this summer. A portion of every ticket sold will benefit a variety of Chicago charities, including Rock For Kids, Literacy Works, Drummond Elementary School and Oscar Mayer Magnet School.

Andrew Huff

Concert Sun Jun 10 2012

Review/Photos: The Dandy Warhols @ Metro 6/10/12

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Seventeen years into their career with eight studio albums, The Dandy Warhols seem pleased than ever to take the stage and hear their fans singing along to all their favorite songs. The Portland four piece always does a good job of picking out the songs that fans remember best from throughout their career with a good sense of pacing that makes the audience feel both the faster drive of the edgier songs "Bohemian Like You," "We Used to be Friends" "Boys Better," and "Get Off" all being some great examples. But the band also helps you experience the velvety lushness of the melancholy lingering tracks like "Good Morning," so rich with texture one could feel it bursting and by the time lead singer Courtney Taylor-Taylor started singing "Godless," I swear he had a whole group of spiritual devotees to his indie rock religion.

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Kirstie Shanley / Comments (7)

Hip Hop Thu Jun 07 2012

Review: De La Soul @ The Shrine

To celebrate three years in the business of good vibes, good music, and an ambiance and audience to match, The Shrine thanked its guests, two weekends back, by welcoming the near-mythical hip-hop trio, De La Soul, to its stage. The group, made up of Maseo, Posdnous, and Dave, ranks among the greats, of not only the era that birthed similar legends like A Tribe Called Quest and The Wu-Tang Clan, but certainly of all time.

It isn't often the city, let alone the Midwest, gets the chance to see artists that possess the trio's level of influence and legend. It's no wonder then, that as soon as Maseo took the stage, the room filled with cheers, chants, and song requests; and all hands were filled with a cell phone.

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Maseo at The Shrine. Photo by Ricardo Villarreal

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Ricardo Villarreal

Concert Wed Jun 06 2012

Review: Jonathan Richman @ Pritzker Pavilion, 6/4

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Jonathan Richman (photos by Kirstie Shanley)

The best thing about seeing a concert at the Pritzker Pavilion is the people watching: the young woman who somehow pulled off a pair of high-waisted jeans that would have made the rest of us look like sausages; the teeny tiny babies being worn on their parents backs and stomachs; and the sun-darkened, shirtless man in a necktie standing near the west ramp, dancing to music coming through a pair of earphones.

At a youthful 61 years old, Jonathan Richman looked tiny on the enormous stage with only his guitar, drummer Tommy Larkins, and a drum kit. With his trademark worried expression on his face, Richman began the set with a song that opened with the lyrics: "We had a fight last night." He moved into multilingual territory with a song sung half in French, half in English, translating for the audience like an instructor of a massive impromptu language lesson, pausing to say "Let's hear what Tommy's up to," and breaking into some crowd-pleasing dance moves while Larkins performed a solo.

French was only the beginning of the multilingualism Richman brought to the show. "If this song seems like it's in Italian don't worry, it's just 17 different ways of saying 'it's a great party.'" (Which he pronounced "pahty," in the manner of those Boston-born.) He then moved to Hebrew and Arabic, with the same intro: "if this song seems like it's in Hebrew don't worry, it's just 18 different ways of saying 'it's a great party.'"

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Jonathan Richman (photos by Kirstie Shanley)

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J.H. Palmer / Comments (1)

Concert Wed Jun 06 2012

Industrial Recollections -- the return of Boy Dirt Car (and Eric Lunde)

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Boy Dirt Car

Can you remember the first music that scared you? Maybe you were too young when you first heard the eerie, mournful peal of bells that started Black Sabbath's "Black Sabbath" coming from an older brother's bedroom, or you covered your ears in reflexive terror at Vincent Price's infernal laugh at the end of "Thriller." Or maybe you've never been scared by music! This might be all on me, but I remember (and cherish) every moment that a song put the fear in me, every time that a collection of sounds, melodies, or emotions pushed me away, maybe not to return for years after. Ringo screaming "I got blisters on my fingers!" at the end of "Helter Skelter." The alien-sounding whale song in the middle of Pink Floyd's "Echoes." Bob Mould's flayed-alive shriek in Husker Du's "Beyond the Threshold." In some cases, I couldn't listen to the song again for days or weeks afterward. In a few rare cases, I still can't return. In every case where I do return, I return stronger, more calloused to frightening, bracing music, but also a little desensitized. I no longer see demonic sea creatures baying for vengeance during "Echoes," just four well-paid Brits in a studio twisting knobs and going, "oh, jolly good one, Roger!"

But the track that unsettled me for over a decade isn't from the UK. It's from our neighbors to the north, Wisconsin. And this Thursday, they're coming to finish me off.

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Chris Sienko

Concert Tue Jun 05 2012

Zombi Attack

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The Eternals are taking over Millennium Park, and this time, they're bringing their friends.

The Chicago-based group is a longtime mainstay in the local music scene; fans have enjoyed watching the Eternals albums' particular trajectory, tracing the band's ambitious path from thick funk grooves and electro-dub bounce to include a wider swath of influences, including jazz, rock, Afrobeat, and other world music.

Next Monday, June 11, an otherwise serene summer evening at the Jay Pritzker Pavilion (N. Michigan Ave. and E. Randolph Street) will be shattered as the core Eternalists, Damon Locks and Wayne Montana, are joined by eight fellow musicians for the debut of the "Espiritu Zombi Suite," a piece written especially for this large group. We're talking drums and percussion, flute, coronet, vibes, saxophone, backup singers -- the whole awesomely dancealicious nine yards. The show is part of the Downtown Sound music series.

Brother-sister duo Wild Belle open the show, which runs from 6:30 to 9 p.m. The event is free and family friendly.

Kara Luger

Concert Sat Jun 02 2012

Review/Photos Patrick Watson @ Lincoln Hall 6/1/12

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There's something so refreshing, nay more like wholly life affirming to be in the presence of a truly talented individual that is completely lacking in any artifice. Patrick Watson is one such individual and his songs seem to arise straight from his heart out of his throat with a spontaneity that defies any idea of it being rehearsed but with such a smooth perfection that you know between all of his tour stops it of course had to have been practiced. Still, it's really the idea that each time Watson plays one of his songs, he's able to bring something new to it and the lyrics and composition that he's created is still so meaningful and genuine that everything just feels right.

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Kirstie Shanley

Concert Wed May 30 2012

Big Science Drops Difficulty

It's a big time for Big Science. Originally hailing from San Diego, Jason Hendrix and Jason Richards, ex-members of The North Atlantic, brought to Chicago their sun-drenched songs that smack of post-punk indie influences and dance bot rhythms. This is summertime festival music, y'all. Check out Big Science tonight at The Burlington (3425 W. Fullerton Ave.) as they celebrate the release of their latest album, Difficulty. Boy Blue, Jared Grabb and Bring Yr Ray Gun open. Doors open at 9pm, and admission is a mere $5 donation.

Kara Luger

Concert Tue May 29 2012

BUSH at the Cubby Bear Tomorrow

British grunge legends BUSH are playing an accoustic set in the Cubby Bear's Underground Lounge Wednesday afternoon, before their show at the Allstate Arena with Nickelback, Seether and My Darkest Days. So yeah, this is an opportunity to see BUSH without having to pay for Nickelback.

The only way to get tickets is via the Cubby Bear's Twitter and Facebook accounts or go to the website for Q87.7, the new alternative rock station born out of the ashes of Q101, and fill out the contest form.

Here's a taste of BUSH from earlier this year:

Andrew Huff / Comments (1)

Concert Thu May 24 2012

De La Soul - Much More (Than A Classic Debut)

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You know Miles Davis' On the Corner? The early '70s one with the HEAVY funk grooves and the crazy editing? And the cartoons? Like a Ralph Bakshi/Pedro Bell key party, that one is. Inside the sleeve, there's one set of cartoons with various caricatures of what I assume are Miles' ideas of stereotypical fan responses to his music. One guy is wearing a dashiki and pulling some sanctimonious body language. His word bubble says, "Me and Miles, we go way back...you know, Kind of Blue...." The implication, as I read it, is that this is the type of fan that can relate to an artist at their point of highest mass popularity. If a similar caricature for hip hop could be drawn today, the person might be saying, "Me and De La, we go way back...you know, 3 Feet High And Rising..."

Of course, you'll get no argument from me or any other hip hop fanatic that De La Soul's debut is one of the great rap albums of all time, but sometimes, it's hard to convince casual fans that De La Soul never stopped producing classic albums. But with precious few exceptions, De La Soul's story is one of constant artistic ascent, with each album topping the previous in terms of lyrical content, flow, message, you name it. And even if you still like the Prince Paul era the best, the band's production has never been less than stellar. I'd even go so far to say as 2004's The Grind Date, recorded 15 years after their debut might be the of the band's very best outings. So how'd they do it? And what are they up to now?

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Chris Sienko

Preview Thu May 24 2012

Wicker Park Fest Announces Initial Lineup

Just a few days ago, the lineup for Chicago's beloved Wicker Park Fest was announced, set to take place on July 28 and July 29. If you're unfamiliar with the event, Wicker Park Fest is set to gain 65,000 visitors over its two-day span, which is impressive in itself. Beyond its established attendance records, this street fest is located in one of Chicago's most treasured artsy neighborhoods, featuring distinctive restaurants, unique shops, and a diverse art and music scene.

Beyond the innovative and expansive art and performance aspects of the event, Wicker Park Fest always delivers by establishing a stellar music lineup, and this year is no different. The acts announced to play sets on July 28 begin with Cursive, indie rock band that just released their energetic album I Am Gemini on February 12. Next is Brooklyn-based band The Drums, who emit an upbeat, percussive, and perfect-for-summertime sound. Take a listen to their song "How It Ended" below:

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Sarah Brooks / Comments (2)

Event Wed May 23 2012

'Uke 'Uke 'Uke, All Weekend Long

The Old Town School of Folk Music is filling Memorial Day weekend with their Festival of Aloha. There are music, hula, and Hawaiian culture workshops all weekend long, but that's not all. Concerts start Thursday night with an opening ceremony and traditional `oli (chanting) and hula (dance). Come Friday night for the school's Global Dance Party at 8:30pm featuring Daniel Ho and Kumu Hula Puanani Edgar, or Saturday for a show featuring Daniel Ho at 8pm and Sunday night for a show featuring Ho and Darlene Ahuna at 7pm.

Below is video of Daniel Ho performing in 2010 in Australia.

But that's still not all! In addition to the line-up of stellar Hawaiian music concerts and workshops, there's also a chance to be a part of a Guinness World Record history. There will be an attempt to break the record for the largest number of 'ukulele players in one place and establish the record for the only group assembled to play a traditional Hawaiian song. If you're interested in participating, come to the gazebo in Welles Park in Lincoln Square at 2:30pm on Saturday, May 26th for a free lesson and then stick around and strum the song "E Huli" along with (hopefully) a few thousand new friends. This is a BYO'U (Bring Your Own 'Uke) event. Not surprisingly, 'ukuleles and Hawaiian lap guitars are on sale at the store at the Old Town School. In fact, Mahalo painted ukuleles are only $25. That's a cheap price on a fun weekend.

Anne Holub / Comments (1)

Concert Wed May 23 2012

Review: Lee Scratch Perry @ Lincoln Hall 5/21

Monday's show at Lincoln Hall opened with Impala Sound Champions, a group of DJs that got things started on the smokey stage (my suspicions of the smokey substance dissipated as quickly as the smoke itself — it evaporated quickly and had no tell-tale scent.) The DJs varied in style and substance, ranging in appearance from a dead ringer for my uncle Lloyd circa 1958, to a man who seemed to be channeling Mars Blackmon , to a bearded guy in a flannel shirt and a hat imprinted with the words "The Boss." They took turns at the mic and at the turntable, playing a mix of Dancehall, '70s and '80s Rock Steady, and Roots Reggae. The beats were as entertaining as the visuals, combined with lyrics like "I'm Tennessee Tuxedo, never Chumley," and "I'll keep you mad open like I'm your OB Gyne."

Second on the roster were Illuminati Congo, whose heavy drumbeats and saxophone backed up the vocals of lead singer Jahn the Baptist. I had my doubts after watching the first 30 seconds or so of the video for Me And My Machete, but was pleasantly surprised — this is definitely a case of the live show far outshining the video presentation. It was at about the same moment that Illuminati Congo won me over that my olfactory receptors clued me in to the fact that the smoke in the room had just kicked up a notch. Jahn the Baptist chanted "Ain't nobody do it like we do, we gonna do it like Bruce Lee do," in raspy tones. Before they left the stage, Jahn wished someone in the crowd a happy birthday: "Happy Appearance Day Linsday," he said, "Happy Unbirthday to everyone else," and closed the set with a song which, appropriately, contained the lyrics: "life is for living, life is eternal."

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J.H. Palmer

Concert Fri May 18 2012

Yamantanka//Sonic Titan will have You Singing Noh Noh NoNoh at Schubas Tonight

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Tonight Schubas with host Toronto art collective Yamantanka//Sonic Titan's debut Chicago performance. Yamanatanka//Sonic Terror's nucleus of Ruby Kato Atwood and Alaska B perform a mix of doom metal and art-damaged pop music upon a traditional Noh theatre visual scope. When these two virulent streams cross a mind bending Buddhist tale unfolds with hints of Osamu Tezuka's (Akira, Domu) classic noir sci-fi manga works. Yamantanka//Sonic Terror are touring in support of their debut album out now on The Psychic Handshake. Check out some trippy videos below the cut.

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Jason Olexa / Comments (3)

Concert Tue May 15 2012

Squarepusher Announces Chicago Show

A deep space electronic exploration vessel code named Squarepusher has scheduled a landing at Chicago's Cabaret Metro for the evening of Saturday Nov 3. Squarepusher is touring in support of Ufabulum his newest collection of broken beat extremeist high energy future music released on Warp Records. Below is a retina burning video interview with Squarepusher displaying the aggressively psychedelic visuals developed for Ufabulum's live performances. Tickets for Squarepusher at Caberet Metro Saturday Nov 3 are $25 and are on sale Saturday May 19 at noon.

Jason Olexa

Concert Tue May 15 2012

Review: Andrew Bird @ The Auditorium Theatre, 5/12/12

Excitement was in the air Saturday night as concertgoers eagerly awaited Andrew Bird to step onstage. Bird hasn't been backed by a full band during his Chicago tour stops over the past few years, as he lent his talents to unconventional and extraordinary venues, such as his 2011 show at the Museum of Contemporary Art introducing his innovative exhibit collaboration with Ian Schneller, or 2009 and 2010 when he played intimate, magnificently beautiful sets at Fourth Presbyterian Church. Having attended each of those shows, I was unsure of how the acoustics would travel in such a large venue as The Auditorium Theatre, but I knew somehow it would exceed my expectations.

Mucca Pazza opened the show, and until you see them perform, you won't truly understand the scope of their musical efforts. Andrew Bird put it perfectly during his set when he complimented them and described them as "30 people all committed to the same idea," while their website pegs them as being an "astounding circus-punk marching band," if that's something you can even hone in on as a genre.

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Sarah Brooks

Review Mon May 14 2012

Review: A Concert Gets "Dastardly" @ Subterranean, 5/10/12

The Subterranean was packed Thursday night with fans of three diverse bands, as The Dirty Feathers, The Shams Band, and Dastardly all played sets. What I like most about the Subterranean is how intimate a venue it is, where the space is small but comfortable. Everyone enjoys the music together like they're in the company of old friends, dancing and swaying to the music. Chicago-native bands The Shams Band and Dastardly co-headlined the show, where comedic and obscure antics played out as The Shams Band and Dastardly set out to resolve their longstanding "battle."

Opening up the evening was Chicago-local band, The Dirty Feathers. Hailing from Champaign, their sound is gritty and bold, with electrifying guitar solos peppering their set. Frequently the lead singer would wail emphatically as Wolfmother-esque guitar riffs ascended in the background. This five-person ensemble is well on its way to perfecting their Southern grunge rock sound, and were a great way to start off the show.

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Photo by Tiela Halpin

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Sarah Brooks / Comments (4)

Concert Sun May 13 2012

Review: Pearl and the Beard @ Schubas

It is easy to pre-judge bands. One look at the thick-framed-glasses-wearing, happy-fun-time-haired, trio of Pearl and the Beard, and I had already labeled them HIPSTER is bold, judgmental letters. I mean they are from Brooklyn for Christ's sake. But, being a huge fan of their 2011 album "Killing the Darlings," I also knew they were really effin' talented. As I headed into Schubas on Saturday night for their sold-out show, I was prepared for a night of solid jams with a hint of the traditional detached coolness hipster affect.

But Pearl and the Beard is one of those bands that makes you eat all of your stupidly preconceived notions and wash it all down with a healthy non-ironic gulp of PBR. They were warm, friendly and really freaking funny on stage in addition to just looking really freaking cool in those thick-framed glasses. They also immediately engaged the crowd. Halfway through the second song, the audience was already out of traditional stand-and-stare mode, and was clapping along with "Sweetness."

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Niki Fritz / Comments (1)

Preview Thu May 10 2012

Preview: Maps & Atlases @ The Metro 5/11

If you haven't heard the music of Maps & Atlases before, the band is going to be a bit hard to describe without taking a listen. I say this because their music is unique, deliberate, and dynamic, so much so that I can't categorize them to fit an exact musical genre. Hailing from Chicago, their sound has developed immensely over time, and they are making a stop on their tour here this Friday.

Their first release, Tree, Swallows, Houses, arrived on the scene back in 2007 and gives a great snapshot of the heart of the band's sound. Eccentric and inviting, Maps & Atlases has a sound based in math rock at its core, combined with indie-folk-rock elements. Their music thrives on unconventional tempos and beats that immediately draw listeners in, and keep them listening.

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Sarah Brooks

Concert Tue May 08 2012

Review: The Weeknd @ Lincoln Hall, 5/3/12

I remember sitting in music business classes while our professors assured us that you can't make it in the music industry if you give away your music for free. No matter how radical our new thoughts (at the time) were that you could, they refused to budge. Well, years later I finally have a perfect case study to refute their claims in The Weeknd. Sure, other bands have given away their music for free (the almighty Radiohead) and most bands now find it standard to give away music, but few have had the trajectory from obscurity to having a choir of fans. The Weeknd has done just that. With three free releases under his belt, and only a handful of shows, he sold out his Lincoln Hall show in nine minutes. It's a different industry than most people visioned, but clearly it works.

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Lisa White

Concert Tue May 08 2012

The Smashing Pumpkins To Play Metro June 14

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Photo by Stephanie Griffin


This morning Metro announced the inaugural Hot Stove Cool Music charity concert, featuring performances by The Smashing Pumpkins, The Figgs, Jenny Dee and the Delinquents, and members of Buffalo Tom. The event, which will benefit Chicago Cubs charities and Foundation To Be Named Later, goes down on Thursday, June 14 and will act as the kick-off party to the Cubs vs. Red Sox 3-game series at Wrigley Field. This rare chance to catch the Pumpkins at a small venue also falls just days before the release of their latest album Oceania on June 19, so it's safe to say we'll be hearing some new tracks from Billy Corgan & Co.

Tickets for the event are $50 and on sale this Saturday, May 12 at noon, online at Metro's website and fee-free at the Metro box office at 3730 N. Clark St. VIP tickets are available to purchase immediately for $1000 here, which includes tickets to the Cubs vs. Red Sox game the following day.

Stephanie Griffin

Preview Mon May 07 2012

Preview: Mayer Hawthorne & The County @ Park West, 5/17

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Motown soul meets retro funk flavor and epitomizes the problem with labels and genre, in a sound that can only be best described as Mayer Hawthorne. The singer, producer, and multi-instrumentalist will be taking the stage at the Park West on May 17, sharing some of the revamped vintage goodness that his latest album, How Do You Do, is filled with.

Growing up in Ann Arbor, Michigan, not far from the Motor City, it isn't hard to tell where a great deal of his influence stems from. Influence aside, there's no doubt he's been doing something fresh from the vine since his debut album, A Strange Arrangement, released back in 2009. There's an air of confidence in his latest tracks from How Do You Do, however, that sounds like the perfect balance between the music of the good ol' days and a sound, style, and presentation of something not yet explored.

Tickets are sold out, but a limited quantity can be found at Stubhub.com. The Park West is located at 322 W. Armitage Ave. Music begins at 7:30pm with The Stepkids. 18+.

Ricardo Villarreal

Concert Mon May 07 2012

Three Nights of Noise

It's a heavy week for fans of experimental music in Chicago, with three shows in the next six days. Gas up the car (or do some calf stretches if you're biking), and head to these three venues for some cheap (and in one case, FREE) creative destruction.

Monday, Wicker Park's Enemy (1550 N. Milwaukee, 3rd Floor) welcomes Bob Bellerue (previously written about here for his project Redglaer) and his new project, Diablo. Bob's been on the scene for at least 10 years, also performing under his own name and as Halfnormal. He's on tour with Mister Matthews and Isa Christ, and for any of you who's toured, you know what a bugger it can be getting people out on a Monday. But look at you, you're not old, you're young! You can totally rage on the weekend and still hit this show! Show 'em what you got. Locals Jason Soliday and Neil Jendon open. Donation for out of town bands suggested, showtime 8 p.m., be prompt as it's a weeknight.

Wednesday, Logan Square's groovy live-band bar, The Burlington (3425 W. Fullerton), is hosting a rare treat for Chicago, Maine-based tape mangler Jason Lescalleet. If you attended the first Neon Marshmallow Fest, you vividly remember his two performances, including an intense set in collaboration with the reed/trumpet duo nmperign. His collection of much-abused tape machines and visceral manipulations (up to and including stomping down on the drive motors with a big ol' boot) is the the yin to Joseph Hammer's elegant yang. Chicago experimental composer Olivia Block opens. $7 donation, doors at 9 p.m.

Finally, get to Lampo's second spring event this Saturday at the Graham Foundation's Madlener House (4 W. Burton Pl.) on Saturday for a rare local appearance by noise titan John Wiese. You may know him from his releases on Troubleman, No Fun Productions, or any of the one hundred (!) 7"s he's appeared on in the past 10 years, but however you've heard him, solo or in one of his many groups, you might still be surprised by the immersive, four-channel stereo experience offered up by the Lampo sound system. Show at 8 p.m., the event is FREE, RSVP here.

Follow us past the jump for multimedia clips.

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Chris Sienko

Concert Sat May 05 2012

Photos/Review: Yann Tiersen @ Cabaret Metro 5/4/12

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French superstar Yann Tiersen may have been competing with another popular French band, M83 (how could they split up the Chicago French contingency like that?!) but at the end of the night, it was quite certain the audience for Tiersen was not only impressed but feeling confident they made the right choice. Though this review/photographer is certainly a fan of both bands, Tiersen's appearances in Chicago have been much less frequent than M83 and fans of the latter can always catch them at Lollapalooza Friday August 3rd. (and hopefully an after show will be announced soon too!)

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Kirstie Shanley

Preview Thu May 03 2012

The Treasure Fleet @ Beat Kitchen

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Photo by Katie Hovland


Head over to Beat Kitchen - 2100 W. Belmont - this Saturday, May 5th for The Treasure Fleet's record release show for their debut album "Cocamotion" out on Recess Records.

The Treasure Fleet are a 60's influenced psych-rock band from Chicago featuring members of The Arrivals, The Smoking Popes, Sass Dragons and The Lawrence Arms. You can check out a recent and the bands first-ever interview on Jaded in Chicago.

The House That Gloria Vanderbilt (ex Apocalypse Hoboken) and Rad Payoff open.

Show is Saturday, May 5th, starts at 10pm, is 17+ and is $8.
You can buy tickets and get more info of this show here.

Katie Hovland

Concert Thu May 03 2012

My Morning Jacket Announces Show @ Millennium Park

Six studio albums, endless touring, and a dynamic onstage presence are just a few of the elements that contribute to folk/alt-country band My Morning Jacket's immense success. A fan for years, I waited at Lollapalooza last summer to gain a front row spot to their headlining show, and I can honestly say that it was one of the best performances I've ever seen. Their energy and ever-changing music style instantly captivated the audience and kept everyone begging for more. Enjoy highlights from the Lollapalooza show below, which showcases their vivacity and unique onstage performance style.

After their memorable performance in 2011, it's nothing but good news that they'll be back in Chicago again this August. My Morning Jacket will be performing at the Jay Pritzker Pavilion located in Millennium Park on August 22 at 6:30pm, where they will be joined by revered opener Band of Horses. Touring extensively this year, Chicago is clearly not the only city that has love for My Morning Jacket. In addition to United States tour dates, they'll be making their way through Europe in June, appearing at both this year's Beale Street Music Festival and Newport Folk Festival as headliners, and also playing a set at the New Orleans Jazz & Heritage Festival.

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Sarah Brooks

Concert Tue May 01 2012

Review: Gauntlet Hair and A Lull @ Schubas 4/29/12

The rambunctious duo, Craig Nice and Andy R. of Gauntlet Hair (Dead Oceans Records), may seem like two typical, young, and energetic mid-western gentlemen, but their onstage demeanor draws an opposite conclusion. Praised in the local grunge scene, Gauntlet Hair drew quite the crowd at Schubas Sunday night, where they headlined with tour mates and fellow Chicago natives, A Lull.

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A Lull (photos by Sara Pieper)

The duo that make up Gauntlet Hair, now-Denver dwellers, are familiar with the names, faces and places of Chicago. The audience was filled with friends and family, and Gauntlet Hair gave shout outs to Mom and Dad. Oh, the sweet adoring families doting on their offspring on stage — a truly heart-melting occasion. Sentiment aside, the duo made sure this fact was known: their undeniable stage presence is a force to be reckoned with. Chicago is their home turf and it would have been a damn shame not to witness them in full-unabashed fervor.

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Transmission

Concert Mon Apr 30 2012

Rabble Rabble @ Empty Bottle Tonight (Free)

[This piece comes to us from reader Rachel Angres.]

After Rabble Rabble played Psych Fest last year, it was months before anyone heard anything from them. Now, after a brief hibernation, the Chicago four-piece is returning to the stage with a free (with RSVP correction: straight up FREE) show at the Empty Bottle. Rabble Rabble is one of those bands with shameless stage theatrics, whose sound is a mix between The Kinks and Pavement in the '90s, with smoothed out sharp edges of skuzzy guitar riffs and messy yet hooking arrangements.Their live sets are exciting and at times borderline offensive ("Fuck you" is often an opening comment from the band when introducing a song). They have their shtick — performing with a tone that's abrasive and wildly unabashed. This is what they do best and they're sticking to it.

The band got their start three years ago, after they met at a DIY basement show and decided to collaborate. Tonight, Rabble Rabble will return to the live stage at the Empty Bottle, where they plan to play some new songs from their upcoming sophomore album.

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Transmission / Comments (1)

Concert Wed Apr 25 2012

Ravinia Tickets on Sale Thursday -- with a New App to Find Friends

Aqueduct_Ravinia_Al_Green_Artist_Details-small.jpgTickets for the 2012 season at the Ravinia Festival go on sale Thursday, April 26. Offering up a near-nightly soundtrack to Chicago summers since 1904, this will be the first year you can use a special Ravinia smartphone app not only for your purchase, but also for connecting with friends while attending a show. If you have never been to a concert at Ravinia (located north of Chicago in Highland Park), there are two seating options: a reserved seat under the pavilion (with views of the stage) or a GA lawn ticket which is generally under $20 for most shows, with no sight of the stage. The benefits of a lawn seat are many, besides the lower price. First, you can picnic (with alcohol) on a blanket under the stars or beneath some of the ancient leafy trees on the site. Secondly, you can corral all of your friends together for an outing where everybody gets to enjoy some cheese, wine, and music in the fine summer weather. The "corralling" however, is the tricky part, especially given Ravinia's lack of distinct landmarks besides "right" "left" and "tree." Typically, there's a lot of people standing up with their cell phones clutched to their ears and waving with the other arm, that is, until the sun sets.

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Anne Holub

Concert Sat Apr 21 2012

Preview: Tonight Modeselektor Drops Dance Science!

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Tonight a grand science experiment will be conducted in The Metro. After the Record Store Day pop-up has packed up astrophysicist Neil deGrasse Tyson will not make an appearance but a swarm of German technocrats will begin assembling an immersive sound and light display. Tonight the whimsical euro-crunk bass masters from Berlin, Modeselektor will cram their festival grade Coachella weathered show full of into The Metro.

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Jason Olexa

Concert Thu Apr 19 2012

Taste of Chicago Headliners Announced

tasteconcerts2012.jpgJennifer Hudson, Death Cab for Cutie, Chaka Khan and Dierks Bentley will headline this year's Taste of Chicago concert series July 11-15, the Department of Cultural Affairs and Special Events announced today.

Jennifer Hudson will kick off the concert series on Wednesday, July 11. Death Cab for Cutie, who were in town for two shows at the Chicago Theatre this week, perform on Thursday, July 12, as part of the 25th annual WXRT concert at Taste. Opening acts for both shows have yet to be announced, and Friday night is not yet booked.

Chaka Khan headlines the V-103 concert Saturday night, July 14, with Raphael Saadiq opening. And on Sunday, July 15, Dierks Bentley plays an early show, with Lindi Ortega opening.

For the first time ever, seating in the Petrillo Music Shell will be ticketed; a total of 3,000 seats for each performance will go on sale in late May for $25 apiece. Lawn seating will remain free. Ticket buying details will be available on the Taste website.

Andrew Huff

Concert Wed Apr 18 2012

Matt Carlson and you (and Lampo), traveling the spaceways together

Like many in this neo-analogue age, Matt Carlson (known both under his given name and as the project Golden Retriever) looks forward by looking backward, reviving the sound and structure of analogue synth music of the '60s and '70s with modern means and equipment. But while so many would-be Vangelises of our time venture as far as texture and atmosphere, Carlson can spin you a mighty melody as well, those majestic, cyclical pentatonic modal improvisations that Tonto's Expanding Head Band or Synergy did so well, that put you, whether you were "enhanced" or not, smack dab into the middle of a Roger Dean/Heavy Metal: The Movie landscape with only a sinister cybernaut nearby to lead you back out. And you KNOW that guy's got designs on the Loc-Nar that the embattled old wizard gave you, so step lightly.

(Keith Whitman at Mimaroglu Music Sales really NAILS it in his description of Carlson's Particle Language LP in his catalog description, both the power of Carlson's vision and the occasional paucity of ideas among his peers, so let's bask in his reflected glory: Carlson "immediately eradicates my growing fears of this current wave of renewed interest in the format yielding nothing more than a few dozen "module hoarders" (i.e. trust-funded "curators" of well-intended systems acquired purely for "archival" purposes [i.e. using the same set of neurons previously necessary for maintaining a thriving ho-scale "train village"] that produce nary a sound)."

This Saturday, Matt Carlson presents a new series of compositions for "analog modular and digital synth, voice, and an array of time-lag effects" as the debut of Lampo's Spring season. The event takes place at 8 p.m. on April 21 at the Graham Foundation's Madlener House, 4 W. Burton Pl., Chicago. Tickets are FREE, and you can RSVP here.

Here is a TV performance of Carlson's composition, Merv from Portland's "Experimental Half-Hour" TV program:

Chris Sienko

Concert Wed Apr 18 2012

Millennium Park Free Summer Concert Lineup

The Chicago Department of Cultural Affairs announced its free summer concert lineup for The Jay Pritzker Pavilion within Millennium Park. This year we get four series: the electronic and new music heavy Loops and Variations, indie rock star studded Downtown Sound, the classical-leaning Grand Park Music Festival, and Made in Chicago: World Class Jazz.

Downtown Sound

Monday, May 28, 6:30 pm
Kelly Hogan + Scott Lucas and the Married Men

Monday, June 4, 6:30 pm
Jonathan Richman + Joel Paterson and the Modern Sounds

Monday, June 11, 6:30 pm
The Eternals + Wild Belle

Monday, June 18, 6:30 pm
Cloud Cult + Judson Claiborne

Monday, June 25, 6:30 pm
Occidental Brothers Dance Band International + Chico Trujillo

Monday, July 2, 6:30 pm
Joan of Arc + Daniel Knox

Monday, July 9, 6:30 pm
The Sadies + James Vincent McMorrow

Monday, July 16, 6:30 pm
Charles Bradley and his Extraordinaires + Abigail Washburn

Monday, July 23, 6:30 pm
Ana Tijoux + Sidi Touré

Monday, July 30, 6:30 p.m.
SMOD + M.A.K.U. Soundsystem

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Jason Olexa / Comments (6)

Concert Sun Apr 15 2012

Review: Screaming Females @ Subterranean, 4/12/12

[This review comes to us from reader Jason Duarte.]

New Brunswick, NJ's Screaming Females are not just another three-piece punk band. It would be unfair and inaccurate to pigeonhole their sound as simply punk, garage or indie because it's all too vague. If you threw indie, garage, punk, noise, pop and a dash of darkness into a blender and set it to high, walked out of the kitchen, forgot about the blender, then came back an hour later, you'd come back to a huge mess, blended to perfection. Soak it up, wring it into a glass, introduce some radiation from your microwave and then you have Screaming Females.

Screamales, as the band's fans refer to them, played the Subterranean in Wicker Park Thursday night in support of its new fifth studio full length; the Steve Albini-engineered Ugly, out on Don Giovanni Records. Screaming Females' vocalist/guitarist Marissa Paternoster has a voice that carries the Riot Grrl torch. It isn't "pretty;" actually, it's quite an acquired taste, but once the taste graces the palate, a Screamales song to a fan is the bell to Pavlov's dog.

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Transmission

Review Sat Apr 14 2012

Review: Preservation Hall Jazz Band @ S.P.A.C.E. 4/10

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Preservation Hall Jazz Band © Shannon Brinkman

Anyone who's considered the option of aging gracefully needs to spend an evening in close proximity to Charlie Gabriel, the 79 year-old clarinetist and saxophonist who plays with the Preservation Hall Jazz Band, and has a penchant for shaking his booty onstage. Gabriel's family has been playing music since the 1850's, and Gabriel himself has played with jazz luminary Lionel Hampton, among others.

Tuesday's lineup of PHJB musicians read like a who's-who of New Orleans Jazz: trumpeter Mark Braud; the aforementioned Charlie Gabriel; trombonist Freddie Lonzo (who's bio omits his birth-date, stating simply that he was "Born in New Orleans, Louisiana;") pianist Rickie Monie; clarinetist and vocalist Clint Maedgen; drummer Joe "Little Joe" Lastie, Jr.; and tuba player Ron Johnson. The group, whose members number at least in the teens, appeared at S.P.A.C.E. in Evanston as part of their 50-year celebration tour. They will continue to tour through mid-August, playing in venues from coast to coast, and internationally in Canada, Brazil, and Argentina.

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J.H. Palmer

Concert Wed Apr 11 2012

Preview: Company Flow at Metro

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I've always had a soft spot for the founding fathers of a genre, the foundation of a type of sound or style. Those acts that are super influential to a community, but are are overlooked for the most part by popular culture. Call it respecting your elders or knowing your roots, but sometimes the best albums can be found when you trace back what writers and musicians cite as their favorite and most influential pieces of work.

One of the acts that influenced much of the underground hip hop world in the 90s was the trio Company Flow. Made up of three rapper/producers (El-P, Mr. Len, and Bigg Jus), the groups debut album, Funcrusher Plus, was a cacophony of heavy beats and jarring samples that somehow blended into an impressive album of work. The lyrics ranged from abstract to social commentary, and with three innovative producers in the mix, the album became a creative touchstone of what was becoming the East Coast sound of that time. The album garnered critical claim (it still has a lot of love online from Pitchfork), but the band had severe problems with their label, and ended up disbanding to go their own way with solo work.

Personally I've followed El-P's solo stuff the most, which includes an impressive body of work ranging from collaborating with Trent Reznor to creating his label Def Jux to the wonderful instrumental and remix work he produces. I had the pleasure of chatting with him when he performed at Pitchfork Festival a few years back, and it was obvious the extreme care and dedication he has with all his work. But I know I'm not the only one excited to see Company Flow together again onstage. Since breaking up they've had a few shows here and there (including a set for Portishead's curated ATP fest), but this is the first show they have ever done in Chicago. There is no guarantee when and if they'll be back, so spend Thursday night educating yourself in hip hop history by celebrating the return of Company Flow.

Company Flow is tomorrow night, Thursday April 12th at the Metro. Tickets are $25 in advance, $28 the day of the show, and you can purchase them here. Doors open at 8pm and show starts at 9pm. There are four openers, so expect a long night of music (not that you'll mind at all).

Lisa White / Comments (1)

Lollapalooza Wed Apr 11 2012

It's Official: Here's the 2012 Lollapalooza Lineup

The official 2012 Lollapalooza lineup was announced at midnight at the Do312 Lolla announcement party at Debonair Social Club, and it is exactly identical to the list leaked on Monday, with Red Hot Chili Peppers, The Black Keys, Black Sabbath and Jack White as the big headliners.

Greg Kot reports that the Black Sabbath reunion will include original members Ozzy Osbourne, Tony Iommi, Geezer Butler and Bill Ward. The Afghan Whigs and At the Drive-In are also reuniting for the festival (and their own reunion tours).

Meanwhile, the other three headliners, RHCP, the Black Keys and Jack White, are all Lolla veterans (although White previously played with his band the Raconteurs). Bloc Party, Delta Spirit, Miike Snow and the Temper Trap also return for another go.

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Andrew Huff

Concert Tue Apr 10 2012

Preview: Benefit for Rudy Carillo @ Double Door

Rudy.jpgDouble Door is partnering with the bands AM Taxi, Hammerdown, Rotten Finko and the Convicts, and Villains Company to raise funds for Rudy Carillo, who was struck in a hit and run in February.

The show is scheduled for Thursday, April 19. Doors open at 8pm, Show starts at 8:30pm, $10 suggested donation at the door. All proceeds will be donated to Rudy, who is recovering. For more info visit Double Door.

J.H. Palmer

Preview Mon Apr 09 2012

Preview: Preservation Hall Jazz Band @ S.P.A.C.E.

A recent performance by the PHJB on The Late Show With David Letterman.

Legendary New Orleans jazz group the Preservation Hall Jazz Band continues its celebration of 50 years and running with two back-to-back performances tomorrow night at S.P.A.C.E. (1245 Chicago Avenue, Evanston.) Tickets run from $26-$46, shows are at 6:30 and 9:30. They probably won't be this far north again for a long time, so catch them while you can.

J.H. Palmer

Concert Fri Apr 06 2012

Diamond Terrifier Spooks the Woodwind out of his Sax

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Look at the beard on Zs' saxophonist Sam Hillmer. Now look at yourself. Unless you're a graduate of a wizard academy you lack his face plumage. Parishioners of the magical arts like Sam are known for their reality warping rituals. With the sax and electronic drone music of Sam's arcane named project Diamond Terrifier he folds the layers of reality into a cosmic blanket fort and invites us into his world. The gateway into the adjacent dimension opens as Diamond Terrifier and Bachanalia's Flu Riddim Tour stops at Soapbox Music.

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Jason Olexa / Comments (1)

Concert Wed Apr 04 2012

Fucked Up @ Lincoln Hall 4/9

There's always something to be said for a band that's hard to pin down, and that certainly applies to Toronto's Fucked Up. It's easiest, of course, to paint them with a broad punk or hardcore brush, and certainly some of the notes are there: bearded, shirtless, yowling frontman, check. Howling, three guitar wall-of-noise, check. Unprintable/mentionable band name seemingly suitable only for Xeroxed flyers, roger. But that hardly scratches the surface. Take a closer look and it becomes clear that Fucked Up is a band that is leading a rich inner life. In 2011 alone, the band managed to release the critically acclaimed David Comes to Life, one of the most successful takes on a concept album in recent memory, as well as releasing David's Town, an ambitious Record Store Day release of surprisingly convincing "hits" from fictional Byrdesdale, UK. The band's live shows are an excellent tightrope walk between the rich, visceral chaos of their punk leanings and frontman Damian Abraham's force of nature stage (or perhaps more appropriately, venue) presence, and the bands clearly well crafted and capably executed songcraft.

Fucked Up plays at Lincoln Hall, 2424 N. Lincoln Ave., on Monday, April 9, 2012 at 7pm. Chicago's own Lasers and Fast and Shit open.

[Note: Originally, Fucked Up was supposed to play Lincoln Hall on Sunday, April 8th. From LH: Due to a scheduling conflict the show has now been moved from April 8, 2012 to April 9, 2012. All previous ticket holders will be contacted directly.]

Dan Snedigar / Comments (1)

Concert Tue Apr 03 2012

Wilco, Andrew Bird & The Congregation Play Way Out West

The far western suburbs, that is. On Sunday, July 8, a dream lineup (for me, anyway) of Wilco, Andrew Bird and The Congregation will perform at the Fifth Third Bank Ballpark in Geneva, home of the Kane County Cougars, as part of WXRT's 40th anniversary celebration. To top it off, there will be a fireworks display after the show.

Tickets go on sale Saturday, April 7 at 10am via eTix -- or pick them up at either the ballpark or Vic Theater box office to save the service charge. They'll run you $50 apiece and are general admission, so you can pack a blanket and lay out on the ballfield if you'd rather not sit in the stands.

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Andrew Huff

Concert Mon Apr 02 2012

Review: Of Monsters and Men @ Park West, 3/30/12

The first time I heard the Icelandic band Of Monsters and Men, it was instant love. They are not a band you have to listen to over and over to "get;" Of Monsters and Men are a solid septet of Icelanders supplying memorable melodies, thoughtful lyrics and general good vibes. Looking over the sold-out, packed-in crowd at Park West on Friday night, I got the sense that Of Monsters and Men has that effect on a wide range of people.

From hoodies to button-ups to flannels, the social genres blended together in the standing room only space at Park West. The band gave enough beat and energy for an occasional fist pump and enough pensive lyrics for a romantic sway or two.

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Of Monsters and Men at the Park West (photos by Steve Stearns)

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Niki Fritz

Concert Sat Mar 31 2012

Everyone Else Has A Festival...

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...so why can't we? So asserts Enemy curator Jason Soliday of his two day fest, called simply "A Fest." This two-night festival of experimental and noise music concludes tonight (you're absolutely right, I should have informed you about yesterday's show) at Enemy, 1550 N. Milwaukee Ave., 3rd Floor. Donation suggested, starts promptly at 9 p.m. Lots of acts to get on, so no Rock O'clock for these folks.

Tonight's acts:

Bokeh (Mykel Boyd of Somnimage Recordings fame, along with Mandy Matz on violin)
Battleship (marvelous Hafler-ish subaquatic drone and shortwave)
Quicksails (Ben Billington of Tiger Hatchery and ex-Druids of Huge)
Jason Soliday (Enemy honcho on Sidrassi Organ and hellish mayhem; possibly something completely different)
Hex Breaker Quartet (Telecult Powers + Grasshopper match up -- live streaming from NYC!)
Bile & Horseman (Dog Lady + Tar Pit collaboration)
Startless (Jason Zeh + Vertonen collaboration)
Mike Shiflet (astringent electronic chemtrails all the way from Columbus)

After the jump, a bit about what went down last night:

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Chris Sienko

Concert Fri Mar 30 2012

Review: Bowerbirds @ Lincoln Hall, 3/29

[This review and photos come to us from reader Rachel Angres.]

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Following the energetic set by opening band Dry The River, there was a sense of disjointedness as Bowerbirds began. The stage was somber — in mood and lighting. The first few songs were hurried; Beth switched from keys to accordion as if it was a game of "capture the flag." Phil sang in his own timing, as the percussion rushed the songs into an abrupt ending.

Eventually, seemingly after realizing how loyal and forgiving the fans were, all five members of Bowerbirds loosened up and began to sing and play in synchronic bliss. Their faces relaxed and their eyes closed slightly. It felt as if the band had a need to share their emotional tie with each song, a longing to express their life stories through music. The enchanting harmonics of Beth Tacular's voice, soothed the rugged tenor of her counterpart — and real-life love — Phillip Moore was as beguiling as it was symphonic.

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Anne Holub / Comments (2)

Concert Wed Mar 28 2012

Haunting the Chapel

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Damion Romero

Damion Romero treats living spaces like speaker cones, automobiles like drummers, and telegraph wires like direct lines to the music of the cosmos. A true acoustic scientist at heart, Romero creates his physical, high-density drones not from effects pedals or overloaded distortion, but from the intrinsic properties of a room, self-generating feedback loops, and monolithic, featureless boxes of his own invention. I've written about Romero previously, in the lead-up to his 2008 performance at Lampo, and all of that still holds and bears re-reading. That performance made use of Lampo's then-new loft space on Chicago Avenue, receiving the vibrations from the floor of the venue with ultra-sensitive geophones, sending the back into the system, and turning the room into an expansive, throbbing sonic object, a sound that surrounds you and reacts to each body in the room. For his performance this Saturday, the Renaissance Society's Bond Chapel (1025 E. 58th St.) in Hyde Park will be the resonant object in Romero's first four-channel speaker work, entitled Quartet. When asked for more details on the project, Damion said he didn't want to "jinx it" by providing details, further deepening the mystery of what's really in those flat, featureless metal boxes of his.

The performance starts at 8pm this Saturday, March 31. Admission is FREE, and no RSVP is required. First come, first served.


Chris Sienko

Concert Wed Mar 28 2012

Review: Kimya Dawson @ Old Town School of Folk Music 3/25

Clyde Petersen performs "God Speed John Glen."

Clyde Petersen of Your Heart Breaks opened for Kimya Dawson at Sunday's show at the Old Town School of Folk Music, introducing his first song with: "This is a song about sneaking out of your parent's house to smoke weed in high school." It was like listening to my kid brother jam out on his guitar... if I had a kid brother, and if he was a musician. Like Dawson, Petersen is from Washington State, and had positive things to say about his visit to Chicago: "I like the bean, I enjoy your bean," he said, and: "I like that there are a lot of animators in your town who are cool ladies."

Petersen's songs ran the emotional spectrum from teenage nostalgia, to finding his way in the world as a transgender person. Dawson joined Petersen in a song dedicated to the memory of a deceased transgender activist; her metallic, animal-print leggings and halo of hair contrasting with Petersen's dressed-down aesthetic.

Petersen ended his set with an amazing piece titled "God Speed John Glen" about the 1961 space race between the U.S. and the U.S.S.R. that included recorded feedback loops of his own guitar playing, acting out both parts of a conversation between an astronaut and ground control, and a nod to both Elton John and David Bowie in the lyrics: "I think it's going to be a long long time... ground control to Major Tom."

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J.H. Palmer

Preview Tue Mar 27 2012

The Treasure Fleet @ Township, 4/4

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Photo by Katie Hovland


Head over to Township - 2200 n. California Ave - next Wednesday, April 4th for The Treasure Fleet, Shy Mirrors and Ratasucia.

The Treasure Fleet are a 60's influenced psych-rock band from Chicago featuring members of The Arrivals, The Smoking Popes, Sass Dragons and The Lawrence Arms. The band will be at Township this Friday for a special listening party of their new record titled Cocamotion due out in May on Recess Records. You can check out the bands first-ever interview on Jaded in Chicago.

Shy Mirrors of Stockhom, Sweden features Mike Downy of Chicago's New Constitution. This is their first US tour as a band.

Ratasucia is Dan Hanaway, (The Honor System/The Broadways/Slapstick) Chris Carr, (The Honor System) and Tim Scare. You can order their record "White Noise Pollution" from Asian Man Records.

Listening party for Cocomotion is this Friday, March 30th, goes from 5-8pm, is All Ages and is free. Be there for you chance to win tickets to the show!

Show is Wednesday, April 4th, starts at 9pm, is 21+ and is $8.
You can buy tickets and get more info of this show here.

Katie Hovland

Concert Tue Mar 27 2012

Preview: Chairlift @ The Empty Bottle 3/30

[This piece comes to us from reader Sarah Brooks.]

Chairlift, an electronic-pop duo combining Caroline Polachek's stunning vocals and musical effects from Patrick Wimberly, are set to play at the Empty Bottle on Friday, March 30. Their catchy, playful sound is inventive and enjoyable, and if you're new to their music, it's likely you're more familiar with them than you may think; Chairlift's first hit single "Bruises" was featured in an iPod commercial back in 2008 (you can refresh your memory below).

Since their breakthrough onto the music scene, Chairlift has released a plethora of their futuristic, innovative tunes. Their music, which utilizes a variety of instruments, synthesizer effects and vocal techniques to create a range of different listening experiences, has one thing in common: it makes you want to stop whatever you're doing in the moment to get up and dance. Their latest album, Something, was released in January, which produced more of their funky beats and infectious rhythms.

Check out the music video for "Amanaemonesia" featured below to gain a feel for their unique sound. The song is not only extremely catchy, but the eccentrically awesome video resembles a cross between a music video from the future and an '80s workout tape.

Chairlift plays The Empty Bottle on Friday, March 30, 2012. Tickets are $13 and the show is 21+. In addition to Chairlift, the show features bands Nite Jewel and Moon Furies and begins at 10pm. The Empty Bottle is located at 1035 N. Western Ave., (773) 276-3600. This show is sold out.

-Sarah Brooks

Transmission / Comments (1)

Review Fri Mar 23 2012

Review: A Place To Bury Strangers @ Empty Bottle, 3/21/12

[This review and photos come to us from reader Rachel Angres.]

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After an abbreviated performance by DJ Brady, The Big Sleep, a Brooklyn based noise-psych band, opened the show Wednesday night at The Empty Bottle. The crowd trickled in as local group APTEKA played a short but lively set. Within 20 minutes, the entire venue was packed. People shoved each other to get to the front and catch a glimpse of A Place To Bury Strangers members setting up for their performance. "I love their pedals. I want to take them apart and create something even more crazy with them," said an audience member, motioning towards the homemade creations splayed along the stage floor.

A Place To Bury Strangers' lead singer and guitarist, Oliver Ackermann, sang with a calm and buzzing tenor. He dragged the neck and body of his off-white, rusted guitar across the ceiling and dropped it down to the floor. One of Ackermann's signature techniques is to experiment with the instruments while on stage. In one instance, he placed the guitar directly in front of the floor amp, creating aching and abrasive feedback. The bassist, Dion Lunadon, sang eloquently and shredded it on the bass. Lunadon was by far the hit of the evening — with fog and fluorescents flickering, his frame luminous and stoic. His fingers frantically manipulated the strings with fervent perfection.

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Transmission / Comments (3)

Review Thu Mar 22 2012

Review: Narrows, All Pigs Must Die @ Subterranean

[This review comes to us from reader Brian Kutanovski.]

The sign outside Subterranean last night read "All Pigs Must Die," which gave a distinct feeling that inside was a punk rock show. Not meant in a purely derogatory sense toward police exactly, lead singer Kevin Baker mentioned in an interview with The New York Times that the band's name regarded "a pig" as "anyone who is irreversibly corrupt." Even with an antagonistically political band name on the bill, the All Pigs Must Die set itself was light-hearted and doused with practical jokes. The much anticipated band had a shoulder-to-shoulder Sub-T crowd chanting along to "God is War," (a track from their latest album of the same name), but the hostile dirges didn't translate into a hostile show attitude. It was more like an old family reunion.

Co-headlining were San Diego-based hardcore rockers, Narrows, promoting their latest album, Painted. With unrelenting fist-pumping speed playing to feedback-filled breakdowns, Narrows set the tone for a show of what would be a crusty chomp of distortion with intervals of noise and cock-rock guitar riffs. "From a venue that looks like it should be a brothel, it sounds more like a basement," said Narrows lead singer Dave Verellen into the microphone during their set. Considering it was the last show of their month-long tour (both bands appeared at SXSW last week), the concert was treated as a somewhat legitimate basement party. During the end of Narrows set, a member of All Pigs Must Die stage dived pantsless onto Verellen and was thrown into the crowd. From then on, the crowd participated in consecutive stage dives and piggy-back rides, all in good fun. These two bands are relatively new popular acts, yet all veterans in the hardcore scene since the '90s (the two bands' members also played in Converge, Botch, and The Hope Conspiracy), ended their sets with hugs and ear-to-ear grins.

The opening band was Pittsburgh youngsters, Code Orange Kids, who also made an appearance at SXSW, stomped the hell out of the stage with their short-shorts and slip-ons while the drummer threw haymakers into his floor tom during a song. Their female guitarist had the deepest growl by any vocalist last night, and their volatile energy was intensely cathartic.

Even after more than two decades of near-consistent world-wide touring, the old-hand members of Narrows and All Pigs Must Die seem to never quit their assault in the American hardcore scene. They certainly proved this point last night in Chicago.

-Brian Kutanovski

Transmission

Concert Thu Mar 22 2012

Rhyton @ The Burlington, 3/27

Chicago's Thrill Jockey Records remains an indie powerhouse, and as of late has been burnishing it's well-deserved reputation for finding and releasing music by wonderfully eclectic and diverse acts, so it is no surprise that they recently added New York's Rhyton to the roster with the release of their eponymous first album, which has entirely sold out its limited LP and CD editions.

That's to be expected, as the album is a gem, one of my favorites so far this year, mixing elements of swirling early '90s desert rock with a heavy dose of jazz-inspired Krautrock, resulting in something that sounds a little like a collection of late-night outtakes from an Ege Bamyasi-era Can studio session. The songs wind and meander organically from one passage to the next, creating a rich, psychedelic sonic pastiche. A collaboration between Dave Shuford (No Neck Blues Band, D. Charles Speer), Jimy SeiTang (Psychic Ills), and Spencer Herbst (Messages, Matta Llama), Rhyton's music tends toward long-form improvisational jams, keeping with the group's roots in casual sessions between the members. Though the debut album is now unavailable in it's physical media editions (MP3s can, and should, still be purchased), Chicago has the good fortune to host the band on one of the dates of their brief current tour.

Rhyton plays Tuesday, 3/27 at The Burlington, located at 3425 W. Fullerton Ave. NYC's Turn To Crime and Chicago's Solar Fox open. Tickets are $8 at the door, and doors open at 9pm.

Dan Snedigar

Preview Tue Mar 20 2012

Preview: A Place To Bury Strangers @ Empty Bottle, 3/21

[This review comes to us from writer Rachel Angres.]

A Place To Bury Strangers released their latest album Onwards To The Wall on Dead Oceans in early February. The album was produced, mixed and mastered by the trio, which now after a six year swap includes front man Ollie Ackermann (guitar/vocals), Dion Lunadon (bass guitar) and Jay Space (drums).

Using the "wall of sound" technique and some DIY instrumentation, (they nerd out by building their own amps and various instruments to take on the road with them) APTBS has spent the last couple years preparing for what they love most — being on the road. The band brings a volatility that is more malleable when compared to the typical shoe-gazing method of compression, blending and reverberating slurred and sullen vocals.

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Transmission

Concert Tue Mar 20 2012

Fiona Apple Soothes Sold Out Masses @ Lincoln Hall

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Fiona Apple at Lincoln Hall Monday night (photos by Stephanie Griffin)

Fiona Apple probably only needed to show up and stand on the stage with her tank top, long skirt, and combat boots and a sea of adoring fans would have been pretty content. What the packed house at Lincoln Hall was treated to on Monday night, however, was an intimate (though brief) show by the emotional singer. Apple played for just under an hour, but she hit almost every high point from her last three albums, while providing some glimpses into her upcoming new one, The Idler Wheel is wiser than the Driver of the Screw, and Whipping Cords will serve you more than Ropes will ever do (Epic - release date TBA).

Armored in her classic mid-'90s outfit (she could have been keeping it in storage since 1996 when Tidal came out) and rocking some seriously enviable arm muscles, Apple wrapped some of her long hair up off her face and half-engaged, half-ignored (half hid from?) the sea of eager fans at her feet. Her openers "Fast As You Can," "On the Bound" and "Paper Bag" wound the crowd up and brought out some professions of love (which the songstress politely acknowledged and demurred). The sing-a-longs continued through "Mistake" and then came to a hushed halt (quite literally) when Apple went into the first of three new songs, "Anything We Want," with a length of copper pipe in her hand as supplemental percussion. Her next song was a very quiet number (more loud "SHHHH"'s from the audience who demanded full attention from their neighbors) titled "Valentine" which has a haunting refrain, "I root for you / I love you," that's still stuck in my head.

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Anne Holub

Concert Mon Mar 19 2012

Preview: I Am The Avalanche @ Subterranean

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It took more than six years for Brooklyn-based pop punkers I Am The Avalanche to release their second album Avalanche United, but the buzz around this band barely seemed to teeter off after all that time. I Am The Avalanche has deep roots in the pop-punk scene--vocalist Vinnie Caruana fronted seminal Drive-Thru Records act The Movielife prior to its breakup and IATA's debut release on the same label in 2005.
Caruana's gang put out their shiny new album in October of last year and after supporting runs with genre gods like Saves The Day and Brand New are hitting up Chicago on one of their first headlining tours since its release.

I Am The Avalanche's self-titled debut was a heart wrenching lament of pretty much...well...everything, full of chugging guitar rhythms, aggressively autobiographical lyrics and booze-induced anthems. Whereas the band's newest release is decidedly more upbeat, melodic and boozy--but in a good way. The record is no less energetic than its predecessor, but this is a whole new brand of energy for this group. That said, Avalanche United isn't all fun. Caruana's anxiety-riddled vocal style creates poignancy in every line regardless of whether he's feeling remorseful, reminiscent, sarcastic or just plain old pissed off.

Hear--and see--for yourself Saturday, March 24, at Subterranean (2011 W. North Ave.). It's an early show so openers Red City Radio and Hostage Calm take the stage at 5:30pm. This also means the show is all ages. Tickets are $12 in advance or buy them at the door for $15.

Katie Karpowicz

Preview Mon Mar 19 2012

Preview: Bowerbirds @ Lincoln Hall 3/29

[This preview comes to us from reader Rachel Angres.]

The harmonies in Bowerbirds' most recent release, The Clearing, on Dead Oceans Records, are magnificently subtle. Vocalist Phil Moore often leads his finely crafted falsetto into a harmony accompanied by his female counterpart, Beth Tacular. The polarity in their vocals is distinct and dichotomous. Little bits and pieces meticulously gather together and build a melodious abode, nuzzling in one's ears.

The Clearing is an album that can remedy even the coldest of hearts — it is a haven of warmth and symphonic solace. Lyrics swarm in as percussion builds on the hinges of a grand piano leading into an intense bellowing of seduction. Hailing from North Carolina, the duo's Southern charm enriches the lyrics, which are simply a series of sonnets to nature. It is an ode to the unknown.

The Clearing moves into the meadowlarks and valleys, as the sun slowly settles. The words reflect the triumphs of braving each season. The Clearing was recorded initially in Beth Tacular and Phil Moore's Wisconsin Cabin, with minimal recording equipment and the incredible outdoors that inspired their lyrics. Rare Book Room Recordings soon picked it up where it was mastered in NYC by Nicolas Vernhes.

Check out a video about the making of the album:

About "The Clearing" by Bowerbirds from Secretly Jag on Vimeo.

Bowerbirds perform at Lincoln Hall on Thursday March, 29, 2012 at 9pm. Dry The River opens. Tickets are $14. 21+. Lincoln Hall is located at 2424 N. Lincoln Ave. (773) 525-2501.

-Rachel Angres

Transmission

Concert Fri Mar 16 2012

Paranormal Sighting: Alt-Folk Ghosts Grandeurs Haunt Chicago's Bars

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Chicago's Grandeurs are a group out to prove the power of whispers. The quietly seductive alt-folk they play is out to prove the power of speaking softly. Grandeurs achingly slow songs hypnotically entrance listeners into their world of dark bars at 4am.


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Jason Olexa

Concert Thu Mar 15 2012

Paul Oakenfold @ The Mid, Saturday 3/17

Sometimes it's a little surprising how little press electronic music gets in Chicago, given the city's long and rich history with the genre. That seems to have been changing as of late, and this weekend, you don't have to be in Ibiza to get satisfy that international superstar DJ jones you've been harboring, as The Mid hosts Paul Oakenfold.

Oakenfold has been DJing, remixing and producing since before electronic music was really a blip on the radar, throw in his stewardship of influential label Perfecto Records and you've got a more than convincing argument that he was central in fostering it into the mainstream. These days, the kids are going nuts for Skrillex, but for those of us old enough to remember the good-old days, but still young enough to stay up late listening to trance DJs, this weekend promises to be enjoyable.

Paul Oakenfold appears with Bill Basil and Gus Karas this Saturday, 3/17 at The Mid, 306 N. Halsted, at 11pm. Tickets are $25 plus fees. 21+

Dan Snedigar

Concert Wed Mar 14 2012

Preview: Dastardly Pitches Their "Megachurch" @ Hideout 3/20

[This preview comes to us from reader Sarah Brooks.]

Dastardly, Americana/folk/country hybrid band hailing from Chicago, has a sound that is bold and enjoyable. Described as "experimental enough to feel fresh but traditional enough to feel familiar even to first timers" and frequently appearing on lists of bands to watch in 2012, Dastardly is quickly permeating the music scene. They released their second album, Bury Me in the Country, on January 31, which showcases their eclectic country sound and was recorded in a studio with just a handle of whiskey to keep them company. With a combination of their unique sound and their candidly fun atmosphere, Dastardly shows are easily some of the most enjoyable around.

Dastardly shows are unpredictable, lively, and anything but boring. Back in October, Dastardly staged their first variety show at the Hideout, which included comedy sketches interspersed amongst their music set. Due to its success, they're doing it again folks, and you won't want to miss it this time around.

Below, enjoy the music video for "Fever," a song off of Bury Me in the Country, which showcases their unique sound and style.


Dastardly's "Megachurch" variety show is at the Hideout on Tuesday, March 20, 2012. In addition to Dastardly, the show features several Chicago comedians. Tickets are $10 in advance or at the door and the show is 21+. Doors open at 8:30pm and the music starts at 9pm. The Hideout is located at 1354 W. Wabansia Ave., (773) 227-4433.

-Sarah Brooks

Transmission

Concert Fri Mar 09 2012

Catch the Opener: Busdriver @ Schubas, 3/11/12

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Astronautalis is coming through town on tour, which is a solid show alone, since the Minneapolis based rapper doses out thoughtful lyrics over a blend of electronic infused hip hop beats. His delivery is smooth, and ladies, he's pretty easy on the eyes as well. But I'm more excited about the artist he picked to head out on the road with; Busdriver. If you catch the show Sunday night at Schubas, I implore you to get there early to catch his opening set.

Busdriver has been making music since an early age, releasing his first album when he was 13. His music has grown into a funky chopped up hybrid of everything from classical piano samples to thick and heavy wall shaking bass beats. And his lyrics flow from intellectual touchstones to pop culture shout outs to over-the-top sexualized wordplay. All of this is delivered with perfect (possibly over the top) pronunciation, while at breakneck speed. His latest album, Beaus$Eros, shows a more melodic side, but live you'll still get to witness the frenzied style of his work. Even in the underground and experimental world of hip hop, he still stands out as someone clearly focused on pushing his own work out of a comfort zone and manipulating what many perceive as hip hop.

Busdriver opens for Astronautalis, Sunday March 11th at Schubas. The show starts at 8:00pm, is 18+ and tickets are $14. You can purchase them here.

Lisa White

Concert Thu Mar 08 2012

Unicycle Loves You (Yes, YOU)

Unicycle FailureJust in time to usher in days of sunshine and warmer weather, local trio Unicycle Loves You conjures a collection of tracks worthy of a season of beer-soaked house parties. Their third and latest album, Failure, finds the group (singer/guitarist Jim Carroll, singer/bassist Nicole Vitale, and drummer J.T. Baker) furthering their already-established sound: dreamy boy/girl vocals buried under a blanket of jangly guitar and loopy keyboard flourishes, typically with a earworm-catchy '90s feel reminiscent of everything from Guided by Voices and Dinosaur Jr. to My Bloody Valentine. (Even their video for "Piranha" smacks of a 120 Minutes vibe.)

Whereas their second album, 2010's Mirror, Mirror, was decidedly more relaxed, tapping a space pop-meets-Belle and Sebastian vibe, new songs like the opener "Garbage Dump" and "Wow Wave Cinema" are revved up and angular. The first half of Failure focuses on the party-party, while the second half winds down into something a bit more calm bordering on dawdling. But with a track like the breathy, make-out sleepy "Brand New Pillow," it turns out that the lull is just fine.

Unicycle Loves You is playing at the SXSW Send Off Party on Saturday, March 10, at the Hideout (1354 W. Wabansia). The show features gobs of bands including Kids These Days, In Tall Buildings, Musikanto, Hollywood Holt, The Waco Brothers, Outer Minds, Cains & Abels, Redgrave, Unicycle Loves You, Football, and Paper Thick Walls, is only $10, and starts at 1 p.m. Tickets are only available at the door.

Kara Luger

Concert Wed Mar 07 2012

Review: Punch Brothers @ Park West, 3/1/12

[This review comes to us from reader Sarah Brooks.]

An avid fan for years, I bought my ticket to see Punch Brothers months ago, though they're not just loved by me, but clearly Chicago, too. I make this statement based on the sold out crowd that packed Park West Thursday night, eager to see the Brothers perform. Having recently released their third studio album, Who's Feeling Young Now? in February, Punch Brothers have gained steady momentum since the release of their debut album, Punch, in 2008. It's easy to see why — Chris Thile, lead vocalist and talented instrumentalist, has been a notable figure within the music world for years, from his time in inventive country-bluegrass-folk hybrid outfit Nickel Creek, to numerous solo releases, and even an instrumental collaborative side project with Yo-Yo Ma titled The Goat Rodeo Sessions. With five different instruments comprising the group and a stellar lineup of talent, it's not surprising that the Punch Brothers attracted such a crowd.

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Punch Brothers at Park West (photos by Sarah Brooks)

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Transmission / Comments (1)

Concert Mon Mar 05 2012

Radiohead Returns to Chicago

radiohead-kingoflimbs.jpgRadiohead is coming to Chicago this summer, playing June 10 at First Midwest Bank Amphitheatre in Tinley Park, as part of the newly added leg of the band's ongoing world tour in support of The King of Limbs. Caribou will open. This is Radiohead's first concert in Chicago since Lollapalooza in 2008.

Tickets go on sale on the band's website March 8, or via Ticketmaster or the First Midwest Bank Amphitheatre box office on March 10 at 10am. Prices range from $33.50 to $63.50 -- or $51.85 to $84 once you add in Ticketmaster fees.

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Andrew Huff

Concert Mon Mar 05 2012

Terrible Spaceship Brings "Zontar, the Thing from Venus" Show to Martyrs

I always knew that "Mystery Science Theater 3000" couldn't be the only effective and entertaining way of recycling those awful 1960s-era sci-fi horror b-movies. Enter Chicago-based Terrible Spaceship's new show "Zontar, the Thing from Venus." Orchestrated by the band's dancey, electronic grooves, "Zontar" puts the bands in front of a video montage created by campy clips and animations from oldschool sci-fi flicks including the 1966 not-so-classic film with the same title.

Terrible Spaceship: Achievement Of The Century - More bloopers are a click away

Terrible Spaceship brings "Zontar" to Martys (3855 N. Lincoln Ave.) this Friday, March 9. This is also the first time that Chicago fans can hear the band's recently added brass section. Tickets to the show are $8 and it's 21+. The openers--Bambi Raptor, RON., and Longtital--start playing at 9pm.

You can stream Terrible Spaceship's debut album "Invaders 1938"--an homage to Orson Welles' famed "War of the Worlds broadcast--here.

Katie Karpowicz

Concert Thu Mar 01 2012

Destroyer Sets His Sites On Chicago! Can Our City Survive?

Romantic and doomed, brainy but really strung out fans of acoustic-based, stonesy prog music with deep-buried dark poetry accompaniment take note Dan Bejar and his sunny band of ambient-prog-disco-yacht rock Destroyer is returning to Chicago. The upcoming show on Sunday June 24 at The Metro will mark Destroyer's third trip to Chicago within 12 months including a set at last summers Pitchfork Fest. Tickets for the show go on sale Satuday March 3 at noon.

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Jason Olexa / Comments (1)

Classical Tue Feb 28 2012

Lampo Presents Keith Fullerton Whitman Sailing on Sine Waves 03/10

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Chicago non-profit art collective Lampo opened up free RSVPs for a performance by Kranky recording artist and synth wizard Keith Fullerton Whitman on March 10th at the Graham Foundation's Madlener House. He will be performing the U.S. premier of "Rhythms Naturels" followed by a live modular synth improvisation. Keith performed multiple sets of modular synth dungeons and guitar dragons as part of the 2010 Neon Marshmallow Festival.

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Jason Olexa

Concert Mon Feb 27 2012

Review: White Mystery's Big Tour Sendoff @ the Empty Bottle, 2/26/12

[Photos and review by reader Luke Wilusz.]

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Alex White and her younger brother, Francis, are known for their relentless touring as the local garage-punk duo White Mystery. It's not unusual for them to play several shows a week at venues all over the city. They bid an energetic farewell to their hometown Sunday night with an impressive show at The Empty Bottle to kick off an extensive tour of the U.S. and Canada, during which Alex said they would play in "every city in America" for a total of more than 70 shows.

Local psychedelic trio Dark Fog opened the show, entertaining the growing crowd with lengthy instrumental jams filled with spacey, warbling guitars and funky bass lines. They were followed by Boston dance-punk band Earthquake Party, who were on their first tour and played Chicago for the first time. Despite some technical difficulties with a faulty microphone, their keyboard-driven melodies, dual vocals and driving punk-rock riffs made for a good show.

White Mystery opened their set with their self-titled anthem. Brother and sister joined together in the chant of "We Are White Mystery" amid Alex's bluesy guitar riffs and Francis' steady, methodical drumming. They followed that up with "Powerglove" and "Blood & Venom," the songs flowing together into one continuous jam bridged by extended drum or guitar solos.

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Transmission / Comments (1)

Concert Thu Feb 23 2012

Supreme Cuts Provide Your Kissing Jams For Tonight @ The Smart Bar 2/23

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Supreme Cuts are a duo of electronic producers from Chicago making cavernous sensual jams peppered with amorphous soul samples they describe as Future RnB. Tonight Slack Kevorkian and Mike Perry will be performing a set of powerful make-out scented ambience at the Smart Bar. Supreme Cuts will tease out unheard tracks from their debut album Whispers In The Dark (forthcoming on Dovecote).

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Jason Olexa

Concert Thu Feb 23 2012

Bombay Bicycle Club w/ The Darcys at Subterranean, Monday 2/27

If the number of sell out club dates on their current American tour is any indicator, North London's Bombay Bicycle Club are finding their legs on this side of the pond. Last year's release of their third album, A Different Kind of Fix, which benefited from the production touch of Ben H. Allen, who has recently worked with notables like Animal Collective and Washed Out, showed the band moving in a different direction from its previous, mostly acoustic release, Flaws. Bombay Bicycle Club's music isn't particularly groundbreaking, it certainly bears the hallmarks of a fairly standard strain of British guitar-based indie, but the new album successfully showcases the band's strengths in frontman Jack Steadman's appealing vocals, and well-crafted, catchy tunes.

Of equal interest is opening act The Darcys, a Toronto-based act on indie uber-label Arts & Crafts. Of recent note, the band had the audacity to cover, in its entirety, Steely Dan's 1977 masterwork Aja. Steely Dan, of course, is legendary for their studio neuroses, and fortunately, The Darcys did not attempt to slavishly recreate Aja's emotionally cool, measured perfection. Rather, the band deconstructed the album and built from the ground up, working with the fundamentals and ending up with a sort of contemporary yacht-rock (think fellow Canadians Destroyer) inspired take. Is it as good as the original? Nah, but the album manages more hits than misses, and certainly merits points for ambition.

Bombay Bicycle Club appears with The Darcys and Lucy Rose at Subterranean, 2011 W. North Ave. on Monday, February 27. This show is sold out.

Dan Snedigar

Preview Thu Feb 16 2012

All Eyes West @ Township, 2/21

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Photo by Katie Hovland


Head over to Township - 2200 N. California - next Tuesday, February 21st for All Eyes West, Bully in The Hallway and Eastland Disaster. All Eyes West is a three-piece band from Chicago featuring Jeff Dean (The Bomb, Noise By Numbers), singer/bassit Justin Miller and drummer Jon Drew (Uncut). Drew is also a producer who recorded the debut album by Fucked Up, Hidden World, and Elephant Shell from Tokyo Police Club.

Bully in the Hallway has opened for bands such as The Smoking Popes and Titus Andronicus. The band features vocalist Matt Simon, bassist Aaron Levinsky, Drummer Matt Jannotta, singer/guitarist Matt Kennedy and guitarist Billy Kenefick.

Come early to check out Eastland Disaster featuring singer/guitarist Dan Knapik (Textbook, Not Rebecca), Gina Knapik (Scotia Widows, Venom Lords) on bass and James Farn (Duress, Kamikaze Eyes) on drums.

Doors open at 9 pm, is 21+ and is $5 in advance / $7 day of show. You can buy tickets and get more info of this show on Ticket Web. Go to DO312 for your chance to win a pair of tickets to the show!

Katie Hovland

Concert Wed Feb 15 2012

Charles Bradley Brings The Love To The Metro Saturday

Celebrating their second annual Winter Soulstice party, the Metro is opening up its doors for some super soulful sounds from Charles Bradley and His Extraordinaires. Bradley's songs of heartache, love, and righteous grooving are sure to melt even the iciest of icy cold hearts (and maybe even those frozen toes, too).

Bradley sings about love — having it, losing it, having it again and taking a warm bath in it. He belts out tunes like "Lovin' You, Baby" or "I Believe In Your Love" with such ferocity you think he's going to tear out his hair and fall over with a broken heart right there. He's got a James Brown-like work ethic — without anyone holding a cape over his shoulders (as awesome as that was for the Godfather of Soul, it's a dramatic element that Bradley's songs don't need to punch up their emotion.) His 2011 album on Dunham Records (an imprint of soul-loving Daptone), No Time For Dreaming (with the Menahan Street Band), is a powerhouse of reeling and rocking tunes perfect for either holding that loved one close to you, or tending to your broken heart. Somehow Bradley is able to twine together the yin and yang of his subjects so well that you can relish it like a good meal. So why not pull up a chair and dine with him?

Enjoy a bit of Charles Bradley performing "Lovin' You, Baby" at last year's SXSW Music Festival.

Charles Bradley and His Extraordinaires play the Metro on Saturday, February 18. Little Barrie and the Soul Summit DJs open. Tickets are $18 (adv)/$21 (door) and the show is 18+. Music starts at 8pm. The Metro is located at 3730 N. Clark St. 773-549-4140

Anne Holub / Comments (1)

Concert Tue Feb 14 2012

Lotus, Conspirator, and Emancipator @ the Congress Theater, Friday 2/17

To someone like me, whose taste in electronic music developed at a time when wafting ambient acts like The Orb drew a lot of water, and even the "heavy" dance stuff wasn't much more than speedy disco with more low-end bump, a fair share of the modern electronic music being produced sounds something like R2D2 being shoved down a metal staircase. I'm solidly on board, however, with the lineup at the Congress Theater this Friday, which brings together Lotus, Conspirator, and Emancipator, three acts which manage to carve their own space in the spectrum of electronic sounds, while keeping a firm grip on the fundamentals.

Lotus is a band with its feet firmly in two different worlds. On one hand, they are a traditional rock group, with traditional instrumentation, and have long been stalwarts of the jam band and festival scene, appealing to the patchouli-scented masses with comparatively long-form songs and an obvious virtuosity. At the same time, the band has from its late-90s inception been at the vanguard of incorporating available electronic gadgets and gizmos to shape their sound into something like a live techno production, there on the stage, sans-studio. While their latest album, self-titled Lotus, gives a good taste of what the band is all about, they truly shine in a live setting, where their improvisational genius can come through.

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Dan Snedigar

Concert Mon Feb 13 2012

Win St. Patrick's Day Dinner and a Show with Chicago Bluegrass Stalwarts Sexfist

Chicago bluegrass outfit Sexfist are unlikely to be accused of taking themselves too seriously, but there are a couple of reasons that you should pay attention to them. First, the band itself is extremely serious about their music, and second, they are one of the more entertainingly self-promoting bands in the city. Fans can fill in their Sexfist Club Cards at shows (a clever nod to the Subway Club of yore) and posters featuring their distinctive homunculus logo are staples on Chicago's post boards. This spring, fans of their Facebook page can vie for a chance to win dinner with the band, VIP treatment, and a merch package for their St. Patrick's Day show at Rogers Park's Mayne Stage theater. Beginning today, fans can check in on Facebook and play the "Would you rather. . ." game to win deluxe treatment by answering questions between now and March 9.

Sexfist plays a St. Patrick's Day show, named "Fist me, I'm Irish," on Saturday, March 17 at the Mayne Stage, 1328 Morse Ave, Chicago, IL at 8:00. Colorado-based bluegrass band Whitewater Ramble shares the bill.

Dan Snedigar

Preview Mon Feb 13 2012

Cate Le Bon with Talkdemonic @ Schubas Tuesday, 2/14

So maybe it's not the most traditionally romantic Valentine's Day lineup at Schubas, but if you and your sweetie can agree on a Cate Le Bon show with support by Talkdemonic, then you probably have picked the right significant other in terms of musical leanings.

Le Bon first gained attention touring with fellow Welshman Gruff Rhys of Super Furry Animals, and has since gone on to release a Welsh language EP and an intriguing debut album, Me Oh My that was influenced, in her words, by "early experiences with a string of pet deaths." Lyrically dark, the music has an edgy folk-rock feel, mixing light, drifting melodies and Le Bon's lilting voice with more aggressive passages.

Portland's Talkdemonic began as the solo project of multi-instrumentalist Kevin O'Connor, and has reached full flower with the addition of viola player Lisa Molinaro to the band's touring incarnation. The band's latest release, Ruins is on a label run by fellow Portlander Isaac Brock (of Modest Mouse fame), and benefits from his work behind the boards, lending music that could lapse into the twee a welcome dose of angular heft. While the band is often lumped into the "post-rock" camp, elements of electronica and artsy hip-hop create a solid foundation that channels the work of Steve Reich as much as any particular rock influence.

Cate Le Bon, Talkdemonic and Bone and Bell play at Schubas, 3159 N. Southport, this Tuesday, February 14 at 8:00 pm. Tickets are $10, $12 at the door and are available at Schubas.com.

Dan Snedigar

Concert Sat Feb 04 2012

Photos/Review: Smith Westerns @ Cabaret Metro 2/3/12

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Though Chicago's own Smith Westerns barely played for an hour on a stage adorned with Happy Faces, they left an immediate impression on the audience and did what great bands can truly do, which is leave their fans wanting more instead of getting tired of the songs. In fact, as the set progressed to the end, the night culminated in complete audience wild abandon and the band did well to feed on this adoration and become even stronger on stage, lead singer Cullen Omori especially. The band perhaps made a breakthrough when they achieved an opener touring spot for Arctic Monkeys but, let's face it, Arctic Monkeys aren't half the band these Chicago lads are.

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Kirstie Shanley

Concert Wed Feb 01 2012

Ode to the Artificial Will to Flow In the Cave of Self-Inception

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George Lewis

The musical career of trombonist/composer/professor George Lewis looks very different depending on where you put your finger on the timeline. In the middle 1970s, he came onto the scene as a teenager in Anthony Braxton's first classic quartet, taking up the brass mantle from Kenny Wheeler. Wheeler's smoky, moody tone was a nice foil for Braxton's multi-directional compositional style of the time, but it also sounded sometimes like he had trouble with the fast charts. Not so Lewis, whose trombone lines dart and pivot, hummingbird-like, in the air around Braxton, speeding the group's development immeasurably. A few years later, Lewis' Homage to Charles Parker LP includes other unexpected elements, like Richard Teitelbaum's Moog synths and Lewis' own electronic processing on his trombone. Lewis' compositions at the time, like Braxton's, came from a personal, genre-less place, born just as much of jazz and improv as classical composition and experimental music forms. He was also one of the earliest jazz musicians to work regularly with computer-assisted composition and music forms.

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Chris Sienko

Concert Mon Jan 30 2012

Spiritualized Announces World Tour, Chicago Date

It wouldn't be too much of an overstatement to say that British space-rock powerhouse Spiritualized owned the genre during it's heyday in the 1990s. 1992's Lazer Guided Melodies signaled that band leader Jason Pierce was going to continue to effectively mine the psychedelic vein of his former band, Spacemen 3. Spiritualized reached their critical peak with 1997's Ladies and Gentlemen We are Floating in Space, an album that dropped at a time when both Britpop and their particular brand of drone rock were big both here and abroad.

Spiritualized has made a few short touring forays over the last few years, but this outing has all the characteristics of a proper world tour. Chicago gets a not-to-be-missed club date at the Metro on May 3. Tickets go on sale this Saturday, February 4 at noon.

Dan Snedigar / Comments (2)

Concert Mon Jan 30 2012

Dark Star Orchestra Channels the Dead for Two Chicago Shows

Say what you will about the Grateful Dead but few if any bands in the history of rock have engendered their level of fanatical devotion. Need proof? Look no further than the fact that Dead cover band extraordinaire Dark Star Orchestra has the truck to play two shows in Chicago in the next week, this despite the fact that kids born after legendary lead-man Jerry Garcia died are in high school and working on getting their driver's licenses.

Dark Star Orchestra, or simply DSO to those in the know, have made their bones by shadowing the fountainhead band through a slavish, completest knowledge of the original band's catalog, and shows which attempt to recreate particular historic shows song by song. Don't be fooled into thinking that they are strictly a nostalgia band, however. Any given DSO show looks remarkably similar to any late '80s or early '90s Dead show, with a mix of aging baby boomers and their teenage children who missed the circus the first time around. The band is comprised of virtuoso musicians who share with their fan base a wide-eyed love of the source material, and play to the level of that devotion.

DSO wheels into town for two shows, a marquee gig at the Vic Theater on Saturday, February 4 and, for those of you wishing you could have seen the Dead at the Matrix in 1966, a club gig at Martyrs on Monday, February 6.

Dan Snedigar / Comments (1)

Concert Sat Jan 28 2012

Review/Photos: Los Campesinos! with Parenthetical Girls @ Metro 1/27/12

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Somewhere between the time this reviewer saw Los Campesinos! at Lollapalooza play a side stage in the middle of the afternoon in 2007 and last night, the band seemed to have gain a much rougher crowd. Though their songs haven't gotten all that rougher, their pop songs with an edge now inspire moshing and crowd surfing, which seemed just as jarring as it was unlikely for fans who just wanted to hear the songs.

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Kirstie Shanley

Concert Thu Jan 26 2012

Phish Bringing the Freak Show to the Circus?

Pink Floyd's Roger Waters has already confirmed a June 8 show at Wrigley Field playing the band's classic album The Wall, but let the rumor mill churn on. This official looking Live Nation tour itinerary floating around on Facebook puts jam rock juggernauts Phish in the venue for a July 4th and 5th double header. Before you resign yourself to having your hippie friends on your couch, remember there is absolutely no confirmation from anywhere at this point, but the team is away those dates.

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Dan Snedigar

Concert Wed Jan 25 2012

To Twombly (Timeless)

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ICE's Claire Chase

Composer Marcos Balter heard something in the paintings of Cy Twombly. When asked by International Contemporary Ensemble (ICE) founder and flautist Claire Chase to compose a work based on any piece in the Art Institute's modern wing, he immediately selected Twombly's Return from Parnassus as his choice in his head, but kept mum, not wanting to sway Chase in her selection until they had both seen everything. When he and Chase approached the Twombly, she immediately gasped. "That's it!" Great minds....

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Chris Sienko

Concert Wed Jan 25 2012

Greensky Bluegrass Pick Their Way To Park West Friday

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Greensky Bluegrass (Photo by Jamie VanBuhler)

It may be cold and dark and (occasionally) snowy, but there's nothing chilly about the warm sounds coming from Greensky Bluegrass. The band hits the stage at the Park West this Friday night, co-headlining with the ever-animated Chicago band Strange Arrangement. Greensky's latest album, Handguns, was released just this past fall (with an additional limited vinyl edition just made available recently). Check out five songs off Handguns below.

Last year's performances at Bonnaroo and Bumbershoot gained Greensky Bluegrass some more crunchy followers to their newgrass sound, and as a veteran of the Hardly Strictly Bluegrass festival, the band also brings in bluegrass devotees as well. Greensky's lineup includes guitar and banjo, but also dobro, mandolin, and upright bass (and occasional horns, even). The band is, at first glance, a quintet that could just as likely play a college quad as a mid-size major market venue like the Park West. A recent resurgence of olde timey music like that mastered by the Carolina Chocolate Drops or the Black Twig Pickers sets up newgrass pluckers like Greensky with a window of opportunity to get airplay somewhere other than college radio Sunday morning shifts. Even the multi-instrumentalist approach by bands like the Decemberists, Arcade Fire, or Fanfarlo speak to how Greensky's sound has room to stretch its legs these days, and gain audiences that can really fill a room. So if you're a fan of harmonies, exuberance, and sheer indie band touring fortitude, my best advice is to strap on your mittens and make your way to the Park West Friday night for what's sure to be a sweet warm-up.

Music starts Friday at 8pm. 18+ Tickets are $15 (plus fees) and are available online or at the door. Greensky Bluegrass will also be joined by Strange Arrangement and opener Chicago Farmer. The Park West is located at 322 W. Armitage Ave. (773) 929-1322.

Anne Holub

Concert Tue Jan 17 2012

Review: Active Child & Tycho @ Lincoln Hall 1/12/12

On Thursday night Active Child and Tycho played at Lincoln Hall as part of the Tomorrow Never Knows festival. Both acts performed sets of hazy electronic music that fit the growing winter wonderland outside.

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Active Child (photo by Andy Keil)

Active Child quickly filled the air with a characteristically exceptional set of modern chamber pop. Singer Pat Grossi's celestial voice soared over the accompanying classically tinged sun warped electronic pop. For an hour Lincoln Hall fell into natures hidden web and was transported to an elaborate Elven courtship ritual. Active Child performed almost the entirety of their recently re-released debut album You Are All I See to a receptive crowd.

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Jason Olexa / Comments (2)

Concert Sun Jan 15 2012

Photos and Review: Grouplove @ LincolnHall on 1/14/12

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The title alone for Grouplove's only full length studio release thus far, Never Trust a Happy Song might lead people to think that the Los Angeles 5 piece was a dismal and depressed bunch. This couldn't be farther from the truth, however. The band has the kind of energy that makes it seem like they are having some great fun on stage and, of course, they also are adept at convincing their audience that making music and performing it is incredibly easy for them. While the construction of a perfect catchy song that can be exuberant and, at the same time, quite meaningful to an audience doesn't come too effortless for many, this five piece may just be one of the lucky talented groups that can pull it off.

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Kirstie Shanley / Comments (1)

Concert Fri Jan 13 2012

Cooking Class is in Session with Lunice Tonight at Lincoln Hall

Lunice Fermin Pierre II is on a #rare and #legendary breakout steak. In 2011 the breakdancer / producer first came to internet fame in a number of Youtube pop-lock videos has gone on to remix Deerhunter with Diplo, collaborated with Hudson Mohawke on a top secret project, and was a featured dancer in Azealia Banks "212" video. Tonight as part of Tomorrow Never Knows Festival, the self described Turbo Crunk artist will melt the dance floor with futuristic high tech bass lasers at Lincoln Hall.

Lunice's FADER Mix by The FADER

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Jason Olexa

Concert Fri Jan 13 2012

Earth People, New York and Chicago. Kool Keith Lands Jan 22nd.

Begin Transmission: The rapper with the most intertwined synapses, Kool Keith aka Dr. Octagon aka Dr. Dooom aka Dr. Ultra aka Dr. Sperm aka Lonnie Hendrix aka Black Elvis aka Elvin Presley aka Black Linen aka Underwear Pissy aka Mr Nogatco aka Mr. Gerbik The Half Alligator Shark Half Man aka Mr. Green aka Mr. Orange aka Orange Man aka Light-Blue Cop aka Kid in the Commercial aka MC Baldylocks aka Tashan Dorrsett aka Blonde Man aka Clean Man aka Shark Man aka Elephant Man aka Alien Man aka The Forth Horseman aka Poppa Large aka Willie Biggs aka Big Willie Smith aka Willie Natural aka Jimmy Steele aka Fly Ricky The Wine Taster aka Keith Matthew Thornton, will bring his lyrical circus to Reggies on Jan 22nd. The greatest MC alive will be in town to support of his upcoming album Love and Danger.

Kool Keith plays at Reggies on Sunday, January 22. Kid Static, Phillip Morris, Second City Citizens, Kid Slim, and Dezert Eeeze open. The show's $15, 18+ and starts at 7pm. Reggie's is located at 2105 South State Street.

Jason Olexa

Preview Thu Jan 12 2012

Dan Vapid & The Cheats @ Beat Kitchen, 1/13

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Photos by Katie Hovland

Dan Vapid & The Cheats play this Friday at Beat Kitchen, 2100 W. Belmont Ave., with Eastland Disaster, About the Mess, and The Heat Tape. Dan Vapid (Screeching Weasel, Riverdales) reunited with two former Methadones members, guitarist Mike Byrne and drummer Mike Soucy. He also recruited bassist Simon Lamb to complete the Cheats lineup.

Eastland Disaster is a new Chicago band that features singer/guitarist Dan Knapik, (Textbook, Venom Lords) singer/bassist Gina Knapik, (Venom Lords) and drummer James Farn, (Kamikaze Eyes, Duress). Last summer they recorded several songs with Matt Allison at Atlas Studios, some of which will appear later this year on a seven-inch for Underground Communiqué Records.

Show starts at 8:30pm, costs $10 and is 17+. You can get more info and tickets here.

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Katie Hovland

Concert Thu Jan 12 2012

Active Child & Tycho Blanket Chicago in Fantasy Tonight

Greetings travelers. If you're reading this you are interested in tonight's voyage into the higher planes starting with a live music performance by Tycho and Active Child as part of the 2012 program of the Tomorrow Never Knows festival. The guide currently being displayed on your digital device is a checklist to follow for maximum enjoyment of the evening. Together we will look behind the curtain as our minds peel back the layers of holographic perception.

Tycho - Hours [Dive LP - Nov. 2011] by Tycho

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Jason Olexa

Concert Tue Jan 10 2012

The Hood Internet Spin on Turntable.fm

Tune into The Hood Internet's Turntable.fm room tonight at 5pm for an hour of the DJ duo spinning live. If you missed their sold-out New Year's Eve show at Lincoln Hall, here's a little (live, but dubbed) video:

Andrew Huff

Video Mon Jan 09 2012

Lowe & Staples Put the Load Right On Wilco

Nick Lowe and Mavis Staples joined Wilco for a rendition of The Band's classic "The Weight" as the finale at Wilco's date at the Civic Opera House back in December. Here's footage of them all rehearsing it backstage before the show.

The whole concert can be listened to on WilcoWorld.net. [via]

Andrew Huff

Concert Fri Jan 06 2012

Grouplove and More at Tomorrow Never Knows 2012

NYE concerts rocked Chicago into 2012, but what happens now that the mixture of confetti, champagne and vomit is swept away? Next week, Tomorrow Never Knows 2012 will roll into Chicago, giving music lovers a reason to quit hibernating and rock out at some of the best venues across the city. From Wednesday, January 11, 2012 through Sunday, January 15th, TNK will be bring five nights of wintery music fun to this frozen city. TNK will be jammin' at Schubas, Lincoln Hall, Metro, the Hideout and Smart Bar . Tickets have already gone on sale for most of the shows. Check venue sites or the Reader's Website for complete listings and tickets sales.

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Niki Fritz

Concert Sun Jan 01 2012

Midwest Hype EP Release Party @ Schubas

Genre is a funny thing. It can work for or against your band. A simple label like "country" can influence listeners' opinions before they've even heard a single song. So when a band manages to elude a definitive genre--like Midwest Hype continues to do on their newest EP--the result can be awfully appealing.

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Dayglow, the upcoming 6-song release from this Chicago-based seven-piece, pits reggae flows against slick rap verses and jazzy sax breakdowns. The moral of this musical story? Don't be surprised to hear unexpected sounds on this new disc. And don't be surprised if they sound unexpectedly fitting.

Celebrate the release with the band this Thursday, Jan. 5 at Schubas (3159 N. Southport). The show starts at 9pm with fellow locals Otis as the opening act. Tickets are $15 and include a copy of Dayglow so you can take the jams home with you after the show. Warning, this show is 18+, kiddos.

Katie Karpowicz

Concert Fri Dec 16 2011

The Joy Formidable@Cabaret Metro 12/14/11

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It seemed once again impossible glancing at the Cabaret Metro stage that there could really only be tree band members on stage during The Joy Formidable's set. The Welsh trio play as strongly as a 12 piece could with as much vigor as any punk band even though their songs are more closer to the "pop/rock" genre. Make no mistake on this: every song they played sounded as catchy and strong as a single but it's not so often you hear a song so intensely engaging in composition played on the mainstream waves.

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Kirstie Shanley / Comments (2)

Concert Thu Dec 15 2011

Get Flossy fo' Free!

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Need something to fill up those calendar dates between Christmas and New Years? Or just need a boozy break from your family and their holiday traditions? The Mid has you covered this December with a free post-Christmas party packed with DJ sets by MPC whiz Araabmuzik and Chicago DJ duo Flosstradamaus. On Dec. 28 both artists will be jumping behind the decks for the hottest party before New Years and, again, you can enjoy it all....for free.

Flossy have been a staple on Chicago's party scene for nearly half a decade and are your best bet for dancing off all those Christmas cookies you'll have been gobbling all week.

Araabmuzik might not have the hometown advantage, but his shows are as legendary as his production collaborations (Do names like Ludacris, Gucci Man and Young Geezy ring a bell?).

All you have to do to make sure you don't miss out is RSVP on The Mid's website. Want to really splurge? Express entry is available for $11.99 per person. The show kicks off at 10pm on Dec. 28 and is 21+.

Katie Karpowicz

Concert Thu Dec 08 2011

What Are You Doing New Year's Eve?

by The Transmission Staff

Finding a show to go to on New Years Eve isn't hard, but deciding exactly which show, out of dozens of offerings, might be more of a task. To help you out, we've compiled a list of entertainment options for those who want to rock, mosh, noodle, polka, or just stand in the corner and bob your head. No matter what you want to spend, there's an event going on in Chicago (and nearby) that can suit your taste and your budget. However, we'll leave the task of finding someone to kiss at midnight up to you.

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Transmission / Comments (3)

Concert Thu Dec 08 2011

Review: Karkwa @ Schubas, December 6, 2011

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Those in attendance on Tuesday night at Karkwa's show gazed in awe as the five piece Canadian band, who has a vast and sprawling sound, gave a performance that was nothing short of astounding. The Montréal group is used to playing much larger venues in their own country and France especially but played as if they, in fact, were in one of these places. Their sound filled every nook and cranny of Schubas Tavern for their hour-long set, even treating fans to a surprise encore when we all cried out for more.

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Kirstie Shanley

Concert Tue Dec 06 2011

See Andrew Bird at Auditorium Theatre in May 2012

On the day Andrew Bird's installation at the MCA debuted, the violinist and master whistler announced the release date for his forthcoming album Break It Yourself (March 6) and a US tour, culminating in a show at the Auditorium Theatre on May 12, 2012, with Mucca Pazza as the opener.

Tickets don't just get you into the performance. You also get a digital copy of Break It Yourself and two live EPs, the five song Fake Conversations recorded on Bird's 2010 tour and one recorded on the 2012 tour. The fan presale sold out in a flash; tickets go on sale to the public at 10am Saturday, Dec. 10 via TicketMaster.

Andrew Huff

Contest Fri Dec 02 2011

Contest: Celebrate the music of Serge Gainsbourg with Jane Birkin Monday night

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Jane Birkin has lived her life as not only the muse to one of the most famous French singers in history, but as an actress, humanitarian, singer, mother, and all around amazing woman. From her days as a staple in the European pop scene of the 60s, her beauty and charm captured the man who would create a body of work that would influence a multitude of artist from Beck to Portishead to Pulp. With the anniversary of one of the pinacles of Serge Gainsbourg's work, Histoire de Melody Nelson, Birkin has started to tour with a full backing band to bring to life the songs from this iconic album. If you are a Francophile, this is the closest you'll get to seeing Gainsbourg's music live in the most true form.

And for one lucky Gapers Block reader, we have a pair of tickets to give away so you can enjoy the show as well. Just email us at contests@gapersblock.com by 4pm today, Friday December 2nd, with the subject line "Je t'aime" and you and friend could be enjoying the show for free Monday night [Update: We have a winner! Congrats to Tracy!] We're more than certain that the show will be très bien.

The Empty Bottle and Chicago Reader present A Serge Gainsbourg Tribute featuring Jane Birkin, Monday December 5th, 8pm at the Portage Theater. Tickets are $25 in advance or $30 the day of, and can be purchased here.

Lisa White

Concert Tue Nov 22 2011

Contest: Enjoy a Different Beat with Tinariwen @ Metro

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Just some of the members of Tinariwen (photo by Marie Planeille)

Let's face it, you don't have a lot of bands like Tinariwen on your iPod. Hailing from Mali, where the group first got together in the early 1970s, the blues-influenced tribal music is like none other. They gained some attention in Chicago thanks to electric performances around town [Read previous Transmission coverage of Tinariwen.] , and their latest album Tassili offers up grooving, trance-like gems that are sure to gain them even more listeners. Joined on many tracks by guests like guitarist Nels Cline (of Wilco fame), members of TV On The Radio, and the horns of the Dirty Dozen Brass Band, there's a lot to love about Tassili.

Songs range from sad tales of longing for home to girl trouble to just tunes about having the blues. You can check out lyrics (which have been kindly translated into English) and see just how much you have to relate to in Tinariwen's songbook.

The band is a feast for the eyes as well as the ears, donning their flowing robes while still emitting an approachable spirit to their shows, whether they take place in the desert or on stage in Wrigleyville. For two lucky readers, we're happy to have two pairs of tickets to give away, courtesy of the Metro. Just email us at contests@gapersblock.com by noon on Wednesday, Nov. 23 with the subject line "Tassili" and you and a friend will be all set to see the show for free. [Update! We have our winners. Congrats to Scott and James!]

Tinariwen plays the Metro on Friday, November 25, 2011. Sophie Hunger opens. Tickets are $26 (adv), $29 (day of show). 18+. Doors open at 8pm, music starts at 9pm. The Metro is located at 3730 N. Clark St. 773-549-4140

Anne Holub

Artist Mon Nov 21 2011

Andrew Bird's and Ian Schneller's Sonic Arboretum

From Dec. 6 through Dec. 31, the Museum of Contemporary Art Chicago will exhibit Sonic Arboretum, a collaborative music installation by Andrew Bird and sculptor/luthier Ian Schneller. The physical aspect of the work is a "sound garden" of 72 of Schneller's audio horn speakers scattered around the MCA's second floor atrium. The horns, which are hand made from dryer lint, newsprint, and shellac, vary in size from three to over nine feet tall. Bird will record new site-specific compositions at the museum; musical information will be sent to different groups of horns, allowing visitors to hear varied soundscapes as they move through the installation.

The musical aspect comes fully into play on Dec. 21 and 22, when Bird will perform live, surrounded by the audience, all immersed in the installation. Sonic Arboretum debuted for a one-night only concert at the Guggenheim Museum in New York in 2010. According to the MCA press release, the Chicago presentation is much larger in scope and duration.

Tickets to the live performances are sold out, but you could get in line for the waitlist if you're particularly intrepid.

Andrew Huff / Comments (1)

Concert Mon Nov 21 2011

The Man With The Horn (that does not sound like a horn) - Greg Kelley at Lampo

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When does a trumpet not sound like a trumpet, but rather, like a...

  1. Babbling brook
  2. Hissing radiator
  3. Miscalibrated servomotor
  4. Self-built organic synthesizer
  5. That creepy cybernetic mule video that was being passed around the internet

Plenty of non-idiomatic free improv trumpet players can make claims to a sonic palette that wide, but Kelley's is the only sonic toolbox I've heard that actually grows and matures every year. With little to no electronic processing, Kelley's horn can go from near imperceptible puffs of air to ferocious metallic alarms -- one of Kelley's best extended techniques is placing a thin sheet of metal gently against the bell of the horn, creating a chest-rattling industrial roar.

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Chris Sienko

Concert Sat Nov 19 2011

Review: M83 @ Lincoln Hall, 11/17

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M83 photos by Kirstie Shanley

There is a certain perfect energy when you see a band on the steady rise in popularity. They attack each set with a fierce and primal sense of urgency and passion, as their life and success is finally being recognized on a larger scale. Couple in the fact that the band is known for conjuring up nostalgia with their sound, and you've got a dance floor full of adults that are probably dreaming of a not so far off youth. M83 dosed out their version of a perfect past Thursday night to two sold out audiences at Lincoln Hall.

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Lisa White / Comments (1)

Concert Fri Nov 18 2011

Up The Punks! Polak Family Benefit Show w/ Plan of Attack & Weekend Nachos 11/19

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Dan Polak has been a fixture of the Chicago punk scene for years. You can count on seeing him at every show smiling and singing along. He's known on the other side of the performance divide for his work in hardcore bands Left Hand Path and Like Rats/Undo Tomorrow. Over the years the Chicago hardcore scene has rallied around Dan as a pillar of positivity. Unfortunately Dan's been having a really bad 2011.

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Jason Olexa

Concert Wed Nov 16 2011

A Curious of Crowns: Leif Elggren at Lampo

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On Saturday at 8 p.m., Lampo's second (of three) concerts in its Fall series. This time, the nonprofit arts group, in association with the Graham Foundation's Madlener House (4 W. Burton Place, Chicago), present aural and textual disorientation from a genuine member of the (invented) aristocracy, one Leif Elggren, king of Elgaland-Vargaland.

Elga-Varga-wha?

Elggren, 61, is Swedish by descent, but it's not his only home. With Carl Michael von Hausswolff, he founded Elgaland-Vargaland, a country consisting of all the areas on the map (geographic, aquatic, digital, mental, and theoretical) not belonging to any other country. From no man's land areas to waterways not patrolled by neighboring countries, Elgaland-Vargaland is peopled by artists and thinkers the world over, each with their own royal title (December's Lampo performer, trumpet improvisor Greg Kelley, is Elgaland-Vargaland's "Minister of Fanfares," for example), and each with their own duty and municipality. Elggren's mind thinks this way -- areas left unclaimed by others, be they piles of dirt on the ground or unclaimed territories in the mind -- will be swept up and repurposed into exquisite aural/visual cartography, alternate histories and untested paradigms.

Elggren's last Lampo performance was in 2007 with Kevin Drumm, a piece entitled "If Other People Exist Then They Are Totally Sealed Secrets (The Voice as an Irregular Sound Generator)," a work for spoken word, electronics, motors and vibrating tin can crowns. This Saturday's performance is simply noted to be "for voice and live electronics." Fans of "lecture"-era Hafler Trio, or people who do chores while listening to Cage's Diary: How To Improve the World (You Will Only Make Matters Worse) in the background, take note. And call me; we clearly need to hang out.

Tickets for this event are free but sold out, but the Eventbrite page for this event will let you put your name on the wishlist.

Chris Sienko

Concert Tue Nov 15 2011

B1G T1ME Taking a Break

Chicago band B1G T1ME might be passed off as a "cover band," but that sells them a might short. This group is truly Chicago's Tom Waits outlet — providing a near-perfect rendering in style, performance, and delivery. As a Waits tour is a rarity lately, B1G T1ME is the closest (literally) many of us can get to the hot asphalt throated singer. They're playing just three more shows in the city in 2011, then they're taking a year off "to catch up on physical fitness and billiards." If you're a Waits fan, and just can't wait for Tom to decide if he's touring off his new album, Bad As Me (see our previous post on his new song, "Chicago"), then you'll want to get out and see B1G T1ME for your dose of growl, smoke, and bang.

Here are the remaining 2011 show dates for B1G T1ME before their year-long break:

  • Thursday, Nov. 17 at Morseland, 1218 W. Morse Ave., Chicago. Show starts at 9:30pm, two sets, no cover.
  • Wednesday Dec. 21 at Quenchers, 2401 N. Western Ave., Chicago. $5 donation. 21+

Anne Holub

Review Fri Nov 11 2011

Powa Incarnate: Tune-yards @ Lincoln Hall 11/9

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Merrill Garbus of Tune-yards (photos by Steve Stearns)

Make no mistake about it: Merrill Garbus a force to be reckoned with.

At the Tune-yards concert on Wednesday, Nov. 9, (the first of two sold-out shows at Lincoln Hall), the audience fairly vibrated while waiting for the band to appear. Snippets of conversation could be heard from all direction, fans describing to friends Garbus' mad-scientist methodology. In the restroom, two girls applied colorful face paint to each other's cheeks in emulation of the Tune-yards founder and front woman.

Chicago has been all a-swoon over the band ever since Tune-yard's raucous performance at this year's Pitchfork Music Festival. Appearances on "Late Night with Jimmy Fallon" and other shows have only boosted their visibility. Not bad for a gal whose first album, Bird-Brains, was self-taped with only a handheld voice recorder.

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Kara Luger / Comments (1)

Concert Thu Nov 10 2011

Black Tusk and Thou Lead a Southern Metal Invasion @ Ultra Lounge, 11/13

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Chicago wizards and warlocks are your demon claws ready for a southern metal Sunday slaughter? Fresh from their appearance on a patricide rich episode of CBS' premier snuff detective program Criminal Minds high level black magic users Black Tusk and swamp druids Thou are playing at the Ultra Lounge in Wicker Park on Sunday night. Locals The Swan King and Monstroso open. If you're worried about your muggle boss finding out about your late night magical metal adventures Thou is playing a matinee show on Chicago's metal lay line intersection, The Albion House. Dope smoking goat worshippers Bongripper and razor taunt d-beat barbarians Hate open.

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Jason Olexa / Comments (1)

Concert Tue Nov 08 2011

Preview: A.A. Bondy w/ Gold Leaves @ Lincoln Hall, Tuesday 11/8

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Empty bars lit by hanging bulbs, the beer you drink alone, and the absolute stillness of night are the visuals of A.A. Bondy's languid folk music. Each song unfolds at an unconcerned pace as Auguste Arthur Bondy's sparse voice fills the valleys between the notes. He builds dreamlike worlds where everything halts into a still frame of reflection. Tonight A.A. Bondy and his backing band of Ben Taylor and Macey Taylor will transform Lincoln Hall into a lodge deep in the Appalachians with a night of slow whiskey drenched rambling man folk.

A.A. Bondy - Mightiest Of Guns

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Jason Olexa

Concert Sun Nov 06 2011

Tune-yards. Totally.

Merrill Garbus is a force to reckon with. Her band, Tune-yards, stole the show at at this year's Pitchfork Festival with her fierce, innovative performance. Since then, she's been a roll, appearing on "Late Night with Jimmy Fallon" and WBEZ's Sound Opinions.

This week she brings the Tune-yards mad-scientist magic to Lincoln Hall (2424 North Lincoln Ave) for two sold-out shows on Wednesday, Nov. 9, at 7 p.m., and Thursday, Nov. 10 at 9 p.m. Pat Jordache opens both shows. Yeah, they're sold out, but I'd imagine the resourceful may still be able to find a ticket.


Kara Luger

Concert Thu Nov 03 2011

Wooden Shjips @ Empty Bottle, Saturday 11/15

Rock styles certainly seem to have a certain cyclical wax and wane, and it seems that psychedelia is currently on something of an upswing. While there are some great acts feeding the current tide of freak-out rockers, few seem to have gained as much traction, both popular and critical, as Bay Area quartet Wooden Shjips. Fine purveyors of droney space rock since their formation in 2006, the group has reached a new level of exposure with the release of their third album West released on Chicago's own Thrill Jockey label. With mastering by Sonic Boom of Spaceman 3, stand outs in the droney psychedelic rock of the late '80s and '90s, the album is a fuzzy, but focused sonic excursion. The album features a few more straight ahead rockers, which makes it more accessible than some of the bands earlier work, but doesn't muster enough sheen to disappoint garage rock fans who've followed the band to this point.

Wooden Shjips play this Saturday, Nov. 15 at the Empty Bottle, with openers Birds of Avalon and People's Temple starting at 10pm. Tickets are available at EmptyBottle.com $10 (adv), $12 (door). The Empty Bottle is located at 1035 N. Western Ave.

Dan Snedigar

Concert Wed Nov 02 2011

Preview: Oh me oh my, My My My @ The Beat Kichen, Thursday 11/3

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Tonight Chicago power pop romantics My My My will be opening for the hazy pop of Brooklyn's Milages at The Beat Kitchen.

Hard Kisses by My My My

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Jason Olexa

Concert Tue Nov 01 2011

JC Brooks & The Uptown Sound, White Mystery Play No Tricks, Only Treats

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JC Brooks (photos by Andy Keil)

It was a blustery night starting out a long Halloween weekend, but there was no pretending for neo-soul outfit JC Brooks & The Uptown Sound as they celebrated their newest album release for Want More (Bloodshot). The band started with playing hits off the album to a nearly sold-out crowd at the Double Door Friday night and rocked the socks off of all of those present. Occasionally adding on a pair of energetic, tambourine tapping sirens in the form of two backup singers, Brooks commanded the stage with a striking white jacket and red scarf, replete with gold chain. With a mohawked 'do and a smile that can only be eclipsed by his happy smile up on stage, Brooks and the band seemed to be having just a little bit of a party in front of a few hundred friends and well-wishers.

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JC Brooks (photos by Andy Keil)

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Anne Holub / Comments (2)

Concert Tue Nov 01 2011

Roger Waters Brings The Wall to Wrigley's Ivy, June 2012

After rumors surfaced a few days ago, it became official this morning when LiveNation announced Roger Waters of Pink Floyd would be bringing The Wall tour to Wrigley Field on June 8, 2012.

Waters had recently mentioned to Rolling Stone magazine that he was working on an outdoor version of The Wall to tour in 2012 and had even conducted several light tests in ballparks around the country, including Wrigley Field.


Tickets will eventually be available online. Prices for tickets at similar venues on this tour range from $55-$200 plus fees.

Breeann Tuch

Concert Tue Nov 01 2011

Review: Gauntlet Hair with Unknown Mortal Orchestra @ The Empty Bottle, 10/27

If lineups were made on performance alone, Gauntlet Hair would have headlined the show at the Empty Bottle Thursday night. The Denver-via-Chicago quartet play projectile jams of billowing reverb somehow wrangled into neat, tight hooks.

Their 7" on Forest Family records last year, I Was Thinking..., is as good of an explosive pop jam as you're likely to hear, though they came to the Bottle in support of their recently released self-titled debut LP. The record illustrates the difficulty of pulling off this massive sound—for every dynamite hook there's another seemingly lifeless moment that gets tripped up by its own gratuitous reverb. At some points, they may as well be playing chillwave.

But what gets lost on record gets found on the stage, and their show finds the lively presence in each song by turning the whole thing up very, very loud. Each of their selections benefitted greatly from expanded volume, and really it was only set closer "I Was Thinking..." that seemed to drag underneath a weak guitar mix.

While the most identifiable parts of Gauntlet Hair's sound are the glistening guitars and yodeling vocals, the most important part might be the drums. The bedrock rhythms help ground the spacious treble, and do a better job of it the louder they are. That's the story with everything in Gauntlet Hair's set—proficiency through volume—and to nobody's surprise, it yielded more than a couple broken guitar strings.

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Kyle Sparks / Comments (1)

Concert Wed Oct 26 2011

Preview: Future Islands, Javelin @ Lincoln Hall, Sunday 10/29


This Sunday, Lincoln Hall promises to be the place to be to catch some of the indisputable rising stars of electropop as Baltimore's Future Islands takes the stage with openers Javelin and Ed Schrader's Music Beat.

Formed in North Carolina a scant six years ago, the now Baltimore-based Future Islands have become critical darlings on the strength of several solid releases on local label Thrill Jockey. On their latest LP, On the Water, the band continues the development of their signature "post-wave" sound, channeling bits and pieces of the best of '80s synthpop without succumbing to the overindulgence that plagued many of the genre's first-wave acts. Richly textured soundscapes develop slowly over loping Peter Hook-esque basslines, while frontman Samuel T. Herring's vocals swing from plaintive to almost menacingly growly. There are plenty of identifiable influences, but the songs are shimmering and immediate. Lyrically, On The Water deals with love and loss, somehow managing to sound deeply personal to Herring while remaining universal enough to be applicable to anyone's tale of heartache. Herring is a riveting stage presence, and their act keeps getting better, no doubt due to their tireless touring over the past few years.

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Dan Snedigar

Album Tue Oct 25 2011

JC Brooks & The Uptown Sound's Latest A Testament to the Rise of Neo Soul Rock

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It's all been many years coming for Chicago group JC Brooks & The Uptown Sound. With national acts like The Dap Kings and Black Joe Lewis creating a real market for classic soul with a Millennial twist, the time is certainly right for Brooks and his talented company of musicians to make a big splash with their latest album Want More. Officially out today on Bloodshot Records, Want More is a hip-shaking romp through classic soul covers, homages, and original tunes that keep you, yes, very much, wanting more.

These guys have done a lot over the last few years. Besides garnering thousands of downloads from local fans for their peppy version of Wilco's "I Am Trying To Break Your Heart" (a cover that could have bit them in the ass something fierce if they'd failed to win over Wilco's Jeff Tweedy), the group gained attention from a national audience hungry for Wilco tunes. A broader crowd of listeners could now certainly see the influence of Otis Redding and Sam Cooke on the group's sound, which only gained them street cred as a band who certainly wasn't using this popular cover song as a one off.

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Anne Holub

Concert Fri Oct 21 2011

Preview: Amon Tobin @ Congress Theatre, 10/21

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ISAM live image courtesy of Amon Tobin


Amon Tobin has a great name for a noir detective. In some alternate reality he's a superstar gumshoe who finds lost kids and protects New Orleans' eccentric family secrets. In our reality he's a sleuth of sound. Since his premier under the name Cujo in 1995 he's been known for possessing an uncanny sense of finding the best parts of forgotten records. Amon Tobin has become a post-modernist sound hero. He reclaims discarded pieces of sonic art and revitalizes them. In the past Amon has relied on a traditional DJ approach to present his music. For the ISAM show tonight at the Congress Theater, an army of mixed media artists have been brought into the fold to create an interactive museum-grade installation on par with the bombast of Daft Punk's rave pyramid or Deadmau5's ecstasy Rubik's cube.

'ISAM' - Full album with track-by-track commentary from Amon Tobin by Amon Tobin

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Jason Olexa

Review Wed Oct 19 2011

Review: Zola Jesus @ Lincoln Hall, 10/12

A hush settled over Lincoln Hall as the assembled mass of neo-gothic Blade Runner enthusiasts counted backwards through Zola Jesus' intro instrumental. Singer Nika Danilova strode out draped in a white photo-reflective shawl flashback recalling of Jarodowski's Holy Mountain psychedelia come horror dystopia. The audience was held rapt by the singer stare as her cheeked reddened and a smile spread across her face. "Thank you, Chicago" the elven singer whispered before the pressure dropped and her mile wide voice rode across Chicago's north side as she opened up "Hikikomori" the first song of the night.

Zola Jesus laid heavily on the white light urban futurism of the recently released Conatus. The new songs expanded and shone brighter live. Nika's backing band continues to prove itself that last summers Pitchfork Festival performance was not a fluke. Her backing band consisting of producer/keyboardist Alex DeGroot, drummer Nick Johnson, and keyboardists Nick Turco and Shane Verwey bring the sonic tide in to mach Nika's expansive voice. The band projected foam tipped waves of sound to break upon an audience. Gone was the awkward muddy Zola Jesus of last year, replacing them was a collection of reborn star children projecting charisma.

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Jason Olexa

Concert Mon Oct 17 2011

Lampo presents its Fall 2011 series

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Lampo, Chicago's nonprofit experimental art series, presents its Fall season beginning this Saturday, October 22. This series of three concerts, held at the Graham Foundation's Madlener House (4 W. Burton Pl., Chicago), are free (with RSVP) and open to the public. This season's series of three concerts, though not as thematically tied as previous seasons, all features solo artists who are equally well known through their collaboration in larger projects.

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Chris Sienko

Concert Sat Oct 15 2011

Review: Dum Dum Girls @ Empty Bottle, 10/14

Slowly but surely, I think Dee Dee is finally figuring out that nobody really cares about the Dum Dum Girls all that much. The black-haired songwriter whose real name is Kristen Gundred has gently eased her band's way into our collective consciousness with a slew of 7"s and EPs over the last three years, acting as a reluctant pioneer for the surge in lady-fronted bands that create glimmering '60s ballads with a hefty dose of elbow grease over the same time span. But while bands like Vivian Girls, Best Coast, and Puro Instinct are all losing favor for their own reasons, everything for the Dum Dum Girls has come to a head now. The quartet sold out the Empty Bottle Friday night, and their new LP, Only In Dreams, has cast away most of the complaints anyone might have had about the complexity of their performance.

Dum Dum Girls' back catalog is an impressive collection of quick, loose hooks and shy, charming vocals; but Only In Dreams is a mostly slow-burning affair between Dee Dee's powerful vocals and instrumentation that seems to shy away from its intimidating presence. Like, where the hell did that come from?

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Kyle Sparks

Concert Fri Oct 14 2011

Review: Portishead @ Aragon Ballroom, 10/12

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Portishead photos courtesy of Portishead

There are some things in life that are worth the wait. Yes, I wish I would have seen Portishead before now and yes I wish they put out albums more frequently, but if that was the case, would I love and respect their work as much as I do? Clearly their craft is a labor of love, each album carefully worked on until they see perfection in their vision, and the same can be said for their live show. Production wise it was near perfect, from the lighting to the quality of the sound (amazing since the Aragon is usually plagued with horrible acoustics) to the spot on perfection of each musician's part all set to a background of a perfect mix of visuals.

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Lisa White

Artist Wed Oct 12 2011

Primus Still Sucks, Friday @ The Congress

It's all too easy to fall into the habit of comparing bands to other bands in order to describe their genre or sound. Even the most articulate critics usually reduce a new act to the sum of their influences or peers. Now entering their third decade as a band, Primus is one of the rare groups that defies a ready comparison with anyone, or for that matter, anything else.

A unique product of Bay Area synergy, it's clear that Primus was the product of a broad palette. Claypool's slappy, tappy bass style adds funk elements which weave with Larry LaLonde's technical guitar playing, which runs the gamut from jam-band noodling to heavy metal crunch, often within the same song. This tour features the return of early Primus drummer Jay Lane, who after a brief stint with the band in the late 1980s, enjoyed a diverse career beating the skins for bands such as Bob Wier's Rat Dog and an early incarnation of recent Grateful Dead alumni super-group Further. Primus continues to inhabit an interesting space as a band with a huge appeal across a broad spectrum.

Primus, touring in support of their latest release Green Naugahyde, will play two full sets this Friday, October 14 at 7:30 at The Congress Theater, 2135 N. Milwaukee Ave. Tickets are available at congresschicago.com.

Dan Snedigar

Preview Tue Oct 11 2011

Zola Jesus and Xanopticon @ Lincoln Hall 10/12

[This preview comes to us from writer Jason P. Olexa.]

Tomorrow night, Lincoln Hall will be filled to maximum volume by the haunting, swirling, operatic vocals of Zola Jesus in her first Chicago performance since Pitchfork Festival. On that sweltering day last summer Zola Jesus, a blonde former Wisconsin now Los Angeles resident born Nika Roza Danilova, emerged with her pixie frame encased in a metallic dress that visually provoked memories of elaborate French ballet costuming to H.R. Giger's Alien designs. Reflecting the sunlight cast around her Zola Jesus transformed from the musky suffocating rural gothic of her earlier performances and into a sharper synthesized emotional bombast of solid white emotional triumph.

Zola Jesus' latest album Conatus (released Sept. 26th on Sacred Bones) continues this cycle of solar rebirth. Nika's soaring vocals depart from the cold isolationist forest of her previous work and into urban environment. But, this is still Zola Jesus and the picture she paints of urban living is one of giant LEDs, underground dance music played by chamber musicians, and harsh utilitarian concrete monolith architecture with all corners bathed in artificial illumination. This city constructed of her mind has no place to hide and every emotion from the most embarrassing defeat to rocking triumph is exposed to the harsh light of Zola Jesus' judgment. The classical aria come ambient house thump of "In Your Nature" serves as a bed for Nika's influence of French naturalistic writer Emile Zola. References to Emile's scientific opposition of free will are brought into the airy chorus about learning to let go. Like Zola Jesus, Emile Zola was a conflicted human being. He was a cold scientist and an optimistic humanist at the same time. "Seekir" reflects this dogged optimism. Atop its agit pop beat is a brave young songwriter devoted to putting past transgressions behind her and liberating herself from herself. The continually evolving Zola Jesus pushes past the din of her past and into a bright new world of Conatus where she's no longer hiding.

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Transmission

Concert Sat Oct 08 2011

The Naked and the Famous@Cabaret Metro 10/07/11

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It wasn't too much of a surprise that five piece New Zealand band The Naked and the Famous sold out the Cabaret Metro last night. Considering their Lollapalooza performance proved boisterous enough for their pop songs to make an impression on the crowd, it seemed only natural that Chicagoans would remember how much fun they had and return to the Kiwi band's next performance. As the eager crowd waited with anticipation for the band to emerge, a single green balloon rolled about the stage, giving a foreshadowing clue for the party that was about to begin.

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Kirstie Shanley

Concert Fri Oct 07 2011

Definitely Dessa

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Like most hip-hop crews, Minneapolis' Doomtree family is tighter than tight. They perform on each other's records, they're each other's biggest fans, and I imagine they'd back up one another in an alley fight. Dessa may be the lone female on Doomtree's label, but by no means is she the token. The rapper and singer has plenty of cred, and judging by last year's group tour, she may even have the biggest following.

The lady's touring in support of her new album, Castor, the Twin, in which she reimagines and rearranges some of her past material with a live backing trio. At her show on Tuesday, Oct. 11, at Lincoln Hall (2424 N. Lincoln Ave) Dessa will open for for Hindi Zahra. The show begins at 8 p.m.; tickets are $12 presale, $15 at the door.

Kara Luger

Concert Wed Oct 05 2011

Review: Adventures in Modern Music @ Empty Bottle, 10/2/11

[This review comes to us from Jason P. Olexa. He can be found on Twitter at @TacoHugsPHD.]

"We are a fucking triumphant band" is the house creed of Chicago post-everything guitar army Pelican. They occupy the borderlands between the foggy mountainous kingdom of post-rock and the Viking strewn hills of the tribal metal warlords. Pelican has launched daring goat riding barbarian raids into both neighboring territories and grown into a thundering bombast of metal sinking into the psychedelic haze of post-rock.

Sunday was Wire Magazine's yearly Adventures in Modern music at the Empty Bottle. Headliners Pelican took the stage for their first hometown show in more than a year. In the time since we've last seen them guitar wizard Trevor de Brauw has retreated into the mists with his power ambient ensemble Chord, fellow guitarist Laurent Schroeder-Lebec has been crafting the bar at Big Star into a beer spewing monster, and the brothers Herweg have relocated to LA.

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Transmission

Concert Tue Oct 04 2011

Astronautalis Surprises -- Even Himself

Astronautalis is on a roll, and boy, is he riding it. The Minneapolis-based MC/vocalist's performance on Saturday at Schubas brought a packed room, much to his own amazement. He repeated his thanks throughout the night, clearly astounded. "I expected maybe 50 people to show up tonight, to be honest," he said at one point. "And we had more than 100 tickets sold in presale. You guys are incredible."

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Kara Luger

Concert Mon Oct 03 2011

Review: Joan of Arc @ The Hideout, 9/30/11

[This review comes to us from writer Dave O'Connor.]

Waves battered the seawall along Lake Shore Drive in the lead up to Friday night's Joan of Arc show, sending sprays of liquid fireworks ten feet in the air and higher, mother nature's sharpest proclamation yet that indeed summer is over. Meanwhile, an equally emotional riptide and another ending of sorts rolled through the Hideout Friday night.

"I believe in this calendar year, this is our 113th show as a band," said Joan of Arc lead singer, Tim Kinsella no earlier than midnight, three quarters of the way through their headlining set. He followed this observation with a more ominous update one song later: "this will be our last show for a really long time."

Friday's rich and steady hour-plus set could have easily been dubbed "accidental retrospective" as Kinsella pulled out dusty, decades old staples and newer jams alike; among them "Anyone Can Have a Good Time," from Owls, which drew one of the evening's many instantaneous and gutteral applauses.

Throughout the show, Kinsella's signature tumbling guitar scales popped with conviction and whispered an admiring reference to his former outfit with brother Mike Kinsella, American Football, but way more ferocious. The drum lines snapped relentlessly from start to finish, with noteworthy praise on a few complicated time changes nailed down with poise. Victor Villarreal's throbbing rhythmic backup guitar, which at times could have easily been mistaken for an electric organ, soared playfully around Kinsella's more vocal guitar angles. Combined, this sometimes sweet, always schizophrenic force ripped forth from the stage in near perfect unison.

The Hideout's tiny, no frills back room transformed into someone's parent's basement Friday night. Joan of Arc found a perfectly intimate setting for Kinsella to bring longtime loyalists together for what sounded the unit's last hurrah, at least for the foreseeable future. One can only hope it will be just another momentary pause in Joan of Arc's marathon lifespan.

-Dave O'Connor

Transmission

Concert Mon Oct 03 2011

Review: This Must Be The Band @ The Vic, 9/30/11

It may not have been the actual Talking Heads on stage last night but it was hard to tell the difference. This Must Be the Band burned down the house (so to speak) Friday night with their recreation of the live concert film (and album) Stop Making Sense at the Vic. The recreation was so on point it was hard to tell the difference between the film and concert. As he mentioned after the show, it was obvious Charlie Otto watched the movie everyday for a month.

The crowd was full of Talking Heads fans young and old, toddlers to grandmothers (yes, I saw a grandmother and a toddler at the show). No matter how old they were, everyone enjoyed themselves dancing and singing at the top of their lungs. Just like the film, the show began slowly with "David Byrne" (aka Charlie Otto) singing "Psycho Killer" with his acoustic guitar and a boombox. The rest of the band was slowly brought in through the remainder of the show and soon the entire house was rocking to "This Must Be The Place."

Once the band finished their recreation of the film they came right back on stage to continue playing until they were "kicked out" of the Vic. Ad-libbing the entire rest of the show by taking requests from the audience couldn't have made a better ending to the night. It was clear the real Talking Heads fans appreciated This Must Be The Band's dedication to bringing to life a band everyone enjoys.

Breeann Tuch

Concert Thu Sep 29 2011

Beirut Shines, Shows Mature Side @ Congress Theater

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Beirut at the Congress Theater (photos by Andy Keil)

Ah, how time flies. No more the 17-year-old Sante Fe-based wunderkind piecing together an album in his bedroom, Beirut frontman Zach Condon has grown into his own, and nowhere was this more apparent than at their show at the Congress Theater on Monday night. Where before Condon was a bit gawky and awkward onstage, he is now a self-assured, 25-year-old trumpet-playing crooner who knows how to keep an audience captivated.

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Kara Luger

Concert Thu Sep 29 2011

Broken Social Scene, Occasionally Perfect


Last month, Heineken brought TV on the Radio to a billboard in Manhattan as the first installment of their "Occasionally Perfect" concert series, and last night Chicago got a pop up show of our own. Thanks to some cryptic tweets on Heineken's Twitter account and a bit of investigative work done by A.V. Club, Twitter was abuzz with the news that Canadian indie rock heavy hitters Broken Social Scene would be playing a surprise set in a parking lot across the street from Wrigley Field, at Addison and Sheffield.

Convinced there would be overwhelming crowds, I showed up half an hour early, only to find about 200 people milling about the huge lot. Within ten minutes, that number doubled, and by the time the band started the crowd had amassed at least 500 people. Occasionally perfect it was, as it had stopped raining shortly before the show started and was somehow warm enough to be outside in short sleeves. The band came on promptly at 8 pm, and played seven songs in approximately 40 minutes, including "Anthems for a Seventeen Year Old Girl", "Cause = Time", "7/4 (Shoreline)", before topping it off with "Ibi Dreams Of Pavement", wherein the band made the crowd scream at the top of our lungs, last gasps of summer into the night.

Stephanie Griffin

Concert Wed Sep 28 2011

Take a Chance (Operation) on Me (and ICE)

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As the first half of the 20th century drew to a close, it was looking like the big innovation defining the century would be Arnold Schoenberg's concept of Serialism. The mathematically precise 12-tone compositional approach turned classical music into something like composing by mathematical algorithm, something better analyzed like architecture than felt. But as the post-war years progressed, it became clear that other, more exciting forces were gathering momentum.

The 1950s, contrary to pop culture's depiction of it as a sterile, Leave It To Beaver-styled cultural wasteland, supported a thriving community of radical thinkers and artists, working in relative obscurity and pushing further outward despite the general disdain of the post-war public toward anything avant-garde. For a time, art was progressing faster than critics could dissect and compartmentalize it: as Morton Feldman put it, "there was a period [in the early '50s], maybe six weeks at most, where nobody understood art." Jazz musicians showed that compositions could be melodically and harmonically rich, yet also spontaneous. The Abstract Expressionists pushed themselves into difficult artistic corners, reducing and refining their emotional and aesthetic urges into movements and gestures, personal rhythms and "happy accidents" that moved even beyond abstract movements like Cubism. And, during the intermission of a concert featuring the music of Anton Webern, two complete strangers met for the first time...

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Chris Sienko

Concert Wed Sep 28 2011

Dropping Science

Take parts hip-hop MC, gravelly Waitsian vocals, and a heaping spoonful of literary, historical, and musical influences, and you've baked yourself a tasty little Astronautalis pie. The Minneapolis-based indie rapper and singer's latest album, This Is Our Science, recently opened at number three on the CMJ Hip-Hop Charts and number nine on the iTunes Hip-Hop Charts (check out his video for "Contrails," featuring Tegan Quin (of Tegan and Sarah). Or check out some crowd-shot video of him performing the song in Texas back in May.


Catch Astronautalis live on Saturday, Oct. 1 at Schubas (3159 N. Southport). Opening is locals Ant'lrd and Sharkula. The show starts at 10pm, tickets are a whole $12, and you can get yours online or at the door.

Kara Luger

Concert Tue Sep 27 2011

Hideout Block Party 2011 Rocks the Lot

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Hideout Block Party 2011 (photos by Steve Stearns)

My thoughts on the success of the Hideout Block Party this past weekend depends on when you asked me. If it was while I was enjoying food truck fare, sitting in the sunshine, while a lazy crowd milled about during Booker T.'s killer set, then I would have given a resounding two thumbs up. If you asked after the food and beer ran out, when the lines to go anywhere (inside the Hideout, inside a toilet) stretched far and wide, and I was freezing as the temperatures dipped, then I might have growled. Weather aside, I was surprised at the lack of organization, but given the fact the actual party has been on hiatus a few years (The Mad Decent Crew and Bloodshot Records took over for a bit), I'll chalk it up to being a bit rusty and hope that next year they don't run out of beer or food.

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Lisa White / Comments (4)

Concert Mon Sep 26 2011

Review: They Might Be Giants @ The Vic, 9/23/11

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They Might Be Giants' John Flansburgh (photos by Steve Stearns)

I never expected the 1972 song "A Horse With No Name" to get stuck in my head after Friday night's They Might Be Giants show at the Vic, but when I woke up Saturday morning there it was — it's unimaginative two-chord self fixed into my eardrums. Midway through the show John Flansburgh and John Linnell invited the entire Onion AV Club onstage, acoustic guitars in hand, for the purpose of playing a song that has only two chords in it. "Join in, don't act like you don't know the words," Linnell called into the mic, prompting the sold-out audience to sing along to what is possibly the most boring song ever written, and transforming it into a wryly humorous piece that only TMBG could pull off.

The show was full of such playful moments — the audience dance contest, for example, with one lucky fan winning a vinyl copy of TMBG's latest album, "Join Us", and three other not-so-lucky fans that came away with booby prizes like a copy of a Rick Springfield LP. At one point the band went backstage, appearing on a giant screen in the form of sock puppets reporting "live from London", in order to appease their newest sponsor, "Epic Fail Bologna Sandwiches." And in a moment of playful hilarity, they broke into the chorus of the 1997 Chumbawamba earworm "Tubthumping," with lively audience participation.

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J.H. Palmer

Contest Mon Sep 26 2011

Contest: The Low Anthem TONIGHT @ Empty Bottle

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Low Anthem at Bonnaroo, Paste magazine

Start your week off right, with a pair of tickets to tonight's show at The Empty Bottle and an autographed poster from The Low Anthem. The Rhode Island indie folk act have been on tour for the past three years since the release of their third studio album Oh My God, Charlie Darwin. They released Smart Flesh this past February, a mix of hauntingly beautiful love songs and rousing Americana folk with always present perfect harmonies. The band is getting ready to take a break from touring for a bit, so this is your last chance to see them live for a bit if you've been putting it off. Also make sure to head out early and catch opening act Sleepy Sun for a woozy dose of swirling psychedelic folk pop.

Write to contests@gapersblock.com with "Oh My God, Charlie Darwin" in the subject line for a chance to win! The winner will get two tickets to their show at The Empty Bottle tonight, along with a lovely signed poster from the band. Update! We have a winner! Congrats to Christopher!

The Low Anthem and Sleepy Sun play tonight, Monday September 26th, at The Empty Bottle, 1035 N. Western Ave. The show starts at 9:30pm and tickets are just $12.

Lisa White

Concert Sun Sep 25 2011

Review: Japandroids @ Schubas, 9/23/11

[This review comes to us from writer Kyle Sparks.]

It's an awkward time to see Japandroids. It's been two years since the two-piece garage-rock group from Vancouver, British Columbia, dropped their debut LP, Post-Nothing, and we've heard nothing but a trio of 7" records last year to remind us that they even exist. Their forthcoming record is all but done, but nobody's heard any part of it. So the entire atmosphere behind their show at Schubas Friday night was a collective state of bated breath for what comes next.

That's a pretty complicated question for Japandroids, because it would seem that immaturity is a cornerstone of their success. Post-Nothing was a brilliant concoction of pop songs teeming with youthful vigor, and perhaps the best way of describing Japandroids to the uninitiated is "boyish." Brian King and David Prowse are like two energetic puppies, incapable of sitting still long enough not to play extra-rowdy renditions of their inspired rock 'n' roll gems. For roughly an hour, the duo ran through the majority of their catalog like there was nothing else in the entire world that mattered near as much. There's hardly a person at a Japandroids show who enjoys their set more than they do, though there were those who came close. The onslaught made a lot of middle-aged concertgoers get rowdy like they were kids again, and made this 22-year-old think twice about his plans to go straight home after the show.

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Transmission

Review Sun Sep 25 2011

Review: The Bottle Rockets, Marshall Crenshaw @ Old Town School of Folk Music

I happened to run into Bottle Rockets drummer Mark Ortmann in the lobby of the Old Town School of Folk Music as they waited to go on for an encore with Marshall Crenshaw at the earlier of their two shows Friday night. Exchanging a pleasantry, I complimented him on the show, and he smiled and thanked me, commenting that "This tour is so much fun." I was glad to hear it, but I don't think I needed the confirmation, as the performances of both The Bottle Rockets and Marshall Crenshaw were consistent with good artists having a good time plying their trade.

Temporarily reduced to a three-piece as guitarist John Horton attended to a newborn at home, the remaining Bottle Rockets, guitarist and vocalist Brian Henneman, drummer Ortmann and bass player Kieth Voegele opened the show with an acoustic set that included many of their classics such as "1000 Dollar Car" and "Kit Kat Clock". The acoustic versions hew closer to the songs' origins, and brought into sharp relief the quality of the band's songwriting, exploring various aspects of Joe Six-Pack existence. Even with stripped down instrumentation and a shorthanded band, songs packed emotional depth while managing to remain light, often weaving dark themes with levity as in "Lucky Break", about spending time on workman's comp.

Finishing their set and coming back in rock band mode, The Bottle Rockets returned to support Marshall Crenshaw as he led the attentive audience through a retrospective of his thirty year career. Crenshaw dipped into his vast repertoire, playing a variety of songs from all stages of his career, as well as some choice covers including Richard Thompson's "Valerie", and Buddy Holly's "Cryin', Waitin', Hopin'" and "Rave On". Wielding a disconcertingly shiny candy-apple red Strat, Crenshaw played songs written with writing partners stretching from his teen years to more contemporary collaborations with artists such as Dan Bern.

In fact, if there was anything wrong with the show, it was somewhat mirrored in the pristine finish of Crenshaw's guitar. Under the plain white lighting of the Old Town's stage, and in front of an attentive but subdued audience, the performance occasionally felt a little too sterile, at times seeming more like a workshop on what a show should look like than a living, breathing show. Though the room itself seemed a little flat at times, it's ultimately hard to argue with the success of the night's lineup. A stage full of tested musicians having a good time is never a bad thing.

Dan Snedigar

Feature Thu Sep 22 2011

Have No Fear: Your Fall Concert Line-up is Here

With the last day of the North Coast Music Festival came the sigh of disappointment heard round the city; it was the end of summer music festival season. But while our sweat-filled days of grooving and boozing along side of thousands of like-minded music junkies have come to an exhausted and satisfying end, there is still plenty of music to love left for fall.

Fortunately for Chicagoans, when temperatures dip the Chicago music scene just moves indoors to the lovely hearths of Lincoln Hall, the Empty Bottle and the Riv (just to name a few favorites). Think of it not as an end to your music-saturated summer days spent flirting with five or more bands a day, but rather the opportunity to settle down with that one special band in intimate quarters...at least for one night.

Check out who the Transmission staff will be cozying up with over the next few months.

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Transmission / Comments (3)

Concert Wed Sep 21 2011

An Intimate Evening with The Bottle Rockets

For most of their career, St. Louis' Bottle Rockets have languished as something of an alt-country wallflower. While their formation in 1992 certainly qualifies them as one of the genre's seminal groups, their bio at times reads a little a hard-luck depression era novel, filled with near misses close calls. It's fortunate for us, then, that a band that has rightfully flirted with fame and just not quite gotten there to date is still around for us to enjoy.

Often criminally overshadowed by contemporaries Uncle Tupelo, the Bottle Rockets' earnest folk rock style remains an exemplar of the genre. More or less, they inhabit the live space like the Platonic Form of what a bar band should be. Recently, the band has rolled back the chicken wire cage and retreated a bit from its honky-tonk roots with an acoustic album Not So Loud - An Acoustic Evening with the Bottle Rockets on Chicago's Bloodshot label. The album showcases the group's tight songwriting, which draws comparisons to Woody Guthrie, and stands up to the work of any working folk songsters of the modern age.

The Bottle Rockets are opening the show at the Old Town School of Folk Music for singer, songwriter, DJ, and general musical yeoman Marshall Crenshaw. Crenshaw has penned songs for a bevy of other artists, and know inhabits an interesting space as a DJ for New York station WFUV, drawing from his personal record collection.

The Bottle Rockets and Marshall Crenshaw perform at the Old Town School of Folk Music tomorrow night, Friday, September 23rd at 7pm and 10pm. Tickets for the 10pm show are still available at Old Town School's site.

Dan Snedigar

Concert Wed Sep 21 2011

Review: Freelance Whales @ The Empty Bottle

[This review comes to us from writer Davis Inman.]

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Freelance Whales at the Empty Bottle (photo courtesy Eventbrite)

On Saturday night, Chicago was part of a simultaneous five-city, five-concert series put on by the San Francisco-based event ticketing start-up, Eventbrite. While The Hold Steady rocked The Beekman Beer Garden in New York and Wavves played L.A.'s The Troubadour, the indie-pop quintet Freelance Whales took the stage at Chicago's Empty Bottle.

The New York-based Whales drew a respectable crowd, and what the fans lacked in numbers, they made up for in enthusiasm, singing and dancing along with the band's multiharmonied baroque pop gems. The band opened with the song "Generator First Floor," a catchy ode to a haunted house, which also scored a spot in Twitter's quirky site redesign video. The group displayed plenty of musical dexterity with a stage full of instruments — guitar, banjo, synth, glockenspiel, harmonium, mandolin — which members seemed to trade between each song. Frontman Judah Dadone came out on banjo, but throughout the evening also played acoustic and electric guitars, bass, and a small synth at the front of the stage. The band's "bassist" Doris Cellar sometimes did double-duty (mid-song!) on harmonium, which Dadone joked was on its last leg after tipping over during one particularly raucous jam-out.

The free show was also a benefit for local charity Rock For Kids, which provides music education programs for underserved kids in the Chicagoland area. The band, who are not currently touring and had driven all the way from New York to play the show, were clearly excited by the opportunity to support a good cause, encouraging audience members to donate. Eventbrite's Vanessa Hope Schneider says the five concerts were a huge success. "A hundred percent of the money we collected will be going straight to the charities," she said.

-Davis Inman

Transmission

Concert Tue Sep 20 2011

Review: Weedeater @ Reggie's 9/18

[This review comes to us from writer Jason P. Olexa. He can be found on Twitter at @TacoHugsPHD.]

"Dixie" Dave Collins strode onto the stage of Reggie's Rock Club in Chicago's south side with his bass slung low. He braced his legs into a perfect sea captain's stance and directed his steely glare across the mass assembled to see his band, Weedeater, perform. After taking a long draw from his tall-boy of Old Style, Dixie smiled, revealing a mouth of gold, and lead his band of warriors into "Hammer Handle," the first crushing reverie from Weedeater's newest album Jason... The Dragon (Southern Lord, 2011). Drummer "Keko" Keith Kirkum and Dixie annexed large swaths of sonic low end in their quest to find the perfect rollicking laid back beer-in-a-paper-bag rock groove. Dave "Shep" Shepherd's guitar amp spit purple fog as the words of Dr. Stephen Strange from Marvel Team-Up, Volume One, Issue 21 flashed across his mind "There are few things in the infinite cosmos that are far beyond my power to command". Shep conjured a psychedelic metal riff from the ether that slithered its way onto the audience's amygdalae. Dixie lolled his head back, feeling the groove roll over him and hunched over the mic ready to deliver. The spirit of Bon Scott was called back to this level of existence through Dixie's whiskey soaked vocal chords. The gathered Chicago metal warlocks raised their hands in elaborate eldritch claws and rasped the lyrics into the rapidly shrinking space between the audience and the performers. The assembled spell casters with precognitive abilities knew this was the beginning of another masterful display of muscular southern metal from Weedeater. In the dim corners of the rock club one began to imagine a gathering of spirit animals taking shape and tapping a keg for one hell of a cosmic party.

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Transmission

Concert Tue Sep 20 2011

Preview: Laura Marling @ Lincoln Hall 9/22

[The following preview comes to us from writer Davis Inman.]

Laura Marling, the young British singer-songwriter who came up alongside the London folk ranks with Mumford & Sons and Johnny Flynn, will play Lincoln Hall on Thursday.

Marling's new album A Creature I Don't Know puts her more firmly in the spotlight, having gained steam off last year's I Speak Because I Can, as well as a nice Jack White-helmed cover of Neil Young's "The Needle and the Damage Done" for Third Man Record's blue series.

Laura Marling The Needle And The Damage Done from TheMemeticArchitect on Vimeo.

On Creature, the comparisons to Joni Mitchell's Laurel Canyon golden age are even harder to ignore. First single "Sophia" finds Marling rolling through the hills and hitting those high lonesome notes.

Laura Marling 'Devils Spoke' from Ben Magahy on Vimeo.

Opening for Marling will be Alessi's Ark, another young Brit, whose obscure and whimsical tunes are given a wider audience by the British indie label Bella Union (Midlake, Vetiver).

Laura Marling plays Lincoln Hall on September 22, 2011 at 9pm (18+). Alessi's Ark opens. The show is currently sold out. Lincoln Hall is located at 2424 N. Lincoln Ave.

-Davis Inman

Transmission / Comments (1)

Review Mon Sep 19 2011

Lost in a Church Together: A travelogue of Active Child, Chad Valley, and Magic Key @ Schubas 9/17/11

[This review comes to us from writer Jason P. Olexa. He can be followed on Twitter @TacohugsPHD.]

Bass rumbles and spits from my breathing regulator as I was deep under the sea in some gear that makes me look relevant to a goth's steampunk fantasies. Trying hard to focus on the reason I'm in this Batman wet dream get-up to find the long hidden entrance to Atlantis. My attention kept drifting to the species of aquatic life striped in colors humanity didn't even know existed. A deep-sea dub beat explodes and I find myself straddled on a Pegasus lifting me high out of the ocean, climbing effortlessly through the air. We're talking post skyscraper high, post supaman high, post rainbow high. As my vision adjusts to the brilliant light I make out St. Peter, Pimp C, and the metaphysical spirit of the Jodeci album Mad Band given human form in a candy colored hot tub. A clean-cut young man on a harp is dropping these R. Kelly romance jams straight out his vocal cords. I'm taking it in. I'm smiling. I'm in heaven and even if that Pegasus takes me back down to earth I have a new goal. This whole heaven deal seems all right with me and I'd like to spend more time.

The Pegasus taps the dulcet toned harpist on the shoulder and informs him of an earthly engagement. As a man who can't stop moving, partially due to the bends induced by my rapid accent into the metaphysical cosmos, I key in on the cut of The Pegasus' jib and hitch a ride back down to earth. I find myself in a candlelit neo-Gothic tavern named Schubas as my partner in travels hoists his harp onto the stage. Two fellow members of his sonic clergy on bass and drums join him; he introduces himself as Pat Grossi and his band is Active Child. Led by a rumbling bass tone, they launch into their fist song and I'm back at that heavenly poolside party.

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Transmission / Comments (1)

Concert Fri Sep 16 2011

Review: Marissa Nadler, James Vincent McMorrow @ The Hideout 9/15

[This review comes to us from writer Davis Inman.]

Last night at The Hideout, with summer all but gone, James Vincent McMorrow and Marissa Nadler were speaking in fall tones. Even sans one of Tim Tuten's legendary band introductions, the sold-out concert got off without a hitch.

Marissa Nadler, a singer-songwriter from Boston, draws on the haunted minor key dirges of Gillian Welch with some of the atmosphere of Kate Bush. But with long black hair, a white dress, and black stockings, singing songs about loss and death, she could also be the ghost of Joan Baez, ca. 1963.

Nadler pulled mostly from songs from her new self-titled, self-released album. Whereas album versions feature weeping steel lines and occasional synths, on stage it was Nadler, alone. It's hard to be entertaining in a quiet room these days, but it helps to have a great voice or great songs, and Nadler has both.

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Transmission

Concert Fri Sep 16 2011

Washed Ashore

The Baltic-influenced craze that hit the indie world a few years ago has died to a slow simmer, but that waning has separated the true troubadours from those who just wanted a reason to grow fancy mustaches. Beirut counts among the former. After appearing at Lollapalooza 2011, Beirut will be back in town on Monday, September 26, at the Congress Theater, touring to promote their third full-length album, The Rip Tide.

Opening the show is Stereolab singer Laetitia Sadier. The show begins at 7pm. Tickets are $30 presale. Get yours online or at the door. The Congress Theater is located at 2135 N. Milwaukee Ave.

Kara Luger

Concert Tue Sep 13 2011

Brilliant Corners of Popular Amusements Brings A Weekend of Delights

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If you're feeling a little overwhelmed with your typical street festival, look no further for something truly original and enchanting. The Brilliant Corners of Popular Amusements held in Chicago's Eckhart Park seems like it will provide just about everything to concert goers and thrill seekers alike. The weekend festival boasts a delightful and eclectic lineup musically as well as rides, games, circus acts, a farmer's market and the Renegade Craft Fair (which on its own typically draws a large amount of traffic). The Brilliant Corners website states, "Some might say that Brilliant Corners of Popular Amusements hopes to reinvent the traditions of Vaudeville for a 21st century audience..." and considering what it's offering, this sounds quite accurate. Plus, if you're still on the fence, the festival has partnered with local non profits including Girls Rock Chicago to make this truly a feel good experience in all ways.

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Kirstie Shanley

Preview Mon Sep 12 2011

The Treasure Fleet @ Panchos 9/12

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Photo by Kristie Shanley

Head over to Panchos - 2200 n. California Ave - tonight for The Treasure Fleet (includes members of Smoking Popes, The Arrivals, Sass Dragons and The Lawrence Arms). The Treasure Fleet play with Canadian Rifle, Witches and Holopaw.

Doors open at 8 pm, is 18+ and is $8.
You can buy tickets and get more info of this show here.

Check out their video for "Future Ways" below.


Katie Hovland

Concert Mon Sep 12 2011

Preview: Hunx & His Punx @ Double Door, 9/14/11

[This preview comes to us from writer Kyle Sparks.]

Hunx, aka Seth Bogart, is not afraid to let it all hang out. With his Punx by his side, the flamboyant frontman writes catchy, Ramones-esque melodies about cute parties and cuter boys, shouting all of his most intimate romantic yearnings for all to hear. But it's just as likely that most readers will recognize his face (or something else...) from his nude cameo in the "hardcore" version of Girls' "Lust For Life" video in 2009 (link NSFW, obviously).

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Photo courtesy Hunx & His Punx

But it's important not to think of Hunx & His Punx as simply a gimmick of homoerotic fantasy housed in the musical talent of others. The group's first outing, last year's Gay Singles, is an eclectic collection of singles and EPs that introduced an ethos better fleshed out on this year's To Young To Be In Love. The contradiction is apparent, because nearly every song is about falling in love. But Bogart's point has more to do with the other half of it--the falling out. Because no matter how many boys woo him, he never comes away from a relationship without some nagging regret. Love is only exciting so long as it is regenerating.

Likewise, the boy-girl vocal interplay between Hunx & His Punx supplies their lively tunes with a dynamic backdrop. While they tear through the same styles of San Fran punk rock like Nobunny, Hunx & His Punx deliver four-chord pop songs like they owe it to themselves. They add elements of doo-wop and '50s candy shop pop. At their best, they sound like a great group of friends who can't get over how great life would be if it weren't for all these other people. Everyone can be reduced into two categories: fun and miserable. For the former, Wednesday's show at the Double Door will be a great time. Those of the latter need not apply.


Hunx & His Punx headline the Double Door this Wednesday, September 14. Natural Child opens. Doors open at 9pm, and the show is 21+. The cover is free with an RSVP. The Double Door is located at 1572 N. Milwaukee Ave.

-Kyle Sparks

Transmission

Concert Wed Sep 07 2011

Bloodshot Celebrates 17 Years @ Hideout Friday

Chicago label Bloodshot Records is getting out and having themselves a bit of a party Friday night, and you're very much invited. Two years ago, they went all out for the 15 year mark with their own Hideout Block Party and earlier this year, they released a live CD from the day of rock called No One Got Hurt: Bloodshot's 15th Anniversary — a true enough title, for sure (currently on sale at the Bloodshot site).

This weekend is still a big party, even if they're not putting up a tent about it. With prime Bloodshot acts the Waco Brothers, The Scotland Yard Gospel Choir, Danny Black and Nora O'Connor, and Deadstring Brothers (solo) on the bill, it'll be a night packed with super alt-country and rock favorites. Better yet, there's beer from Goose Island and food specials, including yum yums from Dangerously Delicious Pies. Tickets are $10 and music starts at 7pm. The Hideout is located at 1354 W. Wabansia. 773-227-4433.

Anne Holub / Comments (2)

Concert Tue Sep 06 2011

Jane's Addiction Launch New Album at Metro Sept. 24-25

A mere eight weeks after Lollapalooza, Perry Farrell will be in Chicago again, this time to launch Jane's Addiction's latest album, The Great Escape Artist, with a pair of shows at the Metro Sept. 24 and 25. The band will do similar two-night stands in New York and Los Angeles after Chicago. They're playing at IHeartRadio in Las Vegas the night before.

Tickets are $35 and will go on sale Saturday, Sept. 10 at noon on metrochicago.com only -- no lining up at the box office for this one. There will be a four-ticket limit per order. The show is 18 and over.

The album, which is officially released Oct. 18, is the band's first since 2003's Strays. The first single is "Irresistible Force." According to the press release, Jane's Addiction launched their 1988 album Nothing's Shocking with two shows at the Metro; Symphony of Ghosts has a bootleg of the Nov. 25, 1988 show.

Andrew Huff

Review Mon Sep 05 2011

Review: Sleeping in the Aviary, Dastardly, Paper Thick Walls @ Schubas

There is this unique phenomenon at smaller music venues in Chicago. Promoters smash together random bands (usually all under the general "indie" category) and see what happens. Sometimes the Frankenstein created is hideous, but other times, like Friday night's "Orange Tree" music video premiere at Schubas, it is legendary.

The line-up for the night was odd and seemingly backwards in intensity. It started with the energy and fury of Sleeping in the Aviary, moved to the rock-infused bluegrass of Dastardly, and ended with the sweetly catchy pop of Paper Thick Walls. But the sequence worked for the Schubas crowed, who got riled up with Sleeping in the Aviary and rode the buzz through the video premiere.

I was initially drawn to Friday's show because of a familiar name. Sleeping in the Aviary was a hit Madison-based screamo band (in the best sense of the word) when I was a Badger (back in good ole 2008). I was jazzed for a piece of college-life nostalgia even if SITA is now officially a Minneapolis band. I was pleasantly surprised to find the band has matured from emotionally-fueled rockers to a more ridiculous, less serious and more varied rock group. SITA jammed from classic indie rock to '60s pop with barely time for a key change in between. The band seems to have learned growing up right means letting go of the angst and embarrassing the insane. To start their opening set, lead singer Elliott Kozel, took off his shoes and threw them at (not into) the crowd. With his feet free, Kozel, along with the rest of the band, jammed on stage heavy with bass and guitar with an occasional touch accordion and plenty of rock n' roll antics. SITA gave show reminiscent of a classic rock era with a strange familiarity to a drunk '70s prom band. The set could only have been better if it ended with a pantless encore.

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Niki Fritz / Comments (3)

Concert Sat Sep 03 2011

North Coast Music Festival: Friday

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North Coast crowd by Katie Karpowicz

Well, we avoided the rain on Day One of 2011's North Coast Music Festival, but fest goers still suffered through a sweltering September evening. Things got sweaty once the bass started bumping throughout Union Park. Organizers of this year's NorCo fest organizers admittedly bulked up on electronic acts and DJ performers--an effort that was already noticeable after just one day with acts like SBTRKT, Wolfgang Gartner and headliner David Guetta all hitting the stage on Friday. -Katie Karpowicz

Before I even hit the festival grounds, I received a simple text from a friend that "this crowd is an odd mix." Her sentiment was spot on, since North Coast brings together a mash of ravers, hippies, hip-hop heads and everything in between. It's your best bet for seeing a guy wearing high end Nikes next to a girl wearing fairy wings while hooping. Yet one thing is obvious by the enthusiastic demeanor of the crowd; they came here to dance. -Lisa White

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Lisa White / Comments (1)

DJ / Dance Thu Sep 01 2011

Best Bets at the North Coast Music Festival

We'll be at Union Park (1501 W. Randolph St.) all this coming Labor Day weekend for the second annual North Coast Music Festival, but before we slather on the suncreen and grab a corndog, here are some best bets for sets that can't be missed, and info on the prime Chicago talent on the bill as well. Single day tickets ($60) are still available (will call info.), so come on down and join us! (Download a PDF festival map.) We'll be reviewing the best and bounciest beats all weekend long, too.

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Transmission

Feature Thu Sep 01 2011

Janis Ian: I'll Come Up Singing For You, Even When I'm Down

Quick quiz: Which musician spoke of this auspicious start to her career in music? "A radio station in Atlanta dared to put [my song] in rotation, and someone burned the station down. Strangers walked up to me in restaurants and spit in my food... one [fan] letter would thank me for speaking out, the next would have razor blades taped to the envelope so I'd shred my fingers opening it... People threatened to burn down the venues I worked in, to run me over in the street, to shoot me while I was on stage."

Hint: she was only 15 at the time.

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Janis Ian (Photo by Peter Cunningham)

Janis Ian's "Society's Child" brought heat from all directions. Stations bold enough to play it were rewarded with equal doses of accolade and venom from listeners. A sensitively wrought portrait of a doomed interracial relationship, "Society's Child" is compelling enough on its own merits, but in a culturally abraded year like 1965, it was spark applied to powder. Read that first paragraph again: Razorblades. Fire. Guns. This isn't cowardly internet dweebs railing against Rebecca Black's auto-tuning; "Society's Child" brought out primal conflicts in the hearts of people who felt that the civil rights struggles throughout the U.S. represented the end of civilization as we know it, and they pushed back with all the violence and bile they could muster.

To no avail. "Society's Child" was a bona-fide radio hit, gaining country-wide acceptance following a glowing review of her music on Leonard Bernstein's one-hour TV special Inside Pop: The Rock Revolution. The respected orchestral composer's stamp of approval made Ian's music safe for timid radio programmers - KRLA in Los Angeles even took out a full-page ad apologizing to Ian for previously blacklisting her music. Far from a time-capsule piece that requires historical context, "Society's Child" still retains its literary and emotional power to this day, and it made Janis Ian a star at 15.

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Chris Sienko / Comments (2)

Video Wed Aug 31 2011

Video Premiere: Paper Thick Walls' "Orange Tree"

Rising indie stars Paper Thick Walls are set to release their debut music video "Orange Tree" at Schubas on Friday and if you've been following them on Facebook at all, you know they're pretty darn pumped about it. Lucky for anxious Gapers Block readers, we've got an exclusive first look at the new music video. The video, which was directed by Kevin Pickman and Stefeni Tormanen, is simple and sweet with the obligatory owl usage. It suits the kitsch-less-catch of "Orange Tree" and more importantly finally answers the age old question of what two Indie kids would do if they were stuck in a tent all night.

Orange Tree from Paper Thick Walls on Vimeo. Directed by Kevin Pickman and Stefeni Tormanen.

Lead singers Kate Schell and Eric Michaels make loving their light and breezy harmonies easy by blending lyrics with an assortment of pleasantly interesting instruments such as the trumpet, upright bass and fiddle. With their soft voices and deep instrumental backgrounds, they give slight deja vu to The Stars; they are the kind of band meant to perform a NPR tiny desk concert.

Although none of the band members are originally from Chicago, they are headquartered here or, as the band puts it, "stuck for the time being" like the dysfunctional family that they are. (For more on their complex connections, read playground misnomer's interview with the band.). With the backing of sound engineer Mike Hagler (Neko Case and Wilco) and performances at SXSW, NXNE and Summer Fest already under their belts, it looks like this Chicago-trapped band is set to become a Chicago favorite.

Paper Thick Walls fans have two options for seeing the band perform this weekend. They will perform along with Dastardly and Sleeping in the Aviary on Friday at Schubas. Show starts at 9pm and tickets are a steal for eight bucks. Fans can get an even better deal by stopping by the Paper Machete show at The Horseshoe (4115 N. Lincoln Ave.) on Saturday at 3pm for a free show. Live it up, Chicago!

Niki Fritz

Concert Mon Aug 29 2011

Briar Rabbit, Josh and the Empty Pockets and other Indie sweetness at Lincoln Hall 8/31

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I received a welcome surprise at the Paper Machete on Saturday when Chicago's own Briar Rabbit took the stage for the show's musical portion. I had heard of Briar Rabbit (also known by his given name Philip-Michael Scales) before but had never quite committed to seeing a show. Luckily fate stepped in and I finally had the chance to hear the singer-songwriter perform his sweetly sung stories of heartache, heartbreak and the never-ending search for true Indie love.

I've wracked my brain for two days now trying to find the appropriate comparison for Briar Rabbit but all I can come up with is a poor comparison to Jason Mraz with more head bobbing and a twinge more soul in the edge of his voice. As Paper Machete's host Christopher Piatt said "That is pretty music right there."

If you would like a chance to hear the pretty music along with a bunch of other Indie prettiness, check out Briar Rabbit along with Josh & The Empty Pockets , Band Called Catch and Snow 'n Charm at Lincoln Hall on Wednesday, August 31, 2011. Show starts at 8pm and will only set you back 8 small ones. Briar Rabbit promises it will be a show filled with Indie goodness. When questions what Indie goodness is, B.R. shrugged and said "It's like gumbo; you're not sure what's in it but you know there will be rice." Sounds delicious.

Niki Fritz

Concert Thu Aug 25 2011

Houses Headline Schubas 8/27

houses_magnum.jpgWhat a year it has been for Dexter Tortoriello. It was last October that his band Houses (with Megan Messina) released their debut album All Night through Lefse Records. The buzz started before that on the strength of the single "Endless Spring" (video below), but it was All Night that took them to CMJ, SXSW, and around the world. This also opened up opportunities to remix tracks for bands like The One AM Radio, Sun Airway, Active Child, A Lull, and others. You can check out the Houses remixes here. Also during 2011 Dexter released a solo project through Mad Decent under the moniker of Dawn Golden and Rosy Cross. Earlier this month he made his Chicago debut as DGRC at Mad Decent Block Party, and this weekend Houses will perform their first Chicago show as headliners. They are performing at Schubas on August 27th at 10pm with Pet Lions and Prussia.

Jason Behrends

Concert Wed Aug 24 2011

Victims, Eunuchs, Full On, Tension Generation @ Panchos 8/24

[This preview comes to us from writer Lee Zickwolf.]

Victims have been going strong as D-beat punk legends for about 15 years now with a recipe of non-stop touring and recording. With substantial influences such as Discharge, Motörhead, Totalitär, and Skitsystem you already get the impression that once this band starts they don't let up until the lights come back on. The perfectly gritty amp sounds coupled with lead singer/bass player Johan's voice are not to be reckoned with. Many bands sound "angry" but it's usually sounds practiced and therefore forced. The way Johan sings gives you the feeling that he's 100% honestly pissed about the things he's singing about like how ridiculous the idea of borders are, human rights, and different government issues amongst other things.

With their fifth full-length release A Dissident comes a U.S. tour in August, with a stop in Chicago tonight at Panchos. This album has, dare I say, a more matured almost progressive feel compared to their other releases. It is the first time on an album that two songs have gone over the 3:30 mark. All the rage and bile is definitely still apparent with songs like "Victims in Blood part 6" and "Broken Bones." One song, "In Control" has a more rock feel that will have you banging your head instead of the usual thrashing. A band that thrashes this hard usually burns out or gets stale after about the third release, but Victims somehow add a little something different to each album but keep the ferocity they are known for. Usually a band has this "vision" of how they're going to change the world single-handedly but Victims know "No, we're not the future, but we'll keep fighting 'til the end."

Victims live at Fluff Fest 2011 (2/2) from Ramzi on Vimeo.

Supporting Victims are Chicago's Eunuchs (members of Hewhocorrupts), Full On, and Tension Generation. If you are looking for a night of people belting out songs as if they were on fire, people jumping off things, and general discourse — this show is for you.

Music starts at 7pm tonight at Panchos (2200 N. California Ave) and it's all ages.

[About the author: Lee Zickwolf is a music nerd to the highest degree and newly transplanted from the east coast.]

Transmission

Concert Tue Aug 23 2011

Pearl and the Beard @ Darkroom 8/25

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Pearl and the Beard is all the good things you would expect from a hipstery indie folk band from Brooklyn. They have well-thought-out lyrics, woven harmonies, instrumental experimentation...all wrapped up in a lovely ugly handmade sweater. In addition to beautiful voices and exceptional glockenspiel-playing talent, they also seem to have a sense of humor and adventure with music. One of their most popular YouTube videos, a tribute to Will Smith, is a testament to this. In more traditional Brooklyn style, they also have a video at the 57th Street subway stop.

Hopefully, by now these videos have convinced you that you need to see Pearl and the Beard live. Well, luckily they will be at the Darkroom in Ukrainian Village on Thursday at 8pm along with Bob Dey's Tank Engine Man, The Great Crusades, and Andy Lund. Tickets are $8 and available at the door. Darkroom is located at 2210 W. Chicago Ave. (773) 276-1411

Niki Fritz

Preview Mon Aug 22 2011

All Eyes West @ Metro, 8/27

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Photo by Katie Hovland

Chicago band All Eyes West play at Metro, 3730 N. Clark St., with emo/post-hardcore band Braid this Saturday. AEW is vocalist/bassist Justin Miller, guitarist Jeff Dean (The Bomb, Noise By Numbers), and Rick Fast (Dialogue) on drums. Doors open at 8 pm, is 18+, and is $16. You can get tickets and more info about this show here.

All Eyes West is set to release their self-titled debut album on Jump Start Records tomorrow, Aug. 23, which was recorded by Jeff Dean at Million Yen Studios. You can stream the entire album here. If you can't make it to Metro this Saturday, catch them at Reggie's Rock Club, 2105 S. State St., on Sept. 10 with Samiam.

Katie Hovland

Preview Mon Aug 22 2011

Brendan Kelly, Swayback & Ratasucia @ Double Door 9/9

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Photo of Brendan Kelly by Katie Hovland


Head over to Double Door - 1572 N Milwaukee Ave - on Friday, September 9th for an acoustic set by Brendan Kelly (bassist/vocalist of The Lawrence Arms, former bands include Slapstick and The Broadways). Supporting him are Swayback from Denver, CO. and Ratasucia featuring Dan Hanaway and Chris Carr of The Honor System.

Doors open at 8:30 pm, is 21+ and is $8.
You can buy tickets and get more info of this show here.

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Photo of Ratasucia by Katie Hovland

Katie Hovland

Concert Thu Aug 18 2011

Tomorrow Never Knows What You'll Be Doing In January

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It's still a long haul to get us through the rest of 2011's concerts, but if you want to set yourself up with a secure five days of music in the dark days of January 2012, you can do so tomorrow. Friday at noon, you can purchase a discounted 5-day pass for Schubas/Lincoln Hall's long-standing Tomorrow Never Knows Festival which will run from January 11-15, 2012 at multiple small venues in Chicago. The music will play on for five days at the aforementioned clubs (which have curated and played host in years past) and also at new TNK participants The Metro, Smart Bar, and The Hideout. The list of participating bands has not yet been released, even in short form, but you can go ahead and take a chance that, like years past (see 2010, 2009, 2008), the lineup will be awesome, and well worth the effort of donning your heavy winter coat and actually leaving the house. A 5-day pass will set you back $75 at this special early bird price and will be available starting Friday, August 19th at noon in limited quantities. (Note: Festival shows are 18+ at Lincoln Hall, Schubas and The Metro, but performances at Smart Bar and the Hideout will be 21+.)

Read all our Tomorrow Never Knows coverage.

Anne Holub

Concert Tue Aug 16 2011

High Places Free Show in Logan Square

5986581626_3673964530_b.jpgHigh Places are preparing to release their next album Original Colors through Chicago's Thrill Jockey. This is the duo's third full-length in the five years that they have been together as High Places. The duo will be giving fans a preview of the album this Sunday, August 21st, at 4pm as part of Logan Square's Summer Music in the Park Series. This is a free event, but they are asking that you RSVP here so they can get a count of who is planning to attend. Opening for the band will be Magic Key, the latest project from Aleks Tomaszewska of Aleks and The Drummer.

High Places - Year Off by thrilljockey

High Places will also be performing at Empty Bottle on August 21st with Pillars & Tongues and Dusty Bibles.

Jason Behrends

Concert Tue Aug 09 2011

My Brightest Diamond@Pritzker Pavilion in Millennium Park 8/08/11

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It seems like the cards were stacked up against Shara Worden of My Brightest Diamond. Chicagoans who have friends in London were certainly worried and, making violence even closer to home, a man was killed just a couple of hours before My Brightest Diamond was set to play in the loop vicinity. In addition, concert goers in Chicago may have already been exhausted from a three day straight Lollapalooza, which turned into a giant mud pit at the end with storms wracking the city. Monday saw it's share of storms as well, keeping people off of the park's lawn and into the seats.

Watch a youtube video of her performance done by my friend Sei Jin Lee here.

Continue reading this entry »

Kirstie Shanley / Comments (2)

Television Thu Aug 04 2011

CANTV Music Mini-Series from The Renaissance Society


An excerpt from Tony Conrad's performance in the Bergman Gallery
at The Renaissance Society, January 23, 2011.

The Renaissance Society has been recording its contemporary chamber concerts since the 1990s, and it's going to be airing a selection of the standouts on CANTV over the next few months. Set your DVR to record every Sunday from August 7 through October 7 at 8pm to catch them all.

The full schedule is below.

Continue reading this entry »

David Schalliol

Contest Wed Aug 03 2011

Heat Up The Night With The Cool Kids

Chicago rap duo The Cool Kids (aka Antoine "Sir Michael Rocks" Reed and Evan "Chuck Inglish" Ingersoll) are hot on the heels of their first full-length album (after many free mixtape and single releases online over the years) with When Fish Ride Bicycles (Green Label Sound). With some great jams, including "Swimsuits [ft. Mayer Hawthorne]" and "Bundle Up" (both of which really highlight some of the most notable parts of living year-round in the Midwest), the album is great for some slow cruising on a hot summer night, or heading down the highway to your favorite getaway. Either way, put that elbow outside the window while you listen, for maximum cool.

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The fellas are performing at Lollapalooza this weekend, but they're also jamming at an official Lollapaloza after-party at Reggies Rock Club (see our full list of Lolla pre- and after-parties), and we want you to get in for free. We're giving away a pair of tickets to one reader. Just email us at contests@gapersblock.com with the subject line "Cool!" and you and a friend will get in for free on Friday night. You must be 18+. [Update: We have a winner! Congrats to Gavin!]

The Cool Kids - Bundle Up from GreenLabelSound on Vimeo.

If you're not a winner, or just don't like contests, catch The Cool Kids at Lollapalooza on Sunday afternoon at Perry's Stage at 3pm, or at Reggie's at 10pm on Friday, August 5th along with DJ RTC, The O'My's, and GLC. Tickets are $20. 18+. Reggies Rock Club is located at 2109 S. State St. (312) 949-0121.

Anne Holub

News Thu Jul 28 2011

Welcome Brilliant Corners of Popular Amusements

Chicago has outdoor music festivals aplenty, but add in Dan Deacon, Shellac, and some circus performers, and you've got a welcome addition to my fall schedule. Enter the inaugural Brilliant Corners of Popular Amusements festival, coming to Eckhart Park in West Town September 16th - 18th and sandwiched right between A.V. Fest and the Hideout Block Party to ensure you will not be bored for one second this September.
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The festival will include circus artists, comedians, short film, carnival rides, games, and music, including the aforementioned artists and also School of Seven Bells, Bill Callahan, Fool's Gold, Dark Dark Dark, and more (see the full schedule here). Admission to the festival grounds (which will include the Renegade Craft Fair) is free, but access to tented events will cost you $20 per day for music and $15 per circus act. My only complaint is that there doesn't seem to be any sort of all-inclusive day or weekend pass for those who want to experience all aspects of the festival and don't want the hassle of picking up tickets for every separate event. However, tickets are already on sale and available to purchase here, so you'll have plenty of time to plan out the weekend in advance.

Stephanie Griffin

Concert Thu Jul 28 2011

Review: The Decemberists, The Head and the Heart @ The Aragon, 7/25/11

[This review comes to us from writer Niki Fritz.]

The last time The Decemberists rocked our fair city in February, snowmageddon had just howled through Chicago, forcing concert-goers to dig their way to the Riv. The Portland-based band was greeted on Monday night with a slightly different scene, as thousands of sweaty Chicago fans packed into the Aragon, bringing summer energy and a fair share of pit stains. From sold-out concerts in the snow trap of Chicago winter to sold-out concerts in the heat pit of Chicago summer, Decemberists fans prove they are willing to bundle up or strip down to hear the melodious indie rock band sing songs, weave stories and rock out in full suits.

Continue reading this entry »

Transmission / Comments (1)

Review Tue Jul 26 2011

Review: Ted Leo & Pharmacists @ Millennium Park, 7/25

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Ted Leo (photos by Kirstie Shanley)

Ten years ago Ted Leo released his first real solo album, The Tyranny of Distance. (That Tej Leo thing shouldn't count.) To commemorate it this summer he's played it front-to-back a couple times on the east coast. Early Monday afternoon, he tweeted that he was considering playing it again at the summer's last New Music Monday concert at Millennium Park. A few people replied that it would be perfectly satisfactory with them for him to do so. And so when he and his longtime band walked out on stage, he quickly confirmed it. But before that, they'd need to warm up with a few other songs. Kicking off with perhaps his biggest hit, the Specials-inspired "Where Have All the Rude Boys Gone?", he got the crowd jazzed up from the get-go. From there it was onto "Me & Mia" and a handful of songs from his latest 2 albums. Even with a banged up knee, Leo bounded around the stage with the enthusiasm that's been a staple of his live shows forever.

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James Canty on guitar (photos by Kirstie Shanley)

Continue reading this entry »

James Ziegenfus / Comments (1)

Review Fri Jul 22 2011

Review: Bela Fleck and the Flecktones at The Vic, 7/21

Bela Fleck and the Flecktones concerts always seem to draw a diverse crowd, and last night's show at The Vic Theater was certainly no exception. Middle aged couples in dress casual stood elbow to elbow with aspiring teen Deadheads in tie dyes and cargo shorts. The crowd is telling, however, when one considers the wide gamut of musical styles that bubble up in a typical Bela Fleck show. Fleck's two sets evidenced his mastery both of his chosen instrument, the banjo, and the sometimes odd, yet usually fantastic stew of different genres that he has turned into his signature sound.

Fleck is currently touring with a throwback Flecktones lineup that includes Chicago local Howard Levy, who was a founding member of the band, but left in 1992 only to return in the past year. The remaining lineup remains unchanged, with standout bassist Vic Wooten and his brother, percussionist Roy "Futureman" Wooten forming a dynamic rhythm launchpad for Fleck and Levy's explorations of sound.

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Dan Snedigar

Concert Thu Jul 21 2011

Gillian Welch Breaks Your Heart This Friday

I was excited to get an actual hard copy of Gillian Welch's latest album The Harrow & The Harvest in the mail to review a few weeks back. Even more intriguing was when I went to research the work on her website, I found not one but two videos available — not for the songs on the album, but for the actual creation of the beautiful letterpressed CD insert.

I can't say that this album is one to pep you up when times are tough, but, much like the tradition of Americana and folk from whence it came (not to mention the longstanding "times are tough" themes of the Blues) these are songs that let you revel in the pain of everyday life. Like playing a break-up song on repeat for days on end, I couldn't get enough of these songs, though they didn't necessarily make me feel all bright and shiny. On the contrary, they're dark, sticky and hard to wash off your hands.

But know that The Harrow & The Harvest is a pleasure to listen to, even though it's dark on the inside. In a way, there's hope in the wide-open reality of her songs. There's a lot of talk of resignation that times can be hard (like when a friend steals your man) and sometimes you're in control of it (like when you break up with your boyfriend) "That's the way the cornbread crumbles." In the end, you're still alive, you're still around making your life what you will, and that ends up being the important part of it all. Take a moment and dive in. The album's perfect for lazy, warm afternoons on the couch watching the dust motes sail around the sunbeams, and lord knows we're having a few of those lately.

Watch Gillian Welch and David Rawlings perform on Conan back in June:

[Learn more after the jump including a lengthy video on the creative process behind the letterpressed CD cover.]

Continue reading this entry »

Anne Holub

Concert Wed Jul 20 2011

Get Your Block Party On

After a few summers of experimentation, The Hideout Block Party is returning to Wabansia Avenue this September with a nod back to Hideout favorites of years past and a lineup that works best for the popular event — they're keeping it varied, (for the most part) local, and totally awesome.

This year's Block Party leads off with headliners sure to bring in folks from near and far, including violin-strumming whistlesmith Andrew Bird, Mavis Staples who you might have been lately introduced to thanks to a recent collaboration with Jeff Tweedy on her Grammy-award winning album You Are Not Alone and years of work with Wilco's ANTI-Records label (Staples also famously recorded her first Grammy-award nominated album Live: Hope at the Hideout), New Orleans "Bounce Music Queen Diva" Big Freedia brings the bootylicious dance moves up from the Gulf Coast (check the booty below), and Booker T. Jones returns to town after a rousing performance at the Old Town School of Folk Music in June.

Big Freedia - "Y'all Get Back Now" from stereogum on Vimeo

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Anne Holub / Comments (1)

Concert Wed Jul 20 2011

Widespread Panic to play Aragon Halloween night

Halloween is a great night to go see a jam band. Costumes and fans with the commitment to boogie through three hours of spacy music create just the right pastiche to have a good time. Chicagoans won't have to travel far to get their fix this year, as legendary southern jam band Widespread Panic has announced that in addition to their two already sold out shows at the Chicago Theater on October 28 and 29, they're bringing the circus Uptown for a Halloween night show at the historic Aragon Ballroom. Panic has developed a rabidly loyal fanbase over the past 25 years with music that incorporates an amalgam of styles. On a good night, they're sort of reminiscent of the world's greatest bar band, not terribly pretentious, but awfully fun. Although the show will undoubtedly sell out, if you need any additional motivation to buy tickets early, Panic frontman John Bell said in a recent interview in Garden & Gun magazine that next year will see the band on an indefinite (and possibly permanent) hiatus.

Tickets for Widespread Panic at the Aragon Ballroom on Halloween night, October 31, are $45 and go on sale July 30 at 10:00 am online at eTix.com or by phone at 1-800-514-ETIX.

Dan Snedigar

Concert Wed Jul 20 2011

Béla Fleck Surrounds Himself With The Original Flecktones @ The Vic, 7/21/11

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Béla Fleck (second from left) and the Flecktones (L to R) Victor Wooten, Howard Levy, and Roy "Future Man" Wooten (photo credit: Jeremy Cowart)

While rock music and the electric guitar certainly steal the limelight when it comes to discussions of American contributions to global culture, it pays to take a moment to consider the humble banjo. The banjo has a quintessentially American origin story, having been derived from an amalgam of several different African instruments, primarily with gourd or shell bodies, hide coverings and stick necks. These primitive stringed instruments gained western-style fret boards and increasingly sophisticated construction as they gained popularity, initially as a part of black minstrel shows of the 19th century. Gradually, the banjo found a home in white Southern traditional music and bluegrass, which formed the basis of what we now know as country music.

After seeing a long period where the banjo was somewhat relegated to the niche genres of bluegrass and country, which of course had its adherents but lacked significant mainstream exposure, the banjo as of late has seen something of a comeback. Throughout the '90s and early 2000s, acts such as Leftover Salmon and Yonder Mountain String Band used bluegrass, employing banjo as an integral instrument, as a launching point for projects that integrated elements of rock and improvisational music to appeal to a much wider fan base and steer many back towards the traditional music source material. In this day and age, it has become almost de rigueur for twee indy rock bands to trot out the banjo, and the humble instrument seems to have made something of a comeback.

Continue reading this entry »

Dan Snedigar

Dave Matthews Band Caravan Mon Jul 11 2011

DMB Caravan Sunday: In Which We Finish Country, Strong

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Photo by Rory O'Connor

Emmylou Harris is a goddamn national treasure.

On the final day of the Dave Matthews Band Caravan, the 64-year-old country legend played her afternoon set on the smallest of three stages, acceding to the vagaries of popular taste, but she stood out as by far the most historically significant artist of the weekend.

tx_at_dmbcaravan.jpg"One of my personal heroes," Dave Matthews said in a brief introduction before she took the stage Sunday, and it was hard to disagree after Harris and her superb backing band, the Red Dirt Boys, rolled through an inspired selection of bluegrass and gospel favorites with a few songs from her new album.

They might have been the oldest band at the festival, but we saw only the benefits of those 40 years of experience: Emmylou's easy command of the stage and rapport with the crowd, and the impeccable work by her bandmates on guitar, bass, drums, mandolin, violin, piano and accordion.

While some bands this weekend struggled to hold the audience's attention whenever the tempo slowed, Emmylou's clear, soaring voice was more than enough to keep fans from wandering off to the craft beer tent between Rickie Simpkins' virtuoso fiddle runs.

After the opening shuffle of "Six White Cadillacs," the set was loaded with haunting ballads, from Gillian Welch's "Orphan Girl" to the Carter Family's "Hello Stranger" and the gospel standard "Green Pastures." The best of a strong bunch was "My Name is Emmett Till," an appropriately stark and powerful ballad about the Chicago teenager murdered in Mississippi in 1955.

Simpkins' mandolin riff on the bouncing closer "Get Up John" was still echoing in my brain as I headed over to the main stage to check out David Gray. I was ripe for a rude awakening.

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Jim Reedy / Comments (3)

Dave Matthews Band Caravan Mon Jul 11 2011

DMB Caravan Saturday: In Which I Attempt Physical Activity


I'll admit, I've never been the biggest Dave Matthews Band fan, but with a handful of not-to-be-missed artists (namely, The Flaming Lips covering Dark Side of the Moon in its entirety), I've been looking forward to the DMB Caravan more than any other music festival this summer. Still, I had my apprehensions.

Upon arriving Saturday afternoon, the first thing I noticed was the dirt. There wasn't any grass to be found, anywhere. Not that music festivals are known for their cleanliness, but large, sharp rocks scattered among the dirt made walking uncomfortable and sitting nearly impossible. The area directly in front of each stage was covered in wood chips, but if you wanted to relax further away from the stage, there were hardly any options, save a bench or two in the middle of the field.

The advantage DMB Caravan has over the other big summer music festivals in Chicago is space. I never had any issue whatsoever walking from one stage to the next in 10 minutes or less. The large festival grounds also afforded room for a plethora of non-music related activities, from the giant ferris wheel in the center of the festival to some sort of off-roading track at the side of the grounds.

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Stephanie Griffin / Comments (1)

Dave Matthews Band Caravan Sun Jul 10 2011

DMB Caravan Saturday: In Which We Question the Future of This Musical Venue

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Photos by Rory O'Connor

The weather has been good, the music has been great and the mango Starfruit with blueberries has been a revelation. But after two days at the Dave Matthews Band Caravan, it's clear Chicago has major work to do if it's going to host more massive events at the former site of the U.S. Steel South Works.

tx_at_dmbcaravan.jpgOne problem is the fairgrounds themselves: a dusty dirt field, half-covered in mulch and scrub brush, strewn with rocks, tree roots and stumps and lingering bits of steel wire. It's potentially dangerous and inescapably filthy, especially with no running water available to clean yourself up. But this is the inaugural event, and that all can be fixed for next time with a little effort.

No, the major problem is getting to and from the site. It's not the raw number of concertgoers; we handle 30,000 or 40,000 people all the time without much fuss. It's the massive difficulty the Chicago Transit Authority has had getting to the show whatever large percentage of the crowd is using public transportation.

Whether their arrivals are staggered throughout the afternoon or they're leaving en masse at the end of the night, fans at the DMB Caravan have seen huge wait times both on the Red Line and the inexplicably-not-free shuttle buses running loops from the 87th Street station to the festival grounds. It's tens of thousands of people pinned in by the lake with only one escape route.

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Jim Reedy

Dave Matthews Band Caravan Sat Jul 09 2011

DMB Caravan Friday: In Which Some of Us Have Real Jobs

I've never entirely understood the animosity so many people have for Dave Matthews Band.

Ten-plus years past their chart-topping peak, they are loved by a core of diehard fans, enjoyed by a few, and virulently scorned by just about anyone else who follows popular culture even slightly. If you don't like them enough to buy a ticket to one of their concerts, you wouldn't be caught dead at one.

tx_at_dmbcaravan.jpgMaybe you never saw the appeal, and grew to hate Dave Matthews Band as they became inescapably popular in the late-90s.

Maybe you never cared much, but used to be a fan, buying their CDs and going to a show every summer because that's what everyone in your high school did.

Maybe you loved them deeply and passionately for a few years and now feel vaguely embarrassed, as their music stands in for everything you can't believe you liked when you were too young to know better.

So it is that I wince whenever it's revealed -- because no, I don't broadcast it -- that Dave Matthews Band always was and still remains my favorite band. I'm right now fighting off the urge to deflect with a joke along the lines of "Feel free to disregard everything I ever write about music."

My usual response, or at least my instinctive, screaming desire, is to make sure the person to whom I've revealed this shameful secret understands that I'm not one of those DMB fans:

I'm real. I'm authentic. I'm more sophisticated and savvy and worldly than I was as a suburban teenager in the mid- and late-90s, and you just don't understand, man. It's great music, and hey, if you don't like it, that's fine. Just give it a chance.

But if you're typically annoyed by bros in ball caps and cargo shorts, preps in boat shoes and polo shirts or willowy girls in long, flowsy dresses, steer clear of the South Side Lakefront this weekend. The Dave Matthews Band Caravan rolled into town yesterday for three full days of rock/country/pop/folk/blues at the vast former site of the U.S. Steel South Works plant, and yes, most of the usual suspects are out in force.

The festival kicked off Friday with 14 acts, most of which Transmission missed entirely because Friday is a weekday, even in July, and we have Actual Work Obligations. But stay tuned for full coverage of Saturday and Sunday, during which I will be joined by colleagues who will help me suppress the urge to burden you with 3,000 words on Carter Beauford's drum kit.

Jim Reedy

Concert Tue Jul 05 2011

Review: Low, Glen Hansard @ Downtown Sound: New Music Mondays, 6/27

[This review comes to us from regular GB photographer, Rory O'Connor.]

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Downtown Sound crowd, June 27th (photos by Rory O'Connor)

It was an unlikely pairing at the June 27th installment of Downtown Sound: New Music Mondays at Pritzker Pavilion; one which may have taken more than a few people by surprise depending on their reasons for attending the evening's event.

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Glen Hansard (photos by Rory O'Connor)

Glen Hansard got things started off, as he walked out on stage armed with only a worn out acoustic guitar and a bit of Irish wit. Hansard, perhaps best known as lead singer of the band the Frames and half of the Swell Season, proceeded to treat the crowd to a spirited 45+ minute set, which included a rousing rendition of Van Morrison's "Astral Weeks." Shortly before delving into the cover, Hansard delivered a quick tale about learning his trade by performing on the street and one could see how his humble start had paid off. Hansard appeared completely at ease with his guitar on the pavilion's spacious stage, working the crowd with a bit of humor between songs. His easy manner kept the performance light, even among some of the sadder numbers. Hansard also delivered on what a large contingent were presumably there to hear, when he performed his most well known song "Falling Slowly," for which he won an Academy Award.

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Transmission / Comments (1)

Artist Mon Jul 04 2011

Michael McDermott at Uncommon Ground

Singer-songwriter Michael McDermott is celebrating a lot of anniversaries this summer. Last week, he performed 620 W. Surf in its entirety at Lincoln Hall to celebrate the 20th anniversary of the album that launched his career. This week, he heads to Uncommon Ground to perform as part of the venerable venue's 20th anniversary celebration. McDermott performs July 8th at 10 p.m., and his show is day eight of 20 nights of celebration for Uncommon Ground.

There is a $10 suggested donation. Read more about upcoming shows to celebrate Uncommon Ground's anniversary here.

McDermott is also the subject of this week's Transmission feature story.

Sheila Burt

Concert Thu Jun 30 2011

Haley Bonar @ The Hideout

201547_10150156479389360_8189399359_6305896_6141492_o.jpgMinneapolis' Haley Bonar released her latest album "Golder" back in April, and now she is headed to Chicago this weekend in support of Holcombe Waller and Chicago's Judson Claiborne. Bonar has a way of taking what seem like straight forward alt-country tunes and twisting them into something beautiful and interesting. "Golder" is Bonar first full-length album since 2008's Big Star (Afternoon Records). The shows a huge progression in her sound, and presents a fuller and more orchestrated approach than on Bonar's previous album. On the album she plays Wurlitzer, guitar, piano, synth, keyboard, shaker, Leslie, tambourine and provided an angelic but bluesy vocal style.

Haley Bonar will be performing at The Hideout on July 2nd with Holcombe Waller and Chicago's Judson Claiborne at 9pm and tickets are $10.



Jason Behrends

Concert Wed Jun 22 2011

Mexicans With Guns at Darkroom

polaroid.jpgDon't be scared, or maybe you should be scared. Mexicans With Guns are headed to Chicago. However, this is a music blog and I am talked about the not-so-secret identity of San Antonio's Ernest Gonzales. Last month the electronic music producer released his debut album, Ceremony, as Mexican With Guns. Album is swirl of traditional Mexicans styles mixed with pulsing and inventive electronics and beats. The album was released by Innovative Leisure/Friends of Friends, and has received a lot of great praise in the last few months.

Below is the short film/music video for the track "Dame Lo". You can catch Mexicans With Guns at Darkroom on June 24th for Face Melt with Chicago's Down Giant and residents Intel, Maker, and Phaded.

Jason Behrends

Concert Mon Jun 20 2011

Testing positive for Bran in the diet

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Jake Rodriguez was reportedly a child actor way back in the day. As the stacks of memoirs lining the bookshelves of any modern day fame-junkie will tell you, that'll mess with anyone's mind, especially the impressionable youth. Just look at that face up there -- born to sell soap flakes and castor oil. Regardless of his past, Rodriguez's project The Bran (...another plight of medic's...) Pos, usually shorted to Bran Pos or Bran (...) Pos, is a project headed for the future.

Continue reading this entry »

Chris Sienko

Concert Mon Jun 20 2011

Kings Go Forth with Ben L'Oncle Soul@Pritzker Pavilion in Millennium Park 6/20/11

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It was a Downtown Sound soul night to remember with this excellent double bill between Kings Go Forth and opener Ben L'Oncle Soul. Both bands had major soul influences and nine piece ensembles live. Each also had charismatic and energetic frontmen that were able to inspire the crowd to get out of their seats and dance. With the perfect weather and the sweet sounds of soul wafting through the air, the glorious feeling of summer was again upon us.

Continue reading this entry »

Kirstie Shanley

Concert Mon Jun 20 2011

2011 Red Bull Riot Fest announces line-up

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Let's start the week off with the announcement of another solid music festival in Chicago, shall we?

Riot Fest just announced their largest line-up to date, with headliners Weezer, Social Distortion, and Descendents, along with a special major headliner announcement on Friday June 24th. The festival will be in Chicago October 5th-9th, and this year it will expand and have Riot Fest East in Philadelphia, September 24th.

Thus far the line-up includes the following acts: Weezer, Social Distortion, Descendents, X (play "Los Angeles"), Youth of Today, Suicide Machines, ALL (Scott, Chad and Dave), Helmet, D Generation, Down By Law, The Business, Strike Anywhere, The Tossers, Macabre, Nachtmystium, The Flatliners, Flatfoot 56, The Menzingers, Banner Pilot, The Pavers, Reverend Peyton's Big Damn Band, Shot Baker, The Copyrights, Cheap Girls, Larry and His Flask, Chines Telephones, The Crombies, The Holy Mess, Van Buren Boys, Neutron Bombs, The Infected, and many more will be announced throughout the week.

Multi day passes and individual tickets go on sale Friday June 24th at 10 in the morning CST. Tickets will be on sales at Ticketfly. The 5 day festival pass will be $145, and includes access to all Riot Fest 2011 shows, and includes access to secret shows leading up to the fest this summer. There will also be the Congress Pass for $135, and that includes access into all the Congress Theater shows during Riot Fest 2011.

The Riot Fest shows will be held at the following venues this year: Congress Theater, Bottom Lounge, Double Door, Cobra Lounge and the AAA Warehouse. There will also be a shuttle bus that will take fans from venue to venue.

Riot Fest has really expanded fast since it kicked off in 2005. It's a great way to end the festival season, consistently offering up a solid bill and some of the best secret shows in the city (I recall the secret Naked Raygun show at the AAA Warehouse a few years ago being one of the best shows of the year for me). We'll announce the special headliner on the 24th, and then make sure you get online and grab a ticket before some of these shows sell out.

Lisa White

Contest Mon Jun 20 2011

Free Neko Case Concert Ticket Contest


The Poetry Foundation is offering you a chance to win tickets to a free concert by Neko Case this Saturday night. They'll give out pairs of tickets to 90 lucky fans for Neko's show at the Poetry Foundation's Open House at 61 W. Superior St. at 8:30pm on June 25th. How did the redhaired wonder get involved with the Poetry Foundation, you ask? Well, besides being an accomplished songwriter, she also contributed an essay on how poetry is not just for the intellectual elite for Poetry magazine's November 2007 issue.

To enter, fill out the online entry form starting at noon today and before 5pm Tuesday, June 21st.

Anne Holub

Concert Mon Jun 13 2011

Between the Sheets

Serpents have long been held as alluring beasts, slithering stand-ins for charm and sexual energy. That tradition continues with ssssnake, the brainchild of local musician and singer Noah Tabakin. He of the perpetually raised eyebrow is a fixture on the scene as a regular in circus-punk marching band Mucca Pazza and kinda-indie/kinda-Fishbone group Dead Rider (previously D. Rider).

Tabakin's busting out ssssnake's inaugural album, Hostile Takeover with an aggressive summer and fall tour schedule and a special CD release show on Friday, June 17, at The Observatory (3036 N. Lincoln Ave., Apt 4). Produced on Logic software (and relayed through his iPhone during live shows), the album is a hostile takeover alright -- of your pants. Seriously, soulful funk-hop tracks like "Sheet Music" and "Wolf and the Bear" are made for booty shaking and/or boot knocking. With his penchant for shedding down to his skivvies, it's easy to think of Tabakin as Chicago's very own Har Mar Superstar.

The CD release show starts at 9 p.m. Opening acts include Deep Wizard, Wannabe Heroes, and Arkatext. Keep an eye on ssssnake's Facebook page for more details.

Kara Luger

Concert Fri Jun 10 2011

Dinosaur Bones @ Schubas

Toronto's Dinosaur Bones are playing tomorrow night, June 11th, at Schubas. They released their latest album, My Divider, through Dine Alone Records in March. The band has toured with Tokyo Police Club and supporting Broken Social Scene, and tomorrow night will be opening for Jeremy Messersmith.

Late last month they released the great video for the track "N.Y.E." from My Divider.

Jason Behrends

Concert Thu Jun 09 2011

Neon Marshmallow Fest 2011 -- halfway to a 3-day

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We're less than 24 hours from the start of the 2011 Neon Marshmallow Fest, a three-day event featuring experimental electronic artists from all over the continent. I'll be recapping the event after each night's festivities, but in the meantime, I wanted to add a few details that have happened since the last update.

First, Sunday afternoon will feature a special bonus round event, the 2011 presentation of Sonic Celluloid, Northwestern University's yearly combination of film and sound. This year, the Empty Bottle will host Zac Davis (formerly of Lambsbread), Lichens, and Sam Prekop starting at 2:30. Tickets for this event will be separate, but for purchasers of the three-day pass, Sonic Celluloid is included in your ticket.

Speaking of three-day tickets, time's running out to get one. If you're planning on going the distance, there's not much time to get all three days at a discount. Visit the festival site for more info on individual and three-day passes.

Finally, if you really can't make it, but you want a taste of those that were there, there's a Neon Marshmallow fundraiser cassette available by mail, again from the fest page. $6 ppd. gets you a rather lengthy tape featuring unreleased and exclusive tracks from many of the festival's highlights, including Leslie Keffer, The Rita, Sickness, Telecult Powers, Lucky Dragons, Pulse Emitter, Lichens and Outer Space. It's a nice looking package, and at no extra charge, the cassette itself is purple! You're welcome.

See you there!

Chris Sienko

Concert Thu Jun 09 2011

Marcus Schmickler smashes universes for a living

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Marcus Schmickler, an early and vital voice in digital electronic music and late-'90s post-rock (under his pseudonym Pluramon) has been steadily accruing power and esteem over the past decade for his tough, detailed sound fields. A staple on labels like Mille Plateaux, A-Musik, and Editions Mego, Schmickler concerns himself with big sonics and expansive ideas, but with flair and real-world experience (i.e. killing in front of audiences) that elevate him above more academically-flavored granular synthesists. This Saturday, Schmickler will make his first appearance in Chicago since 2002, again through the grace of Lampo, the non-profit international experimental music series. Schmickler performs "particle/matter-wave/energy," a composition that will ask the age-old musical question, "What does it sound like when galaxy clusters of 30 objects reciprocally influence each other by means of gravitation? Using a sonification of astrophysical data, Schmickler will collide first two, then three simulated galaxies." As you'd imagine, this will likely be no shrinking violet of a composition....smashing galaxies is a surefire way to wake your neighbors.

Schmickler performs at the Graham Foundation Madlener House (4 W. Burton Pl., Chicago) this Saturday (June 11) at 8 p.m. The event is free, but tickets are currently sold out. However, you can get on the waiting list should ticketholders not arrive by 8:00 by visiting the eventbrite page and letting them know you want in. No guarantees, but you can damn sure believe it's worth a shot.

Chris Sienko

Concert Tue Jun 07 2011

Show Preview: Parenthetical Girls @ SubT 6/8/11

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For anyone who might be a fan of music that is vital, expressive, and unique in a world filled with indie copycats, Parenthetical Girls are the band for you! Lead singer Zac Pennington's strange and wondrous swooning voice occupies his records and stage presence in a way like none other. It's unforgettable and visceral and it makes you feel like you're dancing. It would be wrong and dismissive to label it only as experimental or as pop music but it contains the best qualities of both worlds. In a whole new way, it reinvents something particularly enchanting.

Don't miss Parenthetical Girls and if you're intrigued do have a listen. The band hasn't come to Chicago in five years now and this reviewer humbly recommends seeing them. This 17yrs and over show begins at Subterranean and starts at 8pm (doors at 7:30pm) with openers Jes Kramer and Advance Base Family Band (who is Owen Ashworth of Casiotone for the Painfully Alone.)

Kirstie Shanley

Concert Tue Jun 07 2011

The Stepkids @ Lincoln Hall 6/9

The Stepkids may seem stuck in the past at first listen, but they are reviving a vintage sound that not too many others are attempeting right now. The trio of singer songwriters reflect on psychedelia, but mix in a healthy dose of jazz, funk, neo and classic soul, and so much more. The band released a 12" single through Stones Throw earlier this year and are planning a full-length album later this year.

The Stepkids will be performing at Lincoln Hall Thursday, June 9th, with Dennis Coffey & Friends and DJRC. Lincoln Hall also just announced that the tickets are now buy one, get one free!

Jason Behrends

Concert Thu Jun 02 2011

Music.Friendly.Dancing Welcomes Nobunny


A man donning a rabbit mask prancing around atop a Vietnamese restaurant in the middle of the night in Chinatown sounds more like a manifestation of my strangest nightmares than a fun night out, but luckily I like it when things get a little weird. My dreams become reality this Saturday night as the Empty Bottle's Music.Friendly.Dancing series welcomes garage rock band Nobunny. This monthly concert series kicked off last March, and in appreciation for the Bottle's loyal customer base, the shows are completely free (with RSVP). For this month's show, they'll be moving away from the Empty Bottle and heading significantly further south to the upper level of Hing Kee Phohung Restaurant in Chinatown. Make sure to leave ample room in your stomach for some delicious grub; I hear their pulled noodles are tasty.

Hing Kee Phohung Restaurant is located at 2140 S. Archer Ave (between Wentworth Ave and 21st St in Chinatown). Music.Friendly.Dancing with Nobunny starts at 8 pm, but an RSVP does not guarantee admission so plan to arrive early.

Stephanie Griffin

Concert Mon May 30 2011

Photos/Review: HoZac Records Blackout @ Velvet Perineum 5/28/11

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Put on by The Empty Bottle but in a substantially larger space, HoZac Records Blackout showcase this year successfully featured bands specializing in garage rock with some hints of punk and psychedelic genres from time to time. If you've never been to a Blackout, it was a real experience mainly because of the energy level. There's a youthful rambunctious nature of both the bands and the crowd and it makes the bands much more enjoyable to see when they are so energetic.

Continue reading this entry »

Kirstie Shanley

Preview Fri May 27 2011

Preview: Ratasucia @ Panchos 5/29

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Photo by Katie Hovland

Head over to Panchos - 2200 N. California Ave - this Sunday, May 29th for Red City Radio, Mixtapes, The Sky We Scrape, Ratasucia and X Is for Eyes.

Ratasucia is the newest project from Dan Hanaway, (The Honor System/The Broadways/Slapstick) Chris Carr, (The Honor System) and Tim Scare. You can order their record "White Noise Pollution" on Asian Man Record's website.

Doors open at 8 pm, is 18+ and is $6 in advance / $8 day of show.
You can buy tickets and get more info of this show on Ticket Web.

Katie Hovland

Concert Fri May 27 2011

Goin' 'round the bend with Radian

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Radian, an effects-intensive post-rock band from Vienna, make a rare Chicago appearance this Saturday (May 28) at the Hideout (1354 W. Wabansia). A three-piece ensemble, Radian use electronics in their rig not just to distort the tone and timbre of their instruments, but also to simulate musiqe concrete-style editing via noisegates and other processing techniques. The stop-start effect sounds like it would be posthumously applied in a studio, but it's all done live. The band's last three albums were on Thrill Jockey, and two more before that on Rhiz. Opening will be ex-St. Augustin guitar droner David Daniell and two-piece repetition-mongers Cleared. 9 p.m., $12.

Chris Sienko

Concert Wed May 25 2011

Preview: Damon and Naomi @ Lincoln Hall, Friday, 5/27

To anyone who doesn't already know Damon & Naomi, a little background is certainly useful. It is impossible to fully appreciate where Damon Krukowski and Naomi Yang have arrived without rewinding the clock to the late 1980s and their original band, Galaxie 500. Though the term "seminal" is tossed about quite frequently, and the pop music landscape is littered with sad tales of bands that could have or should have been bigger, few bands have achieved the sort of post-mortem street cred of this Boston-based group. Formed in 1986 by then drummer Kurkowski, bassist Yang and vocalist/guitarist Dean Wareham, Galaxie 500 went on to record three excellent albums for Rough Trade before Wareham quit the band and the label went bankrupt. Since the unceremonious end of Galaxie 500, that band has achieved a certain mystique that had evaded them when they were actually a functioning band. Though they were criminally under appreciated during their short lifespan, group's minimalist instrumental style and plaintive vocals undoubtedly helped influence the direction of modern post-punk.

After the breakup, Damon & Naomi dusted themselves off and, somewhat reluctantly, it seems, managed to stake some territory of their own as a duo. Beginning with the 1992 release of More Sad Hits, the couple has released eight albums, including this year's False Beats and True Hearts. The pair has also collaborated with the Japanese psych-folk outfit Ghost, and their guitarist Michio Kurihara has formed an integral part of their live act.

Certainly the music made by Damon & Naomi in the years since Galaxie 500's flameout tips its hat to the past. There are still the minimalist leanings and somewhat ethereal vocal style, but with the release of their fourth album in collaboration with Kurihara, the band has certainly claimed a territory of its own; a mature, well-crafted folk rock where the elements of the music tie together in a lush, but subtle flow.

Friday's show at the intimate Lincoln Hall should play well to the masses. For those who were around during Galaxie 500's brief lifespan, there will be enough familiarity in the music to satisfy the sentimentalist. More importantly, however, Damon & Naomi's post Galaxie work amply demonstrates that the bands we consider seminal are just that, in that they plant the seeds for the music to progress.

Damon & Naomi play this Friday, May 27 at Lincoln Hall. Show starts at 9:00 pm. Tickets are $12. Openers are Amor de Dias and Good Night & Good Morning. Lincoln Hall is at 2424 N. Lincoln Ave., 773-525-2501.

Dan Snedigar

Concert Tue May 24 2011

Bonnie Prince Billy@Pritzker Pavilion in Millennium Park 5/23/11

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It was an interesting choice for Downtown Sound: New Music Mondays to open up the summer series with Bonnie Prince Billy, otherwise known as Will Oldam and various Palace incarnations. He easily sold out two weeknight shows at Lincoln Hall less than a year ago and also did well at The Vic Theater a couple of years back. Yet, some may still say Bonnie Prince Billy is still much less known than he should be for a man of his talents and breadth of his career. He has been creating and releasing music under various names since 1993 afterall and has so many studio albums that it is somewhat challenging for the casual fan to keep up. One can't help but wonder what some of those in attendance (who were checking out a free show but had never heard the man's music) thought last night.

Continue reading this entry »

Kirstie Shanley / Comments (2)

Concert Mon May 23 2011

Get Grooving With The Downtown Sound Series

Monday's don't have to be all bad this summer — not when you can cap them off with a free concert in Millennium Park nearly every week. Tonight marks the start of one of Chicago's best (and thankfully still active) musical traditions: the Downtown Sound: New Music Mondays series. This year's free concerts range from offerings from local labels, local bands, national (and international) acts, and sweet rare performances from not often touring bands. Grab a friend and a blanket, maybe a sandwich and some cheese cubes, and settle in under the web of speakers down a the Pritzker Pavilion in Millennium Park to wash away the taste of those Monday blues. All shows start at 6:30pm.

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Bonnie "Prince" Billy (right) and Emmett Kelly of Cairo Gang

The season starts off tonight (rain or shine) with the roots/acoustic punk/Americana sounds of Bonnie "Prince" Billy featuring the Cairo Gang. Bonnie "Prince" Billy (Will Oldham) brings his beardy, rootsy, often edgy songs to the stage tonight along with ample backing power from the Cairo Gang. Bonnie and the gang recently put out a benefit 10" EP Island Brothers whose proceeds go to bringing clean water to Haitians. Fans of good harmonies, sad stories, broken hearts, and all things that come with an acoustic guitar attached, should definitely hit up this show. Opening support comes from Eleventh Dream Day whose drummer Janet Bean broke her ankle over the weekend. Luckily, handy (pun intended) substitute Jim Elkington (The Zincs, The Horse's Ha) will fill in tonight. Did we mention it's free? Yeah.

2011 Downtown Sound Series Schedule:

May 23 - Bonnie "Prince" Billy featuring The Cairo Gang, Eleventh Dream Day
May 30 - Justin Townes Earle, Andre Williams and The Goldstars
June 6 - Iron and Wine, The Head and the Heart
June 13 - Phosphorescent, Campbell Brothers
June 20 - Kings Go Forth, Ben L'Oncle Soul
June 27 - Low, Glen Hansard
July 4 - Seefeel, CAVE
July 11 - Delicate Steve, Bombino
July 18 - Blonde Redhead, My Gold Mask
July 25 - Ted Leo and the Pharmacists, Rachel Ries

Anne Holub

Review Mon May 23 2011

Review: Death Cab For Cutie @ Metro

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Ben Gibbard (Photos by Steve Stearns)


In anticipation of their upcoming album, Codes and Keys, Seattle indie rock heavyweights Death Cab For Cutie embarked on a small tour of much smaller venues than the band has been accustomed. In a show that sold out almost instantly, the band swung by Metro Friday night to debut their new tracks and play some old favorites. The last few times they've come through our fair city, Death Cab played Aragon and Lollapalooza, making this night at Metro a rare experience for fans.

Continue reading this entry »

Stephanie Griffin / Comments (1)

Concert Sat May 21 2011

Gutter Growl with Man Man

What this cruddy spring needs is a heavy dose of musical WTFness. I'm talking Man Man, the Philly group that's been hither and thither, spreading word of their particular brand of gleeful chaos. It's a bit swamp boogie, a bit feral blitzkrieg, a bit jazz-swoon saunter, and a ridiculous amount of energy and fun. Their latest CD, Life Fantastic, released earlier this month, and it's surprising fans with how centered and streamlined it is. No worries about Man Man going all "Unplugged" on us -- their live shows continue to be a screaming, feather-coated journey.

Man Man headline at the Metro (3730 N. Clark St.) on Tuesday, May 24. Also lending a heavy growl to the evening is the lasciviously named Shipla Ray and Her Happy Hookers. Doors open at 8 p.m. and the show begins at 9. It's an 18+ show, y'all. Tickets are $16 in advance - buy yours online or at the door.


Kara Luger

Album Thu May 19 2011

The Sea and Cake Chase Some Moonlight Butterflies

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It's been a few years since we got a real tasty morsel from Chicago musicians The Sea and Cake. Since 2008's Car Alarm the sole release the group put out was a split 7" paired with Broken Social Scene. The Moonlight Butterfly, the band's ninth offering, isn't quite a complete meal, clocking in at just over 30 minutes with only 6 songs, but it's definitely doing something more than just whetting your appetite. It's a little more than an EP (and indeed, it's not being branded as such) but maybe it's something like a tasting menu in sound form.

The Moonlight Butterfly is on target with previous releases by The Sea and Cake — full of dreamy lyrics from Sam Prekop and fanciful guitar interplay between Prekop and Archer Prewitt. If you're already a fan of what this band does best, you'll do well to pick up this release. Recorded by drummer (and sound engineer) John McEntire at Soma Studios in town, and held together by bassist Eric Claridge, this is, in some respects, exactly what fans are after. But there's more to The Moonlight Butterfly than just that. The title track is all divergent glitchy keyboard noodling that I wish was more integrated into the other five tracks, instead it kind of sits in the middle of the album and gives you time to go get a soda from the kitchen while you wait for the rest of the tracks to cue up. Not to say I dislike it, but where Car Alarm had almost ghost-like reverberations from a distant steel drum interspersed as background percussion on several tracks, the keyboard track is kind of like the surprise jalapeno slice on your Banh Mi sandwich — it's doesn't turn you off, but man, you just want to get to that tasty barbeque pork and veggies. "Inn Keeping" does a better job of leading us into the song with a bit of electro-drum, and keeping the song steady with light guitar and stronger vocals from Prekop.

All this is not to say that The Moonlight Butterfly isn't a good time to be had, because it certainly is. The majority of the album is a clear Sea and Cake affair, but I almost wish they'd waited out the release by six months or even another year to see where this journey was going to take them. Is there something to the album's title track being the most out-of-place? Perhaps it's a sharp growing pain from a band locked into a particular dream-pop sound. Perhaps it's just an experiment that doesn't quite fit in a neat little bundle of an album. I'll be intrigued to check out the band live on Saturday at the Empty Bottle and see what their performance has to say for their current artistic mood. If you're a fan, might not be a bad place to find yourself either.

[mp3] The Sea and Cake - "Up On The North Shore" from The Moonlight Butterfly

The Sea and Cake play Saturday, May 21st at the Empty Bottle. Doors open at 8:30pm. Tickets are $18 in advance and $20 day of show. Openers include Plush with Liam Hayes and James Elkington. The Empty Bottle is located at 1035 N. Western Ave. 773-276-3600.

Anne Holub

Review Thu May 19 2011

Review: Blue Ribbon Glee Club and Mortified @ Fizz

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The BRGC rocks the house at Fizz as part of Mortified Turns Bright Pink, a fundraiser for the women's health organization Bright Pink.

The Blue Ribbon Glee Club, an a capella group that performs covers of classic punk rock songs, opened Tuesday's Mortified show at Fizz with what I eventually realized was "Where Eagles Dare" by The Misfits. It took me a verse or two to figure it out, but when I heard the lyrics "I ain't no goddamn son of a bitch, you better think about it baby," being sung in sweet, four part harmony, I knew my instincts were right.

The Mortified reading series, in which willing participants read ephemera from their youth, teamed up with BRGC for a benefit show, raising $1,070 for Bright Pink, an organization that provides education and support to young women who are at high risk for breast and ovarian cancer.

If there's anything more incongruous than an a capella singing group using curse words, it's a fully grown woman reading a diary entry that she wrote at age nine that includes the phrase "don't pull my dick, bitch". I can't think of a more apt pairing than BRGC to set into words and music the angsty and awkward real-life moments that were shared onstage by brave women who, in their own words, read about struggles with weight loss, aspirations of becoming the next Christian rock pop star, being boy crazy, and being sent to bed without any dinner, to name a few.

Continue reading this entry »

J.H. Palmer / Comments (1)

Concert Tue May 17 2011

A Curious Concoction

This Thursday night, May 19, the Empty Bottle (1035 N. Western Ave.) presents a curious concoction of performers: First on the roster is Zachary Kale, an indie pop-meets-alt country band from Brooklyn; followed by local noodlesome No-Wave/jazz/experimental group, blink; and honky tonk-rockers D. Charles Speer & the Helix. Headlining is the esteemed experimental rock cellist Helen Money, whose stye moves effortlessly from beautiful classic lilts to kick-in-your-teeth electrified distortion.

Sound like a plan? Good. The show begins at 9pm and tickets are $8. Or those tickets can be free if you RSVP to rsvp@emptybottle.com.

Kara Luger

Concert Mon May 16 2011

Reggae Nights Coming to Cubby Bear

On Sunday night the historic Wild Hare nightclub closed its doors for the last time after more than 25 years of welcoming some of the biggest names in reggae music. The closure came in the wake of owner Zeleke Gessesse's decision to return to his home country of Ethiopia and open another Wild Hare in Addidas Adaba.

Lucky for Chicago's Rastafarians and Cubs fans looking for a post-game dance outlet, Conscious Culture Chicago has announced its new "Reggae in Wrigleyville" series hosted by the Cubby Bear, an attempt to fill the void left by Wild Hare. Saturday, May 28 marks the restoration of reggae in Wrigleyville with dancehall artist Red Rat and local openers KOFI and DJ Slacky J. Classic reggae hits will fill the airspace between artists' sets.

It's the first in what Conscious Culture Chicago promise will be "many" reggae shows at Cubby Bear. Tickets are $10 in advance at the Cubby Bear box office and $20 on the day of the show--a nice incentive to plan ahead. Music starts at 9pm and it's 21+.

Katie Karpowicz

Concert Mon May 16 2011

Of Vinyl and Koalas

While it's an old hip-hop trope to cajole the audience to raise their hands in the ay-yer, I can safely say that Kid Koala's show at the Abbey Pub last Saturday was the first time I've seen an entire audience of adults stretch their hands to the ceiling to emulate growing bean stalks.

From the get-go, Kid Koala, aka Montreal-based turntablist Eric San, made it clear that the night was going to take an interesting turn. "I want to get away from the dance floor," he said, referencing his career, which certainly hasn't followed a normal house DJ trajectory. While he's certainly capable of weaving unlikely samples together into a riotous dance fest, he tends to veer toward unlikely caches, including brassy jazz, swampy bayou blues, shredder guitar rock, and atmospheric space trips. He opened his set with slides from his graphic novel, animated storyboards from a breakdance cartoon he's illustrating, and previews of other musical projects.

Continue reading this entry »

Kara Luger

Concert Fri May 13 2011

Preview: Austra @ Beauty Bar

On Saturday, May 21, Toronto-based trio Austra will bring their mesmerizing electronic-pop to the stage at Beauty Bar.

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The sounds on Austra's debut album, Feel It Break, are atmospheric without sounding too aloof, dark and goth-y minus the gloom. Vocalist Katie Stelmanis's poignant, hauntingly powerful voice shines through the already glossy instrumental undertones keeping Feel It Break from falling into the sometimes sleazy "club music" genre. Sure it's danceable, but it's also delicate and sensual.

Austra - Lose It by DominoRecordCo

Continue reading this entry »

Katie Karpowicz

Concert Fri May 13 2011

Preview: Crystal Stilts @ Empty Bottle, 5/20/11

[This preview comes to us from Rachel Angres.]

Crystal Stilts is back on tour following the release of their latest album, In Love With Oblivion. Oblivion is the ideal noise-pop album, weighing heavier on the pop than noise. The vocals are droning and nearly demonic — and yet, they complement the static dreamy guitar riffs floating between each word.

Oblivion contests the quintessential "Brooklyn psychedelic" sound that has much stigma attached to it — like the reverbing, echoing sounds of Animal Collective, or the lo-fi meanderings of Thee Oh Sees. This album is neither reverb-dense nor deliberately roughened to the point of discomfort and perspiration — it has funk, punk, pop and rock all rolled into one. The one element that has given Crystal Stilts their unique sound is the eerie descant vocals, which layer over lack-strung guitar, pop organs and a chipper tambourine to keep their cold baritones from droning in and out.

There is a hint of Jesus and Mary Chain in Oblivion, yet with crisp cohesion and whimsicality. Nevertheless there is a consistent theme in the album that intoxicates the listener with nostalgia — the rhythm. It's as if one were in a state of deep slumber, walking through their subconscious, fighting off the urge to wake up.

Crystal Stilts "Through The Floor" from Slumberland Records on Vimeo.


Eternal Summers, a Virginia two-piece band, opens with dreamy pop and swelling vocals sure to warm your heart. Their new Prisoners EP was released mid-April. The starry eyed lovers of Eternal Summers are a captivating scene to see live.

Crystal Stilts and the Eternal Summers will perform at Empty Bottle on Friday, May 20th at 10pm. Tickets are $12. The Empty Bottle is located at 1035 N. Western Ave. 773-276-3600.

In addition to their Empty Bottle show, the Crystal Stilts will also play an in-store performance at Permanent Records (1914 W. Chicago Ave.) on Saturday, May 21st at 1:30pm. (FREE, All-Ages, and BYO)

-Rachel Angres

Transmission

Concert Thu May 12 2011

Lay It on Thick

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Don't be fooled by their bearded indie (beardie?) exterior — Young Widows know how to rock it hardcore. In a previous existence (read: the band Breather Resist) the Kentucky-based trio were all about aggro metal. After that band's break-up, Young Widows arose from the ashes offering a strikingly different, yet familiar, sound. The lads are currently touring in support of their latest album, Youth and Lightness, which takes the hardcore metal and tamps it down into a thick, fuzzy rock, loaded with reverb and post-punk leanings.

Young Widows "Future Heart" Official Music Video from Jeremy Johnstone on Vimeo.

Young Widows headline on Saturday, May 14, at the Beat Kitchen (2100 W. Belmont), preceded by My Disco and 97-shiki. The show begins at 9:30pm, and tickets will set you back $10. Get yours online or at the door.

Kara Luger

Concert Wed May 11 2011

The Kid Is Back

Kid Koala's a one-man band, except the band happens to be on vinyl and at his fingertips. In 1996, the innovative turntablist made waves with one of his first mixtapes, which featured the Charlie Brown-inspired "Tricks 'n Treats." Fast-forward a bit, and Kid Koala has been a busy boy: He released three well-received full-length albums, collaborated in a band called The Slew (featuring members of Wolfmother), and toured and worked with the likes of the Beastie Boys, Radiohead, Gorillaz, and Bjork.

In the video below, Kid Koala spins his jazz-smacks-into-hip hop track "Drunk Trumpet."

Check out the man's skills for yourself as he performs as part of the Ninja Tune's XX Anniversary Concert Series on Saturday, May 14, at the Abbey Pub (3420 W. Grace St). Opening the show are psychedelic dronesters Cave, and local groups the Loyal Divide and Save the Clocktower. DJ Intel and DJ Demchuk will also perform.

The show kicks off at 8:30pm. Advance tickets are $18 or $20 at the door.

Kara Luger

Review Wed May 11 2011

Review: Here We Go Magic, AroarA @ Schubas

There's not much of a chance that the band Here We Go Magic won't have fun shows. There's pogo-ing, head to toe bobbing, hip shimmying, and overall glee (and that was just the folks on stage). The group brought their joy to the intimate confines of Schubas Tavern Monday night and wowed an eager group of fans new and old.

Lead singer Luke Temple, guitarist Michael Bloch, bassist Jennifer Turner, and drummer Peter Hale were all rocking out in Chicago, with keyboardist Kristina Lieberson absent, her role was filled by the extremely capable hands of Andrew Whiteman (Broken Social Scene, Apostle of Hustle) and wife Ariel Engle. The duo also formed the opening act, AroarA which came off at first as a bit of a performance piece, but with their remarkable singing and interesting percussion experimentation, it was actually a fine intro to the night's entertainment.

Celebrating a kind of pre-release night for their new release The January EP (available as of yesterday from Secretly Canadian), the band seemed at once polished and still grooving in experimentalism. Not afraid to take some risks, their songs, new and old, range from the straight ahead songs of love and loss, to hooting, looping riffs that take you right off the cliff and into the ocean. It's not a surprise that they're spending part of this tour with tUnE-yArDs (sadly, not this stop) who also thrive on risk taking and vocal interplay with their music.

The band rang through it's past two albums with great ease and grace, hitting songs like "Collector" (with its orchestral sweeps of guitar) and "Fangela" (hand claps!) out of the park with the audience. They played some of the best tracks from last year's Pigeons including the lamenting "Casual" and "Surprise" as well as songs from the band's self-titled debut, and a few from the new EP including the (downloadable) "Hands In The Sky". I really liked what they did with "Hibernation," as they slowed it down and made it lower, funkier, with a stronger bass line which took the '80s throwback tone out and made it much more like a revamped reggae song. The loops and sibilance, whispered through the background of "Tunnelvision" were mesmerizing, and the band encored with "Only Pieces" to the crowd's sheer joy.

All in all, the crowd that ventured out on Monday got exactly the kind of auditory cornucopia that Here We Go Magic can provide so well. The band will do well to keep bringing their big sound to venues where art students and dance freaks can get groovy, though I wouldn't be surprised to see them at an outside festival this summer, where a guy or gal could get their twirl on, spinning around the grass.

Anne Holub

Concert Sun May 08 2011

Review: Yelle @ Bottom Lounge, 5/6


Yelle (photos by Kirstie Shanley)

"Do you speak French Chicago?" purrs Yelle to her sold out audience Friday at the Bottom Lounge. The crowd chimes back an immediate and ecstatic "Oui," but language isn't really a barrier when your music clearly exist for the sole purpose of dancing, fun, and sex.

Continue reading this entry »

Lisa White

Concert Sat May 07 2011

Tapes-a-poppin' (Neon Marshmallow benefit cassette)

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As mentioned before, the second annual Neon Marshmallow Festival is fast approaching (June 10-12) its rendezvous with the Empty Bottle. In the meantime, there is a way to both support the festival and acquaint yourself with many of the acts on the bill.

From now through the festival dates, you will be able to purchase a compilation cassette featuring many of the acts at this year's Neon Marshmallow festival for $6 ppd in the US. All proceeds will go toward the upfront expenses of the Neon Marshmallow Festival. Paypal buttons can be found on the front page of the Neon Marshmallow website.

Here's the lineup:

Beau Wanzer: "Rhythm Track #46"
C V L T S: "White Cluster"
Dylan Ettinger: "Being Boiled"
Leslie Keffer: "Luna Loblolly"
Lucky Dragons: "Up and Down
Mike Shiflet: "They Sold Us Everything And We Begged Them For More"
Outer Space: "Draw a Door and Knock Twice ('86 mix edit)"
Pulse Emitter: "Pool"
Rene Hell: "Automated Drowning Tank"
Robert Aiki Aubrey Lowe (Lichens): "Bulles"
The Rita: "Women Killed in the Sea"
Sick Llama: "Leave Earth"
Sickness: "The Human Condition"
Spiral Joy Band: "Seven Horses"
Telecult Powers: "A Tale From the New Crow Hill Gnostic Lodge"
Tiger Hatchery: "Blue Aiwass"
White Rainbow: "TDK SUPA HIGH"
Zac Davis: "Live 8/7/08"

Chris Sienko

Concert Fri May 06 2011

Lose those Mondays Blues with Here We Go Magic @ Schubas, 5/9

This coming Monday, why not shake off the taste of stale office coffee and rid your face of that eye twitch from your cube's fluorescent lighting with a good dose of harmony. Here We Go Magic, with their synthpop noodling and pleasing vocalizing makes for a good time. This band of musical experimenters from Brooklyn always finds a way to cheer me up, even when they're singing about heartbreak and those casually devastating tropes of truly good pop music. The first time I saw them live, when they were opening for White Rabbits at the Metro last year, I was astounded that all the sonic interplay I heard on their self-titled debut album was actually replicated in real time, not through post-production razzle dazzle. These guys are just musically geeky to entrance those who care how their sausage is made (like me) but still entertaining to the music fan just looking for a weeknight distraction at their favorite cozy bar/restaurant/venue.

"Collector" by Here We Go Magic from Secretly Jag on Vimeo.

Their new work The January EP, is due to release the day after the show, 5/10/11. Download a free track from it below:

[mp3] "Hands in the Sky" by Here We Go Magic from The January EP

Here We Go Magic, with openers AroarA (made up of members of Broken Social Scene and BSS spinoff band Apostle of Hustle), hit the Schubas stage on Monday, May 9 at 8pm. 21+. Tickets are $12. Schubas is located at 3159 N. Southport Ave.

Anne Holub

Concert Fri May 06 2011

Preview: Surfer Blood & ....And You Will Know Us By The Trail Of The Dead 5/7

If you spend your Saturday night at the Bottom Lounge you can probably expect to see one kind of crowd at 8pm and an entirely different kind of crowd at 11pm. While at first glance this may seem like strange planning, it's actually not. The show is sponsored by Chicago's own independent Internet radio station, CHIRP. Mixing musical genres is what CHIRP does on-air, so it makes sense that's what the station would participate in off-air.

Moving on to what kinds of crowd to expect, the setting is a good start. The Bottom Lounge stage is kind of dark, it's a little grungy and grey insulation crawls out of spaces between steel beams in the ceiling. It's the perfect kind of setting for a band with lyrics like "There is no light; there is no light in this darkness." But that's not the only congruency between band and venue: ...And You Will Know Us By the Trail of the Dead's gritty, heavy-hitting guitars also seem to fit perfectly in the large, raw space. The same goes for the band's raw energy and dark, yet grandiose soundscapes. For Saturday's show it looks like the experimental prog-rocker's aim to take Bottom Lounge on a kind of musically inspired Tolkien journey (check out the cover art on recent release Tao of the Dead) while quite possibly destroying their equipment. In a word, the show promises to be "Epic", for those that like to throw the word around.


Continue reading this entry »

Bonnie Page

Concert Wed May 04 2011

Free Psych Rock 5/5 with White Hills/Cave @ Empty Bottle

Sure, you could do Cinco de Mayo down at your local J.P McPickleshitter's Pub, matching the crowds shot-for-shot on what has to be the biggest amateur night next to New Year's Eve, but wouldn't it feel a lot better to celebrate the current psych-rock revolution with heavy hitters White Hills at The Empty Bottle? Even better, the show is free with an RSVP beforehand.

Part of local label Thrill Jockey's expanding roster of the trippy, White Hills traffics in blistering drones, a sort of heavy, insistent Krautrock vibe that draws comparisons with Acid Mother Temple and Hawkwind. A kind of mind-bending heavy psych. On their latest album, H-p1 the sonic landscapes are expansive, without feeling bleak, and exceedingly well crafted. White Hills shows usually deliver, leaving the listener pummeled in a good way.

White Hills with local openers CAVE and Mayor Daley, Thursday, May 5 at 9:30 pm at The Empty Bottle. Free with RSVP to this email address. The Empty Bottle is at 1035 Western Ave. 773-276-3600.

Dan Snedigar

Concert Wed May 04 2011

Upping the Ante

This Friday is your chance to catch more than one buzzworthy local band at the Empty Bottle. Headlining is the reverb-friendly Disappears, who recently scored a spot on the Lollapallooza 2011 roster. They're a band that seems to revel in a sound that's hard to pin down: a lot of messy garage rock and Krautrock with a dose of shoegazer and psychadelic woo-woo to round out the mix.

Opening for Disappears is Wumme (a Chicago duo) and The Eternals, a band that for over a decade has thrived on creating complex, unclassifiable music. The Eternals' latest album, Approaching the Energy Field, dropped earlier this year on the local Addenda Records label, and it has been garnering attention and propelling an already out-there band even further afield. After the group lost their drummer, Damon Locks (vocals and keyboards), Wayne Montana (bass, guitar, synths, drum machine) sallied forth and took the opportunity to expand the band's sound. Approaching the Energy Field takes the usual list of Eternals ingredients — underground dub, funk, hip-hop, rock, Afrobeat, jazz, and world music — and ups the ante to reach hypnotic, and at times a little claustrophobic, new heights.

The band wastes no time diving right in with the CD's first track, "The Energy Field," featuring a deceptively spare synth funk groove. Locks' P-Funk-addled vocals on the track are just the tip of the iceberg; although much of Approaching the Energy Field appears to toe the band's oft-visited themes of dystopia and distress, Locks has impressively expanded his vocal range. Sure, much of it is with the aid of some tech tricks, but the guy is also naturally able to fly between a deep bass bark and an operatic falsetto (featured in the haunting electro-latin track, "Canção Do Silêncio").

Continue reading this entry »

Kara Luger / Comments (1)

Concert Mon May 02 2011

Neon Marshmallow Fest 2011 - Bright Lights, Snacks Made From Hooves

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Can it really have been a year already since the three-day Neon Marshmallow Festival last set fire to our ears and juiced our pain/pleasure receptors until our everyday life was just one big gray screen? Well, not quite. Last year's fest took place in late August; this year's event will be June 10-12, so it's more like 10 months. All the better!

This year's festival will be entirely more manageable for several reasons. One, it's three nights, with no daytime component (last year's noon - 3 a.m. trudge on Saturday was pretty brutal) and no two-stage system. Also, since it's at The Empty Bottle (1035 N. Western), all the action is centrally located. Here's the stage; just face in this direction and you'll be fine.

This year's event features a similarly well-rounded set of acts, with sonics ranging from sonorous/pretty to vengeful/remorseless, sometimes back to back. Something for everybody, but also nothing for everybody.

The name that's got everybody talking this year is a true legend, not just in "noise" circles, but in the history of all electronic music everywhere -- Morton Subotnick, creator of such timeless electronic works as The Wild Bull, Silver Apples of the Moon, The Key To Songs, Touch, Sidewinder, and A Sky of Cloudless Sulphur and early innovator on the Buchla synthesizer, will be performing on Sunday night. I don't care whether your taste in modern electronics leans toward Boards of Canada or Incapacitants, YOU OWE THIS MAN YOUR LIFE. Come thank him in person.

If genuflecting before the legends ain't your bag, perhaps there is something else here to entice you. For instance: the vicious, quick-cut noise of Sickness, distortion-pedal satori from The Rita, a lesson in primal frenzy from Sword Heaven, or Bill Orcutt's five-step plan to reduce a fully-functioning guitar to a pile of splinters. Rotating the coin to its opposite face, we find song-based ambient shimmer from Rene Hell, Dark-hued environmental despair from Khanate/Khlyst's James Plotkin, Emeralds spinoff Outer Space, dance-party trickster Leslie Keffer, Mike Shiflet's precise ear arousals, Oneohtrix Point Never's arcane cold-wave constructions, and the fugue-state synth meditations of Pulse Emitter. Each night also includes experimental film screenings and between-set DJing between sets.

Three-day passes costs $70, or you can buy single-day passes for $25. For all the info you require, go to the festival's website. Below the fold, you can check out the full daily lineup and a handful of clips from festival performers.

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Chris Sienko / Comments (1)

Concert Fri Apr 29 2011

Preview: Manchester Orchestra @ The Metro

Chicago's been abuzz all week with the news of Lollapalooza's 2011 lineup, but you don't have to wait til August to catch some of the artists performing at this year's fest. Return Lolla act Manchester Orchestra, for instance, will be at The Metro this Wednesday, May 4, giving fans a preview of what's to come this summer.

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Manchester Orchestra has found success in their ability to appeal to a wide spectrum of listeners. Their tender, more acoustic-based moments are similar to some of the folky, softer sounds present in today's indie scene, but their music is still packed with raucous breakdowns and fiery vocals from singer and head songwriter Andy Hull (see the band's breakout single from their 2009 album Mean Everything To Nothing, "Shake It Out" for proof). Hull's gruff, beardy appearance is misleading as his meticulous songwriting is anything but unkempt. Manchester Orchestra songs are masterminded musical demonstrations of drama and emotion that draw listeners in with their genuine vulnerability.

The band is currently on tour promoting their newest album Simple Math which drops May 10. Those in attendance at Wednesday's show can look forward to hearing several of the new tracks a few days early though. Tickets are $17 in advance or $20 day of the show. It's all ages and starts at 6:45pm. An Horse and Harrison Hudson are opening.

Katie Karpowicz / Comments (1)

Concert Wed Apr 27 2011

Preview: El Ten Eleven @ Bottom Lounge, 4/29/11

The term post-rock seems to get a lot of mileage these days, effectively becoming a catch all term for people with traditional rocker gear making actual music with a little texture, the kind of thing that would have been labeled prog, or avant jazz, or simply popular music, depending on how far back you want to go. Fans of quirky music that still sounds, well, musical, could do no better this weekend than to head to the Bottom Lounge this Friday for El Ten Eleven.

The L.A. based duo, consisting of bassist/guitarist/loop master Kristian Dunn and drummer Tom Fogarty manage with their two instruments and a suite of electronic toys to invite comparisons to Explosions in the Sky, only punchier, or Tortoise, only more organic and slightly more grounded. The recipe is fairly straightforward, Dunn energetically wields a double-necked bass/guitar combo, layering riff upon riff with various pedals and effects, creates a counterpoint to Fogarty's capable rhythms, supplied by both machine and the use of a real drum kit. Even with a somewhat limited palette, the band manages to overachieve, creating nuanced, yet insistent songs that clearly demonstrate the value of experimentation. The duo manages to dodge any of the obvious pitfalls of the genre, or the band's makeup, managing to pull off dynamic songs refreshingly free of pretense or pomp, and managing to make a duo sound surprisingly big, but not overwrought. The band's music, composed by Dunn, was chosen to score much of the 2007 font-fetish film Helvetica, boosting the band's exposure. As of the band's latest album, El Ten Eleven's early work was more atmospheric, but as of 2010's It's Still Like a Secret, their music has more of driving dance element. Though the band is still, to a certain extent, woodshedding in smaller venues across North America, and has yet to make the hop across the pond, reliable sources have told me that the band is in fine form. Their show at the Bottom Lounge will, if nothing else, be different from anything else you've seen this year in Chicago, and possibly better.


El Ten Eleven plays the Bottom Lounge on April 29, 2011. Lynx and Yourself And The Air open. Doors open at 8pm. 17+. Tickets are $10. The Bottom Lounge is located at 1375 W. Lake St. 312-666-6775.

Dan Snedigar

Concert Tue Apr 26 2011

20th Anniversary Lollapalooza 2011 Lineup Announced

lolla20th.jpgThe mammoth festival that takes over our city each August is back again, celebrating it's 20th anniversary with a lineup of something old and something new. Rounding out the already reported headliners of Foo Fighters, Muse, and Eminem are the addition of Coldplay, My Morning Jacket, Deadmau5, and A Perfect Circle.

Given the fact that Muse and My Morning Jacket have graced the Lolla headliner stage before, I was hoping for something a bit more impressive. A big blowout of sorts for the 20th anniversary that Lollapalooza is pushing hard through their time capsule website, or at least something a bit more impressive. If you're going to bring back a headliner, can you at least bring back Daft Punk? Then again I'll always have a small piece of my heart holding out that they'll announce David Bowie and/or Blur headlining. A girl can dream.

The giant plus side of Lolla this year, is the stellar lineup of smaller acts. Whereas I find the headliners a bit weak, I'm really impressed with a lot of the bands billed underneath. Some of my personal highlights are:

  • Death From Above 1979 (Reunited and it feels so good! These guys are amazing live, and if you go to Lolla, make sure you don't miss them.)

  • Ellie Goulding (British electro tinged popstar trying to break big in the US. Charming catchy glittery pop that will be perfect durning a hot afternoon.)

  • Phantogram (These guys blew me away at North Coast Festival last year, so catch them as they rise to bigger and better things.)

  • Young the Giant (Long ago these guys were called The Jakes, and we interviewed them. Now they're playing Lolla following a ton of press and SXSW buzz. It's always nice to see a band mature and grow.)

  • The Joy Formidable (I just saw this three-piece from Wales at Lincoln Hall, and they were a powerhouse of a sound. Lead singer Ritzy Bryan is both badass and adorable, commanding the stage (and her guitar) with finesse and moxie.)

  • Jay Electronica (Another highlight from North Coast last year. When his set was on, he was really on. One of the standout [but sadly few] hip-hop acts at Lolla this year.)

  • Daedulus (Another North Coast act from last year moving on up in the ranks. Probably my top rated act to hit Perry's stage this year.)

Another thing to point out is the fact that so many artist that play North Coast and Pitchfork Festival in the recent years now play Lolla. Granted these acts gain popularity and it makes sense for them to move up in rank, but it almost makes the smaller festivals feel like a trial run for some of these acts. If you miss a highly anticipated act at Pitchfork, just wait a year and see them during Lolla. Some of these bands are already skipping this step though (anyone else surprised that Cults is playing Lolla and not Pitchfork?), so maybe Lolla is wising up to this trend.

So readers, what do you think? What big acts are missing? How does Lolla size up to the other summer festivals? Is it worth seeing all these acts for one price on one day, or wait for them to come back around?

Click to see the full festival lineup after the jump.

Continue reading this entry »

Lisa White / Comments (5)

Concert Mon Apr 25 2011

Preview: A-Trak @ The Mid

Fresh off a performance at Coachella, legendary DJ A-Trak will be spinning at The Mid on Thursday, May 5.

The Canadian-born turntablist is the first to win five DJ World Championships after winning his first at the fresh age of 15. Amidst the Chicago scene he's most notable for being recuited by Kanye West as his personal tour DJ. The duo appeared together at the Grammy's and various MTV specials including the Video Music Awards. A-Trak has produced remixes for a myriad of artists from Robyn to O.P.P.

He'll be appearing at The Mid as part of his Magic 8-Ball Tour with Kid Sister and The Gaslamp Killer on May 5. The show is 21+ and tickets are $20. Doors open at 9pm. The Mid is located at 306 N. Halsted.

Katie Karpowicz / Comments (1)

Concert Sat Apr 23 2011

Photos/Review:Black Lips with Vivian Girls @ Logan Square Auditorium, 4/22/11

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If the crowd at was any indication of how this show last night went down, it would be easy to label it as a success. Both bands but Black Lips especially were like the Statue(s) of Liberty for indie garage rock welcoming their poor huddled masses yearning to breathe free in the most literal ways. From the minute of the first guitar chords for "Sea of Blasphemy" to an all out chaotic dance party on stage where there may have been more fans joined with the band than watching from below, the audience did not let up.

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Kirstie Shanley / Comments (4)

Concert Thu Apr 21 2011

Preview: The Black Lips with The Vivian Girls @ Logan Square Auditorium 4/22/11

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In what could be one of the best pairings, The Black Lips are returning to Chicago to tour on their 6th studio album Arabia Mountain with The Vivian Girls, who have just released their third album to date, Share the Joy Both bands have excelled in the garage rock indie ethos and have continued to grow in both their recordings and live performances. Their music has been consistently fun in a way that sometimes even glorifies the hints of sloppiness (especially with The Black Lips who are all about engaging an audience through novel means).

This show is guaranteed to make your Friday night enjoyable and it's recommended for all the indie kids who don't like dance clubs but relish in moving to great live music.

This show starts at 7pm Friday at Logan Square Auditorium with Outer Minds listed as the first opener. Tickets are still available online here for $15.

Note: photos above are taken from previous live performances by this author. Black Lips at Lollapalooza 2008, Vivian Girls at Pitchfork Music Festival 2009.

Kirstie Shanley

Concert Wed Apr 20 2011

TV on the Radio's Gerard Smith Passes Away, Metro Show Canceled

Gerard Smith, bassist and keyboardist for TV On The Radio, passed away this morning after a battle with lung cancer. The band announced several concert cancellations, including this Friday's sold-out show at Metro. If you have tickets, you have the option to hold onto them in case the show is rescheduled, or return them for a refund.

Andrew Huff

Concert Thu Apr 14 2011

Taste Maniac Meat Tomorrow Night

tobacco_1.jpgTobacco is a guy that keeps the personal details to the minimum. All the more reason for us to focus simply on the music. We do know that he is also the leader of the band Black Moth Super Rainbow, and there are imprints of that ethereal psychedelia on his sophomore solo album, Maniac Meat. But don't be misled, manic better describes the material on this new album, sort of a music fountain suicide. Instead of a messy sludge though, we get a compelling mix of hip hop rhythms, electro fuzz and plenty of grit. Oh, and Beck. Beck guests on two of the more accessible tracks on Manic Meat, leaving his unmistakable stamp.

Familiar rolling synths appear throughout the album on tracks like "Six Royal Vipers," "Creepy Phone Calls" and "Lick the Witch," but feel much more 'sweaty basement club' than 'open air amphitheater.' With song names like "TV All Greasy," you get the idea.

Tobacco will be in town playing Lincoln Hall tomorrow night with special guest, Dutch punk band, Beans. Local band Shapers is also along for the tour and will play first. Tickets are $14. Show starts at 10pm. 18 & up. 2424 N. Lincoln Ave.

Michelle Meywes / Comments (3)

Concert Wed Apr 13 2011

Preview: Tim Larson and The Owner/Operators

jpeg.jpegThis weekend Tim Larson and The Owner/Operators will celebrate the release of their new album A New Deal by playing a special CD release show at Beat Kitchen Friday night and two afternoon shows on Saturday in honor of Record Store Day.

A New Deal is a consciously thematic album. It's a collection of blue-collar anthems detailing the strife of America's working class in recent years. But with Larson's extreme insight and articulate storytelling abilities, it's a theme that hardly grows old during the album's 10 tracks. It gains both authenticity and listenability through the combination of Larson's longtime experiences as an asphalt worker and his classical training in music.

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Katie Karpowicz / Comments (1)

Concert Wed Apr 06 2011

Chicago to Host 2011 US Air Guitar National Finals July 23

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Chicago is no stranger to national championships, and this summer it will play host to yet another. Chicago will for the first time be the setting for the 2011 US Air Guitar National Finals on July 23 at the Metro. Tickets go on sale at noon this Saturday.

"Chicago has always been one of our favorite stops on the competition circuit, and has even produced our reigning national champion, Romeo DanceCheetah," said Kriston Rucker, co-commissioner of US Air Guitar. "So it was with unmitigated delight that we accepted the Windy City's airtight bid and agreed to bring our nation's top virtual event to her number one second city."

Here's how it works: each regional competition consists of two rounds. In round one, each air guitarist performs for one minute to a song of their own choosing. Contestants are judged on a combination of technical merit, stage presence and "airness." (It goes without saying, all instruments must be invisible.) In round two, the top competitors from the first round perform to a surprise compulsory song. The national finals follow the same format, but each contestant performs a longer "set" in round one.

The national finals will bring together winners from 18 cities across the country to compete for the title of US Air Guitar Champion and go on to represent the United States in the Air Guitar Worldwide Championships held in Oulu, Finland.

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Andrew Huff

Concert Wed Apr 06 2011

Rival Tribal Revel Rebel

Once upon a time, I was a lonely punka rocka girl in North Dakota, painting my own Crass patches and wearing out my recordings of their albums Best Before 1984 and Penis Envy. Sure, it had been a decade after their 1984 breakup, but what of it? Their anarcho-punk message still rang true amid the winter wheat. Viva la revolution!

Crass formed in 1977, and by the time of their dissolution, they managed to release gobs of LPs, singles, and flexis, piss of Margaret Thatcher, and freak out the British media. The ultimate DIY band, Crass stenciled the streets of London, created their own subversive methods of propaganda, and played hoaxes on the media and government officials. Today's punkers seem comparatively lazy.

Co-founder Steve Ignorant never quit rockin', and he is currently touring the U.S., though only kinda-sorta under the guise of Crass. Sure, he's playing the Crass, uh, hits, but with a completely different touring band, including Gizz Butt (Destructors, English Dogs, Janus Stark, The Prodigy), Bob Butler (The Tone, Schwartzneggar), Spike T Smith (The Damned, Conflict, Killing Joke, Morrissey), and Carol Hodge (Bad Taste Barbies, Synco, Electraglide).

Catch the wave of '80s anarcho-nostalgia with Ignorant at the Crass show on Saturday, April 23 at Bottom Lounge (1375 W. Lake St). Goldblade and Manipulation open. The show starts at the baffling time of 4:30 p.m. (quoth a friend, "Punk's not dead, it just needs a nap"), and advance tickets are $20.

Kara Luger

Concert Tue Apr 05 2011

Preview: Ratasucia @ Panchos 4/30

Ratasucia

Photo by Katie Hovland


Ratasucia is the newest project from Dan Hanaway, (The Honor System/The Broadways/Slapstick/Whale|Horse) Chris Carr, (The Honor System/Whale|Horse) and Tim Scare (Prosperity Wallet). All three members are longtime friends and plan to release their debut record on Asian Man Records this summer.

Ratasucia will be performing some of their new songs from their not yet released full-length album, entitled White Noise Pollution at Pancho's, (2200 N. California Ave.) on April 30th. They are performing alongside Lenin/McCarthy, Vacation Bible School, The Anchor and Dirty Bird. The show is all-ages and doors are at 6:00 PM.

Katie Hovland

Concert Mon Apr 04 2011

Mozart's in the Hizzie

When was the last time you heard house music combined with homophony? Impress your friends and that hipster you're jonesin' for by checking out the New Millennium Orchestra of Chicago, an ensemble that blends classical elements such as chamber music and opera with less expected ingredients such as rock, hip-hop, electronic, and more. In the past, they've played alongside local garage-girl group Hollows, rapper Lupe Fiasco, and DJ Spooky.

On Saturday, April 9th, the NMO presents its show "Mix Tape III: Mozart in the House." You know NMO's gonna be all up in Wolfie's game as conductor Francesco Milioto leads the ensemble from the piano in accompaniment to his favorite Mozart arias. Before you're all "Ariettas are SO 1786," keep in mind that following the classical portion of the evening, NMO will be working a la electronica with DJs including Adonis Childs, Ryan Fasshauser, and Dojo vs. Twitch.

The show kicks off at 8 p.m. at the lovely Mayne Stage (1328 West Morse Ave). Tickets are $15 in advance / $20 at the door.

Kara Luger

Interview Thu Mar 31 2011

Color Radio: An Interview in Four Parts

[This interview was submitted by Rachel Angres — a music enthusiast and creative writing teacher. She is also a three time thumb war champion.]

Color Radio is a band unique to the Chicago local scene. Two brothers, Jonathan and Tohm Ifergan came together with their close friends to create such marvelous lyricism and dynamic sounds that are as echoic and obscure as they are familiar. To listen to their forthcoming album, Architects (due out in June 2011) has such rhythmic precision. It is their glowing vocals, which blend over layers of dreamy guitars that are finely tuned and followed up by ambitious percussion. Their sound has similarities to such bands as Here We Go Magic and Radiohead. Though it is unique to its own, blending dreamy pop with glimmering guitar solos, their talent is immediately apparent when listening for the very first time. And on stage it is their warmth and exuberance that can't keep you from smiling ear to ear. I had a chance to ask the men a few questions, and they gladly agreed.

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Pictured from left to right: Joel Chasco, Matt Thomas, Jonathan Ifergan, Tohm Ifergan
(photo courtesy of Color Radio)

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Transmission

Concert Thu Mar 31 2011

Review: Destroyer @ Lincoln Hall, 3/29/11

[This review was contributed by Gapers Block: Tailgate writer Brian Lauvray.]

It's about 20 minutes since Dan Bejar and his revolving cast of musicians that he and we call Destroyer have left the stage. He's outside crouched and cramming instruments into the tour bus. "Bejar, do you need a hand?" I shout. "No, I'm OK, man. Thanks for coming out." We chat for a few minutes about the times I've seen Destroyer in Chicago — in 2005 as an opener for The New Pornographers, in 2006 as a solo act at the Abbey Pub, '06 again at Pitchfork, '08 at the Logan Square Auditorium, '09 (solo) at the Empty Bottle and now, tonight, at Lincoln Hall.

Every Destroyer show is a great show. The sound engineering, the tunings, the aural roar and the measured silences are amazing. From a technical standpoint, the proficiency of the sound engineers, the musicians, even Bejar's patented slurring, sliding and "La-la-la-la-la-ing" his way through his songs, were all top-notch, exactly what one expects for a Destroyer show. The venues are the non-constant in this equation, and the venues are more often than not the culprit. This evening — and caveat, oh, please, caveats, dear reader — the rote predictability of the venue, the audience, the set list, me bitching about "rote predictability" all converged to make for merely an "OK" Destroyer show.

Bear in mind, this isn't a bad thing necessarily. An OK Destroyer show still batters the ever-loving stuffing from most shows, it was just, y'know, a relatively sterile venue jam-packed with holier-than-thou college kids (yes, in 2001 when Streethawk: A Seduction came out, I, too, was a holier-than-thou college kid.) The set list, consisting nearly entirely of Destroyer's latest Kaputt, was simply just not enough to showcase the voluminous back catalog of Bejar. Nor, did it highlight the uniqueness of the musicians as in shows past — typically there have been impossibly stripped down versions of (Bejar solo) or jazzed, tweaked, and more "rocktacular" versions of originally bare songs. There were a few moments like that, the version of "It's Gonna Take An Airplane" was unbelievably cranked up and rocked out version that bore little resemblance to the barren, acoustic version from Your Blues.

Still, the setlist, the ambience, the crowd — it mattered little when able to witness the sly and winking lyrics of Bejar converge so perfectly with such a tight band. An OK Destroyer show was more than enough on a random Tuesday night in March.

Brian Lauvray

Contest Wed Mar 30 2011

Contest: Dance to DeVotchKa @ House of Blues, 3/31/11

The band DeVotchKa has always brought a little international flavor to the stage with their Gypsy-inspired rock and elaborate performances — it's just in reality, they're from Denver, Colorado. But there's absolutely nothing wrong with this group's homegrown, yet exotic sound. Past albums like the widely popular How It Ends are filled with an almost indescribable mix of influences from Eastern Europe to "spaghetti Westerns" with strings, horns, and the mesmerizing voice of singer Nick Urata. They've just released their latest album, 100 Lovers, which once again brings romance and a dreamy storytelling into songs rich with musical talent, including guest collaborations from members of Calexico. (Check out their video, below, for the track "100 Other Lovers" off the new album — unless you've got something against puppets.) Their latest collection was inspired by the Arizona desert, and you can feel the vastness of the dunes in their songs. This album is once again a grand celebration, and the group's live performances are nothing less than a party. They'll roll into town tomorrow night at the House of Blues.

We've got three pairs of tickets to give away to three lucky readers. Just email us at contests@gapersblock.com with the subject line "100 Lovers" and you and a friend could be dancing tomorrow night at the House of Blues. [Update! We have our winners! Congratulations to Michael, Lindsey, and Brian!]

DeVotchKa plays House of Blues on Thursday, March 31, 2011. The Kopecky Family Band opens. Doors 7pm / Show 8pm. Tickets are $23/adv. and $25/day of show. 17+. The House of Blues is located at 329 N. Dearborn, Chicago. (312) 923-2000.

Anne Holub

Concert Tue Mar 29 2011

Lollapalooza Secret Tickets: Blinked & You Missed It

Lollapalooza's "secret" $60 ticket sale came and went this afternoon in a matter of minutes. Visitors to the ticket URL got a message that they'd been placed in a queue, and eventually that the tickets were gone.

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lollapalooza_secret_soldout.jpgYour next opportunity to purchase tickets comes April 5, when three-day passes will be $185 if you're fast enough, $215 if you're not.

Meanwhile, a "20th Anniversary Time Capsule" takes you through the history of Lollapalooza, from its years as a traveling festival to its current form in Grant Park.

[First image via Reddit]

Andrew Huff

Concert Tue Mar 29 2011

Abstract Giants CD Release Show @ Martyrs

This Saturday, Chicago hip hop collective Abstract Giants will celebrate the release of its third album at Martyrs. Abstract Giants' latest effort, a self-titled release, is an extension of the group's live, organic hip hop genre that they have spent the past decade honing.

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"We will not be copies," Abstract Giants' emcees declare on the aptly titled "Copies" off the new record. It's a proclamation that needs no verbal expression. This album speaks for itself. Abstract Giants are clearly not afraid to take risks and step outside the boundaries their predecessors have set.

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Katie Karpowicz

Concert Tue Mar 29 2011

Photos: Rural Alberta Advantage @ Lincoln Hall 3/26/11

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Photos of Rural Alberta Advantage rocking out at Lincoln Hall on Saturday night by Rory O'Connor. The band's latest album, Departing, hit shelves earlier this month.

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Anne Holub / Comments (1)

Concert Mon Mar 28 2011

Review/Photos: Godspeed You! Black Emperor @ Metro, 3/27/11

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It's been nearly a decade since Canada's Godspeed You! Black Emperor played in front of live audience and for that time the band has been on a hiatus with three of the bandmates, Efrim Menuck, Sophie Trudeau, and Thierry Amar branching off into another band known as Thee Silver Mt. Zion. Unlike many new reformed bands, Godspeed You! Black Emperor isn't debuting a new record and haven't announced one in progress to be released. (At this point, it is unclear as if the band will start to tour regularly or will go on another long term absence.) However, this did help reassure fans they would most likely hear some of their favorite songs played in the set.

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Kirstie Shanley / Comments (1)

Concert Thu Mar 24 2011

Warm Up Your Friday Night with MillionYoung

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While I work on my final wrap-up of all things SXSW and Austin, TX related (also catching up on sleep and returning to my normal job/life), I wanted to point out one of the bands we really enjoyed down in Texas will be at Lincoln Hall tomorrow night.

One of the high points of SXSW was the glittery disco dance party that was started during MillionYoung's set at the BirdDog party. Their blissed out dance music was upbeat yet chilled out, creating a sun soaked soundscape that made Austin feel even more like summer.

Like most SXSW bands, MillionYoung are now back out on the road post Austin, and they'll be opening up for Miami Horror tomorrow night at Lincoln Hall, alongside Brookyln electro-pop outfit Class Actress. If you are yearning for some warm weather dance music that is full of pop hooks, grab a ticket to tomorrow night's show. Tickets are $12, the show isn't sold out (yet), and for that price it's a steal for those three bands together. Then spend the night dancing away the Chicago winter blues. Remember, Pitchfork Festival is only four months away, so it can't keep snowing forever!

MillionYoung open up for Class Actress and Miami Horror tomorrow, March 25th, at Lincoln Hall. Tickets are $12, the show is 18+ and it starts at 10pm. You can purchase tickets online at Lincoln Hall.

Lisa White

Concert Tue Mar 22 2011

School Night, Schmool Night

So, hey. Whatchya doing Sunday night?

The correct answer is a big fat, "Why, I'm looking for a good show," and I have just the thing. This Sunday, March 27, Midwestern hip-hop meets Pacific Coast hip-hop at Schubas. Minneapolis-based MC Sims opens the show in support of his latest album, Bad Time Zoo, which dropped in February. Like his Doomtree brethren (which includes P.O.S., Lazerbeak, and Dessa), Sims' style runs along introspective storytelling set to bumpin' beats, which manage to be at once laidback and bouncy.

Now, I've seen Sims live before, and I can vouch that it's a good time. But I'm also excited to peep the show's headliner, Seattle rapper Astronautalis, who has toured with Tegan and Sara (interesting) and charmingly raps around plastic vampire fangs in his latest video (awesome). The show starts at 8 p.m., tickets are $10 presale or $12 at the door.


Kara Luger

Concert Fri Mar 18 2011

Preview: Dex Romweber Duo @ Lincoln Hall, 3/22/1

To say that Dex Romweber "still has it" would be a rather perfunctory way to sum up a 20-year career that's lit up so many stereos while still flying under the radar of others. Romweber's a powerhouse of rockabilly, honed in the garages of Athens, Georgia in the '80s with his former band, Flat Duo Jets. He's influenced the lo-fi sound of not only fellow-Athenians R.E.M., but also made a lifelong fan out of one Detroit-native, now Nashville resident, Jack White, who brought Romweber and his sister Sara on tour to keep them close. The Dex Romweber Duo is a family affair, but don't think that the drummer got her gig on anything other than sheer talent (she kicks some serious ass).

Dex's sound is a little surf, a little soul, a whole lot of the heart of rock's southern roots. The Duo's last album, Ruins of Berlin (Bloodshot, 2009), was full of moonshine-worthy voice and passion, and their forthcoming summer release Is That You In The Blue? (Bloodshot, 2011) was recently produced in North Carolina by Southern Culture on the Skids frontman Rick Miller. With fans stemming back to the cassette days (please don't ask what those are), there will sure be a throng of folks bellying up to the stage at Lincoln Hall on Tuesday night. Just don't mess with their hair, their shoes, or their rock n' roll. Dex is doing it right, and has been, for long enough to know how to deliver just the song and strut you need to make it through the night.

[mp3] Dex Romweber Duo "Lookout" from Ruins of Berlin

The Dex Romweber Duo opens for "Queen of Rockabilly" Wanda Jackson at Lincoln Hall on March 22, 2011. Jackson, who's been rocking for far longer than likely anyone in attendance, also caught the eager attention of Jack White, who produced her 2011 album The Party Ain't Over (Nonesuch). Tickets are $20 (adv), $25 (door). 18+. Lincoln Hall is located at 2424 N. Lincoln Ave. 773-525-2501. Music starts at 8pm.

Anne Holub

Concert Sun Mar 13 2011

Photos/Review: Elephant Stone @ Bottom Lounge 3/12/11

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Montréal, Canada's Elephant Stone opened with a sitar solo that felt like the ceremonial rite of passage into a postmodern psychedelic pop wonderland. As pop music goes, the band has the hooks but the sitar is what sets it aside from both typical pop and psychedelic bands today. Lead singer Rishi Dhir seems to have it all in terms of his vast talents: a fantastic voice and stellar guitar and bass playing in addition to the sitar playing that makes Elephant Stone both distinctive and wondrous.


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Kirstie Shanley / Comments (1)

Concert Fri Mar 11 2011

Photos/Review: Jonathan Richman @ Cabaret Metro 3/11/11

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Jonathan Richman doesn't exactly put on a rock show. After all, in this 2001 Salon interview article, Jonathan Richman reveals he doesn't want to make music that would hurt a baby's ears. His is a charming serenade, more a moonlight sonata with dancing than a headbanger's ball. And yet, he's distinguished not in the way of a grandfather but in the vein of a sexy gentleman that would give Leonard Cohen a run for his money in that department. (Modern Lover, indeed!)

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Kirstie Shanley / Comments (1)

Concert Thu Mar 10 2011

Tera Melos @ Subterranean, 3/10/11

On their September, 2010 release Patagonian Rats, Tera Melos traded many of their spastic math-rock breakdowns for something they had never attempted before—vocals set to traditional song structures. That doesn't mean there won't still be loads of ogle-worthy noodling going down tonight at Subterranean though. After the departure of longtime drummer Vince Rogers in 2008, the Sacramento three-piece recorded Patagonian Rats with the intentions of sticking with the erratic sound they're known for while keeping fans from getting too lost inside Tera Melos' own world of musical experimentation. Frontman Nick Reinhart and co. are in a more composed and, yet, unpredictable state than ever before.

Tera Melos plays tonight at Subterranean with Marnie Stern and An Aesthetic Anaesthetic. Tickets are $12 and this one's all ages. Doors at 6:30pm; show at 7pm. Subterranean is located at 2011 W. North Ave.

Katie Karpowicz

Concert Wed Mar 09 2011

Concert Preview: Jonathan Richman at Cabaret Metro, 3/11/11

The essential part of The Modern Lovers, Jonathan Richman's distinctive vocals and music have been haunting the wealth of bands that have popped up since the first self titled Modern Lovers release back in 1976. One can find a similar quirkiness at times in the lyrics and delivery of Stephen Malkmus. Furthermore, Jens Lekman's sincerity seems entirely reminiscent of Richman's own style.

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Kirstie Shanley

Concert Tue Mar 08 2011

Review: Street Home Chicago: Chicago Street Musicians @ HOB 3/3

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Keithen Terrell takes the stage at House of Blues

There is something about seeing people out of context that forces you to see another facet of their personality, whether it's running into your French teacher in the lingerie section at Macy's, catching a glimpse of a man who looks familiar at Whole Foods and realizing it's Warner Saunders, or seeing street musicians perform on a bonafide stage. Last Thursday at the House of Blues, a handful of street musicians usually found on subway platforms and street corners got a chance to play in front of an audience that for once wasn't in a hurry to get somewhere else. This was the first such concert for Chicago Street Musicians, an organization founded in 2009 by musicians Gabriel Chapman and Sarah Barnes.

Chapman wasn't kidding when he said that Keithen Terrell, the headliner, was "a dashing young man." The audience was in Terrell's corner from the moment he appeared onstage and began singing the opening notes to a bluesy version of The Temptations song "I Can't Get Next To You".

Chris James jamming on his guitar

Other notable moments included Meisha Herron's interpretation of the Fleetwood Mac chestnut "Dreams;" George Banks' tribute to Harry Nilsson; the agility of the musician known as Maverick as he lay down the law on his guitar; and Chris James jamming Hendrix-style. I kept waiting for the glint of recognition to come -- the moment when I'd see a musician that I'd heard while traveling downtown, and it finally came in the form of The Real Connection, a trio of singers I've walked past a hundred times if I've walked past them once. Their repertoire -- songs like "Stand By Me," "Don't Know Much," and "What's Going On" are as much a part of the experience of commuting downtown as riding the train. Next time you see a musician on the street or in the subway, take a moment to consider what it would be like to hear them in another context; you might find yourself adding a few extra minutes into your commute.

J.H. Palmer

Concert Tue Mar 08 2011

Some of That Ol' Flamenco Magic

5510712667_92e5c6549e_m.jpgIt's not enough that Yasmin Levy is all exotic-looking and gorgeous. Oh no. She also just-so-happens to be an Israeli singer and flamenco musician whose music blends traditional flamenco with a folk genre that dates back to the Jewish expulsion from Spain in 1492 as well as modern influences.

Pfft. Whatever. Levy will be playing at the Old Town School of Folk Music (Gary and Laura Maurer Concert Hall, 4544 N Lincoln Ave.) on Wednesday, March 16, in promotion of her latest album, Sentir.

The performance starts at 8:30 p.m., and tickets are $20 for the general public, $18 for Old Town School members, and $16 for seniors and children. Buy tickets online or by phone at 773/728-6000.

Kara Luger

Pitchfork Music Festival Fri Mar 04 2011

Pitchfork Initial Line Up Announced

PMF11_logo_452.jpgJust as tickets go on sale for this year's Pitchfork Music Festival, they have released the initial lineup. If you were skeptical about purchasing tickets to the summer indie fest without knowing who would be playing, today's announcement may quell some of your fears. The lineup includes some familiar names from years past, with the top billing (so far) bands being Animal Collective, TV on the Radio, Fleet Foxes and Cut Copy.

Tickets will be available for purchase beginning at noon today. $110 for three day passes; $45 for single day. Pitchfork takes place July 15, 16 & 17 in Union Park.

Michelle Meywes

Concert Wed Mar 02 2011

Preview: Street Home Chicago: Chicago Street Musicians @ House of Blues 3/3

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Keithen Terrell performs outside the Chicago Cultural Center.

Chicago Street Musicians, an organization founded in 2009 that celebrates Chicago-area street and subway performers, is bringing a number of CSM musicians to House of Blues for a concert on Thursday.

CSM Founder and Director Gabriel Chapman, who is a musician himself, listened to street and subway musicians regularly on his commute on the Blue Line, and thought it would be great to get people to actually listen to them, rather than breeze right past them on their way to work or home.

"One of the things we realized early on as we started to work on the website and video was the misperceptions that people have about street musicians," Chapman says. "Changing those perceptions has become a goal of ours. So often I hear people remark that street musicians are homeless. It seems to me that that is the prevailing understanding -- even among my close friends -- which could not be farther from the truth. Thinking briefly about the musicians that I know -- and I may only know a half to two thirds of those who play in Chicago -- there are people who work full-time jobs outside of performing, people in grad school, people making a living as full-time musicians, people who have recorded multiple albums, people who have music books that you can buy on Amazon.com, etc."

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J.H. Palmer / Comments (1)

Review Wed Mar 02 2011

Review: Asobi Seksu and BRAHMS @ Empty Bottle

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Yuki Chikudate of Asobi Seksu (photos by Steve Stearns)

It's been said that Asobi Seksu Asobi Seksu is plays somewhere in the dreamy pop realm of ambient shoegaze — or something like that. While it's easy to see why singer/keyboardist/cute front girl Yuki Chikudate would fit those sorts of descriptions with her soft and often operatic soprano, at Empty Bottle on Monday night those descriptors just didn't fit. Asobi Seksu may have released shoe gaze albums in the past, but Monday there was just too much noise (of the really fantastic variety). Asobi Seksu seems to be pushing the experimental envelope, and while not completely leaving shoegaze behind, they took it to harder places on Monday night.

Generally, it is Chikudate's vocals that are at the forefront of the groups tracks, but as song "Put the Drummer in Front" suggests, that isn't necessarily the case all of the time. Throughout the set guitarist James Hanna wailed out thunderous guitar riffs which sounded more punk-like, with their rowdy tempos, than anything shoegazey (although Hanna did look at his shoes a lot). While Hanna was gazing, drummer Larry Gorman's sticks flew across his kit with heavy hits so fast that it looked like Empty Bottle had a strobe light on him — they didn't, he's just really fast.

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James Hanna (photos by Steve Stearns)

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Bonnie Page / Comments (1)

Benefit Tue Mar 01 2011

Get Trashed for a Good Cause

Year after year, folks all over the country celebrate Fat Tuesday and Mardi Gras by throwing around cheap beaded necklaces and getting sloppily--and selfishly--drunk.

No longer! This year, on Tuesday, March 8, drink and dance for a good cause at Division Street's Mardi Gras celebration. Expect drink specials, dance parties, contests, and local DJs and bands, including Mike & Joe and the Big Shoulders Brass Band. To allay any booze-induced guilt, rest assured that a portion of the night's proceeds will go toward helping the New Orleans Musicians Clinic, a cause devoted to helping musicians still in need in the New Orleans area. The event kicks off at 7 pm at Bootleggers (13 W. Division St.) and moves on down the street to The Original Mother's (26 W. Division St.) and She-nannigans House of Beer (16 W. Division St). Visit Rush & Division for more details.

Kara Luger

Review Mon Feb 28 2011

Review: Dropkick Murphys/Naked Raygun @ Congress Theater

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Al Barr of Dropkick Murphys (Photos by Katie Hovland)

It doesn't take much urging for Chicagoans to boast their Irish pride, love for good music ans appreciation of cold beer. The same can be said for Boston-based punk rockers the Dropkick Murphys. So it's no surprise that these two collectives meshed Saturday night at the Congress Theater. Celebrating the release of their seventh studio album, Going Out In Style, this Tuesday and more than 15 years of being a band, Dropkick Murphys plowed through a 90-minute set with relentless energy.

But before the spectacle that was the Dropkick Murphys took the stage, attendees were graced with a performance from iconic members of the Chicago punk scene Naked Raygun. Since Naked Raygun's official reunion in 2006, fans that first fell in love with the band thirty years ago have been given another chance to see and hear classics like "Surf Combat" and "Wonder Beer" played live.

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Naked Raygun's Jeff Pezzati (Photos by Katie Hovland)

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Katie Karpowicz

Concert Fri Feb 25 2011

Pitchfork Festival Tickets On Sale March 4

Pitchfork Music Festival announced some very important dates today. This year's festival in Union Park will be July 15-17. Tickets go on sale next Friday, March 4, and will be $45 for single dates, $110 for three-day passes.

No news yet on who's playing, but if last year is any indication, we'll find out a few next Friday morning.

Andrew Huff

Concert Thu Feb 24 2011

Dropkick Murphys Rock Chicago, Help Out Wisconsin Workers

St.Pat's is a few weeks away, but Chicagoans still have a reason to sport their orange and green this weekend. Check out the Dropkick Murphys' double feature at Congress Theater on Saturday and Sunday. Chicago legends Naked Raygun will be opening on Saturday night and angsty Florida punks Against Me! are kicking off the night on Sunday.

Dropkick Murphys have been at the center of the Celtic punk scene for over a decade and are preparing to release their seventh studio album, Going Out In Style, on March 1.

As if their crazed live shows and whiskey-inspired anthems weren't good enough reasons to love these guys, the Dropkick Murphys recently expressed their support for Wisconsin union workers by releasing an advanced stream of "Take 'Em Down," a song off their upcoming album. The band has granted rights to the AFL-CIO, SEIU (Service Employees International Union) and AFSCME (American Federation of State, County and Municipal Employees) allowing them to use the song at protest rallies across the nation.

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Katie Karpowicz

Concert Thu Feb 24 2011

Katz Company "The Surgery Sessions"

It's been said that you can win over more people by telling a compelling story than by throwing stats or comparisons or any other data at people. One good story can win over the hearts of many. Alex Katz has a compelling story and through the support of his fan he will be releasing an ep tomorrow night at Subt that tells that story. It wasn't long ago that Alex could not comprehend music. The sounds coming through his stereo seemed strange and unconnected. Last summer Alex was diagnosed with have a malformed artery in his brain and the surgery that followed left he searching to rediscover the music he loved. However, with time it has come back to him and now his is back. It is stories like his that demonstrate the strength of music and our ability to bounce back from anything.

Katz has written and now recorded what he is calling "The Surgery Sessions" and will be releasing this three song EP tomorrow night (2/25) at Subt. He plans to donate 50% of all proceeds from the EP's sale to Children's Hospital where he had his surgery. Also performing will be Carbon Tigers and Fly Phoenix and tickets are $8.

Jason Behrends

Concert Wed Feb 23 2011

Canasta, REGO @ Old Town School of Folk Music

This Saturday the Old Town School of Folk Music hosts two of Chicago's finest, Canasta and REGO. While Canasta is still riding off of the success of its May, 2010 release The Fakeout, The Tease And The Breather, REGO is celebrating the upcoming March 1 release of its newest EP, All These Bones And Us.

pressalbum.jpgREGO's All These Bones And Us is an acoustic showcase of singer/songwriter Rebecca Rego. Despite the fragile and dreamlike moments common on ATBAU, this six-track EP is a decidedly dark offering of songs. However, that is not to say that the songs on ATBAU are not still stunning and highly listenable.

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Katie Karpowicz

Preview Tue Feb 15 2011

Preview: Future Islands @ Empty Bottle 2/19

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"I don't consider myself a singer, I consider myself a performer who sings." says Future Island's front man Sam Herring in an LA Times blog interview. Herring has been described as intense, captivating and one of the most interesting front men in indie music. Maybe that's because, as a performer, Herring is so able to recreate the energy, passion and pain that existed when his songs were first felt.

Future Islands' genre-defying sound is something like a conjugal combination of New-Wave and Post-Punk, it having the emotion and synth of the former and the power and drive of latter. They have self-described their sound as "post-wave". If anything, Future Islands' 2010 album In Evening Air (released on Chicago's Thrill Jockey label) is an autobiographical, yet universally applicable, chronicle. It's moody, jarring and distorted with layers of synth, pulsating drums and the occasional industrial electric guitar riff. Herring's voice quivers and growls with Waits-like roughness through each song's relatable struggle. It's perfectly raw.

Future Islands are at the Empty Bottle Saturday, February 19th, and promise to put on an intense live show. There are threats that this will be an Empty Bottle sell out so get tickets pre-show. The Show starts at 10:00 pm and tickets are $8. Empty Bottle is at 1035 N Western Ave, Chicago, Illinois 60622, (773) 276-3600.

As a warm up, Check out Future Islands' live in-studio sets at KCRW or KEXP .

Bonnie Page

Concert Tue Feb 15 2011

The Return of Robert Turman

This weekend was supposed to be what is now becoming a once-yearly event, namely the return of metal percussion wizard extraordinaire Z'EV to Chicago's welcoming arms and the accommodating third-floor experimental safe-haven Enemy (1550 N. Milwaukee, floor three). Sadly, an airline merger collided mid-air with Z'EV's impending plans, so he will not be here. However, the gig as assembled will still be on the shortlist for most hotly anticipated of the year.

The biggest news is a rare Chicago appearance by Robert Turman. A founding member (along with Boyd Rice) of NON, Turman's industrial bona-fides are beyond question. His early tape releases featured snarling guitar figures over primitive drumbox and throbbing synth -- a dream for fans of early Cabaret Voltaire and DAF. He planted his flag in the sand for keeps in 1988 with the eleven year-spanning, eight-cassette boxset (!) Chapter Eleven (briefly reissued by Hanson a few years back, and slated for eventual CD treatment). Recently, Dais Records reissued an early Turman tape, Way Down, as an LP in an edition of 500 copies. Turman has seen a spike of activity in recent years, collaborating closely with Hanson Records' Aaron Dilloway (ex-Wolf Eyes) and issuing both new and archival material on various formats. Turman's return to Chicago after many years is a huge deal for industrial rock fanatics. Give him a king's welcome, why don't you.

Also on the bill: a duet performance by electroacoustic alchemist Olivia Block with Lou Mallozzi; Karl Paloucek, whose combination of metal percussion, piano, and amplified sewing machines always goes down a treat; and Startless, a duo featuring Blake Edwards of Vertonen and Ohio's Jason Zeh. Zeh's specialty is obscure but rigorous tape manipulation, while Edwards will stick primarily to one of his new favorite axes, the turntable. Prepare to be dragged through the analogue muck. This show coincides with the release of their debut record.

Show starts at 9:00, admission is $7 $10.

Chris Sienko

Concert Fri Feb 11 2011

Ladies Funk for Free Tonight

george-clinton-flyer-small.jpgPrint out or bring an electronic copy of this flyer on your phone to tonight's show at the Congress Theater, and you'll already be in a good mood when you pass through the door. Not only can you dance to the boogie of George Clinton and the Parliament Funkadelic, but you'll also have some spare cash to spend. Ladies get in free, and dudes pay only $15 with the flyer. It's not just every romantic holiday weekend that the ever-colorful, always musical P-Funk comes to a venue down the street. C'mon, yall, let's rock this town like it's Port Chester.

Doors open at 7:30 at the Congress Theater located at 2135 N. Milwaukee Ave. Chicago bands Spare Parts and Mos Scocious open.

Anne Holub

Concert Wed Feb 09 2011

Spend Valentine's Day with White Mystery

Our favorite redheaded brother/sister duo are keeping popular these days, attracting love from Pitchfork, Paste, and ranking on Greg Kot's list of top 10 albums from local acts in 2010. The duo will embark soon on their "White Mystery Shreds SXSW II" tour, landing in Austin during the massive music event before a homecoming at the Double Door on March 25th. All this will be leading up to their new release, Blood & Venom, dropping April 20th. Needless to say, these two stay busy.

Before they hit the dusty trail, they're inviting everyone out to the Empty Bottle for a free show on Valentine's Day. Single? Maybe you'll meet a redhead of your own. Taken? What better way to spend this commercialized holiday than doing shots of whiskey with your beau or babe and bopping around to catchy garage rock. Either way, you're guaranteed a good time.

If you haven't seen the band live, check out their video for "Powerglove" below:

White Mystery plays Empty Bottle Monday, February 14th. Dark Fog and The Pleats open. The show starts at 9:30pm and it is free.

Lisa White / Comments (1)

Review Fri Feb 04 2011

Review: Steve Dawson @ The Hideout, 1/28/11

[Reviews and photo submitted by reader Rob Reid.]

The last year was a good one for Steve Dawson's current project, a collaboration with a tremendous backing band — Frank Rosaly on drums, Jason Roebke on bass, and Jason Adasiewicz on vibes. In May of 2010 they celebrated the release of Dawson's second solo album, the organic and emotive I Will Miss the Trumpets and the Drums with a release party at the Old Town School of Folk Music, and followed up with regular gigs at city and regional venues. Last weekend's show at the Hideout (a venue whose sepia tones befit the alt country scene) — where they were joined by Alton Smith on keyboard and accordion — is evidence that they're only getting better. While on the surface it might seem like the jazz cats in Dawson's group would be overqualified to play singer/songwriter fare, this group not only excels at weaving an emotional fabric around Dawson's expressive vocal and guitar lines, but also sneaks in free jazz style jams throughout the set. This is a group that clearly has fun on stage, and likewise is fun to watch.

Following a lively and engaging set by Melanie Budd, one of Dawson's overachieving songwriting students at the Old Town School of Folk Music, Dawson's band gently eased into "The Monkey Mind is on the Prowl." Murmurs in the crowd revealed that the strange keyboard instrument that Diane Christiansen (Dawson's wife and Dolly Varden collaborator) blew into was a melodica. Patiently building the set, Dawson's band followed with his fingerstyle gem "Long Overdue." This tune — performed with only bare guitar and vocals on the album — was given a little extra kick from the band's shuffling groove. It wasn't until the third song that Dawson picked up the energy with the anthemic "Obsidian," followed by a cover of Buck Owens' "Your Tender Loving Care."

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Transmission

News Tue Feb 01 2011

Chicago Blizzard Concert Cancellations

Thanks to the snowpocalyptic conditions, a number of Chicago's music venues have announced cancellations for tonight and tomorrow. Here's a rundown of what we know:

Meanwhile, some venues are proudly touting that they're staying open. The Empty Bottle will remain open for business, while Schubas is open tonight for Scott Lucas and the Married Men and is offering free soup to anyone who shows up for Wednesday's DICK WOLF! record release show. And B.L.U.E.S. boasts on Facebook, "15 years from today when your child asks you where were you during the BIG SNOW of "11"... you can say.... "we were listening to the B.L.U.E.S. until the music stopped then..."

Andrew Huff

Concert Fri Jan 28 2011

Mouse On Mars @ Harris Theater 1/31/11

German IDM duo Mouse on Mars will unleash a brand-new slew of blippy electronic beats at the latest concert in the Chicago Symphony Orchestra's MusicNOW series this Monday at the Harris Theater. The never-before-heard piece, specially composed in collaboration with the CSO, will be followed by a performance of "A Cat's Seven Lives," which was composed by Martin Matalon to accompany Luis Bunuel's surrealist film Un Chien Andalou. Fans of orchestral-electronic alliances can expect more from Mouse on Mars in September, when they'll collaborate with the Koelner Philharmonie's MusikFabrik in their hometown of Cologne. At the post-concert reception at the Harris, music lovers can nosh on free food and drink and chat with the musicians. Brad Miner of Illmeasures will perform in the lobby before and after the show.

The performance takes place Monday, January 31st at 7 PM at the Symphony Center's Harris Theater (205 E. Randolph). General admission tickets cost $20.

Nathalie Lagerfeld

Concert Thu Jan 27 2011

The Band Is So Bizarre

Damon Locks and Wayne Montana, two of the mainstays behind local dub/funk/world/jazz/who-knows-what group the Eternals, are back with a new mind-expanding album, Approaching the Energy Field. The album isn't due until February 15, but the lucky folks who attend their record release show at Schubas (3159 N. Southport) on Friday, Feb. 11, can buy theirs early. While maintaining some particularly Eternals-esque elements, Approaching veers in a wild, new experimental direction for them. Catching the Eternals live is highly recommended, as is, of course, grabbing the album.

The show starts at 9:30 p.m., is 21+, and tickets are $10. Local group The Bedfellows (including ex-Watchers members) will open. Get your tickets on the venue's site or at the door.

Kara Luger

Hip Hop Wed Jan 26 2011

Lyrics Born brings the beats to Abbey Pub 1/29

Bay-area rapper Lyrics Born (Tom Shimura) hits the stage at the Abbey Pub this weekend with no less than a full band and hopefully some fresh batteries in his microphone. The maestro has rocked stages at Lollapalooza, and almost all the venues in town — he tours so much he must have mastered the science of packing a suitcase. But this isn't just your ordinary "Hip-Hop Hooray" rap artist. Blessed with a gift for enunciating the most complicated of rhymes, and for the good sense to bring a solid live band into the studio, Lyrics Born is as entertaining to listen to as he is to shake your booty to.

His latest album, As U Were is no exception to a series of energetic solo releases which began back in the late-'90s with singles, and really took off with 2003's ...Later That Day and the widely successful remix album, 2005's Same !@#$ Different Day. He followed up with a live double album in 2006, another studio release in 2008 and this fall's latest album, As U Were. This one isn't just rap beats, but LB takes a lot more funk into the studio to create some pretty groovy songs like the more sung than rapped "Lies X 3" and the disco-influenced "Coulda Woulda Shoulda". Songs like "Oh! Baby" are classic Lyrics Born with machine gun-fast lyrics alongside piano and brass horns, oh, and some vocoder too.


[mp3] Lyrics Born - Lies X 3 (Keys N Krates remix)

Lyrics Born performs at the Abbey Pub along with Keys N Krates, The Opus, Abstract Giants, and Vapor Eyes on Saturday, January 29th. The doors open at 8pm, music starts at 8:30pm. Tickets are $18 (adv), $20 (door). 21+. The Abbey Pub is located at 3420 W. Grace St. 773-478-4408.

Anne Holub

Concert Mon Jan 24 2011

Chicago Welcomes Weezy


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This morning Lil Wayne and Cash Money Records announced Wayne's "I Am Music II Tour" with special guests Nicki Minaj, Rick Ross, Travis Barker and Mixmaster Mike. The 24-city tour makes its stop in Chicago at the United Center on April 1.

Still fresh off his Nov. 4 release from Rikers Island, Lil Wayne is apparently dead set on making up for lost time. With a video for his first single since his release ("6 Foot 7 Foot") on the way and Tha Carter IV already slated for winter 2011, now Lil Wayne is rivaling his 2009 record setting first installment of "I Am Music" with this star-studded super tour.

Tickets go on sale Feb. 4 through Live Nation.

Katie Karpowicz

Concert Mon Jan 24 2011

Preview: Flaming Lips @Aragon Ballroom 7/7/11

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In the aftermath of 2009's dark and brooding Embryonic, it's no surprise that the Flaming Lips would plot a return to lighter fare. The elder statesmen of confetti-cannon psychedelic rock will perform 1999's The Soft Bulletin in its entirety at the Aragon Ballroom on July 7th -- a repeat of an equally nostalgic New Year's event in their hometown of Oklahoma City. Look forward to a hyperbolic show packed with crowd-pleasing anthems like "Race for the Prize" and "Waitin' for a Superman" as well as wild visuals and kooky onstage hijinx, though there's no word yet on whether Wayne Coyne will be breaking out his human-sized hamster ball for the performance.

The Flaming Lips play the Aragon Ballroom (1106 West Lawrence Avenue) on July 7th at 7:30 p.m. Tickets cost $35 and go on sale Saturday, January 29th at noon.

Nathalie Lagerfeld

Concert Fri Jan 21 2011

Janet Adds Third Show

Janet Jackson 2011.jpgWanted to dance with Janet like it was 1814, but didn't get tickets to her sold out Chicago Theatre shows in time? Mark your calendars for January 29th--that's when tickets go on sale for the just added third night of her Number Ones-Up Close and Personal Tour. Tickets range from $50 to $200 and can be purchased on Ticketmaster or at the Chicago Theatre box office. And don't forget to nominate a deserving young person to be one of Chicago's 20 under 20.

Janet Jackson - Number Ones - Up Close And Personal Tour: March 7 & 8 sold out. Third show added for Wednesday, March 9, 7:30pm. The Chicago Theatre is located at 175 N. State St.

Michelle Meywes

Concert Fri Jan 21 2011

A Long Weekend in The Suburbs

thesuburbs.jpgEarlier this week, news broke that Arcade Fire would be touring through Chicago in April, with The National opening. The big news today is that it will be two shows at the UIC Pavilion instead of just one. This may be your best bet to see either band outside of a big festival -- Arcade Fire will be headlining both Tickets go on sale Saturday at 11am for both dates, April 24 & 25. If you can't make it to Coachella or New Orleans Jazz Fest, and The National will also be at Coachella.

Andrew Huff / Comments (1)

Concert Thu Jan 20 2011

Guster

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It's been so miserably cold in Chicago lately, and unfortunately, summer is still in the distance. That's why it's good to see bands like Guster--their breezy music is like a tanning bed for your ears. Guster is currently touring in support of their sixth full-length studio album, Easy Wonderful. The tracks unabashedly seep sunshine-pop from every chord, with hand claps, "doo-doo-doo" choruses, easygoing harmonies, and ah hell, church bells. Think Barenaked Ladies. Think the Lovin' Spoonful. You get the idea.

Guster play the Riviera (4750 N Broadway) on Saturday, Jan. 29 at 7:30 p.m. Tickets will set you back $29.50.

Kara Luger

Concert Mon Jan 17 2011

Photos/Review: Little Dragon, Alex Winston, & Billy Goat@Lincoln Hall 1/16/11

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It's always a tiring yet exhilarating experience to attend the Tomorrow Never Knows Festival and this year, spread across the three venues of Schubas Tavern, Lincoln Hall, and Cabaret Metro, it became much larger than ever before. That said, it was impossible to get to every band but the shuttle between venues did prove reliable for those who wanted to try to see as much music as humanly possible.

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Kirstie Shanley / Comments (4)

Concert Sun Jan 16 2011

The Mid Welcomes Skrillex, Tommy Lee and DJ Aero

As a part of its Friday night series "Mayhem at the Mid," Chicago's newest venue, The Mid, is welcoming a familiar name. Tommy Lee's (yes, that Tommy Lee) latest venture into the electronica/club scene Electro Mayhem will be spinning The Mid on Feb. 11. Lee and his turntable partner DJ Aero have been sharing the stage since their days together in Lee's rap-rock side project Methods of Mayhem, but began touring together as Electro Mayhem in 2007.

Joining Lee and Aero will be Sonny Moore, better known as Skrillex. Moore last visited Chicago in October as a last minute add on to the sold out Deadmau5 show at Congress Theater. Now he's back celebrating his recently released EP Scary Monsters and Nice Sprites, a record that earned Skrillex a top ten spot on Beatport charts and a #1 position on iTunes dance chart.

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"Mayhem at the Mid" featuring Electro Mayhem and Skrillex starts at 10pm on Friday, Feb. 11. Chicago's own Alex Zelenka will play the opening set. Tickets are $18. The Mid is located at 306 N. Halsted and is 21+. For further "Mayhem at the Mid" concert listings, visit the venue's website.

Katie Karpowicz

Concert Sat Jan 15 2011

Review: Freddie Gibbs @ Metro, 1/14

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In the world of Gangsta rap, where stereotypes abound, the weed smoking rising and the misogynistic lyricism coupled with the constant chanting of "Fuck Police" during Friday night's Freddie Gibbs show might only perpetuate these ideas. But all the negative stereotypes fall to the wayside when you look at the raw talent the charismatic (and easy on the eyes) Gibbs possesses. The Gary, IN native had a bit of a homecoming party, the stage packed with an entourage milling about, while the simply monikered MC G hyped up the crowd with songs about kush and gunfire.

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Lisa White

Concert Fri Jan 14 2011

Review: The Besnard Lakes @ Lincoln Hall, 1/13

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There are some shows you just don't want to end. The Besnard Lakes last night at Lincoln Hall was of those performances. Their ethereal albums are hypnotizing enough, but live everything is bigger, louder and more wicked. To look at the husband and wife team of Jace Lasek and Olga Goreas, you may expect flower power folk; instead you get a wallop of psych rock with modern electric touches.

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The Besnard Lakes' Lasek and Goreas (Photos by Kirstie Shanley)

Last summer the Montreal pair opened Millennium Park's Downtown Sound series at the open air Pritzker Pavilion. It seemed the most fitting way to hear the group, under the night's sky, but last night being up close and personal was that much more powerful — a different but equally compelling feeling. Their set got underway almost a half hour earlier than their scheduled 11 o'clock time since opening girl-group Frankie Rose & the Outs played for only 20 minutes. As the room filled up, the band hit full stride by "Land of the Living Skies". It was at times a transcendent experience, juxtaposed by the casual banter and stories from the band (including one about being compared to David Koresh!). We got plenty of Lasek's mighty falsetto on songs like "Chicago Train" and "This Is What We Call Progress", and he brought out a captivating white 12 string electric guitar for "Albatross", on which wife Goreas takes the lead on vocals. The contrasting sweetness of "Albatross" made the following song, "Like The Ocean", all the more haunting.

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Michelle Meywes

Concert Wed Jan 12 2011

The High Dials @ Double Door Saturday, 1/15

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Chicago is one lucky city. It's not often that the Montréal based psychedelic band The High Dials grace our streets but the band has secured an opening spot on the bill for this Saturday night January 15th at The Double Door. Despite the season's winter chill, the band's lush sound will be sure to warm you up.

The High Dials create songs that are not psychedelic in a harder edged droning way but are elevated to a more pop appeal. Think a catchy and less idiosyncratic Syd Barrett or Pretty Things, for example. Throughout their two EPS and four full lengths, most recently 2010's Anthems for Doomed Youth, the band has worked on perfecting the subtle art of rocking out in transcendent ways but at the same time being accessible and blissful to listen to. Their sense of rhythm and talent is unmistakable and one can't help but see the five piece as one of Canada's best. In previous live shows in years past, they've taken their already amazing recorded songs to the very edge and still managed to keep perfect control over the essence of the compositions themselves. If the world can be separated into those music fans who listen to what is meaningful and life changing and those that prefer mindless pop music instead, it's clear High Dials fans belong to the former group of folks.

Just make sure to get there early so that you don't miss a single note of their rare visit! Doors for this show are at 8pm and show starts at 9pm. Also on this bill are bands Aetiology , The Town Monster, and headliners Rubblebucket.

Kirstie Shanley

Concert Mon Jan 10 2011

Janet Jackson Returns To The Stage

Janet Jackson 2011b.jpgWhile some were trying to replicate the moonwalk, others were copying or creating their own dance moves straight out of Rhythm Nation. That later group has something to really get excited about: Janet Jackson is bringing her Up Close and Personal Tour to the Chicago Theatre on March 7th and 8th. On this 35 city tour, she'll be strictly performing from the 35 songs on her new CD, Number Ones. Don't expect bravado and special effects though, this tour is about getting intimate and personal with the star, just as the tour's namesake states.

Plus, there's another special aspect to this special tour. Know a young person in your community who is making a difference? Janet wants to meet them. Nominate them on janetjackson.com for a chance to be one Chicago's 20 under 20. In a statement from her press release:

I'm asking my fans and their friends, parents, relatives, neighbors and teachers to nominate five people to qualify as one of the 20 under 20 in each place I will perform. At each concert the 20 people chosen and the person who nominated them will be VIP guests at my show. I will invite the 20 sponsors and the 20 winners to the concert and back stage. There are many young people changing the word and I want them to be recognized during my tour. I want them to be my guest at my show and they will come back stage as I learn from them how young people are changing the world.

Tickets range from $50 to $200 and go on sale this Saturday, January 15th at 10am on Ticketmaster or at The Chicago Theatre box office.

Michelle Meywes / Comments (1)

Concert Fri Jan 07 2011

TNK Kicks Off Next Week

tnkSponHeader.jpgNow that cabin fever is settling in as we hit mid-January in Chicago, it's time to get yourself out of the house and into a concert (or five). Schubas and Lincoln Hall's annual winter music festival Tomorrow Never Knows kicks off next Wednesday, and this year has some extra special perks, including the Metro getting in on the act--which also means official SmartBar after-parties, and shows for the kids.

Still debating whether or not you should pick up one of those 5-day passes? Perks include admission to all shows at all three venues, plus free trolley rides between them. You'll also be invited to the opening night party at Lincoln Hall which includes a hosted bar by Tito's Handmade Vodka, with Sound Opinons hosts and music critics Jim DeRogatis and Greg Kot providing the tunes (You can also get in by purchasing a ticket to that evening's The Helio Sequence show).

For all the details, and to purchase single day tickets or 5-day passes, check out TNK's official website where you can also listen to some of the bands playing the fest. Be sure to check back with Transmission next week because we'll be bringing you reviews of various TNK shows throughout the fest.

Check out the full lineup after the jump.

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Michelle Meywes

Concert Wed Jan 05 2011

Start Your New Year Off With Some (Nether)friends.

I first saw Netherfriends some four years ago in my hometown of St. Louis, MO. Their style was original, vocals were spot on and performance was just downright fun. But, after keeping up with the band's goings ons, what began to stand out to me the most was Netherfriends' tenacity. In a city like Chicago--flooded with indie poppers--relentless touring and promotion is what elevates Netherfriends above others in the local music scene.

Fresh off his "50 Songs 50 States" project, Netherfriends' mastermind Shawn Rosenblatt is back in the Midwest and ready to rock his hometown. Rosenblatt spent the majority of 2010 traveling to all 49 continental states with the dream of writing a song in each U.S. state. Now Rosenblatt is celebrating his homecoming tomorrow night with a Netherfriends performance at Subterranean. Due to touring, this will be the last time to hear Netherfriend's psychedelic pop tunes live in Chicago until May. Joining the Netherfriends on stage will be The Loneliest Monk, Dozens and Wolf In A Spacesuit.

Below is Netherfriends's video for "Bret Easton Ellis Novel" off their debut LP Barry and Sherry.

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Katie Karpowicz

Concert Sat Jan 01 2011

Review: Flosstradamus NYE @ Lincoln Hall, 12/31

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Photo by Clayton Hauk

Hordes of lurching shoeless drunk girls shivering in tiny dresses, boys covered in glitter and sweat, and a dance floor littered with popped balloons and an air of bad decisions is just another typical New Year's Eve in Chicago. Maybe it was the unseasonably warm weather or maybe people were just ready to say good riddance to 2010, but the crowd packed into the Flosstradamus New Year's Eve party at Lincoln Hall were not content with just standing on the sidelines; they came to dance.

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Lisa White

Concert Fri Dec 31 2010

Holdfast EP Release Show @ Reggie's

Sure there are loads of great shows tonight celebrating NYE, but the music doesn't stop in 2011! Tomorrow, Jan. 1, Reggie's Rock Club will be showcasing a few of Chicago's newest residents of the local indie scene.

The show kicks off at 6pm--giving you plenty of time to rouse yourself from your post-New Years slumber and grab some greasy hangover food first--with Monster Armed With Scissors. MAWS's music is almost as diverse as the band's instrumental repertoire including mandolin, trumpet, and accordion. For the most part, MAWS mix a classic midwestern indie rock sound with a tinge of folk and the result is certainly refreshing. Keeps your eyes and ears out for a MAWS full-length in early 2011.

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Katie Karpowicz

Concert Tue Dec 28 2010

Monotonix is (not?) Coming

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Photo by Giles Smith

There is a little band from Tel-Aviv called Monotonix, and if you haven't seen them live yet you're really doing yourself a disservice. This spirited trio embodies the unbridled raucousness and vigor that rock and roll music was spawned from. They never fail to put on a hell of a show, climbing across ceilings, dangling from plumbing, drumming whilst crowd surfing-- behaving like (and looking like) possessed cavemen-- all the while skillfully hammering out some truly inspired garage rock with an eastern twist.

Monotonix are reputed to have inspired audience members to set themselves on fire and/or start canoodling during live shows, therefore being banned by half the venues in Israel they've played at. They may be from The Promised Land in the biblical sense, but some would argue that they are also from The Promised Land in the punkrockian sense.

Do the party animal in yourself a favor and go see them at the Empty Bottle on February 11. UPDATE: Due to the illness of a family member of one of the Monotonix guys, the show has been cancelled. We will let you know if it is rescheduled. Jeff the Brotherhood, Rabble Rabble, and Call Me Lightning open. The show starts at 9:30pm; tickets are $12.

Kelly Reaves

Concert Wed Dec 22 2010

The Smoking Popes @ Reggies, 12/31

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Photo by Katie Hovland

Chicago's The Smoking Popes are playing Reggies Rock Club, 2109 South State St., this New Year's Eve with Company Of Thieves, The Fold and August Premier. The Smoking Popes will play songs from their new record, This is only a Test, which comes out on Asian Man Records March 15.

Show starts at 8pm and is 18+. Tickets are $30 and you can buy them here. Visit MP Shows for more details.

Want some other options? Check out our NYE concert round-up!

Katie Hovland / Comments (1)

Concert Fri Dec 17 2010

Concert: Savvy @ Beat Kitchen

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Beat the cold tonight by throwing on your dance shoes, heading over to the Beat Kitchen and catching a vivacious set from Savvy. Savvy was formed by a collection of Chicago musicians that also contribute to other local bands such as Impossible Recording Machine and Talking Heads tribute band This Must Be the Band. Self-described as a combination of Daft Punk, King Crimson and XTC, this six-piece fully intends to take the Chicago strangefunk scene by storm and keep you highly entertained while doing so. Need further convincing? Earlier this month Savvy launched an awesomely ridiculous marketing campaign for tonight's show, something they call the 12 Days til Christmas Show Countdown.

Savvy play the late show at the Beat Kitchen tonight starting at 10pm. Silver Atlas and Wolfgang Jay will also play. This show is 21+ and tickets are $8. Beat Kitchen is located at 2100 W. Belmont.

Katie Karpowicz

Concert Sat Dec 11 2010

Preview: Paper Arrows @ Schubas

We've all heard it on at least one occasion: that whiney voice in the back of our heads after a show--even a great show. If yours sounds anything like mine, it's probably saying something along the lines of, "If only such and such band had played such and such song." Even excellent setlists can breed letdowns.

Chicago-based Paper Arrows are quelling those voices for fans this month with a unique concert series leading up to the release of their newest album In the Morning. The band plans to play each of its albums, including In the Morning, in its entirety during a three-show residency at Schuba's. That's right, no song will go unplayed. Starting this Monday (Dec. 13) Paper Arrows will play their 2008 debut Look Alive. The following Monday fans can hear 2009's Things We Would Rather Lose live from start to finish and finally on Dec. 27 Paper Arrows will preview In the Morning with a live debut.

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Katie Karpowicz

Artist Mon Dec 06 2010

See Buke & Gass Tonight For Free

BG_byGrantCornett2.jpgBrooklyn duo Buke and Gass are truly a DIY band, having essentially created their own musical instruments. Aron plays what they've dubbed the "gass", a guitar/bass hybrid, while his female counterpart Arone is on the "buke", a modified baritone ukulele. Their music is as unique as their makeup; they teeter the line between mainstream and avant garde, sometimes with so much going on, you'd expect it to be overwhelming, instead finding it intriguing. It's near impossible to assign a single genre--sometimes folk, mostly rock with experimental and pop injections (especially on songs like "Your Face Left Before You" and "Medulla Oblongata" (free download), which would be the closest things they have to singles). One thing they always have is a big sound, whether epic or just plain loud.

See the pair in person tonight as they headline a free Monday at the Empty Bottle (1035 N. Western). Show starts at 9:30pm. Talk Normal and the local J+J+J play first.

Michelle Meywes / Comments (1)

Review Sat Dec 04 2010

Review: Emergency Room @ Subterranean 12/2

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Emergency Room's Dan Andriano (photo by Katie Hovland)

"His voice sounds familiar; I feel like I've heard it somewhere before" says a girl at Subterranean as Dan Andriano's distinctive voice strained to reach a note. Andriano sounds so familiar because (a) his voice is so unique — vocal power builds from his stomach and mutedly emanates from somewhere in the middle of his throat for the climaxes while lisping over the chorus lines, and (b) because Adriano is, and has been, the bassist/singer for Chicago punk rock band Alkaline Trio since 1997. Aside from the comfortable familiarity of Andriano's voice, his Emergency Room side project is distinctly different from Alkaline Trio — it's all acoustic. And, while some of Andriano's angst seems to have softened over the past 13 years, his songwriting still expresses the same somber futilities of being.

Each of Emergency Room's songs felt like it was written alone, at a small table in a half-lit hotel room after days on the road. Fittingly, Andriano was on stage alone; just a mic and a guitar. "It's Gonna Rain All Day" and "September" were the first of the night to convey the theme. Underlining the lyrics, Andriano wailed out the AAAA AAAA's with his eyes closed and mouth wide open to the ceiling in "September". Later on Andriano weaved "Me and Denver" and "This Light" into the set. It was about waking up alone in hotel rooms, staring at the ceiling (It's Gonna Rain All Day") and missing and praying to get home soon ("Me and Denver"). It was about awkward silences over long distance discussions and being asked to come home ("This Light"). Emphasizing the message, Andriano even added a raspy cover of the Carole King song "So Far Away" (Doesn't anyone stay in one place anymore?).

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Bonnie Page / Comments (1)

Concert Thu Dec 02 2010

Northpilot @ Cubby Bear, 12/4

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Listening to Northpilot's song "Naked Before My Captors," you can feel the onset of another Chicago winter. Snowflakes practically swirl from the track's twinkling pianos as lead singer Travis Shaver metaphorically exposes parts of himself to the listener. Perhaps it's Michigan's brutal winters or Detroit's economic woes that echo through the urban angst of Northpilot's work. It's the sort of decay and dystopia that underlies the movie 8 Mile and BBC's 2009 documentary about the city. Originally from Michigan, friends Shaver and Mark Colwell discussed the band's history and Chicago's scene over hot tea at Lakeview's LooseLeaf Lounge Wednesday night.

As the founding members of Northpilot, Shaver and Colwell migrated to Chicago in early 2003 after college. Since then, they quickly added others to their collective. The band is now comprised of other fellow Michigan transplants, including Matthew Cragnolin on bass, Dan Julian on drums, Danielle Schnurer on keyboards and Justin Vittori on guitars and whistling. Just as they added members to the band, Northpilot has also been adding fans.

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Moises Montenegro

Concert Tue Nov 30 2010

It's a (Doomtree) Family Affair

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Don't lie -- you've been just itchin' to experience some of that Minneapolis music scene. You know, you don't have to purify yourself in the waters of Lake Minnetonka to experience some Twin Cities love. No, all you have to do is head to Bottom Lounge (1375 W. Lake St.) this Friday, Dec. 3, where some of the folks from the illustrious Minneapolis-based Doomtree Crew will be performing.

Oh, did I say some members of the collective will be there? I meant every member -- all seven of 'em: rappers, singers, and DJs alike. That means hard hitters like punk-rap star POS will be there, as well as the amazing singer/rapper/spoken word artist Dessa. That means Sims, Lazerbeak, Paper Tiger, Cecil Otter, and Mike Mictlan will also be gracing the stage. That means three freakin' hours of music, y'all. It would be crazy to miss this one. The show begins at 9 p.m., and tickets will run you only $12. Get yours on their site or at the door.

Kara Luger

Concert Tue Nov 30 2010

This Week @ Subterranean

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The Emergency Room (Dan Andriano of Alkaline Trio) and Sundowner (Chris McCaughan of The Lawrence Arms) play this Thursday night, 12/2. Doors are at 8pm & show starts at 9. It is 17+ and tickets are $14.

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Main support for Japanther on Friday night, 12/3, are Chicago's finest, The Arrivals. They play with Vacation and Unstoppable Death Machines. This show is 17+ and tickets are $8. Doors open at 8:30pm with the show starting at 9. Don't forget to pick up The Arrivals new record, Volatile Molotov, released on Recess Records.

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Sunday night, 12/5, Dear Landlord (members of The Copyrights & Off With Their Heads) headline with Chinese Telephones, Vacation Bible School, and No Enemy opening. Doors are at 7pm & the show starts at 7:30pm. It's 17+ and is $8.

On Tuesday, 12/7, The Treasure Fleet (members of The Arrivals, The Lawrence Arms, The Smoking Popes, and Sass Dragons) play with Mini Mansions which features a member of Queens of The Stone Age. Thrillage opens this show. Doors are at 8pm and show is at 8:30pm. Sorry kids, this show is 21+. $8.

You can purchase tickets and find more info at www.subt.net. Don't miss out on a great week of music @ Subterranean - 2011 North Ave W - in Chicago.

Katie Hovland

Concert Tue Nov 30 2010

Preview: Diamond Rings @ Empty Bottle

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Blitz & Glitz: that's one way to describe Diamond Rings live aesthetic, it also happens to be the name of one of the many M.A.C. makeup colors singer/songwriter John O' wears during a show. Diamond Rings is the solo pop-synth-based side project of John O', also singer to the Canadian indie rock band The D'Ubervilles. Solo John O' burst onto the Internet scene in the summer of 2009 with the DIY video for "All Yr Songs" to positive blog and Internet buzz. He followed the video up with a series of singles and videos featuring green screen camera trickery, over the top choreography, and daring androgynous outfits and makeup.

With his combination of Bowie like aesthetic and catchy electro-synth-pop songs, Diamond Rings promises to at least make your body move (especially if you grew up in the 80's) and hopefully get you to sing along too. But that description alone may sell Diamond Ring's music a little short. Despite his affinity for glammed-out makeup and flashy leggings, singer-songwriter John O' doesn't seem to be the next Gaga-like pop phase. His catchy songs are grounded by his iconic baritone voice (which has drawn comparisons to Ian Curtis of Joy Division and Magnetic Field's Stephin Merrit) and themes of pain, personal growth, evolution, finding oneself and love. There is substance underneath the glam.

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Bonnie Page / Comments (1)

Concert Mon Nov 29 2010

Nein To Neubauten

Sadly, folks who purchased tickets for the upcoming pair of shows by industrial music pioneers Einsturzende Neubauten scheduled for December 8 and 9 will have to go back for a refund. Billions, the company responsible for bringing Neubauten to North America, announced today on their website that, while the visas were procured, it was not done in time to procure the appropriate visits with the overseas embassies and consulates ("a necessary final step in the process."). Because of the time-sensitive nature of the event, the shows will not be rescheduled, and refunds will be offered at the point of sale. (i.e. the Vic and the Metro)

More info here.

Chris Sienko

Concert Mon Nov 29 2010

Step into a Crystal World

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This week's Monday night free show at the Empty Bottle (1035 N. Western) is chock-a-block with witchy endeavors. In support of their new double CD, The Crystal World (Utech Records), Locrian perform a set of their increasingly idiosyncratic weaving of metal, drone, noise, kraut, and minimal synth, and also debut a video program for the album's release. Once a band that seemed to subsist on split cassettes, Locrian now traffics almost entirely in definitive statements -- their last four records, including Rhetoric of Surfaces, Drenched Lands, Rain of Ashes, and Territories, all staked claim in a massive uncharted territory, and the new double CD will no doubt dominate the icy northern regions.

Meanwhile, long-running metal/goth/industrial project Anatomy of Habit, though well-rehearsed and playing several powerful shows around town, have yet to release anything to prove their power to people unable to travel to the Midwest. Their long, dirge-y songs would be happily lodged for months at a time in the home stereo system of any doom/metal fanatic.

Cellist Helen Money casts a similar iron-gaze into the void, her multi-voiced cello piercing like a lead guitar or grinding like a rhythm backhoe.

9 p.m., and FREE.

Chris Sienko / Comments (1)

News Wed Nov 24 2010

Quick Links: Thanksgiving Survival Guide Edition

Want some ways to escape the humdrum old Thanksgiving traditions this year? Here's a few ideas for how Chicago's making the holiday week sound great:

Shopping. Sure there's Black Friday at the mega-stores, or you could help yourself to some local music-oriented deals.

  • Act now to get your hands on some just found Thrill Jockey vinyl released in honor of the shopping holiday. They've got the scoop on what they uncovered in the dark corners of the TJ warehouse. The stock is low, so quantities are limited.
  • Hustle over to Wrigleyville to check out Metro's Black Friday deals on everything from show posters to Metro and Smart Bar emblazoned gear, as well as show tickets and a special $5 bin of bargains. You can also enter a raffle to upgrade your New Years Eve Yeasayer tickets if you buy them on the 26th. [Speaking of, check out our New Years Eve show roundup.] See the Metro's homepage for details on Friday — but note the deals are only good in person at 3730 N. Clark St.
  • Buy some new tunes online from Bloodshot Records during their annual sale. Tip: If you also "like" Bloodshot on Facebook, you'll get the scoop on special deals from Bloodshot Rob's private stash during the sale, which runs through the end of 2010.
  • Head out to grab some special Black Friday releases at Reckless Records (any location). Items will be up for grabs to anyone who makes the trip in (no special orders or holds). All three locations will open at 10am.
  • Hit up Dave's Records for your vinyl-only Black Friday releases. They'll limit you to one of each item per customer until 2pm, then it's a free-for-all. List of releases to be carried will be posted today on Dave's MySpace blog. Dave's opens at 11am on Friday. 2604 N. Clark St.
  • Head north to Evanston's 2nd Hand Tunes for their Black Friday releases (selection TBD, but might include some of this list). 800 Dempster St., Evanston. They're open 10am-8pm.
  • Explore one of the newest Chicago record stores by heading to Saki in Logan Square for their Black Friday deals. No holds, limit 1 per customer for the first week of the sale. 3716 W. Fullerton Ave. Saki is open from 12noon-8pm.
  • Dance the blues away while you shop for "speculative fiction-fantasy books and horror vinyl" at Bucket O Blood Records in Logan Square with a Black Friday dance party and record release celebration for J+J+J at 8:30pm. The store is open from 11am-10pm Friday. 2307 N. Milwaukee Ave.
  • Get some bargains from Numero Group. Their "massive" sale started this past Monday, and will continue with one great deal per day until mid-December.
  • Dance your way to some bargain dance music at Groove Dis in Chicago, in person only at their warehouse. They'll have sales for Black Friday starting at noon-9pm. Deals include 12" singles 3 for $20 and all CDs for $10. Import and domestic are each on sale, but not multi-record/disc sets. 346 N. Justine St., #202. (Near the intersection of Ashland and Lake.)
  • Can't deal with work when you get done with a long weekend of gluttony? Check out Schubas' Cyber Monday deals on merch! [Update: Get $5 off all show posters November 29th in the Schubas online store.]

Shows. For when you need to hear some music that your parents will love, too.

  • Explore the sounds of Mar Caribe at the Hideout on Friday. They might be from Chicago, but they're bringing a melting pot of music with a little southwest flavor dipped in some South American style. Here's a cute lil' animated video for their song "Deux Petits Bateaux". They'll hit the stage just before fellow Chicagoans The Lawrence Peters Outfit and right after Majors Junction starting at 10pm. Tickets are $8 (21+). 1354 W. Wabansia.
  • Need a friendly, dark place to hide? Grab a quick beer and have a breather at the Empty Bottle while enjoying the hard country honkytonk sounds of the Hoyle Brothers for free, starting at 5:30pm on this Friday, November 26th (and most Fridays).
  • Check out Thrill Jockey artists The Sea & Cake at Lincoln Hall on Saturday November 27th for some dreamy experimentation that even your folks will groove on. Tickets still available ($18 adv/$20 door), 21+. 2424 N. Lincoln Ave.
  • Want to get vocal? Take the whole herd to the Music Box Theatre for the Sound of Music Sing-a-long show. Caution: You will get yodels on this ride. Screenings start on Friday, November 26th through Sunday, November 28th. Tickets range from $8-$15. 3733 N. Southport Ave. 773-871-6604.

Anne Holub / Comments (2)

Review Tue Nov 23 2010

Review: No Age @ Lincoln Hall 11/21

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No Age's Randy Randall (photo by Rory O'Connor)

Sometimes you leave a show wishing you'd kept the $15.00 ticket price in your pocket. That feeling is especially disappointing if you went in expecting an hour or more of abandoned gyration to charged noise slash pop-punk and all you got was diluted pop-punk slash garage rock. Unfortunately, that was the general feeling after the (much anticipated) No Age show at Lincoln Hall on Sunday night.

The stripped down duo of Randy Randall (guitar) and Dean Allen Spunt (drums/vocals) stepped out from behind a white-sheet-made-projection-screen, clamped onto Lincoln Hall's normal black curtains, to an amped up, mostly wristband-less, crowd. Under pink lights (and to an inexplicable absence of fog), Randall strapped himself into his guitar and Spunt took a center-stage seat behind his drum set. The first spurts of feedback and heavy drum beats to "Life Prowler" (from latest album Everything in Between) incited instant mosh-pitting amongst the more angst-ridden members of the crowd and headbanging from the 21+'ers in the rows behind them. But as the set progressed, the collective mood averaged out to a dull boredom.

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No Age's Dean Spunt (left) and Randy Randall (photo by Rory O'Connor)

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Bonnie Page / Comments (3)

Concert Mon Nov 22 2010

Review: Dastardly @ Metro 11/12

Although emerging Chicago band Dastardly has rightfully received some early critical acclaim for its unique blend of melodic roots with quasi-angstful experimentation, the band's self-description is as accurate as any: "Hear a man croon and howl about death, booze and love over a band that seems to understand what he's going on about; harmonious voices and instruments of the past collide with a confused and desperate present." Despite the early successes of his band, front man Gabe Liebowitz was jittery about their breakthrough first gig at the revered Metro. During the days leading up to the show, friends of the band's Facebook page could follow the charming chronicle of his pre-gig nightmares ("showing up onstage naked and our drummer puking during the first song. Have at it, aspiring psychologists!") and dreams ("I was hired by the Chicago Trolley Company as chief Muppet advisor...").

When showtime arrived, Liebowitz may have still been nervous, but he had no trouble transferring his nervous energy to a more productive and outwardly frenetic state. The opening track "Villains" began as gently and melodically as a 1930s country ballad, gradually introducing vocal harmonies by accordionist Sarah Morgan, before Andy Taylor's drum rolls thundered the piece to a higher energy as John Humbracht's banjo bled into the mix. The lyrical message wrapped up early in the song ("So I think you should gather yourself another hero/'cause I tried but if you really know me you'd be horrified") just as the electric instruments — Patrick Lyons' guitar and August Sheehy's bass — kicked up the intensity with straight time riffs. By now Liebowitz began to resemble a distant relative of Jethro Tull's Ian Anderson — hopping around the stage and up to the drummer's platform, transferring his energy first to his bandmates and then to the audience. The song built to an instrumental crescendo, before settling into one of the band's signatures — a subdued four part vocal harmony ending a capella.

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Transmission

Concert Fri Nov 19 2010

Give It The Once Around

autumn defense.jpgA couple of years ago I was really into this Red Hash album by a guy named Gary Higgins. It was recorded in 1973, and gave you the feeling of sitting with group of friends under a tree playing guitar while the girls make flower crowns. The new album by Autumn Defense, Once Around, has that same kind of sunny, lens filtered 70's vibe.

John Stirratt and Pat Sansone comprise the band, and while they're probably better known for their roles in Wilco, Autumn Defense is still more than just a side project. A duo for almost ten years, Once Around is their fourth record together. Tomorrow night they come home to Chicago closing out a short tour at Lincoln Hall. You can also catch Stirrat at Johalla Projects (1561 N. Milwaukee, second floor) tonight from 8-11pm, where he will be signing copies of his new book of photos taken while on tour with Wilco, 100 Polaroids.

Tickets for Saturday are $15. Show starts at 10pm. Sarah Lee and Johnny open. 21 & up. 2424 N. Lincoln Ave.

Michelle Meywes

Preview Thu Nov 18 2010

Reasons to see Danielle Ate the Sandwich @ Schubas, 11/19

Danielle Anderson of Fort Collins, Colorado is a YouTube video star. She released a new record this past summer called Two Bedroom Apartment (Youngest Daughter Records), and if you liked Juno or Nick and Norah's Infinite Playlist, her music and album art appeal to youth sensitivities via acoustic pop aesthetics. Anyhow. She is cute and she has charm. I was watching this particular video of her performing "On the Planet Earth," and within four minutes, I was convinced that I could be cute with charm if only I had a ukulele like hers, which is how I bought one, and now I know how to play a sparse and flawed cover of "Twinkle Twinkle Little Star." But still, what I am trying to say is that Danielle who ate the sandwich possesses soft humor and small stories that can easily inspire anyone to feel warm, and since we can expect tomorrow to be partly cloudy and partly windy, it will be a good time to catch her all-ages show at Schubas, 3159 N Southport, for only $10. The show begins at 7pm.

Vicky Lim

Feature Thu Nov 18 2010

The Show Doesn't Stop at Midnight: A New Year's Eve Roundup

The weather's turned mittens-optional, and our pumpkin chais are getting changed out for peppermint lattes, so of course we're starting to get the itch to make plans for the holidays. For music lovers, there's often an maddening abundance of great shows at local venues at a variety of ticket prices. The Transmission staff has started a New Year's Eve show roundup here, listing our favorite club's plans for the night where everyone rides free, er, cheap. You still have time to get tickets to almost all of these concerts, and we even mention some great, though sold out, shows, just in case you happen to get a pair of tickets as a gift for the holidays. What follows is those Chicago venues that have announced their December 31st entertainment. Check back as we add additional lineups.

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Transmission / Comments (5)

Concert Thu Nov 18 2010

Preview: DJ Shadow @ Park West 11/19

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DJ SHADOW is live in Chicago Friday! That exclamation should be all the instigation you need to pop open a new browser, type in www.parkwestchicago.com and purchase a concert ticket.

If, for some reason, you still need to be persuaded -- DJ Shadow is a legend. He's credited with creating experimental instrumental hip-hop style associated with the London-based Mo' Wax label. Maybe you remember his album Entroducing from 1996? It won a Guiness award for being the first full length album to be created entirely from samples. It has also made hundreds of "best album ever" type lists. And it's really, really awesome.

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Bonnie Page / Comments (2)

Concert Tue Nov 16 2010

The Flickering of Sowing Time

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The fall season of Lampo has proven to be one of the most conceptually unified in years. All of the performers this time around mate home-built, tactile electronics to powerful, minimalist filmic images, macheteing out new swaths of the electronic jungle for intrepid explorers.

Joe Grimm, an interdisciplinary Chicago-based musician and composer, presents his work for circuit-bent 16 mm projectors that trigger light-sensitive audio electronics at Columbia University, 916 S. Wabash, Room 214. (Admission is $10, $5 for students.)

Grimm's methods here are straightforward to describe, but fascinating: A circuit-bent 16mm projector transmits flickering lights onto a screen. In front of the screen, a collection of light-sensitive receptors are dangling, picking up the light's colors and intensities. This in turn triggers the audio machinery, building and swelling into a waterfall of cascading electronics. Grimm's background in philosophy and, to use his words, "the troubled legacy of minimalism" has directed him to create his work as an act of full sensory immersion. At all times, the things you're seeing are controlling the things you're hearing. It's all one great pulsating organism surrounding you.

The list of bands and composer with whom Grimm has collaborated is astounding and wide-ranging: Alvin Lucier, Glen Branca, Lucky Dragons, the Dirty Projectors, Black Forest/Black Sea, Geoff Mullen, Pleasurehorse, and Lightning Bolt. Fans of the new renaissance of vintage synth-driven exploration owe it to themselves to check out Grimm's process-driven tone bath.

Chris Sienko

Concert Tue Nov 16 2010

ICE Prism

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The International Contemporary Ensemble, or ICE, is no stranger to the Transmission show-roll. I covered their performance of five pieces by Iannis Xenakis last year, and the group have played many more times in our fair city in the meantime. A wide-ranging group of musicians with a split residency in New York and Chicago, ICE has spent much of 2010 on this side of the Appalachians, performing their avant-garde classical performances in such venues at the Museum of Contemporary Art, the Museum of Contemporary Photography, and Uncommon Ground. This Friday, they bring their newest performance to The Velvet Lounge (67 E. Cermak), Fred Anderson's long-running sanctuary for the open-eared, showcasing the work of up-and-coming composer Mario Diaz de León. The program, titled Prism Path, features five of the composer's works, two of them premiering here in Chicago.

De León's working methods and influences indicate a deep respect for the Romanian "Spectral" school of composition (including composer Iancu Dumitrescu, a man whose poster, I must confess, is hanging in my bedroom with a heart drawn around his face in lipstick). In the Spectral style, instruments are played with a radical disregard for their intended sound, often mated with electronic processing to create swarms of metallic buzzing and ghostly overtones. De León also cites " a wide range of electronic music, free improvisation, underground metal and American noise bands like Metalux and Sejayno" as influences. His debut album will be released on John Zorn's Tzadik label, and ICE are featured musicians on that album.

Go check out the ICE's podcast, titled ICECast, for an audio introduction, or see the Vimeo clip below.

The performance starts at 9:30. Admission cost is $10, with proceeds going to the Velvet Lounge in memory of Fred Anderson.

Roulette TV: MARIO DIAZ DE LEON from Roulette Intermedium on Vimeo.


Chris Sienko

Concert Tue Nov 16 2010

Ticket Giveaway: Ariel Pink, Os Mutantes @ Metro, 11/19

Freak folk outfit Ariel Pink have kept busy this past year, charming Pitchfork with their brand of sunny pop of a bygone era and touring with the likes of the Flaming Lips. The band (a brainchild of reclusive leader Ariel Pink) have won over critics with their lo-fi release Haunted Graffiti, a mix of hazy West Coast sound with a backbone of old style soul and pop. For a taste of their work, check out the video below for "Bright Lit Blue Skies."

The band have been traveling across Europe recently, documenting their life on the road online, and are now back stateside to co-headline a tour with Tropicalia legends Os Mutantes. If you want a perfect double bill of fuzzed out psychedelic rock, then you'll want to be at the Metro this Friday when the tour rolls into town. Haven't grabbed a ticket yet? You're in luck because we have a pair for one lucky reader! Just email us at contests@gapersblock.com with the subject "Pink!" and you and a friend might just be checking out the show. [Update! We have a winner! Congrats to Mike!]


Ariel Pink and Os Mutantes play the Metro this Friday, November 19th. The show is 18+ and doors open at 8pm with the show starting at 9pm. Tickets are $21.

Lisa White

Review Mon Nov 15 2010

Afterthoughts on The Blow at Empty Bottle, 11/13

Do I look like a pop star, Khaela Maricich asks, posing with a chin up, a back arched, a leg forward. She flips her new long hair over her shoulder. She is on stage all by herself, like, she just gets up there without a band or anything--just Melissa Dyne running the music offstage--and the performance is entirely minimalistic yet engaging. Do I look like a world famous lesbian, Khaela asks. To signal a comeback, Khaela throws up flame arms in one of her anecdotes between songs. I wish I had a capture of her repeating this gesture. It's great. She is great.

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Khaela Maricich faces a blow of indoor wind and hot light.

The narrative told by The Blow on Saturday night is a love story, as always it is about love, and when you listen to songs about love being a fortress and couples making a pair of parentheses and Khaela dedicating a brand new song to her girlfriend in the back of the room somewhere, what else can you in the audience feel but this impatience to fall in love, if you are not already experiencing it at the moment.

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Vicky Lim / Comments (1)

Review Sun Nov 14 2010

Review: Twin Shadow and Glasser @ Lincoln Hall 11/13

Brooklyn based Twin Shadow and L.A. based Glasser are sort of like the odd couple as far as concert pairings go. Twin Shadow is the "Wonder Years" set to velvety new wave vocals and dreamy '80s synthesizer. Glasser is more like "Dark Shadows" set to bewitching Enya meets Fever Ray vocals and complicated layers of instrumentation. The only common element between the two musician's sets was an overachieving fog machine. But Felix and Oscar made it work and the Lincoln Hall crowd seemed to think that Twin Shadow and Glasser did too.

Silhouetted in a red-lit cloud of smoke, Twin Shadow's George Lewis, Jr. entered the stage and launched into a set that sounded like flipping through a photo album to a new wave soundtrack. In a golden haze, the four piece band took the crowd back to secret handshakes and bike riding suburban cul-de-sacs with warm synth supported vocals in "Yellow Balloon". And then, with throbbing drum beats, flipped ahead to pre-pubescent crushes in "Tyrant Destroyer". Lewis' sincere whisper lured the crowd into his muted adolescent longings ("As if it wasn't enough to hear you speak / They had to give you lips like that"). Finally, frustrated with the whole thing, Lewis insisted in "Slow" that he "doesn't want to believe or be in love" in a high anathematic chorus sung over electric guitar riffs building to his dramatic finish.

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Bonnie Page / Comments (1)

Concert Thu Nov 11 2010

Clinic Heals Tonight

clinic2.jpgThe first and only time I've seen Clinic live was at the Empty Bottle two years ago, and I felt like I had been listening to one long song for the entire concert. (This is the song I like! Oh, no, THIS is the one I like...)

It's no surprise that I was a fan of their trainspotting-esque sound--fast paced, electronic, very English. It was just very monotonous. But their new album, Bubblegum, has much more diversity as the group departs slightly from that all-night-party intensity to a more reflective aura. It's almost as if party-goers put down the bottle of pills and powdery white substances and picked up some natural psychedelics instead. It's a welcome change.

Slower, softer songs with melody and emotion dominate on Bubblegum, like opening track "I'm Aware", "Baby" and "Linda." The title track even throws in a little bit of groove. They visit their artistic side with spoken word on "Radiostory" and the instrumental "Un Astronauta En Cielo." Fans of Clinic's classic sound shouldn't worry though, the same are those lazy, distressed vocals, and tracks like "Liontamer" and "Orangutan" have that familiar vibe from their Wrangler debut.

You can stream Bubblebum in its entirety on Domino's website and then see Clinic play tonight at Lincoln Hall. Tickets are $15. San Francisco's The Fresh & Onlys open. 9pm. 2424 N. Lincoln Ave. 21& up.

Michelle Meywes

Concert Wed Nov 10 2010

Chuck Berry to Play New Years Day in Chicago

berry001.jpg"Chuck? Chuck! It's Marvin! Your cousin, Marvin Berry! You know that new sound you lookin' for? Well listen to this!"

We all know this isn't quite how the rock and roll legend got his start, but Chuck Berry, and the song "Johnny B Goode"--famously revived in that scene in Back to the Future--have become part of the American landscape and influenced a new genre that would change popular music. Now you have an opportunity to see the entertainer in action on New Year's Day 2011 at Congress Theater.

Berry (now 84) defined a generation with a keen understanding of pop and a mixture of rhythm & blues and guitar on songs like "Maybellene," "Roll Over Bethoven," "Rock and Roll Music" and "No Particular Place to Go." He may call St. Louis home, but his recording career got started right here in Chicago with Chess Records in 1955. The rest, as they say, is history.

Saturday, January 1. 7pm. Congress Theater (2135 N. Milwaukee). Tickets go on sale this Saturday, 10am.

Michelle Meywes / Comments (1)

Concert Wed Nov 10 2010

The Moondoggies @ Schubas

image001 (1).jpgIf you are looking for something fun to do tonight you should heard over to Schubas and check out The Moondoggies. The band's sophomore album, Tidelands, was released last month on Hardly Art/ Sub Pop. The video below for their track "Empress or the North" was hand-drawn by Washington State artist Drew Christie.

The show tonight (Nov. 10th) starts at 8pm and also features the like minded local band Tacoma Narrows and Miles Nielsen. Tickets are $10 at the door.

Jason Behrends

Concert Fri Nov 05 2010

The Tape of Only Eric

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Eric Lunde (photo by J. Shimon & J. Lindemann)


There are two facets of experimental ("noise" if you will) music that were once integral to the experience, but now seem like an afterthought, if they're considered at all. I'm speaking about claustrophobia and theory. After noise began to be codified in the early '90s and role-models outnumbered fans, the idea of noise as release, as pure id, an ecstatic liberation of repressed self was the dominant narrative; similarly, the noise-making equipment was something that you harnessed to your own ends, rather than the meat/machine melds of yore. When I think of the '80s for experimental music, it's all about the degenerating of Industrial music from fear-ridden, muffled cacophony to club music's punchy roommate, but those early acts that broke out of the rhythmic Industrial model, projects and performers like Illusion of Safety, Schloss Tegal, John Duncan, and Thomas Dimuzio treated electronics with an element of paranoia, building images of Cold War supercomputers crunching numbers, printing bomb schematics, wheels of tape spinning back and forth, accessing data. Also, it seemed like so many more industrial/experimental records were "about" something, whether it was the Hafler Trio's funhouse mirror philosophy, Zoviet-France's tactile electro-shamanism, or....this guy.

ERIC LUNDE.

Continue reading this entry »

Chris Sienko

Concert Thu Nov 04 2010

Static in my attic

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Bas van Koolwijk and Gert-Jan Prins are...SYNCRONATOR

It's a musical duo, it's a DVD, it's a device, it's an investigation into audio/video interfaces in art...it's SYNCHRONATOR! Sound artist Gert-Jan Prins and visual/video artist Bas van Koowijk have unveiled a device of their own making, an unassuming-looking box with three audio inputs and one video output, allowing the user to turn three channels of audio directly into a video signal.

The Synchronator DVD displays the process via ten short films ranging from a minute-and-a-half to six. The audio that drives these pieces is almost uniformly low-end and buzzy, sounding as much like a badly-grounded speaker cable as anything you'd associate with music, the multiple streams of sound nonetheless combine in the synchronator box, spitting out rhythmic, slightly hallucinatory patterns and effects onto the TV. Although 90% of the DVD is black and white, the Synchronator is also wired for color, as each of the three inputs controls the Red, Green, and Blue on the screen.

Is the Synchronator for you? First of all, be aware that the DVD, while being a region 0 DVD is also shown in PAL, so you will need some sort of all-region player to play or (or a laptop, possibly). If that's no impediment, then this disc is recommend to fans of The Flicker, the films of Viking Eggeling, the Paper Rad collective of Providence, RI, and the 2003 video by LoVid, who will also be playing Lampo in about a month.

swp continuum from synchronator on Vimeo.

(This Saturday, Lampo's Fall season continues with the duo of Gert-Jan Prins and Bas van Koolwijk, performing with the Synchronator at the Graham Foundation's Madlener House, 4 W. Burton Place in Chicago. The event is sold out, but click here to get added to the waiting list)

Chris Sienko

Contest Wed Nov 03 2010

Contest: Frightened Rabbit @ House Of Blues 11/4

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When Frightened Rabbit first introduced themselves with debut album Liver! Lung! FR!, they were easily confused with other indie-rock trios that also harked from Glasgow, Scotland or who also fronted real brother team-ups. Now two albums and two extra band members later, they can't be mistaken for anything other than a group dedicated to wearing their hearts — and slightly damaged livers — on their sleeves.

That's the best thing about Frightened Rabbit: an ability to capture dramatic crescendos and aching, heartbroken lyrics without surrendering the rugged masculinity that comes with tangled beards and swigs of straight whiskey. And anybody who's ever gone through a breakup or ached (in any sense of the word), will fall in undeniable love with the band's personal accounts of what it means to feel too much, all at once. Now touring off their latest album, The Winter of Mixed Drinks, the band has expanded from the weeping ballads on Midnight Organ Fight to more experimentation with sound. Shoegaze guitars and driving percussion under tracks like "Swim Until You Can't See Land" sort of make you want to stomp, jump, gallop — anything to release the song's pulsing energy.

Since I've seen the band twice here in Chicago (once at Bottom Lounge, then at last summer's Lollapalooza), I can say with confidence that Frightened Rabbit's distinct brand of raw, confessional folk-rock is best enjoyed live. For all that listeners already feel the urgency in tracks like "The Modern Leper" and "Fast Blood," frontman Scott Hutchinson stretches that vulnerability to its limit onstage, in between gulps of PBR, of course.

The band plays tomorrow night at House Of Blues along with Plants and Animals and Bad Veins. GA Tickets are $18.50 (adv)/ $20.50 (day of show). Doors open at 7pm. Thanks to the kind folks at Live Nation, we have two pairs of tickets to give away to the show! Just email us at contests@gapersblock.com with the subject "Frightened Rabbit" and you'll be heading to the show with a friend in tow. We have our winners! Congrats to Jon and Julie!

Dee Fabbricatore / Comments (2)

Review Wed Nov 03 2010

Review: Daedelus @ Double Door, 10/29

[This review was submitted by Chicago freelance writer Nathalie Lagerfeld.]

Heavy bass is something you feel in your body as much as you hear it with your ears. It reverberates in all your hollow spaces — your throat, chest, your Eustachian tubes. It rustles the hair on your arms and neck. Really, it was no surprise to feel these effects at this Friday's show at the Double Door, where three of the four artists who performed were signed to dubstep pioneer Flying Lotus' Brainfeeder label. But one of these artists was monome maestro and wannabe Victorian dandy Daedelus (aka Alfred Darlington), who's better known for his fanciful costumes than he is for throbbing beats.

Daedelus had ten full-length solo albums under his belt before he came to Brainfeeder, and none of them sound very much like dubstep. His songs have eclectic influences, but they're mostly light and upbeat; for instance, he once put out an album built mostly around samples of children's TV soundtracks. Even his album with Brainfeeder, 2010's Righteous Fists of Harmony, tempers its thumps and drones with bossa nova influences, cello samples, and dreamy guest vocals. Daedelus has always seemed unable to commit to one single style or set of influences; he's always trying out new things instead of deepening his engagement with old ones, a trait that can leave his albums feeling frustratingly unfocused.

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Transmission

Concert Tue Nov 02 2010

Candy Claws @ Schubas

tumblr_l3cj7hnuZL1qz9fe1.jpgBrooklyn's twosyllable records have had a decent year. They released the latest efforts from Inlets and Holiday Shores, and have begun to build hype around the upcoming debut album from Bell. However, my favorite release from twosyllable this year has to be the debut album, Hidden Lands, from Colorado's Candy Claws.

The album is almost mystical in nature, it draws you in with its unusual and enchanting sound and just does not let go. For comparison purposes think Black Moth Super Rainbow when they manage to properly restrain Tobacco. It's a romp through a field of sunflower that just happen to pink and purple and laced with some illegal narcotic. My favorite track from the album is "Silent Time of Earth" and just happens have a trippy animated video to accompany it.

Candy Claws will be performing tomorrow night (11/3) at Schubas with The Chain Gang of 1974 and Tina Turner Overdrive.

Jason Behrends

Contest Wed Oct 27 2010

PVT, Kid Color @ House of Blues 10/28 (and a contest!)

The band PVT (formerly Pivot) released their latest effort Church With No Magic back in August on Warp Records. On this, their sophomore release, the band has found a more accessible sound while maintaining their heavily inventive style. As you can see in the video for "Window" the band utilizes an array of instruments and sound to create their very danceable sound.

Earlier this month they released a remix EP called Light Up Bright Fires and an accompanying video.

The band plays tomorrow night at House of Blues' Backporch Stage along with local DJ Kid Color. GA Tickets are $9 (adv)/ $11 (day of show). Doors open at 9:30pm. 21+

Thanks to the kind folks at Live Nation, we have five pairs of tickets to give away to the show. Just email us at contests@gapersblock.com with the subject "PVT" and you'll be heading to the show with a friend!

Jason Behrends

Concert Tue Oct 26 2010

Review: k-os @ Lincoln Hall, 10/23

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"I'm gonna sing to this girl right here, and I know you've got a boyfriend but I don't give a fuck," croons Kevin Brereton, better known as rapper k-os, one of the smoothest performers in hip-hop today. With a backing catalog sampling everything from Joni Mitchell to Ozzy Osbourne and a flirtatious and confident stage persona that could make any girl swoon, k-os offered up a solid set to a crowd of devoted fans Saturday night at Lincoln Hall.

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Lisa White

Concert Mon Oct 25 2010

TNK 2011 Initial Lineup Announced

tnkArtist.pngYou've already got the dates marked in your calendar (January 12-16, 2011), now you can add the artist details. Today Schubas and Lincoln Hall announced the initial lineup for their winter music festival, Tomorrow Never Knows, which mixes established indie acts (The Besnard Lakes) with up and comers (BRAHMS) and local flavor (Pet Lions). There's also a lot of "Special Guest" spots (confirmed acts yet to be announced) that will keep us glued to the computer in anticipation. See the whole lineup as it stands now after the jump.

This is the biggest TNK fest yet, with the Schubas crew teaming up with Metro this time for Friday and Saturday night's performances (where Freddie Gibbs, Rita J and Tanlines are slated to appear). It's no wonder those early bird $50 passes disappeared in a flash, but you have an opportunity to snag a $75 five-day pass along with $15 single-show passes this Friday, October 29th at 12:00 PM. Tickets will be available at Schubas.com, LincolnHallChicago.com and MetroChicago.com, but act fast, because there's only a limited quantity.

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Michelle Meywes / Comments (3)

Concert Thu Oct 21 2010

Review: Sufjan Stevens @ The Chicago Theater 10/15

This story was submitted by freelance writer Mia DiMeo, who writes for Art Slant Chicago.

Midway through his almost two hour set at the Chicago Theater, Sufjan Stevens paused to apologize to the sold out crowd for any bewilderment concerning the lack of banjo on his new album, The Age of Adz. Five years since the release of the folk-orchestral masterwork, Sufjan Stevens Invites You To: Come on and Feel the Illinoise, there have been mixed feelings, understandably, about Stevens' latest portrait of Americana, that, on Friday night came complete with Auto-tune, a laser light show, and backup dancers dressed in gold lamé.

Stevens' fragile falsetto and skeletal plucks began the show with the haunting intro to "Seven Swans," the quiet prologue to the apocalyptic dance party to come. Under red lights, the band thundered into the song, as Stevens sang his way into the new material with the old favorite and a serious intensity, "If you run/He will chase you/'cause He is the Lord."

Spirituality isn't uncharted territory for Stevens, and neither are synthesizers. Live, it is clear he is just building on the bleeps and glitches in 2001's, Enjoy Your Rabbit with a seasoned sophistication that is closer to the epic nature of Illinoise.

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Transmission

Preview Wed Oct 20 2010

The Arrivals Record Release Show, 10/23

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Silkscreened "Red Line El" Poster by Francisco Ramirez from The Bureau of Print Research and Design will be available at the show.


One of my favorite bands, The Arrivals, are playing this Saturday night at Beat Kitchen in Chicago. They are celebrating their brand new record Volatile Molotov that came out October 5th on Recess Records. The Arrivals hit Atlas Studios earlier this year to make their fourth full-length with Matt Allison who has recorded bands such as The Alkaline Trio, The Lawrence Arms, and Less Than Jake.

No two people will describe The Arrivals' sound the same way, though many have tried; "Naked Raygun trying to revisit The Kinks," from their bio, does well. Keith Harman from Exclaim! magazine accurately describes Volatile Molotov as "a Billy Bragg-meets-Futureheads new wave synthesis. These songs couple the former's penchant for storytelling, slightly off-tune vocal delivery and overtly socio-political slant with the latter's innate sense of dynamic, passionate, emotive choruses that even Robert Smith would have to admit are beyond his spectrum." Other reviews even mention Refused, all trying to put their finger on it. But The Arrivals are their own animal. Filled with classic rock and punk references, they have called Volatile Molotov their "love letter to their favorite music," and Todd Congelliere, of Recess Records, says it "listens like a classic novel."

Opening the show are The Intelligence (In The Red Records) who play reverb-drenched psychy-garage. Toys That Kill (ex. FYP) are San Pedro, CA legends with a signature punk/psych stomp, and The Gateway District (ex. Soviettes, Rivethead, Salteens), a female-fronted Minneapolis power house of great songs filled with punk passion, country heart, and everything in between.

Doors are at 9pm and the show starts at 9:30. Tickets are $10 and the show is 17+. In any case, it's not to be missed.

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Photo of the Arrivals by Katie Hovland

Katie Hovland

Review Mon Oct 18 2010

Review: Devotchka, Scotland Yard Gospel Choir, Angus & Julia Stone @ Lincoln Hall 10/15

[Review and photos by Steve Stearns.]

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Scotland Yard Gospel Choir's Mary Ralph (photo by Steve Stearns)

On Friday night, Lincoln Hall celebrated their first anniversary as a Chicago concert venue and to mark the occasion in style they found an ideal line up for this intimate venue. The night opened with an energetic performance by Chicago's own Scotland Yard Gospel Choir. If you don't know them from their music, you may have heard about them from the terrible accident they had just over a year ago when their van rolled over on the way to Cincinnati. While the pain and debt of that accident may still linger, the band puts on a great show with no signs that anything ever went wrong.

Scotland Yard Gospel Choir's music is ripe with dark comedy featuring lyrics like, "I hope that you catch syphilis and die alone," and, "Oh my god, my life is so fucked up." Those lyrics are then mixed with wonderfully energetic instrumentals that practically compel you to dance and sing along. Overall they are a bit reminiscent of Morissey for his knack for blending seemingly a seemingly happy sound with cynical lyrics, but they have a far more humorous quality that really shines in concert.

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Transmission / Comments (2)

Review Sun Oct 17 2010

Review: Tristan Perich @ Lampo

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Photo by Dave Knapik

Tristan Perich plugged in his latest composition, flipped the switch, and...pow! Just like that, a shower of blipping tones rained down on the crowd in the darkened hall at the Graham Foundation's Madlener House (one of the locations currently hosting Lampo events regularly) and looking at a row of five small black and white TVs. His 1-Bit Symphony looks like a CD, but is actually an electronic device. Mounted inside a clear CD jewel case is a small microchip, some machinery to actuate the microchip's "idea," an on/off switch, and a headphone jack.

While the "CD" ran its course, Perich returned to his seat at the side of the crowd, his fingers sliding elegantly over five separate sets of receptors and tiny circuits. As he manipulated each one, light patterns began to scroll across the screen. First, it was just lines, left to right, a few screens still blank, others in motion. Sometimes, it would seem as if a pattern would "jump" from one screen to the next, as if it were a long snake sliding through the row of TVs. Soon, more complex patterns began to form -- honeycomb textures, visual 'noise' that seemed to be trying to spell out words, and ziggurat-like sawtooths. The patterns always cycled from left to right, forcing you to either choose between looking at all five screens as a whole or focus on each screen's repeated motifs. The effects were created by Perich's homemade system of electronic gadgets that were controlling the cathode guns in the TVs, treating the TV's picture tube like an un-tagged subway car.

The music itself sliced the air with a sharp crystalline edge. The blipping, high-velocity runs and controlled forays into white static were not random patterns, but nuanced, emotionally stimulating compositions -- in fact, it would not be hard to imagine "1-Bit Symphony," with its lightning-fast arpeggios and mournful bass pedals scored for an especially dexterous organist -- but the execution on a set of electronics that sounds like the beeps and buzzes an Atari 2600 cartridge would make when it overheated made the harmonic and melodic complexity all the more affecting. Like Nancarrow's player piano pieces, the medium is always a factor -- you do tend to think about the mind (and hand) that had the idea to punch all those tiny holes in order to make this deeply alien music, but it only enhances the listening experience.

The first performance of Lampo's Fall 2010 season looks like an inspiring set of performers -- all four programs emphasize creative and/or "wrong" uses of low-cost electronic equipment to achieve amazing ends. It's a reminder that waiting to experiment until you've saved up enough to get a "decent rig" is time needlessly wasted.

Chris Sienko

Review Fri Oct 15 2010

Review: Four Tet, Matthew Dear, John Hopkins @ Metro 10/14

Triple bills on a weekday night are always a tough lot for the opener. Once, a Canadian rap-rock group named Kazzer opened for The Roots at the House of Blues — the audience was stone silent through some uneventful rapping and pseudo-breakdancing, causing the lead singer to shout "Who likes beer!? Who likes the Roots!?" in between songs. The audience declined to answer.

Luckily for Jon Hopkins, he held the fortunate advantage of some lead-in popularity (collaborations with Brian Eno on a score and album) as well as being a fine match to the performers following him. With tunes displayed Pet Shop Boys-pastorality to the thwomping bass of MSTRKRFT, Hopkins utilized three KAOSS pads to great dramatic effect, showing the energy of a drummer instead of a man squinting at a laptop.

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Matthew Dear (photo by Steve Stearns)

Matthew Dear and band came up next — their Black City logo had been hanging behind Hopkins forebodingly, but they looked all smiles and blazers upon entry. Dear's blazer and cropped hair looked Chris Issak, but his sexy was tinged by sinister. "You Put A Smell On Me" found Dear channeling his best Sign O' The Times-era Prince — a goofy synth line and 4/4 high-hat acting as background for the lustful sneer of "little red nightgown" ad nauseum. Tracks like "Monkey" showed more Bowie-like pop, and a trumpet and double cowbell came out for a spirited rendition of "Little People", which the crowd danced to with approval.

Continue reading this entry »

Dan Morgridge

Concert Thu Oct 14 2010

Preview: DA! at The Abbey Pub Saturday

The early punk band DA! performed for the first time in over 20 years this past May at the Empty Bottle, and will be performing on Saturday at the Abbey Pub with Radar Eyes and the Green Lady Killers. The quartet formed in 1978, and broke up in 1982. The film You Weren't There, which focused on the late '70s/early '80s punk scene in Chicago, featured DA! I spoke to bassist and vocalist Lorna Donley, who, among other things, has been working as a librarian in the years since DA!

GB: I just watched the videos for the song "Next To Nothing", was that shot on the brown line?

DA!: Yes, that's the old Fullerton station. Dave shot that a long time ago, when he was in film school.

It's cool to see footage of the CTA from 1981.

As an archivist, it makes me cry to see the state that my stuff is in, hopefully there will be more ephemera to come -- I have a lot of fliers, I've found some lyric sheets written in my 17-year-old handwriting.

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J.H. Palmer / Comments (3)

Concert Wed Oct 13 2010

Tristan Perich's Binary Swarm

Imagine, if you will, a grand piano playing a minor third, with the dampers released. Listen in your head to that thick, cloudy haze of tones. It may be just three notes, but zoom in with the microscope, and you'll hear thousands -- maybe millions -- of microtonal variants on those three notes within the cloud of sound, each deepening the emotion and atmosphere of that big, pompous chord. You'd have to have superhuman hearing to listen to each as a separate note variant, but they are all there, and you are hearing them all.

Cut to your nearest gallery displaying Tristan Perich's "Interval Studies" exhibit. A wall, covered with hundreds of tiny speakers, each attached to its own 1-bit tone generator. No subtlety to each speaker, just one mono tone, pure binary -- you're either on of you're off. Now, adjust each tone a micro-click from the other, and you can start to simulate the cloudy density of a piano keyboard, or a flute, or any other musical instrument. It's like a paint-by-number of a chord -- all the pieces are the same, but the blending comes only at a distance. Stand too close, and you see it for what it is, a herd of binary tones coexisting.

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Tristan Perich is working the outer edges of 1-bit technology. His "1-Bit Symphony" album is packaged in a jewel case, but it doesn't play in your CD player. It's an actual 1-bit circuit programmed by Perich and equipped with an external mic jack -- you plug your headphones into the jewel case, and the composition plays through until you turn it off or the battery runs out.

Tristan Perich: 1-Bit Symphony (Part 1: Overview) from Tristan Perich on Vimeo.

Listening to the abundant sound samples on the artist's page, two separate new music traditions are orbiting around each other, exerting their gravity on the pieces: Philip Glass's quickly arpeggiated chord shifts, tempered by Morton Feldman's intuition with intermingling of instrumental tone qualities. Perich's 1-bit electronic accompaniments are paired with toy pianos, flutes, strings, crotales (small, tuned cymbals), and contrabass saxophones. The instrumental qualities soften and blur the electronic/acoustic textures into shimmering, microtonally rich compositions, simultaneously lo-tech and sumptuous.

Tristan Perich performs "1-Bit Symphony" this Saturday (October 16) as the start of Lampo's Fall 2010 season. The performance takes place at the Graham Foundation's Madlener House (4 W. Burton Pl., Chicago) at 8 p.m. Tickets are free and RSVP is required, and though the event is currently full, it is possible to sign up for the waitlist here.

Chris Sienko

Concert Wed Oct 13 2010

It's Zombies! And Go-Go!

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If there's one thing that gets the kids going nowadays, it's the shambling undead. So why not combine that love of zombies with a healthy dose of campy go-go dancing, awesome bands, a horror pin-up, and a comic artist?

The almighty Flesh Hungry Dog Show has done just that for their upcoming Zombie-A-Go-Go show on Friday, Oct. 15, at the Jackhammer (6406 N. Clark St.). This is a seriously jam-packed show, folks: bands Baby Teeth, Cobalt and the Hired Guns, and Lettercamp will perform while fab local go-go troupe The Revelettes will do the Frug all over your blackened heart.

Oh, but just you wait. Also appearing is professional zombie clown Susan Hooper, and award-winning horror pinup Kelsey Zukowski, and acclaimed comic artist Dave Losso (The Great Sandwich Detective) will be providing frightening drawings and other demented goodies.

If you like Halloween and fun, check out this show. Tickets are $8 online and $10 at the door. The Jackhammer is a 21+ venue.

Kara Luger

Contest Tue Oct 12 2010

London and Detroit Via Chicago: Four Tet and Matthew Dear @ Metro 10/14

Four Tet, aka the lightly unclassifiable Kieran Hebden, will make Chicago the site of his first stateside performance after a summer touring Europe. For the first time since April 2009, Chicagoans will get the chance to dance (or at least undulate?) to his skittering, mellow, and constantly evolving catalog on Thursday the 14th at The Metro. Since he last stopped by, 2010's There Is Love In You found Four Tet winning some of his best critical acclaim yet (including a Best New Music title from Pitchfork) for a collection of tunes field-tested and adjusted at London's famous Plastic People nightclub.

Detroit techno mainstay Matthew Dear has been no slouch himself this year — his Black City LP also garnered Pitchfork's best new music title. As the opener and cherry on top, Four Tet's Domino label-mate and Lovely Bones scorer Jon Hopkins. He recently collaborated with a little-known artist named Brian Eno to produce the latter's 2010 effort Small Craft on a Milk Sea.

Right now, we're going to give away a pair of tickets to the show 10/14 at the Metro to one lucky reader, and to another, a copy of the LP (that's vinyl, you guys) There is Love In You to another. Just email us at contests@gapersblock.com with the subject "Four Tet" and we'll pick a couple of winners! (If you don't want the record at all, please let us know in your email, and vice versa.) [Hold that email! Our winners have been notified!]

Four Tet plays at the Metro, Thursday, 10/14 with Matthew Dear and Jon Hopkins opening. Tickets are $20 in advance. Doors open at 8pm. The Metro is located at 3730 N. Clark St. 773-549-4140. This show is 18+.

Dan Morgridge / Comments (1)

Concert Mon Oct 11 2010

Lampo's Fall 2010 Season begins this Saturday

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Lampo is back for its Fall 2010 season with four more programs of experimental music and conceptual sound. If there is any through-line to the shows in this season's program, it seems to be creative uses of low-tech machinery, hand-built equipment, creatively incorrect uses of unstable machinery, and big effects coaxed out of the simplest of electronic gadgets. In a day and age when the term '8-bit' is tossed around as an intentionally archaic fidelity/medium, who can even wrap their brains around a '1-Bit Symphony"?

Three of the four events take place at the Graham Foundation's Madlener Center (4 W. Burton Pl.), while the fourth is held at Columbia College (906 S. Wabash, Room 214). Graham Foundation events are free, but require pre-registration; the Columbia College event is $10. All events begin at 8 p.m.

Here's the schedule:

October 16: "1-Bit Symphony"; ultra-crude 'binary-fi' electronics with Tristan Perich at Graham Foundation (RSVP here)
November 6: Audio installation and video art conflagrations featuring Gert-Jan Prins and Bas Van Koolwjik at Graham Foundation (RSVP here)
November 19: Circuit-bent 16mm projectors and screen-mounted light-sensitive electronics from Joe Grimm at Columbia
December 4: Furious VHS-damaged audio mayhem from LoVid at Graham Foundation (RSVP here)

Keep reading Transmission for more detailed event info on all four performances.

Chris Sienko

Review Thu Oct 07 2010

Review: Swans @ Bottom Lounge 10/05

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Michael Gira of Swans (photos by Dave Knapik)

If there were ever any doubts that Swans has made some of the most illustrious experimental music in recent years, all were shattered after last night's show at the Bottom Lounge. The band, an ever changing gang lead by Michael Gira gave a strong performance that was rich with both new and older material as well as a testing of the audience's generous patience. You can gage a band's legendary status by the level of entitlement the audience has and Swans are well beyond this level. The fans needed to suck every morsel of sound and be as close to the stage as they could. Many were determined to get their way no matter how many people they had to squeeze through to get closer. It is a sweet testament for a large group of fans to show love for a band with a history as rich as Swans, you just don't want to get caught in the middle.

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Aharona Ament

Concert Wed Oct 06 2010

Bee vs. Moth @ Reggie's Music Joint

AcronymsCover-Large.jpgThe Austin-based Jazz collective Bee vs. Moth will be in town tomorrow night as part of the tour in support of their latest album Acronyms. The band describes their album as instrumental accidents, but these tracks are inventive and refreshing. Mixing styles from the freedom of Orenette Coleman to the stucture and pop of Henry Mancini. The album has so many sounds and layers that you hear something new with each listen. Acronyms was released last month by Aggraveire Music.

Bee vs. Moth will be interviewed on Fearless Radio tomorrow at 3pm and be performing at Reggies' Music Joint with the local jazz funk Quartet Eigenfunk. The show starts at 8pm and is free.

Jason Behrends

Review Tue Oct 05 2010

Review: The Smoking Popes at AAA 10/1/10

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Photos by Katie Hovland


Riot Fest doesn't kick off until Wednesday, but the unofficial "secret" start to the festival began last Friday, when Chicago's own Smoking Popes played to a randomly chosen invitation-only select crowd of Riot Fest pass holders. The show took place at tiny Wicker Park venue AAA, complete with an unfinished ceiling and a stage made of plywood that wobbled as the band jumped and rocked out. The environment was reminiscent of the barnyard punk shows of my suburban youth, fitting for a band I've been listening to since grade school.

Continue reading this entry »

Stephanie Griffin

Concert Tue Oct 05 2010

Chapterhouse Returns, Closes Final Chapter in Chicago

[This review and photos come to us from Taleen Kalenderian.]

"You're never gonna see us again," cried Stephen Patman of Reading, England's shoegazers Chapterhouse, after an hour-and-a-half set of emotional and aural highs. The band kicked off their last ever tour at Lincoln Hall to a nearly sold-out crowd at midnight Saturday, playing Chicago for the first time in 16 years.

Part of the '90s shoegaze "Scene That Celebrates Itself" known for its "fluff-on-the-needle" sound, Chapterhouse formed in 1987 by Patman and fellow singer-guitarist Andrew Sherriff. The band toured with Spacemen 3 before releasing their first album, Whirlpool, which hit number 23 on the U.K. charts in 1991. They disbanded shortly after the onslaught of mainstream Brit-pop and stateside grunge, as well as a lawsuit with their 1993 acid-house album Blood Music (oft-compared to Primal Scream's 1991 LP, Screamadelica).

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Chapterhouse's Stephen Patman (photo by Taleen Kalenderian)

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Transmission / Comments (2)

Concert Sun Oct 03 2010

Review: Broken Social Scene @ The Riv, 10/2

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Kevin Drew of Broken Social Scene by Sandor Weisz

Everything was alright until Brendan Canning and Kevin Drew made me cry. At least it was a good cry, a cathartic one. And as I stood alone with tears rolling down my cheeks, feeling like the biggest asshole in the room, I felt like Broken Social Scene were patting me on the back and saying "there there, everything will be ok." I have a feeling I wasn't the only person wiping away some tears Saturday night when Broken Social Scene stopped at The Riviera Theatre for their show promoting their latest album Forgiveness Rock Record. It wasn't all stark realizations that made your lip quiver, but Broken Social Scene (specifically masterminds Drew and Canning) have a knack for writing the words that you wish you could say, then putting them against the backdrop of crashing melodies that sweep you up and away. But just as much as the downtrodden is gut wrenching, the lighter fare is uplifting and romanticizing, and the band showcased both sides Saturday night.

Continue reading this entry »

Lisa White

Review Fri Oct 01 2010

Review: GAYNGS @ Metro 9/29

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GAYNGS (photos by Katie Hovland)

The line outside the Metro at 7:50 was a quiet affair — a boy and girl stood by their lonesomes behind the barricades, watching four spiders have what appeared to be a domestic dispute. Perhaps the 18+ limit kept all the potential young Justin Vernon swooners at home, or maybe on a Thursday everyone was just going to take it slow and smooth. Regardless, by the time Glasser was wrapping up their set, the crowd was dense and active, ready for more after singer Cameron Mesirow's rich Bjork-like timbre had cast its spell.

Continue reading this entry »

Dan Morgridge / Comments (1)

Concert Thu Sep 30 2010

No Entry Unless You Can Spell The Festival Name Right On The First Try

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Abort, Retry, Fail?

So, here's a thing: for the next few days (Thursday through Sunday, Sept. 30 through Oct. 2), Chicago welcomes the underground art/electronics/music festival GLI.TC/H to the table. Billing itself as "a noise and new-media event/conference/symposium/festival/gathering in CHICAGO," GLI.TC/H derives its power not just from music/visual technology, but the strange allure of technology in the almost orgiastic death-spasm of error. This ain't your pappy's blue screen of death. Don't believe me? Check out their site. Wear protective eyewear.

Events happen throughout the city each day, but I would like to direct you specifically to some Transmission-worthy events on Friday night at Transistor (5045 N. Clark St.) starting at 8pm.

Continue reading this entry »

Chris Sienko

Preview Tue Sep 28 2010

Bonnie 'Prince' Billy & The Cairo Gang @ Lincoln Hall, 9/29

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Photo courtesy of You Ain't No Picasso

Brisk air, light jacket season, a time to grow a full beard if I could: it seems like Bonnie 'Prince' Billy and the Cairo Gang are coming to town just in time with their slow reflection songs--very American, very sad sometimes--to suit the drop in temperature. The songs can also be called poems, or stories, or vignettes, or I don't know. Sometimes I think of John Steinbeck while I'm listening to this music.

With all the albums and singles and collaborations and monikers in which Will Oldham has been involved, it might be too much for someone new to decide how to approach him, but there are repeating pastoral images running in his music and lyrics, like themes, as if you might be able to enter this narrative in progress at any time because it's not quite linear. If that makes sense. I think it does.

Like tomorrow night would be a good time to check out Bonnie 'Prince' Billy who will perform with the Cairo Gang from their collaborative album, The Wonder Show of the World. If it sounds like a carnival, it isn't, but still, I wonder what Will Oldham and Emmett Kelly have planned. They will play at Lincoln Hall, 2424 N. Lincoln Ave. An early show begins at 7pm and a later one at 10pm. Tickets are $20.

Vicky Lim

Concert Tue Sep 28 2010

One More Gezelligheid

If you missed out on tickets to one of Andrew Bird's Gezelligheid concerts at the Fourth Presbyterian Church this December, you have one last chance: join his fan club and get access to the presale for the just-added third night, Dec. 15.

Andrew Huff

Concert Mon Sep 27 2010

Women Are Back

Women-in-bed-BY-LINDSEY-BAKER400.jpgWomen drew acclaim last year with DIY lo-fi style on their self titled debut album, most notably for the song "Black Rice". They've since been busy in Canada recording their new album, Public Strain, which comes out in the US tomorrow, but you can get a preview of the new material (and hopefully even some midnight copies) tonight at Schubas.

Recorded in Alberta, Public Strain continues on the same lackadaisical, psychedelic trip into a 60's Factory party. The first single, "Eyesore", is a balanced example of the tone of the album, but I would like to see the slightly more haunting "Heat Distraction" be the next release. Midway through the album, "Penal Colony" brings a dreamy, melancholy touch that could soundtrack the flashback sequence in a Valley of the Dolls remake, but it's quickly followed by transfixing drones on "Bells," and then dragging drums and other worldly distorted guitar on the ominous "China Steps." Public Strain explores a lot of different shades, all without veering away from the common undertone.

Tickets are $10 ($12 door). Fellow Canuks dd/mm/yyyy and local act Netherfriends open the night. Show starts at 8pm. 18 & up. Schubas is located at 3159 N. Southport.

Michelle Meywes

Contest Mon Sep 27 2010

M.I.A. and Rye Rye Hit the Vic for Two Days

Wee rapper M.I.A. settles into the swing of The Vic Theatre this week for a double shot of hip-hop, looped beats, gunshot samples and many many many colors of DayGlo just in time to brighten up Chicago's dreary launch into fall. You already know a lot about M.I.A. — her deeply political lyrics (often met with violent images), her about-to-pop performance at last year's Grammys when she was nine months pregnant, her kinetic performances filled with video projections and lots of swagger. But she'll have something new and fresh (and dare I say a little innocent) during her current tour.

In tow this week is M.I.A.'s protege Rye Rye — a rapper (raptrix?) off of M.I.A.'s N.E.E.T label (her album Go! Pop! Bang! is due out in early 2011). She's got the spunk and sass (and trash mouth) that M.I.A. brings to the table but she's quite the new kid on the scene at 19 years old, hailing from Baltimore. Rye Rye reminds me of girls I used to watch at talent shows in high school in Virginia who had the whitest sneakers and the flyest dance moves. She's still at the point where you can see her goof and smile through her videos in a totally charming way (even though she's rapping some maybe NSFW stuff).


We've got a pair of tickets for a lucky reader to check out the show on 9/29. Just email us at contests@gapersblock.com with the subject "Swagga" and you and a friend can hit up the show. [Update! We have a winner! Congrats to David.]

M.I.A. performs two nights at the Vic this week, 9/29 and 9/30 along with Rye Rye opening. Tickets are $34. The Vic is located at 3145 N. Sheffield Ave. Music starts at 8pm. 18+.

Anne Holub / Comments (1)

Concert Mon Sep 27 2010

Deerhunter Kicks It Under the River

[This review and photos come to us from Taleen Kalenderian.]

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It was May of 2007 the first time I saw Atlanta-based noise rockers Deerhunter. The band was opening for Chicago's own The Ponys for their headlining slot at The Echo in Los Angeles. Cryptograms had been released that January, but I was really into The Ponys' droning garage jams then and couldn't wait to see them for the first time. Deerhunter frontman Bradford Cox towered over the stage wearing a flora print mini-dress that night, singing with mic-in-mouth gripped by his teeth. He jolted around the stage along to Cryptograms' more angular tracks, putting everyone in a daze that thoroughly upstaged The Ponys' following set.

Saturday's free Deerhunter show was less about noise-making and more about fanservice and clever publicity, but that didn't make it any less entrancing. Hundreds of fans showed up early to the Chicago River underpass at 560 W. Grand, a location disclosed only a few days beforehand as part of Levi's + Urban Outfitters Secret Generator Series. Deerhunter previewed most of their new songs for the first time in advance of their third full-length album, Halycon Digest (out tomorrow).

Continue reading this entry »

Transmission

Review Sun Sep 26 2010

Review: Aashish Khan, Alam Khan, Swapan Chaudhuri @ Cultural Center

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Most attendees at Friday's concert (part of the Chicago World Music Festival) at the Chicago Cultural Center, a Hidustani classical performance between iconic musicians Aashish Khan (son of the world-famous Ali Akbar Khan), his younger brother Alam Khan, and tabla accompanist Swapan Chaudhuri, seemed to be seasoned veterans. Scanning the room, it was easy to see listeners transitioning with the musicians to the various sections of the ragas, applauding at natural ends to solos, and the occasional nod of recognition as titles of rags were announced. It was a crowd that understood the caliber of musicianship and emotion it was getting, absorbing every nuance, every call-and-response. It was not, by all accounts, the type of audience that was "waiting for the part when the drums kick in." We were here to exist in the presence of a historical continuum of master musicians reaching back to Mian Tansen (b. 1493), one in which the previous two generations pushed forward not just musical skill, but compositional innovation for the entire art. The emcee described Baba Allauddin Khan (Aashish and Alam's grandfather) as "The Mozart of Indian Classical Music," only stopping himself to note that, "That might not actually be expansive enough."

Continue reading this entry »

Chris Sienko

Concert Thu Sep 23 2010

Walter Meego On The Cusp Of "Wonder"

waltermeegohauck350.jpgWhat a better way to spend a Friday night than with some old friends. Walter Meego may spend their days in LA now, but the pop group is originally from Chicago, and tomorrow they return home to the Empty Bottle for their "FIRST SHOW WITH THE NEW ALBUM. SO EXCITED ABOUT IT. EXCLAMATION POINT!"

It's been a couple of years since we heard much of anything from the band, but this summer they completed work on their second album, Wondervalley. No word yet on when it will be released, but judging by the rough demos on their blog, it's sure to be filled with the same dizzying dream pop as their '08 debut Voyager that keeps dancefloors busy. The group is also boasting a new 5 person lineup.

It sounds like the Walter Meego crew is on the cusp of some exciting times; a great time to see them at an intimate venue like the Bottle. Show starts at $10pm. Local electroacoustic group The Single Helix opens. Tickets are $8. 1035 N. Western. 21 & up.

Michelle Meywes / Comments (1)

Review Wed Sep 22 2010

Notes on Shonen Knife's performance @ Schubas, 9/21

1. I like Shonen Knife as a band name a lot. They are a trio of women from Osaka, Japan who walked on stage by 11pm, waving at the crowd, then for like an hour, they directed genuine fun rock toward us, which the positivity was necessary for me personally, having traveled toward Schubas under a light drizzle and white-purple lightning flashes in the sky, which gave me anxiety. Plus I was alone last night.

2. Naoko Yamano, lead guitarist and vocals, is the only original member of the band left. I'm estimating that she might be in her 50s right now since the band started in the early 80s. My mother is nearly 50, but I would never be able to imagine my mother onstage with the smiles and energy of Yamano, who was playing this glitter blue electric guitar, rocking her long black hair up and down like I would do in my bedroom to get dizzy and drop down. It was great, too, because Yamano and Ritsuko Taneda, the glitter pink bass player, would synchronize their hair rocking to conclude some of the songs.

Continue reading this entry »

Vicky Lim

Concert Wed Sep 22 2010

The Legacy Continues

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Master sarod player Aashish Khan

I have before me an awesome and difficult task. How do I convince you to spend fifteen of your hard-earned Recession-era dollars and brave downtown traffic for an early-evening performance on a Friday by a pair of Indian classical musicians who aren't Ravi Shankar? How do I convince you, adventurous listener who might be tempted to check out some shows at the Chicago World Music Festival this weekend but aren't sure which ones, to make attendance of this particular performance more crucial than Pavement at Pritzker, Rolling Stones at the Aragon, and Funkadelic at the Taste combined? I don't know, but I hope it works out, because it really is that big.

This Friday (September 24), the Chicago World Music Festival 2010 welcomes Aashish Khan and Swapan Chaudhuri to the Chicago Cultural Center (78 E. Washington St.) in the Preston Bradley Hall. Tickets are $15, and can be ordered from this page.

Now, on to the matter of why you must be here.

Continue reading this entry »

Chris Sienko

Concert Wed Sep 22 2010

Preview: Record release show for The Brokedowns @ Ronny's 9/25

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Go to Ronny's - 2101 N. California Ave - this Saturday, September 25th for a very special record release show for The Brokedowns new record Species Bender and Bust! new 10" Suck Kuts.

The Brokedowns are Johnny, Kris, Moose, and Grozzy from Elgin who have been playing and touring together since 1998. They recently signed with Red Scare (Sundowner, The Menzingers, and The Falcon) and put out their fourth full length last week. You can stream Species Bender free here on Punknews.org.

Bust! is on Cassette Deck which is also home to Johnny Bodacious and the Bad Attitudes, Dr. Manhattan, and Vicelords.

Vacation Bible School, The House that Gloria Vanderbilt (featuring Todd of Apocalypse Hoboken), and Double Bird are also playing.

Show starts at 9 pm, is 21+ and is $8. You can find more information about this show and others at Ronny's on Mpshows.com.

Katie Hovland

Concert Tue Sep 21 2010

Review: Matt and Kim @ Metro, 9/19

Matt of Matt and Kim (photo by Katie Hovland)


I've got a curse with Matt and Kim. Despite trying to see the band multiple times, something has always happened last minute, preventing me from witnessing the saccharine sweet pop duo live. I've always been a fan of their stripped down bouncy brand of pop, their videos, and they're two of the nicest people I've ever sat down and interviewed. So Sunday night was a big night for me, as I was finally able to break my Matt and Kim curse (barely).

Continue reading this entry »

Lisa White / Comments (3)

Concert Tue Sep 21 2010

Deerhunter Secret Show! (Updated with Location!)

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Photo via the band's MySpace.


In the age of Twitter, Foursquare, and music blogs, the concept of a "secret show" has pretty much gone out the window. Nevertheless, tag the "secret" label onto any event and it is automatically enveloped in an aura of exclusivity and mystery, even if it is anything but. Still, a free show featuring experimental rock band Deerhunter is pretty darn cool, secret or not.

The show is being presented by Urban Outfitters and Levi's, and will take place Saturday evening in a yet-to-be-revealed location. What we do know is that the concert will be run on generator power, so we can expect an out-of-the-way, unconventional venue. Hints will be provided via the Urban Outfitters blog, with the exact location to be revealed at least 48 hours before the event. Clues will also be available via Urban Outfitters' Facebook, or by texting SECRET to UOUOUO.

UPDATE! The location for Saturday's show has been revealed! This unconventional show will go down at 4 pm at the underpass at 560 W Grand Ave at the Chicago River under the Kennedy overpass. Told you it'd be an unusual location. Make sure to head out early, as the show is first-come, first-served. The concert is free.

Shh... I won't tell if you won't.

Stephanie Griffin

Concert Tue Sep 21 2010

Andrew Bird Gets All "Gezelligheid" With Us Again

In what we're hoping is the beginning of an annual tradition, Andrew Bird has announced dates for another set of "Gezelligheid" concerts this winter at Chicago's Fourth Presbyterian Church. A dutch word loosely translating to "cozy," Gezelligheid describes the intimacy of these performances as Bird takes the stage solo and setlists are simply a suggestion. Last year there was a lot of conversation, explanation and rare showcasing of the original incarnations of now well-known songs, as well as melodies in the works.

Washington DC and Boston have also been added to this year's Gezelligheid schedule. Tickets for Chicago dates, December 16 & 17, go on sale this Saturday and are $35-$40. For additional information on other cities, visit Andrew Bird's website.

Michelle Meywes

Concert Mon Sep 20 2010

A Noisy Night

Need a little wackadoo be-bop noise to add some color to your work week? This Thursday, Sept. 23, check out New York City's Capillary Action, a quintet who bring a oft-changing blend jazz, pop, funk, world beat, and various other odds and ends to striking effect. They open a night of otherwise local awesomeness at the Hideout, including Volcano! and Black Bear Combo. There's going to be a whole lot of whoa going on.

The show starts at 9 p.m. and tickets are a measly $8. Get yours online or at the door.

Kara Luger

Preview Sun Sep 19 2010

Preview: Shonen Knife @ Schubas: Tuesday, 9/21

The general description of Shonen Knife ( 少年ナイフ) is that they are an all-girl Japanese rock band that formed in the early 80s and were influenced by 60s girl groups and punk bands like the Ramones. The attention they had received led to a double-album tribute featuring bands like Sonic Youth, L7, Babes in Toyland, which led them to receive more attention. I haven't been around to keep up with their long music career, but they seem to have made a lot of impressions and once toured with Nirvana. Apparently there is only one original member of the band left, but the music is still the familiar high energy almost garage pop rock that fans like.

Among their most popular songs are titles like, "Top of the World," "Twist Barbie," "Bear Up Bison," "Flying Jelly Attack," "Riding on the Rocket." I hope they play all of these on Tuesday, Sept. 21, when they return to Chicago to promote their new album, Free Time (P-Vine) at Schubas, 3159 N. Southport, at 9pm. It is the kind of show that promises to feed you positive energy so that you are refreshed with bright, child-like visions of the world, a little bit more fun and naive, and you might go back home as a better, more endearing person. Tickets are $14. 21+.

Arrive early to check out Santah & Aleks and the Drummer!

Vicky Lim / Comments (2)

Concert Fri Sep 17 2010

Review: Nylon Music Tour @ Double Door, 9/11

Spending the night with a bunch of drunk people having an electro dance-off while a shirtless dashing man acts as your ringleader isn't a bad way to spend a Saturday night. Last weekend the Nylon Magazine music tour rolled into town at Double Door, bringing along with them a bill of synth happy bands with headliner Kele (of Bloc Party fame).

Continue reading this entry »

Lisa White

Concert Fri Sep 17 2010

Charlatans Show 9/18 @ Double Door Postponed

Fans wanting to hear the Charlatans UK this weekend can send their hopes for a speedy recovery to the band's drummer, but it's not going to make them pull into Chicago in time. The group's long-awaited gig at the Double Door has been postponed. The venue has posted a message to showgoing hopefulls that they should hold on to their tickets as they will be honored at a yet-to-be-scheduled future date.

From the band:

Charlatans Drummer Still In Hospital Following Collapse On Stage -
Chicago Gig Postponed

Jon Brookes, the drummer with The Charlatans, is still in hospital in Philadelphia following his collapse on stage on Wednesday night. Brookes has been undergoing tests and is in a comfortable condition but will remain in hospital overnight.

Fans are advised to check the band's website for news on further gigs.

Anne Holub

Review Fri Sep 17 2010

Review: Rangda @ Empty Bottle / Appleblim, Cosmin TRG @ Smart Bar, 9/10

Chris Corsano

Chris Corsano of Rangda (photos by Dave Knapik)

Late September is traditionally quite an exciting time for Chicago experimental music lovers, as it is when one of the most revered publications for the genre, UK-based magazine The Wire, brings its Adventures in Modern Music festival to the Empty Bottle. When it was first announced that Chicago would host its own version of Barcelona's Sónar festival this September, many were left wondering if it would conflict with Adventures in Modern Music, and if so, what that would mean for one of the city's most unique celebrations of far out sounds. Of course everyone involved found the perfect solution by simply joining forces to make it all one big party. Ironically, Sleep was one of the first gigs of the festival, but it would be in short supply the rest of the weekend for any die-hard fan unable to imagine missing a beat.

Drag City artists Rangda headlined Friday night's Empty Bottle line-up. An experimental supergroup comprised of Sun City Girls' Sir Richard Bishop, Six Organs of Admittance's Ben Chasny and frequent collaborator with the stars, Chris Corsano, Rangda faced the challenge of waking up a crowd already weary from several days of live music. Their fast-paced freakouts proved more than fit for the job, as the tight three-piece frenetically ripped their way through the first portion of their set.

Continue reading this entry »

Dave Knapik

Concert Thu Sep 16 2010

Super Wild Horses @ Empty Bottle

l_c9859d20a3c7432ca248380b3abff087.jpgThe latest full-length release from Chicago's Hozac Records is the debut album from Melbourne, Australia's Super Wild Horses. The band plays a fun and primitive brand of post-punk and pop. They are currently on their very first US tour and making their Chicago debut at The Empty Bottle on Sept. 18th. Also performing that night will be local favorites White Mystery who recently appeared over at Daytrotter. Super Wild Horses will also be doing an in store at Permanent Records on Sept. 19th.

Jason Behrends

Contest Thu Sep 16 2010

HEAVEmedia Celebrates their 3rd Birthday with Owen (and a contest)

owen.jpgChicago-based site HEAVEmeda.com are celebrating their third birthday this weekend, and they've come a long way from a little blog to a full blown site with web content including audio and video, as well as putting on shows that showcase local talent. It's a lot of hard work by some dedicated people, and to celebrate they're throwing a party with some of their favorite acts. Topping the bill is Mike Kinsella's solo project Owen. You might be familiar with Kinsella's work in American Football, Joan of Arc, and Cap'n Jazz, all regular staples in the Chicago music scene. Owen's 2009 album New Leaves took almost three years to complete, during that time Kinsella became a husband and a father, and New Leaves took on a new sound a direction inspired by the change in Kinsella's life. Opening up before Owen is Brooklyn based Savoir Adore (this will be their first Chicago show so give them a warm welcome) and The Streets on Fire.

To celebrate, our friends over at HEAVEmedia.com are offering a prize to one lucky Owen fan (a birthday gift in reverse) here on Gapers Block. An Owen prize pack, which includes a copy of New Leaves, posters, and a copy of the new Owen 7" and also one ticket to the show. Email us at contests@gapersblock.com with the subject "Owen" and you'll win some sweet swag and plans for Friday night. [Update! We have our winner! Congrats to Matt!]

Tickets are still available for the show, so head out, buy Amy from Heave a drink because she works her butt off, and wish the site a very happy 3rd birthday!

HEAVEmedia.com presents Owen, Savoir Adore, and the Streets on Fire at The Empty Bottle, Friday September 17th. Tickets are $12 and can be purchased here. The show is 21+ and things kick off at 9:30pm.

Lisa White

Concert Thu Sep 16 2010

The Dø @ Schubas Tavern, 9/13

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It has been nearly one year to the dot that Finnish-French duo The Dø graced the stage in Chicago and this visit saw them returning with more vigor than ever. In addition, their ease with playing to a live audience continues to grow along with their dynamic stage presence.

Continue reading this entry »

Kirstie Shanley

Concert Wed Sep 15 2010

Hell bent for (the mind of) black leather

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Camilla Ha takes pride in making crowds uncomfortable. This should surprise nobody familiar with Ha's primary background, extensive experience in the Japanese performance art known as Butoh. The form emphasizes grotesque movements and exaggerated gestures that illustrate Andre Breton's motto, "Beauty will be convulsive, or it will not be at all." Most recently known for her one-woman sound/performance project Magic Is Kuntmaster (and before that as a member of My Name Is Rar-Rar, Panicsville, and Foamula), Ha channels a poised unease, a seeming contradiction that punches through the ennui permeating your average loft space performance.

This Saturday, Ha says farewell to Chicago in her own peculiar way, curating a multimedia cavalcade of performance, readings, interactive exhibits, and video art titled "The Cosmic Mind of Black Leather" this Saturday (September 18) at Reversible Eye Gallery (1106 N. California). The doors open at 8 p.m., but the exhibit itself will stick around until the 30th. Admission is free.

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Chris Sienko

Review Wed Sep 15 2010

Review: Ben Frost @ Chicago Cultural Center, 9/11

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Ben Frost (photo by Dave Knapik)

When Sónar Chicago first announced that Ben Frost would be on its inaugural line-up, their commitment to innovative electronic music became clear. This wasn't going to be a watered-down sibling to their annual Barcelona event, rather it would present dance music and experimental sounds in equal measure. Frost was an ideal candidate for bridging this gap, as his uncompromising ambient noise explorations were introduced to dubstep fans on Mary-Anne Hobbs' 2008 compilation Evangeline. That appearance, coupled with powerful recent releases like 2007's Theory of Machines and last year's By the Throat, ensured this would be one of the most eagerly anticipated performances of the entire festival.

One look around the Chicago Cultural Center on Saturday night was all it took to see that this anticipation was not idle, as the Claudia Cassidy Theater could not contain everyone that hoped to see Frost deliver his ambient epics live. Fortunately, an adjacent overspill room had been arranged to accommodate everyone not lucky enough to fit into the main venue. Whether you watched his image projected onto a screen or shared the room with the man himself, hearing the hour-long set provided exactly what every great gig should: a sizable leap beyond what can be reproduced at home with a CD.

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Dave Knapik

Album Wed Sep 15 2010

Justin Townes Earle: Big City With a Country Heart

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Justin Townes Earle is part of music history (as his dad is the illustrious Steve Earle) but that relationship does not define him. He's also a totally amazing part of alt-country present. Originally from Nashville, JTE spent a few years in Chicago (where he was signed to Bloodshot Records) playing the circuit of small venues and putting in his time. Now he lives in New York City (New York City?) where his latest album, Harlem River Blues, gains a cinematic quality of the cowboy lost in the concrete jungle. Songs like "Learning to Cry," "Harlem River Blues" and "Slippin' and Slidin'" are tearful and steeped in a kind of work-a-day depression one feels when all around you is grey, and black asphalt, and more grey, but you have to get up anyway. Even the tune "Rogers Park" — with its nod back in time to Earle's years in Chicago, and our bleak months of winter — has a mind to dwell just for a moment in the dark past even though "this town's dead tonight, I got no place to be" speaks not only to a time gone by, but also the desolation of city streets during a snowstorm. But then there's the wink from "One More Night In Brooklyn" where, well, we might as well make the best of it, and be with someone special. And there's the modern twist on the conventional trainman song "Working for the MTA" (which makes me harken back to the Kingston Trio's folk tune "The M.T.A. Song"). Earle hits his stride with boogie woogie in "Move Over Mama" and the sweet song "Wanderin'" which make you want to really cut a rug. But he's really about storytelling, and giving audiences songs they can sing along to whether they're behind the wheel of their Chevy, or waiting for a train far below the streetscape. Everyone has to find a reason to get up and get going in the morning — even when it's dark and grey outside. Believe it or not, this album makes me want to just keep hitting "repeat" it's so true to life. The rollercoaster of the story is just another day in the big city. Cowboy or no, I'm sure you can relate.

[mp3] Justin Townes Earle: "Harlem River Blues" from Harlem River Blues

Justin Townes Earle plays Lincoln Hall on Saturday, September 18th. Jessica Lea Mayfield opens. Music starts at 10pm. Tickets are $13 (adv) $15 (door). Lincoln Hall is located at 2424 N. Lincoln Ave., 773-525-2501.

Anne Holub

Concert Wed Sep 15 2010

Review: Pavement @ Pritzker Pavilion in Millennium Park, 9/13

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Pavement's Stephen Malkmus (photos by Katie Hovland)

Pavement was never a sentimental band. Sarcastic, dry, and annoyed, but never sentimental. As the saying goes though "time heals all wounds," and maybe that was the case Monday night, as the band took the stage in front of a very nostalgic audience. The crowd was smaller than I expected, the seated area sparse in places and the lawn spread out. I'm guessing the curious Pavement fans got their fix at Pitchfork Festival. The kids that grew up listening to Pavement in the late 90s/early 00s, discovering them long after the breakup, paid respect at the festival as they headed out after catching some of Sleigh Bells, probably quipping "oh, so that's Pavement, this reunion is big, I guess I should stick around for a song or two." There was none of this sentiment Monday night, as the crowd sung along to a good portion of the 28 song set, the median age looked to be mostly people that were 20-somethings during the height of Pavement's fame. The familiar feeling of the crowd seemed to rub off on the band, who seemed fully relaxed, throwing jokes and jabs back and forth, and overall happy to be there.

Continue reading this entry »

Lisa White / Comments (1)

Preview Tue Sep 14 2010

Mt. St. Helens Vietnam Band: not just another rock out rock band

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Seattle's Mt. St. Helens Vietnam Band is made up of four members who made their debut last year with a self-titled release (Dead Oceans). This year, they have followed it up with Where the Messengers Meet: twelve songs layered with assertive guitars and enthusiastic percussion that build up and up but shifts directions often enough to create a zig-zag narrative of anthems for the winter.

This sophomore album moves us song by song without falling into an exhausting repetition of rock out rock songs. While there is still repetition, which leads into a predictability at the rise of each song, the songs are still engaging because the lyrics tightly correspond to the music, like the hook of A fire only burns in your eyes at night in the opening track, "At Night," which hammers us into listening further or something.

Sometimes Benjamin Verdoes (guitar, vocals) harmonizes with a choir while his wife, Traci Eggleston-Verdoes, plays multiple instruments, and everyone likes to note that their adopted brother, Marshall Verdoes, is quite young, like fifteen, and owns the drums. Jared Price, a friend, plays bass. The snatches of images in the songs they write stir up a night time meditation that is reminiscent, to me, of qualities in a band like Land of Talk with a hint of similarity to groups that hide in the forest, like Fleet Foxes.

The live energy of MSHVB sounds promising. Tomorrow, Wednesday, Sept. 16, the band will perform at the Empty Bottle, 1035 N. Western Ave., at 9:30pm. Tickets are only $5. 21+

Vicky Lim / Comments (1)

Review Tue Sep 14 2010

Sonar Chicago @ Pritzker Pavilion, 9/9

Martyn

Martyn (photos by Dave Knapik)

Although summer is slowly slipping away, festival season in Chicago carries on. The first annual Sónar Chicago kicked off on Thursday at Millennium Park's Pritzker Pavilion, starting the weekend early for electronic music lovers, curious downtown office workers and passing tourists. Whatever brought you to the first day of Sónar, you arrived at a rock gig, a dubstep club night and a live electro breakdown all rolled up into one.

The evening started at 5 pm with the soft sounds of Spain's Bradien. A three-piece combo incorporating guitar, synthesizers, melodica, trumpet and a single snare drum, Bradien's dub exotica provided a gentle ease into an action-packed weekend. Hailing from Sónar's native city of Barcelona, the band were put into the position of sonic ambassadors, underlining the fact that Sónar was as much a cultural exchange program as it was a music festival.

Continue reading this entry »

Dave Knapik / Comments (3)

Concert Tue Sep 14 2010

WACSAC Bring the "Silver and Gold"

I don't know about you, but the onset of fall often puts me in the mood for classical music (I blame Vivaldi's Four Seasons). It's appropriate, then, that 'tis the season for the Williamsport Area Community Symphony and Chorale (WACSAC), who have just announced their 2010 Fall series, The Mountain. WACSAC was founded by punk rocker-turned-classical composer Matthew Pakulski, who played in the Boston-based noisecore outfit Fat Day. Interestingly, it was while he was still playing in the band that he started his chamber music group.

Catch WACSAC at their opening concert, "Silver and Gold," on Friday, Sept. 17, 7 p.m., at the Rumble Arts Center (3413 W. North Ave). There's a suggestion donation price of $10. Find out more about the concert and about the chamber group on their website.

Kara Luger

Concert Mon Sep 13 2010

Garotas Suecas Bring Brazillian Beats to Schubas 9/14 (and a contest)

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Straight up from Sao Paolo, Brazil, Garotas Suecas, which actually translates to "Swedish Girls" — something of a misnomer, is a funky group of funksters. They're going to be rocking in Portuguese, but it so doesn't matter when the language of dance is universal. Just listening to their sample of online tunes has my head nodding and my mouth smiling. Their debut album Escaldante Banda was just released in the U.S. and fans of Brazillians Os Mutantes will be pleased to hear that Garotas Suecas are doing just fine in the newest generation of South American funk and fuzz bands. There's a supremely laid back tropical vibe to their tunes, and a real opportunity to celebrate the end of the summer over on Belmont Avenue Tuesday night. Check them out, but leave your troubles at the door — no frowns allowed.

Email us at contests@gapersblock.com with the subject "Funky!" and you and a friend will get to boogie for free Tuesday night. [Update! Hold your typing! We have a winner! Congrats to Tony!]

Tickets are $12 and the music starts at 9pm on 9/14, with Chicago's equally funky I Kong Kult, at Schubas, located at 3159 N. Southport Ave. (at Belmont). 773-525-2508. 21+.

Anne Holub

Concert Mon Sep 13 2010

Review: Sleep @ Logan Square Auditorium, 9/9

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When more than 50% of a crowd is wearing earplugs, and building walls vibrate even before you enter an venue, you know you're in for an impressive show. Such was the case when Sleep took the stage at Logan Square Auditorium last Thursday as part of the Adventures in Modern Music and Sonar Festival.

Sleep made some of the most prolific stoner metal albums, the 1992 Holy Mountain being one of the defining examples of genre, as a trio in the early 90s. The band parted ways, mainly after problems with their label regarding their album Dopesmoker, which is one continuous song that last over an hour. The band members worked on similar endeavors (High on Fire and Om) before deciding to reunite for various dates starting last year with the ATP festival in England.

For anyone that loves a dark and murky tone, music that you can smoke out and nod your head along to in time, then Sleep is your band. Traces of 70s Black Sabbath style metal shine through at times, when guitarist Matt Pike isn't building up a massive wall of sound with a few chords for 10 minutes straight before exploding in abrasive visceral noise. If dragging a heavy object through thick wet mud had a sound, it would be this band.

There was no witty banter between songs, just three men playing some of the loudest music I've ever heard, so loud I could feel the vibrations in my teeth. Pike, shirtless with long strings of hair hanging down in front of his face, would teeter on the edge of the stage, as metal fists and devil horns raised high towards him from the audience. The crowd was mostly outfitted in black, a large amount of men sporting longer locks banged their heads in time. Pike and bassist Al Cisneros were completely entrancing as they slowly cultivated a build and vibrating crescendo of sound, especially on standout tracks like "Dragonaut." The music was heavy and abrasive, but the crowd polite and enthusiastic, the mostly male crowd even moving a bit to allow me a to move forward for a better view, showing that metal guys are some of the nicest dudes around. The show was dark and angry, yet still the artistry of each musician, whether building a dissonant tone or providing a driving back beat, was evident from the start. From the crowd to the ringing in my ear (despite wearing industrial strength earplugs) that lasted a few hours after, it was exactly what I expected (and hoped) this show would be.

Check back for more reviews of acts this past weekend at Adventures in Modern Music and Sonar Festival here in Gapers Block.

Lisa White

Concert Thu Sep 09 2010

North Coast Festival Review: Sunday

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All photos (unless noted) by George Aye


The last day of North Coast was heavy on the hip-hop, with a nice dose of dance and some curve balls of soul and folk pop thrown in the mix. Our feet were a bit tired but our spirits high as we started the last day of the last big summer festival in Chicago. George caught some of local outfit Maps & Atlases as he entered the fest, as seen above. I meanwhile caught duo Phantogram, who churned out dreamy electronic infused pop, like a darker less drone version of Beach House, very ethereal and stylized, a great warm-up to the day.

Continue reading this entry »

Lisa White

Concert Tue Sep 07 2010

North Coast Festival Review: Saturday

Grace Potter

All photos by George Aye


Another beautiful Chicago day kicked off North Coast on Saturday as our photographer George headed out early into the field and caught the beautiful shot of rocker Grace Potter above, and also was able to grab Daedalus, who filled in for Benga when he had some problems at Customs, for a quick portrait session backstage.

Daedalus

Continue reading this entry »

Lisa White

Concert Tue Sep 07 2010

North Coast Festival Review: Friday

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All photos by George Aye


Fairy wings, furry boots, whippets, and enough glow sticks to light a small country took over Union Park this past weekend for North Coast Festival, dubbed "Summer's Last Stand," three days of electronic, hip-hop, and jam acts all in one place. Upon walking up to festival grounds Friday night, you knew a good portion of the weekend would be spent dancing, the heavy thumping beats from every stage flooding onto Ashland and Lake. Being the first year of the festival, there were some glitches (huge lines at an understaffed will call, confusion with security on what passes accessed what area, a lot of gate crashers, no water refill stations), but none that weren't a good lesson for organizers to learn from for future years. Overall security was friendly (as was the crowd, sober or not), and the festival got a break with amazing weather all weekend, cutting down on what could have otherwise been a lot of dehydrated sweaty fans. Click through and continue reading about my weekend at North Coast, and some thoughts from Gapers Block Tailgate Editor Brian Lauvray as well.

Continue reading this entry »

Lisa White

Contest Mon Sep 06 2010

Ticket Giveaway: Hallogallo 2010 @ Lincoln Hall, 9/8

What a week for electronic music lovers in Chicago! The first annual Sónar Chicago starts on Thursday and the related festivities put on by the Empty Bottle and Wire magazine begin on Wednesday. With all this activity, it would be easy, but foolish, to miss a performance related to a German band that innovated psychedelic rock and electronic music equally. The music of legendary krautrockers, NEU!, will be played at Lincoln Hall on Wednesday, September 8, under the name Hallogallo 2010. With Sonic Youth's Steve Shelley filling the late Klaus Dinger's role on drums, founding member Michael Rother and Tall Firs' Aaron Mullan plan to present tracks by NEU!, Harmonia and Rother's solo outings.

Thanks to the good folks at Lincoln Hall, we have a pair of tickets to give to one of our lucky readers. Just email us at contests@gapersblock.com with the subject line NEU! and you and a friend might be rocking for free Wednesday night. [Update! We have our winner! Congrats to Adam!]

Dave Knapik

Concert Fri Sep 03 2010

North Coast Festival Sunday Picks

The last day of a festival is always a little bittersweet. You're tired, possibly sunburned and/or dehydrated, and part of you wants it to be over. But at the same time you don't want it to end. The hours spent basking in the sun with good music as your soundtrack, nodding to the fellow festival goers you keep running into, consuming the same outdoor festival nosh from the day before. And since North Coast is the last big destination style festival of the summer season, it means we're coming to a close on the last few weeks of summer. So enjoy your last day in Union Park, and check out some of our favorite picks of the day.

Continue reading this entry »

Lisa White

Concert Thu Sep 02 2010

LCD Soundsystem to Play Aragon

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LCD Soundsystem will be returning to Chicago Oct. 25 for a show at the Aragon, with Hot Chip opening. Tickets will be $42.93 through TicketMaster once you add up all their fees, and go on sale Saturday, Sept. 11, at 10am.

Andrew Huff

Concert Thu Sep 02 2010

North Coast Festival Box Office Info and Saturday Picks

Before we dive in for a closer look at the schedule for North Coast Festival on Saturday, we've got some important information about will call if you're heading out to the festival this weekend.

Will call will be located at Bottom Lounge at 1375 W. Lake St. You'll need to go to will call if you are one of the following:

  • All 3-day ticket holders

  • Single-day ticket buyers NOT received in the mail

  • Groupon ticket buyers

  • Contest winners and complimentary ticket holders

  • Purchasing a ticket day of the festival

Will call opened Wednesday, and will be open the rest of the weekend at the times below:

  • Thursday, from 5pm-10pm
  • Friday, Saturday, and Sunday from 11am-9pm


Go early, maybe stop by and grab a beer and some dinner Thursday, to beat the rush. And if you pick up your ticket before heading into the festival, no need to walk over to the Ashland entrance, because North Coast has opened a second entrance to the festival grounds on Ogden just south of Lake St and closer to the will call.

Now on with our breakdown of the acts to check out Saturday at North Coast!

Continue reading this entry »

Lisa White

Concert Wed Sep 01 2010

Rita J. @ Schubas

Rita-J_pic.jpgIn a city that is home to Kid Sister, Psalm One, and Nikki Lynette , I can see why someone like Rita J. may be overlooked. Rita dropped her debut album, Artist Workshop, last fall after spending close to two years completing it. It was well worth the wait, and of the female emcees in the city, it was also the closest to true hip hop. Rita enlisted some of the cities finest producers on the album, include K Kruz on the track below, and in many ways made a tribute album to Chicago hip hop.

Rita J. performs at Schubas with Bumpus and DJRC on September 4th.

Jason Behrends

Concert Tue Aug 31 2010

North Coast Festival is Here! (and a contest)

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The summer festival season is drawing to an end here in Chicago. We sweated it out through Pitchfork and Lolla, spending a lot of our weekend hours in a field with a few thousand of our closest friends. Have forked over our $5 suggested donation to the plethora of neighborhood festivals, got a few nasty tan lines, and drank a lot of mediocre beer. But this year we'll get a few more weekends to laze in the sun and soak up great music, with the addition of two new festivals in September, Sonar and North Coast Festival.

North Coast Festival is the brainchild of a group of independent promoters in Chicago, who decided to collaborate and produce a festival "to celebrate the merging of all music and walks of life that enjoy it as much as we do." Those walks of life mainly being the jam band and electronic scene, with a good dose of hip-hop and local exposure thrown in. Over the news few days I'll be breaking down the festival by each day, so you're ready for the weekend. Haven't grabbed a ticket yet and now wishing you could spend one more festival weekend in the sun? You're in luck! The lovely folks at North Coast have given Gapers Blocks five pairs of weekend passes to the festival, which means 5 lucky readers will win a weekend pass for them and a guest! Just email us at contests@gapersblock.com with the subject "North Coast" and you might be spending your weekend in Union Park, enjoying good music as summer starts to come to a close. [Update: We've selected our winners and they have all been notified. Thanks to everyone who entered!] Now, on to the meat and potatoes of the festival.

Continue reading this entry »

Lisa White / Comments (1)

Concert Thu Aug 26 2010

Party with Gapers Block and CHIRP @ the Metro, 9/3 (FREE!)

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The days are getting cooler, the cicadas are dying off, and it's totally time to party! Start off your Labor Day weekend right with your friends at Gapers Block and CHIRP radio at the Metro as we celebrate the end of summer with some of our favorite Chicago bands! And best of all, it's FREE with a flyer in your hand.

Headlining is The Hudson Branch, bringing their rich tones and soothing heartache to the stage, and the evening will include the deliciously dark rock of Camera, the up-and-coming talent and blissful harmonies of psych-poppers Reds and Blue, and the rollicking dance pop of My My My.

The Hudson Branch - Clouds (Live At WIDR 89.1 Kalamazoo) from Corey Bienert on Vimeo.

Tickets are $6 adv/ $9 day of show (or FREE with this special flyer [designed by GB staffer Antonio Garcia] before 9pm, $6 if you bring the flyer after 9pm) 18 +. Doors open at 8pm with My My My starting the night off at 9pm. The Metro is located at 3730 N. Clark St. 773-549-4140. RSVP on Facebook if you like!

Anne Holub

Concert Thu Aug 26 2010

Review: Stone Temple Pilots, Charter One Pavillion 8/20

[Review submitted by reader Brennan Stacker, photos by Andy Keil]

After releasing their self-titled album in May, Stone Temple Pilots performed at Chicago's Charter One Pavilion at Northerly Island, on August 20th, and they proved that, after 20+ years, their music intoxicates more than a single generation of fans. The album debuted at #2 on the Billboard 200, giving the band a renewed presence on the stage and validating their position in modern rock.

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Scott Weiland of STP (photos by Andy Keil)

Continue reading this entry »

Transmission / Comments (1)

Concert Tue Aug 24 2010

Look, Up in the ... Subterranean! It's Skybox!

Skybox: Come for the "Various Kitchen Utensils," stay for the Morning After Cuts. "Utensils," the aforementioned single from their first album, Arco Iris, is an adorably goofy track that won the hearts of many listeners. Now the local heroes are taking the show on the road in support of their latest album, Morning After Cuts, which proves to be just as catchy. Don't believe me? Catch them at the Subterranean (2011 North Ave.) on Friday, Sept. 10 at 9:30 p.m. Opening the show is What Laura Says, a equally lush (-sounding, not drinking... though what do I know?) indie-pop group hailing from Arizona. Tickets are a measly $10; you can get yours online or at the show.


Kara Luger

Concert Tue Aug 24 2010

Clare and the Reasons @ Pritzker Pavilion, 8/23

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With a voice that is filled with longing but not without comfort, Clare Manchon took the stage with her husband Olivier Manchon and others to play a fruitful 75 minutes of music. The songs have elements of great delicacy as well as humor. Between just the two of them there were ample instruments, Clare switching off between guitar and washboard and Olivier playing violin, guitar, mini xylophone, and a small drum at times. Yet, they made the most out of the beautiful space by bringing in brass musicians from Chicago to play trombone and french horn. In addition, another musician accompanied the small brass section to treat the audience to keyboard, bass, and clarinet playing.

Continue reading this entry »

Kirstie Shanley

Concert Mon Aug 23 2010

Neon Marshmallow Festival - Day Four wrapup

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It's all over, folks. After four days, 90-some-odd acts, and persistent exposure to just about every frequency on the sound spectrum audible to human ears, the Neon Marshmallow Festival departs the Viaduct Theatre, leavings the concertgoers fatigued, overstimulated, and slightly depressed about the prospect of returning to the real world, where things seldom get louder than a tepid hum.

This is the day of the fest where you get to razz me for being an old man — I arrived late, left early, and missed (by all accounts) some crucial sets. However, I didn't miss it all. Here's my last report before I return to my anechoic chamber:

Continue reading this entry »

Chris Sienko

Concert Mon Aug 23 2010

Gasoline Silver @ The Whistler

da425dabbcc4f31ac7d3cdbb78f23c8d.jpgOn the first single from Gasoline Silver's debut album, "Indianapolis", the band shows that you can combine Bob Dylan and modern electro-punk. It's a jarring mixture at first, but there is something familiar and exciting about it. Ron Franklin is the lead singer and has long been known for two things, his love for the blues and his hair. In Gasoline Silver he has found the multi-layered synthesizers of John Misner and the driving drums of Andy Hertel.

Based in Minneapolis, the band is making their Chicago debut at The Whistler tonight (8/23) at 10pm to celebrate the September 7th release of their 11-track self-titled debut album on Victorian Pictures. As with all shows at The Whistler this is a free event.

Jason Behrends

Concert Sun Aug 22 2010

Review: Slayer @ UIC Pavillion, 8/20/10

[Review and pictures by Brian Leli]

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Slayer's Kerry King (photos by Brian Leli).

As a teenager battling teen age in the 1990s, there were some things I felt I'd never be without: anger, sadness, the hours to fill and the endless conflicts that they ignited...etc. And I was right. If your teenage years were somehow spent without these things, I'm sorry. I don't know how else one might find a place to put them, a use for them. I found my way down many damaged roads, but I also found my way to music. Very early on, I discovered that I could store my sadness in a sad song--the same way one might turn into a skid to move out of it. I learned I could do the same with my anger: The simple anger that comes when one sees another throwing their trash on the ground, or the more complex anger that comes on around birth and eventually seeks roads the size of continents down which to run.

For this anger, there is Slayer.

Continue reading this entry »

Transmission

Concert Sun Aug 22 2010

Neon Marshmallow Festival - Day Three wrapup

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Day three of the Neon Marshmallow Fest at the Viaduct Theater, the most endurance-defying yet, has come and gone. Starting at noon and going well into the 3 a.m. hour with only an hour break for dinner, it was die-on-your-feet-or-live-slumped-in-theater-seating, and, by night's end, certain shows turned into little slumber parties, with people soaking up the electronic waves from a prone position. Some of the best performances of the fest happened today (sez me), and one loathsome event marred the night permanently. Read on....

Continue reading this entry »

Chris Sienko / Comments (1)

Concert Sat Aug 21 2010

Neon Marshmallow Festival - Day Two wrapup

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Back again with a day two wrapup from the Neon Marshmallow Festival at the Viaduct Theater (tickets still available for two shows today and one tomorrow). Friday was less consistent than Thursday, with a few great, unforgettable sets and, well, a few more forgettable ones.

I missed the first handful of sets — my apologies to Flower Man and Rust Worship — so that I could write up night one, and also so I could log a few extra hours in my sleep bank; me and three hours sleep are not a winning mixture. So, we pick up the story in progress...

Continue reading this entry »

Chris Sienko / Comments (3)

Concert Wed Aug 18 2010

Sadies Pack It All Into Just One Night @ Schubas, 8/20 (and a contest!)

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The Sadies (photo by Amanda Shenck)

Toronto band, The Sadies are no strangers to the intimate stage at Schubas. It was the Sadies who backed and sang along with Neko Case for her live album The Tigers Have Spoken (partly recorded in Chicago at Schubas) among their many recorded singles together, but they've been hitting the city since Lounge Ax was the place to be in the late-'90s. These one-time Bloodshot Records artists are known to collaborate with the label's best and brightest, including Andre Williams and Jon Langford, as well as Ms. Case. But nobody puts The Sadies in the corner. They're an A-1 quality band in their own right and should be taken seriously. If their newest album, Darker Circles, is any indication, this is a band that wants you to see them as complex and serious, and a little older and wiser after many years on the road and on stage. Good brothers Dallas and Travis (no really, that's their last name) bring the guitar twang and vocals and drummer Mike Belitsky and bassist Sean Dean round out a warm, rich sound that drips like maple syrup down a sharp knife. The classic Sadies Americana sound (although, should that be "North Americana" given the band's Canadian roots?) is evident, but there are the more brooding country themes there too — heartache, alcohol, and a broken down life, or all three, like in "Tell Her What I Said" as well as saucy notes of rockabilly and surf sounds. The Sadies are more than you'd expect. This is no band to play over the din of cocktail room hubbub. This music is the soundtrack and the plot of your life wrapped into one. The band has matured over the years and weathered like a guitar strap that's comfortable and reassuring in its sweat-soaked familiarity.

Check out the video for "Postcards" from Darker Circles:


The Sadies were slated to play two shows in Chicago this weekend, but the August 21st show has been canceled (contact Schubas for more information). They will still play Friday, August 20th at Schubas starting at 10pm. Tickets are $12 adv./ $14 door. Amazing Chicago talent Jon Langford and Sally Timms, of Bloodshot Records fame and big Sadies fans, will open, along with Pritchard. Schubas is located at 3159 N. Southport Ave. (at Belmont Ave.).

One lucky winner will get to go to the show on Friday for free! Just email us at contests@gapersblock.com with the subject line "Good Brothers" and you could win! [Update! We have a winner! Congrats to Chuck!]

Anne Holub

Concert Mon Aug 16 2010

Review: Interpol @ The Vic, 8/15

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Sometimes you have to go back to the start to find yourself again. Interpol is doing just that on their forthcoming self-titled album, which they showcased alongside their classic material last night at The Vic.

Interpol is in a period of change, with the departure of longtime bassist Carlos D, and the label switch back to Matador. After the glossy and forced major label debut, Our Love to Admire, it seemed that many fans yearned for the original direction of the band. Live, the band is clearly allegiant to their early material, as their set list was comprised of 68% of tracks off of Turn on the Bright Lights and Antics. Not that fans seemed to mind. The standards are just as crisp and tight sounding as ever, singer Paul Bank's voice deadpan and unwavering as always. Standouts of the night was the wall of sound "NARC" which is still just as heavy and sleek as the first time I heard it live. Also the one-two punch of "Say Hello To The Angels" and "C'mere" got the crowd moving, shimmering in sound and the perfect soundtrack to the warm intensity of the lighting that Interpol always utilizes live.

The new live additions to the band, former Slint guitarist Dave Pajo on bass and keys and vocal addition Brandon Curtis from The Secret Machines, work in perfectly to the mix. And fans wishing for a departure from the previous album can rejoice, the new tracks following the original sound, as evident when they showcased three Sunday night ("Success," "Summer Well," and "Lights"). You can check out the video for the first single off the new album below.

It feels like a homecoming for the band, after a long departure from what they originally were. Nothing feels forced and strained, and live the band seems to not only be refreshed but having fun with both the new and old material. As they ended on a fan favorites, "NYC" and "Stella Was a Diver And She Was Always Down," the crowd sang along, and it felt fitting that the band is right back where they started from.

Interpol plays The Vic tonight, August 16th, at 7:30pm with special guests Twin Tigers. Tickets are $31.50 (about $40 with fees) and are available through The Vic's website.

Lisa White / Comments (3)

Video Fri Aug 13 2010

The Hood Internet + Kid Static: "City Chi" Video and Release Party

From Chicago mixmasters The Hood Internet and rapper extraordinaire Kid Static comes the official video for "Chi City," a collaborative song that'll be on a new 7" release due out September 7th on Whistler/TTD records. Note the (now kind of nostalgic and wistful) Olympics-themed hijinks and some rad (do not try at home) stunts around town. This video has nothing but love for Chi-town.

If you want to party down with the boys, get your tickets to their release party going down at Lincoln Hall on September 11th. 18+ Tickets $10. Music starts at 10:30pm with The Hood Internet, Kid Static, DVAS, Kid Color, and Just Desserts.


Anne Holub

Concert Thu Aug 12 2010

Secret Colours @ Beat Kitchen

1595001298-1 (1).jpgAt times it seems like one genre explodes while another fades, but it is more likely that you become more aware of certain genres at certain times. For the last few months I have been listening closely to one of the genres that are becoming more and more dominant here in Chicago, and that genre is psychedelic rock. One of my favorite new bands in that genre is Secret Colours. Tommy Evans, Dave Stach, Dylan Olson, Justin Frederick, and Margaret Albright blend late '60s psychedelia with '90s newgaze to create a forceful and compelling sound. A great example of their sound would the cover of The Beatles' "Tomorrow Never Knows" that the band released for free this week.

Secrect Colours' self-titled debut album was released earlier this month digitally through bandcamp, and they are celebrating the release this Saturday (Aug. 14th) at Beat Kitchen with the like minded band Panda Riot and Geronimo. The show starts at 10pm and tickets are $10.

<a href="http://secretcolours.bandcamp.com/track/tomorrow-never-knows">Tomorrow Never Knows by Secret Colours</a>

Jason Behrends / Comments (1)

Concert Tue Aug 10 2010

Note to self: Be More Elastic (this Friday)

The venue Elastic Arts Foundation (2830 North Milwaukee, above Friendship Chinese Restaurant) is one of those hidden-in-plain sight gems that doesn't always get the recognition it deserves. Largely catering to jazz and free improv music, their schedule sometimes seems to slip under the radar. Did you know, for example, that as I type this, I just found out that The Vandermark 5 is playing there tonight? I didn't, until just five minutes ago. Damn!! How do you like that?

This Friday starting at 9:00, however, Elastic will be hosting a not-miss event, and one for which I've had ample warning, which I'm now passing on to you, my dear friends. Audio colors both light and dark, instruments electronic and metallic, tones that are either clean as a drink out of Lake Titicaca or filthy as a drink out of Lake Michigan; all these and more shall be yours if you only get your ass up off that sofa.

Continue reading this entry »

Chris Sienko

Preview Mon Aug 09 2010

The Arrivals @ Ronny's, 8/12

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The Arrivals (Photo by Katie Hovland)


Be sure to head over to Ronny's - 2101 N. California Ave - this Thursday for a night of some of the best punk rock that Chicago has to offer. Long-running Chicago band, The Arrivals, headline and feature guitarists/vocalists Lil Dave Merriman, (Textbook Committee) and Isaac Thotz, (Treasure Fleet) as well as Paddy Costello, (Dillinger Four) on bass and Ronnie Dicola on drums.

The Arrivals are on the verge of putting out a new record, their fourth full-length overall, entitled Volatile Molotov early this October on Recess Records that they recently recorded at Atlas Studios with recording engineer Matt Allison (Alkaline Trio/Less Than Jake/Smoking Popes). You can listen to a track off The Arrival's new record called "Frontline" here.

Also playing are Chicago punk/rock 'n roll veterans Mexican Cheerleader, (ex Apocalypse Hoboken/Oblivion) and Hawkbit.

The show is this Thursday, August 12th. Doors are at 10pm and tickets are only available at the door for $7. Sorry kids, this show is 21+.

Katie Hovland / Comments (1)

Concert Sun Aug 08 2010

Review: Devo and Dirty Projectors @ The Congress, 8/5

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Devo fans wait (photos by Katie Hovland)

A chorus of "Boo" is one of the saddest sounds in live music. Nothing is more depressing then an angry crowd that have been standing around 2+ hours waiting for the band they love. Sadly this was the case Thursday night at the Congress, before Dirty Projectors or Devo took the stage. Have no fear, the sweet sounds of Devo saved the day in the end, but things were off to a rocky start.

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Devo (photos by Katie Hovland)

Continue reading this entry »

Lisa White / Comments (1)

Contest Wed Aug 04 2010

Ticket Giveaway- Devo, Dirty Projectors @ The Congress, 8/5

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If you're having trouble figuring out your conflicted picks for Lollapalooza, have no fear! This year, as in recent years past, offers up a plethora of pre and post Lolla shows around the city. And one of the best ways to kick-off your Lolla weekend is tomorrow night with Devo and Dirty Projectors at The Congress.

Devo recently released their first studio album in 20 years, and they're cranking out punk infused power pop better than ever. Whether you rock an energy cone or not, expect to bounce around to the sugary yelps and riffs of Mark Mothersbaugh and company. And before Devo hits the stage, catch Dirty Projectors before their weekend Lolla set as well. They performed an amazing show at the Jay Pritzker Pavilion last summer, and their eclectic blend of instrumentation mixed with dreamy harmonies are a perfect soundtrack to the last days of summer.

Also just announced, Lolla founder (and Jane's Addiction frontman) Perry Farrell will be in attendance, dishing out a DJ set at the show and helping to usher in Lollapalooza weekend.

Thanks to the kind folks at The Congress Theater, we have five pairs of tickets to the show for five lucky readers. Just email us at contests@gapersblock.com with the subject "Potato!" and you and a friend will get to see the show for free (energy cones optional). (17+) [Update: We have our winners and they've been contacted! Thanks to everyone who wrote in!]

Devo, Dirty Projectors, and Perry Farrell DJ set at The Congress, Thursday August 5th. The show is all ages and the doors open at 7:30pm. Tickets are $35. Or a special offer of 2 for $50, 4 for $100 if you purchase online at the Congress website.

Lisa White

Contest Tue Aug 03 2010

Ticket Giveaway - Lone Wolf, The Kissaway Trail, Wild Beasts @ Empty Bottle, 8/6

There's a lot of animal-themed bands out there. If this year's Pitchfork Music Festival was any indication, you can build a whole afternoon of sets based around some sort of crazy zoological diagram. With Lone Wolf, an artist out of England making his American-tour debut, incorporates elements of much that's in vogue these days: sentimental lyrics, facial hair, and a bit with the guitar. Come out when doors open Friday night and hear his earnest singer-songwriter tunes reverberate around the warm walls of the Empty Bottle — get in close and smell the heartache.

Lone Wolf takes the stage first Friday at Empty Bottle right before tour-mates and Lolla performers The Kissaway Trail bring their pleasant pop to the hot lights. They'll both precede another great set of Lolla artists, Wild Beasts, who'll put the grrr into the line-up before last call. The show starts at 10pm, and tickets are $15. (21+). The Empty Bottle is located at 1035 N. Western Ave.

Check out The Kissaway Trail's lovely Danish popitude:

So, we have a pair of tickets to give away to the show on Friday night. Just email us at contests@gapersblock.com with the subject line "Lone Wolf!" and you and a friend just might get to check them out for free. The lucky winner will also receive Lone Wolf's debut album on vinyl (with a bonus CD version as well), The Devil & I. [Update! We have a winner! Congrats to Tim!]

Anne Holub

Concert Sun Aug 01 2010

Review: The Dead Weather @ The Congress Theater, 7/30

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The Dead Weather perform at the Congress Theatre (photos by Andy Keil)

Any day that ends with getting to see Jack White play guitar is a good day in my book. And a packed house was treated to just that Friday night, when White and his latest incarnation of a band, The Dead Weather, rolled into The Congress. Always a man of many talents, White actually plays the drums this time around, alongside members of The Raconteurs, Queens of the Stone Age, and The Kills. The band doles out a sultry brand of blues rock, and from the moment they took the stage the temperature rose, and it wasn't due to the faulty air conditioning in The Congress.

Continue reading this entry »

Lisa White / Comments (2)

DJ / Dance Sat Jul 31 2010

Loose Change Dance Party @ Wicker Park Fest, 7/31

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Photo of Moneypenny courtesy of Joe Reyes

If the idea of a hot, sweaty, nine-hour, outdoor, shoulder-to-shoulder dance party doesn't exhaust you just to think about, if in fact it sounds like your typical evening out, then Wicker Park Fest is where you'll want to be tonight. Moneypenny, a DJ duo with the Loose Change music collective, has chosen a lineup of house and club DJs -- including LA Riots, Kid Color and Team Bayside High (no appearance by A.C. Slater, Kelly Kapowski or anyone else from the gang, unfortunately) -- who will be playing the Fest's center stage from 1 to 10pm on July 31.

Moneypenny will play a set itself at 9pm, and if you're still not done bumping and grinding with hundreds of other people when 10 o'clock rolls around, there will also be an after-party at Metro. The event is combined with the Metro's monthly 18 and over dance party, and it'll feature still more DJs, including Jokers of the Scene, from Ottawa, Canada, and a second set by Moneypenny. Cost to get in is $10 at 923 N. Rush St., and don't forget to bring your dancing shoes. Better yet, bring a couple pairs.

Geoff George

Concert Wed Jul 28 2010

The Polkaholics @ Quenchers 7/31

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Walter Jagiello, better known as Lil' Wally, charter member of the Polka Hall of Fame.

The Polkaholics will be at Quenchers (2401 N. Western) on Saturday to perform their polka-rock opera "Wally," based on the life of the Windy City Polka King, Walter "Li'l Wally" Jagiello (August 1, 1930 - August 17, 2006). The music of The Polkaholics is an unlikely blend of traditional polka and punk, or as they describe it, they "put the oomph back in oom-pah and a punk edge on polka." Since 1997 the band has performed at traditional polka haunts like the Baby Doll and the Zakapone Lounge, as well as venues like the UIC Flames auditorium during Windy City Rollers bouts, as the half-time show.

The Polkaholics on German TV, possibly the greatest thing ever uploaded to YouTube.

Johnny Thunders of the New York Dolls is a big influence on the music of The Polkaholics, and the Johnny Thunders tribute band DKTLAMF, (whose members include The Polkaholics' own Dandy Don), will be opening the show. If you like what you hear, the polk-rock opera Wally is available on CD. The fun begins at 9pm, admission is $5. For more info call 773-276-9730, visit Quenchers, or The Polkaholics.

J.H. Palmer

Concert Wed Jul 28 2010

The Dead Weather Ticket Giveaway

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Jack White is a modern day "Renaissance Man" if there ever was one. Whether he's part of the peppermint striped duo that was his claim to fame, or producing some of the most historic acts in music, or creating his own label and pop-up store, he keeps busy.

His latest project, The Dead Weather, boast an impressive line-up including members of The Kills, The Raconteurs, and Queens of the Stone Age. While touring with his band The Raconteurs, White's voice had some problems, and Alison Mosshart of The Kills had to fill in on some songs. The vibe felt right, and the two, along with Raconteur/Greenhorns Jack Lawrence and QOTSA Dean Fertita, combined forces to create The Dead Weather. It's gritty, dirty blues garage rock at its finest, abrasive and sexy with the powerhouse guitar licks and howls of Mosshart and White entwined.

The group is headlining The Congress during their stop in Chicago Friday night, and we've got the chance for you to see them live! Just email us at contests@gapersblock.com with the subject "Stormy!" and you and a friend might win a pair of tickets to the show on Friday! [Update! We have selected our winners and they've been notified! Thanks to everyone who wrote in.]

Tickets are $35 and the show is all ages. Doors open at 7:30pm with Harlem opening. The Congress Theater is located at 2125 N. Milwaukee Ave.

Lisa White

Review Wed Jul 28 2010

Review: The Faint @ Metro, 7/23

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The Faint (photos by Katie Hovland)

The Faint are known for their electric stage show, but what impressed me most when they came through town Friday night at Metro was the dedication of my fellow concertgoers. These past few weeks in the city have been fairly humid, and Friday was no exception. With the huge crowd, it was probably a good ten degrees hotter inside Metro than outside the venue, but that didn't stop anyone from dancing their butts off and crowding up front. I, on the other hand, had been boiling hot and, in an effort to keep myself from fainting (no pun intended), ended up situating myself all the way at the back wall with no one around me. I'd been bested.

The band walked on stage and ripped through the best of every one of their albums, from "Mirror Error" to "Worked Up So Sexual" to "Take Me to the Hospital". Besides an occasional thank you to the crowd and a dedication to Lindsay Lohan, the band hardly took a break between songs, instead providing a non-stop dance party revved up by their melodic synths and singer Todd Fink's magnetic stage presence. They ended the night with crowd favorites "The Geeks Were Right" and "Glass Danse", and if the crowd was at all exhausted in the sweltering heat, they sure didn't show it.

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The Faint (photos by Katie Hovland)

Even if the band had been terrible, the spectacle on stage might have been entertainment enough to make the show enjoyable. The stage was adorned with around twelve giant alien figurines, hanging off speakers and standing on stage like they were members of the band. Of course it wouldn't be The Faint without an insane light show, and in combination with the looming aliens, we might as well have been partying with the Martians.

Luckily, when the show let out, the city was immersed in a refreshing downpour. Did I mention how hot it was in there?

Stephanie Griffin

Concert Sun Jul 25 2010

The Gaslight Anthem @ House of Blues, 7/27

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The Gaslight Anthem will be playing at House of Blues - 329 N. Dearborn - this Tuesday in support of their new album, American Slang. The album was released last month on Side One Dummy and is their third full-length since the band started in 2007.

They play this Tuesday, July 27th, with Avail singer Tim Barry and Chamberlain opening. This show is open to all ages and starts at 6pm. Tickets are $21 and you can purchase them here.

Katie Hovland

Concert Fri Jul 23 2010

Ha Ha Tonka tonight at Lincoln Hall

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If you need a good dose of bluegrass soaked rock 'n' roll with some of the smoothest vocals around, then head over to Lincoln Hall tonight and start your weekend off right with Ha Ha Tonka. Ever since I heard their Bloodshot Records release, Buckle in the Bible Belt, I've been in love with their style of storytelling and dreamy four part harmony. It doesn't hurt that they are easy on the eyes and sweet as pie to boot. If you appreciate good American roots music, and love a live cover of Ram Jam's "Black Betty" then you know the place to be this evening.

Ha Ha Tonka play Lincoln Hall tonight, Friday July 23rd, with Young Man and Langhorne Slim. The show starts at 10pm, is 21+ and Ha Ha Tonka is the second band to play. Tickets are just $14 and you can purchase them here.

Lisa White

Benefit Wed Jul 21 2010

Smashing Pumpkins to Play Benefit at Metro

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Photo by Kristin Burns


The Smashing Pumpkins have just announced they'll be stopping by Metro next Tuesday night as part of a benefit for Madina Lake's Matthew Leone. Last month, Leone was hospitalized after being severely beaten following his attempt to intervene in a violent domestic dispute (more information here).

With no health insurance, Leone now faces a growing number of medical bills, and the Pumpkins' benefit should hopefully relieve a large chunk of that debt. The tickets will be raffled off, with $10 raffle tickets and no raffle ticket limit per person. This will not only serve to raise a great deal of money for a well-deserving musician who did a brave and selfless thing, but will also give fans a chance to see the Pumpkins for the ridiculously low price of $10. And for those of you feeling particularly charitable, VIP tickets (which will get you guaranteed entry and upstairs seating) are going for $100, and VIP tickets with sound check and meet-and-greet access will set you back $500. If the Pumpkins aren't your thing, feel free to earn some good karma and donate directly to Sweet Relief.

The benefit concert happens Tuesday, July 27th at Metro, 3730 N. Clark St. Doors open at 6:30 pm and the show starts at 8 pm. Raffle and VIP tickets go on sale today at noon via Metro's website, with raffle tickets available until 2pm on Saturday and winners notified by 5 pm Saturday evening. Tickets are non-transferable and ticketholders must show ID at the door matching the raffle entry. Kill Hannah opens.

Stephanie Griffin

Concert Wed Jul 21 2010

Tapes 'n Tapes @ Lincoln Hall on 7/22 (and a contest!)

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Brought to prominence by word-of-mouth in the blogosphere back in the mid-2000s, Tapes 'n Tapes plays an off-kilter brand of indie-rock where lush melodies are forgotten in favor of a little reverb and some lo-fi vocals, where the concept of rhythm is occasionally flouted by the staccato squeal of guitar distortion or a sudden slam!-bang!-slam!-slam! drum attack, tossed off like a splotch of paint across the canvas. Comparisons to Pavement and Pixies have been made, but the claim seems a bit of a stretch. Tapes 'n Tapes tends to have a more sinister air (at least on 2005's The Loon), as if singer and guitarist Josh Grier is delivering bad news and maybe enjoying it a little.

The Minnesota-born band hasn't released an album since the somewhat lighter sophomore LP, Walk it Off, in the first half of 2008. And a trip to the group's MySpace page shows no new songs in the works (but a "new record coming soon!!!"). Is it too much to hope the show Thursday night might showcase some upcoming material? Maybe even just a few songs off an EP? Looks like the only way to find out is to show up. The concert is 21+, and tickets are $15. Music gets underway at 9pm on July 22 at Lincoln Hall, 2424 N Lincoln Ave.

Hey! We're excited to have a pair of tickets to pass along to one lucky reader, thanks to the kind folks at Lincoln Hall. Just email us at contests@gapersblock.com with the subject line "Cassettes!" and you just might be a winner! (21+) [Update! We have a winner! Congrats to Katie!]

Geoff George

Review Tue Jul 20 2010

Review: Best Coast @ Empty Bottle, 7/17

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Bethany Cosentino (photos by Dave Knapik)

One of the best things about music festivals is the sheer number of performances on offer over what is a relatively small span of time. Unfortunately, this can also be one of a festival's downsides, as artists play shorter sets and fans are forced to choose between simultaneous unmissable acts. Although sunshine and warm summer days are their specialty, Best Coast's early afternoon Pitchfork festival appearance always seemed easily missed by the temptation to sleep in. Considering the massive amount of dope they smoke, it seemed slightly wrong to set an alarm clock for a band I could stay up late and see at the Empty Bottle the night before.

After a brief tech check by guitarist Bobb Bruno, the full band took the stage. Make no mistake, however, for Best Coast's "full band" consists of three people, with this gig marking former Vivian Girls drummer Ali Koehler's first performance as an official, non-borrowed member. This minimal line-up is key to the effectiveness of their sound: short, simple pop songs that are high on fuzz, but low on fuss.

Continue reading this entry »

Dave Knapik / Comments (1)

Concert Tue Jul 20 2010

Caught in the Pear Traps

This week calls for a Friday night spent relaxing with friends, sippin' a tall one while hanging out at the Beat Kitchen (2100 W. Belmont). Oh, well, will you look at that--there happens to be a show there that very night, July 23! Mosey on over to listen to the Pear Traps, a local quintet that plays the lowest of lo-fi indie rock with garage vocals and, in songs such as "Oh How We Correlate," a mild alt-country vibe. They're opening for The Hounds Below from Michigan and fellow local group The Van Goghs. The show starts at 9:30 and tickets are only $8. Buy 'em at the door or online.

Kara Luger

Concert Mon Jul 19 2010

Conversations at Pitchfork Festival: Big Boi

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Big Boi by George Aye


Gapers Block sat down with some of the artists at the 2010 Pitchfork Music Festival to talk about the festival itself, their favorite festival memories, and much more. Click here for more interviews and coverage from the festival.

What a way to end Pitchfork, rushing backstage less than 30 minutes before Big Boi hits the stage to take some amazing photos and have a quick conversation with one of the most important figures in modern hip-hop. Big Boi talked about his thoughts on playing the festival, how he unwinds while keeping so busy, and what he hopes is the legacy of Big Boi.


Interview with Big Boi at Pitchfork Music Festival

Lisa White / Comments (2)

Concert Mon Jul 19 2010

Conversations at Pitchfork Festival: Sharon Van Etten

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Sharon Van Etten by George Aye


Gapers Block sat down with some of the artists at the 2010 Pitchfork Music Festival to talk about the festival itself, their favorite festival memories, and much more. Click here for more interviews and coverage from the festival.

We talked to Sharon Van Etten, who opened up the festival Friday, while she enjoyed a day off. We discussed the transition from an intimate venue to a festival, her creative process, and life in the Brooklyn music scene.


Interview with Sharon Van Etten at Pitchfork Music Festival

Lisa White

Concert Mon Jul 19 2010

Conversations at Pitchfork Festival: Here We Go Magic

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Here We Go Magic by George Aye


Gapers Block sat down with some of the artists at the 2010 Pitchfork Music Festival to talk about the festival itself, their favorite festival memories, and much more. Click here for more interviews and coverage from the festival.

We sat down with Peter from Here We Go Magic before they played Sunday to talk about recording their latest album, constant touring and life on the road, and about being signed to a Midwest label.


Interview with Here We Go Magic at Pitchfork Music Festival

Lisa White

Concert Mon Jul 19 2010

Conversations at Pitchfork Festival: Bear in Heaven

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Bear in Heaven by George Aye


Gapers Block sat down with some of the artists at the 2010 Pitchfork Music Festival to talk about the festival itself, their favorite festival memories, and much more. Click here for more interviews and coverage from the festival.

The sun finally came back out Sunday while we chatted with Adam from Bear in Heaven. The band had a long Saturday, playing the festival before heading over to play a late show at Lincoln Hall. Adam told us about influences of the band, working together, and what it's like to go from playing a sweaty outdoor festival to an indoor venue in a matter of hours.


Interview with Bear in Heaven at Pitchfork Music Festival

Lisa White

Concert Mon Jul 19 2010

Conversations at Pitchfork Festival: Netherfriends

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Netherfriends by George Aye


Gapers Block sat down with some of the artists at the 2010 Pitchfork Music Festival to talk about the festival itself, their favorite festival memories, and much more. Click here for more interviews and coverage from the festival.

We sat down with Shawn from Netherfriends to chat about the artists he is excited to see at Pitchfork Festival, playing teenage house parties, and doing what you love. We also survive a near death experience as our interview tent almost collapses on us, proving that Pitchfork Festival always gives us a surprise or two.


Interview with Netherfriends at Pitchfork Music Festival

Lisa White / Comments (2)

Concert Sun Jul 18 2010

Conversations at Pitchfork Festival: Freddie Gibbs

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Freddie Gibbs by George Aye


Gapers Block sat down with some of the artists at the 2010 Pitchfork Music Festival to talk about the festival itself, their favorite festival memories, and much more. Click here for more interviews and coverage from the festival.

If you're a fan of hip-hop, and aren't familiar with Freddie Gibbs, do so now. The Gary, IN native is swiftly rising to the top, bringing a fresh yet familiar sound to the heavy and heady style of gangsta rap. He's charismatic, humble, and one hell of a showman. He sat down with us to discuss growing up in Gary, the Midwest style of hip-hop, and where he sees the genre heading in the future.


Interview with Freddie Gibbs at Pitchfork Music Festival

Lisa White

Concert Sun Jul 18 2010

Conversations at Pitchfork Festival: WHY?

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WHY? by George Aye


Gapers Block sat down with some of the artists at the 2010 Pitchfork Music Festival to talk about the festival itself, their favorite festival memories, and much more. Click here for more interviews and coverage from the festival.

We talked to Josiah Wolf from WHY? after they finished their set Saturday afternoon. We discussed musical influence, the bands he was able to catch at the festival, and if you listen (not that) closely, you can hear the massive dance party of LCD Soundsystem in the background. A chat with WHY? and the sounds of lasers in the background isn't such a bad way to end the second night of Pitchfork Festival.


Interview with WHY? at Pitchfork Music Festival

Lisa White

Concert Sat Jul 17 2010

Conversations at Pitchfork Festival: EL-P

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EL-P by George Aye


Gapers Block sat down with some of the artists at the 2010 Pitchfork Music Festival to talk about the festival itself, their favorite festival memories, and much more. Click here for more interviews and coverage from the festival.

I sat down with EL-P after his performance Friday at Pitchfork. We chatted about working with Trent Reznor, what type of work scares the shit out of him, and what he believes is the future of hip-hop and music.


Interview with El-P at Pitchfork Music Festival

Lisa White

Concert Sat Jul 17 2010

Conversations at Pitchfork Festival: Liars

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Liars photos by Kirstie Shanley


Gapers Block sat down with some of the artists at the 2010 Pitchfork Music Festival to talk about the festival itself, their favorite festival memories, and much more. Click here for more interviews and coverage from the festival.

I started my Pitchfork Festival as soon as the gates opened, racing across the field to chat with Liars before they headed to load-in. We chatted about sleep deprivation, their love of the Midwest, recording covers, and getting the toxins out on-stage.


Interview with Liars at Pitchfork Music Festival

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Lisa White

Concert Fri Jul 16 2010

Review: Hole & Foxy Shazam @ The Vic 7/15/10

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Courtney enjoys a smoke on stage (photo by Andy Keil)

Back when I was 15, I caught Hole live for what ended up being the second concert I had ever attended. Back then, there were more chicks in the band, Courtney Love played the entire set topless, and a rude attendee in a Nirvana t-shirt spent the entire time heckling the band. Eleven years later Hole stopped by the Vic in support of their new album Nobody's Daughter, and Courtney was just as rambunctious, worn out Nirvana tees still proved to be a popular wardrobe choice, and the band was slightly more clothed. Having heard some not so great reviews of Hole's recent shows in other cities, I wasn't expecting much, but Courtney remained surprisingly lucid and on-point throughout the night.

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Eric Sean Nally of Foxy Shazam (photo by Andy Keil)

To start off the night, Cincinatti-based glam rock band Foxy Shazam took the stage donning fur and sequins. Wearing what he deemed his "Jim Henson coat", singer Eric Sean Nally began the show by screaming into the mic, "I'm a stupid white guy and I ain't got no soul, but that is why I rock, and that is why I roll." Between their ridiculous stage banter, gyrating on the mic stands and jumping on their instruments, this band teeters the line between tongue-in-cheek and just plain idiotic, however it all just adds to the spectacle that is Foxy Shazam. While they may be more than slightly contrived, they put on one of the most entertaining stage shows I've seen in a long time.

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Piano player Sky White of Foxy Shazam (photo by Andy Keil)

Continue reading this entry »

Stephanie Griffin / Comments (9)

Concert Thu Jul 15 2010

Ticket Giveaway: Bear in Heaven @ Lincoln Hall, 7/17

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Like many bands in town this week, the Brooklyn-based band Bear in Heaven are heading to Union Park to play the massive (and sold out) Pitchfork Music Festival.

Their most recent album, Beast Rest Forth Mouth, received the best new music award from Pitchfork, claiming, "Beast Rest Forth Mouth is as familiar-feeling as it is difficult to pinpoint. Mostly made up of textural, spacious three- to four-minute pop anthems with towering choruses, it's a welcome reminder that an album doesn't have to be bombastic to feel huge and important. Though not quite coming out of nowhere, Beast Rest Forth Mouth seems like a surprise gift--a striking consolidation of the spiky psych-prog tendencies of their debut into a pop framework."

While in town for the festival, the band will also be playing a show over at Lincoln Hall, so if you're not a fan of outdoor sets you can catch them Saturday night. The show is 18+ and starts at 10:30pm. Tickets are $14, or $7 with a Pitchfork Festival wristband.

Want to hit up the show for free? We have a pair of tickets for one lucky reader. Just email us at contests@gapersblock.com with the subject "Grrr" and you and a friend could hit up the show for zero dollars. [Update: We have our winner! Congrats to Ashley!]

Lisa White

Concert Wed Jul 14 2010

Tesco Vee @ Quimby's @ The Abbey Pub, 7/17

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Tesco Vee in the early days, photo from his website.


Tesco Vee first published the punk zine Touch and Go with Dave Stimson in 1979, when the two were grade school teachers in Michigan. They published 22 copies in all, which have recently been compiled into a new book titled Touch and Go - The Complete Hardcore Punk Fanzine 1979-1983, and comes in at a hefty 576 pages.

In addition to his publishing ventures, Tesco Vee is the front man for The Meatmen and The Hate Police. The Meatmen made fun of the hardcore punk scene, and used uncouth and humorous lyrics in their music. There are at least three Meatmen songs with the word "suck" in the title: "French People Suck", "Crippled Children Suck," and "Camel Jockeys Suck."

On Saturday Tesco Vee will be reading at Quimby's Bookstore (1854 W. North Avenue) to promote Touch and Go at 7pm, and later that evening will be performing at The Abbey Pub (3420 West Grace Street) with the Hate Police, White Flag, and Fester. The first 50 people in the door at The Abbey Pub will get a free copy of the DVD Meatmen - Devil's in Detail. Doors open at 9, show starts at 9:30, tickets are $12. For info on the For more information call 773-478-4408 or visit The Abbey Pub.

J.H. Palmer

Contest Mon Jul 12 2010

Preview and Ticket Contest: DePedro @ Schubas, 7/13

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Having grown up in Spain, toured the U.S. as a guitarist with Calexico and traveled throughout Mexico, Jairo Zavala's solo project, DePedro, is a bluesy, boozy patchwork connecting the Spanish old country to the American West to everything south of the border. Elements of Madrid, Texas and Tijuana can be heard throughout, and Zavala's voice has the sweet, sad lament of a Mariachi three drinks in and reduced to singing alone.

The Spaniard and his backing band will take the stage Tuesday night at Schubas as part of a larger tour in support of the band's self-titled first album, which you can hear portions of on the DePedro MySpace page. Standout tracks include the accordion-heavy "Te Sigo Soñando" and the eerily, dreamily pedal-steeled goodness of "Two Parts in One." The show is 21+, and tickets are $12. Music starts at 8pm on June 13 at Schubas, 3159 N. Southport Ave.

Our friends at Schubas gave us two pairs of tickets to give away to two lucky readers for Tuesday's show. Just be one of the first two to email us at contests@gapersblock.com with the subject line "DePedro!" and you and a friend can have fun for free tomorrow night. [Update: We have our winners! Congrats to Bryan and Kevin!]

Geoff George / Comments (1)

Concert Sun Jul 11 2010

Look! Up in the sky! It's neon! And it's made from hooves! It's....

The Neon Marshmallow Fest is coming!

(The what?)

You don't have to forget about your Lollapaloozas or your Pitchforks, but you must at least remember this: for four days in August (19th through 22nd), The Viaduct Theater (3111 N. Western) will host almost 100 (as in ONE HUNDRED) sets by nearly as many experimental/noise/sound-art/drone acts from around the world. In a year where the 3-day noise festival circuit has a major hole in its schedule (NYC's No Fun Fest has taken 2010 off to focus on overseas events), it's noteworthy that Chicago has picked up the gauntlet and given seasoned noise travelers who made Brooklyn a permanent spot on their calendar a new summer destination.

Specifics: Both 4-day and single-day tickets are available now at the Neon Marshmallow Fest web site. Four-day tickets are running low, and if you know the size of the Viaduct, you know that this room isn't unlimited, so if you can't stand to miss this or that act, you best ante up before the first deal.

Below the jump, we'll talk about some the big names, legendary acts, and local heroes in attendance this year.

Continue reading this entry »

Chris Sienko

Concert Fri Jul 09 2010

Review in Pictures: Against Me! @ the Aragon Ballroom, 7/3

Gainesville, Florida's Against Me! has been touring with Silversun Pickups promoting their new album, White Crosses. It is their second album since signing with Sire Records in 2005. If you missed this show, don't worry, they recently announced they'll be back to play Chicago at Lollapalooza on Saturday, August 7th.

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Tom Gabel (photo by Katie Hovland)

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Franz Nicolay (photo by Katie Hovland)

Continue reading this entry »

Katie Hovland / Comments (1)

Preview Thu Jul 08 2010

Dex Romweber Duo @ Abbey Pub, 7/9/10 (and a contest)

Dex Romweber is a force of nature. A legend in his own right, Dex's sound lies somewhere between rockabilly, surf guitar, and pure rock — a testament to his earlier years with psycho-surf guitar-punk band Flat Duo Jets. You might have seen them perform in the '80s and '90s or alongside R.E.M. and other Georgians in the indie film Athens, GA Inside Out in the mid-'80s. Joined on stage by his sister, Sara Romweber, beating the hell out on drums, these two make a super duo emitting sparks of rock from their fingertips.

The Duo's recent albums sum up their sound so well, the first, 2009's Ruins of Berlin has a polished though still rough sound, something like a well-made cocktail that burns so good on the way down. The second, 2010's limited edition vinyl Live at Third Man was recorded in February at none other than Jack White's Third Man Studios in Nashville for a extremely lucky crowd of a couple hundred. This one is raucous, fast, and sweaty. It hits you like a slug of whiskey straight out of the bottle, and leaves you begging for more.

[mp3] Dex Romweber "Picture of You" from Ruins of Berlin


The Dex Romweber Duo plays the Abbey Pub tomorrow, July 9th, with music starting at 8pm from a host of bands including Chicago's The Saps and Coltrane Motion, Black Diamond Heavies, and Chicago's The Bama Lamas. Tickets $10/$13 day of show. 21+. The Abbey Pub is located at 3420 W. Grace.

Super contest time! Bloodshot Records has graciously provided us with a pair of tickets to the show and a signed copy of Ruins of Berlin on CD. Be the first to email us at contests@gapersblock.com with the subject "Dex!" and you and a friend will be in attendance for zero dollars (and you'll get something fun in the mail, too). Must be 21+ to attend. [Update: We have a winner! Congrats to Holly!]

Anne Holub

Concert Thu Jul 08 2010

The Rock'n'Roll Chorus Brings "Glee" to Life

Fans of "Glee" might be interested in the RockNRoll Chorus, a group of high school students from New Jersey whose a cappella versions of classic rock songs seems ripped straight from the TV show -- except that the Chorus first toured in 2007, when "Glee" was still a gleam in its creators' eyes.

RockNRoll Chorus will bring their act to Navy Pier on July 20, performing at noon on the Dock Street Stage. It's a free show.

Andrew Huff

Concert Wed Jul 07 2010

Oh, for Fun!

Got the There's Nuthin' to Do on Friday blues? Not so fast, friend. There's a fun show at the Jackhammer (6406 N. Clark St.) on July 9 featuring punky popsters Suzy Brack & The New Jack Lords; Pieptone!, a group that does '50s & '60s pop music in German; and Cat and Mouse Convention, Chicago's "premiere Filipino and Jewish indie rock band." If that weren't enough, members of the Girlie-Q Burlesque troupe will be on hand to thrill and titillate the audience.

The event is brought to you by those purveyors of all things fab and fun, the Flesh Hungry Dog Show. The show starts at 9 p.m., and you can get tickets online for $8 or at the door for $10.

Kara Luger

Concert Mon Jul 05 2010

Preview: ChristMisfits in July @ Lilly's

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the ChristMisfits in full regalia at their Songs of the Season show last December at Lilly's, photo by Marie Kelly.


Misfits tribute bands are a longstanding tradition that includes bands like Crimson Ghosts, The Nutley Brass, and The Misfats, who bill themselves as "the fattest Misfits tribute band ever." In recent months the list has grown by at least one: The ChristMisfits, a Chicago-based tribute band who made their debut over the holidays at Lilly's dressed in Santa hats that fell over their faces in a metaphorical devil-lock hairdo. They came armed not only with instruments and vocals, but with songbooks printed on faux parchment paper so that fans could follow along to altered Misfits songs with titles like: Gratitude; Where Reindeer Dare; and I Turned Into a Snowman.

The band returns to Lilly's this Saturday for ChrisMisfits in July, and have added six never-before-heard songs to their repertoire. The ChristMisfits are comprised of Bret Tanzig on "vocals & gifts", Jonny Only on "bass & scream", Jeff Wolfgang Von Frankenstein on "guitar & tights", and Lizzie "Robo" Cook on "drums & tinsel". I spoke to them by phone and email to get some perspective on their upcoming show.

Continue reading this entry »

J.H. Palmer

Concert Mon Jul 05 2010

The last Flosstradamus Oldies Night this Thursday at Lincoln Hall

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For the last two years Chicago DJ outfit Flosstradamus have been spinning a fine collection of funky soul that you can cut a rug to throughout the city at their monthly Oldies Night parties. Well, it's been a good run, but it's time to find a new place to take your dancing shoes, because Oldies Night is having their finale this Thursday at Lincoln Hall.

The invite says it best that this was "a super awesome party and we're sad to see it go," so head out to Lincoln Hall and say thanks and get down one last time. The night will include sets from Flosstradamus, a Dirty Diamonds dj set, Xavier Velez & Ben Pirani of Windy City Soul Club, plus other special guests.


Flosstradamus & The Dirty Diamonds Present Oldies Night Finale - 2 year anniversary, Thursday July 8th at 10pm at Lincoln Hall. The event is 18+ and cost $5. Get your tickets at Lincoln Hall now.

Lisa White

Concert Mon Jul 05 2010

Chicago Songwriters Showcased at Schubas Tonight

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Julia Klee

New York Songwriters Circle returns to Schubas once again tonight to feature some of Chicago's best, yet undiscovered musical talent. Julia Klee is one of these songwriters. She has a varying music style all the way from rock to country and folk, and a voice to be jealous of. A classically trained singer and pianist, she has performed backing vocals for Joe Pug, but tonight she takes the stage with a band of her own, performing her own material.

Starina is a no nonsense, Joplin-esque songwriter, with a style firmly cemented in rock. She's got a haunting cover of Blondie's "Call Me" on her MySpace page that you have to hear.

These are just a couple of the artists that after seeing tonight, you'll want to keep your eye on. Show starts at 8pm. Tickets are $10. 18 & up. 3159 N. Southport.

Michelle Meywes / Comments (1)

Concert Fri Jul 02 2010

Review: Hacienda, Black Joe Lewis & The Honeybears @ Lincoln Hall, 6/30

[The following review was submitted by reader Kris Bass. Photos are by Transmission staffer Andy Keil.]

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Hacienda (photos by Andy Keil)

Tuesday night, Lincoln Hall offered up a double helping of Texas hospitality served the right way. San Antonio's Hacienda got things started with a physical set that was equal parts blues, country, and hard rock. With cowboy boots and button-downs, each member looked the part of a Texas rancher, all while their own on the stage. Immediately, their heavy, southern rubber-band jam style resonated with the crowd. One highlight was an impromptu cover of "Wooly Bully," with keyboardist Abraham Villanueva on his feet pounding at the keys and taking over lead vocals to rile up the crowd. But, the band was at their best when they were the loudest. Each song breaks down somewhere in the middle into heavy jam sessions, with each member taking command of their instrument and the space around them. It was best exemplified in the final song of the set, a sprawling, raucous jam that showcased their heated style of country blues.

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Hacienda keyboardist Abraham Villanueva

With the crowd geared up, Black Joe Lewis and the Honeybears hit the stage with some serious energy. They're a seven-piece blues band complete with a trumpet and two saxophones, but it was Lewis who clearly owned the show. Slim, wiry, and explosive, he's a Dave Chappelle look-alike who conjures James Brown.

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Andy Keil

Concert Wed Jun 30 2010

Spend Some Time at the Bottle

Solo performers aren't anything new. But solo performers who can make you forget that they're performing, well, alone, is a whole 'nother thing. Matt Shaw, the fellow behind The Spend, is one such local musician, whose largely acoustic songs are somehow at once spare and lush, and just varied enough to keep things interesting. He's performing on Sunday, July 4 at the Empty Bottle (1035 North Western Avenue), with Tiny Vipers from Seattle. This show should be a nice, quiet alternative to the usual July 4th hullaballoo. It kicks off at 9:30 p.m. Tickets will run you $8. Buy yours online or at the door.

Kara Luger

Review Tue Jun 29 2010

Review: Sahara Smith, Mason Jennings @ Lincoln Hall, 6/26

I have such high hopes for young up-and-comer Sahara Smith. She's clearly a talented singer, has a sweet stage presence, and a charming, love-sick alt-country songwriting sensibility that would do well in radio play. In the dim light of her show Saturday night, couples moved close to one another on the broad main floor of Lincoln Hall and swayed to and fro to the sound of her voice. The only flaw I found in her performance, in support of Mason Jennings on last weekend, was her stage confidence. She's young, yes (all of 21 years), but she's got a pretty sweet set of pipes, as evident on her songs from her upcoming album Myth of the Heart. Songs like "All I Need" drive home the young Austinite's lovesick dreaminess that I'm sure we'll hear on XRT soon enough. But she's still a little green on stage — her voice not quite reaching its obvious potential. I want to hear her open up, watch her stand confidently in the spotlight, and sing to that man she loves (and the ones that got away). I want to be rattled by how her voice fills the room the way it fills the speakers on the stereo. Maybe that's some of T. Bone Burnett's magic (who oversaw the album) in what you can hear in her songs that's not quite traveling with her over state lines with her yet. Or maybe she just needs a little push in the right direction — solo in the spotlight — just her and her guitar and the microphone. I want to see her again after she's had some highway under her wheels, and maybe even a little more love, and a little more heartbreak, in her soul.

The opposite of a young ingenue is the veteran of the tour bus, Mason Jennings. Hailing from up the road in Minneapolis, Jennings played two shows in Chicago last weekend, both at Lincoln Hall. His second night, Saturday, he came on stage to thunderous applause, and announced the show, while acoustic, would also be shaped by fans' requests from the previous night. Jennings, who mentioned he'd been performing for 18 years, has a Dylan-like lilt to his singing voice, and a mop of curly hair I couldn't help but compare to writer Dave Eggers. But even in his well-worn Earth shoes he's mesmerizing on stage. The range of his songbook spanned two centuries. He went through newer songs like "The Field" off of 2009's Blood of Man and simple, playful (yet-unrecorded) ditties like "So Many Ways to Die". He ran through "Your New Man", "I Love You And Buddha Too" and the beautiful "Fighter Girl" from 2008's In The Ever. There was also the sweet "Summer Dress" from 2002's Simple Life and "Butterfly" from his self-titled 1997 debut album. Jennings has almost a Steve Goodman-esque storytelling quality in his songs. As they follow, one after another they are whimsical and then serious, beautiful and then brooding. He has a way of capturing an audience's attention (as demonstrated by the superfans down front who swayed and sang along to every song) and surely has many years of guitar playing and songwriting left in him.

Anne Holub

Concert Tue Jun 29 2010

Review: Taking Back Sunday @ Metro, 6/27

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Taking Back Sunday's Adam Lazzara (photos by Katie Hovland)

From the second Taking Back Sunday took the stage in front of a sold out crowd at the Metro Sunday night, I felt like I was 15 again. And I'm sure a majority of the crowd felt the same. Taking Back Sunday is one of those nostalgic bands for me, so you'll understand if my misty eyed recollection of my youth is gag inducing at times. Growing up amongst a sea of cornfields in Indiana, driving around with my high school boyfriend, windows down and the album Tell All Your Friends almost blowing the speakers in his car is how I spent most of my teenage years. The album yearned for something more, loud and angry, and pretty much summed up the emotions of growing up frustrated and not feeling like you belong in the world you've been plunked down into. The crowd Sunday night easily could have been a high school reunion for the kids who spent their Saturday nights at shitty basement shows. So for a band that meant so much to so many, it was no surprise the crowd was ready to go from the second singer Adam Lazzara threw his mic in the air and spit out the first lines of "Cute Without the 'E' (Cut From the Team)." Circle mosh pits popped up across the floor, fist stayed high in the air, as every person in the room started to chant along.

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Lisa White / Comments (1)

Concert Mon Jun 28 2010

Short notice: Cowards/Perispirit and more @ Enemy TONIGHT, 8:30

Tonight at Enemy (1550 N. Milwaukee, 3rd Floor), the sonic fur will fly as the sturdy Wicker Park performance space welcomes two of the best new experimental groups on the east coast. Please note that this is an early show, and starts PROMPTLY at 8:30. No whining.

Queens, NY's Cowards are part of the Red Light District collective, in which a handful of ambitious musicians explore a wide swath of what is known as modern power electronics. Groups like Cathode Terror Secretion, Yellow Tears, Halflings, Diaphragm, Teeny Bopper, Migrations in Rust, Hands Rendered Useless, and many others have been holding a very enviable place in experimental music — well-known enough to get gigs and recordings, but free to explore their myriad styles with some degree of anonymity.

Meanwhile, in Boston, Perispirit have been making the scene with their entrancing synth/electronics/guitar combination. Luke Moldoff (guitar) was previously known for his two power electronic incarnations, the duo Craniopagus and the solo project Stillbirth. Here, he brings a spiky edge to a sound that also pulses and flowers with more serenity than you would imagine from a guy who named his record label Razors & Medicine. Their split LP with Boston drone wizard Brendan Murray has been drawing raves.

Also on hand: Deterge, Battleship, and Magia Nuda. $5 for the touring folks. The weekend doesn't have to be over just because The Man says it is.

Chris Sienko

Event Mon Jun 28 2010

Girls Rock! Chicago End-Of-June Camp Extravaganza @ Metro

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campers take the stage at the Girls Rock! Chicago end of June camp extravaganza on Saturday, photo by J.H. Palmer

The Metro was a hive of activity on Saturday afternoon as Girls Rock! Chicago presented their end of session extravaganza. Due to increased demand, there will be two camp sessions this year: one that ended last week, and a second session that will take place in August. In all, 17 bands performed on Saturday afternoon to an audience of parents, grandparents, and siblings who mingled with GR!C counselors and Metro staff.

Downstairs in the green room, campers and counselors prepared for the show. I caught up with the members of Bling, comprised of: guitarist Ciara Butler, age 13; drummer MacKenna Butler, age 11; guitarist Jesse Osborne, age 13; and bassist Tafari (Taffy) Rhodes, age 11. This is the second year that Ciara and MacKenna have attended the music camp, the first for Jesse, and the fourth for Taffy.

"Girls Rock proves that just because we are girls doesn't mean we can't rock out," Taffy said when I asked what the camp meant to her, "it teaches us that just because we're girls doesn't mean we can't do things." She furthered her point by invoking the story of Amelia Earhart, "which proves a girl can do anything." "When it's all girls you can express yourself fully," Ciara added.

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J.H. Palmer

Concert Tue Jun 22 2010

Review in Pictures: MGMT @ the Riviera, 6/18

Hailing from Brooklyn, New York, Psychedelic Rock band MGMT has been touring and making music since 2005. On Friday, June 18th they played at the Riviera Theater to a sold out, all-ages crowd of 2,500 people to support their newest album, Congratulations. They began their set with "Pieces of What", a track from their 2007 first major label studio release, Oracular Spectaular.

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Katie Hovland

Interview Tue Jun 22 2010

A Homecoming: Jody Watley

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For Chicago native Jody Watley, there really is no place like home. With over 20 million solo records sold worldwide and Billboard chart-topping hits that include "Looking for a New Love," "Everything," and "Real Love," the Grammy-award winning singer and songwriter, performing in a special homecoming concert this week in Chicago, talks about returning to her Windy City roots, her record label and upcoming album, Chameleon, and why performing in Chicago will be extra special this time around.

Gapers Block: Transmission: Your godfather, the legendary Jackie Wilson introduced "Jody Watley" to the world — was that when the bug hit you?

Jody Watley: Well I think I always had the desire to be a performer from my love of Motown and Diana Ross and the Supremes. Jackie Wilson was very close with my mother and father. At one time, my father was a gospel radio personality on WVON before I was even born, and he always had a lot of friends that were in show business. That's how the relationship with Jackie Wilson came to be.

GB: Describe for us what that experience was like, being exposed to Jackie Wilson and his music at an early age.

JW: The first concert that I remember attending was Jackie Wilson at The Regal Theater, which of course is where the Harold Washington Cultural Center is now located. That was one of the reasons [I chose this venue for my show] is because when I did some research on it, I realized this was simply meant to be because I haven't been on that spot since I was a little kid. My first time on stage was with Jackie Wilson at his show and it definitely had a profound impact on me; the people — and the women — were going crazy! He was such a phenomenal performer and even at a young age, you know when something is really special. So that is a little known fact [about me]. Jackie Wilson was definitely very influential and whatever my desires were, experiencing that time with him probably sealed the deal in many ways.

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LaShawn Williams / Comments (2)

Review Fri Jun 18 2010

Review in Pictures: Psychedelic Furs @ Metro, 6/11

Our photographer, Katie Hovland, hit the Metro for the Psychedelic Furs show on Friday and here's what she saw. There's also a bit of video shot by a lucky front-row fan.

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Anne Holub

Concert Thu Jun 17 2010

What was the best day of your life? (new answer: this Sunday)

So, lucky you -- you're going to see Eyehategod (and "friends") at the Empty Bottle TWO nights in a row. Two nights! But, the part of you that always wants more, more, more is a little sad that there's 24 hours in between these shows. What will you do with all your vitriol, hate and rage in that figety 18 hours between departure and re-arrival? What, you gonna hit a passerby or something? Scream in the library? Kick a dog? Not anymore....

Prior to Sunday night's Eyehategod/Nachtmystium concert at the Empty Bottle, Reckless Records (1532 N. Milwaukee) will be hosting an in-store performance by Ten Suicides, an ad-hoc experimental unit featuring members of Eyehategod, Outlaw Order, The Guilt of..., Bloodyminded, Anatomy of Habit, and The Fortieth Day. The project will perform a long-form noise/electronic piece based on the Bloodyminded song "Ten Suicides," an ode to friends and loved ones who have left earth too soon, and by their own hand. Vocals will be by Eyehategod's Mike Williams (aka Mike IX), and if you haven't heard the original, "Ten Suicides" is a showstopper, a piece often performed a capella at the end of shows. The performance at 2009's Matchitehew Assembly was not so far off from a Cassavetes movie in terms of its raw emotion and painful catharsis. The show is free (unless you choose to stay and buy records, of course; then it's gonna cost you) at starts promptly at 3:00 p.m.

Chris Sienko

Video Thu Jun 17 2010

Dastardly at Lincoln Hall 6/19; Live Video

Chicago-based Americana band Dastardly have released a live performance video for their song, "Villain." The video can be viewed below. Dastardly play Lincoln Hall (2424 N Lincoln) this Saturday, June 19 with Aktar Aktar and Automata. The show is at 10pm, $8 in advance and $10 at the door.


Brian Leli

Contest Thu Jun 17 2010

The Phenomenal Handclap Band Hit Up Lincoln Hall, 6/18

With their soul and psychedelic rock influences, The Phenomenal Handclap Band were clearly born in the wrong decade. This eight-piece group even looks like a roving band of hippies. Hailing from Brooklyn and lower Manhattan, the band operates on the same wavelength as MGMT or the sorely-missed Apes & Androids, employing a hodgepodge of nostalgic '60s and '70s sounds. With their wide array of classic influences, it is no surprise that this band started out after two DJs (Daniel Collás and Sean Marquand) started writing music together. I have to admit, I'm a sucker for a large collective of musicians performing on stage at once, especially when they wear matching outfits. Their clever band name certainly doesn't hurt, either.

Check out The Phenomenal Handclap Band's new Dario Argento-inspired video "Baby":


The Phenomenal Handclap Band play Lincoln Hall Friday night at 9 pm along with Only Children, Kid Color, and Just Desserts. The show is $10 and 21+. Tickets may be purchased here.

Hey, why buy when you can win! We have a pair of tickets to Friday's show just for you (if you happen to be the first to email us at contests@gapersblock.com with the subject line "Claps!"). You must be 21 and over, please! [Update: We have a winner! Congrats to Melissa!]

Stephanie Griffin

Concert Wed Jun 16 2010

Review: Songwriter Showcase @ Phyllis' Musical Inn

[This piece was submitted by reader Rob Reid.]

Though Phyllis' Musical Inn is the oldest music venue in Wicker Park dating back to its incarnation as Phyllis Jaskot's polka venue in 1950s, the quality of music varies wildly from night to night. However, due to proprietor Clem Jaskot's hands-off supportiveness of local music, it's a place where some more established acts return time and again, precisely for the low-key vibe that appeals to do-it-yourselfers seeking their very first gig.

For the last few years, Phyllis' has been the venue of choice for Chris Darby's bimonthly songwriter showcase, which began in his Logan Square apartment in 2004. Over the years the quality of these showcases has steadily improved, and the June 9th bill looked particularly promising — featuring four Chicagoans who recently made appearances at Schubas, alongside two veteran troubadours from out of state. It so happened that June 9th was also the most exciting night in Chicago ice hockey in nearly 50 years. Jaskot, smiling broadly, yelled, "Hey look up in the sky!" before disappearing through an unknown exit in the patio, just as fireworks shot up into the sky from all directions.

Inside, while Blackhawks revelers continued celebrating over a few more drinks, Patrick McGuan warmed up the songwriter night on banjo. Banjo turned out to be a particularly good choice for the moment; the instrument's natural volume and timbre once made it the instrument of choice in rowdy bars in the days before electricity boosted the guitar's prominence. As McGuan cranked through a series of old time standards better known in the years following the Hawks' previous championship in 1961 ("Colorado Girl," "Ballad of Hollis Brown," "Make Me a Pallet on Your Floor"), a growing group of folk music supporters constructed a human wall between the straggling Hawks revelers and the stage. McGuan, whose music recalled a bygone era, attributed the death of his computer to an increasing affinity for the simplicity of times past ("When you don't have internet, the whole world opens up to you").

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Transmission

Concert Mon Jun 14 2010

A Little Nacht(mystium) Musik

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The Stereogum website recently pre-released a track from Wheaton based psych/metal unit Nachmystium's fifth album, Addicts: Black Meddle Part II. Titled "Every Last Drop," it was released in anticipation of the album's June 8th release date, and bookends another album track (the catchy, synth-driven "No Funeral"), standing in stark contrast. While "No Funeral," which sounds like one of the new-wave/black metal hybrids you'd expect partway a mid-period Sigh record (though it should be noted that Sigh would have upped the ante by chopping the catchy hook up with smoked-out reggae riddims, film soundtrack ambiance, and boot-on-the-throat metal rasping just to keep you unsettled and/or doubled over with laughter), "Every Last Drop," while hardly orthodox black metal, at least has some precedent within the genre.

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Chris Sienko

Concert Thu Jun 10 2010

The Constellations shine @ Empty Bottle, 6/13 (and a contest)

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Straight off their performance in the wilds of Tennessee at Bonnaroo, Atlanta's own The Constellations hit the Empty Bottle on Sunday night for some funky, soulful, psychedelic southern rocking. But this isn't mullet-tastic southern rock — I doubt you'll even hear a drawl between the keyboards, tambourines, and bass taps. The Constellations tag themselves "southern gothic" (in fact, it's the title of their new album due out June 22) but I think that gothiness just speaks to the smooth, dark, velvety sounds coming out of their amps like thick red drapes. Led by Elijah Jones on vocals (who sounds a bit like a fallen preacher you're bound to enjoy sitting next to at the corner bar) and serenaded by the likes of backing songstresses Alaina Terry and Shab Bashiri, tunes like "Step Right Up" sound like if disco invaded your Sunday morning choir loft. Nine members strong, they'll surely fill the intimate stage at the Empty Bottle Sunday night. More than just funky beats, their lyrics are often dark and dripping with venomous narratives out of some pulpy paperback you'd find on the back shelves at Shake, Rattle, & Read. Or maybe they're the funky new house band at the vampire bar in True Blood. Check out the slightly NSFW (copious amounts of skin here) tattooed pin-up photo shoot video for their song "Felicia" and you be the judge. Better yet, come out on Sunday and check them live and in person.

If you'd like to head down Western for free, well, we can help you out with that. Just be the first to email us at contests@gapersblock.com with the subject line "Starry" and you and a friend will get to hit up the show gratis. [Update: We have a winner! Congrats to Ellen!]

The Constellations play the Empty Bottle on Sunday, June 13th along with Eli "Paperboy" Reed, local GB faves Dirty Diamonds, and East of Eden Soul Express. Tickets are $12. Music starts at 9:30pm. The Empty Bottle is located at 1035 N. Western Ave. 773-276-3600.

[Oh and if you miss them this time around, they are playing Lollapalooza as well. This will be your last chance to see them in town before they hit the big stages in Grant Park in August.]

Anne Holub

Concert Mon Jun 07 2010

Review: Erykah Badu, Janelle Monae @ The Chicago Theatre, 6/2/10

[This review was submitted by reader Emi Peters.]

When Erykah Badu enters a room, you take notice.

The eccentric soul songstress walked on stage, poised and ethereal, to grace an adoring audience during Wednesday night's performance at The Chicago Theatre. Dressed in a black trench coat, sunglasses and donning a thick mane of blond hair that cascaded down her back, Badu settled in between a laptop and an electronic drum kit, immediately getting into the first song of the evening, "20 Feet Tall," followed by almost two hours of non-stop entertainment.

While almost half of the songs performed were from her latest album, New Amerykah Part Two (Return of the Ankh), Miss Badu offered a 20+ song set for the packed house, pulling a selection of hits from every record in her six-album discography and showcasing a career that goes back 13 years, beginning with the acclaimed 1997 debut Baduizm, which won two out of its four Grammy Award nominations and earned the singer the deserved title of "high priestess of neo soul."

However, Wednesday night's performance proved Badu is much more than any title suggests. Her sheer physical presence commanded attention, despite her sartorially bland choice in clothing (underneath the trench coat, Badu wore a shabby t-shirt and rolled up sweat pants). She quite simply had a bewitching quality, and transfixed the audience, whose raised hands and occasional shouts of praise and joy reminded one of a Southern Baptist church service.

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Transmission

Concert Fri Jun 04 2010

Thievery Corporation Giveaway!

Thievery+Corporation.jpgThis seems like a great summertime show: The handsome fellas of Thievery Corporation will be performing Friday, June 25, at the Congress Theater. The DJ/producer duo hail from Washington, DC, though you wouldn't know it from listening to their music. Rather, their laid-back dance tracks reflect the world at large, borrowing heavily from South American, Jamaican, African, and Indian beats. Put the glow sticks away, folks, it's not that kind of chest-thumping, basstastic party (though I suppose you could hula hoop to it). Warming up the audience is Telepath, an up-tempo breakbeat crew from Philly.

Want to hit up the show for free? We've got two pairs of tickets to give away! Just be the first two people to email us at contests@gapersblock.com with the subject line "Beats!" and you and a friend will get to dance dance dance all night for $0. [Update! We have our winners! Congrats to Christopher and Ross!]

Thievery Corporation plays the Congress Theater on June 25th. Doors open at 7:30 p.m., and yes, Virginia, it's an all-ages event. Tickets run $35 ($45 special 2-for-1 online special) to $100 for VIP. The Congress is located at 2135 N. Milwaukee Ave. 773-227-7595.

Kara Luger

Concert Thu Jun 03 2010

Caribou Crossing

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Want to see Canada's Caribou in a more intimate setting before he lights up the sky from Millennium Park in July? Our friends at Daytrotter are hosting Caribou — along with Quad Citians Datagun and Centaur Noir — for an all ages show at the Rock Island Brewing Company this Saturday, June 5.

Caribou is coming all the way from Dundas, Ontario. A tiny-fraction-of-the-way-road-trip from Chicago will complete the circle. (And while in town, might I suggest sampling the deliciously delicious Great River Brewery, Far Out Espresso Stout?)

Tickets are $12 in advance, $15 at the door. Rock Island brewing Company is located at 1815 2nd Ave., Rock Island, IL. 309-793-1999.

Brian Leli

Benefit Wed Jun 02 2010

Tortoise Plays Benefit Show @ Lincoln Hall, 6/3/10

Chicago's ever-entertaining experimental band Tortoise plays a special benefit show tomorrow night at Lincoln Hall. Benefiting The Drummond Montessori School, the show will be a sweet break from the post-holiday work-a-day grind. If you're not familiar with the band, Tortoise is an ensemble of sorts, bringing 20+ years of harmonious improvisation to their lives shows as well as recorded material. Tortoise released Beacons of Ancestorship in 2009 along with a remix album the same year (you can take a listen to the albums at the Thrill Jockey website). Their songs can be ethereal and shrouded in fog, or blissfully upbeat in a rolling-down-a-hill-of-freshly-cut-grass kind of way. I find their music a mood-lifter, even with their quieter, mellower sets. Tortoise is a bit of a sticky wicket to categorize. They're synthy, funky, jazzy. Their music has a way of making me think of college dorms and black lights, while also coming off as adult, polished, professional, and insanely smart. Any way you like to think about them, make tracks to come out to Lincoln Hall and take in the show Thursday. You'll have the satisfaction of knowing your money is going to a worthwhile cause, and the smugness of knowing you're spending your Thursday night right where you should.

[mp3] Tortoise - "Prepare Your Coffin" from Beacons of Ancestorship

Tortoise plays Lincoln Hall on Thursday, June 3rd along with D. Rider. Tickets are $20 and benefit the Drummond Montessori School. 8pm, 21+.

Tortoise - Prepare Your Coffin from Thrill Jockey Records on Vimeo.

Anne Holub

Concert Wed Jun 02 2010

Future Islands @ The Hideout, 6/5/10

[The following review was submitted to Transmission by former staff member Dan Snedigar.]

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Future Islands (Photo by Abram Sanders)

At first blush, the path chosen by electronic trio Future Islands seems fraught with potential pitfalls. Their self-applied "post-wave" descriptor and improbable line up of bass, synth and vocals could potentially be a set up for failure, potentially inviting the worst excesses of both the genres and tools of the trade. On their excellent sophomore long player In Evening Air, however, the band delivers a work of weighty intricacy, a record that transcends its obvious influences and renders something entirely new and interesting.

Formed in 2006 in North Carolina, the band has found legs since moving to Baltimore to become part of the burgeoning rock scene that includes such notables as Dan Deacon and Thrill Jockey label mates Double Dagger. Propelled to local notoriety on the strength of their frenetic live shows and the promising but uneven Wave Like Home LP, Future Islands landed on Chicago's Thrill Jockey label, releasing In Evening Air amidst a flurry of activity that includes the EP In The Fall and the excellent remix EP Post Office Wave Chapel.

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Transmission

Concert Tue Jun 01 2010

Pro-Climactic

Enemy continues its ongoing quest to suck the life out of otherwise fun situations with programs and performances that, while not for everybody, are singularly unique experiences. When Enemy co-conspirator Jason Soliday told me that he was planning on making a plaque to hang over the front door that said, "no money, no ego, no prestige....just noise," it was a no-shit-sherlock moment. Of course. When Cock E.S.P. debuted their soul-draining aktionist-noise-theatrical confrontation early last month, the disgust in the room was palpable. You could reach out and grasp it out of the air. And then, fellow touring-mate Crank Sturgeon created his typically uplifting contact mic-driven hootenanny and it was like we were all back with our favorite grade school teacher, the one who made everything fun, only now he was wearing a fish costume and playing a contact mic'd bucket of water with his foot. Folks, that's entertainment. As the world trundles thoughtlessly toward its inevitable (and messy) demise, demand spectacle of the highest order! Anything less is a waste of precious moments.

Oh, and speaking of, there's another to-do at Enemy (1550 N. Milwaukee, 3rd Floor) this Friday, and it's a corker. Boasting six acts and a $5 donation for the touring acts, it's hard to imagine a conflicting event so compelling, a nap on the couch after work so compelling, that you wouldn't end up making it.

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Chris Sienko

Concert Tue Jun 01 2010

A brief chat with GWAR

According to our sources, GWAR entered the country last week "via [their] bat-shaped helicopter and are now at an undisclosed slave pit preparing for tour" after a four-month break. Gapers Block gave a call to Oderus Urungus of GWAR to catch up with the lead singer of the one of the most disgusting and politically inappropriate bands the world has ever known in anticipation of their performance tomorrow at Durty Nellie's in Palatine.

Gapers Block: GWAR started in 1984 — that's more than two and a half decades. How has humanity managed to survive this long?

Oderus Urungus: I don't know, and I'm not very happy about it. I blame a lot of this on other people, particularly the human race. As long as they keep having sex, there will be more of them than are dying. But I'm pro-sex, as long as I get to watch.

GB: Is this tour still in support of your latest album Lust In Space?

OU: Yes! It is a continuation of the beating given at the end of last year. We're heading to all the places we didn't hit on the first half of the tour because frankly, we're very bad at Google and directions. We're pretty sure we have the right coordinates this time.

GB: When was the last time you were in Chicago?

OU: Chicago... I don't measure time in the same way as you do. We have a longstanding necro-bestial love affair with the people of Chicago. We've all had sex so many times, there are so many Oderous babies wandering the streets. It's kind of disgusting. And the baseball teams confuse me. There should be only one team in one sport. That sport should be Afghan Goat Rugby. (long, unsuitable-for-print description of the "rising sport" ensues).

GB: Do you find booking a venue again difficult after you've performed your particular live act?

OU: Durty Nellie's — we have been there before. They're usually very good about it: We'll say "Are you cool with alien barbarian monster marauder m@#$%&*fers violent thrusting about their crude parts while knee-deep in gore?" and they'll say "Yes, of course, we'll give you 10 million dollars."

GB: I see you also played the Gathering of the Juggalos in 2009. Was that a good experience?

OU: It was done for money, plain and simple. But also to experience the cultural phenomenon that is the Gathering. I mean, it was the most bizarre thing I did last year. More power to the juggalos and juggalettes. We'd do it again in a heartbeat. They manage to get every single penny from their fans.

GB: Anything the crowd should expect from you this Wednesday?

OU: The smells of fecal matter. Some of the fans didn't enjoy the fecal matter — we were surprised. If they don't want fecal matter on them, it only goes about 30 feet or so. So now we're letting people know that. Fecal Matters Matters — that's our new non-profit.

GWAR plays at Durty Nellie's on Wednesday, June 2nd. Tickets are $22, doors open at 7pm (21+).

Dan Morgridge

Concert Fri May 28 2010

Brent Puls Goes It Alone

Pulschair.jpgBrent Puls, the brains behind his former band Grammar, has decided to go it alone and branch out as a solo artist. But don't fret, familiar faces will be in the audience and on stage, as will those same cheery melodies that Puls is known for creating.

Lighthearted pop is this man's strength; no matter what the subject matter, Puls' delivery will bring a smile to your face and a sway to your hips. Tonight you can see his songs come to life first hand at his first headlining show at The Hideout. A great start to your 3-day weekend, this is one local artist you don't want to miss.

Also appearing tonight are Coupleskate and Machine Shop. Tickets are $7. 1354 W. Wabansia. 10pm.

Michelle Meywes

Concert Tue May 25 2010

Review: Mumford and Sons @ Lincoln Hall, 5/24/10

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Marcus Mumford (photos by Kirstie Shanley)

A tall man in short plaid shorts prodded his phone while holding up a peace sign to the passersby. Lincoln Hall was full, and although Mumford and Sons had only released their first album last year, they'd gained enough traction for a sold-out show (even after switching up from Schubas) and people looking for "miracles". The warm tones of Australian openers The Middle East were pumped through the speakers as the bar swarmed with people, and the floor and balcony had people utilizing every possible sightline (even occasionally standing on seats). By the end of the whistling, friendly finale from The Middle East, the crowd was finally lively again, but only a few moved — those at the bar had clearly drawn the short straw for beer-buying from their respective groups.

Continue reading this entry »

Dan Morgridge / Comments (2)

Concert Tue May 25 2010

Windy City Sound Clash

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This is the second year for the independent punk festival and it's about to take over Subterranean - 2011 W. North Ave - for three days this Memorial Day weekend. The event will feature Teen Idols, Be My Doppleganger, Toys that Kill, Vacation Bible School, Winepress, the Menzingers & more.

Here are the details:

Weekend pass - $38
Friday - $12, 7:30pm, 17+
Saturday early show - $15, 3:30pm, All Ages
Saturday late show - $10, 9:15pm, 17+
Sunday - $15, 5:30pm, 17+

Tickets available at Subterranean's website.

WCSC Facebook Page
WCSC Myspace Page

Katie Hovland

Concert Mon May 24 2010

Review: Metric @ The Vic, 5/20/10

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Photo by Will Rice, found through the Gapers Block Transmission Flickr Pool. Check out more of Will's beautiful photos of Metric over on his site.

Against a backdrop of violent pops of light and the fuzz of feedback, Canadian indie rockers Metric took over The Vic last week to charm a sold out crowd with a set comprised primarily of their critically acclaimed 2009 album Fantasies.

Continue reading this entry »

Lisa White

Concert Mon May 24 2010

Review: The Dead Weather @ Marquardt Trucking Company

All photos by Brian Leli.


As we reported early last week, Kin, a new Microsoft-based cell phone, brought rock supergroup The Dead Weather to Chicago Saturday night for an exclusive free show. The venue, announced only four hours before the concert started, ended up being a nondescript warehouse in the West Loop, with a capacity of a mere 500 people. The unconventional space only added to the intimate feel of the show. I'm told the line reached capacity two hours before the concert started, but that didn't stop hundreds people from waiting around just in case. I even caught a handful of people who were denied entrance waiting just beyond the outside barrier in the hope of catching a few guitar licks in hearing range. If Kin wanted to create hype around this event, they sure succeeded.

Continue reading this entry »

Stephanie Griffin

Concert Sun May 23 2010

Photos from the Gapers Block 7th Anniversary Party


Photograph of JC Brooks & The Uptown Sound by David Schalliol.

We hope you were able to join us for our 7th Anniversary Party at the Metro on Friday. The performances by Lasers and Fast and Shit, Hollows, Blah Blah Blah and JC Brooks & The Uptown Sound were stellar, and you can get a glimpse of them in the following photo essay.

Click here to view the photo essay »

David Schalliol / Comments (1)

Concert Sat May 22 2010

Photos/Review: Josiah Wolf @Schubas Tavern 5/21/10

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Josiah Wolf may be more stripped down and folky than the band he's more well known for taking part in with his brother Jonathan "Yoni" Wolf. Why? may be more of a band people follow at the moment but that should not diminish the indie folk loveliness of Josiah Wolf's solo material. Oddly, Josiah Wolf looks like a cross between Gruff Rhys of Super Furry Animals and José González His songs are neither that quirky nor as intricate respectively. However, they seem just as sincere and worthwhile.

Continue reading this entry »

Kirstie Shanley

Review Thu May 20 2010

Review: Them Crooked Vultures @ Aragon, 5/18/10

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Them Crooked Vultures' Josh Homme (photos by Katie Hovland)

"This is gonna be a good one, I can tell already. Let's get started." Them Crooked Vultures rocked the Aragon for the first hour of their show Monday night, and then the second hour. Somehow, the group managed to stretch their singular album into a two hour show, but fans didn't seem to mind, in fact they welcomed it. The crowd never dwindled, and most didn't budge for the entire performance, other than to try to wangle a better sightline.

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John Paul Jones (photos by Katie Hovland)

Them Crooked Vultures is one of the rare supergroups that actually live up to the name. Made up of the dream team of Josh Homme (Queens of the Stone Age) on lead vocals on guitar, Dave Grohl (Foo Fighters, Nirvana) on (what else) drums, and the legendary John Paul Jones (Led Zeppelin) on everything else, their material leans closest to the sound of Homme's principal group. It appeared a lot of fans at the show were primarily there to see one member of the group, donning the t-shirt of the band they were there to represent. Even the pink "Dave Grohl Band" tee, complete with red heart and Ghohl's face on it, somehow made its way onto the stage by the end, shown off by Homme. But, each member was a joy to watch play on his own. JPJ is a real pro--the man can even shred on the mandolin. Grohl took the stage wearing drummer gloves, a sleeveless tee and shorts--what else do you need to tell you that he is just going to blaze on the drums for the next hour plus. The best part was that everyone on stage looked like they were thoroughly having fun.

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Dave Grohl cools off (photos by Katie Hovland)

The setlist (which you can see in full in Greg Kot's review) unfortunately didn't contain any covers from their main bands, but they did play a couple new ones, including "Highway One", a song that was released as a special 10-inch for Record Store Day. And, no encore for this one. It's a rule, said Homme, never leave them wanting less.

Michelle Meywes / Comments (2)

Concert Wed May 19 2010

A Wolf at the Door

http://www.flickr.com/photos/lpritchard/ / CC BY-NC-SA 2.0


Hip-hop-tinged indie rockers WHY? might not be the most approachable band on paper, and frontman Yoni's dry vocals aren't predicted to make a Zach Braff soundtrack anytime soon. But his older brother Josiah Wolf stepped out from behind the drum kit long enough to make his own record this year, and lil' brother Yoni was kind enough to man the boards for his debut album, Jet Lag. The final product ditches the detachement and pushes into pop territory, and Josiah resides in more plaintive vocals than his brother.

If you'd like to get into the light-psych of this big (not bad) Wolf, he'll be stopping through Chicago this Friday at Schubas to support his just-released album. Local rapper Serengeti and soft post-rockers Northpilot open; Tickets are $8 in advance or $10 at the door.

Dan Morgridge

Review Wed May 19 2010

Review: Patrick Watson @ Schubas 5/17/10

[This review was submitted by reader Rob Reid, who also shot the photo at the show when Patrick jumped into the audience.]

What would a self-described "musical mad scientist," citing influences such as David Lynch, classical legend Eric Satie, and classic rock legend Neil Young, sound like? While it's unlikely that the world has heard anything quite like Wooden Arms, Patrick Watson's third album, it seems even more unlikely that the experiments of this band of musical chemists could have succeeded so brilliantly as to draw a near-capacity crowd at Schubas on a Monday night. Wooden Arms, a deeply-layered masterpiece featuring liberal use of strings, electronics, and found objects such as a tree branch, a bicycle wheel, and wine glasses, relies heavily on studio wizardry to create what could make for an emotionally dynamic movie soundtrack. But how would this music come across in a live setting in real time?

Following an all-too-brief opening set featuring the eerily beautiful vocals and lyrical poeticism of Chicago newcomer McKenzie Toma, Patrick Watson's band took the stage. Simon Angell eased into the opening song with a fingerstyle acoustic guitar pattern, joined by Mishka Stein on bass and later Robbie Kuster's shuffling brush rhythm. "After all the flames in the morning," Watson hushed into "Fireweed's" opening vocal melody, "the quiet ashes fell for hours and hours." Visually, the band kept a low profile on the dimly lit stage, dwarfed by their own giant shadows cast by shifting stage lights. Kuster launched the second tune, "Tracy's Waters," with a haunting wine glass percussion rhythm, and later took the sonic spotlight (still on a mostly dark stage) with a short drum solo in "Beijing." Meanwhile, Watson's piano playing sometimes resembled the whimsical soundtrack of mice running down stairs in classic television cartoons.

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Continue reading this entry »

Transmission / Comments (3)

Concert Tue May 18 2010

Riot Grrrl Revolution at Locked Out

Break out the baby barrettes and write SLUT across your belly -- it's a Riot Grrrl cover show at the Locked Out (3951 W. Fullerton) on Saturday, May 22. Bands include the likes of Careful Q, Dalice Marie, Buzzcunts, SFO, Birdtalk, The Ovens, Blue Ribbon Glee Club, and a whole lot more. Hosted by the Bloody Rag Collective, the show starts at 6 p.m. (5 p.m. doors), and a $5-10 donation/cover goes toward the Chicago Women's Health Center.

Kara Luger

Concert Mon May 17 2010

The Dead Weather "Secret" Free Show

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Photo via The Dead Weather's official site.


You're probably gonna want to clear your schedule Saturday night - Kin, some sort of new cell phone/camera/text device, is bringing a certain rock supergroup featuring Jack White and Alison Mosshart to town, for free. Here's the catch: They're not letting us know where the concert is going to take place until a few hours before the performance. What we do know is The Dead Weather will be playing somewhere within city limits on the night of May 22nd, and the location of said concert will be announced on Kin's Facebook event page. Prepare to spend an entire Saturday afternoon refreshing Facebook, and I'll see you there.

Stephanie Griffin / Comments (1)

Concert Fri May 14 2010

Photos/Review: Clem Snide @ Lincoln Hall 5/13/10

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In some ways, one might think of alt country band Clem Snide as a bit of an acquired taste. Lead singer Eef Barzelay has the kind of voice that is subtly emotional and slightly reminiscent of a less raspy Mark Everett of Eels fame. Most of the time, the songs aren't nearly as profoundly sad as Eels. Yet, there's a sense of longing and familiarity that gets you through the night, a sort of comforting sound even at it's most passionate.

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Continue reading this entry »

Kirstie Shanley

Concert Thu May 13 2010

It Ain't Summer Yet, but There is Definitely a Breeze

One of those little hints that summer is right around the corner for music fanatics on the south side is WHPK's annual Summer Breeze festival, an afternoon of live music and (usually) lovely weather on the quads of the University of Chicago campus. The adventurous campus radio station (88.5 FM on your radio dial) has provided an afternoon of alternative programming to the school's larger, activities board-funded event (also, confusingly enough, called Summer Breeze) that combines sweet pop with jarring dissonance, when forces of nature like Neil Hamburger can follow local psych-pop bands while the students walk through the quads, getting their faces painted, getting a photo on the Big Chair, or jumping around in the inflatable moonwalk. Yes, it's a festival atmosphere from the moment your feet hit the lawn, and if you're 'lucky,' you might even see a LaRouche car with a P.A. system drive by and berate your decadent fun! (I can vouch personally for this last one.)

This year's event is Saturday, May 15, and it takes place from noon until 5. It's on the quads at the corner of S. University and 58th street, and is free and open to the general public.

So, who's on the bill? Read on....

Continue reading this entry »

Chris Sienko

Concert Thu May 13 2010

Coheed and Cambria kick off your weekend

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If you follow the hollowed advice of Ted Nugent like I do, then you're a true weekend warrior. And what does every warrior need? An epic theme song to headbang your way into the weekend of course.

Thankfully the perfect band for that soundtrack is rolling into town Friday night to provide you with ample amounts of over-the-top glam metal action. Coheed and Cambria bring their massive sound (and hair) to the Congress to promote their fifth studio album, Year of the Black Rainbow. The album follows the running Sci-fi story theme of all Coheed and Cambria albums, but this time Year of the Black Rainbow is a prequel to events from their debut album, The Second Stage Turbine Blade. The whole theme borrows from a story written by lead singer Claudio Sanchez, and a deluxe edition of the new album actually comes with a 352 page novel co-authored by Sanchez. That's a lot of concept album for one band, and an impressive dedication to an ongoing theme.

Add together the somewhat nerdy storyline, a blistering howl of vocals, and a high count of behind the neck guitar solos and you've got Coheed and Cambria in a nutshell. It's loud, it's flourished, and it's fun. It's not stand against the wall music. It's epic anthem of metal and rock glory. And If you head out to the show, be prepared to pump your fist in the air and get a bit sweaty. Moshing is acceptable. So is a decent air guitar solo. And make sure to wear your hair down. You'll want it headbang ready.

Coheed and Cambria play the Congress Theater with Circa Survive, Friday May 14th. Doors open at 6pm, and tickets are $29. To get a taste of them live, check out their bombastic closer from their Coachella set of "Welcome Home" with the USC marching band backing them below.

Lisa White

Review Wed May 12 2010

Review: Shout Out Louds @ Lincoln Hall 5/10/10

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Shout Out Louds' Olenius (photos by Andy Keil)

The Shout Out Louds played to their first sold out Chicago crowd on Monday at Lincoln Hall, and the Stockholm group couldn't hide their excitement. What started as a somewhat tame, yet solid performance, slowly intensified as the evening pressed on. They played a generous set lasting well over an hour and a half and by the end fans were jumping with their hands in the air.

"What the hell, we're doing a request," frontman Adam Olenius said after a fan shouted out "Normandie!" mid-way through their set. It was clear at that point and throughout the rest of night that rules were out the window and everyone was there just to have fun. They even worked in a little bit of "Walk Like an Egyptian" during the bridge on "Very Loud." The rest of the set leaned heavily toward new songs from the new album, WORK, which has a lot of the pep of their first two albums, but possesses a whole new maturity.

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When the band played the song "The Comeback" a popular hit from their first album, Howl Howl Gaff Gaff, the crowd lit up, which felt oddly appropriate since there was a chance WORK might have not even happened. After completing an intense tour schedule for their second album, Our Ill Wills, the group split ways and went to their respective homes (on their respective continents) with no real plans to reunite. After six months apart, though, it was clear that they had to get together again when the demo for "Walls" arrived in their inboxes from Olenius. And lucky for us that they did, because sometimes an album this good can only come from insight gained by time apart. (For a little more on their "comeback" watch this charming documentary by bassist Ted Malmros.)

Michelle Meywes / Comments (1)

Concert Tue May 11 2010

Review: Frightened Rabbit @ Metro, 5/8

Hailing from Scotland, Frightened Rabbit has been crafting their sound since 2003 and touring persistently to cultivate their sizeable fan-base. On Saturday, May 8th they took to the stage of Chicago's renowned Cabaret Metro, performing a variety of songs from all three of their albums to a sold-out crowd. Openers Our Brother the Native and Maps & Atlases got the young, polite crowd modestly warmed up. After 30 minutes of downtime, Frightened Rabbit steadily began their 75-minute set with "Skip the Youth", a track from their latest album, The Winter of Mixed Drinks. Drummer Grant Hutchison anchored the lengthy set, providing unique and powerful tempos that added a peppy flavor to nearly every song. His enthusiasm also set the tone for the evening, as he passionately sung along while pounding away, despite having no microphone to contribute back-up vocals to.

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Frightened Rabbit's Scott Hutchison (photo by Katie Hovland)


Frightened Rabbit's sound is definitely rooted in '90s alternative, and enjoys enough hooks to make a compelling argument that this band is knocking on the door of mainstream success. At points, their music is reminiscent of everyone from Semisonic to Counting Crows. Indie rockers might liken them to acts like The National, but as Frightened Rabbit continues to evolve the emphasis really is on the pop tendencies. Their Metro performance added increased instrumentation and at times a ridiculous amount of guitars, providing a glimpse of what a future show in a larger venue might be like. The dark lighting added a pleasurable ambiance to the already pristine-sounding atmosphere, making it that much easier for the attentive crowd to indulge in the many great songs. The night ended with "Keep Yourself Warm," which was a perfect way to close the set. For those lucky enough to be in attendance, this may have been a last chance at an intimate glimpse of a group destine for bigger things.

Katie Hovland

Concert Sun May 09 2010

Photos/Review: Josephine Foster with Spires That in the Sunset Rise and Arlt @ The Hideout 5/8/10

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It was an exceptional trio of bands that played the Hideout last night, each with their own respective talents that brought together a cohesive evening with almost haunted melodies, lush feminine vocals, and music that was impressive in its originality.

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Continue reading this entry »

Kirstie Shanley

Concert Wed May 05 2010

Max Weinberg and The Max Weinberg...Big Band?

max-weinberg.jpgThat's right. Since Conan got the boot from the Tonight Show, it seems like the whole cast is looking for a way to fill the void. Conan went on tour. Max Weinberg started a Big Band. Being touted as the "third act of an already celebrated career," the famed E-Street Band drummer brings his new incarnation to SPACE in Evanston on June 21. Tickets go on sale this Saturday ($30 - $62).

We already know that Weinberg won't be reprising his role as Coco's bandleader on his new show this Fall on TBS, but Max, we'll just pretend that little bit about you wanting to take over for Kevin Eubanks is just a rumor.

Michelle Meywes / Comments (1)

Concert Sun May 02 2010

Gapers Block's 7th Anniversary Party @ Metro, 5/21

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We're so excited once again to be dusting off our fancy dancing shoes for our Gapers Block 7th Anniversary Party and bringing together a slew of great Chicago talent for your listening pleasure. The Metro is our gracious host on Friday, May 21st as we invite the soulful R&B stylings of JC Brooks and the Uptown Sound, the British pop-influenced rock of Blah Blah Blah (celebrating their record release at this show!), beautiful harmonies dripping with '60s pop by Hollows, and the rollicking punk guitars of Lasers + Fast + Shit to make you shake it till it falls off.

Check out JC Brooks & the Uptown Sound's cover of Wilco's "I Am Trying To Break Your Heart":

Our awesome poster for this year's party (pictured above) was handsomely created by Chicago artists Mig Reyes and JoeVW. Posters will be $10 and available for purchase at the show in Metro's store.

To reward you for planning ahead the Metro is offereing a pre-sale special 2-for-1 deal will get you admission for two people for just $7 total (single tickets will be $10 at the door). Order advanced tickets here [Note: if you choose will call you must have your ticket buddy with you at the door]. The show is 18+ and doors open at 8pm with music starting at 9pm. The Metro is located at 3730 N. Clark St., 773-549-0203. RSVP via Facebook if you like. We can't wait to see you there!

[Update!] If you're a ticket holder to the Sharon Jones & the Dap-Kings show at The Vic Friday night, you can get in to our party for free! Just bring your ticket stub from the show, or your Vic wristband and head on up Clark. It's double-down soul night!

Anne Holub

Concert Fri Apr 30 2010

Review: Yeasayer, Sleigh Bells, and Chandeliers @ Metro, 4/29

Chandeliers might have taken the stage 15 minutes late, but they hardly needed to delay — a pretty significant amount of the sold-out show was already packing the house. They didn't waste any time on banter, and laid into the crowd with no less than four keyboards for three men, and a strong drummer keeping the pace (although the odd fog machine and fan combo to his side made it look like he was drumming through the Ragnarok, so perhaps that added a touch of epic). Aside from that, the boys weren't focused on much else but their instrumental jams, making for a decent, if not terribly invigorating opener.

If Chandeliers were more skill than charm, then Sleigh Bells came out charm-guns blazing. Leading off with new single "Tell 'Em", they laid out monster guitar chords and big vocals for just two people. Lead singer Alexis Krauss got right into audience faces, and the crowd was soon singing along to several songs of stadium-sized rock (even when Derek's guitar went on the fritz and Alexis had to improvise). If they at times borrowed some notes from the Beastie Boys, they're doing a hell of a better job at it than Ke$ha. M.I.A. has been ushering them into her N.E.E.T. label, and the energy shown here promises great things for both their upcoming "Treats" LP and their Pitchfork Music Festival appearance.

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Yeasayer's Anand Wilder (photo by Andy Keil)

Yeasayer finally took the stage, with Chris Keating and Anand Wilder dressed in jumpsuits. Odd Blood opener "The Children" started things off here as well, with the distorted vocals matched by the pulsing colors of their stage screens and podiums. They followed with the livelier "Rome", and the dancing commenced. A crowd singalong for the first notes of "I Remember" caused the man next to me to exclaim "I don't really like this song, but it's the girls favorite." Less than a minute later, he was singing along as well. "Strange Reunions" and "Love Me Girl" continued the Odd Blood-heavy set, but they also snuck in Dark Was The Night single "Tightrope" to much cheering.

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Yeasayer's Chris Keating and Jason Trammell (photo by Andy Keil)

Chris Keating took an interlude to talk about his history in the area — he said he'd lived just around the corner, and had been in the Metro audience plenty of times. I'm not going to tell you who I saw...(crowd cheers "tell us!") ..okay, okay, I'll lie. Public Enemy, The Stooges and Dead Kennedy(s) — Chuck D and Iggy Pop did a duet, it was amazing." The band finished with "O.N.E.", a powerful "Mondegreen", and ended the regular set with, surprise surprise, "Ambling Alp". And just in case the old-timers from way back in the 2007 scene felt left out, their fears were allayed — old chestnut "Sunrise" was broken out to cap off the evening.

Dan Morgridge / Comments (2)

News Thu Apr 29 2010

Edible Audible Picnic Returns This Summer

I was starting to think that city cutbacks were going to stretch all the way into summer music programming at Millennium Park, but luckily the schedule for this season's Edible Audible Picnic arrived in our inbox today and here we share it with you.

As you probably guessed by the name, Edible Audible Picnic is a music series that takes place at, you guessed it, lunchtime at Pritzker Pavilion. Every Monday afternoon beginning on June 7th, the "polyrhythmic music series" will present bands and DJ's spanning from around the world to right here from Chicago including Green Velvet, The Cool Kids and Orchard Lounge. It's like a party instead of work. You can step away from your computer for an hour a week for that, right?

All concerts begin at noon. See the full schedule after the jump.

Continue reading this entry »

Michelle Meywes

Concert Wed Apr 28 2010

An Evening of Pop and Go-Go with the Flesh Hungry Dog Show

The Flesh Hungry Dog Show is bringing the awesome to the Jackhammer (6406 N. Clark) on Friday, May 7, with an all-Chicago show that is sure to get you shimmying. Plain Ole Delicious headlines (it's also lead singer Amy's birthday, so give her a high-five), supported by Pieptone!, a group that rocks '50s and '60s German pop tunes, and Homoticons, who describe themselves as "a homollercoaster of homotion." Sounds just right. DJ Sky spins between the bands, and super-snazzy go-go troupe The Revelettes also performs. Too much!

The show kicks off at 9 p.m. and tickets are $8 online or $10 at the door.

Kara Luger

Concert Tue Apr 27 2010

Just Announced: LCD Soundsystem To Play Metro

lcd-soundsystem-this-is-happening.jpgMaybe you heard about that little show in Williamsburg last month where LCD Soundsystem road-tested some new tunes and pretty much blew the roof off the joint? Well now Chicago gets a taste of it's own. (Enter "this is happening" pun here.)

We were already counting down the days to James Murphy and crew headlining Pitchfork in July, but now they will be swinging by Metro for a special club performance with Holy Ghost on Wednesday, May 26. Tickets go on sale this Saturday at noon for $25, but make sure to get all your friends in on the action because there is a two ticket limit per person.

The new album, This Is Happening, doesn't come out til next month, but you can stream the whole thing on LCD Soundsystem's website.

Michelle Meywes

Review Mon Apr 26 2010

Review: The Whigs @ Bottom Lounge 4/23

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The Whigs (photos by Andy Keil)

The Whigs, fresh off the release of their third album, In The Dark, stopped by Bottom Lounge Friday night for an energetic performance. The threesome from Athens, GA literally wrote the album in its entirety while touring nonstop after their previous album. Their set wasn't too heavy on new material, but contained all the hits and hooks that this group has become known for on songs like "Right Hand On My Heart" and "Kill Me Carolyn".

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Comparisons to Kings of Leon may be unavoidable, but for the most part, In The Dark is an album you just might find yourself listening to over and over without tiring of. Not unlike the album though, their live show lagged somewhere in the last third, with the crowd noticeably thinning. However, the energy on stage never waned, and their Americana charm is undeniable; from the passionate choruses to Parker Gispert 's endearing leg kicks — and it was near impossible to keep your eyes off Julian Dorio wailing on the drums.

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If you missed them at Bottom Lounge, don't worry; you can catch a glimpse of them when they appear as Jimmy Fallon's musical guest on Tuesday night.

Michelle Meywes / Comments (1)

Review Fri Apr 23 2010

Review: Passion Pit @ Congress, 4/22

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Passion Pit at the Congress Theater (Photos by Sandor Weisz)

Passion Pit has officially blown up. Two sold out shows at the cavernous Congress have a tendency to solidify popularity like that. The first was in the midst of their current tour and Thursday's was sandwiched between Indio's Coachella and Vanderbilt's Rites of Spring. It must seem like a lifetime ago that they played Schubas and the Empty Bottle. Their ridiculously catchy electronic pop music has certainly caught on with the masses by now. The synth-pop ode Manners won over plenty, but countless more owe liking Passion Pit to their live shows. It's due to their frenetic energy on stage, the pure elation reached in anthemic choruses, the pulsating thumps and Michael Angelakos' terrific falsetto. (It's not hard to imagine that this is Hot Hot Heat in a parallel universe.)

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However, on Thursday, it was clear that Passion Pit is tired. They have been touring the world almost non-stop for a year. Their stage presence was pennies on the dollar compared to Lollapalooza last summer and Angelakos' vocals are currently shot. But, luckily, they still have those glorious songs. The audience didn't seem to mind the band going through the motions much of the night as they greeted each tune with wild applause and general pandemonium. The thousands who filled the Congress' floor pogoed, crowdsurfed and one kid even made it past security onto the stage. (I thought I was at a Morrissey show for a second.) Only with the Strokes at their Is This It? peak have I seen a band get so much from an audience by doing so little. Without their best performance on hand, Passion Pit had to rely on the strength of their music. Their lack of excitement was made up for by emphasizing accessible melodies and soaring heights in choruses, which the crowd was only too happy to join in on, especially when Angelakos couldn't quite hit the highs. Sometimes showgoers needs to take on a little extra responsibility to make a show great and Thursday's were definitely up for the task. A huge ovation for "The Reeling" and an encore of "Sleepyhead" closed out the night just minutes before curfew. Hopefully, the band will get some rest before returning on July 4.

Smith Westerns opened with an encouraging set showing that they're well on their way to overcoming the nerves that sometimes kept them from reaching their potential live even just six months ago. Their lo-fi glam-rock sound is primed to explode one of these days.

James Ziegenfus / Comments (2)

News Thu Apr 22 2010

Daytrotter Presents: Barnstormer III

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The Barnstormer III tour — presented by Rock Island's Daytrotter and featuring Delta Spirit, Ra Ra Riot, Nathaniel Rateliff, Pearly Gate Music and Free Energy — kicks off next Tuesday 4/27 in West Libertyville, IA. The tour makes its Illinois debut on Friday 4/30 in Monticello, but Chicagoans can take advantage of a shorter trek and an early start to the weekend in Lake Geneva on 4/29.

Camping is available at four of the tours five stops (sorry Milwaukee). Advance tickets are available now and about to be capped for the Monticello date. So head over to Daytrotter.com to purchase yours now. They're a bargain at $10 and include lossless downloads from Barnstormer 2009 performances. And if the cheap tickets and exclusive downloads weren't already enough, half the price of admission will go to someone in need:


Each night, half of every paid admission will go to someone who needs help. Maybe it's someone you know. We are choosing one individual or family — based on your nominations — to receive some help from the Barnstormer. So, write rsvpdaytrotter@gmail.com with a story of someone who's fallen on hard times and could use some assistance. We'll take the best five stories and do what we can to make things a bit better.

Full tour schedule, links to purchase advance tickets and Daytrotter sessions from all the artists after the jump.

Continue reading this entry »

Brian Leli

Artist Wed Apr 21 2010

Get Stuck On Free Energy

free energy.jpgFree Energy is a band you're gonna want to dance to. You're gonna see them live, and you're gonna want to buy a t-shirt. You're gonna want to take one of those free stickers home and put it on your notebook or planner or trash bin (or where ever it is that you put band stickers). Free Energy is one band you're gonna want to see at Pitchfork in July, but before all that happens, you're gonna to make your way to Beauty Bar this Friday night to see them perform at Spandexxx.

The first time I heard Free Energy, I actually thought I was hearing the new Strokes album (since I had just heard they were releasing, or at least working on a new one). They've got that super catchy, kinda glammy 70's rock vibe, plus they've got the power of James Murphy's (LCD Soundsystem) DFA records behind their debut, Stuck On Nothing. The Empty Bottle could barely contain the energy in their live show there last month, so I don't know how Beauty Bar will be able to hold them, but one thing is for sure, you should be there to find out.

Tickets are $5 at the door. The party starts at 10pm with DJs Moneypenny and Team Bayside High. 1444 W. Chicago. 21 & up.

Michelle Meywes

Benefit Wed Apr 21 2010

Pinups for Pitbulls @ Cobra Lounge, 5/15

Carla Lou.jpgPinups for Pitbulls is an international non-profit organization dedicated to restoring the image of the American Pitbull Terrier. (Like Carla Lou, pictured right, courtesy of Pinups for Pitbulls' Facebook page) They will host an event on May 15th at Cobra Lounge (235 N. Ashland Ave.) in Chicago. Burlesque by Pinups for Pitbulls founder Little Darling and Miss Pussykatt as well as an act from Chicago's own PainKurst Girls. Bleeding Heart Bakery, Metropolitan Brewing, among others are donating prizes to the event to be raffled off.

Doors are at 7pm, Show at 8pm (21+) and leave your dog at home, OK? They're asking for a suggested donation of $10 at the door and all funds raised will be used to help sponsor bully-friendly rescues and individual dogs in need.

The Bands:
House that Gloria Vanderbilt
The Wanderers
Elephant Gun
Blind Staggers
American Draft
LORD
The World in Heat

Katie Hovland

Artist Tue Apr 20 2010

The Record Low's New Album and Benefit Show Tomorrow

Local indie rockers The Record Low recently came out with a new album, Away From Us, and I got a copy of it today! I've listened to it about five times in a row here and I'm not sick of it yet so that's gotta say something. It's smooth and dreamy, pretty shoegazey, super chill-- something I imagine would go splendidly with your morning coffee or on a road trip through the Midwest. This album has been getting some good reviews so if you're a fan of nice, pretty music (and who isn't?) you should check them out.

The Record Low is playing a benefit show tomorrow night at The Empty Bottle with Follows and Amalea Tshilds.

Kelly Reaves

Review Mon Apr 19 2010

Review: OK Go @ Metro 4/17

OK Go has received all kinds of attention lately surrounding their battle royale with record label EMI over YouTube royalties, which even included an op-ed in The New York Times from band leader Damian Kulash. All the drama ultimately ended with the band walking away from EMI (amicably supposedly) and starting their own label, Paracadute Recordings. If you saw their show at Metro on Saturday though, you would never have guessed any of this, outside of a couple remarks from Kulash that major labels suck, and an announcement of the re-release of Of The Blue Colour Of The Sky on their new founded label. Saturday night was all about the music, with fans singing along to every song (including all the new ones), proving that there is more to this band than quirky viral videos.

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OK Go's Damian Kulash makes an adjustment. (Photos by Katie Hovland)

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Michelle Meywes / Comments (1)

Concert Thu Apr 15 2010

Do Not Taunt the Infrared Shirt

This Friday marks the Chicago debut of Japanese sound poetry and electronic music composer Tomomi Adachi. Adachi will present a work in three parts at Columbia College (916 S. Wabash Avenue, Room 214). Tickets are $10 ($5 for students), and the performance begins at 8 p.m. The event is sponsored by Lampo.

Adachi (b. 1972) works on a 3-dimensional chessboard of avant-garde influences, at once hyperactive, hysterical, and frequently hilarious, but also reverent to the roots of his art, pushing both technique and technology in engaging directions. Starting the night with a program of his own text-sound poetry and seldom-heard pieces by Japanese text-sound poetry performers from 1924 through the late '70s, Adachi will then create a second set with his home-built electronic devices, included equipment built into tupperware. For the third act, Adachi will perform his most beguiling musical device, an infrared sensor-adorned shirt that interacts with attachments on Adachi's hands, creating a network of filters and gates through which his vocal ululations will be stretched and drizzled like hot sideways caramel. Take a look at his videos for the double truth, ruth. This is some serious insanity. As usual, the Lampo web site and Adachi's own artist page can provide more information if you weren't already sold by the infrared shirt.

Chris Sienko

Concert Wed Apr 14 2010

Lampo holds its Spring series in two new locations

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As some of you may remember, the Chicago-based experimental music promoter Lampo lost its lease in its most recent location (219 W. Chicago Avenue), prompting a retrenching operation and a temporary removal from the city stage. This Spring, Lampo is again flying its flag high, thanks in part to guest hosting from several new locations, and sporting one of the most exciting lineups in recent memory.

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Chris Sienko

Review Wed Apr 14 2010

Review: Ami Saraiya @ Simon's, 4/3

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[This review and photos came to us from reader Rob Reid.]

As much as musicians and industry insiders bemoan the relative lack of venues in Chicago, from a listener's standpoint there has never a shortage of options on any given night of the week. With a musical radar cluttered by nightly shows at Schubas, the Empty Bottle, and the Hideout amongst many other noteworthy venues, sometimes the best performances slip by scarcely noticed. While anyone who's walked up Clark avenue just north of Foster has surely noticed the neon blue fish who's been holding the same neon yellow martini glass since Simon's Tavern first opened in the 1930s, a lesser known fact is that this spot also regularly features some of the city's best live music (typically on Sundays and Wednesdays) coordinated by the booking manager of the Green Mill.

On a recent Sunday night at Simon's, the tremolo of a lone violin initiated a graceful transition from a quiet night of drinking to a hypnotizing and haunting set from Ami Saraiya's current band. "The sky has no space for you," Ami sang, just before a brushed snare and upright bass groove launched "Vegas Moon," a tune with all the markings of a broadway jazz standard but with lyrics better suited for our time. The moon, Saraiya explained, gets forgotten behind all the bright Vegas lights.

That voice always seems to be the first thing everyone notices about Saraiya - and by the end of the first song she had handily out-dueled the liquor shelves for the rapt attention of everyone in the hushed bar. Though the press has never been able to concisely classify Saraiya's voice or her music, references to Billie Holiday abound. If her original "Sour Mash" recalled Holiday's adeptness at gracefully floating above the bar lines in her vocal phrasings, her cover of "Bewitched, Bothered, and Bewildered" all but confirmed it. And yet, the same voice that soothed and purred on some tunes growled in the rockabilly-esque "Memphis Train," and then captured a distinctly Eastern tendency to dance around fixed notes on "Familiar" and "Up, Down, and Charmed." This Eastern sensibility was all but confirmed on a cover of "Intaha Ho Gayee," a Bollywood standard.

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Transmission / Comments (1)

Review Mon Apr 12 2010

Review: Owen Pallett @ Lincoln Hall, 4/10

No one I have encountered has ever been less than amazed at the power of an Owen Pallett show. His songs have a heartbreaking quality with a loop pedal symphony with lyrics that pluck your heartstrings as quickly as his pizzicato and a voice that soars out to where his gaze is focused. Saturday night's show at Lincoln Hall was just as I suspected it would be — sublime.

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Daniela Gesundheit of Snow Blink (photos by Kirstie Shanley)

Quirky duo Snow Blink opened with a lovely set of eerily beautiful songs that warmed everyone as we set in. Singer Daniela Gesundheit rocks a vocal range Kate Bush would envy. One of the highlights of the entire show was their epic cover of Michael Jackson's "Human Nature" that made the room spin.

Owen Pallett's set opened with "E is For Estranged" from his latest album Heartland. This song was a heavy choice for an opener being incredibly sad, but it drew in the crowd. Sometimes I wonder if there is subliminal hypnosis laced within his songs, or if he just a very talented musician who has the gift of transporting an audience exactly to where they need to be within the moment of the song.

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Owen Pallett (photos by Kirstie Shanley)

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Aharona Ament

Concert Fri Apr 09 2010

Help the Chicago Riots!

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You like awesome local rock bands, right? And, if I know you, you also like roller derby. Well, head to Reggie's (2109 S. State St.) on Thursday, April 15 to check out a show to raise funds for the Chicago Riots, the all-new local junior roller derby league. The grrl-tastic groups playing include The Runnies, Hollows, and 8 Inch Betsy. The show runs 7-10 p.m., tickets are only $8, and it's open to all ages.

Kara Luger

Review Fri Apr 09 2010

Review: The xx @ Lincoln Hall, 4/8

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The xx. (Photos by Katie Hovland)

Sometimes people ask me, "Why do you wear ear plugs to every show? That's not very rock'n'roll." Well, I'll let you in on a little secret: I don't wear ear plugs because I don't want to hear a show. I wear ear plugs to mute the inevitable audience chitchat. A prime example of when I need to do so was Thursday's late show by the xx at Lincoln Hall. The London trio's set was plagued by chatterboxes with nominal interest in the performance. (One girl near me spent at least 20 minutes with her back to the stage while trying to drown out the xx to converse with friends. How dare a headliner try playing over her shrill voice, right?)

However, if one could somehow hear past the MPDG/trixie racket, they may have found themselves at a pretty good show. The xx unsurprisingly began with "Intro" before moving on to single "Crystalised." Romy Madley Croft and Oliver Sim, donned in black clothes and gold chains, traded indifferent and sensual vocals highlighted by a spectacular call-and-response on "Infinity" ('Give it up... I can't give it up'). For a band whose merchandise is only black and white, the show was wildly colorful. Reds and blues dominated the room as Croft stayed mostly still and Sim bounced around the stage intermittently, leaving beatmaker Jamie Smith to himself among tables full of gear. Throughout the evening all three were well in control of the melancholic atmospheres that their music subsists on. (Think if Robert Smith wrote some songs for Chairlift and Portishead produced them.) In addition to every track on their only album, they covered Kyla's "Do You Mind?" in a low-key fashion.

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James Ziegenfus / Comments (2)

Review Thu Apr 08 2010

Review: Fanfarlo @ Lincoln Hall, 4/7

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Simon Balthazar of Fanfarlo (photos by Kirstie Shanley).

The crowd at Lincoln Hall last night was respectful and mellow even though it was a sold-out show that filled the floor and spilled up into the balcony. There were the standard ranges of mid-week concert-goer: the dude in a tweed jacket, the really tall guy who always stands in front of you, the superfans, the pretty pretties, and the guy who doesn't know what to expect because his roommate dragged him there at the last minute with little to no warning. What held everyone together like some delicious, sticky goo was the collective sigh of happiness that washes over a listener of the lovely ensemble work of Fanfarlo.

gapers Lawrence of Arabia 300.jpg Opener Lawrence Arabia (aka James Milne, pictured, right), touring with backing band The Prime Ministers (also from New Zealand with delicious accents), will be with Fanfarlo for the rest of their U.S. tour and I couldn't imagine a more agreeable pairing. Charming songs like "Apple Pie Bed" were made even more pleasant by the band's Fleet Foxes-like harmonies, their shaggy haircuts (all seemingly cut from the same haircut cloth) and their youthful exuberance over the occasional gush from an on-stage fog machine (during the song "I've Smoked Too Much," naturally). The bass player's mouth-gaping grin was the same as a kid on Christmas morning. I can only imagine the hijinx on the tour bus.

Fanfarlo hit the stage with seemingly well-studied wardrobe styling — all pastels and cream colors. They blended a kind of turn of the century/steampunk aesthetic that honestly was just playful enough. (Trousers tucked into lime green socks? Ok! Suspenders and highwaters? Why not?) They're just innocent enough to get away with anything they like.

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Anne Holub

Concert Thu Apr 08 2010

Dark Dark Dark Light Up The Hideout Tonight

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If you haven't had the pleasure of hearing Dark Dark Dark yet, you're in luck: They're streaming their impressive EP, Bright Bright Bright, in full here. Between the haunting piano and the stark vocals of Nona Marie Invie (who could be thought of as an even quirkier, darker Regina Spektor) they've created a folk-inspired chamber pop sound that I haven't been able to stop listening to for the past few weeks. The aptly-named band explore themes of despair and loneliness, and I can just picture sitting in the corner of a dark bar cradling a whiskey and seeing them play.

Dark Dark Dark play alongside Chicago's own Angel Olsen and The Singleman Affair tonight at The Hideout, 1354 W. Wabansia. The show starts at 9 pm and costs $8.

Watch Dark Dark Dark perform "Wild Goose Chase" at NYC's Le Poisson Rouge below:

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Stephanie Griffin / Comments (1)

Artist Thu Apr 08 2010

Come ((un))done With Dan Black Tomorrow Night

danblack26.jpgHailing from the other side of the pond, Dan Black first received attention for his curious mashup "HYPNTZ" which took drums from Rihanna's "Umbrella" and strings from John Carpenter's "Starman" soundtrack, adding lyrics from Nororious BIG's "Hypnotize". But with the recent release of his debut album, ((un)), this electronica artist proves he's more than just a one hit wonder, and deserving of more than simply the "electro" label.

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Michelle Meywes

Album Thu Apr 08 2010

Free Vinyl from Mr. Russia

Chicago natives Mr. Russia were nice enough to send us some vinyl recently, a 7" tribute to Bowie with a nice little cover of "Boys Keep Swinging" on it-- a version which is quite loyal to the original but slightly less Bowie-sparkly and a bit rougher around the edges.

In case you're not familiar with these guys, all you need to know is that they are proponents of simple, no-nonsense garage punk and I don't think they ever use guitars (except those of the bass variety.) Fans of stripped down rock and roll will surely dig their jams. I, personally, gravitate toward their demonic renditions of Nick Cave songs. Mr. Russia sure has a knack for injecting a little 21st century angst into 20th century staples.

To get your own free copy of the "Boys Keep Swinging" 7" stop by the Reckless Records at 1532 N. Milwaukee on April 17. Check them out live that night at Beat Kitchen and, while you're at it, download their free new EP from their website.


Kelly Reaves

Review Thu Apr 08 2010

Review: Black Lips @ Logan Square Auditorium

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If I ever find myself in a drunken brawl in a back alley, I want the Black Lips to be my soundtrack to the massive ass kicking that is about to commence. Chances are if you're at the front of the stage at a Black Lips show, you might just get your ass kicked as well, back alley or not. With a massive swirling mosh pit, everything from keys to beer to cell phones being launched onto the stage, and the occasional head butt from the lead singer, a Black Lips show can be a dangerous place to be. But you're also guaranteed to have one helluva time, as evident by the spastic (albeit sweaty) show the band put on last week at Logan Square Auditorium.

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Lisa White / Comments (2)

Review Tue Apr 06 2010

Review: Miike Snow @ Metro 4/4

Due to high demand, the electro-pop Trio from Stockholm, Sweden, Miike Snow, added a second show at Metro Sunday night with Delorean and Light Pollution joining them. Even as their second Chicago show, they still managed to sell over 800 tickets to an all ages crowd — Metro holds 1,100 — on a very rainy Easter Sunday.

I hopped in the barricade a few minutes before their set began and chatted with Metro employee, Joel, who was working stage security, "What's up with the bubbles," he said- looked up, and pointed up to the right balcony, "That girl has been standing there blowing bubbles the entire night."

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(Photos of Miike Snow by Katie Hovland.)

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Katie Hovland

Concert Thu Apr 01 2010

Review: Janelle Monáe 3/29 and 3/30 @ Schubas


Janelle Monáe's video for her single "Tightrope" off her debut album The ArchAndroid


The buzz surrounding Janelle Monáe is steadily growing into a roar, so when a top hat wearing MC announced "by now, you should have already tweeted," to both sold out crowds at Schubas Monday and Tuesday night, its clear the statement was only partially a joke. Monáe and her dapper crew took over Schubas to showcase tracks off her debut album, The ArchAndroid which comes out May 18th.

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Lisa White / Comments (4)

Benefit Tue Mar 30 2010

Fight Diabetes with Dare 2 Dream

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Type 1 Diabetes attacks the pancreas, corrupts the body's immune system, and is an all-around major bummer, to say the least. One child is diagnosed with Type 1 Diabetes every hour, which will mean a constant threat of heart disease and kidney failure, along with other debilitating effects. Dare 2 Dream is here to make a difference with their eighth benefit concert at the House of Blues. Past artists who have performed at Dare 2 Dream events include Common, Gavin Rossdale and Kings of Leon. This time around, southern rockers Blues Traveler will be hitting the House of Blues stage to raise money for Chicago non-profit Partnership for Cures' diabetes research. Whether you've been directly effected by diabetes or not, we could all use a little good karma.

Dare 2 Dream is going down Thursday, April 15th at House of Blues. Tickets are $30 and can be purchased here. The show is 17+ and starts at 8 pm.

Stephanie Griffin / Comments (2)

Review Thu Mar 25 2010

Review: Danny Chaimson & the 11th Hour at Schubas 3/23/10

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Even though Chicago native Danny Chaimson only spent a handful of years living in California, a SoCal slacker-cool vibe was definitely prevalent in Chaimson's performance Tuesday night at Schubas. Donning a faded t-shirt bearing the slogan "Keep on Chuckin'" that looked about 20 years past its prime, Chaimson appeared as though he could have wandered into the venue after a full day of drinking beers on the beach. Don't let his chill persona fool you; Chaimson has been playing piano since the age of 4, and his passion proves he has a hard-working Midwestern soul.

Chaimson maintains an LA-influenced pop sensibility, but with his combination of retro soul and funk, he sounds like he could have come straight from the South. At one point, Chaimson paused to ask no one in particular for a glass of whiskey. I never saw his request filled, but by the show's end he had somehow procured the beverage, as he capped off the night with 'Raise 'Em Up', the glass-raised salute to partying and easy living. Keep on chuckin', indeed.

Fun geek fact: Not only is Jed Whedon (brother of Joss) in his band, but Chaimson also provided his piano stylings to the Dr. Horrible's Sing-a-long Blog soundtrack.

Stephanie Griffin

Concert Wed Mar 24 2010

The Last Temptation of Sissy

If you only know the Viaduct Theater's sign from driving or riding your bike past it on the overpass at Western and Belmont, you might not expect the four-way merging of music, film, art, and theater that passes through the unassuming front doors.

This Friday, the Viaduct (3111 N. Western; yes, under the overpass) will host one of its semi-regular evenings of experimental electronics, featuring touring acts Sissy Spacek (featuring noise/metal jack-of-all-trades John Wiese [also formerly of Sun o))) and Bastard Noise]) and the ad-hoc pairing of Gerritt Wittmer and Paul Knowles. Opening the show will be Chicago's own legendary dark ambient/industrial noise pioneers Illusion of Safety, a group withloose borders that revolves around IOS mastermind Dan Burke (and one featured a young Jim O'Rourke).

The Sissy Spacek project (no relation) is rooted in a grindcore aesthetic (featuring leather-lunged sasquatch Corydon Ronnau on vocals) but wanders outside of genre conventions with a purposeful aimlessness, drifting into non-ionized particles of noise, scraping and clatter before instantaneously launching into blurry, gore-spewing thrash, abruptly starting, stopping, deliberately shattering momentum, again and again. Their records share only the thinnest of continuity lines, mostly based around unexpected, unconventional editing techniques. Their live shows tend to be a lot faster and heavier.

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Chris Sienko / Comments (1)

Concert Tue Mar 23 2010

Janelle Monáe at Schubas next Monday and Tuesday

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Janelle Monáe is a cybertronic soul/funk/pop diva, ready and waiting in the wings to save the world from the bland stereotypical roles of female musicians. Already a Grammy nominated artist (on just an EP alone), Monáe is gearing up to release her debut album The Arch Android on May 18th, but you can catch her live before then as she sets up shop for two nights at Schubas next week.

After moving to Atlanta, Monáe met Big Boi of OutKast (which lead to her being featured on a few tracks of the Idlewild soundtrack) and helped found The Wondaland Arts Society, which released her EP Metropolis. The EP caught the attention of many, which led to the Grammy nomination and her signing to Bad Boy/Atlantic Records. Her music is a melange of genres, flipping from pop to funk to classical and big band sounds. I highly suggest you download the EP to fully understand her goal artistically. She's also got killer style, which has been profiled in numerous publications including Vogue, GQ, and Paper. Live, she's been called a "female James Brown," so be prepared for a high energy show full of soul and funk, and get ready to cut a rug and juke the night away.

She's being declared one of the "next big things" (cliché as that sounds) so make sure you grab a ticket and see what all the well deserved fuss is about next week at Schubas.

Janelle Monáe plays Schubas, Monday March 29th and Tuesday March 30th. The Monday show is 18+ and the Tuesday show is 21+ with both shows starting at 8pm and costing $14. You can buy tickets on Schubas site.

Lisa White / Comments (1)

Concert Sun Mar 21 2010

Review: P.O.S and Dessa @ Bottom Lounge

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Photo by John Brunner over at Radio Free Chicago. See his review of the show here, and full set of pictures here.

If P.O.S and The Doomtree Collective are the future of hip-hop, then the future is looking bright. The Midwest rapper played to a packed and rabid crowd at the Bottom Lounge last Thursday, a room that made his Momma proud (she and his stepfather were present at the show) as they chanted along song after song during his visceral set.

Before P.O.S whipped the crowd into a frenzy, another Doomtree artist charmed her way into our hearts. Dessa has a sweet and smooth neosoul sound, giving of a not-so-crazy Erykah Badu vibe crafting wonderfully heartbreaking forlorn love songs. Her music of heartache is eloquent, expressing the feelings we can never find the words to say. She delivered up an offering of tracks off her debut album, A Badly Broken Code, including standout tracks of the night "Matches to Paper Dolls" the single "Dixon's Girl" and her duet with hometown hero Matt Santos, "The Chaconne." Their vocals blended perfectly together, despite the fact that it was the first time her and Santos have performed the song live together. She ended her set with a bit of slam poetry (showing her roots), her music a true example of the perfect way to blend pure poetry and hip-hop into one.

Dessa was the calm before the storm though, as P.O.S took the stage and launched directly into "Let it Rattle," a mass of fans rapping along verbatim, fist punctuating the end of every line. P.O.S seemed truly grateful for the wonderful turnout, and you can tell how much he really cares and connects with his fans. He stopped to thumb wrestle a few fans up front, and promised everyone that after the show he'd be right down on the floor, ready to sign stuff and thumb wrestle anyone else. He clearly understands the importance of befriending your fans, and its shows in the rabid allegiance of the crowd that night. As he dropped the single "Drumroll (We're All Thirsty)" it was like a bomb went off, a sweaty mass jumping up and down all around me. From the crowd to the delivery of his rhymes, the punk influences are evident throughout his set, and he shines during the most vulnerable lines. It's a show like this, the clear mutual respect and obsession for the music, and a close relationship between the fans and artist, that reminds you what live music is all about. It's about community, and screaming the words to every song, sweat pouring down your face as you dance your ass off. Don't just stand against the wall with your arms crossed. You've got to earn your right as a fan. And the crowd at the Bottom Lounge earned their right that night. If this is in fact the future of hip-hop, there is no other place I'd rather be.

Lisa White

Concert Wed Mar 17 2010

White Mystery's record release show Saturday

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White Mystery @ Gapers Block's Metro show, photo by Diane Alexander White

In less than a week's time, White Mystery played an in-store at Reckless Records, are blogging for Gapers Block while at SXSW, playing a ton of shows (mostly right after each other) while in Austin, and are then jumping on a flight back to Chicago to throw a record release party at the Hideout Saturday. Let me repeat, all of this in less than a week folks, which further proves that White Mystery is one of the hardest working bands around.

If you've been living under a rock in the Chicago music scene, and aren't familiar with the band, it's a sibling twosome that offer up a heavy dose of gritty garage rock. Brother Francis provides a driving powerhouse of drums backing the elated yelps and howls of the always bouncing and always bubbly sister Alex White.

They are a joy to watch, and some of the nicest folks around, so make sure to head out to the Hideout to celebrate their album release Saturday. And give them a hug or pat on the back for all the hard work. After their whirlwind week they deserve it!

The White Mystery Record Release show is Saturday March 20th at the Hideout. Tickets are $8, and you can purchase them here. The show is 21+ and kicks off at 9pm. The show is also presented by our friends over at CHIRP.

Lisa White

Concert Tue Mar 16 2010

P.O.S. Has Never Been Better

P.O.S. press photo

You don't know P.O.S. yet? Hip-hop fans should look into the Minneapolis rapper's latest album, Never Better, a solid follow-up to his 2006 album, Audition. A mishmash of hip-hop rhythms, jazzy and junky beats, and rat-a-tat delivery on the mic, the new CD is super energetic (check out "Drumroll," which features, of course, a drumroll as the backing track) and is actually fun.

It's a good bet his live show will be too; you can check it out for yourself this Thursday, March 18 at the Bottom Lounge (1375 W. Lake). Joining him will be fellow Doomtree collective member, Dessa, a gal who's also a force to be behold behind the mic. Astronautalis and F. Stokes open the evening. This is going to be a good, interesting show, folks. It starts at 8 p.m. and is 17+Get your tickets here or at the door.

Kara Luger

Review Sun Mar 14 2010

Flogging Molly @ The Aragon 3/13

Apart from the print ads in the interior of the Aragon promoting brands like Miller Genuine Draft and Univision, and the disco ball hanging incongruously from the ceiling, the Ballroom looked as lush and festive as it might have when the Chicago Daily Tribune referred to it as a "Gorgeous Bit 'o Hispaniola For Uptown Dancers" in a 1925 headline. Bag inspections and body frisks at the entrance caused a bottleneck for incoming concertgoers, and concession stands sold beer in plastic cups that was advertised at $6, but cost $7. The sold-out crowd wore a respectable amount of green, both kinds of hat (pork pie and driver's), and at least two mohawks.

Frank Turner opened the show, making his final appearance with Flogging Molly's 6th annual Green 17 tour before heading back to the UK, followed by The Architects, who turned the volume up before Flogging Molly took the stage. The opening acts brought the crowd to a simmer, the occasional enthusiast surfed the crowd, and the front of the house moved in quick, synchronized movements. Flogging Molly raised the temperature and brought the audience to a full boil; mosh pits formed and disappeared like bubbles. Among the items thrown into the air over the course of the evening were: several items of clothing, a couple light sticks (one landed on the sound board), and a number of $6 $7 cups of beer.

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Dave King of Flogging Molly (photo by Katie Hovland).

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J.H. Palmer / Comments (1)

Concert Thu Mar 11 2010

RJD2 comes to the Metro this Saturday

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Photo by Dan McMahon

Chances are even if you aren't familiar with RJD2, you've heard at least one of his songs before. He's the man behind the theme music to the popular AMC television show Mad Men, his haunting instrumental leading into the start of each liquor soaked episode. But if all you know is this one song, I beg you to dig deeper and find one of the hardest working and most genre bending hip-hop producers of today.

His latest album, The Colossus, is the first self-produced and self-released album for RJD2 on his own label, RJ's Electrical Connections. He's also re-acquired the master recordings to all of his Definitive Jux catalog, and has re-released them as well, making (in his own words) "a massive step towards being completely independent and working on my own terms, artistically and business-wise." The Colossus is a total untouched vision of an artist, with every beat, word, and moment not being clouded by the judgment of a label, producer, or multiple other nuisances. The product is a rich mix of funky soul, deep layers of production that are warm, polished, and clearly a joyful labor of love.

Check out the awesome video for his track "Let There Be Horns." It features a cubicle-dwelling minotaur that also pops prescription pills. That should be enough of a teaser to make you click play below.

RJD2 plays the Metro this Saturday, March 13th. The show is 18+ Doors open at 8pm, and the show starts at 9pm with opening acts Happy Chichester and Breaking Science. Tickets are $21 in advance or $25 day of the show. You can purchase tickets online here.

Lisa White

Benefit Tue Mar 09 2010

Give MS And Parkinson's the What-For

Neutron.gifThe fine roller girls of the Chicago Outfit are hosting a benefit on Thursday, March 11 at Liar's Club (1665 W. Fullerton). The event is a big ol' F-you to nerve diseases, and proceeds will go to the National MS Society and the National Parkinson's Foundation. For a mere $5 donation at the door, you can enjoy the likes of local punkers Das Kapital, The Neutron Bombs, Church Key, Coldcock Jones & the Shithawks, and more. The evening kicks off at 9 p.m., and yes, it is 21+.

Kara Luger

Concert Tue Mar 09 2010

4th annual SXSW send off party at Hideout

15550.jpgA surefire sign that spring is just around the corner is when everyone in the music industry starts packing up their suitcases (or band van) and heading to Austin, TX for the SXSW music festival, a yearly gathering of some of the hottest bands coming up through the ranks today.

The festival has exploded in popularity since it first started in 1987, and now includes a film and interactive offshoot, both their own massive event. The music version basically takes over downtown Austin, with every band ever written about on a music blog playing venues, bars, bbq joints, and even the sidewalk. I'd like to think of it as a working spring break for the music industry, emphasis on working for the bands that play multiple shows a day during SXSW.

The festival is a lot of fun, but it's a long way from home for the many Chicago bands that make the trek to Austin. So the fine folks over at the Hideout are planning a send off party to benefit the Chicago artists that are heading south later this month. For $10 you get a full day of music featuring 11 hometown acts including Tom Schraeder, Mittens on String, Waco Brothers, Life During Wartime DJs, and The Hood Internet. A pretty diverse bill, and just a handful of some of the bands that will represent Chicago this year in Austin. So stop by the Hideout, dance your ass off, and give some gas money to the folks heading down to SXSW.

The 4th annual SXSW send off party is this Saturday, March 13th at the Hideout. Music starts at 3pm, the show is 21+ and tickets are $10. You can buy tickets online here Correction: Tickets are now only available at the door, first come, first served.

Lisa White

Review Mon Mar 08 2010

Chicago's Own Jon Langford Waxes Charm, Hilarity at Schubas

[This guest post was submitted by reader Ciara Shook.]

It was just the man that filled the small stage on Saturday night at Schubas — a rare solo performance by Jon Langford without the accompaniment of The Mekons or The Waco Brothers.

Langford's appearance was part of the screening of the short film "At Last Okehmah!," in which he makes a cameo appearance. The event was part of the Chicago International Movies and Music Festival, and "At Last Okehmah!" told the story of a hipster-turned-folkster who claimed he channeled the late Woodie Guthrie. Langford joked that because the film was just 20 minutes long, it worked to his advantage, because no one left during his set.

Langford's onstage persona is nothing short of engaging — he told colorful stories and carried tongue-in-cheek banter between each song. As two unlikely genres to be represented in the same set, Langford flawlessly blended the punk rock of The Mekons with the alternative country of Chicago's own Waco Brothers. Langford's tenure in both bands is prevalent in his solo songs between his honky-tonk chord progressions and his cow-punk vocals (delivered in a discreet-yet-noticeable British accent) that work seamlessly in both worlds. He joked with members of the audience about the origins of some songs, such as Prince Charles' low approval rating in 1986 (compared to Tom Jones' astronomical rating — a number he claims increases with each telling). The highlight of the set involved audience participation for the sing-along chorus of "Are You an Entertainer?" from Mayors of the Moon, a product of Langford's stint with The Sadies.

Ciara Shook is a senior journalism student at Columbia College and a campus editor for Columbia's paper, "The Chronicle".

Anne Holub / Comments (1)

Concert Mon Mar 08 2010

The Magnetic Fields @ Harris Theater

Lots of bands make up for lackluster music with an off-the-hook live show. New York-based indie stalwarts The Magnetic Fields do it the other way around. Band leader/genius Stephen Merritt's been pretty open about his disdain for performing and his music (richly orchestrated folk-pop that sometimes incorporates synthesizers) could never be described as anthemic or arena-ready, but that didn't stop them from packing Millennium Park's Harris Theater to the gills on Oscar night. Their awkward stage banter alone makes it hard to believe these guys have been playing together for 20 years, but as soon as they start playing it becomes clear why this lineup has persevered so long.

Continue reading this entry »

Randall Colburn / Comments (1)

Concert Sat Mar 06 2010

Fly By Night seem to be planning a big anniversary party for April 8th

the-xx.jpgThanks to the heads-up that popped up on my twitter stream from the lovely Veronica over at CreamTeam, it sounds like Willy Joy has an awesome 3rd anniversary lined up for Fly By Night on April 8th at Debonair.

So it looks like Willy Joy and company are bringing in The xx to help celebrate the birthday of the Fly By Night series. The internet was rampant with praise over the London based band this past year, and their debut album, xx, ranked high on many year-end lists. Recently The New Yorker wrote a beautiful piece about them, and they'll be one of the many bands slated to play the massive Bonnaroo festival this summer. The band will already be in town for their sold out Lincoln Hall show, and if you didn't score tickets to that, it looks like you'll still have a chance to check them out in some capacity while they're in town.

There isn't any details as to what the band will be doing (actually playing a few songs (I'd be surprised but stranger things have happened), or just spinning music), but the event is listed on Willy Joy's Myspace, so make sure to keep April 8th open for The xx and to wish Fly By Night a happy birthday and many more.

Lisa White

Concert Wed Mar 03 2010

Judson Claiborne Record Release @ The Hideout 3/5

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In the front flap of Time And Temperature, the newest release by Judson Claiborne there is a quote from relationship expert Daphne Rose Kingma. "We tend to think of relationships as static, as if we could just get into them, assume a position inside them and then continue to hold it, essentially without changing forever, world without end. But in fact our relationships are fluid, vivid, mercurial, and constantly changing."

Continue reading this entry »

Aharona Ament

Album Wed Mar 03 2010

The Blacks In Sickness and Health

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The Blacks (photo courtesy of their Myspace page)
In Sickness and Health is The Blacks' first album since their breakup a decade ago and their subsequent reunion after a performance at the Hideout's Block Party last fall. It is a six song EP, and is being released in digital format only on March 9, with an accompanying record-release show this Saturday, March 6 at Schubas.

Much tamer than their previous work, In Sickness and Health reflects the wisdom (and perhaps exhaustion) of mature musicians. Many of the punk rock riffs have been replaced by steady Americana strums, but the freshness is still there. This is music for people who don't want anything fancy--who love the blues and "real" country music but wish they weren't quite so darn sad. Make sure to check out the show this weekend and then let us know if they've still got the raw energy they used to.

Kelly Reaves

Review Tue Mar 02 2010

Review: Alkaline Trio & Cursive @ Metro 2/28/10

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Cursive at Metro (Photo by Andy Keil)

Emerging from behind the curtains with, "Some Red Handed Sleight of Hand," Cursive began warming the crowd, a feat the Dear and Departed failed to accomplish. Vocalist Tim Kasher veered from a whispered murmur to anguished yowl on key tracks like "Art is Hard" and "The Casualty." Adding a single horn player on top of guitar, bass, and drums adds some live presence but still doesn't make up for the loss of a cellist or all the instruments that are used on the records. After "From the Hips," the fans settled in until Kasher unleashed that signature once again for their set closer, "I Couldn't Love You."

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Matt Skiba of Alkaline Trio at Metro (All photos of Alkaline Trio by Katie Hovland)

As Alkaline Trio's famed heart skull emblem was unveiled, the crowd cheered and a fan remarked, "That's going to be on my body forever!" Shortly after, Matt Skiba, the master of disguise, strode on stage in a newsboy hat and black-framed glasses while beaming over the crowd. Night two of Trio's weekend stint at the Metro began with "This Addiction," a shameless plug for its new record of the same title, which was released on Tuesday, Feb. 23.

After the second This Addiction track, "Dine, Dine My Darling," the opening chords of "We've Had Enough" brought the crowd to a boil, followed by shouts of "Turn that fucking radio off!" Nearly the entire crowd shouted along with Skiba's every word.
Skiba ditched his hat and glasses insinuating, "we're just getting started," and took a quick breath before blazing through "Mr. Chainsaw," prompting a crowd push toward the stage.

Continue reading this entry »

Andy Keil / Comments (5)

Concert Tue Feb 16 2010

An(other) Index of Metals

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Nearly three years to the day since his last Chicago appearance (which itself was his first Chicago performance in 25 years), industrial shaman/percussionist Z'EV will return to Wicker Park's Enemy space (1550 N. Milwaukee) to again tingle the ears and brain stem with his rumpled metals and steely gaze.

If you missed him the last time, Z'EV enthralled a packed house at Enemy with a variety of interlocking strategies: a gong played to reverberate into a suspended bass drum, creating sympathetic drones; assorted shakers and rattlers which were massed to create huge insectoid swarms; and, most evocatively, a bent and textured sheet of metal (drawn over with runic symbols and pathways) resonated to life via a rubber ball on a stick. Z'EV hovered over his devices like a medicine man deep in trance, and his attacks were aimed consciously into the corner of the room, bouncing back into the audience with strange trails and secondary beats. With no electronic processing or even amplification, Z'EV created an immersive environment, riveting the audience and casting stunned silence even during the moments between movements.

If you need a sample, here's a 3-minute collage of the performance on Youtube. The sound is captured remarkably well given the medium, but nothing will prepare you for the full in-person experience.

Continue reading this entry »

Chris Sienko

Concert Tue Feb 16 2010

Wild Beasts play Schubas this Thursday and Friday

"I'm a sucker for a sexy falsetto" isn't a phrase you'll hear me utter often. But I've been converted to a fan of men singing like they've just been punched in the balls thanks to the stellar track "All the Kings Men" from UK rockers Wild Beasts, who roll into town later this week.

All high male vocal jokes aside, Wild Beasts latest album Two Dancers (released on the always quality label Domino Records) really showcases lead singer Hayden Thorpe's sultry and sexually frustrated falsetto. Thorpe's yelping and growling matches perfectly when mixed over the layers of dense yet crisp instrumentation. The lyrics are a bit indulgent, sometimes tongue in cheek, and sometimes deadly serious, creating a broad range of subject matter all cued up to a head bopping soundtrack. Influential sounds of glam and new wave are evident, and I can hear bits of The Smiths littered all over the record. Check out their slightly spooky video for "All the Kings Men" below, and let me know if you hear the similarities I hear. Then go check them out live when they headline Schubas this Thursday and Friday.

Wild Beasts are playing at Schubas this Thursday and Friday, the 18th and 19th. The Thursday show is 18+ and the Friday show is 21+ and tickets cost $13 in advance or $15 at the door. The Thursday show starts at 9pm, and the Friday show starts at 10pm. Opening both nights is Still Life Still. You can buy tickets to both shows over at Schubas.

Lisa White

News Fri Feb 12 2010

Kings of Convenience @ Metro 2/20 POSTPONED till June

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Word came in late last night from the Metro that the much-anticipated Kings of Convenience U.S. tour has been postponed a few months. Posts on the band's MySpace page is that Erik Glambek Bøe is sick.

On 2/9, Erlend wrote:

Eirik fell ill yesterday, and today the doctor says its a flu-virus. I dont know more than this at the moment , but check this space for more info today and tomorrow. The scheduled appearance at Jimmy Fallon show on thursday will in any case most likely fall out. :-( Erlend


So instead of rolling into Chicago next weekend, they're going to wait until June 10th to play the Metro. All tickets purchased for the February 20th show will be honored, so not to fear. If you cannot make the rescheduled date, refunds are available at your point of purchase. Speedy recovery, Erik!

Photo: Kings of Convenience Erlend Oye and Erik Glambek Bøe. (courtesy of the band's MySpace page)

Anne Holub

Concert Wed Feb 10 2010

Spandex and Bad Attitudes

2008-02-27_LL.jpgAbout a year ago, I flew down to Florida to visit my mom, who was dating a man my boyfriend's age. We were looking for something to do, and her boyfriend suggested we go to a club in Ybor City to see his friend's band play. Well, he got his dates mixed up, and as it turned out, we were accidentally in store for a treat. That treat was Leslie and the Ly's-- a colorful, overstated, and wildly entertaining dance act employing such accessories as sassy attitudes, lame', and, of course, bedazzled sweaters. Leslie emphatically danced around the stage, singing about Dairy Queen and stretchy pants, glaring at the audience through her giant plastic glasses. Her sidekicks, playing keytars and wearing dark sunglasses, managed to never crack a smile, which totally worked for them.

Over the years, Leslie has become wildly popular in niche markets-- particularly with budding hipsters and gay guys-- and I haven't been able to get that performance out of my head. It's hard not to have a good time at a Leslie and the Ly's show. Even my mom came up with some new moves.

Check her out this Friday at The Subterranean with Christopher the Conquered and Locks. The show starts at 10pm and admission is $12.

Kelly Reaves

Concert Fri Feb 05 2010

Jemina Pearl (former Be Your Own Pet frontwoman) at Beat Kitchen Saturday

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If you were at Lollapalooza in 2006, you might have had the joy of checking out Nashville garage punk outfit Be Your Own Pet. With proud papa Thurston Moore of Sonic Youth filming from the side of the stage (Be Your Own Pet were signed to Moore's label Ecstatic Peace), the Nashville teens pogo'd around in all their awkward adolescent glory. Lead singer Jemina Pearl whipped her peroxide hair around, stopping midway through their set to puke and declare it tasted like Watermelon, before immediately launching back into their brash brand of garage punk. The band was incredibly charming, puke and all, so it was a shame when they decided to part ways.

Thankfully Pearl and BYOP drummer John Eatherly decided to keep making music together, moved to Brooklyn (where all indie rocking 20-somethings seem to end up), and wrote a bunch of songs that pay homage to 50s girl group music infused with a nice dose of punk. What came out of it all is Pearl's solo album, Break It Up, which is equal parts syrupy sweet and punk noise. The album also includes an impressive roster of guest artists, including Thurston Moore, Iggy Pop, and Dave Sitek of TV on the Radio fame. The music may have gotten a bit more pop, but Pearl is still a vivacious force live, and you can check her out this weekend when she rolls into town.

Opening for Pearl is local act White Mystery. I've raved about them before, and they recently played the Gapers Block show at the Metro, so you know they've got our stamp of approval. Make sure to head out early to see their set, then grab one of them (they aren't hard to find, given their bright red curly hair) and buy their debut cd that came out last month.

Jemina Pearl plays the Beat Kitchen tomorrow, Saturday February 6th, located at 2100 W. Belmont. Doors open at 9, and the show starts at 9:30pm with opening act Swiss Dots. The show is 17+ and tickets are $10. You can purchase tickets here.

Lisa White / Comments (1)

Album Thu Feb 04 2010

Album Review: Puerto Muerto-Drumming For Pistols

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Local husband and wife duo Tim Kelley and Christa Meyer better known as Puerto Muerto have been making intoxicatingly dark cabaret inspired music for almost ten years. Their debut album Your Bloated Corpse Has Washed Ashore is considered a cult classic. They also toured in 2005 preforming live with The Texas Chainsaw Massacre for which they made a supplemental soundtrack to the film. They are an interesting band that are a secret gem to those who have been lucky enough to find them.

The latest from the pair is their sixth full length release entitled Drumming For Pistols which is due out February 9th on Fire Records. This album very much like their past work is filled with themes of deep loss and regrettable sadness woven all the way through. Even though this band has beautiful arrangements in their music, their medium for expression is equal parts storytelling. Very much in the spirit of two of their influences Nick Cave and Nina Simone, every song has a different character, a new way of feeling lonely and a new twist in it.

Continue reading this entry »

Aharona Ament

Concert Thu Feb 04 2010

Monotonix Schedule Chicago Date, Break A Leg

monotonix.jpgIf you've ever been to a Monotonix show, you know that things can get, well, a little crazy, sometimes leaving you wondering how no one was injured during their performance. Well, last week lead vocalist Ami Shalev broke his leg after coming down hard out of a jump at a show in West Palm Beach Florida (P.S. there's video). Apparently their reputation precedes them, because this is what the Israeli garage rockers had to say about their visit to JFK Memorial Hospital (P.S. there's pictures):

"the doctor showed up asking for autographs and started having the nurses take his pictures with Ami and the band. other nurses kept coming in and out of the room with monotonix show videos playing on their ipods.the highlight of the evening was the doctor showing us youtubes of his 12 year old son playing drums while Ami is getting pain killer shots to his butt from the nurse."


To give you an idea of just how outrageous things get at their shows (besides the obvious "you could break a leg"), at ther Hideout Block Party appearance in '08 drummer Haggai Fershtman crowd surfed--along with his drumset, complete with flaming cymbals--while still playing. Needless to say, audience participation is almost a requirement at their shows, so be ready (yours truly still has a drumstick from their last appearance at the Hideout).

Having only canceled one show in Athens the night following the injury, they completed the two final dates on the tour and are now recording here in Chicago. Lucky for us they've already scheduled another tour beginning next month with a stop at Schubas scheduled for April 19. And don't worry that you've missed out on the band's "better" days--something like a little broken leg wouldn't have this group holding back in the slightest.

Monotonix @ Schubas: April 19, 2010. Tickets are $12. 18 & up. 3159 N. Southport.

Michelle Meywes / Comments (3)

Concert Thu Jan 28 2010

The Dog Show Takes It Down a Notch

Last December, we named The Flesh Hungry Dog Show's Mucca Pazza/Detholz! concert as one of the best of 2009. But lest you think the FHDS is all raucous hubbub, this month's offering is sweetly sleepy. On Friday, Feb. 5, Katie Todd headlines, a singer-songwriter with a truly lovely voice that should be played in movies during pensive, bittersweet moments. (Oh wait, her songs are on several soundtracks. My bad.) Fellow Chicagoans Dylan Rice and Jen Porter open the show.

Normally I wouldn't advise slugging down giant fruity drinks while listening to these subdued bands, but hey, the show is at the Jackhammer (6406 N. Clark St.) -- a giant fruity drink is practically de rigueur. The show begins at 9 p.m., and tickets are $10, whether you get them online or at the door.


Kara Luger

Concert Wed Jan 27 2010

Dame-Nation @ The Portage Theater 2/20/10

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Chicago Girls Rock (not to be confused with Girls Rock! Chicago) is kicking off their first concert, a "mega-show" titled Dame-Nation at the Portage Theater, located at 4050 N. Milwaukee, just north of the intersection of Milwaukee, Cicero and Irving Park.

The concert will showcase female musical talent, with a lineup of seven female-led hard rock bands from the Chicago area, including: Whiskey Blonde fronted by Brooke Bartlett, their debut EP Scream Like You Mean It is available on iTunes if you want to give it a listen; The Hannah Ford Band, named for the woman who not only sings lead vocals, but plays drums too; Losing Scarlet, featuring vocalist Jodi Kell; SAGE4, named for front-woman Tracey Sage, and whose new CD Graves is out now; F.H.O.D., (word has it the acronym stands for Flying Hamsters of Doom) with lead vocalist KK; and Dead Man's Wake, with front-woman Kryssie Ridolfi. The band's EP Back to Blood is available on iTunes. High Gloss Black will be headlining, with vocalist Jessica Robinson. The evening will be hosted by VH1's Ambre Lake.

Tickets are $15 in advance, $20 at the door. For information and tickets go to Chicago Girls Rock.

J.H. Palmer

Interview Sat Jan 23 2010

Goatwhore Interview & Photos: 1/20/10

All photos by Brian Leli

On the road, Goatwhore vocalist Ben Falgoust acts as tour manager, merch guy and occasional van driver. When not enthralling the crowd, he can likely be found loading in equipment or selling t-shirts. It's only one example of the fortified work ethic and resolve that has kept the band moving for over a decade.

I met up with Falgoust and Goatwhore guitarist Sammy Duet after their HOB show on January 20. We sat in a small corner of their dressing room to talk about the New Orleans band's turbulent history: how it affected their music, the drive that kept them going, and how Chicago played a role in much of it.

 

Continue reading this entry »

Brian Leli

Preview Mon Jan 18 2010

Goatwhore @ HOB 1/20/10

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Photo by Brian Leli

Their upcoming January 20 stop in Chicago comes hard-won for the members of Goatwhore. Among them, the road traveled from New Orleans has been paved with everything from black ice and flood waters to drug addiction and death. But moving relentlessly through several serious van accidents and one Katrina-interrupted album, they keep coming back.

In 2009, Goatwhore released their fourth studio album, Carving Out the Eyes of God. It's their first release not accompanied by a major disaster since 2000. And it's a punishing display of what can be accomplished with a little determination. Carving Out the Eyes of God finds the band progressively focused on the roots of black metal. It's a prodigious fusion of black metal and rock, or black n' roll as it's been described.

Goatwhore returns to the House of Blues this Wednesday, as part of the Bound by the Road tour with DevilDriver, Suffocation and Thy Will Be Done. Doors open at 5pm. The show starts at 5:30pm and is all ages. Tickets are $15 in advance, $18 day of show.

I'll be there interviewing the band and photographing the show. Stay tuned for a post-show report.

Brian Leli

Review Mon Jan 18 2010

Review: Owen Pallett (aka Final Fantasy) at Schubas 1/16/10

Owen Pallett, formerly known as Final Fantasy, made waves as string arranger for The Arcade Fire, but that was only the beginning. While still a steady and integral member of the powerhouse Montreal group, Pallett has built an ambitious and impressive career by remixing tracks by Grizzly Bear and Stars, contributing string arrangements to Beirut and Pet Shop Boys and recording three solo albums. The second of those, the majestic but tragically-titled, He Poos Clouds, was the 2006 winner of the Polaris Music Prize. Pallett, because he just wasn't awesome enough, decided to donate his prize money to struggling colleagues.

His latest album, Heartland, is a far-reaching and often strange concept record concerning a farmer's one-sided conversation with his creator, Pallett himself. The record was recorded with a slew of artists, including the Czech Philharmonic, and his live shows draw all the more attention since he often performs solo or with the help of one or two musicians. When I saw him at the 2009 Pitchfork Festival, it was just him and his instruments, alone on a gigantic stage in front of thousands of sweaty hipsters, a bemused look of wonder across his face.

Schubas' moody, intimate space is a much more appropriate venue for Pallett's intimate aesthetic, and Saturday night, on the penultimate evening of the Tomorrow Never Knows Festival, he didn't disappoint.

Continue reading this entry »

Randall Colburn / Comments (1)

Artist Fri Jan 15 2010

Free Music (a lot of free music)

travis.jpgTravis Lee Wiggins is beyond prolific, and over the course of his career with Essex Chanel he has released 249 songs. Yes he has other projects like The Salts, but this morning we are celebrating a new year for Essex Chanel. Yesterday, Travis announced that he would be giving away the entire back catalog, all 249 songs/11 albums, for free this year to anyone who is interested.

In addition to that huge giveaway the band will be releasing Love is Proximity Sessions, Disk 2 on January 26th. The first disc was released last year and further highlighted Travis' ability to craft high quality, catchy as hell, indie pop.

For more information on how to download this massive catalog visit Essex Chanel's website. The band will be playing at Uncommon Ground on March 4th.

Jason Behrends

Concert Thu Jan 14 2010

Switch spins at Smartbar this Saturday

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Switch has been a busy man the past few years. Although his home might be behind a DJ booth, he's spent a good amount of time collaborating with some of the most talked about artist around (Santogold, Amanda Blank, M.I.A.) and remixing the likes of Basement Jaxx, The Chemical Brothers, Lily Allen, and Bjork to name a few. He's also part of the Diplo collaborative Major Lazer, which cranked out some of the headiest island dancehall beats of the past year with tracks like "Hold the Line" and "Keep it Going Louder." You definitely can't say the man doesn't stay busy.

Lucky enough for us, he'll be manning the decks at Smartbar this Saturday, along with Chicago house duo Santiago and Sexual Chocolate. If you're not familiar with Switch's DJ style, expect a glitchy techno up-tempo set, best described (in Switch's own made-up term) as fidget house, which he described in an interview with LA Weekly as "basically just jackin' house beats with a few unexpected twists and turns."

Switch plays this Saturday, January 16th, at Smartbar. Tickets are $10 in advance or before midnight, and $15 dollars after midnight. The music starts at 10pm, and the show is 21+ You can get your tickets online at the Metro/Smartbar site.

Lisa White

Radio Wed Jan 13 2010

CHIRP Radio is Going Up (and Partying Down)

(In the interest of disclosure, Dan Morgridge is a current volunteer and DJ with CHIRP.)

While one gets antsy upon waiting two minutes for a sandwich at the local Potbelly's, try waiting over two years to get yourself a radio station. The 200+ volunteers of CHIRP have gone through almost 30 months of fundraising, venue searching, political activism and physical construction to get their station ready for launch. Now the station is all but ready to go, and the station is throwing a kick-off party before they flip the switch.

This coming Sunday eve, the Empty Bottle will host all all-local smorgasboard with The Hollows, The Yolks, Rabble Rabble, and a number of CHIRP DJs for a cherry on top. Doors open at 9:00PM, Cost is $8, and it's 21+.

Even if you can't make it out, fear not — provided you can defeat your hangover a little early, the true launch of the station won't happen until the next day at noon. Visit the station site to watch the hours count down, and then to start hearing local Chicago radio happen at the drop of mid-noon, Sunday!

Dan Morgridge

Benefit Wed Jan 13 2010

Get The New Year Started On The Right Paw

kittypalooza.jpgWho's not a sucker for kittens? I certainly am, and that's why I couldn't pass up tomorrow night's show at the Empty Bottle (especially when it's dedicated to the Bottle's very own kitty, Radley, who passed away last year). Local musicians Brice Woodall, One & Only, Cobalt & the Hired Guns and Todd Kessler will all perform on behalf of the kitties at Tree House Humane Society in their 5th Annual Kittypalooza. Tree House has found homes for nearly 15,000 animals since their opening in 1971, and is currently home to 300 cats while they wait for adoption.

Did I mention there will be kitty themed drinks? It's just a $10 suggested donation to get in, and besides the satisfaction you'll get in knowing you're helping the Tree House kitties, there will also be a raffle with prizes from Newleaf Natural Grocery, Karyn's Raw, and Namaskar Yoga, among others. Doors open at 8pm and the music gets started at 8:30pm. 1035 N. Western.

Michelle Meywes

Concert Tue Jan 12 2010

Pet Lions, Post Honeymoon, White Mystery and Dirty Diamonds @ Metro 1/22 (FREE)

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On January 22nd, Gapersblock and the Metro are teaming up again to bring you a free night of music! Our all-Chicago lineup includes indie pop lovelies Pet Lions (a client of Gallery of Carpet studios), with the adorable married pair (with dark, dreamy tendencies) Post Honeymoon, the red haired sibling duo who rock stripped down tunes that make you want to dance White Mystery (previous love here), and the excited soulful dance-in-the-pants music of Dirty Diamonds. If you bring this flyer [PDF] with you you'll get in free before 9pm (pay just $6 after 9pm with the flyer or a special Metro text on your phone, or just $9 without). You can also sign up for Metro text messages and use your text to get in free before 9pm.

The Metro is located at 3730 N. Clark St. 773-549-0203. The show is 18+. If you'd really love advance tickets, they're $6. Get in free before 9pm with this flyer [PDF], or pay $6 after with flyer ($9 without).

Anne Holub

News Thu Jan 07 2010

Slayer Cancels Tour Plans

Slayer vocalist/bassist Tom Araya's recently scheduled back surgery has forced the California metal legends to cancel their tour plans through April. This includes the cancellation of the American and Canadian Carnage Tour dates with Megadeth and Testament, which of course also includes the cancellation of the tour's February 5 stop at Chicago's UIC Pavillion.

According to a press release issued today:

"Tom gave various medical treatments more than a fair shot," said Slayer's manager Rick Sales, "but they just haven't handled the problem, so he's biting the bullet and is scheduled for back surgery at the end of this month."

The headbanging Araya, known for aggressively swinging his long mane of hair while performing, began experiencing back problems while on the band's Australian/New Zealand/Japanese tour last October. In spite of his rapidly increasing pain and discomfort, he carried on with the tour, but immediately upon returning home saw an orthopedic specialist who diagnosed a Cervical Radiculopathy. The rocker initially did not want to take the major surgery route, so the specialist recommended a series of minimally-invasive procedures. While those procedures have resulted in some improvement, Araya continues to deal with intermittent bouts of severe pain, numbness and muscle spasms. The surgical procedure that Araya will undergo, called an Anterior Cervical Discectomy with Fusion, is a relatively routine practice and the recovery rate is excellent.

Booking agents for both Slayer and Megadeth are already hard at work rescheduling the tour dates; tickets already purchased for these shows will be honored at the rescheduled dates.

Brian Leli / Comments (2)

Concert Wed Jan 06 2010

My Gold Mask @ The Hideout

647111307-1.jpgFollowing up the success for their clash with The Hood Internet a few months ago, My Gold Mask is back with an addictive five-track ep called A Thousand Voices. Surprisingly just a duo, Gretta Rochelle and Jack Armondo have created a world that is dark, but always danceable. Blending the best of Santigold and Lady GaGa with the style and attitude of Siouxsie Sioux, these two have really do have the strength of a thousand voices.

Each track has it own sound, but the two that have the most energy are the lead single "Violet Eyes" and the second track "Circle Mass". They are currently offering "Circle Mass" as a free download, and you can stream the entire ep at bandcamp as well. My Gold Mask is one of the more promising bands in the city as work to crave out a distinctive sound and follow it up with quality live performances.

They will be playing a release show for A Thousand Voices at The Hideout on January 9th with The Bitter Tears and Violetness. The show starts at 9:00pm and tickets are $8.

Jason Behrends

Review Sun Jan 03 2010

Review: New Year's Eve @ Double Door with Local H, Electric Six, and White Mystery

The end of the decade was ushered in like a cryptic end of the world as a sparse countdown clocked asked a sold out crowd at the Double Door "Are you ready to rock?" Scott Lucas, dressed in full spaceman regal, sauntered onto stage as the theme from 2001: A Space Odyssey boomed throughout the room, the start of a macabre night of sci-fi, space, and rock 'n' roll.

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Lisa White / Comments (2)

Concert Wed Dec 30 2009

Jens Lekman Fourth Show Added: 01/03/10

jens_lg.jpgJens Lekman loves Chicago! Even though he hasn't been in town since March of last year, this time he had decided to stay awhile. He is playing four shows starting on New Year's Eve, and also on January 1st and 2nd at the Empty Bottle. Now another show has been added for January 3rd at The Viaduct Theatre. Tickets are $10 and can be found here. For information on Jens's other shows check out the Empty Bottle's wesite and spend the New Year (or the night's following) with the Swedish indie pop singer.

The show starts at 7:30 and is all ages. The Viaduct Theatre is located at 3111 N. Western Ave. (773) 296-6024

Aharona Ament / Comments (1)

Concert Tue Dec 29 2009

Still need plans for New Year's Eve?

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Still dragging your feet figuring out plans for New Years Eve? Maybe you've already seen The Jesus Lizards and/or Crystal Castles this year, want to avoid the madhouse that is called Girl Talk at the Congress, or are just overwhelmed by the many options. Do you crave something simple? If a solid night of music, no dress code of any kind, and a hosted bar sound like the perfect plan to you, then take my cue and head over to Double Door for NYE this Thursday.

I'm a no-frills type of gal, so the perfect way to ring in the new year to me is dressed down, drink in hand, listening to loud guitars in the back of a bar. And I want all of that at a reasonable price. The Double Door is dishing up just that with Local H, Electric Six, and White Mystery. Local H will be bringing back their popular "Odyssey" New Year's Eve performance, where they'll perform a spaceman-themed set, all while dressed in costume, before launching into some of their favorites and hits. Before you'll get to bust some moves on the dance floor with one of Double Door's favorite acts that roll into town, Electric Six. Odds are you'll find me singing along to "Gay Bar" in the back corner. And to kick things off is one of my favorite hometown acts, the garage rock sibling duo White Mystery, who are busy at work on their debut full length. Doors open at 9:00pm, and music starts at 9:30pm.

And the best part? All of this will just cost you just $65, and that price includes a hosted bar, which is the real kicker. This means you won't lose track of your NYE celebration tab and end up broke when you sober up on January 1st. The hosted bar includes draught beer, well drinks, wine, water, and soda. Regular priced bottled beer, call drinks, and premium drinks will also be available for purchase according to the Double Door's site.

So head over and get your ticket now, stop worrying about what you're doing Thursday night, and head over to the Double Door to kick of the new year with myself and some of the finest folks in Chicago.

Lisa White / Comments (2)

News Tue Dec 29 2009

Go Ga-Ga Somewhere Else

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If thought you had one of the tickets to the upcoming Lady Ga Ga shows January 8, 9, and 10, 2010, well, you don't. The shows have been moved from the Chicago Theatre to the Rosemont Theatre due to production issues. Tickets to the Chicago Theatre shows (which sold out in 15 minutes) will not be honored by the Rosemont, so you'll need to get a refund on those. But there is an exclusive presale starting tonight at 5pm for those who had tickets originally. Details at the Chicago Theatre site, or click below to read a statement provided by the Chicago.

Update According to a Chicago Reader Early Warning email received this morning, any additional Lady Ga Ga tickets that are available after the pre-sale will go on sale Monday, January 4th at 10am.

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Anne Holub / Comments (2)

Concert Sat Dec 26 2009

Emily Wells Puts Her Own Touch On A Classic

Emily Wells - Drew Reynolds.jpgThe presents have all been opened and hopefully you've slept off yesterday's Christmas feast, and after those awkward conversations with relatives (distant or not), you're probably ready to get out of the house. If you're lucky enough to be in sweet home Chicago and not still out of town with the fam, grab some friends and head to Lincoln Hall to see Emily Wells tonight.

We first heard and saw Wells over the summer at Pritzker's Edible Audible lunchtime picnic series where she blew us away with her beautiful melodies and multi-instrumental prowess. She's another of today's artists using looping equipment to solely build their songs on stage, joining in the company of musicians like Andrew Bird and Jamie Lidell.

A young female classically trained violinist, fan of hip-hop who decided to merge the two genres? While it sounds ridiculous, the result is a beautiful, free flowing, sometimes saucy new sound, as evidenced in her cover version of Biggie Smalls' "Juicy." She essentially creates what sound like modern symphonies--her last LP (which came out in 2008) was aptly titled The Symphonies: Dreams Memories and Parties. On the record she recorded up to 21 separate violin tracks per song to create a virtual sonic orchestra.

Besides being a joy to listen to, she's a delight to watch on stage. You can bet you'll hear some tunes from her most recent EP, Dirty, as well as some new pieces--if you're lucky, her new track "Passenger" will find it's way into the setlist.

Emily Wells plays Lincoln Hall tonight. Show starts at 10pm. Azita opens. Tickets are $12. 21 & up. 2424 N. Lincoln Ave.

Michelle Meywes

Review Mon Dec 21 2009

Review: Chicago Afrobeat Project @ Martyrs

afrobeat.jpgSunset was at 4:21pm on Saturday, but that didn't stop the lineup at at Martyrs' from playing into the wee hours of Sunday morning, winter doldrums be damned. The James Brown tribute band Get Up With The Get Downs kicked things off with their stellar brass section, front man Izzy's endless energy, and a guest drummer who filled in at the last minute with just a few hours to rehearse. The band roused the audience into singing along with Cold Sweat and Hey! Hey! I Feel Alright!, and secretly I hoped there would come a moment when Izzy collapsed onstage, only to be rescued by a cape-bearing well-wisher strategically waiting in the wings. Get Up With The Get Downs play every 3rd Thursday at the Cobra Lounge, and will be playing at the Hideout January 2nd. Catch them if you can, they put on quite a show.

Chicago Afrobeat Project took the stage next, with up to 14 people performing at once, including vocalist Antar Jackson, and dancers Tosha Alston and Imania Detry from The Muntu Dance Theatre of Chicago. This was CAbP's first time performing in Chicago in several months, and the audience was clearly glad to see them. Between the dancers and the hypnotic mix of funk, rock, jazz and Afro-Cuban music, the energy was unstoppable. Each song was its own production, and it was early Sunday morning before they finished their set.

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J.H. Palmer / Comments (2)

Concert Fri Dec 18 2009

Review: Andrew Bird @ Fourth Presbyterian Church 12/15/09

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Photos courtesy of Joshua Mellin


Gezelligheid is a Dutch word meaning "cozy" - not in size, but in ambiance. I've had the pleasure of seeing Andrew Bird in much smaller venues than the loop's Fourth Presbyterian Church, but the church was definitely gezellig during Andrew's performance Tuesday night, the second of four "Gezelligheid"-themed concerts in Chicago.

This night was anything but your typical Andrew Bird concert. Having recently injured his foot in Minneapolis, Andrew meekly limped onto stage and spent the rest of the evening planted atop a cushioned chair. This not only meant that he couldn't bounce around stage as per usual, but he also could no longer use his foot pedals, which gave the show an unintended theatrical element as he had to wave his bow in circles in the air to signal when he wanted his double-horn speaker to spin.

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Stephanie Griffin

Concert Tue Dec 15 2009

Review: Cool Kids @ Reggies, 12/10/2009

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Last Thursday was without a doubt the coldest day of the year thus far, with temperatures dipping into the teens and the wind chill well below zero. But Chicago hip hop outfit the Cool Kids didn't seem to mind, as they whipped a packed crowd into a frenzy with their signature bass heavy cuts and previewed new material at Reggies.

The duo first got attention with a slew of throwback retro jams like "Black Mags" and "Mikey Rocks" full of 80s era scratch and bass bumping sound back in 2007. Their lyrics are full of pop culture reference and sly snark, as Chuck Inglish and Mikey Rocks bounce and banter back and forth, clearly a perfect fit and balance for each other. They've come a long way from playing at Town Hall Pub, and Thursday night was a homecoming celebration of the long strange trip the duo has been on the past few years.

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Lisa White

Concert Mon Dec 14 2009

Yolks for Free

Last weekend I was talking with someone from Pittsburgh who asked me about the Yolks. I asked, "Who?" He was shocked that I wasn't familiar with a band from the city where I live. I explained that I don't know every band in Chicago. He countered, "Yeah, but the Yolks are good." Well then, I just had to hear these Yolks.

And so for the last few days I've hardly listened to anything but the Yolks. It's nothing special to play lo-fi garage rock in 2009, which is what I gathered was the Yolks' wheelhouse on a first listen. However, it's not just that. Their debut LP (with re-recorded versions of songs previously found on a few singles) includes nods to country, surf-rock, doo wop and other complex surprises buried in ragged 3-chord songs barely stretching past 2 minutes. Fans of the Goodnight Loving and the Soft Pack, especially, should be all ears. But who couldn't find a way to love a song titled "My Love is Yours (My Money's Mine)" or one about charming a paramour with peanut butter and jelly sandwiches?

The Yolks headline a free show tonight at the Empty Bottle. Tyler Jon Tyler and Sleepovers open. The show starts at 9:30PM. The Empty Bottle's at 1035 N. Western.

James Ziegenfus

Concert Wed Dec 09 2009

El Vez, Los Straightjackets @ Double Door, Friday, 12/11

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The man who might very well be the Latino reincarnation of Elvis (Robert Lopez, better known as El Vez) will once again grace Chicago with his presence on Friday night at the Double Door. He's bringing the very special, the very rock and roll, the very fabulous El Vez "Viva Christmas!" Show to town, and he's got some new friends in tow this year. Backing band (and stars in their own right) Nashville's very own, Los Straightjackets, will be on stage along with the L.A. performer (and the fabulous El Vettes) who's bound to bring it harder than The King himself to the intimate setting on Milwaukee Avenue. But that's not all. El Vez, who's been known to throw costume changes, giant inflatables, and dance routines rivaling Ike and Tina, is also a witty lyricist, rewriting Elvis classics with Spanish lyrics (like "Suspicious Minds" re-visioned as "Immigration Time" or "In the Ghetto" as "En El Barrio"). Not just an Elvis aficionado, he's also a serious political performer, working to aid the struggle for Latino rights as well as other organizations. Friday's show will likely have a very Santa, a very Latino, and a very fabulous vibe. It's Viva Christmas! after all, and it's definitely time to party. It's all about bringing people together. As Lopez says, "When you come to an El Vez show, you walk away proud to be a Mexican," he says. "Even when you're not."


Tickets for the show are $15 and doors open at 8pm (showtime 9pm). Knuckle Dragger opens with surf/metal stylings. 21+ The Double Door is located at 1572 N. Milwaukee Ave. 773-489-3160

Anne Holub

Concert Tue Dec 08 2009

The Cool Kids Play Reggies Thursday!

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Sure, the high Thursday is suppose to be 13 degrees, but you won't find me sitting at home. I'll be venturing out into the cold to warm things up with Chicago hip-hop duo and hometown favorite the Cool Kids. With their minimal bass heavy beats and stylish pop culture heavy lyrics, Chuck Inglish and Mikey Rocks prove they've got some of the most bare bones yet infectious hip-hop around. With a killer EP, some fresh mixtapes (including the fantastic Gone Fishing), and the recent collaboration track "(We Are) Champions" with Hey Champ, the boys have kept busy while working on their forthcoming full-length release of what will surely be a great batch of old skool jams. Go check them out Thursday, and get your body moving to stay warm during the Chicago cold.

The Cool Kids play Reggies Thursday December 10th at 8pm. The show is 18+ and tickets are $20. Opening up is Bun B of UGK fame. Get your tickets here.

Lisa White

Concert Mon Dec 07 2009

Meeting of Important People @ Elbo Room

In the age of internet marketing and viral video it is really hard to judge how popular or successful a band is, and it typically something that does really factor into my decision to write about them or not. However, with Pittsburgh's Meeting of Important People their popularity seems a little more in hand. First, the video that they sent me had already been viewed by 46,000 people. The video is very creative, constructed of cardboard and animated, but is it the concept or the quality of the song that has driven this success? Well, the track "Brittany Lane Don't Care" is taken from their self-titled debut album on Authentik Artists, and what maybe be deceiving is that the song really doesn't do the bands live performance justice. The word is that on stage the band is full of energy and they have been gaining that reputation through opening spots for bands like Ok Go and Sam Roberts Band. In fact, those two bands are actually pretty good comparisons to their indie-pop sound, and you can listen for yourself here.

I suppose we all will have to judge for ourselves as they take the stage tomorrow night at Elbo Room with Chicago's Lorelei and The Troublemakers. The show starts at 8:30pm and the cover $7.

Jason Behrends

Benefit Sat Dec 05 2009

Benefit: Covers For Cover II @ Lincoln Hall, Wednesday 12/23

mail-2.jpgCover shows are usually a fun way for bands to dress up in costume and pretend to be someone else for the night. This year the word cover means so much more as Lincoln Hall puts a spin on the idea and presents Covers for Cover II, a benefit for Connections for Abused Women and their Children. CAWC is a place where women can establish independence from their abusers. They provide shelter for women and children, counseling, advocacy, and a 24-hour hotline for people affected by domestic violence.

This unique benefit showcases local female musicians as their favorite bands. Some of the acts include The Maybenauts as David Bowie, IRIS as The Breeders and Sally Timms (of The Mekons fame) as Nico from The Velvet Underground. If that wasn't enough to get you out the door for a great cause, the event will be MCed by Rattina, the lady rat puppet from the most rockin' kids music show Chic-A-Go-Go!

The first Covers For Cover benefit was in 2006 and raised $1,500.00 for the women's homeless shelter, Deborah's Place.

The show is on Wednesday, December 23rd and is $12, but in the spirt of giving, a donation of new toiletries will get you $2 off the price of admission at the door. Advance tickets as well as the entire line up can be found here.

The ladies get the music going at 8. Lincoln Hall is located at 2424 N. Lincoln Ave. (773) 525-2501

Aharona Ament

Concert Sat Dec 05 2009

volcano! Erupts at The Hideout Tonight

volcano.jpgvolcano! is pretty much my favorite band. Their music is performed with such intensity that it wavers like a skateboard going down a hill that is too steep, too quickly. It oscillates between tension and release in a way that makes me feel like cheese being pushed through a cheese-grater. In a good way.

Aaron With bellows and coos while he vigorously strums his guitar. His voice is twisty and operatic. He sings about work, pop culture, and sex, among other things. In one of volcano!'s many gems, "Slow Jam," from 2008's Paperwork, he sounds just like Prince, belting out: "Oooooh, you like it early, and I like it late 'n you don't like it when I take the bate, got me hidin' the cookies. Oh let's poke a hole in this balloon animal. It's the elephant trunk in the room."

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Kelly Reaves

Review Fri Dec 04 2009

Review: Weezer @ Aragon 12/01/09

Photobucket Photos by Stephanie Griffin


Rivers Cuomo has long been dressing as and writing songs like a 13-year-old boy, but at Tuesday night's Weezer concert at the Aragon, he started acting like one as well. Long gone are the days where Rivers stood in place while meekly singing into the mic. Instead, he's playing air guitar, doing jumpkicks, running out into the crowd, wearing wigs, and playing with beach balls. They even had a trampoline set up in the center of the stage. It felt more like eavesdropping on your kid brother playing rock star in his bedroom than watching a 39-year-old Harvard-educated veteran musician. Aside from the fact that more dancing and air guitar time leads to less time spent, you know, actually playing the guitar, I fully welcome this change.

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Stephanie Griffin

Contest Fri Dec 04 2009

Ticket Giveaway: The Arctic Monkeys @ The Riviera, 12/6

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We gushed about this British garage rock group back in August when they were in town playing Lollapalooza. If you missed the chance to catch their frenzied and energetic live set this summer, you've got another chance as they roll into town and set up camp at The Riviera Theatre Sunday night.

The Arctic Monkeys may have started as an internet sensation, but have kept their career relevant with a large devoted group of fans, a infectious live show, and by keeping true to their garage rock punk sound, while still branching out into darker layers of work. Their latest release, Humbug, pays homage to the guitar noodling and organ sounds of late '60s pop music, which gives their live setting a darker tone, yet stays true to their bouncing-off-the-wall concert style. The music is universally pleasing to a rock fan, and would be a perfect way to spend a Sunday evening in Chicago.

And Gapers Block and the fine folks over at Domino Records would like to treat you to that enjoyable Sunday evening with the Arctic Monkeys. We're giving away a pair of tickets to the show Sunday night, thanks to the bands lovely label. Just be the first to email us at contests@gapersblock.com with the subject line "Monkey!" and you'll be a winner. Update: We have a winner! Congrats to Nicolas!

The Arctic Monkeys play The Riviera Theatre, Sunday December 6th at 7:00pm. Tickets are $27.50, and the show is all ages. Tickets are still available.

Lisa White

Review Thu Dec 03 2009

Review: Winter Gloves @ Empty Bottle

awaytocelebrate.jpgWhen Winter Gloves were here for their first Chicago show in May, they put on a high energy act despite playing to a nearly empty room. Their show on Tuesday at the (not so) Empty Bottle was no different, but this time there were more bodies to share in and amplify the enjoyment.

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Michelle Meywes

Concert Tue Dec 01 2009

Get 20% Off Tickets to Governors State's Holiday Hop Concert

The Platters.jpgThe holidays are a time to visit home and think of simpler times, times when songs like "The Great Pretender," "Only You," "Yakety Yak," "Please Mr. Postman," topped the charts. The Center for Performing Arts at Governors State University is presenting a special holiday concert this Saturday, December 5th featuring performances by the legendary pop groups responsible for these hits of the 50's and 60's including Cornell Gunther's Coasters, The Platters and The Marvelettes. Tickets range from $32 to $52, but as a special holiday treat, Gapers Block readers receive 20% off!*

Concert begins at 8pm. The Center is located at 1 University Parkway, University Park, just minutes off I-57 at the Sauk Trail exit.

* To redeem this special offer, please call 708-235-2222 or visit centertickets.net and use code GETOUT. Offer valid for main floor tickets only. Not valid on previously purchased tickets or with any other offer. Handling fees and restrictions apply. Contact box office for further details.

Michelle Meywes / Comments (1)

Concert Mon Nov 30 2009

If You're Wondering If They Want You To

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Weezer may not have the most innovative album of the year, but they've certainly got an innovative marketing strategy. Between their Weezer Snuggie, Dwight Schrute-coined album, and collaboration with Kenny G, Weezer has gone to show in 2009 that they're willing to be as ridiculous as possible at all times - and I absolutely love it. Their catchy hooks and poppy lyrics certainly don't hurt, either.

If you can appreciate a band who do not take themselves too seriously, catch =W= tomorrow night at the Aragon at 7 pm. Jack's Mannequin and Motion City Soundtrack open this all-ages show. Tickets are $44.75 and can be picked up here.

And if you still just can't get enough Weezer, the T-Mobile Motorola CLIQ Challenge gives us a chance to bring the band to a college campus here in Chicago. Just follow the link and vote for your favorite Chicago school to ensure the winning college will be right here in the Windy City. The school with the most votes will win a live performance from Weezer, and $1 per vote received (for up to $25k). Sweet deal.

To sweeten it even more, we have not one, not two, but three copies of Weezer's Raditude to give away to our lucky readers. Just be the first three to email us at contests@gapersblock.com with the subject line "Rad!" and we'll send your CD along, straight to your door. Update! We have our three winners! Congrats to Paul, Kate and Jon!

Stephanie Griffin

Concert Fri Nov 27 2009

Louis & The Hunt @ Subt

Ryne Estwing (Scattered Trees and Horse In The Sea) found himself alone in life and in his apartment which just happened to be filled with instruments and a few microphones last winter. He began to try to express this feeling of longing, lost love, and even death in a way he felt he couldn't with his other bands. The result is a band he is calling Louis & The Hunt. One of the first songs he wrote while in this state was called "Day Trip", and it is one of my favorite local songs of the year. The talent Chicago-area filmmaker JM Harper turned the beautiful little love song into a video that has worked to jump start this new project. Louis & The Hunt has continued to perform and record this year, and plan to release their debut ep in early 2010

Louis & The Hunt will be performing on December 3rd with Panda Riot and Black Nag at Subterranean. The show starts at 9:00pm and tickets are $8.

Jason Behrends

Album Wed Nov 25 2009

Puzzle Pieces

l_e464c04862e249ebaf1b4bf5e14ad49a.jpgWhen you first listen to the debut solo ep from local musician Adam Ashbach the word traditional may come to mind. True, Puzzle Pieces doesn't stray to far from the standard indie offerings, but it's Adam's journey that makes his music so intensely interesting. He spent seven years as part of Musical Outfits playing some of the city's biggest venues, he played Lollapalooza, was scouted by major labels and traveled to Greece, they also enjoyed heavy radio airplay and performed on a popular television show. The journey, however, ended badly and Adam left with a broken jaw after a barroom fight with band mates. Adam left the music scene completely, but after two years away found it impossible to keep the melodies out his head. It was that love of the melody and passion for songwriting that found him retreating to his home studio to put the pieces back together. He recruited old band mates Jason Angelilli and Joe Wagner, and has crafted an ep ripe with subtle ad confident pop gems.

Adam Ashbach will be performing Schuba's on December 9th with Welcome To Ashley and Indiana's Red Ligth Driver.

Jason Behrends

Concert Tue Nov 24 2009

Spend Thanksgiving Eve with Kid Sister and Flosstradamus

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Before diving headfirst into a turkey coma and hanging out with family on Thursday, spend Wednesday night busting a move with hometown hero Kid Sister and Flosstradamus. Both have come a long way from the days of Columbia College and throwing parties at Town Hall Pub, and with the drop of Kid Sister's debut album, I can guarantee the hometown show will be one big wild party. Bring your dancing shoes, and burn up some calories before stuffing your face on Thanksgiving day. Both your eardrums and waistline will thank you.

Kid Sister with Flosstradamus, Rob Threezy, and Green Velvet is tomorrow night, Wednesday November 25th, at The House of Blues. Doors open at 5:30pm, and the show starts at 6:30pm. The show is all ages, and tickets are $16 in advance, $18 at the door, plus any fees and extra charges that the House of Blues adds on.

Lisa White

Concert Mon Nov 23 2009

Grinding Through a Cosmic Sky

Earthless2.jpg Earthless is nothing if not epic. Isaiah Mitchell (Nebula), Mike Eginton (Electric Nazarene) and Mario Rubalcaba (Hot Snakes, Rocket From the Crypt, Clikatat Ikatowi, skater extraordinaire) have combined to create a number of psychedelic rock tour de forces over the last few years. Inspiration for their instrumental stoner rock comes from the current wave of Japanese psychedelia (like Boris), blues-influenced noise (such as Comets on Fire) and 70s rockers (Hawkwind, Black Sabbath). Ten minutes into songs like "Godspeed" or "Flower Travelin' Man" the heavy riffs don't settle down and the rhythm section just chugs along. And that's just at the halfway point. (Don't worry, the second halves don't let up.) Last year's Live at Roadburn showcases them headlining with 4 songs totalling 80+ minutes. At no point does the intensity die and there's no indication that other nights would be any different. (Also, I must mention that the first two times I saw Rubalcaba drumming after he joined RFTC, he broke a pedal and a snare, respectively. He is a monster behind the kit - definitely one of the hardest drummers I've ever seen and alone almost worth the price of admission.)

Headlining is Baroness. The Savannah band's Blue Record has been lauded by critics and fans alike throughout 2009 and their prowess as a live band is constantly hailed. North Carolina psych rockers US Christmas opens. The show is at Reggies on Wednesday at 8PM for ages 17+. Tickets are $12. Reggies is located at 2109 South State Street.

James Ziegenfus

Concert Mon Nov 23 2009

Last Chance to See Galactic Inmate Tear it Up

arman.jpgGalactic Inmate is a rowdy, slighty twangy, metal/rock band from Chicago with a loyal following. The three members-- Keith Herzik on guitar, Brett Whitacre on drums, and Arman Mabry on bass, started playing together in 2004. Now, they don't play live very often, but when they do, it's loud as hell. I saw them at Quenchers the night before Halloween (they were dressed up as ZZ Top) and was blown away by their awesomeness-- they kicked ass even with Herzik's yarn beard perpetually tangled in his guitar strings-- so I set up an interview. I met Mabry at The Green Eye on a rainy November night. He jovially sipped PBR and whiskey, the diet of champions.

How do you all know each other?

Keith and I are both from Austin. I knew of him when I lived there but I never met him. It just so happened that when I moved up here with my old band, The Hamicks, I met him. Because eventually, in Chicago, you meet all the Texas people. We didn't really play together initially but we were down the hall from each other at a practice space. One day he and I started messing around, playing old Austin band songs like Scratch Acid and Ed Hall. We were having a great time doing that, so he said "Hey, man, our drummer Bret would like to play..." and that's how it happened.

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Kelly Reaves

Concert Thu Nov 19 2009

The Front Man is a Girl

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When you visit the myspace page of Michele Ari the heading reads, "The Front Man is a Girl", and for some reason reading that sparked something in me. These days there are thousands of female vocals and many fine female singers right here in Chicago. However, is there a difference between a vocalist and frontman? I say yes, and Michele Ari is a bonafied frontman. Her and her band, based in Nashville, just released their second album mal a' propos and the first two tracks, "6am" and "Boxes" are currently streaming at Fearless Radio. There is a strength and a confidence in Michele's voice that fits perfectly the contemporary alt-pop backing. It's nothing complicated or groundbreaking, but there is always room for well-written pop. The frontman is the center piece, the attention getter, and the hook, and Michele is all of those things and more.

Michele is coming to Chicago on November 21st and will first be playing at the Fearless Radio's studio at 4:00pm and then be playing with one of my favorite new local bands The Streets of Fire at Cal's. The Streets on Fire also just released an album, their debut, and are proving that lo-fi funk is not dead in this town. I recommend you stop by Cal's on the 21st to check out both Michele Ari and The Streets on Fire.

Jason Behrends

Concert Thu Nov 19 2009

Owen @ Andrew Rafacz Gallery

00413_Owen5.jpgThe last time I saw a Kinsella brothers project it was Joan of Arc at the Beat Kitchen in the summer of 2008. The place was packed and the show was ended with a cover of Neil Young's "A Man Needs A Maid". It is always been hit or miss with the Cap'n Jazz derived bands, some more likable than others. Regardless, the guys have been a staple of Chicago's music scene for over 15 years. Owen, the solo project of Mike Kinsella is one of the better known bands and recently he released a fifth studio album entitled New Leaves on Polyvinyl Records. Owen plays an all ages show tonight at the Andrew Rafacz Gallery along with local minimalists Bikes will Take Us. Expect a communal acoustic vibe with lots of sad songs. The Andrew Rafacz Gallery is located at 835 W. Washington Blvd. The show is $10 at the door, $8 on the Empty Bottle's Website. The show starts at 8:00.

Aharona Ament

Artist Fri Nov 13 2009

Get Familiar With Dirty Projectors

dirtyprojectors.jpgThe Dirty Projectors are an interesting sonic experience, that's for sure, and you may or may not be able to get into their latest album, Bitte Orca, depending on your palate. I for one find it endlessly pleasing ear candy. "Stillness is the Move" is probably the most viable single on the record and was incredibly popular this year--Amber Coffman's vocals are swirling and entrancing--but the rest of the album is filled with heavier exploration and experimentation. A lot of the tracks play around with offbeat rhythms, and it's that unexpectedness that makes it so intriguing. Sometimes your ear thinks it wants one thing, but it can be a delight when it gets something completely different.

Like our own Scotland Yard Gospel Choir, Dirty Projectors took a tumble in their van over the summer, but luckily they all walked away from the accident unscathed and are still on the road, tonight making a stop at Bottom Lounge. Tonight's show with Tune-Yards is sold out, but be sure to pick up a copy of Bitte Orca if you aren't familiar.

9pm. Bottom Lounge. 1375 W. Lake. Sold Out.

Michelle Meywes

Concert Thu Nov 12 2009

Double Gnarly/Quadruple Suicide

Tomorrow night, turn your brain's positioning system in the direction of Enemy (1550 N. Milwaukee Avenue) for four fearsome and poisonous examples of instruments-as-DDT.

Chord is a collective of drone practitioners with varying ensemble sizes from performance to performance. As the name implies, Chord attempts to find that BIG CHORD through sound -- the harmony of the spheres, as they say. Conversely, Locrian lives to cast the spheres into vengeful darkness with a heady combination of guitar/synth/vocals. Their latest release, the Rain of Ashes CD (Basses Frequencies) is a highpoint to date. Though I have not heard this on the digital/remastered format, I was happy to hear the original release (when it was a tape on Fan Death Records), and was happy to be thrown for a loop, with a newly-explored sense of tentative melody, incorporating seemingly non-Locrian elements like Post-punk synth sequencers and some non-shrieked vocals. And guess what? It sounds good backwards, too! (a palindrome recording, if you like) Ratatosk, a new-ish duo of Ben Billington (ex-Druids of Huge) and Jason Soliday (Magic Missile, Gunshop, Coeurl, ex-Animal Law, Mora, &c. as well as co-founder of the Enemy space) works a Krautrock-ish vein, with motorik (sometimes free jazz-ish) drums locking in against waves of electronic forcefields. Finally, the three-piece grindcore/showtunes/wha-huuuh? group known as Harpoon might sound like the strangest thing you've ever cowered in fear of, until you check the lineup and realize it was founded by, among others, the former bandleader of 7000 Dying Rats. Always a pleasure.

$5 at the door, posted says 8 p.m., so don't be late!

Chris Sienko

Concert Thu Nov 12 2009

Stewing Around with Percolator

Percolator is an energetic post-punk four-piece from Chicago with a heavy dose of power pop. They've got a new double album coming out soon, an EP that you can buy for $3, and a show tomorrow at Ronny's.

Upon listening to the sample CDs they sent us along with a nice hand-written note, I immediately picked up on some Mike Watt/Minutemen sounds, the singing called to mind Violent Femmes, and the guitar, Weezer (though they switch around instruments, so the sounds vary a bit.) They also claim to be playing around with influences ranging from Busta Rhymes to Sonic Youth, but I'm not quite hearing it. The sound is a little too clean and consistent for that, but there's nothing wrong with that. The guitar is playful and experimental-- mimicking the lyrics, doing a good job at not being boring. The drums are clean yet hyperactive, the drummer is obviously not afraid of fills, and it works. The recordings are a little iffy-- maybe because they were self-recorded, but I have a feeling this is a pretty fun band to see live. Check them out tomorrow night (Friday, Nov. 13) at Ronny's: 2101 N. California. Bird Ate My Donut, Faggy Pussy, and The Armor Class play that show, too. The show starts at 9pm, ages 21 and up.

Kelly Reaves

Concert Thu Nov 12 2009

Lissie's New EP and Live Performance Tonight

Promo.jpgLissie is a pop/indie/country band with a pretty blond front-woman, Lissie Maurus, who hails from Rock Island but now lives in Ojai, CA. Why You Runnin' is her new EP, fresh off the presses from Fat Possum Records.

Why You Runnin' is good, probably best when it's knee-slappin' indie-country, like in the single, "Little Lovin'," which kicks off the EP with delicate picking on an acoustic guitar and crescendos into greatness with the help of a tambourine and an electric guitar, among other things. Then there is the melancholy country cover, "Wedding Bells," with heavily layered vocals, reminiscent of those of My Morning Jacket, and "Oh, Mississippi," the hymn-like tune that I could have sworn was Mississippi's state anthem, but it's not-- it's just a homesick tune Lissie wrote in London. The EP ends with "Everywhere I Go," which is a little too sappy, and "Here Before," the poppy ballad in which her voice really shines; all twisty and soulful.

Continue reading this entry »

Kelly Reaves

Concert Wed Nov 11 2009

Late Review: Crystal Castles and Chromeo @ The Congress Theater

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All photos by Andy Keil


Disclaimer: This review is insanely late due to the fact that two days after Halloween, I caught swine flu. Yup, swine flu. I wish I was kidding about this fact, but I'm not. Sorry to Andy for just now posting his wonderful pictures from the night, and sorry to all the readers for just now reporting on this fun night of music in Chicago. And go buy some hand sanitizer, try and get an H1N1 vaccination shot if you can, because swine flu was the worst sickness I've ever experienced, and trust me, you do not want it dear readers. Now on with the review!

Sweaty masses of underage kids packed into The Congress is a typical affair in the Chicago music scene, but only one weekend a year is it normal to add in a few dozen green men, a plethora of slutty outfits, and a crowd surfing horse into the mix. Such was the case at the packed Crystal Castles, Chromeo and Boys Noize show Halloween weekend.

Continue reading this entry »

Lisa White / Comments (3)

Concert Wed Nov 11 2009

King Sparrow Opening for The Meat Puppets Tomorrow

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If you are going to see The Meat Puppets tomorrow, you are one lucky duck. Not just because you are seeing one of the most celebrated and influential bands of all time in a sweet venue, but also because of one of the openers. King Sparrow is a local band who have already been given mad props since they formed last year. They are playing the first of the three Meat Puppets shows scheduled at Schubas this week. Rooted in an epic garage rock sound, King Sparrow is pop-y enough for toe tapping, but has just the right roughness around the edges. Add some blues to this mix and you've got yourself some hells yeah music. Opening alongside them is New Jersey band Black Wine. You can catch all this at Schubas located at 3159 N. Southport. The show starts at 10. $16 ($18 at door) and tickets are still available here. (773) 525-2508

Aharona Ament

Artist Tue Nov 10 2009

White Rabbits Aren't Frightened

whiterabbits.jpgEvery once in a while a band will lay on your radar for a while, popping up here and there on music sites and local venue bookings, and maybe a friend tells you you should check them out, but then suddenly you realize why they haven't faded away, why they weren't just a blip on the blog circuit. Having even seen White Rabbits this summer at Do Division street fest, I knew they were a great band with incredible energy on stage; even the intense light show in the video for "Percussion Gun" had me stunned, but it wasn't until I heard their newest album, It's Frightening, that it was clear that this band stands head and shoulders above most everything else around right now.

The group originally hails from Columbia, Missouri, Stephen Patterson and Gregory Roberts having met there at The University of Missouri. They moved on to Brooklyn in 2005 with high ambitions that so far appear to be paying off. Spoon's Britt Daniel obviously saw something special in them too, as he came on to produce the followup to their Fort Nightly debut. The Spoon-pop influence is hard to hide on It's Frightening, but White Rabbits take it in their own dark direction with an aptly named album. Although you can characterize their brand of indie-pop as dark, that doesn't mean that verses and chorus wont hook you and draw you in. From intense drum thumping on "Percussion Gun" to endearing guitar strumming on "Company I Keep," this is one album you can bet you'll see popping up on those 'best of '09' lists in the coming months.

White Rabbits are in town this week with The Walkmen for two shows--at Schubas on the 11th and at Lincoln Hall on the 12th. The Lincoln Hall show is already sold out, but a few tickets still remain for the Schubas show. (Both shows are now sold out.) You can also download free tracks from sessions they did for Daytrotter and MySpace Transmissions to hold you off in the mean time.

Wednesday, November 11 @ Schubas. 3159 N. Southport. Show starts at 9pm. 21 &up. Tickets are $20.

Thursday, November 12 @ Lincoln Hall. 2424 N. Lincoln Ave. Show starts at 9pm. 21 & up. Sold Out.

Michelle Meywes

Concert Mon Nov 09 2009

Review: Basement Jaxx at Congress Theater, 11/6

"This is going to be awesome."
"I hope they play the Ghostface song, I loved that one."
"I don't really know Basement Jaxx that well - I hope they're good."
"They were really big back in the day. It should be good."

This was the back-and-forth on Saturday night between a trio of crop-topped and dress shirted youngsters flecked with tastful glittery parts here and there who were seated behind me at El Cid as we all waited for the show to begin. Technically, it was nine and the show doors had already been open for two hours, but they and I (and from the outfits I saw across the restaurant, a multitude of others) had decided to get some margaritas in us rather than see the (presumably excellent) sets from the gals of Moneypenny (including Chess Hubbard of Life During Wartime) as well as fellow Life During Wartime/Only Children man-about-town Bald E. (Bald Eagle's answer to P. Diddy, perhaps).

One pitcher turned into two and three, and then some latecomers in our group topped it off for a fourth. We stumbled a few doors down into the Congress to find the lobby pretty well packed with people, and a DJ out there working a surprisingly active crowd. We delved further in to catch the end of Modeselektor's set. The floor was packed all the way to the rails - it's eady to forget that the Congress can hold 4,000 people until you see them before you in a sweaty, fist-pumping mass. Simon and Felix took the stage to a very warm crowd, and started into a set that leaned heavily on the bookends of their discography. Tracks from "Scars" appeared frequently, but they also brought out gems like "Red Alert" with none other than Vula Malinga to sing the hook herself. She stuck around as hype man for the rest of the night, making sure the sexy ladies were making some noise, and the sexy men were doing their best Arsenio Hall hoot-hoot-hoot. Space was tight, but pockets of dancing could be seen all over, and there was nary a bored chatterbox to be seen/heard. "Bohemian Rhapsody was even thrown in for good measure, and the crowd ate it all up. By the end of the set I was sweaty and danced out, so I made my way out, pleased even with the small portion of the evening I'd experienced. MSTRKRFT played next, and I was told they kept the party going for another two hours of Daft Punk and Justice-teasing energy.

(Kudos to anyone who lasted through the whole night - feel free to share any extra gems from the other sets in the comments.)

Dan Morgridge

Concert Fri Nov 06 2009

It's Time to Get Down: Eccentric Soul Revue

After their wild show last April at Park West, Numero is reviving their Eccentric Soul Revue for another performance on Saturday, Nov. 7 at Lincoln Hall (2424 N. Lincoln Ave.)

The Eccentric Soul Revue is a chance for the long-forgotten soul and funk artists who have been unearthed, polished, and reissued by Numero to shine onstage. Expect a rousing evening of late '60s and '70s awesomeness: Renaldo Domino returns, as does The Notations and Syl Johnson. Added to this round of the revue is Sharon Clark and Chicago native Linda Balentine, who was only 16 when she began recording soul and funk tracks in 1969. Pastor TL Barrett and his choir will open the show with a track from Numero's upcoming collection, Good God! Born Again Funk.

The show is 18 and up, and tickets are $30. The show kicks off at 9 p.m. Find out more at the Lincoln Hall website.

Kara Luger

Concert Wed Nov 04 2009

Win Tickets To See Led Zeppelin Tribute Band, Heartbreaker

Heartbreaker.jpgWho doesn't like Led Zeppelin? My own memories of friends belting out "D'yer Mak'er" on a high school camping trip will never be forgotten. Led Zeppelin Tribute Band--Heartbreaker--is coming to The Center for Performing Arts at Governors State University on Saturday, November 14th and you could go for free! They are holding a contest for the best rocker photos, videos, songs or whatever you've got for your own hair band tribute. The best part is, even if you don't win, all entrants receive $10 off the regularly priced $35 tickets. To enter email your material to tickets@govst.edu or become a fan of their Facebook page and post to the wall. Deadline for entries is November 11.

Maybe you and a friend will be belting out "D'yer Mak'er" yourselves in front of the ultimate tribute band.

Tickets can be purchased by going to centertickets.net or calling 708.235.2222. Governors State University is located at One University Parkway in University Park, IL 60466.

Michelle Meywes

Concert Fri Oct 30 2009

Hollow-ed Out: Hollows Record Release Show

Get ready for a big local hullaballoo when the Empty Bottle (1035 N. Western) hosts the Hollows record release show on Monday, Nov. 9.

You've gotta check out Hollows. Pumping out 11 songs in only 30 minutes, the band's self-titled debut is pure '60s girl-group pop. Add bite to the bounce, and you've got yourself a catchy lil' ray of garage-infused sunshine. The album's release is by local vinyl label Addenda Records, a cohort of the equally awesome Plustapes.

Opening the show is Bird Talk and DJ Emilie Fabulette. Headlining is the always fabulous Miss Alex White and her latest band, White Mystery, a dirty guitar-and-drums garage rock duo accompanied by White's brother, Francis.

All this boffo entertainment, and what's more, it's free. What, is it your birthday? The show kicks off at 9:30 p.m. Be there.

Kara Luger

Concert Fri Oct 30 2009

Review: Leonard Cohen @ Rosemont Theatre

Listening to Leonard Cohen's music is like listening to your own conscience; seeing him live makes you realize that your conscience is a 74 year-old man in a dark suit and fedora. For over three hours last night, Leonard Cohen kept the rapt attention of an adoring audience as he performed songs that have been so deeply etched into the memories of his fans that its hard to think of a time we didn't know them. He frequently began songs in a kneeling position, as if the weight of his own voice were too much to bear, then rose to a standing position with his body curved into a question mark, for who asks deeper questions than the troubadour from Quebec?

Mr. Cohen received numerous standing ovations, recited the lyrics to 1,000 Kisses Deep as a poem, and received applause from the audience upon hearing key lyrics throughout the evening, such as: you told me again you preferred handsome men but in my case you'd make an exception; and I was born like this I had no choice, I was born with the gift of a golden voice. After what seemed like the last song, he came back for an encore that went four songs long. He sang Closing Time, a sure sign that he was finished, only to come back with I Tried To Leave You, getting a big laugh from the audience.

Between now and November 13th Leonard Cohen will be appearing in North Carolina, Tennessee, Missouri, Nevada and California. Catch him if you can, this is one concert you'll never forget. For more information visit Leonard Cohen.

J.H. Palmer / Comments (2)

Review Wed Oct 28 2009

Review: Dead Man's Bones @ Schubas 10/21/09

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Photos by Andy Keil


When I hear the phrase "actor-turned-musician", I normally think of boring vanity projects set to stroke one's ego, with few exceptions. Luckily, Ryan Gosling's new project Dead Man's Bones falls into the 'exception' category. The band stopped through Chicago last week for two sold-out shows at Schubas in support their ghoulish new self-titled album. The album can be a bit hokey at times but live the same songs basically sound like Arcade Fire gone trick-or-treating (see: "In the Room Where You Sleep" album version vs. live version). Think ghosts and goblins plus theatrical songwriting plus a children's choir - kitschy elements but it works in a pleasantly surprising way.

Continue reading this entry »

Stephanie Griffin / Comments (1)

Concert Mon Oct 26 2009

Review: Hawksley Workman @ Schubas Tavern

Full disclosure - about 75% of the reason I went to see this show was that according to the press release, Pitchfork has compared Hawksley Workman's voice to Freddie Mercury. The other 25% is that he's Canadian, and I have a fascination with cultural exports from our neighbor to the north.

I prepared myself by visiting Hawksley Workman's website, and was immediately confronted with his image, which seemed so, um, un-Canadian. I was expecting something a little more self-deprecating than a man lazily draped over a love seat wearing double-decker headgear. Its a look that's more Justin Timberlake bringing sexy back than Neil Young dancing under the harvest moon, but first impressions can be misleading. Then I watched a few of the videos, and a strange thing happened - the experience of listening to the music while being confronted with his video presence was completely different from listening to the music while I surfed other websites. I became very curious as to how it would affect me live.

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J.H. Palmer / Comments (1)

Concert Mon Oct 26 2009

A snootful of flute at the Velvet Lounge

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Above: Claire Chase of the International Contemporary Ensemble (ICE)

Fans of contemporary classical music take note: tomorrow night (Tuesday, October 27), International Contemporary Ensemble (ICE) founder and music director Claire Chase will perform selections from her debut CD, Aliento (New Focus Recordings), at Fred Anderson's legendary jazz club the Velvet Lounge (67 E. Cermak Road). Chase will be playing compositions from her CD over the course of two sets, as well as other contemporary compositions, for your head-expanding pleasure. The ICE, who you may remember from their ass-kicking performance of Iannis Xenakis compositions at the MCA in June, will be hosting several more Chicago events before year's end. Keep watching their web site for details.

As ever, Anderson's Velvet Lounge features a wide-range of jazz, focusing especially on performer/members of the AACM, of which Anderson is a co-founder. An AACM house band can be heard on the first two Sunday nights of each month, and should be considered highly recommended for a taste of one of Chicago's finest contributions to modern music, jazz or otherwise.

Program starts at 8:30.

Chris Sienko

Artist Mon Oct 26 2009

An 8-Bit Halloween with Bit Shifter

One of the premiere Game Boy-wielding 8bit electronic musicians in the world is Josh Davis, aka Bit Shifter, and subVariant and Front 312 are excited to have him perform at Ai Lounge on Halloween. Having played over 100 live shows armed with only two Nintendo Game Boys and two home-brew aftermarket music programs, he has a dedicated following and has been known to ignite dance floors with his high energy live performances.

Continue reading this entry »

Liz McLean Knight

Review Mon Oct 26 2009

Live Review: Drummer @ Schubas

Drummer.jpg"Dan (Auerbach--vocalist/guitarist for The Black Keys) was leaving on tour to support his solo record, and I wasn't going to have anything to do for a while," Patrick Carney (drummer for The Black Keys) says about Drummer's inception. A band of drummers, with only one playing drums. Carney first got in touch with friend Jamie Stillman (drummer in Teeth of the Hydra and Harriet the Spy) and they brought on Jon Finley (former drummer for Party of Helicopters) as lead singer/guitarist, Stephen Clements (drummer for Houseguest) on keyboards/vocals, and Greg Boyd (drummer for Ghostman & Sandman) held the helm on drums. Carney himself picked up the bass, and Stillman, guitar.

Continue reading this entry »

Michelle Meywes

Concert Fri Oct 23 2009

Two Uncommon Shows: Lindsay Weidmann and Essex Chanel

Saturday you have your choice of two great, low-key shows to attend, each at a different Uncommon Ground location. Both are free, start at 10 p.m., and are all-ages. Choose wisely.

At Uncommon Ground on Clark (3800 N. Clark St.) catch Colorado-based singer and guitarist Lindsay Weidmann as she blends her just-oddball-enough humor and warm folk vocals into a tasty morsel.

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*photo courtesy of Lindsay Weidmann

Meanwhile, at the Uncommon Ground on Devon (1401 West Devon Ave.), hometown acoustic-rock flava Essex Chanel is performing a special strings-only show, featuring guitar, banjo, violin, and cello.

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*photo courtesy of Essex Chanel

Kara Luger

Review Wed Oct 21 2009

Live Review: The Dodos @ Bottom Lounge

Dodos.jpgShame on me for not being familiar with The Dodos--especially when they're filling Bottom Lounge on a Monday night. I had certainly heard of them... I was told I would like them when they played Pitchfork Music Festival two years ago, and I remember a friend telling me she was a big fan around that same time. Even yesterday as I was searching for an email, I came across one from almost exactly a year ago from another friend inviting me to one of their shows (but I was already seeing Jamie Lidell that night).

Through all of this, I still managed to never hear or see The Dodos--that is until I recently happened upon their new album Time To Die streaming on their webpage. Their sound reminds me a lot of when indie rock really started to seep into the mainstream, the days when Death Cab was still indie and everybody was really into The Shins (Hey, remember The Shins?). There's innocence and hopefulness there with a driving beat and attention to melody.

Continue reading this entry »

Michelle Meywes

Concert Wed Oct 21 2009

Andrew Bird Announces "Gezelligheid Concerts"

bird_09.jpgGezelligheid means "intensely cozy" in Dutch and Andrew Bird will be taking that to heart with several concerts in Chicago and Minneapolis this winter. The performances will be "solo, mostly instrumental shows in acoustically lovely churches, and should be wonderfully uplifting and comforting concerts as we head into the cold and dark winter." No doubt a perfect way to see and hear the violin virtuoso. The Chicago shows will take place December 15, 16 &17 at Fourth Presbyterian Church. Tickets officially go on sale November 7th, but pre-sale for the AB Fan Community starts today.

Also, catch Bird's debut on Austin City Limits this Saturday with current tour-mate St. Vincent.

Photo by Brandi Ediss.

Michelle Meywes / Comments (1)

Preview Tue Oct 20 2009

Will Hoge @ Double Door, 10/23

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Will Hoge (Photo by Jason Williamson)

Will Hoge, a Tennessee native, is no stranger to hard work behind the guitar and a demanding tour schedule. But it seems that he's really been tested over the past few years. On the mend, even now, months after a serious traffic accident in Nashville left him broken and nearly blinded, he rolls back into Chicago for a Friday night show at the Double Door this week, and we couldn't be luckier. Bearing his still hot new album, The Wreckage, Hoge also serves up his enticing heartland rock-infused Americana to the stage. With a backing band that includes harmonica, pedal steel and mandolin, this will be no whispered folk show, but instead a loud, throw up your hand and testify roots rock show. Songs on the album like "Long Gone" and "Where Do We Go From Down" are soulful testaments to hard roads of recovery (you can stream the whole album at the band's My Space page). While "Hard to Love" and "Highway Wings" smack of an almost Springsteen-esque vein-straining urgency and desperation. These are songs to drink longneck bottles of beer to. Lucky for you Double Door has those, too.

Will Hoge plays the Double Door, located at 1572 N. Milwaukee Ave, Chicago on Friday, 10/23. Doors open at 7pm. Andrew Ripp and Jerome Holloway open. Tickets are $15.

Anne Holub / Comments (1)

Contest Tue Oct 20 2009

Ticket Giveaway: Chromeo/Crystal Castles/Boys Noize @ The Congress

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Halloween weekend is fast approaching, and the folks over at The Congress are making sure you kick off the festivities on Friday with a huge dance party. With a bill offering up the likes of Chromeo, Crystal Castles, and Boys Noize, it's shaping up to be just that. And the folks putting on this massive party are awesome enough to offer a Gapers Block reader a pair of tickets! Just be the first to email us at contests@gapersblock.com with the subject line "BOO" and you and a friend will be on your way for free. Update! We have a winner! Congrats to Matthew!

Headlining the show are the funk infused electro beats of Chromeo. The Brooklyn duo offer up synth heavy beats that are bit campy in delivery and lyrics, but infectiously danceable and fun. Also on the bill is Crystal Castles, the electro punk duo that are known for insanely loud show and fierce attitude from singer Alice Glass. And Boys Noize whipped Perry's Stage into a frenzy at Lollapalooza this year, so with these three acts on the bill bring your best pair of dancing shoes and make sure to wear some Speedstick. It's about to get very sweaty Halloween weekend at The Congress.

Chromeo, Crystal Castles, and Boys Noize play The Congress Theater, Friday October 30th. The show is 17+ and doors open at 7pm. Tickets are $35.

Lisa White

Concert Fri Oct 16 2009

Riot Fest: Congress Theater 10/10/09

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88 Fingers Louie
All photos by Brian Leli

The Congress Theater was packed in for all of Riot Fest, and Saturday night was no exception. It's no surprise with a line-up that included Off With Their Heads, Shot Baker, Youth Brigade, Street Dogs, 88 Fingers Louie, Cock Sparrer, and of course, NOFX. Besides the big shows happening at the Congress Theater and Metro, Riot Fest also offered a pre-party at Beat Kitchen, a film screening at the Viaduct Theatre, a bowling tournament at Fireside Bowl, plus after-parties at Subterranean and Cobra Lounge. Needless to say, a lot of kids were bouncing around between venues throughout the day, and it was interesting to see the hustle of people in and out of the Congress between sets.

Continue reading this entry »

Stephanie Griffin

Concert Thu Oct 15 2009

World Music Wednesdays @ The Old Town School of Folk Music

Most of us probably can't point to Uganda on a world map without some serious searching, much less name a Ugandan musician, but if you were lucky enough to be at the Old Town School of Folk Music on Wednesday night you can add Kinobe & Soul Beat Africa to your world music repertoire.

The band was in Chicago as part of World Music Wednesdays, a program that grew out two previous series: La Pena, which showcased Latin music, and Afrofolk, which focused on music with African origins. Matthew Mulcahy, Community Projects Director at the Old Town School of Folk Music, fused the two programs into its current iteration, which draws both established and new groups to the stage.

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J.H. Palmer

Interview Thu Oct 15 2009

Picking Brains with Cheer-Accident

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Alex Perkolup is a musician who currently plays bass and guitar in the critically acclaimed progressive rock band, Cheer-Accident. Originally formed in 1981, Cheer-Accident has maintained an impressively fresh and interesting sound, oscillating between noise and pop, refusing to be categorized. The music is moody, complex, and highly composed, but never muddy. Perkolup has been one of the three mainstays in their ever-evolving lineup for six years. He has also played in Bobby Conn, Lovely Little Girls, and The Flying Luttenbachers, among others.

Do you have formal music training?

I started lessons at eight and went on until I was about nineteen. I had one guitar teacher for nine years of that time who was a big influence on me. I started playing because of Eddie Van Halen. I came out of the metal school of musicianship. I was really into difficult playing and my guitar teacher recognized that. He introduced me to King Crimson, Mahavishnu Orchestra, Gentle Giant and some progressive rock bands, so he was very instrumental in my influence.

Continue reading this entry »

Kelly Reaves / Comments (1)

Concert Mon Oct 12 2009

This Little Bird Told Me...

Jolie Holland can quite justifiably described as a songbird -- that is, if a songbird plays the guitar, ukulele, and box fiddle; is an incredible whistler; and sings neo-Americana songs about William Burroughs and the Civil War in a syrupy, vowel-loopy, almost-boozy voice.

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Yes? Moving on.

Holland will be playing at Schubas (3159 N. Southport) on Wednesday, Oct. 14 at 9 p.m. Opening the show is Matt Bauer, a big scary-looking dude who plays surprisingly delicate and lovely alt-folk songs on the banjo.

Kara Luger

Concert Mon Oct 12 2009

ChiPubLib Sound Off Winners Announced, Concert Date Set

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Congratulations to Psalm One (aka Cristalle Bowen) for winning Chicago Public Library's Sound Off Music Contest in which local musicians were asked to compose an original song about the city of Chicago. Her entry, "My Bucket Song" was inspired by how much she missed Chicago after leaving to pursue musical endeavors in San Francisco last year. She returned in June and "was elated to be back." "Being in Chicago inspires me, and it makes me proud to be chosen to represent the city in my own special way," Bowen says.

The free concert will take place on Thursday, October 22 beginning at 5:30pm in Pritzker Park (344 S. State St., across from Harold Washington Library) where Psalm One will perform the winning entry, as well as some of her other original material. People's Choice Winner Shawn Pennington will open the concert with his submission "Doors Closing". Judges Jessica Hopper, Chris Force, Matthew Genthe and Rhymefest will also be in attendance.

Michelle Meywes

Concert Sat Oct 10 2009

The Scotland Yard Gospel Choir Hold Benefit Concert

artist_gal_sygc.jpgWe have an update on local band The Scotland Yard Gospel Choir who were in a van roll-over accident last month. While most of the members came out fairly unscathed, Mary Ralph and Mark Yoshizumi still remain in the hospital.

The group's van was totaled in the accident and so was the majority of their gear, and now they're asking for your help. The group is holding a benefit concert at Subterranean on Halloween to help out with medical bills and purchasing new instruments. So far Canasta & the Avondale Ramblers are scheduled to perform along with members of TSYGC. Admission is $10, but the group also has a Paypal account set up for additional donations. Show starts at 9pm.

Michelle Meywes

Concert Fri Oct 09 2009

Riot Fest: Butthole Surfers @ Metro 10/7/09

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Riot Fest is bringing us a huge line-up of rowdy punk music this weekend, and it all kicked off Wednesday night at the Metro with Butthole Surfers. The Buttholes are back with their original 80's line-up, and played to a packed crowd ready to rock out.

I'm a bit too young to have caught this band at their peak, but Wednesday night's performance didn't feel like a bunch of aging punks desperately clinging onto the past. The music felt as fresh as ever, and the band drew me in with their psychedelic aural pandemonium. They played songs to span their catalog, and left out "Pepper", as promised. Just as I was noticing that the crowd was a bit older than what I'm used to, the band commented that they were surprised how young the crowd was. I guess that's to be expected for a band that formed in 1981.

The Butthole Surfers are known for pushing the envelope in their live performances with their crazy stage antics, and in that regard Wednesday night was pretty tame. They played in front of a screen flashing images sometimes lewd, violent, or disquieting, but visually stunning. However, anything scandalous was left on the screen. The only moment even remotely controversial occurred when Gibby Haynes used his saxophone to simulate pleasuring a woman projected behind him. I will admit I had to avert my eyes more than a few times during the more violent scenes. I guess I'm just not hardcore enough for Riot Fest.

Riot Fest is continuing throughout the weekend at multiple venues. Read our full Riot Fest preview here, and be sure to check back to Transmission for more updates and photos from the festival.

Stephanie Griffin / Comments (1)

Concert Fri Oct 09 2009

Drug Rug Bring Sunny Folk to Schubas

Drug Rug.jpgI'm not really a fan of country music (at all) but i can get down with some folk twang, especially when it hangs on to a rock root. On first listen, Drug Rug reminded me of The White Stripes, specifically "Well It's True That We Love One Another" from Elephant because of its 50's low-fi radio sound and charming vocals. As much as their songs fall into a folk and country vein, their style doesn't stick boldly in one genre. Their latest LP, Paint The Fence Invisible is more structured than their psychedelic-heavy debut, but the vibe remains and spells out fun on dazey doo-wop numbers like "Don't Be Frightened By The Devil" and the 60's girl-punk-y "Hannah, Please."

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Michelle Meywes / Comments (1)

Contest Wed Oct 07 2009

Haymarket Riot @ Bottom Lounge 10/9, and a ticket giveaway

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On Friday, our friends over at HEAVEmedia have a rock solid line-up of a show at The Empty Bottle, and they've been nice enough to give us a pair of tickets to giveaway to a lucky Transmission reader! Just be the first to email us at contests@gapersblock.com with the subject line "Hay!" and you'll be on your way. Update! We have a winner! Congrats to Tara!

Headlining the show is local post-punk outfit Haymarket Riot. The band clearly draws influence from Shellac and Fugazi to At The Drive-In, creating a heavy and forceful yet catchy sound. This is the last hometown show listed for the band before they head over to tour Europe at the end of the month, so stop by the Bottle and wish the boys well as they head overseas.

Also playing is Portland-based band System and Station, who have a bit more of a pop-punk edge, but still incredibly noisy and fun. According to their press release, they've torched computer monitors while on tour and saw a man dressed as a nun defile someone in New York. Clearly these guys know how to have a good time.

HEAVEmedia presents Haymarket Riot, System and Station, We Make Thunder, and Black Attic Friday October 9th at The Empty Bottle. The show is 21+, tickets are $5 in advance and $8 at the door. The show starts at 9:30pm.

Lisa White

Concert Wed Oct 07 2009

Girl Talk to Play NYE Show

New Years Eve is already shaping up nicely for the Windy City with The Black Keys @ the Riv and Local H @ Double Door, and now Empty Bottle has announced that Girl Talk will be playing @ Congress Theater to ring in 2010. We were there last time Girl Talk (aka Gregg Gillis) performed at Congress, and one thing is for sure--you're in for one hell of a party.

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(Photo by Tankboy)

Tickets are $35. Show starts at 9:30pm.

Michelle Meywes / Comments (1)

Review Tue Oct 06 2009

Review: Kid Koala at Abbey Pub

Although it's been awhile since Kid Koala's last local show, the Kid came back to Chicago on October 4 to a packed show at the Abbey Pub.

Kid Koala

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Kara Luger

Concert Sat Oct 03 2009

Front 312 1-Year Anniversary @ Liars Club 10/9

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In Chicago's contemporary club culture, it is easy to forget that house and industrial could once be heard at the same club on the same night. Bands such as Nitzer Ebb and Front 242 took as much of their influence from punk and new wave as they did from
Chicago house. One year ago, promoters Mr. Automatic and Adam Black decided to create Front 312, a night dedicated to this time in Chicago's club history.

For its one year anniversary on October 9th, 2009 , Front 312 will take a turn toward techno and house, with DJ Gant Man headlining. KHA and Mikul Wing of Members Only AV will be play separate solo sets as well, throwing down anything from classic italo tracks to extended versions of 80's new wave dance classics.

From releasing his earliest 12″s on Dance Mania, to rocking clubs and raves worldwide alongside legends such as Paul Johnson, Gant has been pushing his signature Chicago sound for almost two decades. Mixing up rapid-fire juke beats while referencing all the house and disco classics that first paved the way. His recent work includes a remix for Fool's Gold of Kid Sister's "Damn Girl", production on "Switchboard", and his new solo single debut on Fool's Gold, "Juke Dat Girl." For Front 312, however, he will be bringing out the classics.

KHA and Mikul Wing have made a name for themselves as Members Only AV over the last year, playing with anyone from Le Castle Vania to The Rapture. For Front 312, however, they will be playing two rare solo sets of all new wave and italo disco.

Mr. Automatic will be playing classic Razormaid tracks, 80's new wave, classic industrial, acid house, and new electro tracks prior to the headliners. Expect anything from Meat Beat Manifesto to The Presets and Frankie Knuckles. DJ Adam Black will open the night with punk rock, new wave, and alternative rock.

Doors open at 9pm. Admission is Free before 11pm with RSVP to Front312@gmail.com and $5 without RSVP or after 11.

Drink specials include $2 PBR, $3 Goose Island IPA and $4 well drinks, and plenty of other reasonably priced options are available at the bar.

Liars Club is located at 1665 W. Fullerton in Chicago. at the intersection of Fullerton and Ashland.

Liz McLean Knight / Comments (2)

Concert Fri Oct 02 2009

Keith and the Complications @ Underground Lounge, Saturday

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The most rockin' soul band you've never heard of, Keith And The Complications play tomorrow night at Underground Lounge. This six member ensemble has been playing shows all over Chicago for years and work hard just to get you to shake what you know you've got. Come on out tomorrow to support some amazing independent local music . K and the C's play in support of their new EP, Tie One On and open for glam metal band Felon Love. Garage rockers Yarn start the night. Come dance away the colder weather with some great new tunes.

Music starts at 9. Underground Lounge is located at 952 W. Newport. (773) 327-2739. The show is $8.

Aharona Ament

Concert Fri Oct 02 2009

Review: Moby @ The Vic

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All photos by Lisa White


Touring with a full backing band for the first time since 2005, Moby came through Chicago Wednesday night to take the sold-out audience at The Vic on a trip through his musical history, from early electro raver cuts to his latest shimmering pop gems. If you're only familiar with the mass amount of hits from his 1999 release Play, then you are sadly missing out on the impressive range and talent that Moby possesses and displayed during his night in Chicago.

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Lisa White

Feature Thu Oct 01 2009

Riot Upon Reason: Riot Fest 2009

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Grab your Chuck Taylors and safety pins, kids -- Riot Fest 2009 is coming to Chicago October 7th. The festival that brought us reunions by the Blue Meanies and Naked Raygun, among many, many others, is back at it again with more reunited punk heroes and local talent. Besides the five days of punk music spanning generations going down at venues around the city, they've also got a bowling tournament and film screenings planned for the week. This year marks Riot Fest's fifth year in Chicago, and each year they've only been expanding and bringing in more and more exceptional acts.

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Stephanie Griffin / Comments (4)

Concert Tue Sep 29 2009

Reminder: Moby Tomorrow Night at The Vic

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Just a reminder that tomorrow night Moby will be coming into town with a full band (a somewhat rare treat) to play at The Vic. Ever since his rise to popularity with the release of his album Play, which sold over 10 million copies worldwide, Moby has been a key figure in helping to bring dance and electronic music into the mainstream.

With his latest album, Wait For Me, we see one of the most personal pieces of work he's released to date. And he recorded the entire thing in his own apartment by himself in New York, giving a new meaning to having music feel like home. The video for the first single, "Shot in the Back of the Head" was done by director David Lynch, and you can take a peek at it over on Moby's website.

Moby plays The Vic tomorrow night, Wednesday September 30th at 7:30pm. Tickets are $34 and can be purchased online.

Lisa White

News Mon Sep 28 2009

Tortoise To Perform @ Reckless Records

Influential Chicago group Tortoise has announced that they will be playing an in-store performance this Sunday at Reckless Records in Wicker Park in support of their new album Beacons of Ancestorship. The album is their first in five years and this will be only their third in-store appearance. They play at 5pm sharp, but since it's FREE, we recommend arriving early as they are sure to draw a big crowd to the small shop. 1532 N. Milwaukee.

In other Tortoise news, they are opening for Wilco at their two UIC Pavilion shows on October 18th and 19th. Tickets are $39.50. Show starts at 7:30pm.

Michelle Meywes

Concert Mon Sep 28 2009

Review: Grizzly Bear @ Metro

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Last night the Brooklyn powerhouse known as Grizzly Bear played the first of their two nights of shows at the Metro, captivating a full house of fans with their always lush and mesmerizing music. The band have swiftly been winning over audiences with their hushed yet forceful sound ever since their debut release Yellow House, including a large following in Chicago after playing twice at the Pitchfork Music Festival.

The Metro stage was adorned with mason jars hanging off of beams that looked like telephone wires, as the band sauntered onto the stage and launched into "Southern Point," a song that I believe Thom Yorke might have wished he wrote for Radiohead. It's a multifaceted and layered track, with a heavy bass beat keeping every part tethered to one another. As the song built speed and crashed at a high point, the mason jars above the band flashed brightly, illuminating them in a soft glow, which complimented the always beautiful lighting set-up at the Metro perfectly. The band was off to a strong start, both visually and musically, already more focused and solid than their performance this summer at Pitchfork Festival.

They played the first few notes of "Cheerleader" the first single of their latest album Veckatimest, as the crowd roared in approval. Live, "Cheerleader" has a more murky and muddled sound, the music almost sounding like a stomp as it plods along. This contrasts perfectly with the clear ringing vocals of Ed Droste, making "Cheerleader" an infectious song that glides smoothly along. Droste's vocals throughout are soft and languid, especially on tracks that showcase his simple sound such as "Knife," which I've deemed personally as the sonic equivalent of a warm bath. It relaxes you, is soothing and calming, and all I want to do is close my eyes and just get lost in the moment. Corny as it sounds, it makes sense when you see Grizzly Bear live. Other memorable moments of the set was the haunting "Colorado," which had a beautiful breakdown towards the end, a strong delivery of "I Live With You," which held tension and built before exploding in sound, and a choice ending for the set of "On A Neck On A Spit."

After first being mesmerized by the band a few years ago at Pitchfork Festival, and then let down by a lackluster performance this past July at the festival, it was reassuring to hear the band so dynamic, forceful, and gorgeous as they were last night. Seeing the multiple instrumentation and the careful craftsmanship of their music live truly shows why Grizzly Bear is one of the most innovated, original, and refreshing bands around today.

Grizzly Bear will play their tonight, Monday September 28th, at the Metro. There are still a few tickets left for the show this evening, but if you plan on going grab a ticket now at the Metro site, because I'm sure the show will sell out. Tickets are $25, it is 18 and over, and doors open at 8pm with the show starting at 9pm.

Lisa White

Concert Mon Sep 28 2009

Concert: Down @ The Fuel Room

View the full entry for photos and a setlist from Down's September 26 show.
All photos by Brian Leli

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Brian Leli / Comments (1)

Preview Sat Sep 26 2009

Preview: Down @ The Fuel Room

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Growing up very much a part of the metal and hardcore scene, New Orleans, LA has served as one of the most integral and inspiring sources of music for me. Bands like Down, Acid Bath, Soilent Green and Eyehategod — to name only a few — were and are oceans beyond most other bands in this genre. I have a hard time even pairing them together in any way that makes sense. They created their own genre and community. Where one band ends several hybrids have already begun; each adding their own unique piece to the instantly-identifiable whole. While this is representative of artists in New Orleans in general, it's all too apparent in the musical community. They play the music of New Orleans and its inhabitants. They tell the story, good and bad. The beauty that emanates from the city also moves through the music. The devastation, anger and horrible truths that Katrina brought with it will forever be heard in the songs. So will the will to overcome it all. If there is a band that embodies NOLA and this sentiment more than any other, it is Down.

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Brian Leli

Review Fri Sep 25 2009

Review: fun. at Schubas 9/24/09

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Fun.'s debut album Aim and Ignite was released a mere four weeks ago, but every person in the sold-out crowd at Schubas last night knew every word to every song, often shouting them over the band. Considering Aim and Ignite hasn't left my stereo in the past four weeks either, I was none too surprised at this reaction. If you're unfamiliar, fun. is the new project of former singer of The Format, Nate Ruess, Andrew Dost of Anathallo, and Jack Antonoff of Steel Train. Fun. retains the theatricality of Nate Ruess' songwriting style that I loved in The Format, only slightly more mature and with a more layered sound. I'm not as familiar with Anathallo and Steel Train as with The Format, but having never seen The Format live, I was excited to catch Ruess in action. He sure didn't disappoint.

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Stephanie Griffin

Concert Fri Sep 25 2009

Chain, Chain, Chain. . .

For the last 20-(cough) years, Ian Svenonius has been an underground mainstay. His music, from early-'90s Dischord-era punk (Nation of Ulysses, Cupid Car Club) to mod garage-gospel (The Make-Up) and even modder psychedelica (Scene Creamers/Weird War), always features the elements of conspiracy rhetoric and ants-in-the-pants dancing.

Svenonius' latest project, Chain and the Gang, is no different, though it sounds far more subdued (no James Brown screaming here, folks) -- more "Folsum Prison Blues" than "N-Sub Ulysses." The band's first album, Down With Liberty... Up With Chains!, is mainly a Svenonius gig, but collaborators include the who's-who roster from K Records, including Calvin Johnson and other members of Dub Narcotic Sound System, Sarah Pedal, Brett Lyman, Karl Blau, Lizet and Veronica Ortuño, and about half of Old Time Relijun.

Catch Chain and the Gang at the Beat Kitchen on Monday, Sept. 28. I'm not sure just who will be in the touring band, but suffice to say it'll be a good ol' down-with-the-Man time. Playing with them is locals D. Rider and The Love of Everything. The show kicks off at 9 p.m., and it'll set you back $10. That is, unless you are the winner of a pair of tickets to the show, courtesy of Gapers Block. Just send an e-mail to contests@gapersblock.com with "Chain and the Gang" in the subject line and your first and last name in the body of the e-mail. Update: We have a winner! Congrats to Eric!

Kara Luger

Concert Thu Sep 24 2009

Friday Night Options

Tomorrow is the type of night when live music fans are simultaneously enthralled and frustrated about living in a town like Chicago. There are a plethora of shows, but only so much time. As much fun as multi-show evenings can be, there's also location, cost and time to factor into a busy night. It'd be a breeze to see alt-country rockers Son Volt at the Vic and then walk over to Schubas for a 10PM show with the trendy electronic trio Chairlift and British experimental musicians Micachu & the Shapes. That'd be two shows within a half-mile for $35. Or you could see the early Empty Bottle show with Swedish electronic rockers Miike Snow and Jack Peñate at 7:30 before walking (or riding your bike or taking a cab) about a mile to the Chopin for the Soft Pack (né Muslims) and Smith Westerns at 10PM. That package comes out to $22. And if you had some ESP to know when sets really begin, I'm sure you could work in Scottish pop band Bell X1 and New Hampshire indie rockers Wild Light at Double Door. But those scenarios don't even include all of the other shows happening on Friday. So let's do a quick rundown of some of Friday's highlights:

  • In addition to the Miike Snow and Soft Pack shows, Empty Bottle has a Texan double bill I last saw in 2002 with And You Will Know Us By the Trail of Dead and Secret Machines. The show's at Logan Square Auditorium at 8PM for $15.

  • Canadian indie rockers the Weakerthans and Rock Plaza Central play Bottom Lounge at 8PM for $20.

  • Americana singer-songwriter Brandi Carlile plays at the House of Blues at 7:30PM. Tickets are $22.

  • Stones Throw's soul performer Mayer Hawthorne brings his ever-changing band to Darkroom for a show with JC Brooks & the Uptown Sound at 9PM for $12.

  • Phish's Mike Gordon plays at Park West at 8PM. The show's 18+ and tickets are $25.

  • Local punk rockers Tight Phantomz play the Hideout at 9PM with the twin cities' Private Dancer and the Chambermaids. The show's at 9PM. Admission is $8 for 21+.

  • British folk legends Steeleye Span play at Old Town School of Folk Music at 7PM. Tickets are $28 and it's all ages.

    James Ziegenfus

  • Concert Wed Sep 23 2009

    Review: Fool's Gold @ Bottom Lounge

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    Photo by Heather Goldberg

    This past Sunday was a dreary and rainy night in Chicago, but in my mind I was laying in the sun somewhere in a tropical climate far away. No, I wasn't hallucinating nor had I finally lost my mind. I was being swept away by the sweet sounds of Fool's Gold.

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    Lisa White

    Concert Wed Sep 23 2009

    Tom Schraeder and Scott Lucas Show Off New Endeavors

    Tom Schraeder has been hard at work the last year (and still is) on material for his new album, The Death of St. Thomas. Having heard bits and pieces here and there myself, you'll be surprised at some of the turns he takes on what was originally slated to be three different sounding albums. Perhaps you'll also get a peek at some of his new material tonight as Schraeder brings his special brand of Americana to Beat Kitchen.

    Also playing tonight is another of Chicago's own, Scott Lucas with his new band Scott Lucas & The Married Men. If you come expecting to hear another version of Local H, you're in for another surprise since this time around, Lucas has opted for softer and slower with less anger, more sadness and a touch of folk.

    Tom Schraeder has even made this special video invitation to tonight's "Cassette Release Party" set to "Patbaby (An Ode To)," one of the tracks from his forthcoming album:

    Patbaby (An Ode To).mp3

    Tim Larson & the Owner/Operators, also from Chicago, headline tonight's show at Beat Kitchen (2100 W. Belmont). Show starts at 9pm. Tickets are $8. 17 & up.

    Michelle Meywes

    Preview Wed Sep 23 2009

    Extra Golden Weekend Shows @ Hideout 9/26, 9/27 (Plus a contest!)

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    Extra Golden (Photo by Cat Stevens)

    Extra Golden rolls into Chicago this weekend on the tails of the Chicago World Music Festival and boy are we in for a treat. They're playing not one but two shows at the Hideout so you get a doubleshot of one of the most entertaining half Kenyan/half American rock bands out there (well, to be honest, it's likely one of the few Kenya/U.S. musical matchups you're likely to hear at the Hideout, but it's a real good time, nonetheless). A member of the Thrill Jockey label, Extra Golden brings a booty-shaking, finger snapping, hand clapping beat straight from the streets of Nairobi to your eardrums (via D.C.). Currently promoting their latest album Thank You Very Quickly, you might remember Extra Golden from their jubilant song release last fall when Obama clinched the Presidency. Beautiful harmonies, happy guitars, and a truly rump-shaking rhythms are a staple of their new release and a real motivation to see this band live. Their latest effort once again features East African guitars, polyrhythmic drums and songs sung both in English and Luo, but also has a special vibe and more of a polished tone than previous albums. A believer that "tight quarters = tight grooves", the album was recorded mostly in the third floor hallway/laundry room of guitarist Ian Eagleson's parents' house. Given that success, I don't see how a show at the intimate space at the Hideout could be anything but a prime locale for this band.

    And hey if you want to follow Alex Minoff (the "second best guitarist in Extra Golden") or Thrill Jockey on Twitter. You can do that, too.

    Extra Golden plays this weekend, September 26th and 27th at 9pm at the Hideout located at 1354 W. Wabansia, Chicago. (773) 227-4433. Tickets are $12. Endless Boogie opens.

    Act now and go for $0! We have two pairs of tickets (one for each night) to give away courtesy of the Hideout! Just be the first to email us at contests@gapersblock.com with the subject line "Extra Extra!" and you and a friend can get your dance on for free! First who emails gets to pick their night! Update! We have our winners! Congrats to Eric and Chris!

    [MP3]: Extra Golden - Anyango from Thank You Very Quickly

    Anne Holub

    Preview Wed Sep 23 2009

    Scout Niblett @ Subterranean Contest

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    I first saw Scout Niblett perform on June 22, 2008. Whatever else I did that day is long gone, but the performance I saw that night will always stick with me. It was a Sunday night and the show was at Schubas. I was there mostly to see Dax Riggs, but Niblett was opening. She began with "Hot to Death" from her album Kidnapped by Neptune, and she got my attention fast. Intense is not a strong enough word for what happened in that room, on that night. I was only slightly familiar with her before she started that first song. By the end of it I was enamored. I knew I was in for a binge. I bought (yes, bought) all her albums that night.

    For those unfamiliar with Niblett, allow me a moment to proselytize: She is from Staffordshire, England, but currently lives in Portland, OR. Her music is very minimal, and consists primarily of vocals accompanied by guitar, drums and the occasional piano. Often, only one of these instruments can be heard at a time. She plays them all.

    Niblett's singing is unconventional but fervent. She's cited grunge music and astrology as being major influences. She's worked with Chicago's own Steve Albini on multiple albums; her most recent, This Fool Can Die Now, features a hefty four duets with Bonnie "Prince" Billy. On April 14, 2009 she released the 7" single, It's Time My Beloved through Chicago-based indie label, Drag City. Her current tour comes to a close this Friday, Sep 25 at Subterranean: 2011 W North Ave. 9:30pm. 17 & over. Tickets are $12.

    But why pay when you could go for free? That would be ridiculous, not to mention wasteful. We're giving away a pair of tickets. Be the first to email us at contests@gapersblock.com with your full name and "Niblett" in the subject line, and they're all yours. UPDATE We have a winner! Congrats to Dan B.

    Brian Leli

    Review Tue Sep 22 2009

    Andrew Bird's Modern Wing

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    [This guest review comes to us from reader Sarah Avampato, who also took the pictures.]

    In front of a crowd of around 250 people, scattered at tables and chairs across the wide open floor of the Art Institute's new modern wing, Andrew Bird showed yet again why he is a force to be reckoned with in today's music scene. His short set drew mainly from Noble Beast, with a few nice surprises: an unanticipated side trip off into b-side territory ("The Water Jet Cilice"), a reworking of some old songs ("Sweetmatter"), and a new song that he's been working on. The crisp, clean lines of the modern wing were well suited to a night of Bird's music, who commented at one point that the environment made him want to play more legato music, broad strokes, instead of "pointy" things. The space really seemed to give Bird's music the chance to grow and take shape, unconfined, to be whatever it wanted to be, the way his music should really be heard.

    Bird opened his set with "The Water Jet Cilice", a song which has popped up a few different times on EPs (Soldier On, Fingerlings 3). The song's long been a favorite of mine, and when I heard the opening strains, the churning violin and startling whistle, from way off in the middle of nowhere, aka where the restroom was, well, let's say I walked just a little bit faster to get back to my seat. After the song, he talked to the audience for a bit, mentioning that he was asked to tell an anecdote about the Art Institute. He shared a story about going to the museum when he was around six, with his mother and some other neighborhood children. In looking at the paintings, he recalled standing in front of one - a Rembrandt - and really having the urge to touch it. So, of course, he did, and promptly got yelled at by the security guard. Somehow, I don't think this was the type of anecdote that the organizers were hoping he would share - I imagine they were hoping for something a little more cerebral - but it suited the audience just fine.

    Continue reading this entry »

    Anne Holub

    Concert Tue Sep 22 2009

    Passion Pit, Free As In Beer(-Sponsored)!

    Bands might be losing their buzz swifter than a Kanye interruption, but a potential audience member has to weigh the pros and cons of letting the buzz waves determine their lifestyle. The question is: should you go see Passion Pit for free? On the one hand, every trixie and their mother who's gotten a taste of the band on XRT will be in attendance wearing ironic Cubs T-shirts and pink baseball caps. Hipsters have an irrational fear that Clayton Hauck or the Cobrasnake will pop out at any moment and photograph them as one of these cougars hits on them, or a brah knocks them back with a mighty chest bump. Back to reality though folks. Yes, you might see some people who aren't in a quarter-life crisis, and maybe there will be a lot of them (tickets are being provided solely through XRT VIP points). If you can get your mangy mop-topped brain around the horrors of corporate sponsorship (yes, it's brought to you by Bud Light) and just want a chance to see a pretty decent band play some pretty decent songs in a not-too-big venue, check XRT's giveaway page for details on how to get a ticket - the show will be at Logan Square Auditorium on September 30th at 8PM, and will be 21+.

    If you need a refresher on the actual music behind this too-cool conundrum, check out the band performing "The Reeling" on Pitchfork's "Juan's Basement".

    Dan Morgridge

    Concert Mon Sep 21 2009

    The Righteous Power of Proof

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    Above: Gerritt

    Folks, I'm gonna lay all my cards on the table; no headline-burying for you lovely souls today. Gerritt is playing in Chicago this Friday (at Metal Shaker, 3394 N. Milwaukee, 9 p.m./$5/21+). For those with chaos-hungry ears, who can (and will) take the time to differentiate between the thousand ways to to make the great din new and exciting, no more need be said, and you've already trampled the messenger on your way to line up at Metal Shaker for tickets. If you're unsure but interested, here's the brief version.

    Continue reading this entry »

    Chris Sienko

    Review Thu Sep 17 2009

    Live Review: Bad Veins @ Subterranean 9/15/09

    Bad Veins.jpgOne of my favorite albums as of late has been Bad Veins' self titled debut--from start to finish. The album reminds me a lot of The Killers' debut Hot Fuss--over-the-top, danceable indie-rock with the same longing in the vocals. Bad Veins have a lusher, more orchestral sound though, and aren't afraid of their softer side. You'll find yourself singing along, yelling the full-of-feeling choruses --I often get them stuck in my head and catch myself singing 'I would be lyin if i said i never hated you!' around my house.

    While their name might not be in your musical lexicon quite yet, drummer Sebastien Schultz and keyboardist/guitarist/singer Benjamin Davis have gotten quite a bit of attention lately with their single "Gold and Warm" popping up on indie radio stations, as one of MTV's Bands You Should Know, and songs appearing in Gossip Girl and The City.

    Continue reading this entry »

    Michelle Meywes / Comments (1)

    Concert Mon Sep 14 2009

    Bring Your Dancin' Boots

    lb.jpg After a stint in the electronic trio Dead Disco, Victoria Hesketh a.k.a. Little Boots used social networking websites for exactly what they're meant. She released recordings of a slew of covers and, with the Dead Disco name still bright in some minds, grabbed the attention of people who could help further her career as a solo electronic music artist. With Greg Kurstin (Geggy Tah, The Bird and the Bee) and Joe Goddard (Hot Chip) assisting with writing and producing, she released some singles in 2008 that caught the attention of even more people and had her debut album, Hands, ready for a much-anticipated 2009 release.

    Where Dead Disco was slightly abrasive, Little Boots isn't. Rough guitar riffs have been replaced by grooving synths reminiscent of female-fronted British electronic pop between Rachel Stevens and Goldfrapp. Hesketh's voice carries from ultra sweet to downright desperate (in a good way). In addition to synths, the relatively new tenori-on plays a significant role on Hands. Floorburners like "Stuck on Repeat" and "Remedy" showcase a talent whose music should blow up in clubs. Downtempo songs like "No Brakes" call to attention a performer who has no trouble dialing it down a few notches.

    Little Boots performs at the Empty Bottle, 1035 N. Western, on Thursday evening. Boston's Yes Giantess and Chicago's Kid Color open. The show begins at 9:30 and admission is $15.

    James Ziegenfus

    Concert Wed Sep 09 2009

    It's Grammartime @ The Hideout

    Grammar.jpgWith the work week starting on a Tuesday, it's easy to let the week get away from you, so you'd better start making plans now because you'll be kicking yourself if you miss something like a great show at The Hideout.

    Local pop group Grammar has been playing around town somewhat under the radar lately, but tomorrow they play their first headlining gig. Their self-titled EP is purely pop with catchy hooks and feel good melodies, but lead singer and songwriter Brent Pulse (formerly of Bumpus) also shows that pop has a charming side. Tunes like "Won't Let Go" are pillowy soft and sincere, and you'll still be singing along. The group often brings interesting off-color instruments into the mix--everything from xylophone, to accordion, to melodica--in creating these pristine melodies. If you come by simply because you're curious, you're likely to find yourself dancing in the front row by the end of the show.

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    Grammar play The Hideout Thursday, September 10. Clip Art opens. Show starts at 9pm. Tickets are $8. 1354 W. Wabansia. 21 & up.

    Michelle Meywes

    Concert Fri Sep 04 2009

    Polvo @ Bottom Lounge: Saturday September 5th

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    Polvo, one of the most intricate guitar bands of the 90's math rock scene comes to the Bottom Lounge tomorrow night. The band has the talent of making dissonance sound as if it belongs and almost pretty, yet still gives you that satisfying feeling of two trains coming at you at the same time. If you missed their sold out show last summer at Subterranean or couldn't stand the crowds to catch them at Wicker Park Fest 08, This Saturday is a good chance. Polvo is supporting their first album since regrouping entitled In Prisim which comes out this Tuesday. Local rock band Haymarket Riot opens just in time for Labor Day, along with fellow Chicagoians, The Poison Arrows for what should be a very loud night. The Bottom Lounge is located at 1375 W. Lake St. (312) 666-6775. 9 PM The show is $15 and it is 21+

    Aharona Ament

    Concert Thu Sep 03 2009

    See the 1900s @ Millennium Park Today at Noon

    It's not Monday, but a Chicago-based indie band will be taking the Pritzker Pavilion stage at Noon today. You've still got about an hour to get down there, so treat yourself to a lunch outside the office today and relax on the lawn while listening to the tunes of the 1900s.

    Michelle Meywes

    Concert Thu Sep 03 2009

    Reminder: Gapers Block Party Tomorrow Night @ Metro!

    I'm sure all you fine readers are polishing your dancing shoes and laying out your outfits for tomorrow night. Because I know you'll all be attending the 6th annual Gapers Block Party that we told you about last week!

    I'll just quickly remind you of the awesome line-up: Nikki Lynette, The Hood Internet, Blane Fonda, and Panda Riot. And the fact that IDM Photography will be there with a photo booth is just the cherry on top of my musical Friday night sundae.

    So how could things get any better you ask? How about this amazing poster by Dan Grzeca?

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    The poster itself says so much about Chicago, and who can resist the adorable charm of an angsty parking meter monster?

    So we'll see everyone tomorrow night at the Metro. Remember, come before 9:30pm, and it won't cost you a thing to get in. Free event people, bring all your friends. Don't fret if you're running late, anything later than 9:30pm and it will just cost you $6. And while you are there you can pick up one of these really cool posters to class up your apartment. We'll see everyone tomorrow night, and I'll save a dance just for you.

    Lisa White

    Concert Thu Sep 03 2009

    Riot Fest West Postponed Until Spring 2010

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    Riot Fest is the little punk festival that could, a celebration of music only in it's fourth year, but rapidly expanding and gaining a strong presences each year in Chicago. This year the line-up includes an impressive roster, from legendaries like Naked Raygun and Screeching Weasel to hometown heroes Alkaline Trio, and everything in between. And it was with great pride to find out that our "little" festival was spreading out West. So it's with heavy hearts to report that Riot Fest West has been postponed, and even heavier hearts to share the reason why.

    The mid-November festival in Los Angeles will be pushed back until Spring 2010 due to health issues challenging the founder, Riot Mike. Very sad news, but we know Riot Fest will still be kicking Chicago's ass later next month, and have no doubt that come Spring 2010 L.A. will get a taste of it as well. Riot Mike's personal statement is after the jump.

    Continue reading this entry »

    Lisa White / Comments (2)

    Concert Wed Aug 26 2009

    Announcing the 6th Annual Gapers Block Party!

    2009gapersblockparty.jpgOur annual Gapers Block Party is finally here! And this year it's bigger and better than ever -- we're taking over the Metro!

    Friday, Sept. 4, head to 3730 N. Clark St. for our killer lineup featuring Nikki Lynette, The Hood Internet, Blane Fonda (featuring ex-members of The Sapiens) and Panda Riot. We have some other fun stuff planned, including a photo booth by IDM Photography, a found imagery slideshows by Big Happy Funhouse and Square America, giveaways and more!

    Doors open at 8pm
    , and best of all, the show is FREE if you get in before 9:30pm! Tickets are just $6 after 9:30pm or in advance through Metro website or ticket office. Look forward to seeing you there!

    After the jump, videos of each of the musical acts...

    Continue reading this entry »

    Andrew Huff / Comments (1)

    Artist Fri Aug 21 2009

    Emily Wells Delightfully Suprises

    emilywells.jpgEmily Wells played a beautiful set at Millennium Park on Monday as part of the city's Edible Audible Picnic series, but if you couldn't get out of the office for lunch that day, you have another opportunity to see her tomorrow night at Schubas.

    Wells is a multi-instrumentalist (and by multi I mean everything from violin to toy piano to sampler) whose music I can only seem to describe with that one word: beautiful. You might think merging two genres as different as classical and hip-hop would be bizarre, but she somehow makes it just that--beautiful--but with edge. She is talented enough to have turned her nose up at a lucrative major label deal at the age of 17, opting instead to hold on to the creative control that we as listeners are lucky that she did.

    On Monday she ruled the equipment switching from instrument to instrument, accompanied only by her drummer, Sam Halterman. Songs started off slow, with her building up the backing tracks that they would explode into as they formed. Her symphonies were sometimes dark and always dramatic, her quivery voice making them all the more haunting, but at the end of the show she switched gears into lighter, more upbeat songs like "Passenger" and "Take It Easy San Francisco."

    One interesting thing I read about Wells was that on her last full length album, The Symphonies: Dreams Memories & Parties, she didn't simply play one single violin track over and over to create depth; she actually recorded up to 21 separate tracks to craft her very own symphony. Right now she is touring on the heels of her new EP Dirty, which if you're wise you'll pick up at the show, and if we're lucky, maybe her next album will have "Passenger" on it.

    Emily Wells plays at Schubas Saturday, August 22. Tickets are $8 ($10 door). Show starts at 10pm. Horse's Ha and Leroy Bach open. 21 & up. 3159 N. Southport.

    Photo by Anne Carmack.

    Michelle Meywes

    News Wed Aug 19 2009

    Califone Tour Dates & Film Trailer

    Chicago-based Califone have released tour dates and a film trailer in support of their upcoming album, All My Friends Are Funeral Singers, due out October 6. The album is a companion-piece of sorts to frontman Tim Rutill's first feature film of the same name. The majority of the tour, which kicks off October 10 and 11 at the MCA, will find them playing a live soundtrack film performance. View the complete list of dates here.

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    Brian Leli / Comments (1)

    Concert Tue Aug 18 2009

    Chicago Rock "Supergroup"

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    Greg Corner and Jonathan Radtke of Kill Hannah, Matt Skiba and Derek Grant of Alkaline Trio, and Scott Lucas of Local H will all be performing together tonight at Debonair Social Club, according to an announcement made by the band on Q101 last night. No word yet on whether the band will be recording together, however they have yet to pick a band name and will only be playing covers tonight, according to Greg Corner. Check out Greg Corner's Twitter for more information, and Ryan Manno's Twitter for pics from their Q101 visit.

    Debonair is located at 1575 N. Milwaukee Ave. The show is free before 11 pm and 21+. According to the flyer, the night will be hosted by someone named Sinnister from VH1's Daisy of Love and some guy will be doing magic tricks. Hmm.

    Stephanie Griffin / Comments (3)

    Concert Mon Aug 17 2009

    Review: Harvey Danger @ Schubas 8/15/09

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    Photo by Stephanie Griffin


    Fate led me to Harvey Danger's last Chicago show at Schubas on Saturday night. Having loved Where Have All the Merrymakers Gone? in junior high, they had completely fallen off my radar for the past ten years (yes, I realize I'm losing so much nerd cred right now). Then, one day a couple months ago I'd had my iTunes on shuffle mode and "Flagpole Sitta" started playing. What ever happened to this band? I'd immediately googled them to find out that they were about to call it quits, but not before one last small tour of club shows. The list of dates included Chicago, and lo and behold, tickets had gone on sale that very morning. It was destiny.

    So what has Harvey Danger been up to these past several years? For starters, they released two additional albums - King James Version in 2000 and Little By Little... in 2005. The band was on a two year hiatus between the two albums, reuniting in 2004, albeit with a new drummer. Their last album, Little By Little..., was self-released and available as a free download through the band's website and BitTorrent, and was later re-released on Kill Rock Stars. Last May, the band announced they'd be breaking up via an announcement on their website, stating, "The decision is totally mutual and utterly amicable." They started their farewell mini-tour right here in Chicago with two sold-out shows at Schubas. And now we're all caught up.

    Continue reading this entry »

    Stephanie Griffin / Comments (3)

    Preview Fri Aug 14 2009

    This One Time? At Band Camp?

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    Mucca Pazza photo by Flickr user Robert Loerzel from our pool


    After the hullaballoo that was last week's Lollapalooza, be thankful that this week's hullaballoo is as fun and crazy, but less wiltingly warm. Mucca Pazza, Chicago's own premiere 30-odd-piece marching band, is playing tonight at the Jackhammer (6406 N. Clark St.), the gay bar that knows no musical boundaries. Mucca Pazza have made a name for themselves for their frenetic shows -- think the best marching band music with a punk energy and cute, smartypants cheerleaders -- and its led them to appearances across these United States of America, on Late Night with Conan O'Brien, and hell, on Chic-A-Go-Go. Local rock heroes Detholz! opens the show, and they're fantastically fun as well.

    What I'm saying is: It's going to be bananas and you should go. It kicks off tonight at 9 p.m., tickets at the door will set you back $10. For more, and for other shows hosted by The Flesh Hungry Dog Show, check here.

    Kara Luger / Comments (1)

    Contest Mon Aug 10 2009

    Contest: The Breeders @ the Metro

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    The Breeders are a nostalgic treat for anyone who grew up in the '90s. Anytime I hear the opening riff to "Cannonball" I'm brought back to my high school days watching videos on MTV's "120 Minutes". But they certainly haven't been the easiest band to keep tabs on in recent years. Between the sometimes long gaps in albums, the drugs and the record label issues it is hard to know when the next time we will get to see them will be.

    Thankfully, the alternative superstars just kicked off a summer tour, leaving 4AD and self-releasing their newest album Fate to Fatal. This follows last year's Mountain Battles. The twins rockThe Metro this Thursday for the post Lollapalooza show week with with indie soul band Whispertown 2000 opening. Doors open at 8. Show starts at 9.

    Lucky for you, we have a couple of pairs of tickets to give away, courtesy of the Metro. Be the first two to email us at contests@gapersblock.com with the subject line "Cannonball" and you and a friend will be headed to the show on Thursday night. [Update: We have our winners! Congrats to Oscar and Sarah!]

    Aharona Ament / Comments (1)

    Review Sun Aug 09 2009

    Review: Dan Deacon Loft Show

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    All Photos by William Hasty and his trusty iPhone. Thanks Will!


    "This isn't going to be one of my typical shows," announced Dan Deacon as he set up shop in a warehouse loft nestled between the hum of factories in Bridgeport. "It's been a long day, and I know it's hot and dirty, but let's try and relax," Deacon proclaimed over a room full of sweltering Hipsters who came to see him and a laundry list of bands play a last minute after show Saturday night.

    Continue reading this entry »

    Lisa White / Comments (1)

    Review Sat Aug 08 2009

    Review: Arctic Monkeys @ Metro

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    All photos by Andy Keil for Gapers Block


    Lollapalooza weekend in Chicago isn't just about sweating with the masses in Grant Park. Since the festival retired the touring shtick and rooted down in Chicago, after parties, pre-parties, and general music festivities have been popping up during Lolla weekend. This year the number of events have been staggering and overwhelming, but if you're looking for a guaranteed good time, put your faith in the hands of one of the most respectable venues in Chicago. The Metro is playing host to a sold out weekend of shows, giving audiences the lucky chance to see acts that usually are reserved for a the confines of a larger venue. Last night the Arctic Monkeys stirred up a packed crowd into a rabid frenzy with their brand of infectious post-punk infused rock 'n' roll.

    Continue reading this entry »

    Lisa White

    Concert Fri Aug 07 2009

    Crooks and Children

    after dark my sweet.jpgThe latest album from the dark indie collective Crooks and Children builds an almost nostalgic sense of fear and desperation. As you listen through the free 9 song album, Night is a Good Child you can hear the tension in the instrumentation and in the vocal delivery. Through the use of more untraditional instruments, like trumpets, accordions, and uniquely played synths, the band creates an unsettling atmosphere. It takes a few spins to crack through that uneasiness and really enjoy the energy and passion below it. Night is a Good Child has seven different covers all created by local artists, and the copy I received had all seven nicely printed inside. The band is very much aware of how connected music and art can be and should be.

    In case you aren't going to Lollapalooza, Crooks and Children are performing tonight (August 7th) at Red Line Tap as part of a benefit for the Aids Foundation of Chicago. The $5 cover will go directly to that cause. They are also playing at Double Door on August 20th with Coltrane Motion and Hobo and Boxcar.

    Jason Behrends

    Concert Thu Aug 06 2009

    Peter Bjorn & John Replace Asher Roth

    Asher Roth for one reason or another pulled out of his post-Lolla gig at Cubby Bear tomorrow night, and has been replaced by a group you never thought you'd see perform in a Wrigleyville bar: none other than the Swedish trio Peter Bjorn & John. Since the change happened so last minute, no tickets are required and the show is FREE. This is one aftershow we might actually consider hitting up now.

    Michelle Meywes / Comments (2)

    Concert Wed Aug 05 2009

    Witness the Rise of the Warlocks

    warl.jpg It takes some brass to go with the original name used by both the Grateful Dead and Velvet Underground. But if ever a band were to do that, the Warlocks are probably them. Often drawing comparisons to mid-era Velvets and the Jesus & Mary Chain, the Warlocks headed by Bobby Hecksher (Beck, Brian Jonestown Massacre, Magic Pacer) have been charging forth through this decade.

    Despite numerous personnel changes over the last few years, the albums have all remained more or less within the same spectrum without sounding like clones. Early in their career they made a case to be categorized as a lo-fi Spiritualized, but they've moved on to exploring droning (in a good way) shoegaze and neo-psychedelia with the last couple records. Now they might be lumped in better with My Bloody Valentine or even Ride. They still have spaced-out jams, but they're using distortion more effectively. For years they've been lauded for their performances and, hopefully, that holds true the next two days.

    The Warlocks play Thursday and Friday at the Empty Bottle with the Morning After Girls. Both shows start at 9PM. They're 21+ and $10. Gliss and Sadhu Sadhu open on Thursday. Grimble Grumble and the Vandelles open on Friday.

    James Ziegenfus

    Contest Wed Aug 05 2009

    Ticket Giveaway: The Arctic Monkeys @ Metro

    The Arctic Monkeys have come a long way from their humble days of Myspace darlings back in 2005. With the rise of their brash and infectious hit "I Bet You Look Good on the Dancefloor," the band found themselves touring around the world, including a plethora of festival dates. The band should feel right at home this weekend when they head into town to play Lollapalooza.

    They're also one of the many acts this weekend playing small intimate shows while in town. The band is headlining a show Friday night at the Metro before heading to Grant Park Saturday. Obviously the show is sold out, but Gapers Block has a pair for one lucky winner. Just be the first to email us at contests@gapersblock.com with the subject line "Monkeys!" and you'll be on your way to the show Friday night at the Metro. Update! We have a winner! Congrats to Gordon!

    The band is getting ready to release their third album, Humbug, and have been listening to a lot of '60s psychedelic rock and working with Josh Homme (Queens of the Stone Age), and these factors show in their new dark and lush sound. Check out the first single "Crying Lighting" below.

    Lisa White

    Concert Wed Aug 05 2009

    Crookers w/ Major Lazer (Soundsystem), Simian Mobile Disco, Kid Cudi, Amanda Blank and more (even the stage will be crowded)

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    Lollapalooza means that everyone and their mother is in town, and probably want to make the most of their time here beyond an hour in Grant Park. They boys of Dark Wave Disco host a cavalcade of stars at the Congress on Friday night, with Italian remixers du jour Crookers headlining and a mysterious Major Lazer (Soundsystem) just underneath them (be prepared for an absent Diplo, Switch or both)? Rounding out the bill is buzz-peaking Kanye protege Kid Cudi, Philly rap diva Amanda Blank, Italians Bloody Beetroots and Chicagoan Willy Joy. Tickets run $25 a pop, which if you do the math, breaks down to a mere $3.57 per act (oh this economy!). When you have this many people, your afterparty has to start a little early, so doors open at 8pm.

    But that's not all! We have a pair of tickets to give away to the first person who emails us at contests@gapersblock.com with the subject line "Major Fun!". Update! We have a winner! Congrats to Brian.

    Dan Morgridge

    Concert Tue Aug 04 2009

    Lolla Aftershow Announcement

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    Well, here's some exciting news to start the day. This morning, Lollapalooza posted the above image on their website. You must decipher the images to find out who will be playing. So far, the only real info on the site is that tickets go on sale August 6th at 10 AM. No word yet on ticket price or where to buy. Click here to see the official announcement.

    Update! Ticket link just posted.

    Stephanie Griffin / Comments (6)

    Feature Tue Aug 04 2009

    Lollapalooza 2009: Band vs Band, Round 2

    Here we go with the second installment of our set-to-set matchup of Lollapalooza's bands. Today's battles rage on as Friday and Saturday's music starts to heat up. Keep reading for our picks on what to hear when.

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    Continue reading this entry »

    Anne Holub

    Concert Fri Jul 31 2009

    Concert Preview: Michael McDermott at Old Town

    655.jpgTrue story: Four years ago, for an article I was writing for a magazine writing class in college, I had the idea of pairing the experience of two Chicago-based bands/artists -- one up-and-coming, the other more established -- and comparing/contrasting their experiences. I followed around the Mannequin Men for the up-and-coming band, and struggled to figure out who to interview for the more established act. After a few rejections from artists who were "too busy" for an interview, I received a nice e-mail from local singer-songwriter Michael McDermott, who told me he'd be happy if I followed him around for a few weeks and asked him some questions.

    Continue reading this entry »

    Sheila Burt

    Concert Thu Jul 30 2009

    Oh, Those Pitchfork People

    We've been trying to play catchup since Pitchfork, so I apologize for the lateness of this little gem, but our intrepid Pitchfork Music Festival photographer, George Aye, caught tons of snaps of some of the best part of the summer fest experience: the people.

    Click here to remember the joy, the pain, the spandex pants.

    Anne Holub

    Concert Wed Jul 29 2009

    Review: The Dead Weather @ The Vic

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    Image courtesy of Chromewaves

    Get two of the most explosive front people in rock today on a stage and you naturally expect an incredible show. Jack White's newest project The Dead Weather did not fail in delivering all of what these combined bands have to offer.

    A foursome combining The Kills' front woman Alison Mosshart, Queen of the Stone Age's keyboardist Dean Fertita, Raconteurs' Jack Lawrence and of course Jack White. The electrifying combination only intensifies on stage. Of course it appeared everyone was there to see White, but the real attraction is the gritty lustful vocals of Mosshart. Even when she is not singing, you cannot keep your eyes off her black magic movement.

    One cannot discount White's talents, which elegantly shifted from drums, lead guitar and vocals. But it is obviously apparent he has been waiting for a project where he experiment with percussion sounds.

    This show is a must see if you are able to go tonight or in any other city as they continue their Horehound tour. The abrasive dynamic of this group is magnetizing and a great sound for the summer.

    Ashley Barlow / Comments (1)

    Concert Tue Jul 28 2009

    Andrew Bird to play Schubas

    bird_02.jpgIn honor of Lollapalooza and his performance there the next day, hometown violin virtuoso Andrew Bird will play a warm reception at Schubas on August 6th. The show will celebrate Schubas' 20th anniversary and is also a benefit for one of our favorite charities, Rock for Kids who provides free year-round music education to underserved children and teens. 100% of the proceeds will go to Rock for Kids.

    Tickets go on sale TODAY at noon on Bird's website.

    UPDATE: Sold out. (That was quick...)

    3159 N. Southport. 9pm. 18 & up.

    Michelle Meywes

    Event Tue Jul 28 2009

    Bloodshot Records Celebrates 15 Years with a Beer-B-Q at the Hideout

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    Chicago label Bloodshot Records have been cranking out quality music for 15 years now, and to celebrate they're taking over the Hideout and throwing a Beer-B-Q for their birthday!

    Sponsored by WXRT and Rolling Rock, the party will highlight some of the artists from Bloodshot's catalog over the the year. The line-up includes: Alejandro Escovedo, The Waco Brothers with Rico Bell, Bobby Bare Jr., Deadstring Brothers, The Blacks, Scotland Yard Gospel Choir, Scott H. Biram, Moonshine Willy. Also, proceeds will benefit the wonderful organizations Rock for Kids and 826 Chicago.

    Save the date (September 12th) and head out to enjoy a day of alt-country rock goodness and wish Bloodshot Records a happy birthday and many more.

    The Bloodshot Beer-B-Q is September 12th at the Hideout. It's all ages (there is a provided kids area) and the price is a $10 donation. Doors open at noon.

    Lisa White

    Concert Sat Jul 25 2009

    The Veils @ The Empty Bottle 7/23/09

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    Violently romantic or romantically violent? Which of these phrases best describes the music of The Veils depends largely on the song; but not entirely. The lines blur. I can feel the gears shifting frequently on every listen. Whatever the destination, the vehicle driving towards it all is longing; an undiluted, lucid longing. Where it shines on the albums, it blinds live. Like many who left The Empty Bottle after Thursday night's midnight rendezvous with The Veils, I'm still trying to blink away the remnants of something like staring into the sun.

    Continue reading this entry »

    Brian Leli

    Concert Fri Jul 24 2009

    Faygo and Face Paint in Southern Illinois

    A reason to be glad Chicago is on Illinois' border with Indiana, rather than the one with Kentucky: Insane Clown Posse's 10th annual Gathering of the Juggalos is in Cave In Rock, Illinois, August 6-9.

    Actually, maybe it's not so bad. After all, what other festival could possibly pull together Ice Cube and Vanilla Ice and GWAR?

    Andrew Huff

    Artist Fri Jul 24 2009

    A Quick Q&A With The Octopus Project

    theop_img01.jpgThe Octopus Project are self-described "collectors of sounds" and their new EP, Golden Beds, is a collection of five songs, each experimenting in different genres. With a couple of tracks coming from their debut album and a subscription-only 7" from last year, Golden Beds begins with the shoegaze tune, "Wet Gold" and immediately switches into rockin guitar and drums on "Moon Boil." The EP conludes with "Half a Nice Day," a lo-fi twee instrumental with cutsey keyboards, but the most compelling song is "Rorol," a streamy avant-garde play with a Siren's call. They utilize the fascinating theremin (an electronic instrument played by without contact from the player, just moving the hands near its two antennas) to create the eerie sound. You can stream the entire EP at Peek-A-Boo Records' website.

    MP3: "Wet Gold"

    The Octopus Project plays tomorrow night at Bottom Lounge, but I had a chance to catch up with band member Josh Lambert for a quick Q&A beforehand:

    Continue reading this entry »

    Michelle Meywes

    Concert Thu Jul 23 2009

    White Mystery Celebrate 7" Release at Permanent Records Tomorrow

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    Everyone's favorite redheaded button making rock 'n' roll power duo, White Mystery, are keeping it busy this summer. The brother/sister duo of Francis and Alex White just teamed up with HoZac Record's Hookup Klub, where subscribers get ten 7" singles of 500 limited edition pressings from various artists. Sadly you snooze and you loose, because the Hookup Klub is already sold out. But there is hope. Fifty copies will be available at live White Mystery shows, so you've got to hustle if you want to purchase your own little vinyl slice of noisy blues soaked garage rock.

    Do not panic though, because you can pick up a copy tomorrow (Friday July 24th) at Permanent Records, where the band will be playing and celebrating the release of their 7". The show starts at 6pm, and is free.

    6pm too early for your rock 'n' roll blood? Then check out White Mystery later that night at the Q4 Art show, located at 2716 W. North Ave. The cost is $5 before 11pm, $7 after, 21+, and includes a laundry list of bands, live art, a puppet show, a trumpet, and face painting. Because you know it's a good night when you get to pogo up and down to garage rock while being painted up like a lion.

    Lisa White / Comments (1)

    Contest Wed Jul 22 2009

    Jamie Lidell Ticket Giveaway

    lidell gold jacket pose.jpgJamie Lidell is one wild and crazy guy. Having seen him in concert more than a few times, I can say one thing; you never know what's going to happen. Hailing from Berlin, Lidell is a soul crooner, funk aficionado and beatboxing expert. He is known for his lively stage shows which almost always include a break that turns into an electronic one man show with him looping his voice, layering tracks and singing over them. It's actually quite impressive. He had a couple of hits off his album Multiply, including the title track and the groovy bass line behind "A Little Bit More" which was featured in a Target commercial. His newest album, Jim, was released last year on Warp Records.

    Lidell is coming to Chicago on Saturday, July 25th to play Congress Theater with special guest Tortured Soul and we are giving away a pair two pairs of tickets! Just be the first two to email us at contests (at) gapersblock (dot) com with the subject "Dammit, Jim!" and you and a friend get in for free! [Update! We have our winners! Congrats to Joel and Alec!]

    Congress Theater is located at 2135 N. Milwaukee Ave. This is a 17 & up show. Doors open at 9pm. Tickets are $20.

    Michelle Meywes / Comments (3)

    Concert Tue Jul 21 2009

    Wilco to Play Chicago in October

    Every time you think your favorite hometown artist is skipping Chicago on tour, they end up announcing something even better (or at least you're even more thrilled when you get the news). Wilco has announced that they will return to Chicago to play at UIC Pavilion on Sunday, Ocbober 18th. Worried you won't be able to get tickets? You're in luck--they are holding two presales beginning today; one beginning at 10am on Front Gate, the second at noon through Ticketmaster. Send an e-mail to chicago@wilcoworld.net to receive the password for presale #2.

    UPDATE: A second show has been added for Monday, October 19.

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    In other news, Jeff Tweedy graces the cover of SPIN Magazine next month, and promises you're gonna dig the story.

    Michelle Meywes

    Interview Mon Jul 20 2009

    Conversations at Pitchfork Festival: Beirut

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    Photo of Paul and Perrin taken by WBEZ

    A weekend full of interviews with some of the nicest bands around was capped off with Paul and Perrin, two of the musicians in the band Beirut. The guys and I camped out backstage under a tree, chatting about the wonderful staff and actual musicians who work at Pitchfork Festival, their encounter with a drunk Pete Shelley of the Buzzcocks, and how part of Beirut was formed in a Haggen-Dazs. Special thanks to WBEZ for reading my mind and taking a shot of the guys a day before during their set, somehow knowing I would get so engrossed in our conversation that I'd forget to snap a picture.


    Interview with Beirut at Pitchfork Music Festival


    Thanks for tuning in as I sat down with some of the artists this past weekend, and I hope everyone had a wonderful Pitchfork Music Festival 2009.

    Lisa White / Comments (3)

    Interview Mon Jul 20 2009

    Conversations at Pitchfork Festival: Vivian Girls

    Vivian Girls

    Early Sunday afternoon we sat down in the shade with the all girl rock trio Vivian Girls. The band spoke about the craziness of playing in front of a massive festival crowd, how Pitchfork is centered around the city, their story of opening for Sonic Youth, and the relaxed the atmosphere at the festival all weekend.


    Check back later for our last installment of Conversations at Pitchfork.

    Lisa White

    Interview Mon Jul 20 2009

    Conversations at Pitchfork Festival: The Thermals

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    Photos of The Thermals by Kirstie Shanley

    Speaking to The Thermals was a lovely start to Sunday at Pitchfork Festival. The Portland trio chatted about what bands they were excited to see, their favorite festival memory of dancing on-stage with the Flaming Lips, their recent move to a new label, and how things are going with Kathy's band All Girl Summer Fun Band.


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    Thanks to Kirstie for taking some lovely shots of The Thermals, and keep checking back for a few more interviews with bands at Pitchfork Festival.

    Lisa White

    Interview Mon Jul 20 2009

    Conversations at Pitchfork Festival: Lindstrom

    Lindstrom

    Hans-Peter Lindstrom is a dedicated guy. He flew all the way from Norway to play Pitchfork Festival. He arrived five hours before his set in Chicago, and told me he was jumping back on a flight Sunday morning to return home. Lindstrom was kind enough to sit down and chat with Gapers Block during his whirlwind weekend of travel, praising the selection of bands that Pitchfork books for the festival, his enjoyment of working alone as a solo artist, and how he selects the music he remixes.

    And before Lindstrom could leave, Justin from WBEZ convinced the Norwegian DJ to pony up for an installment of their delightful segment the Wikipedia Files. Of course Justin had to steal our thunder and demand I take a glamor shot of him and his new best friend Hans-Peter. Clearly these two hit it off, and have forged a lifelong friendship. I can only hope this picture will end up framed on the WBEZ office wall.

    Justin from WBEZ is stealing my thunder

    Keep checking back for more interviews with artists from the festival this past weekend.

    Lisa White / Comments (2)

    Interview Mon Jul 20 2009

    Conversations at Pitchfork Festival: The Antlers

    the antlers

    What you see above is the true face of festival fatigue. The Antlers sat down with us to chat 10 minutes after performing on Saturday. The guys joined us to have a post show beer and a smoke break, and shared what bands they were looking forward to seeing at the festival, the open mind that festival goers have when checking out new bands this weekend, their preferred location for recording, and how recording Hospice was a therapeutic labor of love.

    Keep checking back for more interviews with bands from the festival this weekend.

    Lisa White

    Concert Mon Jul 20 2009

    Pitchfork 2009 Photo Album

    We'll have a more verbose review of the weekend's Pitchfork Music Festival a little later in the day, but as you ease into your workday, here's a brief recap in pictures. Keep going after the jump, and there's plenty more to see at Flickr from Saturday and Sunday performances. (All photos by our intrepid weekend photographer George Aye.)

    Fucked Up-7006146

    Continue reading this entry »

    Anne Holub / Comments (2)

    Interview Sun Jul 19 2009

    Conversations at Pitchfork Festival: The Black Lips

    the black lips

    The Black Lips closed out Saturday night with a searing set of rough and raw blues fueled garage rock. In person the band is sarcastic and entertaining, much like the stage antics their known for during a live show. The fine folks over at ReadyMade Magazine let me and the band crash their swanky display, as the guys expressed their dislike of festivals (love to play, hate to attend), memories of being chased out of India with their record label Vice, their sinister plan to take over and shut down the festival with their radical ways, and even give the festival itself a Pitchfork style rating.

    Keep checking back for more conversations with artists all week at Pitchfork.

    Lisa White / Comments (2)

    Interview Sun Jul 19 2009

    Conversations at Pitchfork Festival: The Pains of Being Pure At Heart

    the pains of being pure at heart

    Call it twee, call it shoegazer, or call it whatever you like, but make no mistake about the fact that The Pains of Being Pure at Heart make bright and cheery pop music. Their sunny music matches the bands sweet and friendly disposition perfectly, as I caught up with the band backstage after the brief downpour of rain Saturday afternoon. The band spoke about still being in the honeymoon stage of success, dished the dirt on a pop-punk Warp Tour past, and Peggy disclosed her rebellious ways of sneaking backstage at the first Pitchfork Festival.

    Keep checking back for more conversations with artists all weekend at Pitchfork.

    Lisa White

    Interview Sun Jul 19 2009

    Conversations at Pitchfork Festival: Cymbals Eat Guitars

    cymbals eat guitars

    Next up I spoke to Cymbals Eat Guitars, one of my picks from our feature of bands to check out this year at the festival. Earlier the band kicked off Saturday with their brand of fuzzed out '90s style indie rock. Their laid-back music was the perfect soundtrack to a breezy early Saturday afternoon. The guys discussed the extremes of playing both venues and festivals, their favorite memories from early Lollapalooza festivals (including Neil's memory of Cyprus Hill and an inflatable bong), the surreal moments of their success this past year, and their guilty admittance of loving dance rock. And to fully explain their photo, the guys really needed a bathroom break. I was more than happy to oblige their need to express this frustration. Even indie rockers have to cave and use the port-a-potty.

    Keep checking back for more conversations with artists all weekend at Pitchfork.

    Lisa White / Comments (1)

    Interview Sun Jul 19 2009

    Conversations at Pitchfork Festival: Matt and Kim

    matt and kim

    This weekend Gapers Block is sitting down with some of the artists at Pitchfork to talk about the festival itself, their favorite festival memories, and much more. Keep checking back all weekend for more conversations at Pitchfork Festival.

    Before you take a listen, I have to disclose I'm a writer, not a sound engineer, so I apologize for the rough around the edges audio. You'll hear background noise, the occasional siren, and even the cheering crowd of DOOM during one interview. What else would you expect though from a live music festival? Have no fear if you're not a fan of audio, though. I'll be transcribing and posting the transcripts of each conversation throughout the week. Until then, turn up your speakers, and check out what some of the bands play Pitchfork Festival had to say.

    I started off my Saturday chatting with the happiest indie pop duo in the world, Matt and Kim. I can say without a doubt, they are two of the sweetest people around, and a ridiculously dedicated band, constantly touring and even sometimes playing multiple shows a day. They shared with us a favorite a festival story of Matt jumping into the most contaminated lake in Norway, expressed their love of top 40 hip-hop, and clued us in on the perks of no longer having to rough it on the road.

    Keep checking back for more conversations with artists all weekend at Pitchfork.

    Lisa White

    Review Sat Jul 18 2009

    Pitchfork Gets Underway as Fans "Write the Night"

    Friday night, the throwback day of Pitchfork Music Festival is always filled with bands that I am familiar with, but not intimately. I go in never knowing quite what to expect, but always come away a new fan of a classic indie group. Last night that band was Built to Spill. They were the highlight of the night, closing out the evening. Doug Martsch and crew and the crowd were equally rocking the park. I don't know if it was because it was a crowd-chosen setlist, or as my friend said, they're just really good.

    The Jesus Lizard
    was over the top as expected, and I literally mean lead singer David Yow went over the top of many fan's heads surfing into the crowd--right at the beginning of their set--and again several more times. There was aggressive rock, screaming vocals and general mayhem.

    I arrived a little late and only heard a portion of Tortoise's set, but the local group sounded as tight as ever playing all older favorites as part of "Write the Night" but nothing from their new album, Beacons of Ancestorship. Yo La Tengo hit a groove and played the calming soundtrack for getting acclimated with the park and settling in.

    Stay tuned for updates of Saturday and Sunday!

    Michelle Meywes / Comments (2)

    Concert Fri Jul 17 2009

    Review: The Entrance Band @ The Hideout 7/16/09

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    In anticipation of witnessing The Entrance Band's blend of psych-rock and blues firsthand, I've listened to their most recent release, 2006's Prayer of Death, more times this week than I can count on both hands. I've repeatedly listened to the title track more than could possibly be considered healthy. As they stand on the brink of releasing their Ecstatic Peace! debut, I was no less than stunned while watching them topple The Hideout tonight. They were an absolute storm in an intimate room; equal parts earthquake and tornado.

    Continue reading this entry »

    Brian Leli

    Concert Fri Jul 17 2009

    Pitchfork: The After-Parties

    Pitchfork Fest is sold out and tickets on Craigslist are going for heinous amounts of money. Still left without a ticket? Do not fear! Pitchfork fun is not just limited to Union Park. Clubs all over the city will be hosting after-parties featuring talent as diverse as the range of artists at Pitchfork (including a handful of bands who will be playing at the festival itself). Think of it as Pitchfork on a budget. And for those at the festival who aren't too dog-tired from dancing in the sun all day, here's your chance to keep the party going.

    Continue reading this entry »

    Stephanie Griffin

    Event Fri Jul 17 2009

    Pitchfork Festival Coverage and a Conversation with The Jesus Lizard

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    The sound of sound checks are in the air at Union Park, Ice Cream Man is in Chicago, and a flock of hipsters are descending upon the green line. It can only mean that it's that special time of the year known as Pitchfork Festival.

    Gapers Block will be out in full force this weekend, reporting on our favorite sets, shooting some wonderful pictures to share, and holding down the fort at the Gapers Block table at the CHIRP Record Fair (stop by and say hello).

    I'll be showcasing some special content this year, as I sit down with various bands at the festival to chat about the matter at hand; music festivals. We'll get the bands take on Pitchfork, their favorite festival memories, and much more. So keep checking back all weekend for freshly ripped and exclusive conversations each day with some of your favorite Pitchfork Festival bands.

    We kick things off today with a short conversation with David Yow, the singer for seminal rock band The Jesus Lizard.

    Continue reading this entry »

    Lisa White

    Event Thu Jul 16 2009

    Pitchfork Festival Releases 300 More Single Day Passes to Purchase

    Pitchfork Festival has been completely sold out since Wednesday, but we just got word that the festival is releasing some more single day tickets right now.

    Due to popular demand (and wanting to offer fans a chance to get a ticket if they missed out without paying the insane offers in Craigslist), they are releasing 300 single day tickets.

    So if you waited until the last minute, go get them, because I'm sure they'll be gone in no time, leaving everyone else to pay an inflated price from a third party.

    You can purchase the tickets over at the festival's site.

    UPDATE: The newly released tickets sold out in about 2 minutes.

    Lisa White

    Concert Thu Jul 16 2009

    Preview: The Entrance Band @ The Hideout

    It was sometime around 2002, when singer-songwriter-guitarist Guy Blakeslee moved from his hometown of Baltimore to Chicago. It is here in Chicago that he began his solo journey under the name Entrance. The 18 months that followed saw Blakeslee performing regularly at The Hideout. These performances earned him record-label attention and eventually the release of Entrance's debut album, The Kingdom of Heaven Must be Taken by Storm. Entrance went on to release the blues-folk heavy Wandering Stranger in 2004 and the psychedelia infused Prayer of Death in 2006.

    Ending up in CA somewhere along the way, and recently signing with Thurston Moore's Ecstatic Peace!, the somewhat-newly-named The Entrance Band are readying a new release, and are currently out spreading their live show like wildfire. Tonight, Blakeslee and The Entrance Band return to where the spark was started: The Hideout. Tickets are $10; show starts at 9pm.

    Brian Leli

    Concert Wed Jul 15 2009

    You've Got to Dance with the Ghost Group

    fantasma.jpgFor years it's been common knowledge that there's something in Austin's water to account for its numerous rock bands that've broken big across the country. (I can't think of a town with a smaller population that claims more popular musicians as its own.) But it's not just the rock bands that are good there. Far from it. On Friday night one of its best live bands, Grupo Fantasma, visit Chicago for their biggest gig here yet.

    The Latin/funk/psychedelic 11-piece pulls its influences from early Santana (think Abraxas), Joe Bataan and the Fania All-Stars. Early in their career, especially on 2004's Movimiento Popular, the group's sound was dominated by salsa and cumbia. Over the years they've slid a generous dose of psychedelic rock into the mix. In fact, "Bacalao con Pan" from 2008's Sonidos Gold begins with straight-up psychedelic guitar. But that doesn't mean they've forgotten their roots. The ultra-catchy "Mentiras" from their live album showcases a heavy rhythm section and smooth horns that are solidly entrenched in Latin music. Also on that album is a nod to one of the genre's pioneers with a cover of Ray Barretto's classic "Cocinando."

    With slots backing Prince and Spoon (separate gigs, of course) and two appearances on "Austin City Limits" under their belt, Grupo Fantasma won't remain a secret outside of the Latin music community for long. Their reputation as an exciting live band has been growing for most of this decade and they're only getting better at it as they tour relentlessly.

    Grupo Fantasma plays at the Empty Bottle, 1035 N. Western, on Friday the 17th. Numero Group's Rob Sevier opens at 10PM with a DJ set. The show is 21+ and tickets are $15. (Wear your dancing shoes.)

    James Ziegenfus

    Interview Wed Jul 15 2009

    Pitchfork Festival Organizers Interviewed

    Heeb recently caught up with Pitchfork.com publisher Chris Kaskie and editor-in-chief Scott Plagenhoe to discuss the upcoming Pitchfork Music Festival, Pitchfork.com and more. Check it out at Heeb.

    Brian Leli

    Concert Fri Jul 10 2009

    Come on! Feel the Illinoise!

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    With the weather in the mid-80's over the next few days, what better way to enjoy the weekend than with some live music in the park? This weekend (July 10th - 13th), over 50 performers from across Illinois will gather in Millennium Park for the 4th annual Great Performers of Illinois Festival. The festival celebrates art unique to Illinois, and provides a something-for-everyone array of musical talent throughout the weekend. Let's just hope the thunderstorms on Sunday will pass quickly.

    Dennis DeYoung (of Styx) will be receiving the 2009 Great Performers of Illinois award and will be performing at the Pritzger Pavilion Sunday at 7:30 pm. Other artists at the festival include The Fiery Furnaces, Jon Langford & Sally Timms, The Giving Tree Band, Alice Peacock and Her Band, and Common Loon. A full schedule of events can be found here. Between sets, make sure to check out the A-Maize-ing Corn Maze, circus arts, and even Abe Lincoln. All events are free and all ages.

    Stephanie Griffin

    Concert Wed Jul 08 2009

    No Illusions with Mannequin Men

    The record release show concept may have lost a little luster over the last few years of release dates not meaning anything to the typical consumer, but that's not to say they can't still be exciting and meaningful. If future behavior is best indicated by past behavior, Chicago's Mannequin Men have it in them to make Friday's Lose Your Illusion, Too release show at Metro a spectacle. The 4-piece derives its sound from early punk and Midwestern garage rock. Comparisons to Richard Hell and the Stooges are rampant throughout their music. And like any good punk band, they are a force to be reckoned with while on a stage. (Regular touring with Black Lips, another band whose true potential is realized in front of a crowd, has undoubtedly contributed to their live reputation.) They're brash, abrasive and a hell of a lot of fun to watch.

    Also on the bill are their Puerto Rican equals - Davila 666. (¡Wepa!) With a self-titled record on In the Red last year, this septet established themselves as gritty punks who take far more influence from their American counterparts than their rock en Español brethren. Like Friday's headliners, Davila 666's also taken inspiration from tour companions in King Khan & the Shrines by incorporating costumes and props into their sets. (They'll also be playing a free show at the Empty Bottle in September.)

    Chicago's Stranger Waves and Huntsville, Alabama's Thomas Function also play. The first 150 people at Metro get wristbands for a balcony after-party. Until noon Thursday, tickets are $5 on eTix. After then they're $10/$12 at the door. The show is 18+ and begins at 9PM.

    James Ziegenfus

    Concert Tue Jul 07 2009

    Creatures of (Human) Habit

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    The Human Quena Orchestra. Photo by Elliott Thomas.

    When you think 'Free Monday Night Show,' chances are a lineup like this isn't the first one that comes to your mind. The Empty Bottle (1035 N. Western) has created a rock-solid lineup of bands, incorporating doom, drone, industrial, and metal(ic) crunch and thud, and put them together on a free Monday (July 13), or as I like to call it, I-get-to-drink-eight-dollars-extra-worth-of-beer-night.

    SF duo The Human Quena Orchestra, touring in support of their second album, The Politics of the Irredeemable (Crucial Blast), are joined by two local acts, one seasoned and one newly minted, and a NYC solo project making her debut in Chicago.

    Continue reading this entry »

    Chris Sienko

    Concert Thu Jul 02 2009

    California Wives: The Red Party @ Miska's

    They came together last winter and all of them claim it's been like a marriage with three other people, without the sex. Since, Chicago's California Wives have devoted all their creative effort to their music.

    Their sound can be described as 80s new wave, unlike most music coming out of the Midwest. Some have compared them to Franz Ferdinand and New Order. Currently they continue to produce their new EP and play shows around Chicago. This Friday they will be playing at Miska's with Sissy Mena. Also Style 4 Food and Max and Chloe will be selling racks of vintage clothing.

    Ashley Barlow

    Concert Fri Jun 26 2009

    Find Love in October

    loveoctober.jpgLove in October, who recorded and produced their own new self-titled EP, could be described as rock and power-pop. There is a young innocence in their sound, not surprising since two members are brothers originally from Sweden. Love in October has that Swedish pop feel, with a definite American 90's alternative influence--a hint of Weezer in the guitar on "Permutations" and Blink 182 in the quick paced vocals on "Like Nothing Ever Happened." The album has a reflective, melodic ending on "27-08-08" with a distant voice singing in Swedish (reminding me a bit of Foo Fighters on "Doll").

    Join them tomorrow at the Record Release Show for Love in October at Martyrs (3855 N. Lincoln Ave.). The Right Now and Jenny Gillespie will also play. Show starts at 10pm. Tickets are $8. 21 & up. (For your chance to win guest passes to the show, email your name and email address to management@loveinoctober.com by noon TODAY.)

    Download a free mp3 of "Like Nothing Ever Happened" at their website.

    Michelle Meywes

    Concert Thu Jun 25 2009

    An Evening With Jeff Tweedy

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    Photo by Paul Golm, Creative Commons

    Wilco's Jeff Tweedy must really love the Emanuel Congregation in Edgewater (the Tweedy family's synagogue). He played two shows at the Vic to benefit the synagogue last February, and this August he'll be playing yet another benefit show, this time in the synagogue itself (though you don't have to be a member to attend). It's a perfect opportunity to enjoy a relaxing evening of music for those not interested in that little music festival going on the same weekend. Peter Grosz, who is a Second City alum and is currently a writer for "The Colbert Report", will be opening the show.

    The charity event is taking place August 8th at the Emanuel Congregation, 5959 N Sheridan. If you've got a bit of extra dough, a $200 VIP ticket will get you front section seating, a meet and greet with Tweedy and Grosz, an on-site parking spot and a drink ticket. Mid-section seating is available at $75 per ticket and third-section seating for $54 per ticket, with off-site parking available for $10. Tickets are on sale now and may be purchased here. Doors are at 7 pm, show at 8.

    Stephanie Griffin / Comments (1)

    Concert Wed Jun 24 2009

    Pitchfork vs. Lolla

    trophy_nbc_chicago.jpgYou've seen the great debates: South Side vs. North Side, the Trib vs the Times, now NBC's Golden Local is asking you which music festival is better: Lollapalooza or Pitchfork? Cast your vote and check back in 13 days when the voting ends to see what your fellow locals think!

    Michelle Meywes / Comments (1)

    Concert Tue Jun 23 2009

    Review: The Sea and Cake, Dirty Projectors @ Millennium Park 6/22/09

    The rain broke, the heat rose with the sun, and there was a free show Monday night at the Pritzker Pavilion at Millennium Park. Oh, I was there. The lawn was not quite a Decemberists-level crush of blanket sitters, but the crowd was lively and comfortably dressed in the sundress and bicycle cuff style. Beer was purchased (or brown-bagged), wine was shared, and cheese was added to crackers. The excitement peaked as the sun slid behind the Michigan Avenue wall and a collective sigh rose as Dirty Projectors hit the stage.

    Swinging through through hits like "Stillness is the Move" and "Cannibal Resource" and from their latest album, Bitte Orca, the harmonies between Angel Deradoorian and Amber Coffman were magical in the haze of the slow burn of the evening. From where I was sitting, in that soft light, I couldn't make out the band well, but I could clearly see two members of Broken Social Scene (in town to do some recording at Soma with Sea and Cake's John McEntire) Brendan Canning and Kevin Drew sitting, socializing and enjoying the music. You know, there is something very BSS-like in the harmonies and loops that Dirty Projectors utilize. I can see how that's up in their wheelhouse.

    DP closed with a seemingly truncated version of "Knotty Pine" (Byrne-less, sadly), but the Park was keeping a tight schedule. [Note: Later Monday night, after heading off toward Detroit, the band got into a car accident. It seems like the initial reports of serious injuries were false, but they're scrapping two shows in Canada and heading to NYC to regroup.]

    Starting right on time were the evening's headliners The Sea and Cake, all business and down to it. Unfortunately clocked in as the "older" band by some of the less-familiar in the crowd, Sam Prekop and Archer Prewitt led the fellas through the set beautifully and really gained some new fans Monday night. The sound was something else — I repeatedly remarked that the bass was stronger than any other Sea and Cake show I'd heard — in a good way. I felt like even though I was hearing this outdoor performance of great songs like Car Alarm's title track and their older self-titled album tune and audience fave "Jacking the Ball" I was experiencing them for the first time in high fidelity. Likely this is a testament to the fine design of the speakers at the Pritzker. To you, I say, Bravo. I wasn't alone in feeling the love that night — the crowd begat several pockets of bouncy dance circles (one of which spilled over into a post-show drum circle, but that's ok).

    Oh, hey, and Andrew Bird was there, too, hanging out with Jay Ryan. Yep, I think I was in the right place Monday night.

    [Get in on the fun! Next Monday, the 29th, catch The Feelies and Icy Demons, also for free at the Pritzker Pavilion starting at 7:30pm.]

    Anne Holub / Comments (3)

    Concert Mon Jun 22 2009

    Monday Night Concert: The Main Drag @ Schubas

    MainDrag

    Photo by J.B. Galusha


    Tonight at Schubas, a refreshing indie pop band hailing from Boston stops by on their way to play the Sled Island Festival in Calgary. The Main Drag's music bounces along with driving beats, shimmering guitars, and choruses full of group harmonization, their music blending to create a dreamy, laidback, and fuzzed out sound. The band was recently named "Best Unsigned Artist" by Salon.com, and have already had their music featured in Rock Band 2 and in a Target commercial. They're traveling up to the massive Sled Island Festival, where over 170 bands are expected to perform including Andrew W.K., Liars, Holy Fuck, and Japandroids.

    Their latest release, Yours As Fast As Mine, is a mélange of their influences, reminding me at times of the layered and heavy sounds of Broken Social Scene, punctuated with bursts of driving energy and the tight rhythmic composure of bands like Minus the Bear or the Foals.

    The Main Drag play at Schubas tonight, Monday June 22nd, at 8:00 pm. Tickets are $6 at the door, and local act King Sparrow will be opening. If you haven't had a chance to check out King Sparrow's debut EP Derailer, do so now. It's a heavy mix of dirty guitars, driving drums, and brash vocals, an impressive debut from the Chicago outfit.

    Lisa White

    Concert Fri Jun 19 2009

    Review: X at the Double Door 6/18/09

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    It's been nearly 30 years since California punk band X released their debut album, 1980's Los Angeles but you wouldn't know it from the youthful vigor they played with. Starting off a three-night run at The Double Door, X pleased fans by allowing them to vote on their favorite songs and creating a setlist spanning their entire career and back catalog that was sure to make many devotees in attendance very happy.

    Gapers-John-Doe-2.jpg

    Perhaps the only clue that X has been playing music for nearly three decades was how tight they were between the four members. It was great to see John Doe and Exene Cervenka trade off on vocals, Cervenka dancing with the mic in her hand, sometimes while she was singing without missing a beat. Cervenka's voice still retains the ability to soar and be as hearty as those songs demand.

    Gapers-X-Billy-Zoom.jpg

    Walking the line adeptly between genres of punk and country, the songs were played slightly faster live and with more of the country overtones emphasized. Between the live chemistry between Cervenka and Doe and the smiling presence of guitarist and original founding member Billy Zoom, the band appeared nothing short of charming in the midst of the energy of their songs.

    Gapers-X-Exene-2.jpg

    Though their set was very focused on their music playing, X did encourage the audience to keep voting, which should come to fans no surprise considering their politics. John Doe also voiced appreciation for the crowd and for the city they have played in many times over the years. It was also great to see a good turnout with a crowded room of fans, many of whom when asked insisted that they were planning on attending all three nights. Highlights of their set included: "Los Angeles" "Johny Hit and Run Pauline," "Breathless," and "Sugarlight." Throughout their 90 minute long set, including a four song encore that emphasized More Fun in the New World one couldn't help but notice how well X's songs had held up throughout the years.

    Kirstie Shanley / Comments (1)

    Artist Fri Jun 19 2009

    Can Music Relieve a Hangover?

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    Hangovers are the annoying, productivity-inhibiting result of a night spent drinking quite a bit, and yet we still put up with them because it's fun to loosen up, be social, and dance. Sure, it's easy to pop some aspirin, rehydrate and muddle through the morning, but wouldn't it be cool if music could relieve your hangover?

    That's the concept behind Exception AM, a free digital compilation from subVariant that aims to present a collection of electronic music to help you feel better in the morning after a night of drinking. To celebrate the release on June 20, the release party will be held at Ai lounge in River North as the first in a series of concept parties called "Artificial Intelligence." Liz Revision will mix the mostly-ambient and downtempo tracks from the compilation together at the beginning of the night and will then hand over the decks to local DJs Silentcorp, Andrew Kevins, Dirtybird, and Droopy to finish out the night with techno and house. The party will be free all night from 10pm-3am.

    Continue reading this entry »

    Liz McLean Knight

    Concert Fri Jun 19 2009

    Review: AA Bondy & Holly Miranda @ Schubas 6/18/09

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    I've walked in and out of Schubas on many nights over the changing seasons and years. On each of these uniquely beautiful nights I walked out feeling like I'd experienced something special. I've seen some great shows at some great clubs, but I don't have this particular association with any others. Last night I walked in to see AA Bondy and Holly Miranda. It was again a uniquely beautiful night, and I walked out knowing I'd experienced something special.

    Continue reading this entry »

    Brian Leli

    Concert Fri Jun 19 2009

    Sparks Are Gonna Fly

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    It must be an artist's nightmare to fade out of their career after once being successful. Yet it happens all the time. A band achieves great highs, branches out from the sound that propelled them to be stars and doesn't catch that limelight again. Years later on indefinite hiatus, hardly anyone even notices. Brutal. Catherine Wheel deserved a better fate.

    After the demise of the band he fronted for a decade, Rob Dickinson made the move to a solo career and released Fresh Wine For the Horses. The first half showcases a musician appealing to the masses. Its alternative radio-friendly songs seem to exist to expel the notion of his former band as musical chameleons. (Let's remember that CW practically alienated many fans with their third album sounding more like the Smashing Pumpkins and Bush than Ride and Lush.) "My Name is Love" is anthem-like and numerous other moments shine across the front side. However, this record's nothing if not back-loaded. It's where longtime fans can hear the strides that Dickinson's made as a songwriter during his break from Catherine Wheel. There are echoes of his many influences - whether the shoegazing that broke CW, what could've plastered them all over "Headbanger's Ball", or even the ethereal mid-era Talk Talk sophistication. (And, oh wow, does "Towering & Flowering" ever sound like Elbow!) His latest release is an acoustic cover of "Please Please Please Let Me Get What I Want."

    Rob Dickinson plays Schubas, Belmont & Southport, on Sunday evening. Local H's Scott Lucas opens. The show is 21+, starts at 8PM and admission is $14.

    James Ziegenfus

    Artist Thu Jun 18 2009

    MS Won't Stop Exene Cervenka

    Guest post by Jeremy Henderson

    x_@_masque_publicity_2009_-_photo_%c2%a9_1979_by_fra(2).jpgThis is what she told me 10 days before she found out: "Career wise, if you were to ask me what I'm most proud of, it's that my career has lasted so long, for sure. It's like, OK, I was on American Bandstand, that was nice. But that I'm still playing music -- that's nicer."

    Then the news broke, halfway through the tour: X's Exene Cervenka diagnosed with Multiple Sclerosis.

    The L.A. Times had it, Rolling Stone, Perez Hilton... it was the hypertext hit of the day.

    In response, one well-intentioned entertainment blogger plugged the band's upcoming show in Knoxville ("likely... their final Tennessee appearance ever") with all the chin-up optimism of an obituary.

    But the reason her diagnosis with MS was newsworthy, the reason we even know who she is at all, is because 53-year-old Exene Cervenka -- punkabilly's primordial poetess, the Lipsticked Snarl of "Losss Angelesss!" -- has always, always, always said "yes" to life.

    Continue reading this entry »

    Andrew Huff

    Concert Wed Jun 17 2009

    Lollapalooza Schedule Announced

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    The official Lollapalooza schedule has been posted! Check out Lollapalooza.com to start making your Lolla plans (click here to go directly to the schedule). The site is overloaded at the moment, but while I wait for it to load I'm crossing my fingers that Depeche Mode and the Beastie Boys won't be playing head-to-head. Lollapalooza takes place August 7th - 9th in Grant Park. Tickets can be purchased here.

    Stephanie Griffin / Comments (4)

    Concert Tue Jun 16 2009

    Review: Patrick Wolf @ Bottom Lounge, 6/15/09

    Gapers-Patrick-4

    Photos by Kirstie Shanley.

    On a Monday night in the bloom of summer, you'd expect a fairly young crowd out for the Nylon (magazine) Summer Music Tour, AKA "look at our new label peeps". While the back of the crowd had a decent mix of folk (and of course, Thax), the front pit was a decently-sized mob of college kids or recent grads who certainly didn't look like they were facing a morning commute.

    Jaguar Love drew the short straw and played first. Unfortunately, this meant that people who didn't want to stand in the Bottom Lounge for five straight hours were still finishing up their dinners or perhaps going for pleasant evening strolls. Sorry, Jaguar Love.

    Following them were the impossibly French Plasticines, whose syrupy accents made their fairly standard Donnas-esque rock a little sweeter. They played their cover of "These Boots are Made For Walkin", and demanded (eventually through an "interpreter", in case the crowd wasn't understanding their English) that everyone had to "go like thees: *clapclapclapclap*" After some trips into the audience from lead singer Katty Besnard, everyone eventually obliged.

    Of special note here is that during the break, no one less than Bob Marley was used for fill music. Sure, why not?

    Continue reading this entry »

    Dan Morgridge / Comments (1)

    Artist Fri Jun 12 2009

    Nylon Music Tour Brings Living Things to Town

    Living Things.jpgLiving Things (not to be confused with Peter, Bjorn and John's new album of the same name) are a band with a message, political and social, told through straight ahead rock and roll. Their latest, sophomore album, Habeus Corpus, is fueled by rage from the Bush era, in fact, these guys used to burn posters of the former President on stage. But, don't think we're dealing with a heavy-metal Rage Against the Machine copy-cat here, these guys have drawn more comparisons to the likes of The Ramones and Johnny Rotten punk.

    Three brothers from St. Louis comprise the band--lead Lilian Berlin, drummer Bosh and bassist Eve, with Cory Becker on guitar. You might recognize the catchy chorus form the first single from their debut album, "Bom Bom Bom," which was featured in an Apple commercial. The singles released so far from Habeus Corpus, "Let It Rain" and "Oxygen," are more melodic and poppy, but the group shines on grittier tracks like "Brass Knuckles" and "Cost of Living" which are more representative of the album as a whole.

    Living Things are slated to play Lollapalooza in August, but you can see them at Bottom Lounge (1375 W. Lake St.) on Monday, June 15 as part of the Nylon Summer Music Tour. They will open for Patrick Wolf, along with Plasticines and Jaguar Love. The show starts at 7pm. Tickets are $ 15. 18 and up.

    Michelle Meywes

    Event Fri Jun 12 2009

    I AM Fest Saturday at Congress Theater

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    Most festivals in Chicago are put on by large-scale production companies such as C3 or Jam productions. These are huge corporations that have the manpower and money to put on massive, successful, wonderful events, yet sometimes balk at the DIY ethics that are a staple in the modern music industry. This weekend the tables will start to turn though, as the Chicago Noise Machine host the massive I AM Fest at the Congress Theater.

    Continue reading this entry »

    Lisa White / Comments (1)

    Concert Wed Jun 10 2009

    Review: St. Vincent @ Metro & Millennium Park 6/7-6/8/2009

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    (All photos taken by Lisa White)

    Unless an artist is playing a residency, you usually don't get to enjoy an incredibly talented act multiple nights in a row. Usually a band will come through town, put on a wonderful show, and leave you wanting more. But if you're a greedy music fan like me, you may have lucked into seeing St. Vincent twice this week, as she rolled into town Sunday to perform at the Metro before heading over Monday night to play the Jay Pritzker Pavilion in Millennium Park.

    Continue reading this entry »

    Lisa White

    Artist Tue Jun 09 2009

    Not Too Insecure to Win

    insecurities.jpgAs if Stubhy Pandav hadn't found enough success as the lead of Lucky Boys Confusion and Shock Stars, he's created another band by the name of The Insecurities who debuted to a sold out crowd at Elbo Room last June. What started as "an outlet for my songs that I loved but, for one reason or another, never made the cut in previous projects," Pandav says, can now boast that they will be opening for 311 and Ziggy Marley as the winners of an online Q101 contest.

    With a familiar Stubhy power-sound, The Insecurities are piano-infused rock taking influences from Ryan Adams, The Counting Crows and Bright Eyes. They have an EP out now called Ban The Kiss Hello: A Social Commentary, and are currently writing songs a full-length album due out in August.

    The annual Q101 Block Party will be held at Charter One Pavilion at Northerly Island on Sunday, June 14. The show starts at 7pm and tickets are $37.

    Michelle Meywes / Comments (1)

    Review Thu Jun 04 2009

    Review: Gogol Bordello @ Congress 5/31/09

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    Photo by Kirstie Shanley.

    [See all of the snaps from the show at the Gapers Block: Transmission Flickr page.]

    Gogol Bordello can't be classified merely as standard live music. They are closer to a music festival all on their own. The gypsy punks bring their own party with an entourage that encourages the energy behind their lyrics. Not surprisingly, the crowd echoes back with its own energy of moshers, pogoers, dancers, and those who just want to have a shared experience over the music.

    Likewise, Eugene Hütz isn't merely a singer but one of the most expressive and personality driven leaders of a group of musicians whose work could dissolve into a chaotic mess if they weren't following his every frantic move. Luckily, the other musicians on stage are also talented musicians all on their own and back up the songs well with supplemental vocals, drums, violin, accordion and more.

    Continue reading this entry »

    Kirstie Shanley

    Concert Wed Jun 03 2009

    Oh to live on/computer mountain/with the barkers and the colored balloons...

    The avant-garde art/music space Lampo (219 W. Chicago Avenue, 2nd Floor) always attempts to bring new and unique experiences to the ears and minds of Chicagoans eager for something different, but Saturday's performance (9:00 p.m., $12 door) should prove to be especially engaging and unusual, especially for devotees of not just art and music, but the strange fringes of overloaded technology.

    The event, loosely known as MAGIC MATRIX MIXER MOUNTAIN, is a collective ensemble of experimental musicians, software developers, visual artists, and circuit-bending mad scientists. The process sounds complicated, so I'm going to let the Lampo info sheet explain it:

    During the performance and installation at Lampo, five of the artists will build the MAGIC MATRIX MIXER MOUNTAIN on-site while two are connected remotely via the Internet. All of the artists (foothills) will feedback and feedforward to expose the graceful musicality of faulty technologies. Decoding and rebugging digital media, the MAGIC MATRIX MIXER MOUNTAIN will exist for one night only but will be accompanied by an operator's instruction manual, to be written, arranged and printed live in realtime along with the performance of the audio, video and datastreams.

    For a sense of what the group's about, you can visit their blog, which includes a ton of images, short films, and things that twitch and bleep and follow you around the room with a stinky eyeball. The tone and texture of the piece, as well as the love of re-purposing dead/dying media reminds me of the project 8-bit Construction Set, not to mention dorkbot Chicago (with which this group shares members Jon Cates and Jake Elliott) or even the long-running trio I <3 Presets, whose ranks MMMM shares member Jon Satrom (also of Magic Missile) with this group and who are similarly devoted to technological obsolescences in their death-throes, turning error warnings into haikus and bluescreens into percussive solos.

    Chris Sienko / Comments (3)

    Concert Sun May 31 2009

    Xenakis in concert -- no, really, XENAKIS...IN...CONCERT

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    Above: The International Contemporary Ensemble (ICE)

    It's worth repeating, in case you're thinking that you read that wrong: this Thursday, the Museum of Contemporary Art (MCA) will present five short pieces by legendary composer Iannis Xenakis, as performed by the International Contemporary Ensemble (ICE), an up-and-coming group dedicated to performing modern and classic works of the avant-garde and, in their words, "advancing the music of our time." Xenakis' structurally difficult works require virtuosos who not only possess outstanding chops, but excellent instincts and problem-solving abilities, as the pieces often demand something beyond perfection from its performers, requiring them to make sounds not easily coaxed from their instruments, and to play them perfectly each time. As a result, the ground-breaking Greek composer's works are seldom performed, and even more rarely by an ensemble so dedicated to making them EXACTLY RIGHT, making this event a rare and essential musical event.

    ICE will perform five of Xenakis' pieces (roughly a 75 minute performance, with intermission) in the MCA's auditorium. Tickets are $25, and the performance starts at 7:30 p.m.

    Continue reading this entry »

    Chris Sienko / Comments (1)

    Album Fri May 29 2009

    Devine is Divine on Brother's Blood

    Kevin Devine.jpgI'll be honest, most of the time I find solo singer/songwriters kind of boring. But, then I heard Kevin Devine. Devine is an artist that can cross many different genres and put his stamp on each one. His new LP, Brother's Blood, is in a word, outstanding. He excels with energetic indie-rock jams like "I Could Be With Anyone" and several tracks -- including "All Of Everything, Erased" and "It's Only Your Life" -- that sound like they could have been on the Garden State soundtrack. He also has a talent for creating powerful swelling songs like "Carnival" and title track, "Brother's Blood."

    In listening to the album, I found myself associating him with artists from Ben Gibbard to Ryan Adams to Albert Hammond Jr. to Sam Beam to Jeff Tweedy, but even those comparisons don't capture his wide range. There is "Fever Moon" -- a sexy Latin croon that you wouldn't expect, but it works. Then there is the deceivingly cheery ukulele tune "Murphy's Song" about a pup with a Marley & Me ending. The album hits its peak at the middle with epic desperation in the nearly eight-minute "Brother's Blood" followed by the steamy "Fever Moon."

    Devine has worked and toured largely under the radar and was almost lost after his dismissal from Capital Records during their merger with Virgin, but he came out unscathed, and frankly, better off than he went in. This fifth album, released on the Favorite Gentleman label, is a self proclaimed "sprawling, confident mission statement about conscience, culture, and personality."

    Kevin Devine and his Goddamn Band play tonight at Schubas, but if you miss him tonight, he'll be back in August as part of Lollapalooza's line-up. Tonight they will be joined by Miniature Tigers and Brian Bonz & the Dot Hongs. Schubas is located at 3159 N. Southport. Show starts at 9pm. Tickets are $11 ($13 at the door). 18 & up.

    (Photo by Andreas Hornoff)

    Michelle Meywes

    Concert Fri May 29 2009

    Matchitehew Assembly band update

    Matchitehew logo.jpg

    A few weeks back, we mentioned an upcoming two-day festival of black metal, drone, ambient, and harsh noise called Matchitehew Assembly. It's still happening Friday and Saturday, June 5 and 6, same time, same place, same everything, except that one more act's been added, and it's a doozy. A collaboration between West Coast noise/experimental artist John Wiese and Midwest drone industrialist Hive Mind has been added to the Friday lineup, bringing each day's lineup to eleven acts.

    Wiese is known to harsh noise fans for his limitless array of recordings, both under his own name, and with such collaborative projects as Sissy Spacek, Heavy Seals, LHD, and Waves. His work with Sunn o))) also more than cements his reputation in the world of experimental metal. His most recent album is titled Circle Snare, and is available on the No Fun Productions label.

    Greh Holger, aka Hive Mind, has mined an obsessively bleak shaft of darkness for many years, with such classic albums as Tunnel Birth, Death Tone, and Cast Through Shallow Earth to his credit. He also runs the Chondritic Sound label, where you can still find an example of this duo's collaborative possibilities in the form of a 10" record entitled "...Trick Satanism."

    The festival is taking place at the Co-Prosperity Sphere, with tickets priced at $25 for one day, or a two-day pass for $40. More info on the festival, including up-to-the-minute updates and directions to the venue can be found at the Matchitehew Assembly web site.

    Chris Sienko

    Concert Wed May 27 2009

    Review: Yeah Yeah Yeahs @ Aragon, 5/26

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    Photo from our Transmission Flickr Pool and taken by our own staff member Stephanie Griffin


    When I grow up, I want to be Karen O, the electrifying front woman for the Yeah Yeah Yeahs. During their sold out show at the Aragon last night, O never lost the giant grin she wore while parading around stage and leading the band through some of their best songs and showcasing new work off their latest album, It's Blitz. You want to know what it's like to love your day job? Go see the Yeah Yeah Yeahs.

    Continue reading this entry »

    Lisa White / Comments (1)

    Concert Mon May 25 2009

    Three of a Perfect Pair

    At first it sounded like too much of a gratuitous pairing, if not something akin to a shotgun wedding -- the merging of two of the leading names on the international electronica scene. But the proof is in the results, and with the release of their album this past month, the collaborative trio Moderat (that being two parts Modeselektor to one part Apparat) proved that the venture makes total sense.

    On prior releases, the duo Modeselektor have established themselves as deft craftsmen and versatile collaborators -- switching styles at the drop of a hat while working with everyone from Thom Yorke to glitchcore nutter Otto Von Schirach. Likewise for the moody and pop-minded Apparat (aka Sascha Ring), who showcased his own creative flexibility when he partnered with Ellen Allien for the brilliant 2006 album Orchestra Of Bubbles.

    Continue reading this entry »

    Graham Sanford

    Concert Sat May 23 2009

    Invaders Must Die!

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    It's been five years since the last time we heard from The Prodigy, but they're making one hell of a comeback. Invaders Must Die, the new album which the band self-released, jumped to #1 on the UK charts and has gotten worldwide recognition. And for good reason - this raucous, soul-blasting album proves the band is back with a vengeance. Lucky for us, they're hitting up the Congress Theater tonight, which will undoubtedly be a sweaty fun dance party. I had the chance to chat a bit with Maxim, The Prodigy's MC/vocalist, on the phone last week (albeit with a few technical difficulties) about the upcoming show and his thoughts on the album.

    "It's kind of like a new thing for us, getting back together as a band and getting back into the studio. This is kind of like a family united. It's triumphant. You can hear the togetherness of the band on the album." explains Maxim.

    The track I find myself playing constantly, "Run with the Wolves", features none other than Foo Fighter Dave Grohl. "He's a good friend of ours, so it happened quite naturally. It wasn't a case of our manager contacting his manager - Dave contacted us and said he likes creating beats. He had just finished a tour, so we went to the studio and laid down some beats. It happened quite quickly and we came together on a natural level."

    What can we expect from tonight's show? According to Maxim, "full-on energy."

    The Prodigy play tonight at the Congress Theater, along with Canadian DJ/producer Tiga. Tickets are $35 and can be purchased here. The show is 17+ and starts at 7 pm.

    Stephanie Griffin / Comments (2)

    Concert Fri May 22 2009

    Pulsing Endlessly in the Hush

    Back in the '90s, perhaps no one figure played more of a single-handed role in reshaping the German electronic music scene than Cologne-based producer and musician Wolfgang Voigt. Issuing recordings via a plethora of pseudonyms and short-run labels, Voigt was at the center of a network that stepped up to challenge the supremacy of rave-centric Berlin techno; all of which would eventually lead to his co-founding the broadly influential Kompakt label. But in the years since, Voigt's legacy has mostly rested on the work he did throughout the late 1990s under the alias Gas.

    Over the course of numerous albums and EPs, Voigt developed an enigmatic and impressionistic take on dance music. The average Gas track struck the ear like a soft-focus pastorale -- all awash in layered, sweeping timbres that sounded like an orchestral string section sawing away at Mahler's Sixth in slo-mo, with the muted throb of a persistent beat thumping through the atmospheric haze. Musically, it was more the stuff of dreamscapes than dancefloors; but a decade after the fact it seems that Voigt's now in a position to trade on his work's lasting appeal. This past year's seen the Nah und Fern 4-disc boxset reissue of the Gas discography, as well as a book of Voigt's artwork with an accompanying CD via the Raster-Noton label.

    Continue reading this entry »

    Graham Sanford

    Concert Fri May 22 2009

    White Mystery @ The Hideout Tomorrow Night

    WhiteMysteryChicaGoGo

    White Mystery @ ChicaGoGo by Lee Klawans


    If you're a fan of stripped down garage rock, loud drums, and/or redheads, meet your perfect match. White Mystery is the two-piece brother/sister duo of Alex and Francis White. Alex is best known as the guitar rockin' front women of Miss Alex White and the Red Orchestra, but with her latest venture with brother Francis, she strips it down to a guitar and heavy-handed drum garage rock sound. The twosome put on an energetic show, and had one of the most killer tambourine and guitar rock outs I've ever seen recently when they appeared in ChicaGoGo (as evident in the photo above).

    Also playing is noteworthy act, Stranger Waves, who were recently picked as the "Best Rock or Pop Act" by The Reader. The trio of 18-year-old rockers supposedly puts on one of the best and most rowdy local shows around, creating a racket of noise with two guitars and driving drums. I'm looking forward to finally checking them out live myself. The music will be gritty, loud, and it will make you bounce all around Hideout's floor.

    White Mystery and Stranger Waves play The Hideout, 1354 W. Wabansia, tomorrow night (May 23rd) at 9pm. Tickets are $8, and the show is 21+

    Lisa White

    Concert Thu May 21 2009

    Vertigo Kidd CD Release

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    "They killed our DJ's and stole our airwaves... this means WAR!"

    Vertigo Kidd is musical disguise of Chicago Public Radio reporter Michael Rhee. This past week he, along with Austin Bale, Erik Rasmussen and others, released the debut ep, Pirate Radio and in turn waged a personal war on mainstream radio. This release is filled many of the elements of traditional pop, but since it was done independently will not be granted the attention it deserves. Blending electronics with a more traditional sense of rock, the ep crosses genres (and oceans, "Hawaii") effortlessly in just four songs. The album and beautiful cover by Becca Heuer can be purchased digitally here, or you can attend Vertigo Kidd's release party tomorrow night (May 22nd) at Silvie's Lounge, (1902 W Irving Park Rd). Also performing tomorrow night will be Blue Eyed Jesus and John Drake band, and it all begins at 9:00pm.

    Jason Behrends

    Event Thu May 21 2009

    A Warmup to B-LIVE

    badge.jpgDJ Z-Trip, who brought us his Obama Mix: Party for Change (which we had on repeat through the election) and Victory Lap: The Obama Mix Pt. 2, is coming to Chicago with Q-Tip as part of Bacardi's B-LIVE Tour. The Chicago stop on the tour takes place at House of Blues on June 12, 2009, but The FADER magazine is presenting a "warmup" next Wednesday, May 27th at Evil Olive. The event, dubbed SOUNDCHECK, will have complimentary beverages from 9-midnight with music by DJ Ghetto Division. Evil Olive is located at 1551 W. Division. 21 & up. RSVP for SOUNDCHECK here.

    Michelle Meywes

    Concert Mon May 18 2009

    Taking a Tumble with Black Dice

    Rumor has it that Repo, the newest release from the Brooklyn-based experimental music trio Black Dice, has a few of the band's longterm devotees crying "sell out!" It's difficult to see what any sort of fuss might be about, especially considering that Repo doesn't signify any big change in artistic direction. As with their other four albums, the group's sticking with their usual technique of tweaking and twisting samples and loops into lopsided rhythms. But Repo finds them forgoing some of their prior austerity and greatly expanding their sonic vocabulary in terms of source material. And this time out the tracks are denser and more richly-layered constructions, with the guys running loops and sounds around a deeper acoustic space, bouncing them about like tennis balls in a clothes dryer.

    The end result is an album that contains a newfound sense of playfulness and some genuinely hilarious moments. Case in point, the woozy percolating bloopiness of "Lazy TV," and the delirious psychedelic cartoon stomp of "Glazin" as it uncoils around the wobbly sounds of a Hawaiian slide guitar and (what sounds like) loops pinched from "Crimson and Clover" and "Doo Wah Diddy Diddy." If anything, it all reveals a group that's finally reached a certain comfort level with what they're doing. Enough so, that they can loosen up and have a little fun with their chosen mode of noise-making.

    Continue reading this entry »

    Graham Sanford

    Concert Fri May 15 2009

    Preview: Destroyer @ Empty Bottle, 5/17/09

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    [This preview was contributed by Gapers Block: Tailgate writer Brian Lauvray.]

    Canadian bred indie rocker/tongue-in-cheek zinger of all things too indie, Dan Bejar, aka, Destroyer is performing a solo show at the Empty Bottle on Sunday night. Bejar, who, for far too long, has been lumped into the New Pornorgraphers clique, has been cranking out albums under the name "Destroyer" since the mid '90s. Last year's Trouble in Dreams was album eight for Bejar, who has been speeding along and alone in his roadster built of irreverent quips and lyrics on a road headed somewhere (just not too specific of a destination, please) with his forays as a contributor alongside the NPs and others serving, more or less, as roadside curios. The audience should expect Dan, an acoustic guitar and a set list showcasing his vast catalog of Destroyer, New Pornos and Swan Lake songs. Fingers crossed, he busts out the same new material that has numerous message boards all-a-tizzy!

    Destroyer plays at the Empty Bottle, Sunday, May 17th at 9:30pm. Tickets are $12.

    --Brian Lauvray

    Anne Holub / Comments (3)

    Concert Fri May 15 2009

    Raise High the Roof Beam Throw a Party Tonight to Celebrate a New EP and Tour

    RHTRB

    I've preached my love of local band Raise High the Roof Beam before here at Gapers Block. Their charming brand of music shimmers both live and recorded, and their shows are a swirling mix of funhouse whistles and balloons wrapped around earnest lyrics delivered affectionately by lead singer Thomas Fricilone. Raise High the Roof Beam are not dastardly in the nature of their music, striving to create layered, quirky, and bold anthems instead of playing it safe and blending into a mundane world of indie pop rock.

    The band just released their latest EP, The Majestic Beast of The Flatlands, and are getting ready to leave our fair city and head out on the road for a bit. To celebrate a tour and some new tunes, they are having a show/party tonight at Volcan Gallery. You know the type of venue and show. BYOB, donation at the door, an intimate show with a bunch of strangers while discovering some great new local music. Sounds like a great plan for a rainy Friday night. Sure beats staying inside watching movies on Lifetime.

    The show is tonight, Friday May 15th, at Volcan Gallery, 1917 W Irving Park. It's all ages, and the music starts at 8:30pm, a suggested donation of $7 at the door (which will get you music from four bands) and the event is BYOB. I say bring a bottle of wine, no one will bat an eye if you sip straight from the bottle.

    Lisa White

    Concert Thu May 14 2009

    Preview: King Khan & the Shrines @ Bottom Lounge, 5/15/09

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    King Khan at the Pitchfork Music Festival, July 2008. (photo by George Aye)

    If a friend showed up at your house wearing gold lamé underwear, a cape, and toting a cooler of dry ice, you just might back away slowly and bolt the door. When it happens at a rock show, you know you're in for something special, and you press as close to the front as you can. That's what was in store for the crowds at the Pitchfork Music festival last summer when King Khan & the Shrines took the stage.

    Somewhere between Neo-Soul and performance art, this lovechild of James Brown and Sun Ra truly is a rock n' roll showman. King Khan struts, he preens, he screams, he sings! He also seems to enjoy making the rounds in Chicago, as he's been back a few times in the past year, always stopping in at the Bottom Lounge (where he'll perform Friday night). The large music space accommodates King Khan and the Shrines' flamboyant, exuberant performance style (complete with elaborate costumes and a disco cheerleader), while keeping a show feeling intimate. The group's sound is somewhere between a balls out soul scream (think Brown's "I Feel Good") and a sweaty, summer rooftop dance party. I doubt there will be anyone who will walk away from Friday's show saying that King Khan didn't bring it. Pick up a copy of their album What Is?! for a good listen, or check the tracks below for a taste.

    See more photos from King Khan's set at the Pitchfork Music Festival 2008, by our intrepid fest photographer, George Aye.

    King Khan & the Shrines - What Is?! - Welfare Bread [mp3]

    King Khan & the Shrines - What Is?! - No Regrets [mp3]

    King Khan & the Shrines play the Bottom Lounge this Friday, May 15th. Show starts 9pm with Mark Sultan (aka BBQ Show) and Maximum Wage opening. 18+. Tickets $15. The Bottom Lounge is located at 1375 W. Lake St., Chicago. (312) 666-6775.

    Anne Holub

    Review Wed May 13 2009

    The Kills and The Horrors @ Metro, 5/9/09

    The Kills brought their brand of sultry, gritty, and exuberant rock 'n' roll this past weekend to a sold out crowd at the Metro. Sharing the bill with them on their tour is the UK gothic glam punk outfit The Horrors.

    The Kills at the Metro, 5/9/2009

    Photos by Steve Gasikowski


    [More, including more photos by Steve Gasikowski after the jump.]

    Continue reading this entry »

    Lisa White

    Concert Tue May 12 2009

    Two days with an evil heart on your sleeve

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    Pick up your average, non-comprehensive "names for babies" book, and it's unlikely you'll come upon one of the more sinister-sounding names available to you -- "Matchitehew." It's an Algonquin name meaning "He has an evil heart." Hell of a way to bring a new child into the world, eh?

    The name does, it seems, evoke just the right tone as the name of an upcoming two-day festival in Chicago. Matchitehew Assembly, taking place on June 5 and 6 at the Co-Prosperity Sphere, wears its evil heart on its sleeve by offering 21 bands and performers, joined by a shared love of funereal doom. Projects from the genres of black metal, drone, power electronics, and harsh noise will blanket the city just as heat and sunlight begin to attempt their timid return.

    Tickets are $25 per day, $40 for both day, all ages. All info, including times and directions, can be found at the festival's website.

    Schedule:

    Friday, June 5:
    Marblebog
    Monarque
    Bloodyminded
    Sword Heaven
    Velnias
    Oakeater
    Silvum
    Dead Times
    Heatdeath
    Take Up Serpents (sorry, no link available)

    Saturday, June 6:
    Krieg
    Bone Awl
    Rusted Shut
    Air Conditioning
    Aborted Christ Childe
    Ashdautas
    Volahn
    Wormsblood
    Maledicere
    Locrian
    Burial Hex

    Chris Sienko / Comments (2)

    Concert Mon May 11 2009

    Mike Watt: Still Banging Away in the Engine Room

    Come hell or health problems, Mike Watt doggedly adheres to his age-old ethos of "jamming econo" and working the "thud" end of things.

    Arguably the punk movement's most technically adept and hardest-rocking bassist, Watt first came to prominence in the 1980s with his work in the Minutemen and fIREHOSE. And in the intervening years he's managed to stay indefatigably busy and prolific. Recently, he served as the bass player for the resurrected line-up of the Stooges, and he's also continued to record and tour with a dizzying number of bands and projects.

    One such current project is the ensemble Unknown Instructors, whose fourth album, Funland, drops via the Chicago-based Smog Veil label this month. The group marks an all-star reunion of alumni from the SST stable of yore. In addition to Watt, Unknown Instructors also includes former Minutemen drummer George Hurley, guitarist Joe Biaza from Saccharine Trust and Universal Congress Of, with Joe Carducci -- former SST maestro and author of the aesthetic tome Rock and the Pop Narcotic -- handling the product boards. Vocal duties go to Watt and Toledo-born poet Dan McGuire, with contributions from Pere Ubu frontman David Thomas and former Black Flag sleeve artist (and current art-world big cheese) Raymond Pettibon.

    Continue reading this entry »

    Graham Sanford / Comments (1)

    Concert Sat May 09 2009

    Concert Review: Deerhoof, Maps and Atlases

    The cavernous Bottom Lounge is a daunting place to fill on a Thursday night, but a small crew manned the upstairs bar, a decent gang resided in the main bar, and a downright impressive (if not quite capacity) swell of folks filled the back room for a three-bill musical spectacle. Starting things off were Anticon's Serengeti & Polyphonic, the latter playing mild-mannered beats under the incomprehensible rhymes of the former. Everyone has off nights, and some tastes are more acquired than others, but the audience was about as fully involved in their own conversations and drinks as they could be without facing completely away from the stage. Several points found lyrics giving way to a stuttered f-bomb in lieu of a rhyme, and when they did come, it was with treats like "a stolen chandelier/barfing from the womb".

    After a quick recuperation, Maps and Atlases took the stage. The three string-players were lined across wearing Hoodie, vest, flannel - a front line hipster triumverate. But there was no posing here. Singer Dave Davison has the bent yelp and polite plead of a Van Morrison and a Cat Stevens in his singing, and plays a mean guitar to boot. Erin Elders joins him for some fancy fretwork - if you've never seen finger-tapping outside of metal videos or your drunk friend at a party, rest assured it can be a powerful weapon when used in pop melodies. Shiraz Dada kept the pace on bass, and Chris Hainey broke out just the right amounts of cowbell, xylophone, and wood block to create a refreshingly new but sugar-y sweet simple pop that would probably make Vampire Weekend punch the windows out of their parent's Bentleys. After rousing versions of "Every Place Is A House" and "Ted Zancha" the band was in full control of the audience, and after a few more songs, left to a big burst of applause.

    The foursome of Deerhoof, now a year and change into their current line-up, took the stage softly and carried a big stick. Vamping through a short opener, the band then hit the jangly first notes of "Chandelier Spotlight" with Satomi greeting everyone appropriately for the windowless venue - "welcome to the underworld..." A strange group of bros in the front kept shouting in unison for "wolf head" (?) during the song breaks. Satomi coolly asked are you from "wis-con-sin? Wis-con-sin! Wis-con-sin!" to much approval from the gents and the audience in general. Having saved the day, she returned to her far corner of the stage. Although almost obscured from view, she kept her presence known with her usual fantastic vocals and the occasional flying kick.

    Dan Morgridge

    Concert Fri May 08 2009

    Photo review, Dan Deacon at the Metro, 5/7/09

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    Photos by Jeff Trost.

    Always an eclectic performer who loves to bring his music right into the crowd, Dan Deacon didn't disappoint last night at his show at the Metro. See more photos after the jump.

    Continue reading this entry »

    Anne Holub

    Contest Tue May 05 2009

    Quick Contest: Dex Romweber Duo @ The Double Door

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    A few months ago, I had the opportunity to listen to an advance copy of the Dex Romweber Duo's new album, Ruins of Berlin. The album was put out by Chicago's own Bloodshot Records, and it's a great record. Listening to it as often as I have been lately, honestly, I can't imagine a better, more energetic show that I'd like to see. Thankfully, Dex will be in Chicago tomorrow night.

    Dex and his sister, Sara will be rocking out the Double Door Wednesday night, May 6th. They won't be alone, either. Also on the bill are the Blackbelts and the always entertaining (and fellow Bloodshot recording artists) Detroit Cobras. If you want in, we've got you covered. We have not one, not two, but three pairs of tickets, and we'd really like to give them to you. Here's what you have to do: Just email us at contests@gapersblock.com with the subject line "Dex Duo" and you and a friend get to go for free! (21+) The first three get 'em, so email away! The show starts at 9pm, at the Double Door, 1572 N. Milwaukee Ave., Chicago. Update: We have our winners! Congrats to Matthew, Erin, and Kurt!

    Gavin Robinson

    Benefit Mon May 04 2009

    Eclectic array of local artists pile aboard for Hideout 3-Way Benefit

    Baby Alright

    Over the years, the Hideout has not only played a vital role in fostering the local music scene, but it's also often linked up with various organizations that strive to improve the social and cultural quality of life in the city of Chicago. This weekend, they bring these two traditions together yet again as they host a three-way benefit event, and a superb lineup of Chicago acts have signed on to take part.

    Kicking off at 4 PM and continuing throughout the evening, the benefit features a rich and diverse billing of Chicago artists. The roster includes a double dose of homegrown avant-folk from Spires That In The Sunset Rise and Pillars & Tongues, some Puerto Rican styled bomba y plenta from the percussion & dance ensemble Afri Caribe, as well as a set of spaced-out latin psychedelic pop from local favorites Allá. The band Roommate will also be putting in an appearance, and headlining for the evening is Baby Alright -- the funk/soul covers project whose lineup includes Dan Bitney of Tortoise and poet/former D-Settlement frontman Marvin Tate. This being a Saturday night, the Hideout's Dance Party follows, with DJ Céline.

    See the full schedule for the event below, after the jump.

    Continue reading this entry »

    Graham Sanford / Comments (5)

    Concert Thu Apr 30 2009

    Plugged Up

    Ah, Grand Rapids: native hometown of former President Gerald Ford and the nation's Furniture Capital (of office furniture manufacturing). Mustard Plug proudly claims Grand Rapids as their base of operations, where they've held court over the local ska scene since 1991. That's a whole lotta years of skankin' to offbeats, folks.

    The boys are obviously good at the game by now, so do yourself a favor and head to the Beat Kitchen on Friday, May 1 to check them out as they headline with The Pinstripes and Scissors. The show kicks off at 9:30 p.m. and will set you back $12. You can find online tickets here.

    Kara Luger

    Event Tue Apr 28 2009

    Versionfest '09: K Records showcase, others to perform

    As it happens, the Lumpen-organized Version>09 is winding down for the closing night of its eighth annual arts and media activities this Saturday with the Chicago Art Parade and this year's episode of the Journey To The End Of The Night street-game event. As it happens, all of this coincides the latest cross-country tour from the Olympia-based K Records stable rolling into town, so it looks as if the two parties decided to merge paths for an evening of music at the Co-Prosperity Sphere.

    Headlining for the occasion is Chain And The Gang, which effectively makes for the latest musical incarnation of Ian Svenonius -- previously the frontman for Nation of Ulysses, The Make-Up, Weird War, and author of the 2006 subcultural polemicist screed The Psychic Soviet. Also on the bill in a supporting role are the Hive Dwellers. Both bands, reputedly, are more or less the same groups of musicians; an ensemble of various members of bands from the K Records network -- except that as C&G they back Mr. Svenonius and as the Hive Dwellers they accompany K Records founder and former Beat Happening/Dub Narcotic Sound System impresario Calvin Johnson. And if that billing wasn't confusing and incestuous enough, Calvin Johnson is slated to get the evening's show rolling with a set of solo material.

    Continue reading this entry »

    Graham Sanford

    Concert Mon Apr 27 2009

    Want Some Tickets to Mastodon Thursday Night?

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    The first (and only) time I saw Mastodon was at the Pitchfork Music Fest in 2007. I knew who they were and I'd heard a couple of songs, but I was completely unprepared for the amount of rock that they unleashed. It was one of the highlights of my weekend, way better than Yoko Ono's light show that night. They're heavy metal the way it should be; loud and fast.

    If you haven't heard of them yet, you should pick up their newest album, Crack the Skye (you can listen to it here, too). If you have heard of them, then you're probably one of the people that can't get in to their sold-out show this Thursday night (4/30) at the Metro. Lucky for you, we can help. Thanks to the tour's sponsors, ShockHound.com, we have two pairs of tickets to give away. E-mail us at contests@gapersblock.com with the subject line "Mastodon" to enter. We'll pick two lucky winners on Tuesday morning! It's as simple as that. I assure you, you want to see this show. If you can't make it to the show in Chicago, perhaps you can find another date on their schedule that suits you. Good luck! Update! We have our winners! Congrats to Casey and Ryan!

    Gavin Robinson

    Contest Thu Apr 23 2009

    Ticket Giveaway: Superdrag @ The Metro

    Superdrag returns to Chicago this weekend (Saturday April 25th) to perform at The Metro with longtime Chicago veteran Nicholas Tremulis Orchestra and Van Ghosts. SuperdragGiants.jpg This show is in support of their new album Industry Giants, and follows on the heels of the recording of their Daytrotter session. In sound, this is very much the Superdrag you may remember from the late nineties, but lyrically frontman John Davis is taking the band in new direction. John had a life changing experience in 2001 that eventually sparked the bands four year hiatus and his new found faith is tastefully splattered though out this album. Don't get me wrong, Superdrag is not a Christian band, but there is a positive spirituality that sets a clear and refreshing tone.

    Really Quick Contest! We have a pair of tickets to give away courtesy of Superdrag for the first person to email us at: contests (at) gapersblock (dot) com with the subject line "Super!". (FYI: This show is 18 and over.) Update! We have a winner! Congrats to Ryan.

    Recently, I was able to ask John a few questions about the direction of band and the new album.

    Continue reading this entry »

    Jason Behrends

    Concert Thu Apr 23 2009

    Hang with OK Go Today!

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    Photo via the band's MySpace.

    What's better than a day full of Chicago's own power pop rockers OK Go? There's certainly no shortage of opportunities to see them today. This afternoon, they're handing out burritos to the homeless along with volunteers from Inspiration Corporation. If you'd like to help out, head over to OKGo.net for more information (you'll have to be able to meet up at noon and bring your own burritos). The band will even take you out to lunch before you hit the streets.

    Not able to make it out at noon? No worries! OK Go will be doing an in-store performance at the Michigan Avenue Apple Store at 4 pm. I'm a big fan of in-store performances at Apple because they have platform seating so you'll have a good sight-line no matter how far back you are. Unfortunately, I'll still be stuck at the office at 4 pm. If you're caught in the same situation, do not fret! The band will be performing again tonight at the Double Door, as part of the venue's 15 Year Anniversary series. If you're an OK Go fan, you pretty much have no excuse to not see them today.

    The Double Door is located at 1572 N. Milwaukee Ave. Tonight's show is 21+ and starts at 9 pm. Tickets are $20 and can be purchased here. U.S. Royalty opens.

    Stephanie Griffin

    Concert Wed Apr 22 2009

    Get Down With the Pee Pants, Er, MC Chris (and a quick contest)

    You wanna talk geek cred? MC Chris has it in spades: For years, he served as a writer and voice talent for Cartoon Network, working on The Brak Show, Sea Lab 2021, and notably, on Aqua Teen Hunger Force as MC Pee Pants, the most famous giant spider rapper to wear a shower cap.

    Oh yeah, and he raps. In 2001, Chris captured geek hearts far and wide with underground hits including "The Tussin" and "Fett's Vette" (with the excellent hook "My backpack's got jets/ I'm Boba the Fett/ I bounty hunt for Jabba the Hut/ To finance my 'Vette." Many albums later, MC Chris is back on track with his latest CDs, 2008's MC Chris is Dead and 2009's Part Six Part One.

    Want to spend an evening rhapsodizing about action figures? Of course you do. Check out the MC Chris show on Friday, April 24 at the Beat Kitchen. He'll be performing with Jacksonville, FL, punkers Whole Wheat Bread. The show kicks off at 7 p.m. and will set you back $14 at the door.

    Really Quick Contest! The first one to email us at contests (at) gapersblock (dot) com with the subject "Pee Pants" gets a pair of tickets to the show on Friday night! Update! We have a winner! Congrats to Eric!

    Kara Luger

    Concert Wed Apr 22 2009

    PB&J--The Real Living Thing

    peter_bjorn_john_metro.jpgThat whistling band from Sweden. That's how most would probably describe the band Peter Bjorn and John, that exploded on the US music scene two summers ago with the catchy song "Young Folks." The rest of Writers Block followed along this trend with more whistling and more pop songs, but also some darker experimental tracks, hinting of what was to come from this group. Last year the group put together a mostly instrumental album (with some spoken word) called Seaside Rock that varied in genre from caribbean jam to, well, seaside rock. Their latest album, Living Thing, is the trio at it's finest thus far--serious, percussion heavy, minimalist indie rock (with a couple paul simon-esque tracks thrown in for good measure...).

    While the trio has been busy together, they also have solo projects on the burner as well. Peter Moren released a solo album last year (on Chicago's own Touch and Go label) venturing more into the singer-songwriter arena, while Bjorn Yttling has been busy producing other artists such as fellow Sweed breakout Lykke Li.

    Opening for Peter Bjorn and John at Metro this Thursday, April 23, is the charming Chairlift, whose debut album, Does You Inspire You was released just this week. Their song "Bruises" is yet another song you probably heard in an iPod commercial. Both bands were among the lineup announced this week playing Lollapalooza, but if you want to catch either of them in a smaller venue than Grant Park this year (at least in the city of Chicago), this will likely be your last chance to do so. Tickets are still available for tomorrow night's show, but act fast, because getting all the way to the venue just to find out that it sold out that day, well, it really sucks. The show starts at 9pm. Tickets are $20. 3730 N. Clark St. 18 & up.

    Continue reading this entry »

    Michelle Meywes

    Album Wed Apr 22 2009

    A Light Sleeper "Amicability"

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    Photo: Lacy Weathersbee

    The word amicability can be defined as having a disposition characterized by warmth and friendliness (wordreference.com), and on their latest album, aptly titled Amicability, A Light Sleeper oozes warmth in every notes. A few years back a band called The Knife released an album called "Silent Shout", and that phrase has always left a certain image in my mind. It's an image of wanting to scream, but not having an outlet, not fully releasing it. Amicability is very much a gentle and refined scream, or perhaps it is that welling up just before the scream. The eight tracks build and wind through layer of jazz, ambience, and chopped up vocals while the listener drifts along. Moments are built and then drained as this trio melts all snow and allows the spring to full capture the spotlight. It's that creeping warmth, that mounting scream, that release from a tortuous winter and a bursts of truly inventive musical exploration.

    This is the first musical release from the new nonprofit group Another New Calligraphy. This is a project that helps musicians and writers establish and maintain an effective visual and tactile presence in an ever-increasingly virtual world, all while building an artistic community with a powerful, unifying identity. Their hope is that by making albums or manuscript visually recognizable, they can help art stand out in the American media overload. Operating outside the realm of traditional record labels and publishing houses allows them to work under a new model based on the simple acts of creating and sharing. It is an ambitious mission, but they have chosen an exceptional album to launch the project.

    [MP3] A Light Sleeper - In Praise of 4 Letter Words

    Amicability will be release on April 28th, but you can preorder now. A Light Sleeper will be performing at Gallery Cabaret on May 6th.

    Jason Behrends / Comments (1)

    News Tue Apr 21 2009

    Full Lollapalooza Line-Up Revealed!

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    If you missed the midnight line-up announcement at Rehab last night, check out the official Lollapalooza poster (via Stereogum) for the complete line-up, or click below for a full list (via Jim DeRogatis).

    Who are you most excited to see on the bill?

    Continue reading this entry »

    Stephanie Griffin / Comments (3)

    Concert Tue Apr 21 2009

    A Brief Manual on Understanding The Streeters

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    Photo credit Christopher Dilts, christopherdilts.com

    The Streeters, finally coming back out from their recording binge and much needed winter hibernation, are playing Quenchers this Wednesday April 22nd. I interviewed Chris Stelloh and Dan Stone of back in December a few days before they played at Subterranean, opening for Rulet. They invited me by their apartment with apologies for the lack of whiskey, and offered up some stove brewed coffee instead. It was a cold and miserable night, almost as nasty as this hail and snow on the forecast these next two days.

    I had no idea really what to expect from an interview with The Streeters. Stelloh I've known for a good while from the neighborhood. Most folks would probably pick him out of the crowd, though maybe without knowing where they'd seen him before. That's how it is sometimes when you run into the bartenders who work at Estelle's. Dan on the other hand I hadn't met. Getting the two of them in one room though... I should have brought along an interpreter.

    Stelloh is one for rapid-fire conversation. Talking to him is like to leave the listener a bit breathless to compensate. The gamut of topics he's likely to touch upon will also leave a person reeling a bit. Add Dan into the mix though and suddenly it was another language being spoken in front of me. The layers of reference left me with the feeling I'd just barely missed the punchline of some hilarious joke. Bits of "Venture Brothers," Mitch Hedberg and Trading Places seeped in between what must have been just old shared hijinks.

    Our conversation started with Dan providing a soundtrack on a particularly beat-up acoustic guitar. Stelloh requested that he play some zombie songs.

    Dan: "I was under the assumption that everything was a zombie song."
    Stelloh [to me]: "Everything has to be played on an acoustic guitar. So you can still play after the zombie apocalypse."
    Dan: "I hate acoustic guitars. Except this one."

    Continue reading this entry »

    Alexis Finch / Comments (7)

    Concert Thu Apr 16 2009

    Four Tet sets up at Sonotheque this Friday

    No stranger to the pioneering fringe of experimental music, Kieran Hebden was a key member of the forefronting U.K post-rock trio Fridge back in the early 1990s before he delved into electronic music under the name of Four Tet just over a decade ago.

    In the past few years have, Hebden's stayed unusually active and prolific. He not only brought Fridge out of hibernation for a reunion album and series of concerts, but also releasing collaborative albums with avant-jazz drummer Steve Reid, putting in a guest appearance on Vashti Bunyan's 2006 LP Lookaftering, as well as continuing work under both his own name and under his Adem alias. Somewhere amidst it all he found time to check in under his Four Tet guise with last years last year's Ringer EP. While it largely leaned toward bleeps-and-beeps mesmerism, the EP still hinted as Hebden's usual modus -- folktronic tapestries of electronic and organic instrumentation laced with samples, beats and loops that as equally evoke the rich sweep of pastoral expanses as the recesses of inner space or the dancefloor.

    Continue reading this entry »

    Graham Sanford

    Album Wed Apr 15 2009

    Pontiak: Meet Your Maker

    Pontiak are the trio of brothers Van, Jennings, and Lain Carney, who -- after having scattered across the map to pursue various musical careers -- came together in Baltimore a few years ago to form their own band. From there the brothers relocated to a house in the less populated Blue Ridge environs of Virginia, set up their own rehearsal and recording space, and got to work.

    For the most part, the brothers' third album Maker is as weighty and daunting as its title implies. The story has it that guitarist Van blew out two amps (Mogwai style) during the album's recording sessions, which wouldn't be surprising given the sound of the thing. At first listen, much of Maker wafts along on heavy boulder-rolling buzzriffs and sludgey rhythms -- much of it amounting to a tub of stoned kozmic blues so thick you could stand a rowboat oar in it.

    Continue reading this entry »

    Graham Sanford

    Concert Mon Apr 13 2009

    Review: Mates of State @ Metro - 4/11/09

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    Kori Gardner of Mates of State (photo by Jeff Trost for Transmission).

    It's always a bit of a heart-swell to watch Mates of State perform together. Whether it's at festival stages, touring with This American Life at the Chicago Theatre, or on the indie stage at the Metro, they're always cutting sweet smiles at each other throughout the set. Kori Gardner (keyboard/vocals) and Jason Hammel (drums/vocals) are the masterfully in-tune married duo that are Mates of State. I've seen them several times live, and each time you just can't help come out of their set happy. A Metro all-ages show that ended on the early side of last Saturday night, the crowd that came out to see SUNBEARS!, Black Kids, and the Mates were certainly in the mood for dancing and good times and definitely left giddy.

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    Jason Hammel of Mates of State (photo by Jeff Trost for Transmission).


    Continue reading this entry »

    Anne Holub

    Concert Sun Apr 12 2009

    Review: A Hawk and A Hacksaw, Daniel Knox, The Hats - 4/9/09

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    Jeremy Barnes of Hawk and a Handsaw (photo by Kirstie Shanley)

    10:00 p.m. on a Thursday is a little late for a school night, but Jeremy Barnes of A Hawk And A Hacksaw was not having it from the Hideout audience. "You know, we were in Ann Arbor last night, and I hate to say it, but they were a little more active than you. I'd like to see some more movement," he requested politely. While the spots in the audience did give him a few pockets of shimmies and twirls, most of the evening was marked by a rapt (or at least least sleepily respectful) audience.

    With a bevy of instruments laid out in the center of the room, the mildly unexpected Hats took the audience through some jazz improvisations — wild trumpet outbursts, saxophone wails, and a xylophonist armed with four mallets of fury. The band had breakdowns showing off each of the members that went off wildly before returning lock-step to each other — the highlight being the xylophonist's literal deconstruction of his instrument, pulling the bars out for a clattering crescendo.

    Continue reading this entry »

    Dan Morgridge

    Concert Thu Apr 09 2009

    Get Branded @ The Congress Theater (plus a contest)

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    Branded is a new series of events brought to you by Time Out Chicago and the people behind Revolution No. 9 New Years Eve with Justice. They aim to fuse the worlds of art, fashion, rock, hip hop, and electronic culture, and are kicking off the series with a show this Saturday night at the Congress Theater with a big line-up of some of the electronic world's finest. Graphic artist Dan Stiles will be creating limited edition posters, t-shirts, and skate decks for the show.

    Headlining the concert is Grammy-nominated Toronto electro DJ Deadmau5 (aka Joel Zimmerman). Expect an insane light show and a giant costume mouse head. Aside from taking the electronic world by storm, he's recently released a new iPhone application that allows users to remix their favorite Deadmau5 songs directly from their phone. Also on the bill are international acts Crookers, Late of the Pier and The Whip. Local artists Zebo, Willy Joy, Loyal Divide, and Noise Floor Crew will be sharing the bill.

    Branded takes place Sunday night at the Congress Theater, 2135 N. Milwaukee Ave. Tickets are $21 and available to purchase online here, or at Gramaphone Records, 2843 N. Clark St, Silver Room, 1442 N. Milwaukee Ave, or the Congress box office. The show is 17+ and lasts from 8 pm to 3am. Ticket purchase includes a one-year subscription to Time Out Chicago.

    Really Quick Contest! We're giving away 2 pairs of tickets to the show, courtesy of the good folks with Loyal Divide. Just be the first 2 to email us at contests (at) gapersblock (dot) com with the subject "Branded!" and you'll be the winners! [Update!] We have our winners! Congrats to Michelle and Matthew!

    Stephanie Griffin

    Concert Tue Apr 07 2009

    The Swamp-Tech Spellcaster returns to Chicago

    Dancing, chant-along choruses, girls shaking maracas, audience invasions by the performers -- and maybe even some dancing, singing, and maracas-shaking from atop the bar. All of that, plus a surreal puppet show to wrap things up. So it goes on an average night with Mr. Quintron and Miss Pussycat.

    After nearly a decade of releasing records and building a small cult audience, the New Orleans-based Quintron rubbed shoulders with a broader audience in 2005 when his Swamp Tech LP was picked up for distro by Kid606's Tigerbeat6 label. Largely operating as a one-man band, Quintron's sound -- - roughly two parts psychobilly to one part juke-joint organ music -- has remained fairly consistent throughout the years. But 2008's Too Thirsty 4 Love LP found him expanding on his usual style and bringing some new moves to the floor.

    Continue reading this entry »

    Graham Sanford

    Concert Sun Apr 05 2009

    The Faint and Ladytron @ Metro, 4/3/09

    When you enter a club that has a warning posted "there will be excessive strobe lights used in tonights show," you can pretty much bet you're going to have a good time. Such was the case Friday night, when electro-pop heavyweights The Faint and Ladytron kicked off their two nights of co-headlining shows at the Metro.

    Gapers-Block-Faint-3

    [More, including more photos by Kirstie Shanley after the jump.]

    Continue reading this entry »

    Lisa White / Comments (1)

    Artist Fri Apr 03 2009

    They Started Something...

    tingtings.jpgEvery time I see pop duo The Ting Tings (Katie White and Jules De Martino), all I can think is that Katie is basically what every little girl wanted to be when they "grew up" after watching Jem and the Holograms. She bounces all over the stage with her fluffy blonde hair, Technicolor outfits (clothes which she designs herself) and sugary voice chanting cheerleader-style or serenading a sweet little melody.

    Continue reading this entry »

    Michelle Meywes

    Concert Thu Apr 02 2009

    Let Oso Liven Up Your Friday Night

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    Remember Chicago post-rock band Volta Do Mar? Like many bands, they were put out to pasture or sent to the farm to run free for the rest of eternity (whichever scenario you'd like to believe). Yet thankfully out of the ashes rose a new band. Oso brings to the table the creative and talented sounds that were captured in Volta Do Mar, yet add in a rich Eastern European gypsy flair to the mix. With exceptional musicianship and impressive delivery, they offer up music that is fresh and eclectic in its sound, creating a mix of genres and styles that meld perfectly.

    The band will be making the trek back to Chicago to play tomorrow night at Ronny's up in Logan Square at 9pm. It's the last show before Oso heads over to Europe to tour, so make sure to stop by and send them off with a proper farewell. The show is 21+ and is only $6. Make sure you spend your Friday night getting schooled in the art of world infused rock music courtesy of Oso.

    Lisa White / Comments (1)

    Concert Thu Apr 02 2009

    MySpace Presents MSTRKRFT (For Free!)

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    MySpace Secret Shows have been bringing big names to small venues since 2006 (think Lily Allen, The Decemberists, Neko Case, Depeche Mode, etc.) They brought us Moby at Smartbar back in 2008 and City and Colour to the Beat Kitchen earlier this year. Attendees to each concert also receive a limited edition poster. Who doesn't love getting stuff for free?

    Tonight they'll be bringing Ontario's MSTRKRFT to Co-Prosperity Sphere down in Bridgeport. I caught this electro duo back in October at Double Door, complete with a seizure-inducing light show and a packed house of sweaty dancing kids. My kind of night. The show is going down at 8 pm tonight, but get there early as it will probably fill up fast. It's free and all ages, so what are you waiting for?

    Co-Prosperity Sphere is located at 3219 S. Morgan St (Orange Line to Halsted or Red Line to Sox/35th). Bird Peterson opens.

    Stephanie Griffin

    Concert Wed Apr 01 2009

    Everybody Here is a Cloud

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    Photo by Cody York via the band's MySpace

    Minneapolis-based Cloud Cult is the type of band that makes you want to be a better person. Eschewing offers from major labels, singer Craig Minowa created Earthology Records, built with recycled materials and run on geothermal energy. They use 100% post-consumer recycled or reused materials for all of their merchandise. The band accepts donations of old CD jewel cases, which they then clean and use to package their new albums, and the scraps created from manufacturing the CDs themselves are recycled into milk cartons. They even plant ten trees for every 1,000 albums sold. How cool is that?

    It's hard not to fall in love with these guys at first listen. Their latest album, Feel Good Ghosts (Tea-Partying Through Tornadoes), is a celebration of life and love, without being preachy about their ideals. The songs envelop you with a big indie collective-type sound you'll find with artists like The Arcade Fire or Polyphonic Spree, only with about half the amount of people actually playing instruments. They've got two visual artists in the band, who create paintings during each show which are then auctioned off at the end of the night. I don't think they could get any more charming.

    Cloud Cult is opening for Margot & the Nuclear So and So's tonight at the Metro, 3730 N. Clark St. The show starts at 8:30 and is $15. 18 & over.

    Check out the video for "Everybody Here is a Cloud" below.

    Continue reading this entry »

    Stephanie Griffin / Comments (7)

    Concert Tue Mar 31 2009

    Don't Let Him Behead You

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    Max Tundra clearly does not like to waste ideas. Listening to his music is to hear an olio of popular music history in a compact time frame. Pop songs are buried underneath layer upon layer of electronic beats, leftfield samples, thick guitar hooks, lounge-inspired piano... you get the idea. This is the musicification of "everything but the kitchen sink." (And I'm not sure what the kitchen sink would be in this case.)

    Armed with an Amiga 500, some sequencing software, and a range of live instruments, Max Tundra has thrived in this decade as a consummate musical hunter/gatherer. Some Best Friend You Turned Out to Be and the critically-lauded Mastered By Guy at the Exchange showcase his talent for schizophrenic electronic composition. But it's his latest album Parallax Error Beheads You that shines brightest with time. As an immediately bewildering aural experience, it is admittedly not a record for every time, every place or every ear. But when the atmosphere's right (and it often is), the listener is roped into the music similar to how Since I Left You makes a person listen keenly, even during the hundredth time it's on. Though, every play doesn't need to be heard with undivided attention to be enjoyable. When it's all boiled down, it's still just pop music.

    On stage, Max Tundra is a one-man show surrounded by gear. And even though he's reconstructing the precision found on his albums, he still finds the space to drop in surprises here and there. On this tour, he's been covering the KLF's "What Time is Love?" and another classic, but from a very different genre. He opens for Junior Boys at Metro on Thursday at 9PM. The show is 18+ and tickets are $15. (Junior Boys aren't too bad either, by the way.)

    James Ziegenfus

    Concert Tue Mar 31 2009

    April, By The Numbers

    The month of April is going to be a busy one for the folks at the soul-slinging Chicago-based Numero Group.

    Firstly: this Saturday evening at the Park West Theater, the label presents its first-ever live event, The Eccentric Soul Revue. The evening's billing features sets by top-flight R'n'B veterans Syl Johnson, The Notations, and Nate Evans; as well as reunion performances by Renaldo Domino, The Kaldirons, and the Final Solution. Chicago's own deep groove merchants The Uptown Sound will also be on hand to provide backup throughout. It's an all-ages show, tickets are $22, and it gets underway at 7:30 PM Saturday.

    The label's also putting the finishing on the next edition in their Eccentric Soul series of archival anthologies for a scheduled release date in late May. Entitled Smart's Palace, the volume will chronicle the story of the Smart family, who were prime movers and organizers on the R'n'B scene in Witchita, Kansas in the 1960s and early '70s. This atop their deluxe audio & DVD package Local Customs: Downriver Revival, which officially releases this week.

    Continue reading this entry »

    Graham Sanford / Comments (1)

    Review Mon Mar 30 2009

    Review: Bob Mould @ Old Town School of Folk Music, 3/29/09

    [Submitted by reader Aharona Ament]

    Bob Mould (photo by Noah Kalina)

    Bob Mould is modern rock legend among few others. Leading Hüsker Dü in the '80s, Sugar in the '90s as well as putting out nine solo albums since 1989, few can compete with Mould's prolific catalog of work. Last night's show at The Old Town School of Folk Music was a musical tour in his extensive career and life.

    I was sitting next to one of Bob's friends from D.C. Who kept getting text messages from Mould backstage saying 7:30 sharp! Mould had to get up early the next day for another show so I expected the set to be short and rushed. (The show didn't actually start until 7:50pm.) Keeping these expectations, the set started out fast and one song blended into another as Mould played but barely addressed the crowd.

    Mould was accompanied by a prepubescent bass and guitar player, who was adorable in his own right, but failed to match the energy Bob brought to the house. Mould's voice soured and growled in Songs like "Hoover Damn" and "See a Little Light" while the tween bopped along singing backup and matching hooks. There were some joyous moments in his accompaniment when the duo allowed distortion into the set and for a second seemed to have a great dynamic and the ability to play off each other, but they always seemed to lose their chemistry. The show would have held up better if Mould had played alone.

    Continue reading this entry »

    Anne Holub

    Concert Fri Mar 27 2009

    Mountain Goats Move to Portage Theater

    The Empty Bottle booked the Mountain Goats and John Vanderslice to perform at Epiphany on April 1 -- and promptly sold the show out, leaving a whole lot of sad fans out in the cold. If you were one of them, here's some news to cheer you up: The show has been moved to the much bigger Portage Theater, 4050 N. Milwaukee Ave., which means more tickets are now available, still at the low $16 ticket price.

    Even better, we've got two pairs of tickets to give away! All you have to do is email contests@gapersblock.com with your full name and the subject line "Cubs in Five" by Sunday at 9pm. We'll choose two lucky winners at random from the submissions. Good luck!

    UPDATE: We've got our winners! Congatulations to Matthew and Casey!

    Andrew Huff

    Concert Wed Mar 25 2009

    Last Minute Free Show Announcement

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    If you're not able to make it out to Margot & the Nuclear So and So's headlining gig at the Metro next Wednesday, you are in luck! Tonight, Richard Edwards and select other members of the band will be doing an intimate acoustic performance at Inconvenience Art Space. Whispertown 2000, who you may remember opening for such acts as Rilo Kiley, Bright Eyes, and The Elected, will also be performing. (A little bit of trivia: The Morgan sung about in Rilo Kiley's "The Absence of God" and "Papillon" is none other than Morgan Nagler, lead singer of Whispertown 2000 and best friend of Jenny Lewis.) Jake Bellows of Neva Dinova will be opening the night.

    Catch all three acts tonight for free at Inconvenience Art Space, 3036 N. Lincoln Ave. The show is all ages and free, though donations to the touring band are welcome. Make haste! It all starts at 7 pm tonight.

    Photo taken from the Margot & the Nuclear So and So's MySpace.

    Stephanie Griffin

    Concert Sun Mar 22 2009

    "The Finest in Jazz since 1939".

    Blue Note Records. To the general public, that name means jazz. Along with Impulse Records ("The House that Trane Built") and some others, their catalog and distinctive style in the jazz heyday from the 40s to 60s has persevered to the present day.

    This year, they celebrate their 70th anniversary as a label with a tour and retrospective. Friday night, at Symphony Center, the Blue Note 7, a collection of artists, ran through a number of representative pieces that have been recorded in Blue Note's history.

    Most anyone can tell you something about Miles or Trane, who both recorded for Blue Note at some point in their careers, but the legacy of Blue Note lies in the strong compositional minds who called the label home. Minds like Wayne Shorter and Horace Silver exemplified not only mastery of their instruments, but new ways to bring out new sounds via different arrangements, and still do so to this day.

    This was not a night for shining a spotlight on Blue Note's A-listers. This was a night for pieces representative of the efforts of the label to stay crent and advance the jazz form. Grant Green's "Idle Moments" was the lone "slower" selection; the rest of the compositions were faster, more involved, and more bop-oriented. Lee Morgan's "Party Time" rocked and rolled. The uptempo work of vibraphonist Bobby Hutcherson, drummer and leader Art Blakey, and eccentric pianist and composerThelonious Monk rounded out a pretty good two hour retrospective and sample of the work of the venerable jazz label whom, in times like these, are wondering what they're going to do next.

    Troy Hunter

    Concert Wed Mar 18 2009

    Cut Copy Return To Chicago

    cutcopy.jpgLast summer, after major delays on their flight from Australia, Cut Copy arrived late for their Sunday night headlining spot at Pitchfork Music Festival. Once they finally got to Union Park, they quickly unpacked their gear and were able to play for 20 minutes before the City's outdoor silence ordinance went into effect. And what a 20 minutes it was. Dancing, fist pumping, and "lights & music"--they packed the amount of energy into that mini-set that you would expect from a full length show. It left me wondering, though, whether the group could match that vivacity for an entire show, minus the dramatic circumstances. The answer was yes. Last September they played the Metro and killed it. Laser lights of every color of the fluorescent rainbow hit the crowd as they played track after track of 80's influenced electropop.

    Cut Copy's newest album, In Ghost Colours, received much praise and landed on many of '08's Best Albums lists. Tonight they return to Chicago, this time gracing the stage at The Vic, but alas, this show is sold out (like most of the rest of the dates on their tour). Also playing tonight are the twee-fueled duo Matt & Kim. The Vic Theater is located at 3145 N. Sheffield. The show starts at 7:30pm. 18 & up.

    Michelle Meywes

    Concert Sun Mar 15 2009

    Tricky @ Logan Square Auditorium, 3/13/09

    For his first album in five years, Tricky's return to the city of Chicago would be worth the trek out just to see what has fermented in that smoky brain of his in half a decade. But if you've already heard Knowle West Boy and have made up your mind for better or worse, nostalgia for old favorites would probably draw just as many out of their '90s slumber and into a church on Friday the 13th. As it stands, a last-second venue change nearly lost the crowd (Epiphany had some plumbing issues that moved the show to Logan Square just hours before showtime). But the fans followed, not about to let a pipe or two stop them from five or more years of waiting for one of the '90s most inventive minds. While he's now come and gone, the internet has a few snippets here and there — a video (barely) showing him knocking into his classic cover of Public Enemy's "Black Steel", a note telling of his friendly farewells to the audience.

    Our own Kirstie Shanley has some photos of the event for Gapers Block: Transmission.

    Gapers-Block-Tricky-4

    Gapers-Block-Tricky-5

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    Dan Morgridge / Comments (1)

    Concert Wed Mar 11 2009

    Cheap Lollapalooza Tix Now On Sale Sold Out!

    Head over and buy your $60 3-day pass while you can! [Update: And...they're sold out.]

    Anne Holub / Comments (1)

    Concert Tue Mar 10 2009

    Tinder Mercies

    When asked about his recommendations for dinner music in a recent GQ profile, high-profile Chicago restaurateur Donnie Madia responded, "Tindersticks. Any of their records...can work well in any dining room." Funny how tastes evolve over time. Especially seeing how when Tindersticks first appeared on the indie music scene in the early-mid 1990s, the common opinion was that their tunes were ideal fodder for Serenade Hour In The Lovesick Ward of a methadone clinic. But that was then.

    Over the course of six albums, the U.K.-based band earned a cultish fan base before ceasing activity in 2003. After a five-year hiatus from recording and touring, they returned to the spotlight this past April with the release of a new album, The Hungry Saw. Even though the band now sports a revised line-up, core members David Boulter, Nail Fraser, and frontman Stuart A. Staples are still at the helm. And from the sound of the recent album, nothing much has changed with the band's music. There's the easy tempo blue-eyed soul that drives "Yesterday's Tomorrows" home, the lounge-ish Latin shuffle of "E-Type," and -- on the punchier side of things -- bursts of yakkety rockabilly guitar punctuating the otherwise sparse "Mother Dear." In the end, The Hungry Saw features a dozen new achingly delicate arrangements, all of them woven together with strains of piano, vibes, flutes, brass, and subtle string accompaniment.

    Continue reading this entry »

    Graham Sanford

    Concert Fri Mar 06 2009

    Pitchfork First Picks Announced

    With a slight change of pace from previous years, the 2009 Pitchfork Music Festival will not start with an evening of nostalgic full-length album performances. Instead, the Friday night lineup will feature four bands, all of them of the indie rock ouvre, playing sets that you, the early ticket buyer, vote on. Friday night, July 17th's performances, we've now learned, will come from a newly reunited Jesus Lizard, Tortoise, Built to Spill and Yo La Tengo. Other bands on board for the fourth annual summer festival which runs July 17-19, include Grizzly Bear, sad-core rockers The National, Pharoahe Monch, the Pains of Being Pure at Heart, Walkmen and Vivian Girls. Tickets go on sale March 13th.

    Anne Holub / Comments (1)

    Concert Fri Mar 06 2009

    Chicago International Movie and Music Festival After Party Saturday at Double Door

    OldCeremony

    Two recent topics of posting in Transmission collide this weekend at the Double Door for the after party of the Chicago International Movies and Music Festival. We first mentioned the festival last week in a spotlight feature piece of some of the screenings to check out. We also recently reviewed the stellar new album from Bloodshot Records own Dex Romweber Duo. You're in luck this Saturday as Romweber and a slew of talented acts take the stage to celebrate the inaugural CIMM festival.

    One of the bands to make sure you check out on the bill is fellow Carolinians (the homeland of Dex Romweber Duo) The Old Ceremony. Their new album, Walk On Thin Air, has a sultry soulful vibe yet still rocks the house with their jangly piano driven southern tinged rock 'n' roll. The bands played with the likes of CAKE, Chuck Berry, and The Avett Brothers, so combine those sounds and you've got a good idea of what The Old Ceremony sounds like. Which if you weren't paying attention, they sound like a good time. Expect a rollicking good night from start to finish Saturday.

    The CIMMF after party is Saturday night at Double Door, located at the intersection of Milwaukee, Damen, and North. The show starts at 9pm, and is $12 or $9 if you show your CIMMF badge (even more the reason to go check out a screening our two).

    Lisa White

    Concert Sun Mar 01 2009

    U2 to Play Free "Secret" Chicago Gig

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    U2 have been playing a series of surprise concerts around the globe before they embark on their official tour (dates to be announced March 9th) in support of their new album, No Line on the Horizon. They'll be stopping by Chicago next Tuesday, March 10th at an undisclosed venue for a secret show (though I'm fairly certain it won't stay a 'secret' for long). Ms. Shirley Manson is rumored to be hosting the event. A quick Google search tells me the Metro and Vic are both free March 10th, although I'm not sure Bono's ego would fit into venues that tiny. The Riv or Aragon seem like more viable options, and both venues are free that night as well.

    Details are still a bit sketchy, though it looks like both 101.9 The Mix and 93 XRT are going to be giving away tickets this week. Good luck U2 fans! I'm sure it will be an unforgettable night to anyone who can finagle a way inside.

    Edit: While it's elusively being billed as an "intimate event", some sources are saying this will be a concert while others claim U2 will be DJing only. Either way, U2 fans are flipping their collective wig.

    (Photo via U2.com)

    Stephanie Griffin / Comments (3)

    Concert Fri Feb 27 2009

    Saints & Serpents on a Saturday

    The city of Atlanta, GA has offered up its share of notable indie rock artists in recent years, and 2008 saw the emergence of a new addition to that lineage -- the trio All the Saints. The release of the band's debut Fire on Corridor X via the Killer Pimp label caught the attention of the folks at Touch & Go, who quickly re-issued the album to wider distro back in September. The album would later turn up on several bloggers' lists as one of the most overlooked releases of 2008, and prompted a number of reviewers to reach for such descriptives as "psychedelia" and "Southern shoegaze." While of few of the tunes on ...Corridor X sprawl in a mood of come-down languidity, the trio's penchant for heavy, clangoring riffs and propulsive drum-fills points in the direction of their flatland Alabama roots. And when it comes to melodic hooks, they're a lot closer to Dead Confederate than, say, Deerhunter -- if the former red-dirt denizens ditched the quasi power-ballad fare and had been raised on a steady diet of Hüsker Dü.

    Continue reading this entry »

    Graham Sanford

    Concert Thu Feb 26 2009

    Music For a Rainy Thursday Night; Raise High the Roof Beam

    RaiseHigh

    The best way to solve a dreary Chicago day is to end the evening with a decent drink and some good music. Well thank the lucky stars that for a measly $5 donation (recession friendly as well) you can get just that when Chicago outfit Raise High the Roof Beam play Quenchers this evening.

    We first mentioned Raise High the Roof Beam when they played the last free Monday show over at the Empty Bottle in December. Since then the band has been busy working on music and playing to the masses with their delectable brand of indie pop-rock.

    Come drown your rainy weather blues tonight (I'll be there with my umbrella and a beer), and check out a local act worth taking notice. The show starts at 9:00 pm and Quenchers is located at 2401 N. Western (the intersection of Western and Fullerton).

    Lisa White

    Concert Tue Feb 24 2009

    Some Things the Night Gave Us


    Judging from their activity, it seems These Are Powers are a band who don't sit still for long. Only a few months after the release of their EP Taro Tarot, the trio arrived in Chicago for their latest Windy City summering stint and began trotting out a batch of new material. Much of what they debuted during their summer gigs has now turned up on a new release, All Aboard Future, which dropped via the Dead Oceans label earlier this month.

    Continue reading this entry »

    Graham Sanford

    Review Tue Feb 24 2009

    Live Like It's the Style

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    Chicago's own Company of Thieves have been creating a buzz on the national level the past few months, following their single "Oscar Wilde" being the featured discovery on iTunes and a killer performance on Last Call with Carson Daly last month. Today the band is re-releasing their debut album, Ordinary Riches, with new artwork and bonus tracks on Wind-Up Records. They just released their debut music video for "Oscar Wilde" via iTunes and will also be hosting a live chat today at 2 pm via their MySpace. As one of the most talented group of artists coming out of our fair city right now, I'm expecting Company of Thieves to be the band to watch in 2009.

    I had the pleasure of catching them at the Double Door on Thursday night, opening for Thriving Ivory. When CoT took the stage, my friend Doug turned to me and said, "Some artists make music because they like to. She seems like the type who makes music because she has to." Way to hit the nail on the head, Doug. Singer Genevieve Schatz's passion is infectious, and her powerhouse energy is further heightened with the intensity of guitar player Marc Walloch and drummer Mike Ortiz. The band has a very cool bohemian vibe, with the combination of a classic rock sound and the softness of sweet Regina Spektor-ish vocals. Genevieve is completely mesmerizing during soulful tracks such as "Quiet on the Front" and "Pressure", but the real treat of their live show is their danceable songs "In Passing" and "Oscar Wilde".

    Catch their television debut on Last Call with Carson Daly below:


    [MP3] Company of Thieves - "Oscar Wilde"

    Stephanie Griffin / Comments (1)

    Concert Sun Feb 22 2009

    James Earl Jones wishes Abe a happy birthday.

    I am of the firm opinion that James Earl Jones narrating anything is cool. Saturday night, a sold out Symphony Center shared that sentiment.

    The Lincoln Bicentennial Tribute at Symphony Center featured the backing of the Chicago Symphony Orchestra, who alone may not be enough to pull people out to a southern Michigan Avenue address in what seems to be an everlasting winter. The program featured music that old Abe himself liked; marches, symphonies, and lighter fare. But the main draw was undoubtedly James Earl Jones himself.

    Making his debut at Symphony Center, he, along with Kevin Gudahl and Gerard McBurney, put the "words" into the program's theme of "A Likeness in Words and Music". Jones read poetry by Walt Whitman and Carl Sanberg, while Gudahl and McBurney read some of his letters and articles of the day that attempted to portray Lincoln as a man with a good sense of humor as well as personable to others. Of particular interest were the recollection of Lincoln's first inauguration ball and a letter he wrote his wife while still an Illinois representative.

    The second part of the evening, after intermission, was the Orchestra's rendition of Beethoven's Fifth Symphony, for which quite a few people stayed around for. But Jones earned the star of the night as he recounted a series of Lincoln quotes, including the Gettysurg Address. And when he boomed out, that James Earl Jones way, the last few lines - " that this nation, under God, shall have a new birth of freedom -- and that government of the people, by the people, for the people, shall not perish from the earth"- that was, without exaggeration - pretty damned awesome.

    There will be another engagement on Tuesday, but sources tell me those tickets are long sold out.

    EDIT: No, tickets are NOT sold out. Tickets are available in the boxes and in the lower balcony. Get over and buy, forthwith!

    Troy Hunter / Comments (2)

    Concert Fri Feb 20 2009

    Fast & Free: The New Bomb Turks

    I dated this stoner dude in college who was a crappy boyfriend, but he clued me in on a few bands that to this day warm the cockles of my punk-rock heart. One of these bands is the New Bomb Turks, a Columbus, Ohio-based group that released their first full-length, !!Destroy Oh-Boy!! in 1993. At the time, they were loud, fast, snotty, funny, and fun; if their clips are any indication, they still are.

    To be honest, I had no idea they were still touring, but lo and behold, the Turks are playing at the Cobra Lounge (235 N. Ashland Ave.) on Saturday, Feb. 21. Opening for them are the Mannequin Men, Distinguished Gentlemen of Leisure, and Teenage Tits. The show kicks off at 9 p.m., and blessed be, it's free.

    Kara Luger / Comments (2)

    Concert Thu Feb 19 2009

    Waves of Fear

    Duncan.jpg

    A shadowy presence stalks the land. He (for it is a he) can be felt in moments of absolute isolation, in the presence of darkness so absolute that one's position in the room, or the world, or one's own mind, cannot be determined. He has made his presence felt in Chicago only two other times, once in 2000 and again in 2003. He brings fear and unease, disturbing sounds and visions, but he also brings liberation from inhibition and new methods for breaking out of old ruts. He is John Duncan.

    This Saturday, Duncan returns to Lampo (216 W. Chicago Avenue, 2nd Floor) for a new composition, titled "The Hidden." The piece features "digital audio debris, generated audio noise, field recordings, and shortwave radio static," and follows in the style of his many legendary studio recordings, including the seminal Riot LP (1984, AQM Recordings, reissued 1991 on CD) which uses recordings of military Morse code, computer program transmissions and "atmospheric interferences" to create an aura of dread and illogic, but also gritty, industrial beauty.

    Continue reading this entry »

    Chris Sienko

    Concert Thu Feb 19 2009

    Serengeti, Meat Number 5, and the TTTTotally Dudes hit the Whistler

    Itchin' for a dance party rife with '90s nostalgia? Need more Aaliyah and Busta Bus in your life? Relive the hits at the Whistler tonight with the TTTTotally Dudes dance party, headed by CHIRP's Dr. Drase and DJ Manwich.

    The boys will play sets in and around hip-hop and turntablist turns by Serengeti and Meat Number 5. Should be a tasty evening out, folks. Best of all, there's no cover. See you there.

    Whistler is located at 2421 N. Milwaukee Ave. in Logan Square. Music starts at 9:30pm.

    Kara Luger

    Artist Thu Feb 19 2009

    Wilco Announces Tour, Doesn't Mention Chicago

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    If I remember correctly, Wilco didn't play the Chicago show on the Neil Young tour because they felt that we'd simply seen enough of the band lately. Let's see if I can dig up that quote....ah yes, here's Wilco publicist Deb Bernadini talking to the Sun-Times, "They just felt it was time for a break." It seems that break isn't over yet, either. Wilco announced their Spring 2009 tour and we've been left out in the cold again. Sure, you can head out to Milwaukee or Athens, OH but there won't be any Chicago on this leg. Their site also has a group of festival dates in the summer announced and it's worth mentioning that August 7-9 (the dates of this year's Lollapalooza) are still open.

    Gavin Robinson

    Concert Wed Feb 18 2009

    Whole lotta Shaking Going On...in Hell

    Ever been to Metal Shaker? Its existence is news to to me, I'll admit it. The bar (3394 N. Milwaukee) bills itself as "A heavy venue on the northwest side of Chicago," and looking at its lineup for these next two months, which are of course the heaviest of all months, I feel it is no hyperbole, friends. Nearly every day in the month of March seems to have an opportunity to see bands with names like If He Dies, He Dies, Embryonic Devourment, and Arbogast, as well as every Sunday's "Blackened Sabbath" nights, where local musicians spin their favorite death and thrash metal.

    This Friday (February 20, 9 p.m.), the Metallic Shaking ones will encourage the ever-shifting barriers between black metal and experimental noise crumble just a bit further with a lineup of bands that work the necessary nexus between riff and wail, distortion and dissolution.

    Acting as a record release party of sorts, the night's lineup will include the blessedly infernal Locrian, who will have copies of the their first pro-pressed CD release, Drenched Lands, available (co-released by Wisconsin's Small Doses label and At War With False Noise in the UK). I've written about them before on this site, and with the release of each new album, including their great CD-R on Bloodlust!, Rhetoric of Surfaces, the band hones their barbarous approach to drone-played-as-doom-metal to a jagged edge, capable of inflicting wounds that don't close. Soak 'em up, folks, this is the last Locrian show until summer, at least.

    Also on board: The similarly-blackened duo Winters in Osaka, recent Ohio transplant David Russell (also head of the A Soundesign Recording label), and new duo Ratatosk (Jason Soliday of Enemy Space, Magic Missile, Coeurl, etc., and Ben Billington of Druid of Huge) will all lock hands and close the circle.

    None of the signs I've seen say anything about cost of admission, but it is a bar (21+, yes), so make sure you have $5 in your pocket. If they don't ask for it at the door, buy yourself one of those newfangled beers the kids are drinking these days.

    Chris Sienko

    Concert Wed Feb 18 2009

    Future Clouds and Radar: Comfort Music

    [Sent in by Transmission reader Aharona Ament]

    I'm a huge fan of psychedelic music. Mostly I'm a sucker for anything sweet, harmonic and dreamy. So when I heard Future Clouds and Radar, Robert Harrison's new follow up band to Cotton Mather, described as "somewhere between the 13th Floor Elevators and ELO I knew that I would have a good time listening to their 2008 release Peoria. And as I expected I was swept up in a dream like melodic frenzy that was soulful and comforting. With elements of The Flaming Lips, Guided by Voices and Big Star, this is musical comfort food with a trippy edge.

    You can gather the feel of this soothing band when they play at the Empty Bottle this Friday, February 20, opening for twang rockers Deer Tick. Anni Rossi starts the night. (To make things even better you can "Pick your Poison" at the bar where your choice of any special drink is $5.) Music starts at 10pm, tickets are $10.

    [video] Future Clouds and Radar's "The Epcot View" from the album Peoria

    -Aharona Ament

    Anne Holub

    Album Tue Feb 17 2009

    Kicking Against the Pricks with Kaspar Hauser

    Some month ago, our GB editors allowed a pair of aspiring contributors to participate in a CD-review session for our Transmission page on a trial basis. The experiment was -- in our opinions -- not entirely successful and barely suitable for print. But in recent weeks, one of the involved parties came knocking on our door again, petitioning to join the Transmission team as a contributor with the claim that he'd "redeemed" himself. Being gracious sorts, we decided to give him another chance; this time putting the prospective reviewer (PR) under the supervision of one of our Transmission staff members (TS). What follows is a transcript of the resulting listening-party session.

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    PR: ...And so that's why they call it a "whoop tube."

    TS: Fascinating. At any rate, we've got to get to the matter at hand. We're supposed to review this new CD by a local artist. It's called The Sons, by the local artist Kaspar Hauser.

    Continue reading this entry »

    Graham Sanford

    Interview Mon Feb 16 2009

    A Quick Chat with Charlie Looker

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    Hailed by Tyondai Braxton of Battles and Stereogum, Brooklyn's Extra Life have made a name for themselves with their hypnotic combination of math rock and chamber pop. Extra Life hits up the Empty Bottle tonight in support of their album, Secular Works, released last year through Planaria Recordings. Gapers Block had the chance for a quick chat with lead singer and guitarist Charlie Looker before the show.

    Gapers Block: Where did the title Secular Works come from?

    Charlie Looker: The title Secular Works is a reference to Medieval and Renaissance music, periods which I am deeply into. Composers from those periods wrote sacred music (masses) and then also would write secular songs in the popular forms of the time. When you buy a CD of Early Music, you will often find records of so-and-so's "secular works". So for Extra Life, the title is somewhat ironic. However I'm very influenced by Early Music, both sacred and secular. I have also become interested in religion, simply as a human phenomenon, an outlet for the human will.

    Continue reading this entry »

    Stephanie Griffin / Comments (1)

    Concert Fri Feb 13 2009

    Iron & Wine The Way They Were Meant To Be Heard

    ironandwinebeam.jpgThe first time I saw Iron & Wine was at Pitchfork Music Festival. Outside. In the middle of the day. Not exactly the best way to take in the troubadour's soft melodies--the mood kind of gets swallowed by the expansive open air.

    Now you have a chance to see Sam Beam in a room more suited to his music during a short tour where they will only be playing small, intimate venues. The tour comes in support of Around the Well, a new 2-CD/3LP collection of rare tracks to be released May 19th. The band stops by Chicago on May 13th at Schubas, and May 12th at the not quite as cozy, but still comfortable Lakeshore Theater. Tickets for both shows go on sale Feburary 20th.

    Another added bonus: beginning March 6th, you can vote for which songs will be played at each of the shows on their website.

    Photo by Kim Black from the band's website.

    Michelle Meywes / Comments (1)

    Event Fri Feb 13 2009

    Obey Your Brain presents new Beirut recording, Golden Birthday & more

    A couple of years ago, Zach Condon -- multi-instrumentalist and maestro for the indie band Beirut -- took a detour from his usual Balkan-ized musical fare and ventured into different terrain. Approached to do the soundtrack for a film to be set in Mexico, Condon traveled to a remote village in the province of Oaxaca in order to conduct some musical field research. There he worked with a local ensemble -- a 13-piece Jiminez funeral marching band, to be more precise -- and began crafting a new series of songs influenced by the Oaxacan style of banda music.

    In the end, the film's backers reputedly opted for a soundtrack of the more generically cinematic variety. But the result of the journey was the new Beirut recording March Of The Zapotec, which is now seeing release in its U.S. vinyl edition via the Chicago-based Obey Your Brain label. The album features six tracks of the new Beirut material born from the Mexican sojourn, as well as five additional tracks (grouped under the title Holland) of Condon's bedroom electronics work under his pre-Beirut alias Realpeople.

    Continue reading this entry »

    Graham Sanford / Comments (1)

    Concert Thu Feb 12 2009

    Grab a Date for Coupleskate

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    Poster: Sarah Santi

    Coupleskate today isn't exactly the same as Coupleskate a few years ago. The band has had some personnel turnover and, hence, an evolution in sound and aesthetic. 2006's Trophy EP doesn't seem like the natural predecessor to 2009's Don't Scare the Horses. The former has splashes of a lo-fi Archers of Loaf. The latter has been chiseled into a wrought piece of indie-pop reminiscent of a fuller Blood Red Shoes with hints of Metric (especially in the vocals) and maybe even some Redd Kross. "Laws of Physics" and "The Fringe" kick off the record with stomping beats and spiky guitars that demand a listener's attention. The title track and "Foreign Exchange" drop the musical intensity a notch, but the lyrics remain aggressive and snarky throughout. And there are some very dark moments here, especially in regard to the state of relationships, which makes it totally appropriate that they've decided to put out the album over Valentine's Day weekend.

    On Friday the 13th at the Empty Bottle they'll play the new album from beginning to end, accompanied by Tiffany Kowolski and Mahjabeen Karim on strings. And according to them, "We might have a few [Valentine's Day] tricks up our sleeves." Jade Tree alumnus and Don't Scare the Horses producer Ryan Rapsys (Owls, Gauge) also performs as Euphone. Reds and Blue open, as well. The show starts at 10PM and admission is $8.

    Watch "The Fringe":



    James Ziegenfus

    Feature Thu Feb 12 2009

    The Godfathers' St. Valentine's Day Massacre

    Despite the awful winters, the corrupt politics, and the rising unemployment rate, Chicago is one of the best cities in the world, especially for live music. With numerous acts constantly stopping in Chicago, it's no surprise that important events happen in our fair city. So it was definitely no surprise when seminal 1980s British rock band The Godfathers announced their return to the U.S. for the first time in 20 years would happen at the Metro in Chicago this Valentine's Day. And that the show would be the first St. Valentine's Day Massacre show (a tradition of theirs) outside of London ever. Gapers Block: Transmission had the chance to chat with lead singer Peter Coyne about the upcoming show, music, and what it's like being in a groundbreaking band like The Godfathers.

    Continue reading this entry »

    Lisa White

    Concert Wed Feb 11 2009

    Open Arms, Open Mic At Leadway Every Wednesday

    Normally, I don't go to open mic nights. They're just not my thing. You know you're going to end up with one of two choices at an open mic night. There will either be a group of talentless people plowing through 80s covers and enticing their drunken guests to sing along or you're going to get some musicians that may actually know what they're doing but they play their own stuff and you, the audience member, don't really know how you fit into that equation.

    Of course, this is the part where I tell you about the open mic night that you could go to tonight, instead. Tonight and every Wednesday, the Leadway Bar at 5233 N Damen hosts two guys called The Co-op who, in turn, host an open mic. "Hosting" is, of course, a relative term as the guys get to play a few tunes of their own and halfway through the night, the evening becomes an open mic poetry slam, if you're into that sort of thing. You won't see me on stage for either section, but I can often be found at the bar. On top of your atypical open mic night, you get the drink specials. $2 PBR, $3 shots, $4 bombs, $5 White Russians. I can personally recommend every one of those specials.

    Gavin Robinson

    Concert Tue Feb 10 2009

    D. Rider: Foxhole Prayers & Maternal Hexations

    The presskit that accompanies Mother of Curses, the debut album by Todd Rittmann's new outfit D. Rider, goes out of its way to emphasize that this is not an art-rock record, but rather a record that rocks. Considering that D. Rider is the latest musical outfit headed by Todd Rittman -- former guitarist for the '90s avant-rockers U.S. Maple, and more recently involved in the bands Singer and Cheer-Accident -- the distinction might be warranted. Because let's face it, if what you're wanting is something linear and un-ironic in the way of a conventional rock "song," then Rittmann's probably the last guy in town who's gonna give it to you.

    But D. Rider does indeed rock. Joining Rittmann in the band are Andrea Faught on keyboards and cornet, Mucca Pazza saxophonist Noah Tabakin, and Theo Katsounis (lately of A Tundra) stepping in to take the drummer's seat. And Mother Of Curses finds Rittmann checking much of his affinity for musical abstraction and disjointedness at the door. Over the course of eight tracks, he and his associates doling out a batch of tunes spooled on skulking basslines, some fractured Crazy Horse riffage, and heavy rhythms that lurch and lunge against the moorings. Musically, it's very reminiscent of a certain breed of indie rock animal that used to stalk the expanse of the Midwestern plains back in the early-'90s (specifically that pig-poking subgenus that once made up the bulk of the Touch & Go roster). On the vocals, Rittmann's often in trademark form -- sometimes singing as if he had developed an entire book of style from the fragmented, schizoid narrative that Bowie laid down on "Breaking Glass," at others yammering about who-knows-what like David Yow on an amyl nitrate bender.

    Continue reading this entry »

    Graham Sanford

    Concert Mon Feb 09 2009

    Free Knuckles on Humpday

    House legend Frankie Knuckles will be spinning at Smartbar, 3730 N. Clark, for free this Wednesday, Feb. 11. The show goes on at 10pm; Ralphi Rosario backs him up. Red Bull drinks are on special, since they're sponsoring the gig.

    Andrew Huff / Comments (1)

    Concert Fri Feb 06 2009

    Lykke Li Visits Chicago

    lykke_li.jpgLykke Li is on fire right now. The Swedish pop star brought her music to the US last year courtesy of Bjorn Yttling (yes, that Bjorn) who produced her album, Youth Novels. The starlet's debut made its way onto a lot of year-end "Best of" lists for '08. I must admit, I didn't really like the album the first time I heard it, but now I'm totally getting into her dreamy hopeful ambiance and sugar-sweet vocals. Sometimes all it takes is a second listen...

    After a stint in Europe, she's now on the US leg of her tour and she comes to Chicago tomorrow night. Tickets for the Metro show are still available, but I imagine they won't be for long--I've heard her live show is not to be missed. Wildbirds & Peacedrums open. Tickets are $18 ($20 day of show). Show starts at 8pm. All ages. 3730 N. Clark St. 773-549-0203.


    Lykke Li - "Tonight"
    (Directed by Christian Haag, and shot in one live take in Stockholm)

    Image from the artist's MySpace page.

    Michelle Meywes

    Concert Fri Feb 06 2009

    Lady Sovereign's Lackluster Show at Logan Square

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    A show that falls in the middle of the week is a tough gig in the first place, but add in the wrong size venue and you've got a set up for an unmemorable performance. Such was the bad luck of Lady Sovereign, the cheeky British rapper who exploded on the scene a few years back with a slew of radio friendly pop-rap gems.

    The show was originally scheduled a few weeks back at The Empty Bottle, but due to visa issues the date and venue was changed. This was the first red flag upon entering Logan Square Auditorium last Wednesday night, when a crowd that would have seemed pleasantly packed at The Empty Bottle came off as sparse and awkward. My friend put it best when she stated "it feels like we've crawled out our bedroom window to go clubbing on a school night."

    Continue reading this entry »

    Lisa White

    Concert Thu Feb 05 2009

    Nevermind the Bonbons, Get F*$%#d Up on Valentine's Day

    Despite their dodgy, censor-baiting name, the Toronto-based punk outfit Fucked Up hit the indie-rock mainstream in a big way in 2008. But there's no small irony in the fact that their success arrived when a major shift in the socio-political tide was taking place. The irony was enough to prompt one critic, in a review of the band's latest LP The Chemistry Of Modern Life, to muse: "In times like these, can a band like Fucked Up continue to be relevant?"

    Fair enough. In many ways, Fucked Up adheres to the ethos of classic Reagan-era hardcore punk. In its first-gen, early 1980s prime, hardcore howled -- red-faced and fist-waving -- against the social climate its day; giving the middle-finger salute to reactionary politics, to apathy in the face of injustice, to living in the shadow of potential nuclear annihilation, etc. Since first coming together in 2001, the group has drawn heavily from classic hardcore's spirit of defiance and protest -- from its cathartic bombast, right down to adorning their records (26 seven-inch releases and counting) with graphic references to radical political movements of the past.

    Continue reading this entry »

    Graham Sanford

    Concert Wed Feb 04 2009

    Have No Fear . . .

    It's pretty ballsy to drop the word "supergroup" in one's band bio. Headed by the likes of longtime hip hopsters Gift of Gab, Lateef the Truth Speaker, and producer Headnodic, The Mighty Underdogs feel they've earned supergroup status. If their names alone don't sell it, the sheer weight of alt-hip hop talent that appears on their latest album, Dropping Science Fiction, (including Damian and Julian Marley, Mr. Lif, Lyrics Born, DJ Shadow, Zumbi from Zion I, Tash from the Liks, MF Doom, Casual, and Raashan Ahmad) should definitely lend some credit.

    Catch the Def Jux boys on tour with Galactic this Friday, Feb. 6 at the Vic.

    Kara Luger

    Concert Tue Feb 03 2009

    Tweedy Adds More Solo Dates

    Andrew already clued you in to Jeff Tweedy's upcoming shows at the Vic to raise money for Emanuel Congregation in Edgewater, Near North Montessori, and Kawasaki disease that are coming up on February 13 and 14. What he didn't know at the time (none of us did, really) was that these won't be the only shows that Tweedy is going to be doing for a good cause.

    The Wilco frontman will be hitting the Northeast with shows March 26 in Burlington, VT, March 27 in Northampton, MA, and March 28 in Beacon, NY. Remember, this is a charity show so tickets probably won't be cheap once they go on sale. You can pick them up here. Here's hoping that there are people reading this outside of Chicago that can make use of that info.

    Gavin Robinson

    Concert Tue Feb 03 2009

    Mi Ami to play two Chicago shows, release debut album via Touch & Go

    Daniel Martin-McCormick and Jacob Long of the Bay-area trio Mi Ami once seasoned their chops as former members of the D.C. art-punk ensemble Black Eyes. Judging from the sound of Mi Ami's debut album Watersports, they've brought some of the Eyes' jagged, agitated energy aboard for their latest musical enterprise. Martin-McCormick squeals and shrieks while wrangling out furrows of scratchy riffage and short peels of feedback. All of that aside, the bulk of the unit's focus falls squarely in the rhythmic department -- with the trio tightly interlocked in navigating the turns of their own breed of knotty, spiraling tribal-funk. And while they douse it all down with generous amounts of reverb, their echo-soaked "drum punk" sounds like it owes less to the spliffed-out spaciousnees of traditional Jamaican roots-rocker dub than it does to, say, the delirium of a fever dream. It seems the band's won over its share of enthusiasts. As one scenester put it on a recnt music-blog post, "I never get to shoot any pictures of this band, because I'm too busy dancing during their sets."

    Continue reading this entry »

    Graham Sanford

    Concert Mon Feb 02 2009

    Peachcake Bring Sunshine and Happiness to SubT

    peachcake.jpgThe album art for their latest album, What Year Will You Have the World? looks more like and ad for a children's television program with its bright colors and cartoon images, but it's fitting upon listening to the happiness inside. Peachcake reminds me a lot of the first time I heard Aqueduct back in 2003, with an electronic sound reminiscent of fantasy video games of the 80's. But, their fun, playful music takes on a whole new meaning when you consider what the band has been through in the last few years.

    When the band was flying high selling out shows and getting press, they were confronted with a number of obstacles including the death of singer Stefan Pruett's brother (and Peachcake keyboardist) Alex in September 2007. At this point, John O'Keefe (DJ JohnO) and Stefan (aka Space Panda) decided to press on and use their experiences as fuel. Their mission became to spread positivity and hope and make the world a safer, better, happier place through music and art. They bought themselves out of their record contract so they could self-release What Year Will You Have the World?, and then implemented a series of community events, youth outreach programs, and teen hotlines.

    Tonight Peachcake bring their lively stage show to Subterranean with A Lull and The Wiitala Brothers opening. The show is all ages and starts at 7pm. Tickets are $10. 2011 North Ave. 773-278-6600.

    MP3: "Stop acting like you know more about the Internet Café than me."

    Michelle Meywes

    Concert Sat Jan 31 2009

    "Okay!" - The Foreign Exchange @ Double Door, 1/30

    foreign-exchange.jpg

    Forget AutoTune. Forget singing over rap beats (with apologies to Mary J. and Nate Dogg). Forget where modern day pop R&B is going, and we can talk about The Foreign Exchange.

    Continue reading this entry »

    Troy Hunter

    Concert Fri Jan 30 2009

    It's Business Time

    Word is that the comedy duo Flight of the Conchords will be performing at Arie Crown Theater (2301 McCormick Dr. at McCormick Place) on April 28th. New Zealand's "fourth most popular folk parody duo" recently began the second season of their cult hit show on HBO, which airs Sunday nights at 9pm.

    Tickets are $38.50 and go on sale Feburary 7th on Ticketmaster. So, all you superfans, um, I mean Mel, you know what to do...

    Flight of the Conchords - Business Time

    Michelle Meywes

    DJ / Dance Wed Jan 28 2009

    Like Carl Sagan at 120 BPMs

    It seems the work of Lindstrøm has struck a deep chord with a number of listeners. After the success of his tune "I Feel Space" back in 2005 and subsequent remix work for the likes or LCD Soundsystem and Franz Ferdinand, anticipation had been running high for the Norwegian electronic producer's full-length debut. The debut in question, Where You Go I Go Too, finally arrived via the Smalltown Supersound label this past August -- meeting with unanimously glowing reviews. By year's end, the album was ranked as one of the best releases of 2008 by such publications as XLR8R, Pitchfork, and Dusted.

    When it comes to making electronic music, Hans-Peter Lindstrøm's working process is mostly an organic one. He plays and lays down parts with guitar, keyboards and drums himself; then brings them all together by layering these components into sweepingly panoramic soundscapes. On Where You Go I Go To, tracks sprawl to epic lengths as sonic vistas unfurl and undulate like nebulae over a 4/4 beat. If anything, his sound hails back to the synth-splashed, psychedelic explorations of The Orb and (going further back into the canon) Tangerine Dream than anything from the usual house or techno end of the spectrum. It's an expansive, exploratory breed of electronica that a few critics have dubbed "space disco;" but one could just as easily imagine it accompanying a long helicopter tracking shot from some early '80s Michael Mann flick as, say, providing the soundtrack for the TV edition of Cosmos.

    Continue reading this entry »

    Graham Sanford

    Review Tue Jan 27 2009

    Review: Metallica @ Allstate Arena, 1/26

    It's 2009. Metallica is being inducted to the Rock and Roll Hall of Fame, selling millions of albums, and playing to full arenas. The crowds are a hodgepodge that's discovered the band at various points throughout their much storied career. Books could be (have been?) written about what people have or haven't liked about them during their 28 years. But people adore them. And even those who have some issues with them still go to their concerts.

    metallica001
    Photo by Brian Leli

    At last night's show, the first of two at Allstate Arena near the end of a tour that began in October, Metallica roared out with the first two songs from their latest album before indulging those who apparently shun the band's recent output. (Definitions of "recent" tend to vary, naturally.) Any mention of "new stuff" by James Hetfield was met with lukewarm applause. Even his clever attempts to draw in longtime fans ("We figured out what goes good with the new stuff - old stuff") were met with some hesitancy. But that dissipated as soon as the band tore through the old stuff that almost everyone can agree is good. "Creeping Death" and "Ride the Lightning" back-to-back early on injected some energy into the crowd and kept the momentum rolling for most of the 120-minute set. However, just to show that Metallica can't even please all of their fans, I saw someone roll their eyes for "Master of Puppets" and a stoic girl in front of me texted "I hate this song" during "Enter Sandman." Other than them and some people commenting "Lots of new songs tonight, huh?", everybody seemed pretty pleased.

    Continue reading this entry »

    James Ziegenfus / Comments (4)

    Concert Tue Jan 27 2009

    MySpace Secret Shows Present City and Colour

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    For the past two years, MySpace Secret Shows have been bringing large bands to small venues for free intimate concerts. You may remember Moby's secret DJ set at SmartBar last April. They've also brought such acts as The Cure, The Decemberists, Lily Allen, and even Neil Diamond to clubs around the country.

    This Thursday night, MySpace Secret Shows return to Chicago with Ontario's City and Colour (the acoustic side project of Alexisonfire's Dallas Green). Joining him on the bill is The Color Fred (the side project of Taking Back Sunday's Fred Mascherino).

    The show is Thursday night, January 29th, at the Beat Kitchen, 2100 W Belmont Ave. The show starts at 7 pm and is all ages. It's first come, first served, so plan to arrive early. The first 15 people who bring a printout of their MySpace page with Turbotax in their top friends will get express entry.

    Click below for City and Colour's new music video, "The Girl".

    Continue reading this entry »

    Stephanie Griffin

    Concert Mon Jan 26 2009

    Legendary English Rockers The Godfathers play Metro on Valentines Day

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    On one of the most commercial holidays of the year, you can't beat spending the evening with some good old rock music at a show with the word massacre in it. I can't think of a more romantic sentiments to a sweetheart or a more awesome first date. Add in the factor of being part of music history, and you've got yourself a pretty prolific evening courtesy of the Metro and legendary English rockers The Godfathers.

    The Godfathers were a alternative garage rock outfit from London, forming in the mid 1980's as a beacon of hope in a UK market dominated by New Wave and Electro. The band was bursting with gritty rock that possessed swagger and soul, were known for their explosive live shows, and basically helped lay the foundation for much of the Brit Rock music and movement of the 90's.

    And the band is choosing our fair city for their first US show in 20 years! Also the first St. Valentine's Day Massacre show (a staple of their career, always done in London) ever on US soil. This guarantees that huge music nerds in the Midwest are rejoicing, while those around the world just let out a collective sigh.

    Tickets are $20 in advance and $25 the day of. The show is 18+ and doors open at 8:00 with the band scheduled to go on at 9:00. Grab a pair of tickets and get on your music nerd sweetheart's good side this Valentines Day.

    Lisa White

    Concert Mon Jan 26 2009

    Coltrane Motion Takes It Up with The Boss

    In recent days, the local duo Coltrane Motion leaked a pair of free new tunes via their own website. More specifically, they leaked a pair of cover versions by which band members Michael Bond and Matt Dennewitz offer their own reworkings of the Bruce Springsteen songs "I'm On Fire" and "I'm Going Down."

    Those familiar with CoMotion's fuzzed-out electronic psych-pop might find the choice of cover material a little surprising. As the band explains on their website:

    "After hearing Bruce's cover of a Suicide song ('Dream Baby Dream'), Michael attempted to invert the formula, drowning two of his favorite Springsteen songs in the droning keyboards and mechanical beats that Messrs. Vega and Rev pioneered. But the result doesn't sound much like Suicide or Springsteen..."

    As it so happens, the arrival of these tracks coincides with (1) the release of The Boss' new album, which hits in stores on Tuesday; and (2) Coltrane Motion's performance this Friday evening at Reggie's Music Joint in the south Loop.

    Continue reading this entry »

    Graham Sanford

    Concert Mon Jan 26 2009

    Andrew Bird Adds Another Date At Civic Opera House

    bird_01.jpgYou may remember when I complained that Mr. Bird wasn't showing much hometown love, so consider me speechless after two surprise Hideout shows and then a tour date announced for Chicago's Civic Opera House (which sold out in 2 and a half hours). Now a second show has been added at the Opera House for April 9th. Pre-sale tickets go on sale today at 11am. Once those are gone, they will be available online starting January 31st, or at the Civic Opera House Box office on January 30th.

    Andrew's latest album, Noble Beast, is now available on Fat Possum Records.

    Michelle Meywes / Comments (1)

    Concert Sat Jan 24 2009

    The Beat Kings

    beatnuts.jpg

    Hailing from Queens, The Beatnuts originally got introduced to the music industry by Afrika Bambaata in the early 90s. The duo, composed of JuJu and Psycho Les, immediately garnered attention as producers. Working with such artists as Common, Fat Joe, and MC Lyte, it was only a matter of time until JuJu and Psycho Les decided to try their hand at rapping. 16 years and several albums later, The Beatnuts have cemented their reputation as hip-hop royalty and don't seem to be slowing down anytime soon. Considering the genre has seen super popular acts like Ja Rule, DMX, and Ma$e fade away, it's pretty impressive The Beatnuts have been at it this long.

    This Sunday, Scion is sponsoring a free Beatnuts show at Metro. Doors open at 9pm and attendance is not guaranteed, so don't be late. Also, remember to RSVP on the Scion website. 21+

    Raf Miastkowski

    Concert Wed Jan 21 2009

    Of Carousels and Cats

    RPlive.jpg

    Who's doing what to whom, now? Well, Rick Potts, he of the esteemed Los Angeles Free Music Society (LAFMS) will play playing THIS SATURDAY at Lampo (216 W. Chicago, 2nd Floor) at 9 p.m. $12 at the door.

    Potts is a member of the hippest lot on the west coast throughout the '70s (and beyond), the LAFMS, a group that preciently sucked up gargantuan chunks of avant-garde weirdness, modern classical discipline, pop-cultural flippancy for stodginess, and a love for learning to do things in the most unintuitive way, and mashed them all together into a bundle of color and sound whose reverberations are still being felt. The core of some of the craziest Japanese sound of the late '70s and '80s pledged their allegiance to LAFMS, and today, scenes in San Francisco, Portland (who now host longtime LAMFS'ers Smegma), and elsewhere show strong traces of the then-unheard combination of righteous pursuit of new sound with tongue-lolling cartoon-mallet-to-the-head craziness.

    Potts, a founding member of LAFMS mainstays Le Forte Four, Dinosaurs With Horns, Airway, and Solid Eye, performs a solo set at Lampo. Pieces will include "Carousel of Progress," a piece that promises "an abstracted audio history of technology, inspired by the Walt Disney / General Electric promotional amusement park ride that displayed with human-like robots how life has improved for us each decade because of the invention of new household appliances," performed on "samplers with carousel sounds, musical saw, the "Mando-Bird" hinged-neck electric mandolin, synthesizer and effects." The second piece, "Kaspar," is named after a cat that arrived at the Potts family's back door the day their beloved dog died, is "a freeform mix of chopped up percussive rhythms and synthesizer sounds with pre-recorded, record manipulated, thrift store LPs providing the vocal track" in which "with a little help, the machines play themselves."

    This musicially colorful event, Potts's first performance in Chicago, will go down at 9 p.m., and will cost $12 at the door. A previous appearance by LAFMS alum Joseph Hammer during Lampo's 2007 season was astounding, touching, and quite possibly one of the best shows I've ever seen. I'm equally excited for this one, and I hope you are as well.

    Chris Sienko / Comments (1)

    Concert Wed Jan 21 2009

    Leave your body and soul at the door...

    DeadMachines.jpg

    Who: Dead Machines, The Haunting, Bruce Lamont, Folk & Violence, Face Worker
    Where: The Mopery, 2734 N. Milwaukee
    When: Friday, January 23, 9:00 p.m.
    How much: $5

    What: Back around 2000, right around when John Olson (he of the 800 releases-and-counting American Tapes label, as well as umpteen projects like Spykes, Universal Indians, Weapons, Full Scales, Graveyards, etc.) joined Wolf Eyes, spearheading an atomic fireball of new energy into an already great band, he started another project that at the time met with a bit less fanfare, but which has grown into one of the best noise/improv duos on the planet. Dead Machines, a project between Olson and his wife, Tovah (she also of Wooden Wand and the Vanishing Voice, Tovah D-Day, the Jasons, and others, and proprietor of the Tovinator label), churned out a steady torrent of top-qual basement brain gargling, not only on the hyper-prolific American Tapes, but labels like Hanson, Ecstatic Peace!, Hospital, and Troubleman.

    Continue reading this entry »

    Chris Sienko

    Concert Wed Jan 21 2009

    Return of the Disco Biscuits (Plus Contest)

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    Philadelphia's The Disco Biscuits got their start playing the party scene at UPenn in the mid-90's. Now over a decade later, they've created a loyal, dedicated fan base of die-hards touring the jam band circuit with their mix of electronica, jazz, and rock, dubbed trance-fusion. You may remember them from Lollapalooza 2006 or touring with the likes of Umphrey's McGee. They're known for their long, intense sets, like all jam bands, and they never play a song in the same way twice - performing parts of their songs at different points throughout their set and even playing songs backwards. Their fans call their unique style for converting studio tracks into groovy live performance as "bisco" — a method that makes each live show by this band a unique experience. In taking such risks, their live act can be hit-or-miss, sometimes a bit self-indulgent but other times you'll leave their show with your jaw on the ground, making it a risk worth taking.

    The band had taken a break in 2008 from the constant touring that is their norm to record their first studio album in seven years, release date to be determined. It's been over a year since The Disco Biscuits have played in Chicago, but you can catch them continuing to build the bridge between the jam band and dance world this Saturday at the Congress Theater. Joining The Disco Biscuits on Saturday is Philadelphia's underground hip hop DJ/producer RJD2, who is also putting the finishing touches on a new album, and IDM artist Prefuse 73, who you may remember from Wicker Park Fest this past summer.

    Catch all three acts this Saturday, January 24th, at the Congress Theater, 2135 N. Milwaukee Ave. Tickets are $25 and can be purchased here. The show starts at 8 p.m. and is 18+. Stick around after the show for DJ sets by Skyler and Derek Specs in the lobby of the Congress.

    Free Tickets Contest! The first two readers who email us at contests (at) gapersblock.com with the subject line "Disco" will each win themselves a pair of tickets to the show on Saturday at the Congress Theater! Update! We have our winners! Congrats to Mark and Dave.

    Click below to watch TDB's music video for "World is Spinning" from the album The Wind at Four to Fly.

    Continue reading this entry »

    Stephanie Griffin

    Concert Mon Jan 19 2009

    Liveblogging the Big Shoulders Ball

    Transmission had a couple friends head to D.C. for the Inauguration festivities and of course they were excited to visit The Black Cat to check out the Hideout's curated Big Shoulders Ball. Tonight's entertainment includes the following exciting lineup (lineup times EST):

    Judson Claiborne (7:30)
    Freakwater (8:00)
    David "Honeyboy" Edwards (8:30)
    Icy Demons (9:10)
    Ken Vandermark (9:35)
    Tortoise (10:00)
    Andrew Bird (10:30)
    Thomas Frank (11:00)
    Waco Brothers (11:05)
    Ted Leo (11:30)
    Eleventh Dream Day (12:00)
    Jon Langford w/ Sally Timms (12:30)

    (Liveblogging times Central)

    Continue reading this entry »

    Anne Holub / Comments (7)

    Concert Thu Jan 15 2009

    Waco Brothers play The Bottom Lounge January 21st

    WacoBros

    Bloodshot Records rollicking punk rock infused country band is warming up Wednesday next week when they play the DogFloydAPalooza festival at the Bottom Lounge.

    The evening is a collaboration between Dogfish Head and 3 Floyds breweries to celebrate all of their excellent brews. The festival will be in the Volcano Room at the Bottom Lounge and also rocking that evening will be Big Science, who made many a local year end list with the recent release of their EP The Coast of Nowhere.

    If you haven't yet witnessed the greatness known as a Waco Brothers show, Wednesday would be a perfect excuse to drag yourself out in this snow and thaw off with some high energy kick ass tunes while throwing back some quality brews. And nothing warms you up more than a decent amount of alcohol.

    DogFloydAPalooza is Wednesday, January 21st. The Bottom Lounge is at 1375 W. Lake Street. Tickets are $10, the show is 21+ and the doors open at 9:00pm.

    Lisa White

    Event Thu Jan 15 2009

    Blogging Big Shoulders

    Hey trusty reader! Are you headed to D.C. for the inauguration? Are you also lucky enough to have a ticket to the Hideout's sold out Big Shoulders Ball (featuring scads of Chicago talent) at Black Cat on Monday night? If so, and you'd like to do some live blogging (or text messaging, or photography) for Transmission, give me a shout! Email me at transmission {at} gapersblock {dot} com with the subject line "Big Shoulders".

    Anne Holub

    Benefit Wed Jan 14 2009

    Another Chance to See Kings of Leon Next Week

    kol header.jpgThought you couldn't go to the Kings of Leon show at the House of Blues next week because it was sold out? Think again. A limited number of tickets will be released for sale this Friday at 5pm on Ticketmaster. Tickets will be $200 for general admission and $250 for VIP. If this sounds like a lot, consider that you could be paying $300 to $500 on Craigslist for the same ticket, and half that profit would be going into somebody's pocket instead of to the kids at the University of Chicago Comer Children's Hospital. Proceeds will benefit pediatric cancer treatment and research at Comer.

    The Dare 2 Dream concert is presented by The Lisa Klitzky Foundation and takes place next Saturday, January 24th beginning at 6pm. The Whigs and The Jakes will open for Kings of Leon. The House of Blues is located at 329 N. Dearborn. 312-923-2000. All ages.

    Michelle Meywes

    Benefit Wed Jan 14 2009

    Tweedy Doing a Solo Show to Benefit a Synagogue, School & Disorder

    Jeff Tweedy is playing two solo shows at The Vic February 13 and 14 to benefit three things close to his heart: Emanuel Congregation in Edgewater (his family's synagogue), Near North Montessori (his children's school) and Kawasaki disease prevention (teen blogger Spencer Tweedy suffers from the disease; Wilco and Tweedy have played benefit shows for the disease in the past.)

    A certain number of "Golden Circle" tickets have been held for parents from the school and Emanuel members for $250. General admission tickets go on sale this Friday, Jan. 16, at noon via Ticketmaster or at the Vic box office, 3145 N Sheffield. Early reports pegged general admission at $150 a pop, but Ticketmaster lists them as $100.

    Andrew Huff / Comments (1)

    Concert Mon Jan 12 2009

    Department Of Eagles @ Schubas, Tomorrow Never Knows 2009 Fest, Thursday

    Here's the humble beginnings. Six years ago, when Department Of Eagles were calling themselves Whitey On The Moon U.K., one wouldn't have guessed that they were likely to evolve into any sort of Big Indie Darling Thing.

    When the songwriting duo of Daniel Rossen and Fred Nicolaus first started collaborating, they were a couple of NYU dormmates -- bored college kids farting around with a sampler, making silly beat compositions with fragments of Gil Scott-Heron, bits of classical Indian music, and snippets from old Steve Martin comedy records. By the time they got around to recording a debut LP in 2003, they'd grown more serious about songwriting and musicianship and aimed to make a proper pop album. The result was a wonderful and brilliantly eclectic collection of songs that were likely to provoke dancing, laughter, or -- in a few cases -- that were just flat-out beautiful. By the time the album became something of a creeping indie-world fave (thanks to its belated U.K. reissue), Rossen had drifted off to find greater success as a member of the band Grizzly Bear; for a time leaving the status of DOE in suspended animation.

    Continue reading this entry »

    Graham Sanford / Comments (2)

    Event Mon Jan 12 2009

    Tomorrow Never Knows at Schubas

    tnk_logo.jpgIt's a fact that "tomorrow never knows."You can never predict what the future will bring, although you can try. Schubas will attempt to do just that, or at least offer you some candidates for the future of indie music. Tomorrow Never Knows is a festival presented each winter at Schubas and showcases some of the up-and-coming musical acts from all over the country, including Chicago. The Soft Pack, Department of Eagles (see our preview here), Cursive, Hey Champ, and Bishop Allen are just some of the bands appearing. The festival begins this Wednesday, January 14th and continues through Sunday, January 18th. Tickets for each night are $15 and can be purchased at Schubas' website, where you can also purchase a 5-day pass good for entry to every show for $55 (UPDATE: 5-day passes have sold out). Thursday and Friday individual tickets are already sold out, so act fast if you want to see any these acts in the home-y confines of Schubas before you're stuck seeing them in a larger venue...

    Schubas is located at 3159 N. Southport. All shows begin at 9pm and are 18 & up.

    And for a glimpse a little further into the future, don't forget to see the Paul Green's School of Rock students present British Invasion on Saturday and Sunday afternoon at 2pm. Tickets can be purchased separately for $10 ($15 at the door), but admission is included if you opt for the 5-day pass.

    The full lineup is after the jump.

    Continue reading this entry »

    Michelle Meywes

    Concert Wed Jan 07 2009

    Ted Leo Goes To Washington

    13_photo_patio.jpgBarack Obama's Presidential Inauguration in DC is fast approaching, and that also means that The Hideout presented Big Shoulders Ball is coming up as well! The lineup was already stacked, but since the initial announcement, there have been some big additions: Andrew Bird (who will likely be playing material from his much anticipated Noble Beast--out on Inauguration Day) was added shortly after the announcement, and now Ted Leo (on Chicago's Touch and Go label) has joined the party. The Hideout is calling him their "ambassador" to DC since they say The Black Cat his "home club." Author and U of C alum Thomas Frank ("The Wrecking Crew," "What's the Matter with Kansas," The Baffler) has also been added as a special guest, and The Hideout promises that there's still more to come. If you're even thinking about going to the Capital for the inauguration, I'd get my hands on these tickets fast because they're bound to sell out.

    The Big Shoulders Ball takes place the night before the inauguration (Monday, January 19) at The Black Cat in Washington DC (1811 14th St. NW WDC 20009). Tickets are $50. You can get them from The Black Cat's website, or pick them up in person at The Hideout, 1354 W. Wabansia, 773-227-4433. (UPDATE: The ball has sold out.)

    Michelle Meywes

    Concert Wed Jan 07 2009

    Lambchop Before or After Dinner on January 24th

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    Lambchop is a band that seems to, somehow, fly under everybody's radar until they're pointed out by somebody from Nashville. It's a shame, too, because the very large group has some extremely talented members and some incredibly wonderful music. Led by Kurt Wagner's often unexplainable lyrics, the band has a knack for finding their way into my musical rotation often. Being that they're from Nashville, your first thought might be to lump them in the country or folk music category, but their sound is ever-expanding and difficult to define. Their latest album, OH (ohio) is a whimsy tale that goes from interested, to unhappy, to excited, and back to interested. That doesn't make much sense, but if you'd like to see them and attempt to give a better description to their sound, may I invite you to see Lambchop at the Old Town School of Folk Music on January 24th at 7:30 PM. Tickets are $20 and still available.

    Gavin Robinson

    Concert Wed Jan 07 2009

    The Sovereign Lady is Back

    ladysovereign.jpgHere's a late announcement to get excited about: Lady Sovereign is scheduled to play The Empty Bottle on Wednesday, January 28th. UPDATE: The show has been rescheduled for Feburary 4th at Logan Square Auditorium. Tickets from the original show will be honored.

    The last time we saw the 5 ft 1 English rapper was at Lollapalooza in '06 rocking hits from her debut album Public Warning, and chugging and spitting on whoever--and she hadn't even hit 21 yet. She's been down for a couple years working on her new album, Jigsaw, set for release in April. Always the rebellious girl, she left JayZ and Def Jam and started her own label, Midget Records (under the EMI umbrella) in order to have more control. Now she's come into her own and doing things her way. Seeing Lady Sovereign at a venue as small as the Bottle is an opportunity you might not see again...

    For a taste, go to her website to download "I Got You Dancing" for free.

    The show starts at 8pm and tickets are $12. 1035 N. Western Ave. 2539 N. Kedzie. 21+ All Ages. Call 773-276-3600 with any questions.

    Michelle Meywes / Comments (4)

    Concert Mon Jan 05 2009

    Fujiya & Miyagi Light-up Chicago

    FujiyaMiyagi.jpgThe first time I saw Fujiya & Miyagi in concert, I almost thought they were joking with their funky krautrock shtick, but the gig didn't stop and I actually started digging it. You've probably heard the heavy baseline from their song, Collarbone, in that Miller Light "Beer Heaven" commercial. Their third album, Lightbulbs, was released in September and is a continuation of the same groovy tracks from 2006's Transparent Things. Fujiya & Miyagi make another stop in Chicago on Thursday, February 12 at Bottom Lounge (1375 W. Lake). Brooklyn trio School of Seven Bells will also play. Show starts at 9pm. Tickets are on sale now for $16 ($18 day of show). 18 & up.

    Michelle Meywes

    Concert Mon Jan 05 2009

    The Dandy Warhols, New Years Eve @ Metro

    ZiaDandyWarhols
    New Years Eve celebrations are usually decadent affairs. The Dandy Warhols made sure that the Metro was no exception this year when they rolled into town with their catchy brand of psychedelic pop to set off the start of 2009.

    Continue reading this entry »

    Lisa White

    Concert Mon Dec 29 2008

    Kid, You'll Move Mountains @ Metro (CD Release)

    KYMM_Cover1.jpgTruly independent music has an urgency that you don't always find in major label or even indie label releases. Perhaps it is the fact that the band has something more substantial invested or that they are more focused on each step of the process, but as you listen to the debut album from the suburban band Kid You'll Move Mountains you can feel that urgency. Formed from the ashes of Lookout! Records Troubled Hubble, KYMM has been playing together locally since 2006. Members Jim Hanke, Corey Wills, and Nina, Andrew and Nate Lanthrum, see 2009 as their opportunity to launch their sound and their new self-released album Loomings into the national eye.

    Loomings is a mixture of the indie pop and alt-country with the kick being the alternating vocals by Jim and Nina. When the two trade off lead vocals, as in the lead single "Volts", the results are, well... electric. In other songs like "Inside Voice", the two lay their melodies over an aggressive bed of piano pop. To keep the album local the band enlisted local designer and musician Marky Hladish of The Felix Culpa and Venna and his company MidwestLove Art & Design to work on the cover. The result is an album that is a visually appealing as it is musically, and an album that the band will officially be launching with a release party this Friday, January 2nd at the Metro with three other great up and coming Chicago bands. Joining them that night will be The Sapiens, Picture Books (who are also releasing a new ep that night), and Pool of Frogs. Tickets are $8 and the show starts at 9:00pm.

    Jason Behrends

    Concert Sun Dec 28 2008

    Last Free Monday Show Tomorrow @ Empty Bottle

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    If you are like me (and a few million other folks) you spent the past day or so traveling back home from numerous Holiday celebrations. And what better way to burn off the 12 glasses of eggnog you drank and get back into the swing of city life then to catch a free show tomorrow night.

    The Empty Bottle will be presenting their last free Monday show of the year tomorrow night at 9:00pm with Chicago indie-pop protégés Raise High the Roof Beam.

    The eclectic five-piece create charming and infectious pop music while utilizing an array of instruments from synthesizers to banjos, ukuleles, and mandolins. An explosion of sound dissolves into earnest lyrics, creating some incredibly catchy multi-layered songs. Also the band compares their sound to "The Arcade Fire meets The Muppets," and anything remotely involving Muppets is alright in my book.

    The Empty Bottle is at 1035 N. Western Ave. The show is free (hence Free Monday show) and also playing will be The Black Fortys and Soft Speaker.

    Lisa White

    Concert Fri Dec 26 2008

    This Party Goes Dark For NYE


    Elliot Lipp and Leo123: Shooting out the lights

    If you've yet to finalize your plans for New Years Eve and you'd like an evening of electronic music with a less hefty cover charge, you can head over and catch The Abbey's NYE billing of eclectic grooves featuring performances by Future Rock, Daedelus, and Dark Party.

    Dark Party is the duo of Elliot Lipp and Leo123, and exists as a side-project for Lipp's when he's not recording and performing solo. While based in New York, Lipp comes through town fairly frequently -- partially because he likes playing in Chicago, and partly because Chicago is presently the home of his Dark Party colleague, West Coast transplant Leonardo Ciccone. Reputedly, the duo's recorded a debut album that'll be coming out on the Mush label some time in 2009. Unlike the sleek, chrome-plated sheen of Lipp's usual style of electronica, Dark Party offers a doper, more bumpin' ride; with Lipp laying down the bleeps and textures as Leon punches out labyrinths of twisting rhythms that owe more than a little to the pop-locking 808 beats of oldskool hip-hop and electro-funk pioneers like Mantronix and Newcleus.

    Continue reading this entry »

    Graham Sanford

    Concert Tue Dec 23 2008

    Sax Showdown @ The Green Mill Friday and Saturday

    If you're looking for something to do other than (or while) drinking yourself into a coma in the dark and lonely days after Christmas, you can see a genuine Chicago master of the tenor saxophone, Von Freeman, square off with Edward Petersen (of Covington, LA) on saxophones at The Green Mill this Friday and Saturday. The 86-year old Freeman is a local institution, having been active in Chicago jazz since the early '50s and playing with luminaries like Charlie Parker, Sun Ra and Rahsaan Roland Kirk. The Mill itself is one of the few pieces of Chicago jazz history that predates Freeman; it's the perfect room for the kind of intense, intimate performances that these shows should prove to be. 9pm Friday, 8pm Saturday; $12 cover; 4802 N. Broadway.

    Erik Cameron

    Benefit Fri Dec 19 2008

    Metro's Home for the Holidays

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    What better way to spend the holidays than to see some great live music and give back to the community? The Greater Chicago Food Depository distributes donated food to almost 500,000 adults and children in need per year. This year, the Metro is teaming up with the Chicago Independent Radio Project (C.H.I.R.P.) for a series of concerts to benefit the food depository. Concert-goers are encouraged to bring canned food items to the show, and on December 22nd a canned food item will get you $3 off the ticket price of the show!

    Home for the Holidays kicks off tonight with The Hush Sound, Treaty of Paris, and This is Me Smiling, and runs until December 28th with the Midwest Ska Fest. All shows will be at the Metro, 3730 N. Clark Street. Tickets will be available at the Metro box office.

    Please note that the Greater Chicago Food Depository is most in need of canned chicken and tuna, canned corn beef, canned fruit, canned vegetables, dried or canned beans, fruit juice, jelly, macaroni and cheese, pasta, peanut butter, rice, and whole grain cereal.

    Come check out what's new in the Chicago music scene while giving back to those in need. Full schedule to follow.

    Continue reading this entry »

    Stephanie Griffin

    Concert Thu Dec 18 2008

    Friday Night Show: Golden Birthday @ the AV-aerie

    Chances are that if you haven't heard Golden Birthday play live during any of their recent appearances around town, you might've heard their name of late. On the eve of the release of their debut album, they've been getting some heads-up attention (see here and here) in the local press. If any of that's made you the least bit curious, tonight's your opportunity as they play at the AV-aerie performance space in the West Loop this Friday evening.

    Golden Birthday's sound is a distinctively moody one -- languid, dreamy, drenched in a reverb haze, a bit tenuous, tinged with filigree and shadow. Anyone who was once familiar with the proto-shoegaze of Felt or a number of artists that graced the 4AD roster back in the mid-'80s will probably experience a pleasant sense of déjà vu, and those with less seasoned ears will no doubt find Golden Birthday's music strikingly unique. Also on the bill for Friday's show are local fauve-folk favorites Bird Names and the blippy, tribal abstractionists of the Mahjongg satellite-project Waterbabies. 2000 W. Fulton. Admission is just $5, and the doors open at 9:30 PM.

    Graham Sanford

    Concert Thu Dec 18 2008

    The Scotland Yard Gospel Choir Holiday Spectacular (& Really Quick Contest!)

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    Chicago's own Scotland Yard Gospel Choir has been making waves opening for the likes of The Arcade Fire, Spoon, The Violent Femmes, and Of Montreal. This chamber pop collective mixes dark humor with an eclectic mix of instruments and styles, at times sounding like The Ramones hired a backing orchestra, and at other times straight-up Belle & Sebastian-influenced folk. They're currently finishing up a new album, due out in the spring, and will be ending 2008 headlining a show at the Double Door tomorrow night. SYGC's shows are always high-energy, which is almost inevitable for a band of this size in an intimate venue like the Double Door but is mostly due to their strong attention to detail and effort put into their live act. This is surely a show you will not want to miss.

    Catch SYGC this Friday, December 19th, at the Double Door, 1572 N. Milwaukee Ave. The show starts at 9 pm, but arrive early because the first 100 people through the door will receive handmade buttons and mix CDs from the band. Tom Schraeder and His Ego, The Fabulous Putterbaugh Sisters and DJ Screeble Dee will open. As always, the Double Door is 21+. Tickets are $10 and can be purchased online here or at the Double Door box office.

    Really Quick Contest! One lucky reader can win a pair of tickets to the Scotland Yard Gospel Choir show tomorrow, Friday 12/19 at the Double Door. Just be the first to email us at contests (at) gapersblock (dot) com with the subject "La La La" and you and a friend can have sweet night of free entertainment, courtesy of Bloodshot Records. UPDATE: We have a winner! Congrats to Brandon!

    Stephanie Griffin

    Contest Wed Dec 17 2008

    Have a Dandy New Year's Eve

    DandyWarholsNYE.jpgWhat are you doing on New Year's Eve? If you haven't made up your mind, here are two opportunities to have it made for you.

    The Dandy Warhols are going to be performing at the Metro's NYE party, with Robert Been of Black Rebel Motorcycle Club DJing to open. The show is 18 and over, and doors open at 9pm. Tickets are $55 in advance ($65 at the door), or $125 for VIP, which get you special seating, four free drinks and limited edition posters.

    The Metro is running a contest to upgrade one lucky ticketholder and three of his or her friends to VIP status. All you have to do to enter is purchase your tickets by Saturday, Dec. 20. Winners will be announced on Monday the 22nd.

    But that's not all! The Metro has also given Transmission two pairs of tickets to give away! Enter to win by emailing contests[at]gapersblock.com with "NYE" in the subject line; include your full name in the body of the email. We'll select two winners from the entries on Friday, Dec. 19, so that if you don't win you still have time to enter the Metro's contest. Update! We have our winners! Congrats to Kit and Aubrey!

    Good luck!

    Andrew Huff

    News Wed Dec 17 2008

    The Hideout Brings Chicago to the Inauguration

    If you've got plans to go to DC (and a place to stay...) for Obama's Presidential Inauguration, you can celebrate the night before with the folks from The Hideout at The Black Cat where they, with Interchange, present The Big Shoulders Ball: a Chicago concert celebrating change. Hideout co-owner and staunch Obama supporter (as is evident by the ENORMOUS picture of Obama hanging on the front of The Hideout), Tim Tuten, has chartered two buses to take the bands and company on the cross country trip. Why am I getting a feeling of America ala 60s full of VW buses, hippie braids and peace signs... Anyway, the lineup is stacked; Tortoise, Waco Brothers, Ken Vandermark and Icy Demons are among the local artists already slated to play. Tickets go on sale today at 4pm and are $50. You can get them from The Black Cat's website, or pick them up in person at The Hideout (1354 W. Wabansia). (UPDATE: The ball has sold out.) The exact date of the show is Monday, January 19 (just in case you've been living under a rock and hadn't heard when Obama would take over as Commander in Chief). The Black Cat is located at 1811 14th St. NW WDC 20009.

    **UPDATE** Andrew Bird has been added to the line-up as well!

    Michelle Meywes / Comments (1)

    Concert Mon Dec 15 2008

    Medulla Obbligato

    Owned and operated by the crew at the Shape Shoppe studio and members of affiliated groups Icy Demons and Chandeliers, the recently-launched Obey Your Brain label aims to showcase the work of the Shoppe's allies, associates, and fellow travelers alike -- of adventurous musical artists from Chicago and from across the country. This Tuesday evening, the folks at OBY take the venture one step further as they kick off a series of monthly events that will be hosted by Sonotheque.

    The lineup for the first show of the series features a headlining set from the Mahjongg side-project Waterbabies, and DJs Alex Valentine and Smart Cousin are scheduled to spin. Piling onto the bill at the eleventh hour are DJ HoloGram Trav (of the band Killer Whales) and a set from Warhammer 48K offshoot CAVE. Word has it that Nashvillian underground hip-hop emcee Count Bass D, who recently recorded some new material to be released via Obey Your Brain, might -- repeat: might -- also be in the house. Admission is free and doors open at 9 PM. 1444 W. Chicago Ave.

    [video]: Waterbabies - "Whoop Draft"
    [video]: CAVE - live at Heaven Gallery, 2007

    Graham Sanford

    Concert Sat Dec 13 2008

    Sunday night jazz in Hyde Park (and no, Obama's probably not there)

    jimmys.jpg
    What with Hyde Park's recent high profile, Jimmy's (aka "The Woodlawn Tap"; don't be fooled, nobody calls it that) has been fêted by everyone from local CBS news to the New York Times. It is, for better or worse, in good times and bad, Hyde Park's neighborhood tavern. And if you can successfully dodge the undergrads on the way in, the back room is pretty excellent Sunday night music destination.

    Since time immemorial, they've been hosting a Sunday evening jazz session back there. The cast of characters is ever-rotating, but the basic combo centers around Curtis Black (trumpet) and Doug Mitchell (drums), who have been at this for longer than anyone really knows. Their tastes run to pretty classic stuff: think Sonny Rollins, Monk, '50s and early '60s style Miles Davis, etc. The musicians are different every night, but you're usually in for good guest spots on sax, keys, and guitar, particularly in the second set, when the band stretches out a bit. The acoustics aren't great, but the dark-room-and-stiff-drinks factor is not to be underestimated. The music starts around 9pm (there's usually a blues session earlier in the afternoon) and there's no cover, but it's good form to drop something in the tip jar when it comes your way. Jimmy's is at 1172 E. 55th St., at Woodlawn.

    Erik Cameron

    Concert Fri Dec 12 2008

    Maps & Atlases @ Subterranean

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    You and Me and the Mountain, the newest EP by Chicago progressive math rockers Maps & Atlases, is the type of album you can listen to again and again and still find a new aspect of each song with every listen. And you will want to hear them again and again, as their endearingly quirky sound quickly becomes addictive. This band is able to create chaos in such a way that sounds natural and beautiful without ever becoming over-indulgent. I've been meaning to catch these guys live for quite some time now, as it would be interesting to see their complex music translated into a live format. I am expecting the vivacity and enthusiasm in their music to translate well on stage during their headlining show at Subterranean this Saturday. If you like smart, complicated music that is still catchy, this is a show not to miss!

    Maps & Atlases will be playing tomorrow night, December 13th, at Subterranean, 2011 W North Ave. Tickets are $12 and can be purchased here. The show is all ages and starts at 8 pm.

    Check out a video showcasing their unique manipulation of the guitar in the song "Ongoing Horrible" after the jump.

    Continue reading this entry »

    Stephanie Griffin / Comments (1)

    Concert Fri Dec 12 2008

    The Bravery @ The Metro: An Honest Mistake?

    TheBravery

    It's never a good sign when a lead singer reveals "we haven't played a show in a long time" to a packed crowd during the second song of a set. But this is the type of obstacles you encounter when attending a corporate and free concert.

    The Bravery played to a large throng of fans (and fans of free stuff) at The Metro Wednesday night in honor of Puma turning 60 years old. Now there are always pro's and con's to attending a free sponsored concert. Sometimes the music will lack quality (thankfully not the case Wednesday night), sometimes their will be annoying adverts for the sponsor (Puma kept the in your face advertising still present yet to a minimum, a much appreciated gesture), and then the fact you are seeing a show that people didn't pay for, so much of the audience may not be fans of the band at all. These multiple factors played into a very long and strange night that I spent Wednesday with The Bravery.

    Continue reading this entry »

    Lisa White / Comments (1)

    Concert Fri Dec 12 2008

    Don't Sleep on Obits

    Rick Froberg's history has warranted a pretty decent following. However, that's not to say he takes advantage of it by doing anything weak. His various music projects speak for themselves and his design work is almost universally lauded. The man clearly understands how to not take a project too long. None of his bands have ever outstayed their welcome. From Pitchfork to Drive Like Jehu to Hot Snakes, he and John Reis have always been an excellent team to deliver aggressive rock'n'roll music.

    Now without his longtime collaborator in Reis, Froberg's new band Obits has been generating buzz since playing their first show in New York earlier this year. Their only release so far is a single ahead of 2009's full-length record. While the sound is more melodic than its predecessors, it's not a huge departure from Hot Snakes' post-garage rock urgency and Froberg's vocals still carry a distinct desperation.

    Obits open for Constantines, who absolutely slay live, at the Empty Bottle tomorrow evening. The show begins at 10PM and admission is $12. Light Pollution also plays.

    James Ziegenfus

    Concert Thu Dec 11 2008

    The Smashing Pumpkins Come Home

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    If The Smashing Pumpkins are now irrelevant has-beens, the thousands who bought tickets to their five sold out shows - their first proper Chicago shows in eight years - must have missed the memo. I attended the first night at the Chicago Theater, the add-on night at the Aragon Ballroom and the final show at the Auditorium Theater, and each concert was a completely unique experience. I feel I must preface this review by saying that The Smashing Pumpkins are the band that made me begin to love music for the first time when I was 11 years old, and therefore I frequently romanticize this band. That being said, I was a bit apprehensive about Smashing Pumpkins v. 2.0 and feel that Zeitgeist was over-produced and lacked the personality that made the original band so great. Still, of the three nights I saw them in Chicago, they put on a good 2.5 solid performances.

    Continue reading this entry »

    Stephanie Griffin / Comments (7)

    Concert Thu Dec 11 2008

    Bring in 2009 with Justice (& Really Quick Contest)

    We like Justice at Transmission. (And, for the record, we liked that other Justice too.) They've graced our city a few times and given us some good memories from their thump-driven performances. From Smartbar to Metro to the Riv, they've worked their way up the venue ladder and become better showmen as their popularity has skyrocketed over the years. In a few weeks, the French electro duo will put on their biggest Chicago party yet with a New Year's DJ set at the Congress. It may hark back to a time when their claim to fame was remixing Simian and Britney Spears or it may go in a completely different direction. They probably don't even know until five minutes before they hit the stage.

    Their Ed Banger labelmates So Me and local trio Hey Champ will open, as will numerous local DJs. (Oh, and Peanut Butter Wolf too!)

    And because we at Transmission appreciate our readers so much, we're giving away a pair of tickets to what'll obviously be one of the most fun ways to bring in 2009. Just be the first to email us at contests (at) gapersblock (dot) com with the subject "Justice!" and you'll be the lucky winner of a pair. For those who don't win, the show runs from 7pm to 3am and tickets are $60. The Congress is located at 2135 N. Milwaukee. UPDATE Hold the phone! We have a winner! Congrats to David.

    James Ziegenfus

    Concert Wed Dec 10 2008

    Big Sciene EP Release Show Friday @ The Hideout

    BigScience

    Looking for something to do Friday night? Craving a bit of New Wave for a change? Then head over to The Hideout for the EP release show for local act Big Science.

    Big Science was formed in 2007 out of the ashes of a former band, and just finished their new EP, The Coast of Nowhere. The EP offers up some dreamy New Order/Joy Division-esque tunes, and at this point should probably already have an opening slot for The Killers on their next tour. Not the usual sound that comes out of much of the Chicago musical landscape, The Coast of Nowhere is a very strong, heavy, and infectious release.

    The Gunshy will also be playing and then following the show will be a DJ set from Tankboy.

    Show starts at 10 p.m. and is $8. As always, The Hideout is 21+

    Lisa White / Comments (1)

    Concert Wed Dec 10 2008

    Andrew Bird at The Hideout this weekend?!

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    Our friends over at Chicagoist just broke the news that hometown hero Andrew Bird has two shows listed on his site at The Hideout on December 14th and 15th.

    I'm assuming it's a last minute surprise, since it's not actually listed on The Hideout's website.

    And even more odd, according to Ticketweb, the shows are already sold out. What is going on Andrew Bird? Stop teasing and confusing us!

    The shows are 21+ December 14th and 15th at 8 p.m. I'd suggest heading over to Craigslist and try your luck at finding at ticket!

    Lisa White / Comments (2)

    Concert Mon Dec 08 2008

    Sexual Healing

    Have any idea what it sounds like when sexy robots make sexy love? I imagined a lot of creaking and clanging, but I think Sebastien Tellier has a much better idea on his latest album, Sexuality. With ample production help from Guy-Manuel de Homem-Christo of Daft Punk, the trilingual singer (French, Italian, and English) nails French dance pop, adding his own disarmingly heartfelt lyrics to the robo-beats. And best of all -- dude looks like a thinner and slightly better-dressed Rick Rubin. What a country!

    Check Tellier's thick rhythms, romantic songwriting, and bushy beard at his show at Schubas on Tuesday, Dec. 9. Local electro-heads Hey Champ open.

    Kara Luger / Comments (2)

    Concert Mon Dec 08 2008

    Kristin Hersh, Daniel Knox at Old Town School

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    It's by no means the strangest opening act/headliner pairing I've seen, but Daniel Knox isn't the first person I would think of to open for Kristin Hersh, particularly the Kristin Hersh of The Shady Circle, her current show. Now, let's be clear about two things: first, I'm not saying it was a bad pairing; second, I tend to think about stuff like this (to excess) in purely musical terms, even though I realize that the vicissitudes of touring often make strange bedfellows.

    Continue reading this entry »

    Erik Cameron / Comments (2)

    Concert Sat Dec 06 2008

    Fall Out Boy Rocks The Chicago Theatre

    FallOutBoy2
    photo by Javier Ayala / Fuse 2008

    It's always nice to travel back to your hometown, and probably even better if your playing in one of the most successful current rock bands to a sold show for a concert that is being taped to air on television. So is the life of Fall Out Boy, the punk pop hometown heroes that returned to their roots and rocked out The Chicago Theatre Tuesday night. The show was brought to town by Fuse television in celebration for the guys' new album Folie à Deux, which is out December 16th, the same day the concert will air on Fuse.

    Continue reading this entry »

    Lisa White / Comments (5)

    Concert Fri Dec 05 2008

    The Loneliest Monk Haunts and Enchants

    theloneliestmonk.jpgIf you're looking for something to do tonight, think about heading over to Bottom Lounge for a concert that's a little different than the usual rock show. He is a member of local indie rock band All Things Lucid and runs Kilo Records. She is a master cellist who has played with Phillip Glass, Kanye West, and even the Foo Fighters in their 2008 Grammy Awards performance. Together, Miles Benjamin and Michelle Morales form the experimental duo The Loneliest Monk. Their cool, ambient music is a nice departure from the standard 4-piece rock or jazz group. It's little bit rock, a little bit classical, a little jazz infused, and all intriguing. They open up for The Loyal Divide (Album Release). Shapes And Sounds and Gaberdine also open. Show begins at 8pm. 1375 W. Lake. 21 & up. Tickets are $6.

    *The Loneliest Monk will be handing out "Magic Buttons" at the show that you can bring to the Empty Bottle on December 21st (their first headlining show) for a handmade Loneliest Monk Christmas gift. The buttons were designed by Aaron Albarran, and will reveal their new logo.

    Michelle Meywes

    DJ / Dance Thu Dec 04 2008

    Hootenanny for the Headstrong

    Given that this stretch of the Greater Midwest has long been a hive for breakcore activity, it's weird how little of it ever goes off in Chicago. Maybe it's because the breakcore crowd largely adheres to the original rave happening em-oh, and such events are most likely to take place in a warehouse on the outskirts of Pittsburgh or (no, not kidding) a barn in Wisconsin than at a legit/above-ground venue with a liquor license and neighbors who just might be inclined to complain about the noise.

    When it comes to breakcore, many would argue that Venetian Snares (aka Winnipeg's Aaron Funk) pretty much rules the roost. Back when Aphex Twin dropped off the radar as Most Innovative And Fanatically Revered Mad Genius of the electronic-music community about five or so years ago, Mr. Snares immediately stepped in to fill the breach. Averaging about 3-4 albums' worth of released material per annum, he's widely hailed in breakcore subculture as the artist who defines (and pushes to re-define) the boundaries of leftfield extremist "electronica." Case in point: In the past few years, he's even made a few side-stepping excursions into composing beatless orchestral and chamber music.

    Venetian Snares will be playing at Reggies Rock Club tomorrow evening, Friday the 5th, headlining an evening of nosebleed-inducing splatterbeats and bleeps. Joining him on the roster will be fellow and high-productivist squelch-wrangler Otto Von Schirach, who's currently traveling with VSnares as part of their "Detrimental Disco Wibble" joint tour. Cyrusrex, DJ Naha, Surachai, and Flashbulb are also piling onto the bill. With visual accompaniment by VJ Dizypixl. It ain't a party until someone calls for a medic! Doors open at 8 PM, and it's a 17 & over show. Tickets are $20, $25 the day of. 2109 S. State Street.

    [video]: Venetian Snares - "Pink + Green"
    [video]: Venetian Snares - "Hiszékeny"
    [video]: "Notes On Breakcore" (documentary excerpt)

    Graham Sanford

    Concert Thu Dec 04 2008

    Harmful if Swallowed

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    New York and Los Angeles have churned out boatloads of hip hop superstars, while Chicago has recently been experiencing a hip hop revolution of sorts. Yet, no one seems to talk about smaller Midwestern cities like Kansas City. Perhaps that's why it may be a surprise to some that heartland America has also produced notable hip hop talent over the years. Minneapolis-based label Rhymesayers (of Atmosphere fame) has taken notice long ago, showcasing talented Midwesterners such as Brother Ali and Mac Lethal. The latter, also known as David McCleary Sheldon, hails from Kansas City and should be on every hip hop fan's iPod.

    Look no further than Mac Lethal if you're craving some underground hip hop this Christmas season. His sound ranges from aggressive anger-fueled rhymes where he threatens to "whoop your mother's ass," to slower harmonica-backed melodies that will get the crowd square dancing and clapping their hands in no time. Mac Lethal's bag of tricks definitely has an ample supply of versatility. In fact, it wouldn't be surprising one bit if he moonlighted as a comedian or folk singer in his free time. Just when you think you're beginning to get a feel for Mac Lethal's style, he unloads a fierce Twista-inspired machine gun flow that crashes into your eardrums like a grizzly bear driving a garbage truck. The lyrics are also often impressive, showcasing memorable lines such as "fuck veganism, give me some General Tso's chicken," and "Wilco is great and Ice-T is still clever, but no matter what it's Wu-Tang forever!"

    Continue reading this entry »

    Raf Miastkowski / Comments (1)

    Concert Wed Dec 03 2008

    ohGr @ the Double Door, 11-30-08

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    Sunday night, I headed out to the Double Door for a good dose of metal, and I got what I had hoped for. It was a unique night, though, beginning with a cab driven by the one and only Ray St. Ray, the Singing Cab Driver. Knowing that I was going to a concert for an artist whose work I am only marginally familiar with, I was a bit skeptical of the whole night. Of course, that seems to be how I look at every concert these days. Ray's songs got me in the mood, though. Honestly, if you're on your way to see ohGr, it's always best to start your night out with a cab driver who sings a large collection of songs that range in about "Love! Sex! Social Significance! Dreams!" (Or "Other!" as the case may be).

    Continue reading this entry »

    Gavin Robinson / Comments (1)

    Concert Mon Dec 01 2008

    Sharon Jones Knows How To Punch, Clean Clocks

    Some things in life you just have to learn for yourself -- usually the hard way. But often times, especially during one's younger and formative years, there's some guardian or elder figure there to offer warnings or advice. For instance, one of my Cajun great-uncles once told me: "The one thing you need to know is how to stay outta trouble. Because the thing about trouble is that it's real easy to get into; and once you're in it, it's a total bitch to get out of." Words like that often go a lot further when you're hearing them from someone who knows what they're talking about.

    It seems Sharon Jones, by virtue of her age and experience, knows a good bit about trouble. About being in it, staying out of it, and knowing it when you see it. And to hear her sing, it also sounds like she also knows a good deal about other big things in life; about heartbreak, tenderness, forgiveness, knowing when to put your foot down and not be played for a fool, and -- perhaps more importantly -- about patience for the sake of That Love You Gotta Work On Because One Day It'll (Hopefully) Be Worth It.

    Continue reading this entry »

    Graham Sanford

    Concert Mon Dec 01 2008

    Nada Surf @ The Metro, 11-29-08

    nada surf

    I always get a little nervous when going to an 18+ show at the Metro. You simply never know what you're getting yourself into. Such was the case Saturday night when I ventured out to see Nada Surf. I had concers about what I would find what I would find inside, as I honestly had no clue what kind of audience even goes to a Nada Surf concert. All I know about this band is their new album and the fact that I used to sing "Popular" all throughout high school. Would the rest of the audience be my age or would they all be 18 and 19?

    Continue reading this entry »

    Gavin Robinson / Comments (2)

    Feature Mon Dec 01 2008

    Spending Quality Time with the Akron/Family

    A change has come to the band that inspired the phrase "beard rock", and now the Brooklyn foursome are now a trio. Akron/Family's discography has found them collaborating with Michael Gira of Swans and his Angels of Light project, as well as master percussionist (and Chicagoan) Hamid Drake, swaying back and forth between the yelping jammy joy of freak-folk and experimental jams utilizing their musical chops. With the departure of Ryan Vanderhoof, the band is adjusting to new dynamics and enjoying the ride. We sat down with Dana Janssen from the band to discuss the influences for the new record, last-second Chicago venue changes, killer Scrabble moves, and our predictions on how exactly the band will sell out to the man.

    Continue reading this entry »

    Anne Holub

    Concert Sun Nov 30 2008

    Kristin Hersh, The Shady Circle

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    Kristin Hersh made her name in the '80s and early '90s as the voice and songwriter, along with stepsister Tanya Donelly, of Throwing Muses. (Donelly left the group in 1991 for The Breeders and later Belly.) Signed to the pathologically eclectic 4AD, the band's songs were (and are) intelligent, angular, unorthodox compositions full of catchy, hard hitting hooks. Among other current projects, she's performing a show called "The Shady Circle", based on the dark end of Southern and Appalachian folk music; the show makes Chicago on Saturday at the Old Town School of Folk Music. (See the entry in Slowdown for more info.) It's a solo performance, with Hersh accompanying herself on guitar. The setting is intimate; previous shows have been in living rooms, including one from 9/25 that was recorded and is available for download.


    In an introduction to the show, Hersh says with some humor that "almost all of [the songs] are about murder ... some are about Jesus, but mostly it's about getting drunk and killing your girlfriend." Country-ish rockers with a fascination for the dark side of folk songs are nothing new, (particularly around here) so the bar is set a little high, and in general, it's easy to feel that this sort of thing amounts to musical window dressing. That said, this particular show doesn't make slavish devotion to the historic tunes, from the distorted guitar sounds to the inclusion of the Throwing Muses song "City of the Dead" and a cover of the Latin Playboys' "If". It has a sound all its own, which prevents the feeling that you'd be happier listening to old Ralph Stanley records. Some of the best moments ("To A Man", "I'm Waiting For The One Train") remind one of the brooding blues of "To Bring You My Love"-era PJ Harvey; Hersh's voice and guitar have a lot of the same slow-burn intensity that makes that record work. Moreover, it allows her to seamlessly set down rock material next to classic ballads like "Wayfaring Stranger", mixing their qualities and evocations. All in all, the show has a lot of genuine appreciation for classic material, and is forward thinking enough to show how rock and roll fits in here.

    Erik Cameron / Comments (1)

    Concert Sat Nov 29 2008

    Let Loose and Dance With OBDBI

    OBDBI.jpgOccidental Brothers Dance Band International is just what their name suggests... a band that will make you want to get up and dance with their West African grooves. Even if you don't know how to dance the meringue, you'll pretend like you do. The different members have backgrounds in jazz, rock and African music, and they all bring something to the table.

    This summer they performed at Pitchfork Music Festival and Chicago's Summerdance series. They also opened for Andrew Bird at his Pritzker performance in September. They have a lot more to come including free downloads you can get at the news section of their website. Catch them tonight at Schubas where friend W.W. Loman opens. 3159 N. Southport. 10:30pm. 21 & up. Tickets are $10.

    Michelle Meywes

    Concert Fri Nov 28 2008

    Clouds: Coming to Chicago, they just keep on puttin out. . .

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    Clouds had been on tour for a good while before being invited to join back up with Boris for a jaunt through the Midwest and on back east. They hit Chicago on Saturday, November 29th, rolling into the Empty Bottle just in time to cure everyone of their excessive exposure to turkey and family. Based out of Boston, for all that they haven't seen that east coast city for a while, Jim Carroll chatted of the cities they've seen and the bands they've seen those cities with.

    This past March Clouds hit SXSW promoting the release of their album "We Are Above You" on Hydra Head Records. As always, the four day music fest an onslaught of music from around the worlds, as well as a showcase of fans' willingness to flock to Texas to see their favorite, or soon to be favorite bands. SXSW may swell the population of Austin by about ten times, but according to Jim, the vibe is really the same that weekend as on any given Monday night.

    Continue reading this entry »

    Alexis Finch

    Concert Tue Nov 25 2008

    See The Bravery without Emptying Your Wallet

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    Puma (yes, the shoe company) is turning 60 years old and will be celebrating right here in Chicago with a party at the Metro. The party will have free food and (of course!) birthday cake, along with DJs and drinks.

    Retro rockers The Bravery will be headlining the event. They may not be the most original band (think Franz Ferdinand + New Order), but the show will certainly be high energy and entertaining. I've never seen them live before, but I hear they have a pretty intense stage presence. If you're into heavy synths and catchy guitar hooks, you'll most likely enjoy this. Plus, it's free! What have you got to lose?

    The party is happening on Wednesday, December 10th at 9 pm at the Metro, 3730 N. Clark Street. The concert is free, but you must pick up a ticket beforehand at the Puma Store, 1051 N. Rush Street. Throw on your best kicks and head over there ASAP as there are a limited number of tickets available. The show is 18+. Email info@puma.com/bday48 for more details.

    Stephanie Griffin / Comments (1)

    Contest Tue Nov 25 2008

    Really Quick Contest: Kid Sister

    Don't listen to the rumor mill on this one — there are definitely still tickets left for the Kid Sister show at the Metro Wednesday night. On your way to the visit with the fam come Thursday? You can head out the night before and head off some of those Thanksgiving calories with some seriously fun dancing. Kid Sister's debut album Dream Date doesn't hit the shelves until January, but her single "Get Fresh" is already blowing up the airwaves (web and otherwise). She'll be celebrating the release of the tune tonight in her hometown. What better way is there to do it? None.

    Need more? Check out our preview here.

    Kid Sister takes the stage Wednesday night, November 26 at the Metro with DJ duo Flosstradamus and mashup kings The Hood Internet opening. It's a trio of Chicago talent! The show is all-ages and the music gets going at 7pm. Tickets are $16, but if you're quick, and email us at contests (at) gapersblock (dot) com with the subject line "Get Fresh" you and friend could be on your way to the show for free! Update: We have our winners! Congrats to Eric and Catherine!

    Anne Holub

    Concert Mon Nov 24 2008

    Skybox Brings Various Kitchen Utensils to SubT for Thanksgiving Eve

    The folks at Subterranean are smart. They know if they're going to get a crowd in on Thanksgiving Eve they should probably go after those who will be dining here over the feast filled holiday. They also know that to get people out that night they'd better book a pretty exciting show.

    Maybe something involving dancing Pilgrims? Something celebrating various kitchen utensils? Well isn't it lucky we have a band like Skybox right here in town to fit the the bill! This Wednesday they're playing a 17+ show promoted by the video below, dancing pilgrims included.

    Thanksgiving Celebration: 11/26 @ Subterranean

    Continue reading this entry »

    Alexis Finch

    Review Mon Nov 24 2008

    Review: Calexico, The Acorn @ Metro

    A small crowd was huddled into the Metro on Friday night, huddled together in the center of the room after begrudgingly dropping off their outer layers at the coat check. The crowd huddled closer once The Acorn took the stage, drawn either to the rope lights that adorned their mic stands or the chance to generate more heat.

    The Acorn

    The five young Canadians launched into the most polite set of indie rock to feature two drummers at the same time. A pair of mandolins were passed around the band, and it seemed that all six of the gents were taking turns at nearly every instrument in their collection. The girl at my side summed them up best as "homework rock". Aside from a couple of peaks, the band played a consistent and mellow set, leaving the crowd to decent applause.

    The Acorn

    By ten, the crowd had nearly doubled, and after the usual wait, Marty from XRT came out to introduce...Joey Burns and a lap guitar player? Joey sang an impromptu ditty about Chicago, and declared that because his fingers were blue from the cold, he would sing "Bisbee Blue". As the final words repeated, he shifting into introductions — John Convertino and the rest of Calexico were here after all, thank god — (no offense Joey, but we need the whole package).

    Continue reading this entry »

    Dan Morgridge

    Review Mon Nov 24 2008

    Chicago Bluegrass & Blues Festival Wrap-Up

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    The Congress Theater may be huge, but I still went into the Chicago Bluegrass & Blues Festival Saturday afternoon wondering how the festival's organizers were going to fit everything they had promised into an indoor space. Let me assure you, each inch of the theater was utilized, with music pouring out of every nook and cranny. Still, I never felt cramped, and concert-goers were allowed to wander around the different stages and booths with ease. With two stages of music plus bands playing in the balcony, a comedy troupe, marching band, delicious food, art and jewelry vendors, and dancers, there was something entertaining happening at every moment to satisfy each member of the diverse crowd. Best of all? The festival was 100 percent independent, meaning you weren't bombarded with banners for cell phone companies, beer companies, or electronics stores everywhere you turned. One thing is for certain - music festivals aren't just for summer anymore.

    See additional pictures from the festival after the jump.
    (The Avett Brothers pictured above)

    Continue reading this entry »

    Stephanie Griffin / Comments (2)

    Concert Sat Nov 22 2008

    Smashing Pumpkins Concert Postponed

    PhotobucketTonight's Smashing Pumpkins concert at the Auditorium Theater has officially been postponed until Monday, December 8th. Word is Billy Corgan has a pretty killer cold right now. All tickets purchased for tonight's show will be honored for the December 8th concert, which will still be located at the Auditorium Theater.

    If you are like me and already trying to avoid set list spoilers like the plague, be prepared to steer clear of Pumpkin-related websites for an additional two weeks. For the rest of you, make sure to take advantage of the inevitable onslaught of tickets available below face value on Craigslist and eBay.

    Stephanie Griffin

    Concert Fri Nov 21 2008

    Metro announces The Dandy Warhols for New Years Eve Show

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    One of my favorite joints in town, Metro, just announced this evening that their guest for their New Years Eve show will be no other than The Dandy Warhols.

    Best known for their mix of electro pop infused with psychedelic rock, The Dandy Warhols have been kicking out the jams for the past 12 years and were the focus of the wonderful and award-winning 2004 documentary Dig!

    Tickets are $55 in advance, which isn't too shabby for a New Years Eve event. If you have a whole group you can splurge for the lovely $500 VIP table, which includes 4 tickets, 4 seats, 4 limited-edition posters and 4 drink tickets per person. The show is 18+ and if you like ringing in 2009 staring at a dreamy hunk of rock god, I'd get a ticket. Lead singer Courtney Taylor-Taylor (yes, two Taylors) definitely has a way with the ladies, and for others that prefer the female kind, you can still rock out to some good tunes. Tickets are available through Metro's website or at the venue box office.

    Lisa White / Comments (1)

    Concert Fri Nov 21 2008

    Kid Sister Gets Fresh

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    Female rappers have always received a lot of flak. Despite the effort of many artists to reform the hip hop scene, misogyny and aspersion still remain commonplace. Perhaps that's one of the reasons Chicago rapper Melisa Young is such a breath of fresh air. Instead of grumbling about beefs, she'd rather have everyone going wild on the dance floor. Known as Kid Sister, she blew up on the radar almost overnight after the release of her single "Pro Nails". Also featured in the single is Chicago's own Kanye West, whom you may have heard of. Since then, she's been busy popping up on magazine covers, getting interviewed, and working on Dream Date, her debut album.

    Getting your fingernails done, telephones, and beepers--these are just some of the finer things in life that Kid Sister focuses her rhymes on. They help define Kid Sister as a carefree party starter rather than just another female rapper people compare to Missy Elliot. Fans love her upbeat personality, hip fashion sense, and catchy beats. To an extent, Kid Sister is a throwback to old school hip hop acts that focused on having fun as opposed to east coast-west coast rivalries. DJ Jazzy Jeff & The Fresh Prince immediately come to mind.

    Continue reading this entry »

    Raf Miastkowski

    Concert Fri Nov 21 2008

    Chicago B&B Fest Final Schedule

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    If you're planning on hitting up the Chicago Bluegrass & Blues Festival this weekend, you're going to want to take a look at this. The final schedule has been released (finally) and as expected, it looks like it's going to be a blast from start to finish. Check out our preview here.

    SHOW SCHEDULE

    *2 Stages, a Balcony, 18 Acts, and Costumed Marching Band "Environmental Encroachment" parading throughout the venue at impromptu times.

    MAIN STAGE 12:30-1:15 - Donnie Biggins
    1:15-1:30 - Tangleweed
    1:30-2:15 - Dollar Store
    2:15-2:45 - Tangleweed/Chicago Sketch Comedy Troupe "Cell Camp"
    2:45-3:30 - Billy Childers
    3:30-4:00 - Tangleweed/Chicago Sketch Comedy Troupe "Cell Camp"
    4:00-4:45 - Lil' Ed & the Blues Imperials
    4:45-5:15 - Tangleweed/Chicago Sketch Comedy Troupe "Cell Camp"
    5:15-6:15 - Majors Junction
    6:15-6:45 - Tangleweed/Chicago Sketch Comedy Troupe "Cell Camp"
    6:45-7:45 - Ha Ha Tonka
    7:45-8:15 - The Giving Tree Band
    8:15-9:45 - David Grisman Quintet
    9:45-10:15 - The Giving Tree Band
    10:15-However Long They Want - The Avett Brothers

    JamBase's 312 PAVILION STAGE
    Noon-12:45 - Blue Room Hero
    1:00-1:45 - Cobalt & the Hired Guns
    2:00-2:45 - Lindsey O'Brien Band & Friends
    3:00-3:45 - Mike Mangione
    4:00-4:45 - Jessica Lee
    5:00-5:45 - How Far to Austin
    6:00-6:45 - Blue Mother Tupelo
    7:00-8:00 - Blackdog

    The festival is tomorrow at the Congress Theatre, and there are still tickets available for $31 here.

    Gavin Robinson

    Concert Wed Nov 19 2008

    Still Bonin' After All These Years

    Skanking, crowd surfing, limbs flailing, spending almost as much of the show leaping around and from the stage as planted on the floor banging out licks. When they first hit the scene in 1985, Fishbone were the sort of band that could only have come about under certain odd and unique auspices. Fist coming together in junior high school, they were initially just a bunch of rambunctious kids who wanted to make some noise by blowing some horns and banging on trash-can lids.

    As a group of young brothers (in both the literal and figurative sense), the Fishbone crew had obviously grown up knee-deep in the funk of James Brown, the P-Funk family, the Isleys, Curtis Mayfield and such. But hailing from south central Los Angeles, they'd also gained exposure to a plethora of other types of music via L.A.'s club circuit and thriving punk culture -- all of which resulted in Fishbone coming up with their own polychromatic purée of hard rock, metal, punk, ska, reggae, funk and soul.

    Theirs was the sort of wtf, strange musical brew that sometimes thrived in the fragmented and stylistically promiscuous margins of the 1980s music scene, and which -- more bafflingly -- would occasionally get signed to a major label deal in that era. Over the next eight years, they'd release four albums via Columbia, graze the Billboard charts, net a little airtime on MTV, land themselves a sizable "crossover" cult audience, and earn a reputation as the one of the world's funkiest and most energetic live bands.

    Continue reading this entry »

    Graham Sanford / Comments (3)

    Concert Wed Nov 19 2008

    Fall Out Boy returns home to celebrate their new release at The Chicago Theatre

    Fall Out Boy

    Suburban hometown heroes Fall Out Boy are heading home next month to celebrate the release of their new album Folie à Deux. The band is partnering up with Fuse TV for a December 2nd concert at The Chicago Theatre, which Fuse will tape and premier December 16th at 9:00 PM EST to coincide with the release of Fall Out Boy's album earlier that day.

    Folie à Deux is the follow up to their 2007 release Infinity on High, which sold to date 1.3 million copies worldwide. I'm not a math whiz, but that adds up to a lot of skinny jeans and eye liner, and is pretty impressive for a band that started as a side project fueled by teenage mall rat angst.

    The new album promises a few surprise guest, including the confirmed inclusion of Elvis Costello on one of the new tracks, making this a collaboration of two bands I wouldn't have thought I would ever mention in the same breath.

    Fall Out Boy has consistently released a stream of sugary pop punk tracks that although sometime sophomoric in their nature, always possess the qualities of a hit. I sometimes find a FOB track sneaking up on my car stereo, and you can't help wanting to belt along with the earnest vocals of Patrick Stump and feel like a pop punk kid all over again.

    Relive some youthful exuberance and welcome the hometown boys back to Chicago on December 2nd at The Chicago Theatre. Select tickets go on sale at Friday November 28 at 10:00 AM for $10 via Ticketmaster. There will be a two ticket minimum/maximum per order. The majority of tickets will be available at The Chicago Theater box office only on the day of the show on a first come, first serve basis.

    Lisa White / Comments (2)

    Artist Tue Nov 18 2008

    There is more to Glenn Kotche than Wilco

    glennkotche.jpgGlenn Kotche is the drummer for a little Chicago rock band you might have heard of called Wilco. What you may not know, is that Wilco is just one of Kotche's many projects.

    Kotche joined Wilco in 2001, right before the band went rogue (sound-wise and label-wise) with Yankee Hotel Foxtrot. Its no surprise that Wilco took an innovative turn at that time, when you consider Kotche's background and other projects. He was in the experimental rock trio Loose Fur with Jeff Tweedy and Jim O'Rourke when Tweedy asked him to join Wilco. Currently, he makes up half of the jazz experimental duo On Fillmore with Darin Gray. He also recently collaborated with fellow local Andrew Bird for one of Bird's upcoming albums. And on top of all this, right now he is busy recording a new album with Wilco.

    As if that wasn't enough to keep your plate full, Kotche has a burgeoning solo career of his own. In 2006 he released his third solo album, Moblie (Nonesuch Records). His creative exploration of rhythm and the space between is nothing you would expect and incredibly intriguing. It's also diverse, from the ambient title track "Mobile Parts 1 & 2" to the intense jam beats on "Projections of (what) Might."

    Tonight he appears with indie classical group eighth blackbird at Harris Theater (205 E. Randolph Dr.), where they will perform works from Mobile, and Kotche himself will perform a solo set. What can you expect? Lots of unorthodox percussion instruments and a departure from rhythm you're used to hearing.

    The concert starts at 7:30pm and tickets are $30.

    Michelle Meywes / Comments (1)

    Concert Mon Nov 17 2008

    Deerhunter in Pictures

    Atlanta's Deerhunter rolled into Chicago and The Metro on Saturday night. Here's a little visual on what you missed.

    Deerhunter's Bradford Cox

    Deerhunter @ Metro 11/15

    All photos by Kirstie Shanley.

    Continue reading this entry »

    Anne Holub

    Artist Mon Nov 17 2008

    Stick With It, Champ

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    Two-thirds of Hey Champ originated from Rockford, therefore dooming the trio to a lifetime of Cheap Trick comparisons. Perhaps that's a small price to pay when considering their newfound success. Hey Champ was recently signed to Lupe Fiasco's 1st and 15th label, instantly catapulting them to "up-and-comer" status. They've also been touring with Lupe and blogging about the difficulty and excitement of it all.

    So what's the big deal about these guys, anyways? For one, their music is a refreshingly catchy mélange of indie pop, rock, and dreamy synth sounds. Hey Champ manages to capture the "I just want to boogie" synthesizer sound and fuses it with a sleek guitar and drums that get your head bobbing. The end result will get just about anyone dancing in no time, including your grandma. Additionally, Hey Champ continues to work on their DJ skills. It's a safe bet to assume that their experience with banging dance anthems contributes to their musical versatility. Expect for these guys to remain cutting edge for a while.

    Continue reading this entry »

    Raf Miastkowski / Comments (1)

    Concert Mon Nov 17 2008

    Congress Theater Hosts First Chicago Bluegrass & Blues Festival Saturday

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    If you're like me, when you hear the term "music festival" you'll automatically think of relaxing on the lawn in a sea of people, lapping on sunscreen as you squint to catch a glimpse of some of your favorite artists. This Saturday, KingTello Presents (a recently formed alliance of Chicago promoters and producers) will integrate elements of the traditional summer music festival into a more intimate setting fit for the winter months as they host the inaugural Chicago Bluegrass and Blues Festival at the Congress Theater. The festival will not only offer 12 hours and 2 stages showcasing two genres of music that have heavily influenced modern indie rock, folk, and Americana, but will also include improv comedy, a live-art exhibition and indoor gallery, DJs, raffles, a marching band, and an indoor smoking lounge. Additionally, the concert will be filmed by Wiggle Puppy Productions for use as a feature concert documentary and live album to be available as a digital download.

    With our city's thriving independent music scene and rich history in creating a unique blues sound, the festival would not be complete without some local talent. Chicago-based blues label Alligator Records and roots-rock label Bloodshot Records are teaming up and sharing a bill for the first time at the festival to bring some homegrown flavor into the mix. Bloodshot artists Ha Ha Tonka and Dollar Store will be performing at the fest, while Alligator Records is contributing classic Chicago Blues artist Lil' Ed and the Blues Imperials. Oak Part artist Donnie Biggins, winner of Chicago Bluegrass and Blues Festival's "Last Banjo Standing" contest, will be kicking off the festival's main stage at 12:30 PM.

    The Chicago Bluegrass and Blues Festival takes place this Saturday, November 22nd, at the Congress Theater, 2135 N Milwaukee Ave. The music runs from 11am-midnight and tickets are $31 (through Ticketweb). A portion of each ticket sale is donated to the Saving Tiny Hearts Society, which benefits the research of congenital heart defects. The show is all ages.

    Keep reading for a full schedule along with our three picks for the must-see artists at the fest, plus a chance to win yourself a pair of tickets.

    Continue reading this entry »

    Stephanie Griffin

    Concert Sun Nov 16 2008

    Clear Skies Ahead

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    Minneapolis hip hop duo Atmosphere has been around the block. Slug and DJ/producer Ant have risen to the top of the underground hip hop scene over the years and today remain immensely successful. Hardcore fans will remember discovering 1997's Overcast! among stacks of other CDs at their local hip hop music shop and trying to get their friends to listen to it instead of Master P. MC Spawn (aka Rek The Heavyweight) lent his lyrical swordsmanship to the album, giving it a notably different feel. The result was a collection of infectiously dark and sleepy beats fused with introspective lyrics and an old school rhyming style that helped Atmosphere garner respect among the hip hop community.

    Fast forward a decade or so. Master P is long gone, but Atmosphere is still trucking along and is known by anyone who calls him or herself a fan of hip hop music. This year's When Life Gives You Lemons, You Paint That Shit Gold may sport a higher production value and crisper sound than Atmosphere's debut, but fans still can't get enough. In fact, the album peaked at #5 on The Billboard 200 chart.

    Continue reading this entry »

    Raf Miastkowski

    Concert Fri Nov 14 2008

    Get Weeded

    Ever since emerging from the acid jazz/rare-groove scene of early '90s London, The Herbaliser have been serving up a top-notch blend of dusted beats, downtempo vibes, and cinematic soul. At the core of the outfit, the duo of DJ Ollie Teeba and Jake Wherry have worked with a revolving door ensemble of musicians and vocalists -- as well as teaming up with notable indie hip-hop emcees like Roots Manuva, MF Doom, and frequent collaborator Jean Grae. After a 10-year run with the Ninja Tunes label, the Herbaliser's new album, Same As It Never Was, was recently released on the Studio !K7 imprint.

    The album's kick-off, title track -- building off a horn-section riff reminiscent of "Hold On, I'm Comin'" -- hits the mark that the band's aiming for these days and gives the listener an ideal taste of what to expect. While there's still some traces of The Herbaliser's trademark filmic tendencies breezing in now and again (check the glitzy Mancini-esque swing of "Amores Bongo"), this time Teeba and Wherry have crafted a polished and floor-friendly LP -- one that's pointedly more steeped in the fat, rich sounds of throwback roadhouse soul than, say, those of '60s spy-movie soundtracks. A decade-plus on, the band has not only kept it's vibe, but has proven that it still has a few tricks up its sleeves.

    The Herbaliser is currently touring stateside to support Same As It Never Was, bringing with them their new vocalist Jessica Darling and a full band -- including a full horn section. They'll be playing at Darkroom this coming Tuesday evening, headlining on a bill that also includes Shala, and DJ Intel and Striz. 2210 W. Chicago Ave. Tickets are $15 in advance, $18 the night of, and doors open at 8 PM.

    [video]: The Herbaliser - "Can't Help This Feeling"
    [video]: The Herbaliser - "Goldrush" (c. 1999)

    Graham Sanford

    Concert Fri Nov 14 2008

    Nada Surf: one Lucky band

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    If you haven't heard Nada Surf's new album yet, then you're probably not alone. The band has been plugging away ever since 1992 but their past two records had to be released on an independent label after they were dropped by Elektra in 2000. This has made getting their sometimes rocking, sometimes soothing songs to the public at large a tad more difficult. Case in point, their latest effort, Lucky was released all the way back in February & it's just recently being passed around dorms and break rooms.

    The album is a consistent release, at times soft and calming & at other times, abrasive and rocking. Throughout a listening, though, you'll be reminded that these guys have been playing together now for over 10 years and they know what they're doing. Again, the key word here is consistent. The highlight of the album, for me was one of the last tracks, "The Fox." The track begins with what can only be labeled as a haunting, almost lethargic bit of music. Once the lyrics kick in, the scariness is just ratched up another notch. "We're in a different war
    With ourselves, and with some of you," sings Matt Caws and you have no choice but to believe him.

    Nada Surf is playing Saturday, November 29th at The Metro. It's an 18+ show and tickets are $20. The show starts at 9. I'll be there with a review to follow.

    Gavin Robinson

    Concert Fri Nov 14 2008

    The #1 Topic in My Diary

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    Some of us look back on our teenage years with anguish and humiliation. Others think of high school as the glory years (yikes!). Michael Dunlap looks back on this period with humor, writes poppy tunes about it and tours the country armed with just a guitar and an iPod. Under the stage name Totally Michael, he sings about the merits of the cheerleading squad vs. the drill team ("the hardest choice you'll ever make"), crushing on Winona Ryder ("I'm not a high-class retail outlet / But I'd love for you to steal my heart"), and stealing your girlfriend ("When you look away she'll be all over me"), a throwback to the childhood of nerds everywhere. Creating high-energy electro beats with a pop-punk influence, Totally Michael sounds like a mixture of Atom & His Package and Matt & Kim. I must warn you, take one listen to any track on his debut self-titled LP and you won't be able to get it out of your head for days.

    Totally Michael will be playing Sunday at the Abbey Pub, 3420 West Grace. Tickets are $12 and doors open at 8 PM. The show is 18 & over. He'll be opening for nerdcore hip hop artist and Libertyville native MC Chris. If you don't take yourself too seriously, remember what it's like to be an awkward teenager and want to dance your pants off Sunday night, you'll definitely want to be there.

    Stephanie Griffin / Comments (1)

    Concert Fri Nov 14 2008

    America is killing ohGr with bacon

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    Normally, you wouldn't find me listening to a pop-industrial album. It's just a segment of music that I don't appreciate all too often. I may have just changed my mind about that, though & it's all thanks to Skinny Puppy's Nick Ogre and his new album. His group, ohGr, have been going strong for quite a while now and the music has really evolved. Nowadays, it's a superb mix of metal, industrial, pop, electronic, and something very close to being considered spoken word. If you're scratching your head and asking yourself how this could possibly be something that you'd want to listen to, then you're not alone. A couple of trips through the Devils in my Details, though, you'll be wondering why you never listened to this stuff before. The album, simply, rocks. The most interesting and endearing bits of the album, for me, are the brief poetry-laden interludes, such as one gem titled "Feelin' Chicken." The kicker of that particular track is the hook: "You're killing me with bacon, America!" which Ogre manages to punch in just the requisite manner.

    Nick Ogre will be bringin the ohGr sound to the Double Door Sunday Nov. 30, tickets are $20. Chris Connelly will be opening up. If you can't make the show, there's another way to get your dose of Ogre; he's in the incredibly hyped, Paris Hilton featuring, goth musical, REPO! The Genetic Opera.

    Gavin Robinson / Comments (2)

    Concert Thu Nov 13 2008

    Tom Schraeder wears His Ego on his sleeve

    Tom Schraeder is 24 years old, but sings with the sorrow of a man twice his age. Upon first listening to his new EP, Lying Through Dinner, I found it a nice little Americana album, but it wasn't until a few more listens that I was really gripped by the heart in his songwriting. There is some real emotion in this album. There is heartache, a couple of foot-stomping singalong moments, and some passages that can make you feel the lost hope of someone drinking alone in an empty bar at closing time. Tom has a talent for evoking the feeling you've been there before, even if you haven't. He is such an excellent songwriter, that while you feel the hurt and yearning in his songs, he is still a joy to listen to. And somehow, with all the pain experienced in his lyrics and acclaim he's received, he still manages to keep a cool head.

    Tom Schraeder & His Ego are back in Chicago for one show this Saturday at Schubas before heading out on tour. It's a record release show and everyone will receive a free copy of Lying Through Dinner with the purchase of advance tickets. Watch the promo video after the jump to get a little preview of the first song on the album, "Needle Will Bite."

    The show starts at 10pm. Mark Pickerel opens and Pretty Good Dance Moves DJ. 3159 N. Southport. Tickets are $10. 21 & up.

    (Photo from Tom's MySpace page--Amber Meairs Photography)

    Continue reading this entry »

    Michelle Meywes

    Concert Wed Nov 12 2008

    The Walls are Whispering

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    It's hard to try to explain Damion Romero's awesomeness without first starting by saying that he built his own automobile -- a 1968 Plymouth Roadrunner -- from scratch. Said automobile can be heard on his self-released 2003 3" CD titled Idle. It's just that -- an unprocessed recording of 20 minutes in the driveway with the Roadrunner. Idling. It happens to be one of the 2000s' finest experimental/noise documents, a constantly engaging series of rumbles and clatterings, more persnickety in tone than any car you've heard. Despite its unconventional name, his '90s project, Speculum Fight, redefined elegant, monolithic audio (the low-end theory, mostly) at a time when deliberate filthiness in avant garde sound was the law of the land.

    But that's Damion. He's a builder, a tinkerer. He approaches sound with a with a scientist's intuition and love of play. He builds his own musical equipment, and has a comprehensive knowledge of acoustic properties, like Alvin Lucier without the resultant academic stodginess. As such, his live performances often have a strong art installation quality to them, but a sound that tends to be fuller, more emotional than most installation fare. Witness the Feedback in a Lover's Telegraph CD, which utilized a long wire stretched in a room, a bucket with some piezo mics, and a series of reverberant objects to induce wave upon wave of self-perpetuating deep-string excitations.

    This Saturday (November 15) at 9 p.m., Romero turns Lampo (216 W. Chicago Avenue, 2nd Floor) into a highly reverberant space with a new performance created especially for the location. Using tone generators and a devices known as geophones, which are used to pick up vibrations in the ground. Using these devices with other equipment meant to generate internal feedback, Romero will essentially play the space itself, drawing out the vibrations of the walls and floors while sending the resultant sounds back into themselves, building a perpetual feedback loop that will surround the listener with all manner of physically and emotionally-charged low end sonics. If you haven't been to the new Lampo space yet, this is a great opportunity to get a feel for the new location, as every square inch of it will be put to the test.

    Chris Sienko / Comments (1)

    Concert Tue Nov 11 2008

    Matt & Kim Hit the Town (Twice!) (Just once)

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    Brooklyn duo Matt & Kim are headed to Chicago, and they like us so much, they're settling in at Wicker Park's Subterranean for a two-night stint [Update: their Wednesday night show has just been canceled. That means you've only got one chance to catch them this tour. BUT tickets purchased for Wednesday night's show will be honored Tuesday]. That's right, the adorable, electric pair are going to bang around the room upstairs Tuesday and Wednesday, with a sweet gang of openers to boot. Tonight, get there early to hear Chicago's Vyle as well as Hollywood Holt, and Texas' Best Fwends open.

    It may be getting dark and cold early now, but Matt & Kim surely won't disappoint the crowd. I don't know where these kids get their energy from, but I want it in my coffee every morning. Their sound is part crash bang, part giddy pop thing. If there ever were a cure for the onslaught of winter weather in Chicago, these two are it.

    Tickets are $10, each night. Tonight's show gets going at 9pm (17+) and Wednesday's starts early at 6pm with a special all-ages night. Subterranean is located at 2011 W. North Ave. in the heart of Wicker Park.

    Download their latest tune, "Daylight" at Green Label Sound.

    [Video]: Matt & Kim - "Daylight"

    Quick like a bunny! If you're the first to email us at contests (at) gapersblock (dot) come with the subject line, "M&K", you'll win a pair of tickets to Tuesday night's show at Subterranean. Update! We have a winner! Congrats to Jeff!

    Anne Holub / Comments (1)

    Concert Mon Nov 10 2008

    No impurities remain on doomsday

    Behold, your day of reckoning...

    Grails, a Portland-based quartet concerned with the deep, dark night of the curiosity of ritual, shamble their way into the Empty Bottle (1035 N. Western) on Tuesday, armed with booming drums, zithers, electronics, and other devices meant to levitate pyramids and scrolls and ankhs and other such ancient imponderables. The band's web site is stuffed with totemic images, including plenty of mountains, but two things really put the band's sound into modern-day hip perspective: 1) their recent tour with Silver Apples, advertised on the splash page, and 2) their links, which include portals to like-minded hobbits like OM, Neurosis, Truman's Water, Jandek, and Eluvium. Shake, strain, serve, enter rebirth.

    On the home front, Chicago brings its two finest next-world ambassadors, with the motionless-sky guitar orchestrations of Lichens (plays second) dragged into the ground by Locrian's aggressive shouting-at-the-ground black metal-esque primevalism (opening act).

    9:30, $8.

    Chris Sienko

    Review Mon Nov 10 2008

    Girl Talk @ Congress Theater, 11/8/08

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    Imagine the biggest house party you've even been to, and the best DJ you've ever heard is playing every single one of your favorite songs and guilty pleasures. Now multiply that by a gazillion. That might come close to matching the excitement at Congress Theater on Saturday night.

    Girl Talk (aka Gregg Gillis) is not a DJ, he's an artist, a master at mixing together snippets of songs that already exist, and that you've already heard into a new, completely different animal. His latest album, Feed The Animals, is a mashup of samples running into and over each other from Nirvana to Roy Orbison (?!?!) along with over 300 others.

    It was a party from the moment you walked in. There was a DJ set up in the lobby blasting you in the face with music and stage smoke right as you entered. It was a bit of a shock at first, coming in from 30-degree temperatures outside, but it quickly wore off once you got into the theater. I noticed once inside, that all the seats on the floor level had been removed making for maximum dance-floor. A couple of minutes after Gillis took the stage and introduced himself, the confetti popped and ridiculousness ensued. A mass of party-goers rushed on to the stage, and there were guys running across the stage shooting toilet paper streamers into the audience. Gillis mixes his shows live in the midst of fans dancing almost on top of him, this time playing a lot of familiar clips from Feed the Animals, with a lot of new, impromptu mashup material as well.

    Continue reading this entry »

    Michelle Meywes

    Concert Fri Nov 07 2008

    Swim for the Music That Saves You

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    In 2005, following his success as the frontman of Orange County's Something Corporate, Andrew McMahon was set to release the first album of his side project, Jack's Mannequin. On the day the last song of the album was remastered, McMahon was diagnosed with acute lymphoblastic leukemia. The album, Everything in Transit, was still released as planned on the same day McMahon received a bone marrow transplant from his sister.

    Three years later, McMahon is cancer-free and has a story to tell. His new album, The Glass Passenger, captures a darker and more introspective side of him than what we have seen in his previous albums. Filled with piano ballads fueled by desperation, struggle, and most importantly, hope (particularly "Swim" and "Caves"), Jack's Mannequin set themselves apart from the usual pop punk archetype. McMahon is just happy to still be here, and we're happy to have him.

    Meanwhile, McMahon has also started his own label, Airport Tapes and Records, who signed Chicago pop rockers Treaty of Paris last year. Jack's Mannequin and Treaty of Paris play together on Sunday night at the Bottom Lounge, 3206 N. Wilton Ave, at 5 pm. Fun, featuring former lead singer of The Format, Nate Ruess, is also on the bill. The show is SOLD OUT, although there are a few tickets available on Craigslist.

    Stephanie Griffin / Comments (3)

    Concert Fri Nov 07 2008

    Keep On Dancin'

    ghostland_observatory.jpgGhostland Observatory is made up of two guys from Austin. Thomas Turner dances around the stage wearing a get-up that looks like American Indian meets '70's hippie while Aaron Behrens wears a Dracula cape and plays the drums. There are colorful laser lights everywhere, and that's just their stage show. The title of their latest album, Robotique Majestique is a good indication of what the soundtrack is like: electro pop of the future, a very groovy future.

    They play the Metro tonight with DJ sets by Mister Wolf. 3730 N. Clark St. 773-549-0203. 18 & up. Tickets are $25, get them at the Metro's website. Show starts at 9pm.

    (Photo from the band's MySpace page)

    Michelle Meywes

    Album Fri Nov 07 2008

    Downfall of an Empire

    HM_Cover.jpgRegardless of the content of his lyrics it is hard to take Holding Mercury frontman Matt Hoffer seriously. For starters his music sounds like a slightly glammed-up Gin Blossoms cover, but it is mostly because of his national television debut. Yes, Matt Hoffer was a contestant on Rock Star Supernova. Well, if you are like me and don't remember or have never heard of Rock Star Supernova, a quick check of Wikipedia reveals that it aired back in 2006 and was hosted by the lovely Brooke Burke and Dave Navarro (how quickly they fall!). Matt was able to perform "Yellow" by Coldplay and "Planet Earth" by Duran Duran before being eliminating the first week of the contest. Supernova's loss is Holding Mercury's gain. There is a certain strength in Hoffer's vocal and an uncommon bit to his lyrics.

    Holding Mercury consists of Andrew Titchenal, Jason Batchko, Ashok Warrier, and Matt Hoffer. Their latest album, Downfall of An Empire (Bad Nero Records), is an album about struggle, conflict, and political turmoil. The highlight for me, as I sit here in a beige cubical and down my fifth cup of coffee, is "Stuck in a Box". It's an arena rock anthem for the underpaid and overworked and it kicks off this ten track mainstream melodrama. The package is shiny, the music is clear and fast-paced, and it is all paart od the product. The cover and interior artwork for the album was down by fellow Chicago rocker and artist David Downs, and is like a beautiful mini-graphic novel about the downfall of life and times.

    Holding Mercury is holding a release party/Obama Victory party at Reggie's Rock Club with Melismatics, The Glide, and The Moves. The show starts at 9:00pm and tickets $6.

    Jason Behrends

    Review Mon Nov 03 2008

    Dungen @ The Bottom Lounge, 11/2/08

    The crowd was definitely dedicated for the Swedish psych-pop rockers Dungen show last night at The Bottom Lounge. For one, it was a school night, and the relatively young crowd looked like they could have been skimping on some mid-term studies in favor of hitting up the late set by the quartet. Still, it was a joyous group of music fans, seemingly familiar with Dungen's entire back catalog of albums (including their latest album, 4). I still can't wrap my mouth around pronouncing the Swedish lyrics, but the band's simple banter with the crowd was so charming, I nearly blushed. The four-piece worked their way around a solid set of both long psychedelic jams and short pop originals, with astonishingly beautiful projection by lead singer and multi-instrumentalist Gustav Ejstes, backup vocals and bass by Mattias Gustavsson, superior rhythm guitar work by Reine Fiske, and lovely percussion by new drummer Johan Holmegard. The group plays like a band of brothers, linked telepathically to each other, working in unison to deliver a lovely evening of music. At the end of the night, Gustavsson took his "traditional" photo of the crowd, and we all squeezed together to try to get a hand or eye or elbow in the shot. I have to say, I agree with their declaration to the crowd, "I'm so happy you're here."

    (All photos by Kirstie Shanley)

    Dungen "The Bottom Lounge" 11/2/08 Chicago

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    Dungen "The Bottom Lounge" 11/2/08 Chicago

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    Anne Holub

    Concert Sun Nov 02 2008

    King Khan & BBQ Show in Pictures

    Here's our visual scrapbook of the sold out King Khan & BBQ Show at the Bottom Lounge. The duo headlined the venue's Halloween party which also marked the Lounge's 6th Anniversary. The crowd was ramped up, and some slam dancing and surfing ensued. Overall, an appropriately rockin' time was had by all. Photos by Kirstie Shanley.

    King Khan & BBQ Show, Halloween, The Bottom Lounge

    King Khan & BBQ Show, Halloween, The Bottom Lounge

    King Khan & BBQ Show, Halloween, The Bottom Lounge

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    King Khan & BBQ Show, Halloween, The Bottom Lounge

    Anne Holub

    Concert Thu Oct 30 2008

    Gang Gang Dance's Mystic Brew

    Given the unruly and eccentric sonic universe that the Brooklyn quartet Gang Gang Dance have inhabited these past 5 years, it seems fairly fitting that they'd title their new, fourth album after a patron saint of the abject and afflicted. Specifically Saint Dymphna -- the martyred Celtic pagan princess who protects those who suffer from a variety of mental illnesses and neural disorders, epilectics and sleepwalkers, as well as victims of rape, incest and sexual abuse; blesser of families and institutions who strive to shield or heal the damaged from the psychic shocks and traumas of life.

    With Saint Dymphna, GGD have taken a few steps toward what some would consider "accessibility." Gone are the avant jaunts into abstraction and the subsuming reverb-drenched haze that murked up some of their prior recordings. Instead, the band's sounding much more polished and linear - offering a new batch of material that twists along on serpentine, trans-global rhythms, foregrounded melodies, and awash in shimmering synth textures. And while the album is being touted as the band's "pop" or "club" move, at its core one finds the band still traveling along the arc of their own delirious and celebratory Fourth-world urban psychedelia.

    Gang Gang Dance are currently touring to support Saint Dymphna, a tour that'll probably prove extensive given that the group was recently picked up for international distribution by the prestigious UK label, Warp Records. They're playing the Empty Bottle this Monday night, headlining on a bill that also features touring companion and Kill Rock Stars recording artist Marnie Stern. Tirra Lirra get things started in the opening slot. 1035 N. Western Ave. Tickets are $10 in advance, $12 at the door, and it all gets underway at 9:30 PM.

    [mp3]: Gang Gang Dance - "First Communion"
    [video]: Gang Gang Dance - "Before My Voice Fails" (live in Italy)

    Graham Sanford

    Album Thu Oct 30 2008

    Dungen's Secret Language

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    Dungen (photo by Karl Max)

    Even when I took that Ingmar Bergman film class in college, I didn't feel as compelled to learn Swedish as I do after listening to the latest album by the band Dungen. Pronounced "DOON-ghen" (or, so I've been told), the acclaimed outfit put out its fourth studio album, appropriately titled 4 this fall, and head to Chicago this coming weekend.

    Listening to 4 I'm struck over an over how the lyrics, all in Swedish (granted, it's the band's native tongue), and all hardly even pronounceable by my lazy Southern tongue are simply gorgeous. Typing in a few phrases to an online translator, I discover simple lines, like the refrain in the track "Det Tar Tid" means (I think) "It takes time", which is a perfect answer to the song's breezy, yet straightforward structure. For once, I'm not hung up on memorizing lyrics (I can hardly wrap my mind around the words), but I'm focused on the progression of the songs, which is appropriate with Dungen's evolving music style on this album. Somewhere between psychedelic pop, folk music, Jethro Tull-ian flute ragas, and jam band guitar noodle, Dungen is kind of a delicious musical stew. There are piano, organ and perhaps even a xylophone in the mix, and it all works in this wonderful psych-pop melange.

    Songs like "Fredag" (an instrumental piece) and "Samtidigit" with its psychedelic jams are perfect for nodding to on the train in the fall light, or rocking to as the band hits the stage this weekend at The Bottom Lounge. Tickets are $15 (adv) and $18 (door) and the show is 18+. Headdress, Chandeliers, and Life On Earth open.

    [mp3]: Dungen - "Satt Att Se"

    Hey, hey! Right now, the first reader who writes us at contests (at) gapersblock (dot) com with the subject line "Swedish Fish!", will win a free copy of Dungen's album 4. Chop chop! UPDATE: We have a winner! Congrats to Jessica!

    Anne Holub

    Concert Tue Oct 28 2008

    Halloween BOO-gie Down

    Can't decide what Halloween show to hit up? Here are a few ideas on what to hear at some of the music venues in Chicago:

    Thursday, Oct. 30

    The Abbey Pub: Pre-party your Halloween. Join a myriad of local acts as they don musical costumes to perform not as themselves! Performances include: B1G T1ME as Tom Waits, Jinx Titanix as Meatloaf, Canasta as The Decemberists, All City Affairs as George Michael, The Webstirs as Flaming Lips, The Delafields as Velvet Underground and The Getouts as Neil Young. Doors open at 8pm, show starts 8:30pm. Tickets $8 (adv) or $10 (door). 21+. The Abbey is located at 3420 W. Grace. 773-478-4408.

    Friday, Oct. 31

    The Bottom Lounge: Celebrate Halloween as well as The Bottom Lounge's 6th anniversary with King Khan & the BBQ Show. (Transmission will have a review with pictures from the hijinx on Nov. 1.) Opening: Women, CoCoComa, and The Goblins. Show 9pm, Tickets $10, 18+. The Bottom Lounge is located at 1375 W. Lake St. 312-666-6775.

    The Metro. Get your Goth On at the Annual Nocturna All Hallow's Eve Ball with DJ Scary Lady Sarah. Sponsored by American Gothic Productions (and we don't mean pitchfork-carrying farmers, here). Tickets: $10 with costume, $15 without costume, 18+. Doors: 11pm / Show: 11pm. Tickets will be available at the door. The Metro is located at 3730 N. Clark St. 773-549-0203.

    The Double Door: DD definitely doesn't take a break from its yearly musical costume show. This time around they're offering performances by: The Sleepers as Aerosmith, Blackbox as Michael Jackson, The Midnight Shows as Eddie Money, My Cold Dead Hand as The Cramps, The Slingerland Ride as Tom Waits. Tickets $10. Doors open 8pm, show 9pm. 21+. The Double Door is located at 1572 N. Milwaukee Ave. 773-489-3160.

    Empty Bottle: At the Bottle, the Chicago Underground Film Festival presents The 9th annual Jukebox of the Dead featuring Detholz!, Aleks & The Drummer, and The Hood Internet. Tickets are $12 (adv) and $15 (door). Doors open at 10pm. (Read up on Aleks & The Drummer and The Hood Internet in our recent Transmission features.) The Empty Bottle is located at 1035 N. Western Ave. 773-276-3100.

    Sonotheque: Get your dance on at Sonotheque's Dark Wave Disco Halloween featuring The Villains and residents Trancid & Mark Gertz along with Kid Color. Hosted by PaulinChicago, with visuals by Panic Films. Party from 9pm-2am. Tickets at the door are $8 before 11pm, and $12 after 11pm. Sonotheque is located at 1444 W. Chicago Ave. 312-226-7600.

    The Abbey Pub: The musical costume swap continues with a whole other lineup of acts. Performances include: Dead Electric as AC/DC, Bon Motts as Tom Petty, Fringe Benefits as The Cars, Phil Angottti as The Who, Nick Tremulis as The New York Dolls, John Aselin as Tommy James and the Shondel, and Avalanche Rescue Team as the Smiths. Doors open at 8pm, Tickets $8 (adv) or $10 (door). 21+. The Abbey is located at 3420 W. Grace. 773-478-4408.

    Martyrs': Enjoy mid-EVIL themed tunes from Cealed Kasket with opening support by vlad the impaler (with Martyrs' owner Ray Quinn, booking guy Bruce Krippner, and veteran bartender Jon Van Bladel). Tickets $10 (adv or door), Show starts at 10pm. 21+. Martyrs' Pub is located at 3855 N. Lincoln Ave. 773-404-9494.

    Darkroom: More dancy dancy at the Darkroom's Halloween party. It's Life During Wartime's Halloween Hellection dance party with resident DJs Bald Eagle and Mother Hubbard with very special guests Shout Out Out Out Out and San Serac. Doors open at 9pm, 21+. Tickets are $12 adv/door or $10 with costume at door. Prizes will be given for best costumes, along with candy and glow stick giveaways. Darkroom is located at 2210 W. Chicago Ave. 773-276-1411.

    Saturday, Nov. 1

    Darkroom: Get over your candy hangover with some nice Reggae at the Darkroom. Spinning is Tidal Wave with selector Slacky J and special guests. Enjoy fresh tunes and fresh dub plates. Doors open at 9pm. Tickets are $8 (cover after 11pm) 21+. Darkroom is located at 2210 W. Chicago Ave. 773-276-1411.

    Anne Holub

    Concert Thu Oct 23 2008

    Enchanted by Roommate

    roomm.jpg"We laughed so much our chests caved in" is an interesting way to begin an album, but it doesn't sound at all out of place on Roommate's We Were Enchanted. The electronic instrumentation plus the wonderful strings laid out like pop, indie-rock or even contemporary classical at times is what makes this album a pleasure to hear with surprises throughout. I've never heard a record before with so many out of left field instruments sounding like they're meant to be played at the same time. Who else is playing güiro and keytar on the same song? What about Game Boy and harpsichord? (With this in mind, I would love to know what "brownie*" means in the liner notes for "New Steam." Speaking of that tune, there are elements of it that are awfully close to "March of the Siamese Children" from The King & I.) The 8-minute title track encompasses many of the features that make this the fullest-sounding Roommate record yet, though it's the simple "Night" (strangely enough, also the one that almost doesn't sound like it belongs) and closer "Isn't Radio" that stick out most. Kent Lambert and company have created an album that takes over the air and captures the listener's imagination.

    Note: Roommate's Kent Lambert wrote in explaining the brownie: "The brownie is a homemade musical instrument created by David S. Moré (a sound artist/musician once based in Baltimore who now lives in Chicago). It's basically a Brownie Super 8 camera box with metal springs mounted on/in it and two contact mics--one suspended in a spring inside the box and the other stuck to an inside surface of the box. The mics output to 1/4" jacks that can be connected to mixers, pedals, etc. The springs can be struck with mallets (Mr. Moré made his from barbecue skewers and superballs) to make deep, gonglike sounds. Also mounted on the top of the box are three steel strings which can be tuned to various spooky notes." Also, the above photo should be credited to Sarah Gross.

    Watch: "We Were Enchanted"

    Roommate plays at the Bottom Lounge this Sunday, October 26, with the Judy Green, Jeff Harms and Rock Falls. Admission is $9 at the door. (That's $2.25 per artist.) The show begins at 8PM.

    James Ziegenfus

    Concert Thu Oct 23 2008

    Abstractions of form and language

    pnt2.jpgWhat would the result be if three talented musicians allowed there ideas and unique sounds to come together in moments of spontaneous exploration? Not exactly like free jazz, but a sonic exploration, an adventure in song and form. Chicago's Pillars and Tongues, Evan Hydzik, Elizabeth Remis, and Mark Trecka, find as much joy and satisfaction in the process as they do they product, but as a listener you get a strong sense of soul in their experiments. As its core, I imagine you could call this gospel music, but only in the most primal sense of the word.

    Last week this trio released Protection, their debut for Chicago's Contraphonic, a four track conversation, a musical dialog, pushing the idea of structure to its furthest levels. First performing together years ago as part of Static Films, on stage they execute both prepared and improvised work, responding to the environments in which they are playing. Tonight they make one last appearance in Chicago before spending the next month touring France and Italy.

    Pillars and Tongues will perform tonight at The Hideout with Remindring and DJ Tim Kinsella. The show starts at 10:00 and tickets are $7.

    Jason Behrends

    Concert Wed Oct 22 2008

    Tirra Lirra

    tirralirra.jpgChicago's Tirra Lirra released their debut ep Breathe Bodies back in August of 2007 on Static Station Records. They mix traditional rock with pounding, almost tribal, rhythms, modular synthesizers and samplers. Chris Mathis, Jared Sheldon, Tony Janas, Brian Hank Henry have been playing shows around the city for the past two years, and with each performance improving on the primal nature of their sound. Last week the boys found themselves in New York playing with fellow Chicago outfit Magical, Beautiful. Not being in a band myself, I can only image the feeling of being on tour, and introducing a whole new audience to your live sound. When I asked Tirra Lirra about their experience in New York, they had this to say, "Our show this past weekend @ Death By Audio in Brooklyn was blessed by a 10 story neon VOTE OBAMA sign on the building next door, and our first encounter with THOTH of the Angel Tunnel in Central Park. Expect us to channel one or both on Saturday at the Bottom Lounge".

    Tirra Lirra will be performing the Saturday (Oct. 25th) at The Bottom Lounge with Chicago's Clique Talk and Fujiya & Miyagi. The show starts at 9:00pm, and tickets are $15. This is an 18+ show.

    Jason Behrends

    Concert Wed Oct 22 2008

    Do It With Diplo

    Well, not it, per se, but Diplo's coming to the Abbey Pub Thursday, Oct. 23, which means plenty of opportunity to dance your face off. The renowned DJ, whose work has led to collaborations with Santogold and Martina Topley-Bird, will be joined by Abe Vigoda, Boy 8 Bit, and Telepathe. Abe Vigoda (No, not that one. I wish.), for one will be promoting their new album, the edgy-and-happy-about-it Skeleton. Should be a good show, yo.

    Kara Luger

    Concert Thu Oct 16 2008

    Life in Grayscale

    It was three years in the making, but this past May Chicago's The Atomica Project released their sophomore album, Grayscale. It is a beautiful album filled with down tempo electronic beats, and unlike their debut, a heavy dose of live instrumentation. Wade Alin is the man behind the programming, and when I talked him back in June he had this to say about Grayscale. "The concept of the album is definitely inspired by Chicago and all of its climatic highs and lows. The Midwest in general has some top notch storms. They're dramatic and sometimes unforgettable." Dramatic and unforgettable much like the vocals Lauren Cheatham, who has been compared to Tracey Thorn on more than one occasion. Lauren's voice has a certain strength in its delivery, but she also has the ability to adjust to softest moments of the tracks. The lead single from Grayscale is called "Gravity", and it is perfect example of what this duo has to offer.

    Gravity - The Atomica Project

    The Atomica Project will be performing TONIGHT @ Darkroom with Woven and Panda Riot. The show starts at 8:00pm and the cover is $7.

    Jason Behrends

    Album Wed Oct 15 2008

    Going off, getting High with Pit Er Pat

    Local trio and thrill Jockey recording artists Pit Er Pat aren't averse to playing home-town gigs, so chances are you might've caught them playing at the Hideout or elsewhere lately. In case you haven't, the word on the streets for a while has been that they've altered their sound recently -- specifically that frontwoman and vocalist Fay Davis-Jeffers has largely set her keyboard aside in favor of a guitar, and that the band's moved into territory that bears a "dub reggae influence." Judging from the band's new High Time CD, which releases on Thrill Jockey this week, there's more than a little truth to the rumor.

    Yes, Pit Er Pat has largely abandoned their prior post-rock/fusion cocktail lounge sound; the one so richly crafted and fleshed-out via John McEntire's production of the band's last LP, 2006's Pyramids. What chiefly remains, however, are the band's frail, elusive melodies -- except now they're intertwined with some roots-rocker grooves that give drummer Butchy Fuego and bassist Rob Doran something meatier to tuck into. And the pair seems to enjoy themselves on tunes like "Evacuation Day" and "Copper Pennies" as they tie and untie various rhythmic knots and guide the tunes through unexpected and crafty transitions.

    Continue reading this entry »

    Graham Sanford

    Concert Wed Oct 15 2008

    Strum and Growl

    Has it been a while since you've seen a fun, wackadoo band? Well, I'm not promising anything, but there's a good chance Bearsuit will fit the bill. The UK sextet are touring in support of their latest album, OH:IO, which conjures up images of space suits, pep squads, and Camera Obscura. What I mean is, Bearsuit is twee enough for those who like to put hats on their cats, and yet is enough of a screamy freakshow to placate the irony-friendly ex-punkers. Featuring girl/boy vocals and styles ranging from space pop to electro-bop and punk rock, if anything, their performance should give you something to talk about the next day.

    Bearsuit will be playing with Canasta, Pale Young Gentlemen, and the Colour Me Pop DJs on Sunday, October 19 at Schubas.

    Kara Luger

    Concert Tue Oct 14 2008

    Caffeine, Alcohol, Sunshine, Money

    jaredmeesandthegrownchildren_cd.jpgSo you thought you had already met you folk-pop quota for month? Well, hopefully you can make an exception for the upbeat strum and squeal of Portland's Jared Mees. As the co-founder of Tender Loving Empire, a media and arts collective, a record label, a publishing company, a gallery, a concert production house and a custom screen printer, Jared was in control every piece of his second full-length album, Caffeine, Alcohol, Sunshine, Money (stream the album here). From the production to the incredible screen printing, this album is a perfect extension of the aesthetic TLE has been building over the last few years.

    Accompanying Jared on the album and on the road is a collection musicians known as The Grown Children. There is percussion/drum work from Ezra Holbrook (The Decemberists, Dr. Theopolis), viola and string arrangements by Jordan Dykstra, (Marriage Records, Valet, Atlas Sound), accordion, piano and organ from Eric Gilbert (Finn Riggins), and vocals by Megan Spear as well as contributions from a host of others. Together these musicians play a fun brand of indie folk pop that when mixed with Jared's insightful and witty lyrics becomes quite addictive.

    Jared Mees & The Grown Children will be performing with Finn Riggins and Chicago's Raise High The Roof Beam at Cal's Liquors tomorrow night at 8:00pm.

    Jason Behrends

    Concert Fri Oct 10 2008

    Little Cat Plays the Alpha Rave

    mymymy_littlecat.jpgWho doesn't loves kittens and toy piano's? Well it is clear that singer/songwriter Russell Baylin is a fan, and as his latest band My My My prepares to release their first album, Little Cat Plays the Alpha Rave, you can't help but smile at that cute little kitten. My My My claims to be suitable for fans of the supergroup New Pornographers, and that is not completely off target, but there are clearly a few more influences in Baylin's sound. His voice has a depth and clarity that is very distinctive and enjoyable, and when mixed with the beautiful harmonies of Sarah Snow the results are magnetic. A perfect example of this can be found on bouncy duet "Middle Age Hardware and Youthful Indiscretions", which has me spinning in circles and jumping up and down. Where the rhythms generally stay up beat, the mood of the album shifts between light and dark, but it can all be shiny kittens and toy pianos. Ultimately, Baylin is one of the strongest unsigned singer/songwriters that I have heard in quite sometime, and Little Cat Plays the Alpha Rave is an album worth checking out.

    My My My will play a record release show for "Little Cat" this Saturday, October 11 at Subterranean with Baby Teeth and Oh My God. Doors open at 9:00 and the show begins at 9:30. Tickets are $12 and this is a 17 and over show.

    Jason Behrends

    Concert Fri Oct 10 2008

    Jamie Lidell at Metro, 10/08/08

    Jamie Lidell

    Jamie Lidell sings to Elvis (Photo by Kirstie Shanley)

    It's not always easy to drag yourself to a show on a "school night." Yet when the show happens to be Jamie Lidell, it's worth the schlep. Wednesday night caught the British-born, now Berliner producer and neo-soul singer at Metro. If you ever get the chance, don't pass up this multi-talented performer who sings like a cross between Stevie Wonder and Amy Winehouse and flips out smooth and tasty beats across five tracks simultaneously. Overarching playful, Lidell's retro-future electronic soul fusion left a stamp of upbeat positivism on the audience, one that's hard to forget.

    Jamie Lidell


    Jamie Lidell (Photo by Kirstie Shanley)

    To understand Lidell just look at his pants. Long and flowing black-and-white striped cotton things, like pajama bottoms. Not so unlike those stocking caps you see in a Dr. Seuss story, only they were stocking pants, overflowing onto his funky pointy black shoes with silver buckles. And to complement this silliness Lidell had on a white tunic-like shirt. Clearly the guy doesn't take clothing seriously, almost like an afterthought. But boy can the guy sing. What Lidell creates onstage reflects the two halves of his musical identity — one part electronic music producer, the other part neo-soul singer. He switches between belting out songs with unabashed emotion, like "Another Day" and "Wait for Me" from his recently release album Jim, to performing in one-man band fashion, from his amalgam of equipment that included two Powerbooks, mixer, fader, sampler and more.

    Jamie Lidell

    Jamie Lidell (Photo by Kirstie Shanley)

    Audience members were of the fashionable, stylish variety. Band members kept the playful theme running high in various costumes — the saxophonist in a red, full-length kimono, guitarist wearing a white jumpsuit and cape. At one point during a particularly free wheeling jam, the drummer jumped down into the audience with a tambourine, rocking along with the boisterous audience. The feel good factor in a Lidell show overall infectious, you can't help but sing and dance along.

    Marla Seidell

    Concert Thu Oct 09 2008

    Apparently, there already was a band called "Wheelbarrow Races"...

    RobBeatty.jpg

    Robert Beatty is known primarily to many noiseniks as the electronic blood flowing through the band Hair Police. For many years, Beatty, an original member of the group, honed his craft within the band's tumultuous live shows and increasingly frightful live shows, fighting through the drums, guitar, and vocal vomit to conjure waves of shortwave attack signals and deep-space transmissions of fear and agony, coaxed out of low-tech and decidedly home-modified instruments.

    As the group honed their nefarious crafts and grew more adept, Beatty's electronics, originally primitive and beepy (triggered by a primitive set of drum machine pads), grew increasingly assured and multi-tonal as he attacked his machines with renewed purpose. Along with his many other band projects, such as Eyes & Arms of Smoke and Sick Hour, Beatty inaugurated his solo project, Three-Legged Race, as an all-electronic ode to the final transmissions from a submarine, sinking deep into the sea with no hope of recovery. Furthermore, his work scoring for the films of Takeshi Murata further reinforces Beatty's desire to travel with equal confidence within academic or visceral music circles.

    This Saturday (October 11), Lampo presents a program of Beatty's work as Three-Legged Race, debuting two new pieces, "Falling Order I and II," for the crowd. Devotees of Beatty's recent work will notice the word "order" as a recurring motif, such as the pieces on his highly acclaimed LP for Tone Filth, Living Order/Mourning Order. It suggests Beatty's redoubled commitment to compositional techniques, in direct contrast to his more improvisational gestures in Hair Police and other groups.

    The new Lampo space is located at 216 W. Chicago Avenue. The show begins at 9 p.m., and admission is $12.

    Chris Sienko

    Album Thu Oct 09 2008

    Brilliant Corners

    Make no mistake, the Chicago quartet Chandeliers are enamored with keyboards and tricky beats in a big way; but thankfully they don't have much truck with the sort of electro or that chincey, flat blog-house fare that's so glutted the indie market these past two years or so. Comprised of various members of local outfits like Icy Demons, Bronze, and Bablicon, they're one of many local projects that's spiraled out of the South Loop-based Shape Shoppe network. After numerous appearances about town and putting out a 3-song EP, Chandeliers have made their full-fledged recording debut with the recent stateside arrival of their debut LP, The Thrush.

    With the opening track "Mr. Electric," Chandeliers lay their aces on the table, giving the listener a strong sense of what's in store. The music glides on a spacey shimmer inspired by vintage Italo-disco, with slight electro and synth-pop nuances billowing to the fore every now and again. The more crafty and complex underpinnings of the band's em-oh, however, reveal a deeper debt to early 70s jazz-fusion and astro-funk (a la Headhunters-era Herbie Hancock). Beneath all the sheen and shimmer, Chandeliers delight in the interplay of contrasts and balances -- the interplay of playing warm tones off versus cold, luster over grit, hefty riding shotgun with lite, and often floating crafty rhythmic shifts and sleights-of-hand against stark drones and subtle modulations.

    Continue reading this entry »

    Graham Sanford

    Concert Wed Oct 08 2008

    My Morning Jacket Postponements

    At last night's My Morning Jacket show in Iowa City, singer Jim James fell headfirst into the crowd and was hospitalized. Tonight's Jim James solo performance at a Barack Obama Victory Fundraiser has been cancelled and My Morning Jacket's sold out Chicago Theater shows later this week have been postponed. There's no word yet on a rescheduling.

    If you really need to see a show on Thursday and/or Friday, may I suggest STNNNG and Cougars at the Beat Kitchen, Kid, You'll Move Mountains and the Fake Fictions at the Bottom Lounge, Silver Jews at Metro or Stereolab at the Vic?

    James Ziegenfus / Comments (1)

    Concert Tue Oct 07 2008

    Review: Wild Sweet Orange @ Schubas

    Wild_Sweet_Orange_1.jpgAs Preston Lovinggood took the stage, acoustic guitar and white sweet towel in hand, he did not look the part. I don't know if it was the well-trimmed hair or the clean shaven face or maybe the sweater worn over a button-up shirt, but he really did not fit the look the of the rest of the band. He talked about how they were glad to be back in Chicago, and how they had spent a month here back February playing a residency at Schubas. Wild Sweet Orange then proceeded to play every song in their catalog, and completely blow the crowd of maybe 90 people away. After that I don't think anyone care what he looked. What draws you into the music of Wild Sweet Orange is the passion, energy, and sincerity that Preston brings to each and every song. Through out the performance the emotion was visible across his face and in his voice, and the band matches that intensity every step of the way. The first of two big surprises came as an electronic beat arose just before Preston launched into "Ten Dead Dogs", and it remained through out the song. It served as almost remix version of the original. The second surprise was the closing track. Preston asked the audience if they wouldn't if they closed on a softer note (having just played "Tilt"), and the crowd applauded the opening notes of "Sour Milk". What was interesting is the band joined in in full force half way through the song, and really rocked what it typically a quiet acoustic song. Preston thanked the crowd, and said everyone had made the launch of their fall tour an enjoyable one.

    Opening the show was Chicago's Otter Petter, and they were extremely fun and entertaining. I had never fully understood the Ben Gibbard references until I saw Michael Pritchard perform live. The sound is as if Ben Gibbard had moved to Chicago and decided to play dusty bar room rock, and there is nothing wrong with that. After Otter Petter, Audrye Sessions changed the mood lighting with bright white Christmas lights. The California group filled the room with their effects and experiments. Every second of their performance was filled with sound, and some of those sounds were quite exciting. For example, I can't remember the last concert I attended with an accordion player. They were the loudest performance of the night, and for me the most surprising.

    Wild Sweet Orange will be on tour with Audrye Sessions through October, and then they will open a few shows for Counting Crows before spending the last leg of the tour with Margot & The Nuclear So & Sos. The tour ends where it began at The Bottom Lounge on November 22nd. Image above by Dominick Mastrangelo (taken at the Bowery Ballroom in New York in May).

    Jason Behrends

    Concert Fri Oct 03 2008

    Spotlights on Headlights

    Headlights.jpgAmong the corn and college students, Champaign's Headlights have managed to create quite a bit of buzz lately. Not only they embarking on a 23 stop European Tour this month, they are also providing the theme music to CNN's election coverage. That's right, all of CNN election promo will feature the song "Get Your Head Around It" taken from their 2008 album Some Racing, Some Stopping. You can check out one of the promos here. In addition, Champaign's Polyvinyl records just announced that the Headlight's will be releasing a remix album on December 9th featuring remixes by several of their friends including Chicago's Casiotone for the Painfully Alone.

    [MP3] Headlights - Cherry Tulips (TJ Lipple Remix) from Remixes

    Headlights will be perfoming at Schubas with Helicopters and World's First Fyling Machine TONIGHT at 10:00pm. Tickets are $10 in advance and $12 at the door.

    Jason Behrends

    Concert Fri Oct 03 2008

    Otter Petter

    Otter.jpgOtter Petter, whose members include brothers Michael (guitar,vocals) and William Pritchard (drums), Jojo Yang (keyboards and vocals), Raphael
    Dussaussoy (guitar), and Alex Barandi (bass), came together in 2005 with the intention of playing indie pop and playing it well. Over the last three years that is exactly what they have done. Releasing their debut ep that same year, this Chicago band started to gain a local following and by the end of 2007 they had tour East Coast and finished recording their debut full-length album. On January 22nd they self-released Fireflies and Lamp Lights which is a perfect blend of roots rock, sugary pop, and more complex indie rock. As they continue to tour and record they grow as a unit, and into a solid fixture of the Chicago scene.

    [MP3] Otter Petter - Motion Picture Sky

    Otter Petter will be opening for Audrey Sessions and Wild Sweet Orange this Sunday at Schubas. The show starts at 8:00pm and tickets are $10 in advance and $12 at the door. This show is 18+.

    Jason Behrends

    Concert Tue Sep 30 2008

    Last-Minute Fun Show Notice: Born Ruffians

    Check out Born Ruffians at Schubas tonight. The show should be fun; Born Ruffians bring lots of energy and have an infectious, jangly sound often reminiscent of Clap Your Hands Say Yeah, if you know, CYHSY grew a pair. Locals Percolator open.

    Go!

    Kara Luger

    Concert Mon Sep 29 2008

    Hot Chip Discount

    hotchipdot.jpgLate notice, but better late than never: Tonight's Hot Chip show at the Metro isn't sold out yet, so the Metro is offering $5 off the $25 ticket price if you order online and use the code "madeinthedark".

    Andrew Huff

    Concert Mon Sep 29 2008

    Going to the London Zoo

    1209436781.jpgIf I was to say that Kevin Martin is a legendary electronic music producer would you know who I was talking about? Much like Scott Herren (Prefuse 73, Piano Overlord, etc.) or Tadd Mullinix (Dabrye, James Cotton, etc) or even Luke Vibert (Wagon Christ, Plug, etc), Martin changes his alias to suit his mood and type of music his wants to create. However, whether it is the free jazz of Ice or the industrial hip-hop of Techno Animal or the hyper dancehall and reggae beats of The Bug, Martin is sure to move the crowd. "I've always exploited my obsession with bass frequencies," explains Martin as The Bug. "How bass moves people, and provokes intense physical reactions." On his most recent release as The Bug, London Zoo (Ninja Tune, 8/08), bass is exactly what Martin throws in your face. It pounds and vibrates and keeps you shaking from track to track. With appearances from Warrior Queen, Flowdan, Tippa Irie, and many more, this album really does feel like a zoo showcasing several different talents over Martin's beats. Regardless of the alias, you can expect to move when standing by the speaker of Kevin Martin a.k.a. The Bug.

    The Bug will be performing with Ghilain Poirier ft MC Zulu and Dj C at Subterranean on Wednesday (10/1). Doors open at 8:30pm and the show begins at 9:00. This is a 17+ show, and tickest are $13.00 ADV. / $15.00 DOS.

    Jason Behrends / Comments (3)

    Concert Fri Sep 26 2008

    LoveLikeFire

    lovelikefire_wall.jpgOver the last two years, San Fancisco based LoveLikeFire has self-released two ep's that have garnered a regional following and a fair amount of blog buzz. Lead by the powerful vocals of Ann Yu, these eps were packed with indie rock anthems and melodies that lead the listener to believe there were bigger things ahead. Earlier this month the UK label Heist of Hit Records announced that LoveLikeFire had been signed and were locked away in San Francisco's Tiny Telephone studios working on their full-length debut.

    Spending the last few months with producer Bill Racine (Mates Of State, Rogue Wave), Ann and the boys (Dave Farrell, Robert Kissinger, and Ted Parker) are ready to hit the road for a 35+ date US tour. A tour that will include an appearance Monolith Festival at Red Rocks, and has them rolling into NYC end of October for the 2008 CMJ Music Festival.

    [MP3] LoveLikeFire - Unlighted Shadows (from 2007's An Ocean in The Air)
    [Video] LoveLikeFire - I Will (Official Selection of SXSW 2008 Film Festival)

    LoveLikeFire will be appearing at Schubas with Star and Seabird on Sunday (9/28). The Show starts at 8:00pm, and tickets are $8. This is a 21+ show.

    Jason Behrends

    Concert Fri Sep 26 2008

    Preview: Cassandra Wilson @ Symphony Hall

    Just when you thought she could just do one style - torch-style jazz, slow blues - she comes with a new way to approach music from another genre's angle. Accomplished singer, songwriter and composer, she visits Symphony Hall at the CSO Friday night. She is promoting her latest, Loverly and may play a bit of "Harvest Moon", her contribution to the soundtrack of "My Blueberry Nights", a critically acclaimed film from this summer.


    -Video - "Harvest Moon (live)

    Troy Hunter

    Concert Thu Sep 25 2008

    Groove Deep: Occidental Brothers and Eternals

    Totally true: The best way to celebrate the end of a week is with hip-shaking. Celebrate this Friday with The Occidental Brothers Dance Band International at Martyrs' at 10 p.m. Their flavorful indie-via-Africa rock makes a perfect companion to the dub/punk/jazz/beat infusion of The Eternals. The show is 21+.

    Kara Luger

    Concert Wed Sep 24 2008

    F***ed Up Friends

    tobacco_1.jpgWith a name like Tobacco you are bound to have a few "F***ed Up Friends". Well, I am sure Black Moth Super Rainbow member Tobacco is not actually named Tobacco, but I do believe he has a few strange friends. One of those friends just happens to be the very talented emcee Aesop Rock who appears on the lead single "Dirt" from Tobacco's solo debut album F***ed Up Friends (Oct. 14th, Anticon). One of the most inventive hip hop songs I've heard in awhile, "Dirt" can be streamed here. As a whole, this album finds Tobacco exploring a darker and more complex sound then that of BMSR. Mostly instrumental and filled with analog synths and monstrous beats, this album takes you from the truck stop to the back woods and makes no apologies for the stops along the way. There are still traces of the sunshine and hazy that abounds in the dreamlike world of BMSR, but in Tobacco's world there is a storm approaching.

    [MP3] Tobacco - Truck Sweat
    [Video] Tobacco - Hawker Boat

    Tobacco will be opening for Why? This Friday (9/26) at The Bottom Lounge. This is an 18+ show that starts at 9:00pm. Tickets are $11 adv $13 day of show

    Jason Behrends

    Concert Tue Sep 23 2008

    See Tom Schraeder @ SPACE for FREE

    This Thursday, 9/25, head up to Evanston to check out one of the area's newest venues — SPACE — and hear the croonings of Chicago performer Tom Schraeder & His Ego to boot. Schraeder, a native of Chicago, brings a solid swagger to the stage with some Austin-influenced Alt-country stylings, and a easy-going relationship with the mic. His voice sounds familiar, in that "we dated one summer", kind of relationship one has with the lead singer in the popular college band. His lyrics have a scruffy honesty that's comforting and comfortable — like an old pair of jeans you just can't be apart from.

    Tickets to the show Thursday are just $10, but thanks to the nice folks at SPACE, enter in "transmission" on their ticketing page, and get in to the show for free!

    Tom Schraeder & His Ego performs Thursday night at SPACE located at 1245 Chicago Ave., Evanston (near the Dempster stop on the Purple Line). Doors open at 8pm, and Scott Lucas (of Local H) and Chris Seleski open. For more info. call (847) 492-8860.

    Anne Holub / Comments (1)

    Concert Tue Sep 23 2008

    5 Years Time

    SetWidth404-shot1100FL.jpgSometimes I like to take a step back when looking at a band and think, "Where will they be in five years?" There's no better band to do that with then England's Noah and The Whale since they themselves like to think about what life will be like in "5 Years Time". There are a couple factors to consider when evaluating a bands potential longevity. The first factor would be their current popularity compared to their current age as a band. Well, Noah and The Whale formed in late 2006, and spent most '07 tour England and playing wherever they could. They released their debut single in late 2007. Their popularity is really off the charts, seeing that their video for "5 Years Time" was added to youtube in June and has received over a million hits in just three months. However, much of this popularity can be attribute the Saturn Commercial featuring their song. If you think back to 2003, the band Jet had a song featured in an I-pod commercial, and seemed to blow-up over night much like Noah & The Whale. Where is Jet today?

    The second factor is the actual music that the band is playing. Is it original, is it something that fans will continue to want, is there room for growth and longevity? After listening to The Whales debut album, Peaceful, The World Lays Me Down, I would have to say yes to all of these questions. They have found a sound that is as timeless as that found on the now 10 year old album, In the Aeroplane Over The Sea. There is love and sadness, fantasy and reality, horrible outfits and big dreams. They have ability to have commercial success and still resonate with the hipster elite. It should be a formula that will endure, but only time will tell where they will be in "5 Years Time".

    Noah and The Whale will be appearing at Av-Aerie for an ALL AGES show on Sept 25th with Light Pollution. Tickets are $5. They will also be performing a free show at Reckless Record on Saturday (9/26) at 6:00pm, and following that up with a show at the Empty Bottle that evening. Tickets for the Empty Bottle performance are $10 advance, $12 at the door. This show starts at 10:00pm.

    Jason Behrends / Comments (1)

    Review Mon Sep 22 2008

    Review: Hideout Block Party

    Even though a sanitation vehicle parking lot may not be the most ideal setting for a summer music festival, the Hideout Block Party is one of the best music weekends in Chicago. This year as part of the World Music Festival, the Hideout's lineup featured acts from Hungary, Czech Republic, Israel and Mali, among others. Last week in Transmission we mentioned some acts that we thought would be highlights. Today we look back on what happened during the last weekend of summer.

    The British garage duo Dan Le Sac vs. Scroobius Pip hyped up the crowd, especially after comparing them to the previous night's motionless crowd in Ames, IA. After that humbling, the crowd got some energy and bounced along to the UK hit "Thou Shalt Always Kill", "Beat That My Heart Skipped" and "Letter From God to Man" that samples Radiohead's "Planet Telex." (The first recognizable notes of "Planet Telex" may have actually received a bigger cheer than for the song.) Following them was the Czech psychedelic rock band Plastic People of the Universe in front of a much larger crowd than their Hideout gig earlier in the week. Clearly inspired by Frank Zappa and the Velvet Underground, the Plastics also sound at times like a coarser and heavier West Coast Pop Art Experimental Band. Unfortunately, they didn't really keep the audience's attention as people drifted in and out of the lot at an alarming rate. But when they were on with the more rock-influenced songs, they sounded fresh, as if the songs hadn't been from nearly forty years ago.



    Israeli metal band Monotonix has been discussed more for their insane live performances than their music. And that may be warranted since their record Body Language is pretty good, but their shows are total chaos. Instead of setting up onstage, they set up among the crowd. A few songs into their set on Saturday, they moved 20 feet. After another few songs, they moved again. Singer Ami Shalev made Les Savy Fav's Tim Harrington look tame while disrobing, crowdsurfing, humping an elephant sculpture and screaming at the top of his lungs. Guitarist Yonatan Gat played a heavy dose of Sabbath-like riffs while drummer Ran Shimoni spent significant time hovering over the crowd on top of his bass drum as his kit was carried around by dozens of hands. Again proving that good bands can become great bands in the right moment, Monotonix was by far Saturday's most entertaining set.

    Continue reading this entry »

    James Ziegenfus / Comments (4)

    Concert Fri Sep 19 2008

    Caw! Caw!

    cawcaw_cd.jpgFormed in 2001, in the halls of an unnamed Chicago high school, the boys of Caw! Caw! have been around the block a few times. They have played the local venues, even the men's room the aforementioned high school, but have never taken the show to the national stage. Originally a punk band, through the years they have experimented with a few different sounds. From atmospherics to jangle pop, this trio has now come to play and record somewhat of a hybrid sound. Still heavily guitar driven, they kick off their first national tour this Tuesday in support of their new ep Wait Outside (Slanty Shanty Records).

    Wait Outside is an energetic set of seven songs about fantasy and escape, with plenty of thoughts about friendship. It is filled with patchwork guitars and driving rhythms. However, one of my favorite aspects is the wonderful cover art by Liz Born. Unfortunately on my copy the cover is hidden by a huge sticker, but if you were to purchase the album at their record release show this Tuesday at the Abbey Pub I'm sure there would not be a sticker.

    [MP3] Caw! Caw! - Organisms

    Caw! Caw! will be performing at The Abbey Pub with Sam Knudson and the Shame Train and Sugarfoot on Tuesday Sept 23rd. Doors at 7pm and show at 8pm. Tickets $6 in advance and $8 at the door. This show is 18+.

    Jason Behrends

    Concert Thu Sep 18 2008

    Na Na Na

    "I stopped thinking in terms of traditional songwriting. I worked on shapes, forms, and textures, scents and colors. Elements which are more earthy and organic inspired me."

    Youtube sensation Theresa Andersson is one talented woman. I say ONE woman because she is able to create every part of her music live all by herself. Every song she performs live is a perfectly orchestrated and choreographed dance with her drums, guitar, fiddle, dulcimer, tambourine, record player, 2 mics and her 30 odd loop pedals. She tracks every instrument and vocals live and loops them within the live performance by operating her pedal loops through out the show with her toes. It is incredible.

    Her debut album, Hummingbird, Go! was released on Sept. 2nd by Basin Street Records. Recording each part herself in her New Orleans kitchen, Andersson then took album to Sweden and left it in the hands of friend and producer Tobias Froberg. While the album was being mixed Theresa needle felted 1,500 individual CD jackets for the teaser EP "I the River."

    Theresa Andersson will be performing at SPACE in Evanston this Sunday (9/21) with Janelle Kroll. The show starts at 8:00pm and tickets are $10.

    Jason Behrends / Comments (1)

    Concert Wed Sep 17 2008

    Review: Paul Weller @ House of Blues 9/16

    [Thanks to Drive Thru editor Robyn Nisi for this review of Paul Weller's recent show in Chicago]

    Weller

    While many music acts from the '80s are living off the fame grid, save for the occasional reunion tour or award show appearance, Paul Weller is still working hard. The former frontman of The Jam and The Style Council has built a very respectable and varied solo career. While his music is popular in Europe, Weller is virtually unknown in the States, despite his unique brand of soul-tinged rock.

    The crowd at the House of Blues last night was sizeable (although not sold out) and for the most part looked like a crowd of middle-aged, well-dressed parents at a football game. Touring for his most recent album 22 Dreams (Yep Roc), Weller is incredible shape, jumping around onstage nursing drinks, and smoking (gasp! Are Brits exempt from the smoking ban?) throughout the evening. His energy matched his set, which covered his career reaching as far back as his days leading The Jam and lasted almost two-and-a-half hours. From the set's opener "Peacock Suit" to the third encore, a cello-tinged cover of "All You Need is Love," Weller's vocals remained strong. The most delightful part of seeing him live is hearing extended, jam-length versions of his songs. "Wild Wood" had an intense, dub-heavy revision, and "Shadow of the Sun" took a trip into Thin Lizzy territory with guitarmonies between him and guitarist Steve Cradock (of Ocean Colour Scene).

    Despite how entertaining and rich his entire set was, the crowd was quiet the entire evening but briefly rallied for Weller's best-known hits from the Jam's era, "Town Called Malice" and "That's Entertainment." Many in the crowd, who were likely fans of Weller's music when it debuted thirty years ago, were now in sport jackets and Dockers jumping up and down screaming in delight alongside Weller's younger fans. As I stood next to a dead ringer for imprisoned former 'N SYNC manager Lou Pearlman who was clapping his hands and dancing on the floor, I thought about a somewhat crass line that comedian Chris Rock has said: "You are always going to love the music you were listening to when you first got laid." It seemed like "Malice" loosened up the self-consciousness of the audience, and despite however awkward it looked, people of all ages finally felt free to boogie, albeit for a few minutes. Weller smiled and danced around himself as the floor went wild for his famous chords. Maybe he had the same nostalgia on his mind, too.
    -Robyn Nisi

    Anne Holub / Comments (4)

    Album Wed Sep 17 2008

    The New Up Comes Home

    thenewup_cd.jpgI know we are in the middle (or maybe the final years) of a raging '80's revival in music, fashion and just about everything else, but is it too early to talk about the early signs of a '90's revival? When I first played the new EP from San Francisco's The New Up I was instantly transported back to the early 90's and began craving my flannel shirts and Doc Martins. Theirs is an irresistible combination of power pop with just enough attitude, "grunge" if you will, to keep you interested. By the end of the 24 minute six track romp that is Broken Machine, I find myself searching for my copy of Veruca Salt's American Thighs, Siouxsie and The Banshees' Superstition, Belly's Star, PJ Harvey's Rid of Me, and even my copy of Bloodletting by Concrete Blonde.

    The New Up, originally formed here in Chicago, are led by the powerful vocals and Linda Perry-like dreads of singer/songwriter Es Pitcher. In 2003 they fled for the warmth and history of San Francisco and released their self-titled debut album the next year. In August they self-released their latest EP, the first of three that will be released over the next 18 month's, Broken Machine (stream). Touching on the "lonely machinery that distracts us from our lives," and themes of pollution and technology, this album is not only packing with 90's glory, but some serious topics as well. Es is supported by guitarists Noah Reid, drummer Jack McFadden, bassist Dain Dizazzo, and the fascinating flautist/electronic wizard Hawk West.

    [MP3] The New Up - Broken Machine

    The New Up will be performing at Reggie's Music Joint on Saturday Sept. 20th with Rock Star Club and Dark Matter Halos. The show starts at 9:00pm and is 21+. Tickets are $7.

    Jason Behrends

    Concert Mon Sep 15 2008

    Third annual Umbrella Music Festival lineup announced

    For the third straight year, the aptly named musician/promoter collective Umbrella Music will bring improvisers and jazz musicians from around the country and globe to Chicago for five days of music, November 5th through 9th.

    The festival is perhaps without peer in the United States in terms of bringing cutting edge European acts to perform stateside, and its emphasis on musical meetings between local musicians and those from other cities and countries adds an alchemical element to the proceedings. The festival will once again open with a free multi-stage evening of performances at the Chicago Cultural Center and then move to venues across the city for concerts.

    This year's festival brings in free jazz luminary John Tchicai, Italian free noise punk power trio Zu, New York based cornetist and composer Taylor Ho Bynum, and Globe Unity Orchestra founder Alexander Von Schlippenbach to town, amongst many others. For a full list of the offerings, visit umbrellamusic.org

    Daniel Melnick

    Concert Mon Sep 15 2008

    I Hear a New World

    promohorizontal_magical.jpgWhen faced with the challenge of picking a band name T. Thurston, like most, was lost. Flipping through the pages of his notebook he found a side note he had written, "Remember the Magic and the Beauty". It was something of a mantra or maybe just a reminder that no matter where are or what has happened or hasn't happened, you have to remember the "magic and the beauty" of life or music or all that you love and enjoy. So what better way to consistently reminder yourself then to name your band Magical, Beautiful.

    A former member of Head of Femur, T. is a veteran of the Chicago music scene. He has played piano for Casiotone for the Painfully Alone, and spent time in a band called Northwest. He has learned something new from each band, and has been creating music on his own for several years now. When performing live, T. gathers a group of like-minded musician to help bring his sound to life. Over the years that has included 14 different individuals, but his line-up tomorrow night will be Charlie Vinz on banjo, bass, and violin; Nick Broste (Shape Shoppe) on organ and trombone; Chris Keener on synth, melodica and vocals; Alance Ward on drums & trumpet. M,B's most recent release was a single called "Right, Rock" which was filled with layered sample, surprising tropical undertones. A 12" Vinyl version of "Right Rock" should be coming out before the end of the year with two new songs on the b-side.

    [MP3] Magical, Beautiful - Right Rock

    Magical, Beautiful will be performing at The Bottom Lounge with The Donkeys, Tim Lowly, and The Armor Class tomorrow night (9/16). The show starts at 8:00pm and is 21+. Tickets are $7 adv / $10 day of show.

    Jason Behrends

    Concert Sat Sep 13 2008

    Still Amerikkka's Most Wanted?

    cube.jpg

    Of existence borne by celebrity, is it better to bow out gracefully or flame out, attempting to keep the streak going while disaffected fans largely turn from you? No one wants to be the one who touts the "return" of a heavyweight when they're not really sure he can stand up to the blows of an ever-changing public. Especially when most of that public last saw him in xXx: State of the Union. You did see that, right?

    Ice Cube's had his hands in a lot of different pots, but his base is being a rapper. He'll still give you the Scowl (which is trademarked). He'll still be backed up by above-average production. What old fans aren't sure of is if this is the end of the caricatured Ice Cube, who was such a departure from his image when he first showed up as a member of NWA in the late '80s. It's a testament to PR efforts that, in this age of questionable "authenticity", where hardcore thugs hawk vitamin supplements and hedonistic rockers find God, he can still produce an album that a few people will check for.

    His constant recreation as cuddly actor to funny straight man and more on the big screen mirrors the change from hard-lined revolutionary to Puffed-out materialism to coast-based set-trippin'. So I guess you can excuse the buying public, especially those that watched him move through these stages, from buying too much into the "he's back! The Ice Cube I used to know and love is back!"

    The rapper known as Ice Cube will take the stage tomorrow night at the House of Blues. His reticence in the past to doing "old shit" may not bode well for those who want "It Was a Good Day" or even "Bow Down." I know, though, that the scowl will still be there.

    Troy Hunter / Comments (1)

    Concert Fri Sep 12 2008

    The Builders & The Butchers

    Builders & Butchers.jpgThe music and imagery that Portland's Ryan Sollee is able to conjure up has the feel of an old southern saloon, a gospel church, and a nursery rhyme all at the same time. Where Colin Meloy wallows in tales of the sea and fictional bird people, Ryan focuses on coal miners, bodies at the bottom of the lake, and blood on the train tracks. In both cases, they are building lore, creating eloquent pieces of fiction and setting them up top music filled with acoustic guitar, accordion, and so on. Yet, The Builders and The Butchers bring an added element of sing-a-long gospel choruses, audience participation, and don't forget the old bullhorn. The Builders' thrive on the audience often distributing tambourines and washboards to get the crowd involved.

    Originally intend to be a band that performed funeral music, Sollee started writing and singing songs about dead relatives, coal mines and the creepiest bodies of water, lakes. As he played these songs for friends they decided to join in and the tempo and mood began to elevate to the level that is today. On June 10th, Bladen Country Records rereleased the bands self-titled debut album that was original released in 2007. They are on tour all month, and a band that should not be missed.

    [MP3] The Builders & The Butchers - When It Rains

    The Builders & The Butchers will be playing at Schubas with The Broken West on Monday (9/15). The show start at 9:00pm and is 21+. However, tickets are only $5

    Jason Behrends / Comments (1)

    Concert Thu Sep 11 2008

    Let's start a Ra Ra Riot

    bark77_500.jpgOne of the trendiest bands around these days is New York's Ra Ra Riot. Their debut album, The Rhumb Line (Barsuk Records), was released last month and has brought an unbelievable amount of praise from the likes of Rolling Stone, New York Times, and of course Pitchfork. Earlier this month the even appeared on the indie friendly Conan O'Brien. They have drawn comparisons to other trendy bands like Vampire Weekend and Noah & The Whale, and musically these comparisons make sense. However, if you are repulsed by the style of Vampire Weekend, but find yourself humming along anyway then this is your band. As strange as it may sound, they actually seemed more concerned with their music then their appearance.

    Highlighted by the fine cello play of Alexandra Lawn, Ra Ra Riot came together in 2006 at Syracuse University. Releasing their debut EP on Rebel Group records in 2007, and were quickly signed to the major label V2. In May they signed to Barsuk, and now are both an indie and major label band, for whatever that's worth. If you are looking for quality cello-based trendy pop then check out Ra Ra Riot tonight at Subterranean.

    [MP3] Ra Ra Riot - Dying is Fine

    Ra Ra Riot are playing tonight (9/11) at Subterranean with Chicago's dance pop duo Walter Meego and Pepi Ginsberg. Doors open @ 9:00 PM and the show starts @ 9:30 PM This is a 17 & over show and tickets are $12.00.

    Jason Behrends

    Concert Thu Sep 11 2008

    10th Annual World Music Festival Chicago

    For the 10th straight year, world music gurus Mike Orlove and Brian Keigher of the Department of Cultural Affairs will deliver a smorgasbord of music from across the globe over the course of 7 days in September. This year's festival runs from the 19th through the 25th, presenting over 70 concerts at more than 20 venues.

    Amongst the large City run public music festivals in Chicago, the World Music Festival stands as a unique event. The format differentiates itself from the Grant Park monoliths, the Blues Festival and Jazz Festival, branching out from Millennium Park to venues across the city. In addition, it's the longest running and largest international music festival in the United States, and the variety and depth of music programmed is truly impressive.

    Given the variety of music being presented a musical preview would be difficult, but to help us navigate the offerings, the Department of Cultural Affairs has made a preview site with audio to check out the artists.

    Daniel Melnick

    Concert Tue Sep 09 2008

    Spiritualized Mixes Old and New; Shines a Light at Metro

    Although it was a stormy Monday evening that for every reason should have been as banal as any other waterlogged expanse of American humdrum, Spiritualized swooped down to lift the roof off emotional stagnation, breathing life and soul into vast internal choirs.

    Grand-Ole-Party-1.jpg

    Kristin Gundred of Grand Ole Party. (Photo by Kirstie Shanley)

    Arrived around half past 8 at Metro. Grand Old Party, who hails from San Diego, kicking out bluesy rock on stage. Singer/drummer Kristin Gundred belts out songs about love and its many vices with full gospel fortitude. Accompanied by bassist Michael Krechnyak and guitarist John Paul Labno, the trio held the audience captive with songs like "Nasty Habits." Note: at this point I took a look around the crowd to find, frighteningly (but in a good way), a sea of doppelgangers all around — quasi-hipster intellectual types bespectacled and thoughtfully listening to the music. More than a handful of guys sporting hooded sweatshirts, and women of all shapes wearing all kinds of (read: in mode) glasses.

    Gundred, a woman with the Herculean vocal prowess of Beth Ditto and the angst of PJ Harvey, a welcome and necessary antidote to recent developments (read: a dangerous anti-feminist V.P. candidate) in actual Grand Old Party. The band's piercing garage band rock fueled by unfettered female disquietude a soothing kind of electrical relief. And doing a solid job of warming up the audience for gospel/space rock of Spiritualized.

    Spiritualized-10.jpg

    Jason Piece of Spiritualized. (Photo by Kirstie Shanley)

    Spiritualized hits on stage around 9:20pm. Jason Piece, wearing a white t-shirt and jeans, and of course sunglasses stands parallel to the audience, still it's the closest I've ever come. I saw them at Pitchfork this summer but this performance starkly contrasts. In a smaller venue Pierce connects more intimately with the audience — he's less of a distant rock star performing on a far away planet before thousands and more of a man pouring out profuse intensity and soaring emotion. And although this time he still didn't utter any words outside his songs, he clapped along with everyone at the beginning and end, and appeared more interconnected with the audience's response.

    Spiritualized-9.jpg

    (Photo by Kirstie Shanley)

    Two gospel singers, also in white, behind Pierce, with Kevin Bales on drums, Richard Warren on bass, Tony "Doggen" Foster on guitar, and Tim Lewis on keyboards. The first song, "Amazing Grace," fills the room with humble, yet soul-baring transcendence. "Shine a Light," from the group's 1992 progressive debut album, Lazer Guided Melodies, follows, a song that aptly sums up the performance: plaintive yet profoundly moving. Unlike at Pitchfork, at which mostly saw songs from the band's recent album, Songs in A&E, predominated, last night saw a good number of the old but good ones, like "Ladies and Gentleman, We Are Floating in Space," and "Come Together," both from the 1997 acclaimed album of the former song title. And songs like "Soul on Fire," and "Death Take Your Fiddle," both from Songs, had the audience rocking out, building into the guitar frenzy (sans gospel singers), because, let's face it: once a spaceman, always one. By the end the audience begging for more, enraptured. Like music in a gospel church, Spiritualized leaves you transformed and transfixed.

    The encore sees the gospel singers return and like "Amazing Grace," which kicked off the show, another spiritual-sounding hymn, "Lord Can You Hear Me When I Call," — from the 2001 album, Let it Come Down, bathes the audience in a particular kind of affectionate light.

    And afterward, out on the street, the storm had lifted.

    Marla Seidell / Comments (5)

    Concert Fri Sep 05 2008

    Telepathique

    photo1.jpgThe first time that I heard the terms "Baile Funk" and "Favela" (which means shanty town) was in 2005 and the release of Diplo's compilation of Brazilian dance music. It was the first compilation that was not published in Brazil. I was hooked by the infectious beats mixed with the tropical feel and DIY punk/underground aesthetic. There was this energy and excitement surrounding the off-key vocals shouted vocals over the dirty dance tracks, and finally it was brought to the public's attention. Since that time the spotlight has been on Brazil, and acts like Bonde Do Role and CSS were instant successes, but now Sao Palo has given us a new act with a slightly different sound.

    Singer Mylene Pires and DJ/producer/drummer DJ Periferico (aka Erico Theobaldo) make up the duo Telepathique, and on August 5th they released their debut album Last Time on Earth (The Control Group). This album, originally released in South America in 2006, is filled with diverse sounds from pure dance, to guitar tinged funk, to electro-hyper-sexual grooves. It's complex, but extremely enjoyable, and it adds a whole new dimension to the music of Brazil. Their live performance is set-up like a hip hop show with the DJ and singer, and they always keep the crowd moving.

    [MP3] Telepathique - Love and Lust (link)

    Telepathique will be opening for Tricky at The House of Blues on Monday (9/8). The 17+ show starts at 9:00pm and tickets run between $25 and $27.50.

    Jason Behrends

    Concert Thu Sep 04 2008

    Dancing with Woodhands

    WoodhandsPAPER036_select.jpgHave you ever gone to a concert expecting to see a great dance band or your favorite electronic musician perform, and all you get is a guy in a hoodie hunched over a laptop? True, the smoke machine wasn't as cheesy as you thought it would be, but you could have lived without see him drink that glass of water during the set. And that video of his cat is not making anyone dance. Translating dance music to the stage is not easy, and you have to put forth a little effort to keep the crowd involved. Toronto's Woodhands is full of effort and they even leave the laptops at home.

    The brainchild of Dan Werb (vocals, synths, drum machines) and Paul Banwatt (drums, vocals), Woodhands has gathered national press in Canada and was tagged as one of 5 bands to watch in 2008 by Exclaim! Magazine. Seeing that their debut album, Heart Attack, was just released last week most of this buzz has come from their on stage presence. Even though their sounds is pounding dance music, fast and fascinating, while on stage they strip it down the roots of the sound. Armed with a keytar and analog synths, Woodhands brings forth the attitude and swagger of glam rock while pounding out their big beats.

    [MP3] Woodhands - Dancer

    Woodhands will be performing tomorrow night (9/5) at The Empty Bottle with The Juan MacLean and Beau Wanzer. The show starts at 10:00pm and tickets are $14.

    Jason Behrends

    Concert Tue Sep 02 2008

    What Laura Says

    WLSLastSup.jpgI'm not sure who Laura is or what she ever had to do with a five piece rock band from Phoenix, but she sure left a mark. She also left behind a wide range of stories and melodies that Danny Godbold (keys, guitar, vocals), James Mulhern (guitar, percussion, vocals), Greg Muller (drums), Mitch Freedom (bass) and Jacob Woolsey (everything else) have managed to condense and package as their debut album Thinks and Feels. In fact, they used to call their band What Laura Say Thinks and Feels, but they decided that was to long of a band name. I suppose some should say something to Alec Ounsworth (Clap You Hands and Say Yeah), but I will leave that up to someone else.

    All of the different parts of the band came together in 2006, and they began working on Thinks and Feels. After self-releasing the album in 2007 they caught eye (or ear) of the young North Carolina collective Terpsikhore. Run by members of Annuals, they were glad to add the band to their growing roster of talented bands and they reissued the bands debut album last month. Musically, WLS blends piano pop with southern flares and classic roots rock. They are easily compared to bands like Cold War Kids or Wild Sweet Orange.

    [MP3] What Laura Says - July 23rd

    What Laura Says will be performing at The Bottom Lounge on Thursday Sept 4th with Dear and The Headlights, Northpilot, and Dorsey. The show is 18+ and starts at 8:00pm. Tickets are $10

    Jason Behrends

    Album Sat Aug 30 2008

    You are such a...

    Shalloboi.jpgI am always amazed by duos that can create massive sounds with just two instruments. Examples that come to mind are The Black Key's and the full on roar of Daniel Auerbach or the room shaking sound of Matt & Kim or The Dodos. If I had just one word to describe the sound of Shalloboi it would be reverb; room filling, ever-growing and growling reverb. This Chicago duo, consisting of Tyler Ritter and Stefanie Goodwin, has figured out a way to capture their impressive sound without too much processing. Recorded through utilizing natural room sounds, mic placement, doubling and pure volume, Tyler is able to use this as an additional instrument. The huge drone makes for an unsettling, but always interesting platform for the hazy and wondering vocals of Stefanie Goodwin. All of the vocal effects were achieved through the use of natural reverbs courtesy of an abandoned stairwell in the apartment building where the band lives and several spaces in the congress theater. I'm not sure if I would want to live in their building, but I love how their latest album turned out.

    Down To Sleep is actually their fifth record, and it took about two and half years to record. The opening track, "The Sun is so Bright" begins like a sunrise, slowly moving and illuminating the edges of the sky. It is clear and clean with faint electronics, tambourine, and whispered vocals. However, at the 4:37 mark the song filled with a forceful and heavy drone. The sound is powerful and unexpected, and it can be followed through the rest of album. Shalloboi is a member is cllct.com so this release and all five of their albums can be downloaded for free.

    [MP3] Shalloboi - The Sun is so Bright

    Shalloboi will be performing at The Empty Bottle on Wednesday Sept 3rd at 9:00pm with A Tundra, Ceiling Stars, and Umbra & The Vulcan Sisters. This show will be the release show for Down To Sleep, and tickets are $7.

    Jason Behrends

    Concert Fri Aug 29 2008

    A Jazz-Funk Fusion at Checkerboard Lounge

    If you want to hear some great jazz Sunday evening and don't feel like fighting the crowd at Millennium Park for Ornette Coleman, head to the Checkerboard Lounge to hear the GMG trio. Featuring special guest Corey Wilkes on trumpet, the Chicago-based trio is comprised of Greg Spero (keys), Graham Czach (bass) and Makaya McCraven (drums).

    GMG sums up their sound as "well-structured, yet improvisatory songs that build and release tension with an energetic frenzy." Their recently released self-titled debut more than lives up to that claimand with Wilkes, artist in residence and board member of the Jazz Institute of Chicago, as the special guest, this performance should be energized and fresh.

    And get there early: The first 50 people to arrive can purchase the GMG debut album for $5 instead of $15.

    Show starts at 7:30. $10 admission, or $5 for students over 21 with IDs.

    Alison Hamm

    Benefit Fri Aug 29 2008

    Bid and Win a Meet n' Greet with the Bird

    Sure, you could sit out all in the Millennium Park glory that is the Pritzker Pavillion on Wednesday, September 3rd along with every other indie music lover in the midwest and wait for Andrew Bird to take the stage for a free show, or, you could put your money where your mouth is, and do some good for the children at the same time. Rock For Kids, the same awesome non-profit organization that helps at-risk youth in Chicago through a variety of music-oriented programs is auctioning off not one but two chances to meet Mr. Bird and sit your butts in some cushy premium seating at his upcoming event downtown. Bid here or here, but do it soon — the auction ends on Monday, September 1.

    Anne Holub

    Album Thu Aug 28 2008

    Slow Gun Shogun's Red-Dirt Delilah Blues -- A Review (of Sorts)


    We here at Gapers Block Transmission aim to cover the local music scene and emerging Chicago artists as much as our resources permit. What follows is the transcript for a proposed review of the new CD Eve, Adam & the Apple by Chicago-based artist Slow Gun Shogun. The editors fanned the CD out to a potential contributor (PC) and an unaffiliated party (UP) in a focus-group styled experiment. What follows is a transcript of the results. Believe it or not, the transcript that follows was heavily edited and abridged in order to remove the more pedantic, digressive, and profanity-strewn passages. Needless to say, we will not be hiring either party for any future assignments.

    - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

    PC: You want another beer?

    UP: Yeah, but I don't feeling like getting up to get it just yet. What have we got?

    PC: Some new CD by an artist who calls himself Slow Gun Shogun.

    UP: Can't say I'm familiar.

    PC: Local guy, apparently. It's a seven-song EP called Eve, Adam and the Apple. Judging from this, he plays a lot of the instruments himself -- one-man band style -- with the help of one "Miss Palanti" on drums. Appears to be self-released, on a label called Devil's Bedpost.

    Continue reading this entry »

    Graham Sanford

    Concert Thu Aug 28 2008

    Remiss? Us? Never.

    Your plans are probably made for tonight; either watching the speech or avoiding it, but we at Transmission would be remiss if we did not mention the Chicago Jazz Festival. Four days of the celebration of a true American art form in a city that's done so much as a showcase and as stomping grounds for its luminaries and its everyday practitioners.

    The Chicago Jazz Festival is being bookended by two legends of jazz; Sonny Rollins tonight, and Ornette Coleman on Sunday night. Both men are nearing 80 and are still creating and playing gigs worldwide.

    Other publications have done excellent recaps of both men's careers; Rollins as possibly the greatest saxophonist alive, Coleman as one of the fathers of free jazz. But we'd like to stress that, while the titans bookend the event, the musicians in the middle aren't slouches. Very few will play "straight ahead" jazz, as that has seemed to fall out of favor in favor of standards and histrionics, but there's something for everyone. Schedule is over here. Here's to hoping that a (mostly) dry weekend will get you out into the sun and into some good music.

    Troy Hunter / Comments (1)

    Concert Thu Aug 28 2008

    Rock the Bash

    Long weekend with nothing to do? Enjoy the last lingering days of summer weather, my friends, at the Bash on Wabash festival. It runs Saturday and Sunday, Aug. 30-31 at 1300 S. Wabash Ave. A $5 donation benefits the Greater South Loop Association. Catch the usual festival fare, including crafts, booths, kids activities, and gobs of bands. Check the music line-up:

    Saturday
    Noon: Columbia R&B Band
    1:10 p.m.: The Artist Formally Known As Vince
    2 p.m.: Margaret Murphy
    2:50 p.m.: The Sleepers
    3:40 p.m.: The Wabash Cannonballs
    4:30 p.m.: Velcro Lewis & His 100 Proof Band
    6 p.m.: The Steepwater Band
    7:30 p.m.: Waco Brothers
    9 p.m.: Mucca Pazza


    Sunday
    Noon: Columbia Rock Band
    1:10 p.m.: School of Rock
    2 p.m.: Cooler by the Lake
    2:50 p.m.: The Stacks
    3:40 p.m.: Indignant
    4:30 p.m.: Todd Hembrook & the Hemispheres
    6 p.m.: North of Memphis featuring Michael McDermott, Vanessa Davis and Howard Levy
    7:30 p.m.: William Elliott Whitmore
    9 p.m.: Murder by Death

    Kara Luger

    Concert Thu Aug 28 2008

    TK Webb & The Visions

    TK WEBB pyramid.jpgMissouri born TK Webb has been on the scene for a few years now, and released his second LP, Phantom Parade, back in 2006. He is no stranger to the stage, and over the years he has found a unique way of combining rock sounds with dirty delta blues. Last summer, Webb decided that he needed a fuller sound on his next record and so he formed The Visions. Consisting of Brian Hale (ex-Love As Laughter) on 2nd guitar, Nic Gonzales (The Comas, Love As Laughter, Blood on the Wall) on drums, and Jordan Gable on bass, they begin a full on rock assault on their new release Ancestor (Kemado Records, Sept. 2nd). They band clearly has gelled quickly, and they will be put to the test on a lengthy cross-country tour in September. Here is what TK had to say about the decision to bring a band together. "It felt like gravity pulling the sound towards being bigger. From solo acoustic to a trio to a four- piece electric group. I found myself surrounded by bland half-baked folk acts and wanted out. This project feels right. It feels like a band should."

    A solid rock album is pretty much what we have come to expect from the New York label Kemado. Since its inception back in 2002 they have released an incredible catalog of intense and obscure rock albums, including releases from Turzi, Witch, Dungen, Langhorne Slim, The Sword, and others. TK Webb's Ancestor fits perfectly in the Kemado catalog.

    [MP3] TK Webb & The Visions - Teen is Still Shaking

    TK Webb & The Visions will be playing at the Double Door this Sunday (8/31) with Roky Erikson and the Explosives and The Wisebloods. Doors open at 8:00pm and the show starts at 9:00pm. Tickets are $20 adv. / $22 dos.

    Jason Behrends / Comments (1)

    Concert Tue Aug 26 2008

    Hideout Block Party Lineup Set, Tickets on Sale

    hideoutblockpartyposter08.jpgThe Hideout announced the full lineup for this year's Hideout Block Party today. The big news is that Neko Case (who, as the legend goes, is a former Hideout bartender) will be headlining both nights. On Saturday, Sept. 20, she'll play with her own band, and will perform unreleased songs from her upcoming album; it'll be her only performance in Chicago this year. Then on Sunday, Sept. 21, she'll play with The New Pornographers -- who are about due for some new material too, come to think of it.

    Kicking off the party on Saturday will be Plastic Crimewave's Vision Celestial Guitarkestra, a do-it-yourself musical experience; last year's performance featured more than 60 performers contributing to a semi-harmonious drone. If you've got an instrument and amp, you can get in for free and play along, provided you arrive by 11:30am. No experience necessary, and yes, you can stick around for the rest of the show.

    One- and two-day passes are now on sale at HideoutBlockParty.com; it's $25 for one day, $45 for both. The full lineup is below the fold.

    Continue reading this entry »

    Andrew Huff

    DJ / Dance Mon Aug 25 2008

    Keeper of the Perfect Beat: Afrika Bambaataa Returns to Chicago

    From the sound of top-40 radio these past couple of years, you'd think that a good portion of the pop-music industry had been taken over by robots. Little surprise that there's been talk in some quarters lately of a grassroots backlash -- something along the lines of a Citizen's Council for a 15-Year Moratorium Against the Use of the Vocoder. But back in 1982 when deejay Afrika Bambaataa and his crew the Soulsonic Force delivered "Planet Rock," synthesized vocals were still very much a novelty. An instant dance-club smash and b-boy anthem, "Planet Rock" was a hybrid of Kraftwerk keyboard riffs undergirded with liquidic rhythms and 808 kicks, and sported a crowd-rousing cybernetic call of Bam asking party people, "Can y'all get funk-ay?" As history shows, the answer was a unanimous yes. Not only did the tune birth a new breed of boom called electro-funk, but it also inspired more than a few producers down South to take a few moments off from contemplating thongs, turn their attention to some other low-end affairs, and engineer the Miami Bass sound.

    It was, however, Bambaataa's work as a pioneering DJ in the 1970s that earned him the title "Godfather of Hip-Hop." And while that may have been three-plus decades ago, he hasn't shown any signs of waxing complacent or slacking off to rest on any honorific laurels. On the decks, Bam's kept his game up. He demonstrated as much when he was in Chicago back in January of last year to spin a headlining set at Smart Bar. He entered the DJ booth donned in a silver lamé hood-and-cloak affair, which he soon shed for optimum mobility as he got busy with the wax and wheels. For the remainder of the night, he threw a long, tight, and relentless set of old-school joints that kept the dancefloor packed and jumping for the full duration. It was lively, it was dope, and it left a good many attendees sore from dancing for a few days thereafter.

    So if you missed it last time, this weekend's your chance to recoup. Afrika Bambaataa will be returning to town to play a headlining set at Smart Bar this Friday night. DJs Tone B Nimble and Intel will be spinning in the warm-up slots. 3730 N. Clark St. Doors open at 10 PM and tickets are $15.

    [video]: Soulsonic Force - "Planet Rock"
    [video]: Soulsonic Force - "Looking for the Perfect Beat"

    Graham Sanford

    Concert Mon Aug 25 2008

    Wham City's Lesser Gonzalez Alvarez

    Lesser Gonzalez.jpgWhen you think of the Wham City Art Collective, what is the first image that comes to mind? For me it is a sweaty, oversized-glasses wearing, dancing Dan Deacon with a robed choir behind him. However, there are many members of the Baltimore collective, and they don't all make chaotic electronic music like Dan Deacon. The collective is home to writers, artists, filmmakers, and more. One member, Lesser Gonzalez Alvarez is both a musician and an artist. Lesser will be releasing his debut album, Why Is Bear Billowing? on Sept. 9th via Carpark Records, and he recently hit the road with Jana Hunter. He is designing the concert posters and t-shirts for tour, and has come up with several great designs. You can check out his other work at thinplastic.com.

    His debut album is a quiet affair, his only accompaniment is an acoustic guitar. It reminds me, at times, of another famous Gonzalez, but Lesser's sound is more whimsical and adventurous. He shows a healthy respect for the classic song structure of the genre of folk music while still moving forward. With songs like "A Twist In The Sky" and "Mostly A Friend", this is a perfect album for this time of year as the season begin to change. He may even bring some of that Cuban heat to your autumn nights.


    [MP3] Lesser Gonzalez Alvarez - Mostly A Friend

    Lesser Gonzalez Alvarez will be performing at Schubas with Jana Hunter and Judson Claiborne on Wednesday August 27th. The show starts at 9:00pm and it 21+. Tickets are $8.

    Jason Behrends

    Concert Sun Aug 24 2008

    Blue Notes from the Bandshell

    Labor Day weekend is upon us and that can only mean one thing -- the close of the city's music festival season with the 2008 Chicago Jazz Festival in Millennium Park. And this year's CJF schedule showcases an especially solid line-up.

    The Festival kicks off Thursday evening at the Pritzker Pavilion with a keynote performance by the venerable Sonny Rollins. Other headlining acts for this year include Latin jazz master Eddie Palmieri, Gerald ("Viva Tirado") Wilson and his Orchestra, and free-jazz pioneer Ornette Coleman.

    Some other noteworthy attractions on this year's billing are appearances by the AACM-/Tortoise-affiliated ensemble Isotope 217, a tribute to the legacy of the AACM as led by Roscoe Mitchell and Wadada Leo Smith, vocalist Dee Alexander joining up with Eight Bold Souls, plus a performance and composer's talk by pianist Vijay Iyer (who's debuting a specially-commissioned piece for the Festival).

    Those, however, are only some of the highlights. If you've yet to see the full schedule, you might want to avoid any of the City org's clunky and byzantine sites and instead dial up the Jazz Institute of Chicago page for the most compact and comprehensive listing. Or just click here.

    Graham Sanford

    Concert Thu Aug 21 2008

    Decibelle Music and Culture Festival is Coming

    Plushgun.jpgSo you may be thinking that you have never heard of the Decibelle Music and Culture Festival before, and you would be right. This actually the 6th annual (and poorly named) Estrojam Festival under a new name. However, the mission of building a supportive artscommunity that inspires, educates, breaks down stereotypes and encourages bold creative expression remains the same. The event takes places September 23-27th, and features headliners as interesting as Miss Kitten, Lady Tigra, writer Michelle Tea, and the newest member of the Tommy Boy family Plushgun.

    It was nearly a year ago that I had the pleasure to meet Plushgun and talk with him about his future. At the time he had this to say, "I would like to get a record deal down the line, more than anything else, it makes the business a lot easier, not to mention distribution. If anything, I just hope to continue making music people like without having to comprise." I am sure he had no idea he would be the only male act in the six-year history of a woman oriented music festival. Regardless, he is a rising star who just sign a record deal last month and a great reason to make it out to this festival.

    Decibelle Music and Culture Festival, formerly known as Estrojam Music and Cultural Festival, is an annual 5-day (9/23 - 9/27), Chicago based, music and cultural festival that has presented hundreds of successful events during the past six years. Decibelle features three concerts, a film festival, literary readings, parties and workshops in Chicago's most popular nightspots. For more information and set times please visit the Decibelle website.

    Jason Behrends

    Concert Wed Aug 20 2008

    Swingin' from the Chandeliers

    chandeliers 2.jpgWith all of the excitement surrounding the local hip-hop scene right now it is all too easy to overlook all of the other quality sounds coming from the city's clubs. One of the most impressive and original "scenes" is what some are calling avant-rock. I've never been one for names or genres but bands like the Icy Demons and Mahjongg are starting to carve a path in sound that is wild, aggressive, and completely fun to dance to. As highlighted in last month's feature by Graham Sanford, a great deal of this sound is stemming from the Shape Shoppe. Chris Kalis, Dan Jugle, Scott McGaughey, and Harry Brenner, otherwise known as Chandeliers, are residents at the Shape Shoppe and they will be releasing their debut album The Thrush via Chicago's Obey Your Brain on October 14th.

    Coming together in 2004, the band has spent the last four years perfecting their live performance. When they arrive at shows they pack no guitars, just synths and drums. This gives them a sound that reaches deep into the '80's and pulls out something fresh. Their impressive and entertaining live show began to attract attention and saw the band sharing the stage with like-minded acts like Jamie Lidell, Cluster, Bobby Conn, and a trip to SXSW to open for Icy Demons and Man Man.

    The Thrush (Obey Your Brain, Oct. 14th)
    1. Mr. Electric
    2. Maldonado
    3. Mango Tree
    4. The Thrush
    5. Big League
    6. Gold Rush
    7. Bamboo
    8. Grafitti
    10. Body Double (UK Mix)

    [MP3] Chandeliers - Mr. Electric
    [VIDEO] Chandeliers - Mr. Electric

    Chandeliers will be performing with Lazer Crystal at The Hideout on August 22nd. The show starts at 10:00pm and ticket are $8.

    Jason Behrends

    Radio Tue Aug 19 2008

    More of The Ex

    If you enjoyed Graham's interview with The Ex's Andy Moor but missed of the band's shows with Ethiopian saxophonist Getatchew Mekuria, you have one more chance: Peter Margasak notes that WFMU will broadcast the band's Wednesday concert at Damrosch Park in New York live. Also on the bill are Extra Golden and Ethiopian singers Mahmoud Ahmed and Alemayehu Eshete performing with Either/Orchestra. Tune in for the online stream at 5pm (6pm EST).

    Andrew Huff

    Concert Fri Aug 15 2008

    Catch the Raven

    In a city where street fairs and festivals are a dime a dozen, it's refreshing to see a new one pop up with a pretty cool name and some good acts too. The Raven makes it debut this weekend at Chase Park (between Ashland & Clark off Leland) with a few stages, lots of bands that would draw good audiences at Schubas or the Empty Bottle, and even a Kids' area.

    Saturday evening is headlined by Minneapolis' music blog darlings Tapes 'n Tapes, who're out promoting their latest record, Walk It Off. The Columbia, MO/Brooklyn sextet White Rabbits plays as a tough act to follow since its members switch instruments throughout their shows, even mid-song. (They're pretty entertaining.) Another Missouri band, the horrendously-named Someone Still Loves You Boris Yeltsin, and Chicago's own Chin Up Chin Up also play on Saturday. Brooklyn's shoegazing Dirty on Purpose and Chicago's poppy M's, whose new album Real Close Ones is fantastic, highlight Sunday's lineup. Local bands Bound Stems, who were at last week's West Fest, and Detholz! also play late Sunday afternoon.

    Gates open at noon both days. A $5 donation goes toward the renovation of Chase Park's playground.

    James Ziegenfus

    DJ / Dance Wed Aug 13 2008

    Dancing Barefoot In Your Head

    In a recent interview, Matthew Dear stated that he feels he doesn't quite fit in anywhere. Not surprising, seeing how he kicked off his musical career but relocating from his native Texas to the more sketchy, metropolitan digs of Detroit. Add to that all of the traveling and globe-trotting he's done as an electronic musician, producer and DJ, and a sense of dislocation or rootlessness is bound be of a part of one's life.

    Chances are, however, that it has more to do with the artistic and stylistic restlessness that's fueled Dear's approach to making music. When recording and performing under his own name or with his band Big Hands, he's specializes in techno-infused pop songs that often fall on the fidgety, slightly soulful, and more moody perimeter of the dance-music spectrum. Imagine David Bowie re-recording Low with the assistance of Jamie Lidell, and you're in the general neighborhood.

    But it's when recording and DJing under his Audion alias that Dear seems to feel most at home. As Audion, he's proven himself a capable and crowd-pleasing tone-twister -- churning out austere tech-house tunes that ride on subtle rhythmic progressions, sultry basslines, and no shortage of crafty digital left-hooks and subtle pop trimmings.

    Those who might've spent some time in the Biz3 tent at Pitchfork Fest two summers ago might've witnessed how Matthew Dear took to the decks and got a tent full of people dancing to their hearts' content. (In 103-degree heat, no less.) This Friday night, Matthew Dear returns to Chicago to spin a headlining DJ set at Smart Bar that'll keep the crowd moving. Joining him on the evening's roster are DJs Daniel Mnookin and Brian Ffar. 3730 N. Clark. Doors open at 10 PM. Admission is $10 before midnight, $15 after.

    [video]: Matthew Dear - "Don and Sherri"
    [video]: Matthew Dear - 2005 profile & interview

    Graham Sanford

    Concert Tue Aug 12 2008

    Kelan Phil Cohran Pays Tribute to Sun Ra

    Kelan, Spiritual Journey (web).jpgKelan Phil Cohran is Chicago's resident musical shaman. His musical history runs the gamut of Chicago experimental music, having been a founding member of the Association for the Advancement of Creative Musicians, the founder of the legendary Afro-Arts Theater run in the late 60s, and leader of the band that spawned Earth Wind & Fire and The Pharoahs from its ranks.

    In addition to his musical progeny, Cohran has also been prolific in his own familial reproduction, and a group of his sons make up the members of Hypnotic Brass Ensemble, a band that got its start playing on the streets of Chicago, eventually moving to New York, and now enjoys gigs playing with hip hop artists like Mos Def.

    Continue reading this entry »

    Daniel Melnick / Comments (4)

    Artist Sun Aug 10 2008

    Taking You There: Anti- Records Announces Release Date for Mavis Live @ The Hideout CD


    Location can be everything, indeed. The best live recordings come from such circumstances, occasions where an artist finds herself at home with a warm, and responsive crowd, and the result is a friendly and intimate interaction between performer and audience. Live albums like Etta James Rocks The House and Johnny Cash at Folsom Prison and Roland Kirk's Kirk In Copenhagen leap to mind, but there are plenty of others in the history of recorded music that serve as evidence to this effect.

    Better yet, there's nothing like returning to a welcoming fold of friends after a long journey. Such was the case when Mavis Staples played a homecoming show at the Hideout this past June. Alighting from an extensive tour, Staples and her band played a 14-song, career-spanning set to a sold-out house. Given the Hideout's modest digs, the crowd topped out at about 200 attendees, making for a cozy and up-close show. Reviews and reports of the performance were radiant across the board, and the Anti- label was on hand to document the whole thing.

    And now from the Hideout and the artist's website comes word that the resulting disc, Mavis Staples Live: Hope at the Hideout, is scheduled for an official release date of November 4th. Check the Hideout's website for the full tracklisting, links to reviews, and photos.

    Graham Sanford

    Concert Wed Aug 06 2008

    Fall Chicago shows trickle in...

    Next season's showlist is beginning to take shape as more and more great acts announce their fall tours. Naturally, you should hold on to summer as long as you can, but give yourself props for living in Chicago as you take note of some of the shows announced recently for the coming months:

    After an overflowing Lolla set, Girl Talk finally arrives at a place that can hold his sound and his fan-base. He'll rock the Congress Theater Sat, Nov 8, @ 7:30. Grab your $15 tickets here.

    Beck sets up some dates at the Aragon Ballroom October 2nd and 3rd in support of the Danger Mouse-produced new album Modern Guilt. Though it was thought for awhile that he may close out the tour here, that honor has moved to New York. Fortunately, MGMT scored the opening gig, so why are you still bummed? Oh right, because tickets are $37.50.

    The Mountain Goats bring their grown-up lo-fi to Park West 10/13 with folk-sters Kaki King. They call the tour "The Last Happy Night of Your Life." That slightly sour taste in your mouth must be the irony.

    Of Montreal certainly created a well-deserved spectacle with their last album and overwhelming performance at the Metro last year. Their live show confirms the brilliant insanity of frontman Kevin Barnes, but gives you no choice but you put your fate in his hands. They'll set out to do it again, this time with a new album and a larger venue I can't even imagine how they'll set out to handle. If you're not at the Riveria 10/27, you best have a note from your doctor.

    Quick(er) List:
    GZA (performing Liquid Swords) @ House of Blues, 9/7
    Stars @ the Riv, 9/24
    Sigur Ros @ Chicago Theatre, 9/24
    My Bloody Valentine @ Aragon, 9/27
    Buckethead @ the Vic, 9/27
    Cold War Kids @ the Vic 10/11
    Against Me! @ the Riv 10/17 **JUST ANNOUNCED: TED LEO AND THE PHARMACISTS will be opening**
    TV on the Radio @ the Riv 10/22


    Cheaper shows and venues generally don't have the luxury of planning months in advance, so stay tuned for more (and better?) shows as dates get closer.

    Emily Kaiser / Comments (3)

    Concert Tue Aug 05 2008

    A-Tappa Tappa Tappa

    When I think of Omaha's Tilly and the Wall, with their sweet boy-girl vocals and indie sing- and stomp-alongs and specifically their tap-dancing "bodily percussionist," I can't help but think of that Simpsons episode where poor Lisa tries to learn to tap (that's episode 246, "Last Tap Dance in Springfield," you nerds).

    I'm sure Tilly and the Wall is far better than Lisa's floundering, but just in case, why don't you go check it out? They'll be playing at the Abbey Pub Wednesday, Aug. 6, along with The Ruby Suns, Star, and Bart Davenport.

    Kara Luger

    Random Sun Aug 03 2008

    Radiohead Needs a Copyeditor

    I am not enough of a Radiohead fan to accurately review one of their concerts. But I am enough of a fan of the English language to know that they need to take a clearer look at their stage show:

    Notice anything around the 40-second mark of that video? "Everything in It's Right Place"? Even one of the biggest bands in the world shouldn't be above proper grammar. Otherwise, I can't be the only person to think that the Field Museum should receive an assist for the unintentionally perfect fireworks display that took place behind Radiohead's headlining Lollapalooza set on Friday evening. The synchronization between those fireworks and "Fake Plastic Trees" was truly trascendent.

    James Ziegenfus / Comments (9)

    Concert Fri Aug 01 2008

    Get Going!

    box_social.jpgMadison’s The Box Social play party rock, and there is nothing wrong with that. Without party rock what would you play at parties? Bon Iver? No, you need that driving guitar, sing-along pop tunes, to get you going. The tracks on their debut full length, Get Going, buzz with youthful energy and excitement, and they try to carry that over to their live performances.


    Lead by singer/songwriter Nick Junkunc, The Box Social, have actually been together in various combination since 2002. Their name is taken from an episode of The Simpsons in which Marge tells Homer "no par-tays, no shindigs, no chiggers, no hootenannies, no mixers, no raves, no box socials!" in order to keep him from holding parties at Mr. Burns's home.

    [MP3] The Box Social - Big T

    The Box Social will be appearing tonight at The Beat Kitchen with American Taxi and Deal’s Gone Bad. The doors open @ 9:00 pm, and Tickets are $10.00 Adv. / $12.00 Dos. This show is 17 & Over.

    Jason Behrends / Comments (1)

    Concert Wed Jul 30 2008

    Lost in Translation

    Really, how wrong can you go with a band named Polka Madre?

    One thing is for sure -- it'd sure help if I'd taken Spanish in college instead of Norwegian (hey, it was North Dakota, okay?) Instead, gringo fans of the Mexican gypsy-polka-punkers have to rely on Google's language tools, which muddles through translating the band's MySpace bios: singer and vocalist Eric is Finnish by birth, and he "Dance on stage and sings like an idiot, according Palera and good friends, in the wave Leonard Cohen and Nick Cave." Meanwhile, Raymundo plays the... er, "battery," and apparently "Junky proudly and vague, leaving everything to surrender to the music."

    Check them out at their show tomorrow, July 31, at the Empty Bottle. If Polka Mother's band members dancing like idiots and playing what may be batteries isn't enough to reel you in, consider the rest of the line-up, including Chicago's own Black Bear Combo and Lamajamal.

    Kara Luger

    Concert Tue Jul 29 2008

    It’s Time for the Percolator

    Thumbnail image for percolator.jpgI’m not sure why I was handed this disc by the band Percolator, it could be my intense addiction to caffeine or maybe it was proximity to the mail box, but nonetheless I am in possession of a homemade disc containing 6 songs by Percolator and 4 song by hometown Jagjaguwar giants Odawas. Local bands take note, this is a very cleaver way to promote a show. In the hand written note the band says they are opening Odawas, one of their favorite bands. Naturally, I expected to hear some influence or similarities, but to my ear there were none. Percolator has a raw, basement band sound, full of energetic bass lines and pop melodies.

    The tracks on this disc were taken from their full-length debut album, Man is Not a Bird!, which they currently have streaming on their website. The album was self-recorded last year and self-released last month, and is rich with a multitude of styles culminating in a solid debut. If all of that was not reason enough check out this up-and-coming band their logo/mascot/illustration should put you over the top. I’m not sure what it all means, but I love looking at it!

    Percolator are opening for Odawas tonight (yes, tonight, 7/29) at The Subterranean. It is a 21+ show and tickets are only $8. Also appearing are The Four Kicks and The Grownup Noise, and the show starts at 8:30pm, but doors open @ 8:00.

    Jason Behrends

    Concert Sat Jul 26 2008

    He's the DJ...

    JazzyJeff.jpg

    At last week's Pitchfork, Chuck D noted that some people didn't know that Will Smith used to be a rapper named Fresh Prince. And to add unto that wisdom, Jazzy Jeff wasn't always the bumbling friend, but also a world renown DJ and producer.

    Will Smith doesn't rap much any more, but DJ Jazzy Jeff keeps doing his thing. This Thursday, as part of the BlackBerry Luxe Club Series, Jeff will man the 1s and 2s at Lumen, 839 West Fulton Market. Get your RSVP on and see how professionals do it. Even those you may have seen on TV. Show starts at 9.

    Troy Hunter

    Concert Fri Jul 25 2008

    No Sophomore Slump from this David


    A young singer/multi-instrumentalist sounds similar to a revered music figure. Hardly a press item about the singer's debut album fails to mention the vocal likeness. Even the production is reminiscent of that on the idol's best records. It's a lot to live up to when everyone's gut reaction is to compare the two - the 22-year old from Michigan and the dead glam rock star from Britain. Yet the debut receives critical praise. The Moonstation House Band may have led to David Vandervelde mentioned in the same sentences as Marc Bolan a lot, but Vandervelde himself would probably say he's been influenced more by Emmit Rhodes.

    On the forthcoming Waiting for the Sunrise (Secretly Canadian; August 5), Vandervelde calms down a bit and turns out a perfect summer record. While "Lyin' in Bed" and "Knowledge of Evil" bring to the table some of the electricity that "Nothin' No" and "Jacket" injected into Moonstation, the vibe on Sunrise is generally more in line with 70s pop (as first single "I Will Be Fine" makes clear) than glam or power pop. However, in the past, Vandervelde and his band have been much more raw live than the records would suggest.

    David Vandervelde performs at Schubas on Sunday, the 27th. The show starts at 9PM with Danny Black opening and admission is $10.

    James Ziegenfus

    Concert Fri Jul 25 2008

    FestFestFest

    wpf_title.gif


    One of the reasons I really love Chicago in the summer is all the shit there is to do. As eloquently as that was just stated, it's true. There is so much free music going on in the city, from the Music Without Borders at Millennium Park, Stevie Wonder at the Taste, and every neighborhood throwing together their own street fest loaded with some pretty solid names. Radius clauses aside, there is always a good show to go to, no matter where or when.

    This weekend is no exception, with the Wicker Park Fest setting up shop at the intersection of Milwaukee and North. The lineup hits all bases on the head. Hip hop DJ Bassnectar, who holds his own huge cult following, headlines on Saturday night. Electronic Barcelona DJ Prefuse 73 and experimental instrumentalist Daedelus also share the stage on Saturday. Two music stages make this a bigger fest then most (and only one stage smaller and 40 dollars cheaper than another festival). The North stage holds a more indie cast of characters, giving us Chicago favorites the 1900s, Bishop Allen, and Ra Ra Riot. Sunday brings more of that local indie effort with Aleks and The Drummer, Maps & Atlases, and Algernon. The Dub Trio have too much metal in their jams to accurately follow their name, but it's some strong rock either way and will hold it down Sunday evening.

    Keeping reading for full details...

    Continue reading this entry »

    Emily Kaiser

    Album Wed Jul 23 2008

    Darkness on the Edge of Town

    LocrianTransmission.jpg

    Above: Locrian. Inset: Cover of Greyfield Shrines LP (Diophantine Discs)

    Like a raven perched on an electrical transformer, Locrian summon elemental human dread, the type hinted at in medieval passion plays and Shakespearean dramatic interludes, but do so electrically, without the pretense of ancient wisdom or nostalgia-laden "spectral folk." The duo of Andre Foisy and Terrence Hannum stalk the barren forests (or maybe not, since the cover of their LP contains a picture of an abandoned shopping mall…"Leave the City," anyone?) with delay-laden guitars and round, full, low-end synth textures. Although their music is steeped in darkness, Locrian never condescend to the darkness, nor do they invoke it cheaply or take shortcuts to bring us there. Each summoning is done carefully, thoughtfully, and with considerable toil.


    This week, Diophantine Discs releases Greyfield Shrines, the band's debut vinyl LP.

    Continue reading this entry »

    Chris Sienko

    Concert Wed Jul 23 2008

    Booty Up

    daw_promo5fulllarge.jpg


    Travis Wiggins, aka Essex Chanel, is one busy bastard. He's continuously recording and performing his solo work, and still finds time to work on other projects, including The Summer Salts and Fetla.

    Check out the Essex Chanel show at Schubas on July 30; after all, the Dancing at Weddings release was a good time, so there's no reason the show won't rock. The Summer Salts will also be performing, along with The Zerostars. Free Essex sampler CDs go to the first 100 people to show, so get there good and early.

    Kara Luger

    Concert Wed Jul 23 2008

    World Class Jazz in Millennium Park

    paulinho.jpg

    Another summer, another incredible series of jazz concerts in Millennium Park. This year's series starts tomorrow, July 24th, and spans six concerts that will bring an incredible variety of free programming to Chicago residents and tourists. From an Iraqi maqam-jazz hybrid concert featuring Chicago native Amir ElSaffar to a tribute to Sun Ra from Phil Cohran, this summer's programming promises a diverse and high level of music in every instance.

    Continue reading this entry »

    Daniel Melnick

    Concert Mon Jul 21 2008

    Pitchfork in Pictures

    King Khan & His Shrines-5442

    King Khan (photo by George Aye)

    Working through the night, our fearless photographer George Aye has compiled 72 hours of Pitchfork Music Festival mania into some really tremendous photo sets on flickr. It's a great way to slide into your Monday (or to try and remember how you spent your Saturday afternoon). We've got you covered, Pitchfork Festival, from Animal Collective to !!!.

    If you've got great Pitchfork pictures to share, load them up to our Transmission pool on Flickr, where we're always glad to see your Chicago music pics!

    (Keep an eye out here in Transmission for more Pitchfork recaps later today.)

    Anne Holub

    Concert Sun Jul 20 2008

    Blucka Blucka Blaow.

    Once upon a time, in a section of Brooklyn called Browsnville, two dudes got together and decided to make hip-hop. So in 1993, they released their debut single, "How About Some Hardcore?" and fans worldwide reacted to the promise of violence not seen since Onyx. Billy Danz and Lil Fame brought unfocused anger to the masses in the form of Mash Out Posse, or M.O.P. for short.

    For a while they toiled in relative anonymity outside the Northeastern corridor. After a series of albums, mixtape appearances, and general mayhem, then came "Ante Up: Robbin Hoodz Theory". That success brought their brand of New York tinged wilding and an admittedly grimy aesthetic to pockets of hip-hop preciously infatuated with the G-funk and materialism prevalent in 2000. In fact, "Ante Up" was a direct response to the bling, promising the stripping of said consumer goods if common sense was not exercised.

    And, thanks to Scion's Live Metro event series, where an online RSVP will get you in, M.O.P. brings it to Chicago tomorrow night. This will not be a place for hipsters standing on the wall. The duo has no auspices to pop credibility, let alone sensibility. There will be adrenaline. It will be hot, muggy, kinetic, and violent.

    Even Bert and Ernie get into it. They won't be at the show, though.

    RSVP here. 21 and over, show is supposed to start at 9:30.

    Troy Hunter

    Concert Thu Jul 17 2008

    Pitchfork Preview Night @ Millennium Park

    Didn't get your act together to make it to this years Pitchfork? Don't want to fork over the cash for another summer hipster fest? Tonight's latest installment in the Music Without Borders series at Millennium Park should be enough to whet that indie appetite for awhile.

    While it may be a bit of a stretch for a "world music concert series", the Pitchfork Music Festival Preview night, which goes up in just a few hours, features four acts who will all be at the festival as well, but are giving us just a little sprinkle for taste in this free preview. Taking the stage tonight will be the the indie band from space, Fleet Foxes, representing Elephant 6's international/ polka constituent, A Hawk and a Hacksaw, a "Gypsy brass band" found in Boban Markovic, and Thrill Jockey's own Extra Golden.
    It's a wonderful day outside, get out and enjoy the free rock.

    Pitchfork Music Festival Preview Night
    Music Without Borders Concert Series
    Jay Pritzker Pavilion
    TONIGHT, 6:30
    w/ Fleet Foxes, A Hawk and a Hacksaw, Boban Markovic, and Extra Golden.
    **FREE**

    Emily Kaiser

    Concert Thu Jul 17 2008

    Revolution of the Heart

    EdHarcourtweb.jpgHow would you define the word prolific? How does five albums in six years sound? London musician Ed Harcourt has done just that, and his fifth, The Beautiful Lie, may just be his best yet. Recorded on an eight-track in his grandmother's house in Sussex, on a piano made for her back in 1917, with the drums set up out in the hallway, this album echoes with warmth and maturity. At the age of 30, Ed is finally coming to terms with life and love, and as with most people, he does not always like what he sees. He has questions like, will you love me when I’m old, and why are good friends so hard to find? Yet, the honesty in his voice and the beauty of his music leaves the listener believing that all of this is more than just a beautiful lie.


    [MP3] Ed Harcourt - The Beautiful Lie

    Shifting from piano driven pop to heart breaking ballads to stadium anthems, Ed Harcourt has crafted a brilliant album, and you catch him live tomorrow night (July 18th) at Schubas with Jeff Klein. The show statrts at 10:30pm, and it is 21+. Tickets are $12 in advance and $14 at the door.

    Jason Behrends

    Concert Wed Jul 16 2008

    Carpooling for Carbon Offsets (and Rock)

    Often when a small band makes a plea for you to buy their merch at a show, they'll remark that all the cash they make from the t-shirts and CDs is going to go directly into their gas tank so they can continue on their tour. In the reality of nearly $5/gallon gas, it's a wonder that some small bands are able to go on tour at all.

    The other side of that coin is when you're a bigger band, already headed out on tour, maybe in a bus or a two, you're going to make a pretty big carbon footprint as you motor around the country. Or, if you're a band that draws a lot of fans, or playing a gig (e.g. festival) that will draw a large audience, the very people who love you the most are going to leave the biggest carbon footprint. In light of that, at least a few artists heading to the Chicago area are trying to minimalize their impact on the environment.

    In a fan newsletter out today, Andrew Bird (who'll play for free in Millennium Park Sept. 3) is requesting that fans help to reduce the show's carbon footprint by traveling to the show via footpower, bikes, or public transit.

    [A new version of a video for Bird's song "Lull", featuring Chicago band Dianogah, from the Daytrotter Session is here.]

    In a style true to their minimalist indie-rock moniker, Duluth, Minnesota group Low is using a portion of ticket presales for their Sept. 17th show at Epiphany Episcopal to pay for carbon offsets for their fall tour.

    [A video for Low's song "Breaker" can be viewed here.]

    Do you think about your carbon footprint when you head to a show? How about an out-of-town festival (or for that matter, a Chicago one)? Would you consider changing your travel plans (or buying carbon credits) based on the environmental impact?

    Anne Holub

    Contest Wed Jul 16 2008

    Contest: Three Days of Pitchfork

    Don't have your tickets to the Pitchfork Music Festival yet? How's a three-day pass for free sound? We've got a pair to give away, courtesy of Boost Mobile -- just email contests@gapersblock.com with the subject line "Pitchfork Booster" by 5pm today. We'll choose a winner at random from the entries received. Be sure to include your name, phone number and an address where the tickets can be overnighted to you if you win. UPDATE: We have a winner! Congratulations to Jen!

    Andrew Huff

    Venue Tue Jul 15 2008

    Mahjongg, HEALTH, others play Hideout Pfork after-parties this weekend


    Drums and wires: Mahjongg

    The guys in the L.A.-based noise-rock outfit HEALTH haven’t exactly made things easy for anybody, least of all themselves. First there’s their choice of a Google-that-again name, and the fact that their debut album of last year threw the trend jockeys for a loop with all of its abrasive jolts, asymmetrical arrangements, and spectral vocals. Throwing another curveball into the mix, the band managed to somewhat placate pop-minded listeners when they recently released the follow-up HEALTH//DISCO -- a bubble-wrap remix affair in which artists like Crystal Castles, Acid Girls, and Drop The Lime gave the band’s debut a club-oriented workover.

    HEALTH will be playing this Friday night at the Hideout. Better yet -- in an act of astute matchmaking for the evening’s billing, they’ll be appearing alongside Chicago’s own electro Afro-funk experimentalists Mahjongg. Both groups will be performing early on the Sunday schedule for Pfork Fest; but if you’d rather experience both groups in the more cozy and conducive confines of a club, Friday’s show makes for an ideal opportunity. Alex & the Drummer are also slated to play. Doors open at 10 PM and tickets are $10.

    For Saturday night’s post-Pfork soiree, the Hideout will be hosting a special edition of their Saturday night dance party event. To celebrate being named “Best Dance Party” by the Chicago Reader, the Hideout’s throwing a big eight deejay pile-up of a throwdown. Scheduled to spin for the evening (in order of appearance) are: DJ Treetop Lover, the East of Edens Soul Express DJs, Gutterbutter DJ Logan Bay, Bald Eagle and Mother Hubbard of the Life During Wartime DJs, and Smashing Time DJs Mary Nisi and Carrie Weston. It all gets underway starting at 9 PM and admission is free.

    For further details, see the Hideout’s website, and our own feature run-down of this year’s Pitchfork lineup.

    [video]: HEALTH - live (via Pitchfork TV)
    [video]: Mahjongg - "Teardrops"

    Graham Sanford

    Concert Tue Jul 15 2008

    Please Don't Call Them Cute...

    nownoweverychildren_promo4.jpgOne look at Justin Schweim (bass), Bradley Hale (drums, vocals), Cacie Dalager (vocals, guitar), and Britty Hale (keyboard), and you may think you understand why this Minneapolis band is called Now, Now Every Children. However, don’t let their height or their baby faces fool you, they do pack a very potent punch. Bouncy keyboards and jangly guitars mesh with the Cacie’s soft yet powerful vocals. Yet what has brought them the most attention has been their silly and original videos that attempt to not only introduce themselves to their fans, but to also befriend their fans. Since February they have released two eps, and now are in the studio recording their debut full length.


    [MP3] Now, Now Every Children - Everyone You Know

    Check them out tomorrow night at Reggie’s Rock Club as they take a break from recording. They will be appearing with Section 4, Mother Electric, and You. The show starts at 8:00pm, and is 17+. Tickets are $5 adv $8 day of show.

    Jason Behrends

    Concert Fri Jul 11 2008

    Killing Me Quickly (with their song)

    Sicalps.jpg

    Sic Alps killed me in just over 90 seconds - it didn't take much time at all. The 1:30 slice of perfection in question is "Bells (with Tremolo and Distortion)," off of their recent Description of the Harbor 12-inch (don't bother looking, it's long gone, unless you've got $75 and an Ebay username to spare) and it just nailed me - it's like a breath of air straight out of Lenny Kaye's record cellar, a lost psychedelic Nugget(s) lifted from obscurity, dusted off, and then killed and reborn anew, because it's not a cover, it's a new song with moves for moderns. The main lyric is pretty much one line: "I don't care 'bout what you say/meet me down on the lawn, lawn lawn," and that might not even be how it goes! The singer drawls the last word so exquisitely, it's hard to tell. Or care. (Youtube video here…count the visual music references/influences!)

    Continue reading this entry »

    Chris Sienko

    Concert Fri Jul 11 2008

    Feel the Urge.

    Urge Overkill may have had some blows in the '90s when they pissed off a few people and then bombed when their stock was highest post-Pulp Fiction, but the missed potential doesn't erase the fact that for a few years they had the ingredients to be a highly successful American rock band and often delivered excellent results. Even nearly twenty years later tunes like "Ticket to LA" and "The Candidate" sound remarkably raw yet accessible, in a way that anyone who lived and loved alternative rock in the early 90s would know. But that was a long time ago that they took those blows. After a seven-year hiatus ending in 2004, Nash Kato and King are the centerpieces of an Urge Overkill perhaps not so bent on the things that led to their downfall a decade ago. Now they just rock out as veterans with a certain panache.

    Chicago garage rock quartet Suffrajett has been rather quiet since their 2007 album Black Glitter. They'll open and hopefully showcase glimpses of what they've been up to since then. Lonesome Cougar also plays. Doors open Saturday at 8PM at Bottom Lounge and $20 gets you in for the rock'n'roll.

    James Ziegenfus

    Concert Thu Jul 10 2008

    The Power of Three


    American Ghost Dance: These Are Powers

    The hometown three-piece Pit Er Pat will be poking their heads up to play a headlining set at the Hideout this Sunday evening. No doubt that they'll be treating everyone to some selection from their forthcoming album High Time, which is due out on Thrill Jockey in October. Word has it that the band has (once again) been exploring new territory with the music lately, gravitating to a more guitar-oriented, dub-inflected sound. Here's your chance to get a preview dose.

    Another great reason to catch the show, however, would be the self-described "ghost punk" trio These Are Powers, who'll be playing a supporting set on the billi. For the second summer in a row, These Are Powers are taking a summer off from their usual Brooklyn haunts to hiatus in Chicago. After last year's summer stint, they took Brenmar Someday drummer Bill Salas into their ranks before heading back to home base. Judging from their new Taro Tarot EP, Salas was the ideal candidate the position. Bassist Pat Noecker and guitarist Anna Barie have crafted a bewilderingly intense and inexplicable sound -- filled with spark-spewing noizoid fret-firings and harrowing caterwaul -- that made their freshman album Terrific Seasons one of the most impressive (if not slightly amazing) underground debuts of 2007.

    All of this'll be happening at the Hideout this Sunday evening. Pit Er Pat are headlining, with These Are Powers playing just beforehand. Waterbabies opens. Admission is $10 and the doors open at 9 PM. 1354 W. Wabansia.

    [video]: These Are Powers - "Chipping Ice" (video shoot)
    [video]: These Are Powers - "You Come With Nothing" (live)

    Graham Sanford

    Concert Tue Jul 08 2008

    Symptoms may include: Dizziness, giddiness, muscle aches...

    The stateside interest in vintage psychedelic pop from deep Southeast Asia has been brewing for nearly a decade -- first thanks to the Cambodian Rocks series of compilations and all of the similar bootleg series that followed. Then up sprouted the Bay-area band Neung Phak and the Los Angeles sextet Dengue Fever. The latter was former band was founded after Ethan Holzman and his brother Zac made a trip to Cambodia and discovered the decades-old music that still predominated jukeboxes and airwaves throughout the country. After finding prize vocalist Chhom Nimol in the Little Phnom Phen district of L.A., Dengue Fever ideally rounded out it lineup and got to work building a repertoire of psych-tinged Khmeri cover tunes.

    The band's 2005 sophomore LP, Escape From Dragon House, attracted a large amount of praise and media coverage -- resulting in a number of profiles and interviews on NPR, as well as landing them in the role of subjects for the documentary film Sleeping Through The Mekong. The recent release of the band's third album, Venus On Earth, has stirred up yet another wave of enthusiastic press. Admittedly, a few critics are bemoaning a few recent tweaks in the band's em-oh -- particularly their recent decision to start writing their own songs, and to perform some of those songs in English. Nonetheless, the band's music has hooked a big audience and they continue to sell out venues whenever they go on tour. This Friday night, they'll be making an appearance on the top of the bill at the Empty Bottle. The local pan-global, new wave WTFster outfit Brilliant Pebbles are slated to open for the evening. The show starts at 10 PM, and tickets are $14. 1035 N. Western Ave.

    [video]: Dengue Fever – "Seeing Hands"
    [video]: Dengue Fever – "Sni Bong"

    Graham Sanford

    Benefit Tue Jul 08 2008

    Rock with Tortoise, get warm fuzzy feeling, 7/12

    Act quick, and get cheap $10 tickets to see world-renowned Thrill Jockey artists, indie rock innovators, post-rock experimentalists (and Chicago boys) Tortoise (read our review of their 2006 box set A Lazarus Taxon) at the Empty Bottle this Saturday, 7/12. The catch? Only a potential windfall for Stella Ackerman, the daughter of former Bottle employee (and member of Lustre King) Craig Ackerman, who has an undiagnosed blood disease. Proceeds from the (nearly sold out) show will go towards the Ackerman's medical bills and cancer research.

    Tortoise plays the benefit show for Stella this Saturday, 7/12 with special guests Tight Phantomz and Disappears starting at 10pm. Tickets are $10 (limited number) and $15 after that. Questions? Ask the Empty Bottle, 773-276-3600.

    Anne Holub

    Concert Thu Jul 03 2008

    Speaking of the Dead...


    LVMusicFest_web_08.gif


    Chicago summers sure love street fests, and the holiday weekend edition packs an exceptional punch. The Lake View Music Fest takes place this Saturday and Sunday from noon to 10 P.M. It's centered on Sheffield & Addison in the heart of Wrigleyville, where some of the best music already hits us on a regular basis from no-mention-needed venues like the Metro.

    Headlining the event Saturday night will be Grateful Dead drummer Mickey Hart's newest project, the Mickey Hart Band. Not bad for a little ol' Chicago street fest, huh?

    Sunday's headliners are the substantial Chicago jazz ensemble Liquid Soul. Go see them. Seriously.
    Other acts include grooving, Les Claypool-style bassist, That 1 Guy, who will be opening for Buckethead on tour in the fall, and Daryl Stuermer, some dude who is completely unknown until I tell you that he played guitar for Genesis and later Phil Collins' solo tours.

    A funnel cake, some generic handcrafted jewlery, and warm summer evening should top off this more mellow version of Independence Day celebration (as compared to crowds, beaches, and great balls of fire).
    Food, capitalism, music. It's American, dammit.

    Keep reading for the complete lineup and event info...

    Continue reading this entry »

    Emily Kaiser / Comments (1)

    Concert Mon Jun 30 2008

    F#$% Yea Yeah

    99.jpgFor many bands the idea of playing two shows in one night might be completely unrealistic, but not for Brooklyn’s darling duo Matt and Kim. In fact, Chicago fans may remember the two separate performances that they rocked at last years Lollapalooza, and how appreciative and energetic each set was. In the last two years, Matt and Kim have toured the world, and brought their vibrant smiles and fast-paced pop punk to crowds of all sizes. To think they started out touring in support of their debut self-titled album in 2006 by playing house shows, and now they are headlining a very aggressive festival tour.


    The F Yeah Tour consists of 28 shows in 27 days, and 26 people traveling in a '92 Bluebird bus running on vegetable oil. It is possibly the worst/best idea ever. It is a festival that combines music, comedy, and art, and in years past had only taken place in LA late in August. However, it was also the goal of curator 22 year old Sean Carlson to take the show on the road. So with bands including Matt & Kim, Circle Jerks, Dillinger Four, The Death Set, Monotonix, Crystal Antlers, Dan Deacon, Paint it Black, Team Robespierre, Brother Reade, Japanther, Brutal Knights, Totally Michael, Mannequin Men & more the Bluebird bus will arrive in Chicago on July 3rd. The Chicago line-up will include music from Matt & Kim, Monotonix, Team Robespierre, Mannequin Men & Crystal Antlers, comedy by Nick Flanagan + Hannibal Buress, and artwork from Space 1026. $12 / 7:00pm / All Ages / Stan Mansion / 2408 N Kedzie

    Matt & Kim will also be playing at The Hideout on July 3rd as part of a free (RSVP only) show presented by Colt 45 with The Death Set and Hollywood Holt. For more information and to RSVP visit Colt 45.

    Jason Behrends / Comments (2)

    Concert Mon Jun 30 2008

    This Thursday: Charm City art-rockers hit the Bottle


    Free-form sampladelic mo-fos: Wzt Hearts

    Vibrant independent music scenes don't just sprout up overnight. They're nurtured, they grow, they evolve through the efforts of a number of artists and participants.

    Case in point: Baltimore, which was recently ranked as having the nation's "Best Indie Scene" by Rolling Stone magazine. When I had briefly lived in Baltimore about five years ago, the scene in question was starting to gain momentum. There were, however, only a couple of legit venues to accommodate all of the homegrown creative energy that was brewing in the city at the time. It wasn't enough to provide ample room for the variety of local bands that were coming together, let alone to book many of the notable out-of-town artists who came knocking. So people would pull together and find some way to make things happen -- often utilizing one-off, makeshift, or non-sanctioned venues. Sometimes this situation led to ideal experiences; such as being able to see Godspeed You! Black Emperor play in an abandoned church, or being one of only fifty people to circle up and face off with Lightning Bolt's brain-flattening blastitude close-up at an unannounced show in someone's warehouse loft space.

    Such was the nature of the scene that the experimental Baltimore outfits Wzt Hearts and Thank You evolved out of. Various members from each group are involved in operating the city's current loft-space venue, Floristree. They're also closely allied with the Wham City collective, and both bands frequently tour and perform together. Wzt Heart's second album, Threads Rope Spell Making Your Bones, was released several months ago on the Carpark label, while Thank You's sophomore album has just appeared via Thrill Jockey. Both bands have been invariably described as "psychedelic," which seems fair enough if put in the tradition of psychedelia's tendency toward leave-no-sound-untreated sensory overload.

    Continue reading this entry »

    Graham Sanford

    Concert Thu Jun 26 2008

    Gonna be a Big Star

    Haley_Bonar_3.jpg“They all hate you tomorrow when no one buys your single…”

    How do you judge success in the modern era of music? Who is a star and who is not a star? One of the main concerns musicians and pr companies have when dealing with on-line media is whether or not the buzz or hype will actually translate to supportive fans. If you believe that it does, then the “Most Blogged Artists” section of Hype Machine would have more meaning then the Billboard Top 200, and we all know that Girl Talk is not out selling Coldplay. In fact, he is releasing his latest album for free. So who is the “Big Star”?


    On the title track of her fourth studio album, 24 year-old, Haley Bonar takes an interesting look at the music business. She tells the tale of a musician whisked away and promised the world, only to be dropped when sales don’t meet expectations. It is this view that may explain her loyalty to the small Minnesota label, Afternoon Records, that has released each of her albums. It is clear that the main focus of this young star to make quality music that she can be proud of, and not to be launched and dropped like so many others. The quality of “Big Star” shines through on each intimate track, as she tells the stories of life and the need for substance.

    [MP3] Haley Bonar - Big Star

    Haley Bonar will be opening for Hayden on Saturday (June 28th) at Schubas. Tickets are $15 and the show starts at 10:30pm. This is a 21+ show. Images above courtsey Dominick Mastrangelo.

    Jason Behrends

    Concert Tue Jun 24 2008

    Save the Date: 12th Annual Block Party @ Hideout Announced

    blockParty2008saveTheDate.jpg


    It’s June, it’s wonderful, and you’ve just initiated your official summer kickback session. But before you sink into some soft summer grass where you will remain lackadasically wonderful for the next two months, take one last moment to plan ahead slightly. This week the Hideout announced the lineup for their 12th Annual Block Party scheduled to close out a promisingly solid Chicago summer of music. The outdoor festival, dubbed an “increasingly international local music festival”, will take place outside the Hideout on Wabansia Sept 20 - 21.

    Continue reading this entry »

    Emily Kaiser

    Concert Tue Jun 24 2008

    The World At Your Doorstep

    Chicago is blessed with some of the best free public music programming in the country, if not the world. In addition to the incredible array of music programmed in the festival format, the series that occur in Millennium Park provide access to top notch jazz, world, and classical music for the whopping price of free.

    This week brings us two incredible concerts in Millennium Park, both part of the Music Without Borders series programmed by Department of Cultural Affairs music guru Michael Orlove. Come out and enjoy the serene setting and soulful sounds by an array of Dominican musicians on Thursday and the African music superstars Orchestra Baobab on Saturday.

    Continue reading this entry »

    Daniel Melnick

    Concert Sat Jun 21 2008

    Triple Optics: Dilated Peoples @ Double Door

    When people say they hate rap, they usually point at any number of commercially successful residents of the gangsta sub-genre. Citing the overwhelming negativity, all rap becomes these guys, even as a plethora of other artists slog through and make good music.

    Dilated Peoples, the three man operation from Los Angeles, has long held the battle standard for the underground hip-hop sub-genre, rocked the Double Door last night. Opening acts 88 Keys and Aceyalone did their thing to varying effect (note to aspiring artists, if you forget your own damned lyrics, you better cover it up pretty well).

    In my own preview of the show, I wrote that DJ Babu, the turnablist extraordinaire, wasn't expected to show up. In their previous visits to the Chi, he wasn't there. Oh, but he was definitely in the place last night, as the video feed projected to two huge screens focused on his hands and lyricists Evidence and Rakaa powered through a mix of old favorites and new material. Dilated's set was high energy which weren't doused by low microphone levels.

    Overall, a very good show played in front of an appreciative crowd by artists who keep it decidedly non-gangsta. "We're proud of this underground shit," Evidence said. And we're happy to partake of it.

    Troy Hunter

    Artist Thu Jun 19 2008

    The Black Angels Deliver Neo-Psychedelic Rock to the Masses

    directions-big.jpg

    I first learned the word chiaroscuro in a poem written by an architect. It has to do with a notable use of light and shadow, and I think it's a lovely way to describe the album built by Austin-born Black Angels, Directions to See a Ghost. Yes, they've got the guitar drone thing going on, but it's delivered in that appropriate ethereal way that comes along with the moniker of neo-psychedelic rock. Even their name, derived from the Velvet Underground's "The Black Angel's Death Song" is appropriate, given their dreamy, far-away lyrical delivery, and the way their songs conjure up of some Warhol Factory-esque room with too many pillows and not enough ashtrays.

    The Black Angels psychedelic voice is stronger and more developed than their cousin — the indie shoe-gaze band. They've played Lollapalooza ('07) and SXSW ('08) to critical acclaim, and they're just perched (absolutely perched) on the verge of something big here. You're not likely to catch them on the radio, as most of their tracks span well over four minutes, but you get the feeling from the album that this band is just not all that into radio play. This is the album you're going to break out at 2am and groove to on your futon. It's the one you're going to play while you drift off to sleep (and likely have some pretty amazing dreams with this as your soundtrack). The album itself, plays like a oil wheel light show, infused with sitar ragas and some really interesting percussion work. The Black Angels are delivering psychedelic rock that not only honors its roots, but provides listeners with a cleaner, more delicious sugar cube.

    [mp3]: The Black Angels – "Doves" (from Directions to See a Ghost)

    [mp3]: The Black Angels – "The First Vietnamese War" (from Passover)

    The Black Angels play Logan Square Auditorium, 2539 N. Kedzie Ave., Friday, June 20. The Warlocks open at 9pm. Tickets are $15.

    Anne Holub

    Concert Wed Jun 18 2008

    Here are My Hands

    Venna.jpgIt was nearly a year that I saw Wisconsin’s Venna open for Page France. Playing to a crowd of twenty, the group, powered by the vocals of Heather Hladish, sat in chairs in front of the stage and played a beautiful acoustic set. Seated next to Heather was husband and guitar player Marky Hladish (The Felix Culpa), and you could tell by their occasional glances and grins that these songs were crafted with love and passion. As Heather sang the chorus of "Eulogy", “here are my hands”, I realized that this was her offering to the world. These songs were an intimate extension of her, who she is and who she wants to be.


    That night they handed out free homemade demo ep’s wrapped in paper bags, tied with red string, with a Venna pin on top. Inside there was a vintage postcard, a hand-written note, and the 3 track demo. It was clear that this band had a sense of presentation that was both honest and crafty. Now as they release their official debut ep on Chicago’s Common Cloud Records this flare for presentation has been carried forward. The beautifully printed cardboard case came wrapped in green twine only adding to the mystery of what might be inside. The booklet inside was creatively photocopied and hand-stitched with green thread mapping out the lyrics in an interesting way. The six songs on the ep include a rerecorded version of “Eulogy”, but also songs like “Paper” that expand their sound instrumentally. Crafted with care, this is an exciting debut from Heather and Marky’s hands to yours.

    Venna will be opening for Cotton Jones Basket Ride on June 21 at The House Café in DeKalb, IL. The show starts at 8:00pm and tickets are $8.

    Jason Behrends / Comments (1)

    Concert Tue Jun 17 2008

    Jim Ward's New Direction


    Over the last ten years, Jim Ward has contributed to a couple bands who've garnered massive amounts of praise. As the head behind Sleepercar, he's ventured rather far from those origins with an album, West Texas, sounding nothing like anything he's been involved with before. Instead of post-hardcore reminiscent of Fugazi or Quicksand, West Texas is, oh, a bit more geographically stereotypical for a band from... west Texas. It draws from Gram Parsons and reminds listeners of the Bottle Rockets or Old 97s more than, say, Helmet.

    While there are still moments (notably "Sound the Alarm") where Ward lets his past slip into West Texas, there is hardly anything on the album to link him back to his other bands. The alt-country leanings showcase a brand new side to his songwriting. The grand structuring of a genre he admits to being relatively new to shows off his ability to work outside of his old comfort zones. Or perhaps he's just a late bloomer.

    Sleepercar headlines the Empty Bottle on Wednesday. Chicago bands Dollar Store and Talldarkstranger open. The show starts at 9PM and admission runs $10.

    James Ziegenfus

    Concert Tue Jun 17 2008

    Dukes of the Ionosphere

    Over the past five years or so, plenty of people have, thankfully, gotten the heads-up that there's far more to the Norwegian music scene than black metal. Be it the leftfield nu-jazz explorations of Jaga Jazzist, the sonic experimentation of Maja Ratkje, or the brooding synth-pop of 120 Days, Norway's been an engine of creative musical energy for well over a decade now. And now it looks like it might be time for one of the country's best-kept secrets to get some overdue recognition. The Trondheim power trio Motorpsycho have been in action for over 15 years, and now have a dozen albums to their credit; but it's only due to the release of their latest CD, Little Lucid Moments, on the Rune Grammofon label that they've started to get some attention from beyond their native shores. Rising to the occasion, Motorpsycho will be playing in Chicago this Sunday as they hit the U.S. for a rare stateside mini-tour.

    As far as Motorpsycho's music goes, the labels "psychedelic" and "prog" have been consistently bandied about, and comparisons to mid-period King Crimson have been numerous. Fair enough, especially given how the band -- as demonstrated by Little Lucid Moments four tracks -- favors lengthy, ambitious songs and complex arrangements. But, to their credit, Motorpsycho don't seem to have much truck with many of prog's parochial jazz-, blues-, and Canterbury-rock clichés. They also pass on the usual spacious, fusion-derived grooves, opting instead for a tightly-coiled, dynamic rhythmic center -- a controlled frenzy that's brilliantly sustained thanks to the recent addition of former Gåte drummer Kenneth Karstad. In fact, it's fair to say that the trio is most impressive when they kick everything into high-velocity mode, which they do at least half the time, pushing everything into overdrive while guitarist Hans Magnus Ryan's buzz-riffage spills and sprawls and aims for the uppermost altitudes. It all testifies to some uniquely seasoned musicianly stamina, and to why the band might be one of the more impeccably-named outfits currently striding the Earth. As far as power trios and points of comparison go, the melodic hyper-chugging chords that crop up in parts of the album's 21-minute title bring to mind later Hüsker Dü -- with all the crafty alt-pop leanings -- but if the Hüskers had kept with their earlier punk/thrash ethos of shooting to set the land speed record.

    Motorpsycho headline this Sunday night at the Empty Bottle, in one of only three stops on their current tour of the U.S. Grails and Nadja open. 1035 N. Western, Doors open at 9 PM. Tickets are $10 in advance, $12 at the door.

    Graham Sanford

    Concert Mon Jun 16 2008

    Free Show! Free Show!

    R-1266508-1205162936.jpegWho ever said you can’t get something for nothing? True, the free concert is a rare event, mainly because cd sales are down, and full time musicians need concert attendance to pay the bills. However, this Wednesday the Toronto-based duo of Ethan Kath and Alice Glass (a.k.a. Crystal Castles) will perform songs from the self-titled debut for free! It doesn’t seem like it was that long ago that they came through town with Health and completely blew me away. As their set begin the house light were cut, it was pitch black as Ethan began to play. Slowly, he built a melody that echoed through the darkness, building to a massive breaking point. As the music erupt a lone strobe light was turned on, and Alice began to jump and scream. For the next hour she did not stop jumping, occasionally swinging the strobe from her neck, the show was a non-stop dance party.


    Opening for Crystal Castles, is the soon to be buzz band Chicago’s Pretty Good Dance Moves. They are re-releasing their debut Ep on July 15, and then doing a KEXP in-studio on July 16. Pegged as a trendy dance act, PGDM will prove the world wrong by showing their depth and range and the ability play a wide range of styles. This trio blends electronic music with just the right amount of organic elements to create an exciting brand of music that will allow you to bring out your best dance moves (or at least your pretty good ones).

    Crystal Castles, Pretty Good Dance Moves, LMNOP, and Franki Chan will be performing for free at The Double Door on June 18th. A $10 suggested donation is appreciated. All contributors will receive a limited edition silk screen show poster and partial proceeds will go to benefit Rock for Kids. The doors open at 8pm and the show begins at 9pm.

    Jason Behrends

    Concert Fri Jun 13 2008

    A Night in the Box

    anightinthebox_promo2.jpgIt is all too easy to listen to a band and drop them into a category or comparison, and then just leave them to fade away. On first listen, Write a Letter (May 27th Afternoon Records) from A Night in the Box, has very familiar sound in some parts. The band is billed as raw blues-rock fusion, but the vocals of Clayton Hagen come across a combination of Jimmy Page, Jack White, and the frizzy haired guy from Wolfmother. This is not a bad thing by an means, but I don’t want make this band sound likea Led Zepplin cover (see Lez Zepplin) because the newly added violin play of Kailyn Spencer has helped this band create something unique and very compelling.

    Rounding out the band are Alex Dalton and Travis Hetman, and Alex, Travis, and Clayton have been friends since high school. Each member of the band sings on this album only adding to the complex nature of their sound. With banjos, harmonicas roaring, and guitars wailing, this Minnesota band prides itself on its live performances. Don’t miss their trademark fidoras or their soulful blues music!

    [MP3] A Night in the Box – The Rich Man’s Table

    A Night in the Box will be appearing at Elbo Room on June 15th with Bad River, Dynamic Box, and Malace Finn. The show starts at 8:30pm and tickets are $7. All shows at Elbo Room are 21+.

    Jason Behrends / Comments (1)

    Concert Fri Jun 13 2008

    Where's the Ikea? (a travelogue of my trip to Sweden)

    HULT_Logo_08.jpg

    I can add up all the good promo loot I've received from music blogging on one hand. There's the Asthmatic Kitty t-shirt, the hundreds of promo cd's and the occasional sticker or button. Except for that t-shirt I could take `em or leave `em. In fact I no longer accept music cd's as a format. So when I was offered an expenses paid trip to Sweden, as a result of the Swedish indie pop music blog I write, I thought at first it was some kind of cruel joke. But now as I sit here in an apartment outside of the Hultsfred festival grounds it's all starting to sink in.

    Hultsfred is Sweden's largest summer festival on par with Lollapalooza and Pitchfork. They have international headliners like Rage Against The Machine and Babyshambles, but I'm primarily here to see the Swedish acts. However at 2:30 am on Saturday the Chicago hip hop group The Cool Kids play. I've promised my editor here that I'll cover that but let me just repeat that start time - 2:30 AM!! We'll have to see about that.

    So far we've been treated like royalty (or "starbloggers" as Swedish National TV called us in this interview) with a nice two day stay in Stockholm and now a three day trip to Hultsfred. My first two impressions about Sweden were the amazing number of babies - turns out they're in the middle of a baby boom and just the amount of greenery that covers the land just minutes outside of Stockholm. It's a beautiful country.

    On to the music. One of the best (small, undiscovered) Swedish bands I've seen so far has been Little Marbles. as I've written elsewhere they somehow bring together elements of MIA, Mystere De Voix Bulgare and the best of Swedish twee. They're an unbelievably young duo from Gothenburg. Here's there single from their just released debut EP.

    [mp3] Little Marbles - Melon

    Oh and p.s. they've never heard of Ann Sather's over here.

    More from Sweden soon...

    -Craig Bonnell

    Anne Holub

    Concert Thu Jun 12 2008

    Local Pride

    Like your alt-guitar rock a little poppy, a little on the early-90s-strong-female-vocals side? Well, buddy boy, you're in all sorts of luck. Not only do Chicago-based trio The Locals fit that very bill, but they're also playing a show at the Elbo Room to celebrate the release of their CD, Big Picture. The rocking shall commence on Saturday, June 14, with Bon Verba, Apteka, Dropmore Scarlet, and Welcome to Ashley also playing that night. Check The Locals' website for more deets.

    Kara Luger

    Concert Wed Jun 11 2008

    Rising Starr

    fevermarlene-2.jpgIs it just me or do a lot of best and most genuine bands go virtually unnoticed? In the matter of one calendar year Milwaukee’s Fever Marlene has released two albums (Civil War 6/07 and White China 3/08), and both are filled with a combination of catchy pop tunes and soaring anthems. Lead by the vocals and song writing of Scott Starr, these albums are filled energy and an honesty that is truly magnetic. Once they find the right crowd the possibilities are endless.

    I believe that every music fan has at least one band that has turned them into die-hard, completist, screaming, crying fan. You own and know every song, b-sides, imports, soundtracks, and you find yourself saying things like “There is just something about his voice,” or “She can do no wrong!”. It is an unexplained phenomenon how a band can affect someone so deeply and leave another with a blank stare. For me the voice of Scott Starr has caused this strange chemical reaction. Musically, Fever Marlene is a blend of electronic beats and organic instrumentation placing them somewhere between Walter Meego and Colin Meloy. It is a very enjoyable blend that I am sure Chicago fans will enjoy and embrace.

    Fever Marlene will be appearing at the Double Door this Friday (June 13th) in support of Donita Sparks with The Prarie Spies and Waste. Doors open at 8:00pm and tickets are $10 adv/$12 dos.

    Jason Behrends

    Concert Mon Jun 09 2008

    Well Pressed

    Chicago is at its sultry, sweaty best in the summertime. Perhaps that's what Quarterstick's latest find, The Uglysuit, had in mind when they recorded their dizzy, summery single "Chicago." Although the boys are really from Oklahoma City, the poppy, if not a bit hippily, lush chorus serves well as an anthem for anyone, anywhere.

    Catch the crew as they swing through Chicago at the Hideout on Saturday, June 14, prior to their debut release in mid-August. The Uglysuit will be playing alongside the likes of heavy psych-southern rockers Pontiak and boy-girl hushed-pop duo Wye Oak.

    Kara Luger

    Concert Thu Jun 05 2008

    Party in the Park! See ya there at noon. Every Monday.

    Every Monday from June 16th until the end of summer (August 25th), plan to spend a midday hour or two at the Pritzker Pavilion. It's there, from 12:15 to 1:30pm that Millennium Park, the Chicago Department of Cultural Affairs and the Pitchfork Music Festival will present the annual Audible Architecture: Chicago Nightclubs at Noon lunchtime performance series. Typically a week-long event, the series expands this summer with each show a joint presentation between Pitchfork and one of this city's leading clubs or promoters.

    There are some mighty good bands on this, certainly a few that we recommend skipping a corporate lunch or two to check out. Hell, bring your CEO along. I'm sure he'll enjoy it.

    June 16th--Bird Names, presented by Bottom Lounge
    June 23rd--Gary Higgins, presented by the Abbey Pub
    June 30th--Killer Whales, presented by mP Productions
    July 7th--Le Loup, presented by Schubas
    July 14th--Bill Callahan, presented by JAM Productions
    August 4th--Tortoise, presented by The Hideout
    August 11th--TBA
    August 18th--The Ex with Getatchew Mekuria, presented by the Empty Bottle
    August 25th--Habib Koite & Bamada, presented by Martyrs'

    Nicholas Ward

    Concert Tue Jun 03 2008

    Plan Your Tuesdays on the Terrace

    Picture yourself on a beautiful summer day, lounging on the back terrace of the Museum of Contemporary Art, listening to local, world class jazz musicians while sipping on a finely mixed cocktail. Not only is this a possibility in Chicago, it happens every Tuesday from today, June 3rd, all the way through the end of September. There's no cover charge, and the programming is top notch.

    Best of all, it's perfectly timed for your after work drink, running from 5:30 till 8 PM just as the sun starts go to down. Tonight, Corey Wilkes will kick off the series, a special event for him since it is also his birthday. In addition to repeat performances from Mr. Wilkes, the series will feature local legends like Fred Anderson, Dee Alexander, Ari Brown, and Jimmy Ellis, in addition to younger acts like Josh Berman, Jeb Bishop, and Greg Ward.

    The full schedule for the summer follows.

    Continue reading this entry »

    Daniel Melnick

    Concert Mon Jun 02 2008

    I Love Math

    Who doesn’t really? All of those numbers, symbols, equations, you throw in geometry, and it is a party on the page. All right, I know school is out, and no one wants to talk about math, but I think we can make an exception for a certain band out of Dallas, TX. I Love Math is a project combining three parts The Deathray Davies (bassist Jason Garner, keyboardist Andy Lester, front-man/guitarist John Dufilho) and one parts Old 97’s (drummer Philip Peeples). On their sophomore album, Getting To The Point Is Beside It (Glup Records 5/27/08), Dufilho has not only found the right combination of band members, but he has also discovered the formula for making a quality rock album.


    That formula rests solely on the principle of “simplicity”. Dufilho (also the drummer for Apples in Stereo) had this to say about this principle “Mostly, I wanted to write and record a very straightforward album. I wanted it simple, to the point, and didn't want to hide behind effects pedals, distortion, studio tricks, or irony". This is further applied by the bands unwritten rule, “No Cymbals!”. So yes, there are rules, formulas, and principles involved but you can leave you calculators at home, and simply enjoy the product that is I Love Math.

    [MP3] I Love Math - Some Bridges Are For Burning

    You can catch I Love Math with Old 97’s and Hayes Carll at the Metro on Thursday, June 5th. Doors open at 7:30pm for this 18+ show and tickets are $22.

    Jason Behrends

    Concert Sat May 31 2008

    "I'm an artist, and I'm sensitive about my shit."

    From beginning to end, last night's show at the Chicago Theatre brought what concertgoers what they expected, which was energetic and engaging performances from two Grammy winning acts, all wound into a great four and a half hours. The Roots are supporting Erykah Badu on this Vortex Tour, and perhaps one of the few disappointments in the performance was that the two musical forces of nature didn't do "You Got Me." The disappointments were few and far in between, and the sold-out crowd seemed to enjoy every minute.

    Continue reading this entry »

    Troy Hunter

    Concert Wed May 28 2008

    Take One for the Team

    One for the team 2.jpgRecently signed to Militia Group, Minnesota's indie-pop masters, One for the Team, arrive here in Chicago tomorrow night (5/29). This spring tour, that they find themselves on, is intended to build a little hype around their Militia debut Build It Up (out August 19th). Their first album, Good Boys Don’t Make Noise, was released by lead singer Ian Anderson’s record label Afternoon Records back in 2006. You see Mr. Anderson is more than just a pretty face on stage, he is also more then just the owner of a label, Ian also runs his own pr company (Vitriol Promotions). In addition, he is a blogger over at MFR, and he is a soon to be published writer.


    Enough about Ian, One for the Team is a band right? With Grace Fiddler (Battle Royale) on vocals and synth, John Krueger on Bass, Elliot Manthey on Drums, and Bill Caperton on Guitar, this is a band and a great one at that. Musically, they create a unique form of pop that is always shifting and extremely danceable. The first single from the new album is entitled, “Best Supporting Actor”, and immediately brings forth a feeling of fun and pure joy.

    One for the Team will be appearing at Beat Kitchen with The Days on Thursday Night (5/29) @ 9:00pm (doors). The show is $8 and is 17 and over.

    Jason Behrends

    Concert Tue May 27 2008

    Get on Your Horse and Ride!

    daytrotter_red-back.jpgWith the weather finally starting to turn around, the pools starting to be filled again, the schools finally freeing all of the young minds, and the mosquitoes still in slumber, there is no better time for a road trip. Now that you have traded in your SUV for that Prius, you are no longer concern with gas prices. What’s that, there is a five month wait for the Prius? Well I am sure the fine folks over at Daytrotter would suggest horseback as a suitable way to arrive at any of their upcoming shows.


    Daytrotter is one of the premier live music websites around. Combing indie music, well-conducted interviews, and weekly in-studio performances, they are one of the best music sites in Illinois. Their studio is based in Rock Island (3 hrs outside of Chicago), and to promote their cause and quality indie rock they have invited a string of bands to play at Huckleberry’s Pizza Parlor (223 18th St, Rock Island, IL 61201).

    There latest set of shows kicks off tonight with the LA trio, A Faulty Chromosome @ 7:00pm.

    Continue reading this entry »

    Jason Behrends

    Concert Fri May 23 2008

    $hort Dog's in the house.

    Credited as the West Coast's first rap success by allmusic, Too Short started out indie, had some popular singles, and has now settled into his own "mack/playa" sensibility. Going from selling albums out of the trunk to celebrating 20 years as a recording artist at a major label is quite a leap.

    If you're a Too $hort fan, then you've known this was coming for a while and I'm not teling you anything new. You've probably also responded alreday. If this is the first you've heard of him, watch the two videos to his hits that gained some mainstream attention and don't bother RSVPing. Too $hort isn't for everyone, and I don't think he's making new fans at this point. It may be good people-watching, and the slow-flow funk Short Dog delivers may inspire you to move your ass.

    As part of Scion's ongoing "RSVP and get in for free!" concert series, Too Short will be at the Metro this Tuesday. Doors at 9; show at 10. RSVP here.

    -video: "The Ghetto"
    -video: "Life Is...Too Short"

    Troy Hunter / Comments (3)

    Concert Wed May 21 2008

    The Life Here

    yea_big_and_kid_static_1_thumb.jpgWhat good can ever come of insults and hatred? Well, if you ask Yea Big (Stefen Robinson) or Kid Static (Moses Harris Jr.) plenty. You see this energetic Chicago duo formed on a local hip hop message board in 2005, where Yea Big was taking a beating and Kid Static (formerly of The Cankles) stepped in and asking the young deejay to collaborate with him. Static says, “He’s doing the music I always heard in my head”. The duo hit the road, Yea Big with his trademark runner’s outfit and glitch-hop style and Static flowing effortlessly night and day.


    Their debut self-titled full-length album (Jib Door Records) was released last October to mixed reviews, but there is one undeniable truth they are just having fun. They have found a balance between ‘80’s party rap (De La Soul, Pete Nice & CL Smooth, Nice & Smooth) and the glitch-hop of today (Prefuse 73, K-the-I???, etc.). On a song like “The Basement/Enfant Terrible”, for example, the beat is consistently shifting and bubbling through the memories that Static is rapidly firing. As the fear mounts, the beats build to almost a frantic pace as the 2 minute song comes to an abrupt end. Sixteen tracks in 34 minutes is no easy feet, it is rapid fire all the way and their shows are filled with same energy. Overall, Yea Big + Kid Static’s debut album is fine addition to the ever growing wealth of new wave hip hop coming out Chicago. These two are on the same level with The Cool Kids, Kid Sister, Lupe Fiasco, Rhymefest, and so on, without question.

    This duo wraps up a lengthy tour on Friday night (5/23) at The House Café in DeKalb, IL. Take an adventure down I-88, the show starts at 8:00pm and the line-up includes Son Of Starkiller / Egon's Unicat / Frequency En Mass with Yea Big + Kid Static headlining. Tickets can be purchased here and they are $6.

    Jason Behrends / Comments (1)

    Concert Tue May 20 2008

    Blood On The Wall vs. the Pop-Rock Narcotic

    Make no mistake, the trio Blood On The Wall are a buzz band -- as in they buzz, howl, grind, and spew out the jams like nobody's biz. For that they've whipped up a small but deeply enthusiastic following; but their rep has yet to fully spread far from the thereabouts of their native Brooklyn. Aside from netting some attention from high-profile slots opening for the Yeah Yeah Yeahs back in 2006 and a spate of appearances at this year's SXSW, the band's unstable existence has kept them off the road a good bit over the past couple of years. Their third album, Liferz, came out on the Social Registry label some five months back and was greeted with yet another round of enthusiastic responses, but the band is only now getting around to taking it across the country on an extensive tour.

    Judging from how lathery some folks have been getting over the band, it seems that Blood On The Wall are giving critics and fans something that they've been wanting but haven't been getting from the recent glut of punk-funk/art-rock/navel-gazing indie fodder. Chances are that it's the way the trio delivers blasts of deliriously frayed and paint-blistering guitar spuzzeroo; the sort that's backed up with all manner of twisting and flailing in the rhythm department. Admittedly, BOTW's sound very much harkens back to the glory days of the late-80s post-hardcore/underground scene (think Dinosaur Jr., early Sonic Youth, Scratch Acid, The Pixies, et al.); meaning that those more seasoned listeners who possessed open ears about two decades ago will probably feel very much at home -- and maybe gratefully so.

    Blood On The Wall play at the Empty Bottle this Friday night. The evening's opening bill sports Philly "ambient-pop" shamblers The War On Drugs, with local spacerock stalwarts Grimble Grumble on hand to get things started. 1035 N. Western. The show starts at 10 PM, admission is $8.

    [mp3]: Blood On The Wall - "Hibernation"
    [video]: Blood On The Wall - "Reunite On Ice"
    [video]: Blood On The Wall - "Baby Likes To Holler"

    UPDATE: Unfortunately, Blood On The Wall has canceled, but The War on Drugs and Grimble Grumble are still playing.

    Graham Sanford

    Concert Fri May 16 2008

    The (Weird) Kids Are Alright

    It seems like spring is taking its sweet time to warm up, right? Head to the Weird Kids Night dance party at the Darkroom to dance in the summer with their teensploitation summer beach party!

    What the hell do we mean by "Weird Kids," you ask? Well, toss together top-notch local DJs from the Hump Day Mobile Unit spinning dance-worthy beats along with oddball kids music (think the Chipmunks, funky Sesame Street, and Miss Piggy's awesome 80s-era Jazzercise album) and live performers such as Jason
    Trachtenberg of the Trachtenberg Family Slideshow Players, Brooklyn-based saw-and-piano duo Ching Chong Song, The Cathedrals, and Perfect Masters. Oh, mix in drink specials and you got yourself a sweet little fake, one-night vacation getaway.

    The weirdness kicks in on Monday, May 26, and is 21+.

    Kara Luger / Comments (1)

    Concert Fri May 16 2008

    Concert Review: Duran Duran @ Rosemont Theater

    DDredElevatorred_120.jpgArriving an hour early, I had plenty of time to take in the beauty and class that is the Rosemont Theater. The grand chandelier, the plush carpet and winding stairway to the balcony, all add to the ambiance. The posters adverting Lord of the Dance and Disney Playhouse, all of the grade school aged kids walking around with their parents… wait I thought I was here for a rock concert. True, the crowd was diverse and slightly aged, and the Rosemont Theater is not going house the next Crystal Castles or Black Kids concert, but I was still anxious to hear what Simon and boys (ok, men) had to offer.


    The opening band was from Leeds, England, but they go by the name Your Vegas. I have to credit lead singer Coyle Girelli for performing with a broken foot, but the bands music was simply ordinary. Advertised as “anthem rock”, everything was in its place, but I think that was the problem. The keyboards played their a role, the guitars hummed along, Coyle sang seemingly heart felt amped up ballads, but I may as well have been watching any number of average sounding radio-ready bands. The most entertaining aspect of the set was the idiot in the front row waving a giant plastic hand in front of the stage. In between songs, I ask my wife just how a band comes to play such generic music. Her answer… “Money”. I nodded.

    Continue reading this entry »

    Jason Behrends

    Concert Fri May 16 2008

    Can it still be a power-trio if one of the dudes is playing a tape-deck?

    Noetinger.jpg

    Above: Cardboard hat - a good look no matter what the season

    No matter how far-flung your musical tastes become, it's still fun to assemble supergroups in your mind, just like you did in high school. What would it be like if bass player dude from this band had this gal singing and that other guy from that one record playing electric bouzouki? This Saturday, Lampo (216 W. Chicago Ave, 2nd Floor) offers you an opportunity to take that time-honored method of time-wasting it beyond the realm of list-making and into the real world, presenting a real, live improv/electro-acoustic super group (please, hold your applause until the end).

    Dig it: performing as a trio will be one of the better-regard percussion/device practioners with two of the swellest improvisers to ever cash their day-job checks by splicing tape.

    • Jerome Noetinger, owner-operator of the seminal Metamkine label (their "Cinema for the Ear" series of 3" CDs introduced a lot of people who were just dipping their toes into the waters of musique concrete to a lot of brilliant composers, from Luc Ferrari to Eliane Radigue, early pioneers like Walter Ruttman to modern marvels like Zbigniew Karkowski) and fine tape-composer in his own right (check the Glorie a... 3" on his label), performs on Revox reel-to-reel tape deck and electronics.
    • Jean-Luc Gionnet, long-known for environmentally-based tape pieces (his Axene CD on Groundfault is a long-time favorite of mine) performs on saxophone.
    • Will Guthrie, currently wowing them on the East Coast and getting a lot of love on message boards for his Spear CD (on his own Antboy Music), plays percussion, small electronics, and all around clatter-sound, giving the trio its needed element of propulsion.

    Admission is $12, and start-time is 9 p.m.

    Chris Sienko

    Event Thu May 15 2008

    Between Descartes and That "Dirty Old Egg-Sucking Dog"

    It's been said that those artists who possess the highest degree of creative genius are often those who carry within them the greatest unresolved paradoxes. Kris Kristofferson might've had something similar in mind when he said of his friend and fellow artist Johnny Cash, "He's a walking contradiction, partly truth and partly fiction."

    Truth, of course, is the end concern of philosophical inquiry – getting at the brass tacks of life, human knowledge and experience, the nature of the world. As the latest in a series of titles from their Popular Culture and Philosophy line, Chicago-based scholarly imprint Open Court Publishing has just published Johnny Cash and Philosophy: The Burning Ring of Truth. In a collection of academically-inclined essays, eighteen deep thinkers and die-hard Cash fans offer a variety of perspectives on the metaphysical, social, and spiritual aspects of the Cash's music – the whys and what-fors of how Cash's lyrics connect with the singer's own life and speak to a large and varied audience on so many levels. The contributing authors examine the man's music from a range of perspectives. You get Cash on crime and the American penal system, Cash on sin and redemption and the many pitfalls of human nature, Cash on the value of honest labor and making what you can of what you've been given, Cash on the matter of love as examined in light of his relationship with June Carter, and a number of other topics.

    The volume of essays was co-edited (along with David Werther) by former Chicago musician and current philosophy professor John Huss, who contributed the chapter "Johnny Cash and Justice." Before he vacated town to pursue his career in academia, Huss used to play around the Windy City as the frontman for the John Huss Moderate Combo back in the 1990s. Next weekend, the Moderate Combo will be reuniting to play a couple of shows in town to celebrate the book's publication and to pay tribute to the Man in Black.

    Continue reading this entry »

    Graham Sanford

    Concert Thu May 15 2008

    Hurry, Call Poison Control!

    If you break out in a sweat and feel the urge to flop around and flail your arms about you either need to call the poison control center, or you are in the middle of a legendary set by Ames, IA band The Poison Control Center. Known for ending shows in a “pig-pile” and whipping the crowd into a chaotic frenzy with their horns and poppy hooks, the PCC “want to break down the wall between crowd and band, everyone needs to feel each others' sweat to make it magical!"


    It was nearly one year ago that Patrick R.Tape Fleming (Guitar, Vocals), Devin W. Frank (Guitar, Trumpet, Vocals), Joseph P. Terry (Bass, Trumpet, Vocals), Donald Ephraim Curtis III (Drums, Saxophone, Vocals) signed to the great Minnesota label Afternoon Records. Since that time they have released an ep (Glory Us), their debut full-length (A Collage of Impressions) and are preparing to release a new ep (Make Love A Star Ep) on July 22nd.

    [mp3] The Poison Control Center - Make Love a Star

    The Poison Control Center will be appearing at Schubas tomorrow night (5/16) w/ Chicago’s Head of Femur and The Heavenly States. This is a 21+ over show that starts at 10:00pm. Tickets are $10 in advance and $12 at the door.

    Jason Behrends

    Concert Wed May 14 2008

    Prairie Spies @ the Empty Bottle

    Prairie Spies.jpg

    Late last year, I got unexpectedly punched in the mouth by a little EP called Bridget Quits, a five-song rock’n’roll assault from local band the Sharks, that sounded like Weezer and Pavement had sex and this was their five-headed monster. Rather than sounding completely derivative, though, the Sharks offered a fresh take on time-honored material, a loose, chaotic, boozy assemblage tackling the truly important subjects (drugs and girls). A few months later, after the lawyers got to them and they holed up tearfully in their parents’ basement (okay, I made that last part up), the Sharks are now the Prairie Spies and they’re set to drop their very first full length, available from newish local label Comptroller Records.

    Surplus Enjoyment picks up right where the previous record left off. Despite the name change, not a damn thing about band’s aesthetic has been altered, and that’s just fine by me. They play fierce and fun goodness that is simultaneously raw and overtly poppy, and songs like “Unresolved Anatomy” and “Who’s Been Gettin’ High” delight with pleasing hilarity. It’s “Iowa”, though, that takes the treasured prize, a balance of fuzzed-out guitars and kitschy keyboards with shout-along vocals that soar snarl howl and lyrics that tend toward dryly ironic with just a dose of savagery. This ode to our neighbors to the West finds the Spies at their very best, not reaching but playing comfortably to their strengths and loving every second of it. While a few tracks falter (most notably, their Clash rip-off, “Vigilante”), Surplus Enjoyment is by and large a terrific and accomplished record, and will receive consistent summer rotation in the library of at least one fan (though I suspect there’s more than just me out in the wilderness).

    The Prairie Spies take the stage at the on Friday for a kickin’ record release party. Opening are dreamy boy-girl combo (and Comptrollin’ label mates), the Spectacles, and Cincinnati band Bad Veins. The Killer Whales headline. Show start at 10pm.

    Nicholas Ward

    Concert Tue May 13 2008

    Wrestle With God

    Wild_Sweet_Orange_6.jpg

    “I struggle with all the energy that’s powerfully inspired with in me… I wrestle with God all night long in my bed.”

    A couple of weeks ago I had the pleasure of interviewing a writer who has complied a collection of stories, essays, poem, comics, and clippings all focused on one topic… insomnia. His name is Steven Lee Beeber and the book is called Awake!: A Reader for the Sleepless. After our conversation, I began to think of those nights I spent exhausted, crawling into bed and finally having my head hit the pillow. The second I close my eyes flashes of light, heat, images of everything I hadn’t finished or even started that day begin to swirl and jump. Thoughts, like tiny explosions of energy, illuminate the night as I wrestle with sleep and seldom win.

    A song that occasionally fills these wake/sleep moments is “Wrestle With God” by Birmingham based Wild Sweet Orange (WSO). The idea that the constant thoughts and battles in my head are actually a struggle or conversation with God has always intrigued me. Behind the old soul, 23 year-old Preston Livinggood, WSO creates roots music that speaks to the heart and romances the mind. Aside from releasing a wonderful ep (known as The Whale Ep) last November, they have been actively touring and recording for six months straight, and have tour dates scheduled through June. You can see a full list of dates and venues at their myspace page. Their full-length debut, We Have Cause to Be Uneasy, will be released via Canvasback Music on July 15th.

    [mp3] Wild Sweet Orange - Wrestle With God

    Wild Sweet Orange will be appearing at The Metro tonight with David Ford and Augustana. Doors open at 6:00pm and tickets are $17.50.
    Image by David McClister

    Jason Behrends

    Concert Sun May 11 2008

    You Should Have Known

    The interiors2.jpgThe wind whips through the small openings between the sky filling buildings at alarming speeds in this city. I know the origin of the term “windy,” but still the strength of the wind is quite measurable and substantial. So much so that it may on occasion slam doors, knock over trees, break the fingers of freshly signed rock trios, etc. That’s right the day after signing to 54-40 or Fight Records!, lead singer and guitar player of The Interiors, Chase Duncan had a metal door slam shut on his hand. At this point they had only self-released an ep, and needed to begin work on their full-length debut. Instead they spent most of 2007 on hiatus while Chase recovered.

    Now fully recovered and preparing for the June 24th release and a following Midwest and East Cost tour, The Interiors have big plans for 2008. Rightfully so, their self-titled debut album is a turbulent lesson in rhythmic rock, filled with interesting drum patterns, calculated guitar, and inventive lyrics. The highlight of the album is the song “Power Lines,” it is grand in every way. From the fade in open to the sing-along chorus to the idea that you can knock everyone cell phone reception by touching a satellite. It is a fun look at life in Chicago.

    The Interiors will be performing their last show in Chicago until Mid-July on Tuesday May 13th at The Empty Bottle. They will be appearing with Nouns and Mt. St. Helens. Tickets are $7 and the show starts at 9pm.

    Jason Behrends

    Concert Sat May 10 2008

    EPDM & LL

    Lykke_Li_GP_2.jpgBefore you get your hopes up, I am not talking about a legends of hip hop “comeback: tour, besides that would be EPMD and not EPDM. However, I am talking about two angel voiced Swedes who are about to float through Chicago. You see El Perro Del Mar and Lykke Li share more then just a country, they share a tour, a musical mindset, but most impressive they share the stage on most nights. Perhaps it is only for encores, but it is a promising connection.


    Lykke Li is a 22 year-old siren that just released her debut ep, Little Bit, this month and her full-length album, Youth Novels should see the shores in the fall. Her music refuses to be classified by blending various style and sounds from hushed orchestral to sampled swing. When you mix in the Casio and the organ, you get a beat that is truly unique. In addition, Lykke has a soft and tender, almost whisper, vocal delivery that complements the hazy mix created even more.


    El Perro Del Mar (a.k.a. Sarah Assbring) works in a similar way as Lykke, but the sounds on her latest album From The Valley are ethereal. Sarah’s music has a grand and classical feel, while her high pitch lazy vocals float and dance around the soaring strings. She may not make a loud noise, but there is power in beauty.

    [mp3] Lykke Li - Dance Dance Dance
    [mp3] El Perro Del Mar - Glory to the World

    Along with special guest and fellow Swede Anna Ternheim, El Perro Del Mar and Lykke Li will be performing at Schuba’s on Monday, May 12th @ 8:00pm, and tickets are $15.

    Image above courtesy Dominick Mastrangelo: Lykke Li on May 8th at the Bowery Ballroom NYC.

    Jason Behrends / Comments (1)

    Concert Fri May 09 2008

    Find Your Mark

    btw-megafaun.jpgThe North Carolina dirt road winds around trees and fields, and in the distance you see a beaten and decaying small white house with a wind torn roof and toothless fence. The sheep dog in the front yard barks twice to warn you of what lays ahead. Proceeding cautiously, you begin to hear the faint strums of guitar and banjo, and what seams to be a gospel choir. As you get closer the vocals reverse, bells sound, wheels spin clicking the pegs, cow bells and whistles, the dog is barking, wind chimes, noise explodes all around. You stand still to listen, but the noises fade to rain and static. You enter the house scared and confused. A pick-up truck pulls away and speeds down the highway. This is the sound of Megafaun.


    Megafaun is brothers Brad and Phil Cook, along with high school friend Joe Westerlund. The trio moved to North Carolina in 2005 along with friend and band mate (DeYarmond Edison) Justin Vernon (you know, Bon Iver). The band broke up in 2006 and Justin returned to their native Wisconsin to become an indie blog darling. The three remained in NC to allow the culture and musical history to clearly erode their minds. They released their debut LP Bury the Square back in February, and it is filled with down south little gospel ditties and sing-along folk tunes. But there is a catch, laced within the tracks is a deep-rooted love for electronics and noise. That’s right, call it pushing limits, or genre bending, or whatever, just called it quality music.

    [mp3] Megafaun - Lazy Suicide

    Their goal in performing is to get the crowd involved, so be prepared to sing and clap. Megafaun will be performing this Sunday, May 11th @ The Hideout. Also appearing are Jon Mueller and The Paulina Hollers. 9:00pm $8

    Jason Behrends

    Concert Thu May 08 2008

    Make-Out Party!!

    Out the myriad or so one-week sensations to emerge from last year's blizzard of blogworld buzz, "Let's Make Out" by the U.K. band Does It Offend It You, Yeah? was one of the more noteworthy. As a guitar-heavy blast of electro house hot-dogginess, it strutted, it swaggered, it stomped and shrieked a lust-choked screed that dizzily collapsed into borderline gibberish. Even better, it threw in a riff copped from Iron Butterfly in the big-finish homestretch and -- if you tilted your head the right way -- you couldn't tell if the guy was screaming "Let's make out! Let's make out!" or "Let me go! Let me go!" on the chorus.

    But that was mid-2007, which in Webtime may as well have been a decade ago. The band's debut album, You Have No Idea What You're Getting Yourself Into, finally appeared in the U.S. via Almost Gold Recordings in early April. From the sound of it, the guys are trying to cover as many bases as possible for the sake of targeting the charts and mounting the airwaves. Riotous Ed Banger-style electro house/dance-rock thumpers? Check. Copious amounts of vocoderized vocals? Check. A few hooky, sugary pop tunes thrown in to keep the girls happy? Check. But despite all the obvious tweaking and streamlining, it's clear the guys like to make noise -- both in terms of playing loud and energetically, and, well, just throwing some odd or amusical curveballs into the mix from time to time. Plus, they reportedly trot out a cover of Devo's "Whip It" for their live sets; so how's that for pandering gravitas?

    DIOYY are playing at The Mansion next Tuesday night, May 13. They're opening up for the rowdy, raunchy ladies of the Floridian crunk/punk-hop outfit Yo Majesty, who've brought the boys on their current tour. Lately, Yo Majesty has been wrapping up work on their own debut full-length, which is purportedly due out on the U.S. division of Domino records some time this summer . Which means that fans can expect to hear a good amount of new material mixed in with previous faves like "Kryptonite Pussy" and "Club Action." 2408 N. Kedzie. Shows starts at 8 PM, tickets are $13.

    [video]: Does It Offend You, Yeah? - "Let's Make Out"
    [video]: Does It Offend You, Yeah? - "With A Heavy Heart..." (live)

    Graham Sanford

    Review Thu May 08 2008

    Concert Review: Cut Copy, Black Kids, Mobius Band @ Abbey Pub

    Its unfair to say The Mobius Band didn't leave an impression on people last night - as my memory serves me, they played a great set, got the crowd pretty enthused, and received some pretty strong applause for a third-billed act. But even they had an air of goofiness about them, knowing that as much as they won people over last night (which they did), they were standing in the shadow of some huge buzz.

    The Black Kids, if you have never seen them, are one of the least likely groups of kids you would ever expect to see in a band. The two girl vocalists look like pretty down to earth, friendly gals (even when Ali Youngblood asked the audience "Do you want me to be "private dancer" or "sexy dancer" tonight?). Lead singer Reggie Youngblood looks a lot more like Rembrandt from the Warriors than he does Keke Okereke, but damned if his pipes aren't powerful things, ranging from Psycho Killer to Psycho shower-scream in seconds, and employed only precisely when needed. With a handful of new songs sandwiching their four-song EP's gems, the Kids proved they were still fresh with material (Hell, they better be after four songs). After the crowd-pleasing "I'm Not Gonna Teach Your Boyfriend How To Dance With You", the band slipped in one more, a new song that rocked so hard this writer couldn't even be bothered to remember it's name.

    Cut Copy took the stage shortly after midnight, the crowd packed dense around them and riding high off of the Black Kids' set. They apologized for having been away from the Windy City for two years, and immediately set into pieces from their new album.

    Surprisingly, the Cut Copy set ended up being a song or two short of the Black Kids - a few singles from the old album and the hits of the new album, finishing the audience off with "Hearts on Fire" and instantly cranking the whole dance floor up from inspired swaying to a bouncing, head-banging dance party. The crowd refused to let them leave, and after a believably long encore wait, they came out and performed three more to cap off the night, ending with another dance-floor ignition in "Far Away".

    The Black Kids gals waved goodbye to everyone as they passed the merch table, and even as they left the crowd chattered away on the patio waiting for rides or just reminiscing on a great night.

    Dan Morgridge

    Concert Thu May 08 2008

    Yo Yo Yo Majesty

    Prepare for the Dirty South to get far filthier: Yo Majesty's coming to town.

    The bombastic duo have been rocking everyone's world since their first appearance in the hip-hop and indie scenes seven years ago. When I talked to singer Jwl B. and MC Shunda K., they were ridiculously excited about their upcoming album, hopefully due this summer. As Jwl eloquently put it, "I’m going tell you now, woman to woman: Child, you ain’t even ready. I thought I was ready, and it’s my own shit!" Check out the full interview here.

    Believe the hype. Check out hip hop's new queen bees at their show with Does It Offend You, Yeah? on Tuesday, May 13 at the Mansion.

    Kara Luger

    Concert Wed May 07 2008

    Loose Lips Sink Ships

    Loose Lips Sink Ships.jpgThe genre of instrumental rock as a whole can be a very challenging listen. Even for fans of electronic music, this genre can feel as if it is missing something. At least the DJ/producer can twist another knob, push another button, and take the sound to another level. If not done properly, the drone doesn’t stop, doesn’t move, it just floats along without change or emotion. We have all sat through that song anticipating vocals, hoping for anything resembling a melody, and getting nothing but boredom.


    DeKalb product Loose Lips Sink Ships are an instrumental band, but they are anything but boring. Creating elaborate soundscapes that pound and weave, this young band has already demonstrated an ability to create powerful songs, and perform a fascinating show. They make the wall of sound they create seem almost effortless. Their debut ep (EP 1) proved they could combine sold rhythms, offbeat samples, and drifting atmospherics. Performing several shows in the area, Matthew Frank, Conor Mackey, Steve Marek, and Jacob Boulay have jelled as a group and solidified their adventurous sound.

    Continue reading this entry »

    Jason Behrends

    Concert Wed May 07 2008

    The Return of MBV

    As the alt-pop-indie scene continues its regurgitation of the musical past, it's only natural that it embrace the slow, syrupy sounds of shoegazer rock. It's with great interest and not a little trepidation that audiophiles everywhere got all a-twitter when it was announced that seminal shoegazers My Bloody Valentine are not only recording a new album, but are also touring for the first time in 16 years. MBV reunion pro: Awesome, boundary-breaking music played live with the original bandmembers. Con: Frontman Kevin Shields already called it quits once due to some sort of breakdown -- here's to hoping he doesn't Sly Stone on us.

    Consider it the Russian roulette of the cardigan-wearing crowd. The show is on Sept. 27 at the Aragon. Tickets go on sale at 11 a.m. this Saturday through Ticketmaster.

    Kara Luger

    Concert Wed May 07 2008

    "Station" Identification: Russian Circles Release New Album, Take It On The Road


    Considering that they've only been active for just over three years, the Chicago-based trio Russian Circles has managed to rack up a high ratio of praise throughout the webzine community in a short period of time. It seems there's something unique about the group's music that resonates with those who've heard it. The band's 2006 debut album, Enter, met with enthused accolades across the board, and quickly the landed them a slot on the top of the bill at Drowned In Sound's End-of-Summer festival in London last August. With the pending arrival of their sophomore LP, Station, Russian Circles are set to kick off another tour, beginning with a record-release party and a headlining set at Subterranean this Saturday evening.

    Continue reading this entry »

    Graham Sanford

    Concert Wed May 07 2008

    East Meets the Rest: Tatsu Aoki's Miyumi Project at Steppenwolf

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    Tatsu Aoki is one of Chicago's musical treasures hidden in plain sight. Born in Japan, he moved to the United States to pursue a career as a jazz musician and landed in Chicago, where has been an active participant ever since. In addition to his association with many AACM musicians, he has been instrumental in developing an Asian American jazz scene here in Chicago, which serves as an extended branch of the music's original home base of San Francisco. Aoki is not only a musician, also serving as an organizer in his role as Executive Director of Asian Improv Arts Midwest, an organization whose existence testifies to the diversity of Chicago's music scene.

    So what is Asian American jazz? Well, as you might guess given the incredible diversity of music from the continent of Asia, it means different things to different people. In Tatsu Aoki's Miyumi Project, it includes a driving rhythmic foundation of taiko drumming, combined with Aoki's own hypnotic bass lines and unique compositional aesthetic. The results are nothing short of joyous and propulsive, and the element of jazz is introduced by the talented improvisers Aoki enlists in his ensemble. Aoki himself is the glue that holds it all together, a grounding element both through his bass playing and vision as a composer.

    Continue reading this entry »

    Daniel Melnick

    Concert Tue May 06 2008

    Cut/Copy @ Abbey Pub

    cut copy

    If you kind of sort of live in the past musically, whether it's 1984 or 2004, tragically holding onto those New Order tapes or waxing poetically about the time you were in New York and electroclash was big, then get yourself to the Abbey Pub tomorrow night. Cut Copy, from Melbourne, released In Ghost Colours in March and they're touring America for just a bit before heading back to the land down under. Recorded with DFA's Tim Goldsworthy, the album is on par with the quality you would expect from DFA and word is the live shows are intense even if electronic music isn't your thing. The band often describes their sound as disco, but there are so many sounds and moods on their albums that calling it a collage would be more accurate. One thing is for sure with this new direction, singer Dan Whitford is front and center leaving any ambiguities or simmering lyrics on the cutting room floor. Expect a more personable band, which is a rare find in the electronic/DJ/future-robot music that typically haunts the dance floor.

    So re-watch 24 Hour Party People, get your hair aqua-fresh, and party like Reagan is still in office. The first show is all ages with Black Kids opening at 6:30pm. The second show is 18+ and starts at 10pm with Mobius Band as well as Black Kids opening. Both shows are $15 in advance and $18 at the door. You can purchase tickets here or at the Abbey Pub (3420 W. Grace at Elston).

    Mitchell Bandur

    Concert Mon May 05 2008

    Tokyo Police Club @ Metro

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    It’s hard to believe that with all the hype surrounding Tokyo Police Club, they only released their debut LP, Elephant Shell, two weeks ago. With only a couple of EP’s on their resume, the band has already played Coachella and Glastonbury, and will headline a set at the Metro tonight. Off the top of my head, I cannot think of another band that coincided the release of their debut album with an appearance on David Letterman. Even Vampire Weekend had to wait until after their LP to get on SNL.

    All this is either a testament to the speed of the Internet or to the greatness of Tokyo Police Club. We’ve all heard the electric keyboards and frenetic drumming backed by youthful vigor before (The Go! Team, CYHSY), but nobody can hide under the spotlight and tonight we will see if this band is worth its Canadian salt. But the real reason (or hipster excuse) to venture out to the Metro tonight is to catch Maps & Atlases, our city's experiment in energy and pop. They seem to be a good fit to open for TPC, but I wish these guys would get some love on the headlining level. So come early and support your scene.

    Tokyo Police Club plays tonight at Metro with Smoosh and Chicago’s Maps and Atlases. Tickets are $15, the show is 18+, and doors open at 7pm. You can order tickets online here.

    Mitchell Bandur

    Concert Sat May 03 2008

    Digging Detholz!

    You know, the first time I saw local purveyors of wackadoo angular pop-rock, Detholz! it was at last year's equally bonkers Empty Bottle Halloween show. There the band presented themselves as a inspiration seminar-cum-tent revival show, all while playing fantastic, reimagined rock covers. So it was a weird mix of surprise and oh-yeah-that-makes-sense to find out that the band has a evangelical Christian past -- perhaps they took notes on how to get the parishioners rolling.

    Any way you cut it, Detholtz! put on a damn fine show. Check them out when they play with fellow Chicagoans Singer and fuzzy psychadelicans Cloudland Canyon at the Empty Bottle on Friday, May 9.

    Kara Luger

    Concert Thu May 01 2008

    A New (Mannequin) Man

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    Chicago’s very own Mannequin Men will once again embrace the glamour that is the Empty Bottle, but this time bassist Rick Berger will not join them. According to their semi-new blog, Berger has left the group to join his fiancé in doing that whole move to New York to start a new life thing. The split was amicable, so there should be no fall out or bad vibes when new bassist (and blogger from the Chicago Reader’s Crickets music site) Miles Raymer joins the group for a warm up in Cincinnatti before his hometown debut at the corner of Western and Cortez.

    The band seemingly has no worries, but the first couple shows with a new member are always chaotic and somewhat loose. But for a band that feeds off those qualities, now may be a good time to reintroduce yourself to the Mannequin Men, because if you miss this show, you will miss the best house party you never went to in college and one of the best live bands in Chicago will rock on without you. Tis all good, though, they play the Flameshovel showcase with Maritime at the Double Door on May 25th as a consolation prize.

    The show is May 2nd at the Empty Bottle (1035 N. Western Ave.) with openers Sic Alps set to go on around 8pm. Tyvek and, then the Mannequin Men, to follow, but ask around for the after show spot, as these guys usually do their city proud on gig night. Tickets are $8 in advance and can be bought here on the web or by phone (866-468-3401). You can also wait and get them for $10 at the door. If you don’t already have a copy of their excellent Flameshovel debut, Fresh Rot, you can pick up a copy here or stream samples of all the songs here.

    Mitchell Bandur

    Concert Wed Apr 30 2008

    Who Will Tell The Story?

    Narrator.jpgIn a story the narrator fills in the details, supplies background information, and keeps things moving along. As with any good story, The Narrator has played vital role in the story that is the Chicago music landscape over the last five years. Producing three solid high-energy albums on the local label Flameshovel (Youth City Fire (EP) 2004, Such Triumph 2005, and All That to the Wall 2007), this now trio has decided to go their separate ways. Making the announcement via myspace and the front page of Flameshovel, mysteriously no reason or future plans have been given.

    Their line-up, as it stood in 2008, consisted of Singer/guitarist Sam Axelrod, Bassist James Barron, and singer/guitarist Jesse Woghin. During the recording process of 2007’s All That to the Wall their drummer left the band, and they were forced to call on friends from Oxford Collapse, Russian Circles, Bound Stems, Sybris, Tight Phantomz and Lying In States to help complete the album. I suppose that may have been the beginning of end for The Narrator, but no one really knows.

    [mp3] The Narrator - Surfjew

    They will try to tell the final chapter of their story this Saturday, May 3rd @ The Empty Bottle. This will be their final Chicago performance and also appearing will be Joan of Arc, Tight Phantomz, and Mannequin Men DJs. The show starts @ 10:00pm and tickets are $10.

    Jason Behrends

    Concert Wed Apr 30 2008

    Shows Not Happening This Weekend

    The announcement earlier this month that Sly & the Family Stone would play at the Vic this Saturday evening was greeted by potential concertgoers with emotions ranging from absolute glee to serious hesitation. Not surprisingly, considering Sly's erratic behavior over the last, oh, nearly 40 years, Saturday's gig has been cancelled "due to health reasons." Whether that is actually the case or not may remain a mystery in the same way that the Minneapolis cancellation the night prior is due to "scheduling conflicts." Reviews from last weekend's shows in Los Angeles (here and here) indicate inconsistent performances highlighted only by moments of greatness among many of mediocrity.

    In other news about events that aren't happening, this weekend's rescheduled grand opening of the new Bottom Lounge has been postponed. Last weekend's Earth show had been moved and this weekend's shows by Urge Overkill and MU330 (They're still around?) have simply been postponed. Hopefully, the proper Ts and Is are crossed and dotted before next weekend's shows.

    James Ziegenfus

    Concert Wed Apr 30 2008

    Under the Turquoise Hexangonal Sun

    The Houston, TX outfit Indian Jewelry has never been an easy entity to get one's head around. Operating like a shadowy cult, it seems the band's revolving-door line-up contracts and expands with each appearance. They switch record labels frequently; and in the past have performed under a host of aliases such as Swarm of Angels, The Corpses of Waco, Electric Fuck-all, and the Perpetual War Party Band. And while they might initially be mistaken as yet another sprawling clan of freak-folkateer noodlers, their output instead consists of keyboard-and-feedback heavy psychedelic drones of the most sentience-nulling caliber.

    The band is set to release its latest album, Free Gold!, on the Baltimore-based We Are Free label in a few weeks. It's a cleaner-sounding excursion than the group's prior recordings. This time around, the listener finds something floating more distinctly through the stifling haze of Indian Jewelry's keyboard buzz and guitar squall -- that being the group's underlying affinity for psych-pop melodies of the J&MC, Spacemen 3, Brian Jonestown Massacre variety. Animating the music with a slightly dreamy quality, it's these pop leanings that help lift the group's music out of the opiated, wall-of-noise morass. Imagine the Stooges and Stereolab collaborating on an extended cover of the Monkees' "Porpoise Song" and you've got the general idea.

    Indian Jewelry are playing at the Hideout this Saturday night. Reputedly, the band puts on a stupefyingly intense show. On the opening bill is local heavyweight stoner-rock, math-metal revisionists Warhammer 48K. Warhammer's largely been off the scene for the past eight months or so, with some of its members appearing around town under their side-project alias CAVE in the interim. From the looks of it, they're back on their feet and gearing up for a new round of activity. They're heavy, they're tightly gnarled, they're bewildering, they're loud, and they might be one of the best bands operating in Chicago these days. Given the low-ceilinged acoustic of the Hideout, hearing protection is advised. 1354 W. Wabansia. Doors open at 9 PM, admission is $8.

    [mp3]: Indian Jewelry – "Swans"
    [mp3]: Indian Jewelry – "Temporary Famine Ship"

    Graham Sanford

    Concert Wed Apr 30 2008

    Steve Forbert @ Fitzgerald's

    Several times a year someone, somewhere, proclaims that this or that singer is the "new Dylan". An equal number of times the world is let down when the "new Dylan" doesn't emerge at all and the singer songwriter fades back into the woodwork. Steve Forbert was shackled with that tag back in 1978. He nearly made the comparison stick though with the release of his sophomore record and the hit, and now classic song, "Romeo's Tune". In the years that followed he got tied up in record label red tape and didn't release any new music. He's had several comebacks over the last twenty years including two records on Geffen, a Grammy nomination for his tribute to Jimmie Rodgers, and a decade or so of a 100 dates a year touring.

    On May 1 he brings his brand of country folk to Fitzgerald's. Expect to hear some of his classic songs, as well as new ones from 2007's Strange Names & New Sensations. Oak Park resident Matthew Francis Andersen opens up. Show starts at 8pm and is $18 at the door.

    Here's a song from Any Old Time: Songs Of Jimmie Rodgers.

    [mp3]: Steve Forbert - "Waiting On A Train"

    Craig Bonnell

    Concert Tue Apr 29 2008

    French Electropop in Logan Square

    Yelle

    French pop music that makes its way to America often has an electronic tint to it, with Daft Punk and Justice representing the most recent success. Tonight, francophiles can see another example of how the french do it better with 25 year-old Yelle performing in Logan Square. Yelle is a MySpace product that got her break back in 2005 when she posted a song poking fun at the lack of fun poking she got from Cuizinier, a member of the French hip-hop group TTC. When that song made the rounds, she teamed up with producer GrandMarnier to polish her tribute to Cuizinier and complete a debut album. Out of that collaboration came Pop-Up, a testament of the Tecktonika scene featuring singles "À cause des Garçons," which has been featured in everything from video games and runway shows to an episode of The Hills, and the insanely catchy despite the language barrier "Je Veux Te Voir," which appeared in an episode of Entourage and made the top five singles chart in France.

    Despite her success in France, Yelle has only received praise in the US from bloggers and the aforementioned media crossovers. Not to worry, fans of jumping and flailing about will soon be hip to her when she expands her tour to more than the few cities she has scheduled in the new world. She played Coachella over the weekend, but so did a lot of other people, so maybe she knows tonight is an important night in her effort to win over America's heartland.

    Yelle plays the Logan Square Auditorium tonight (2539 N. Kedzie 773.252.6179), not as previously thought at The Mansion, at 8pm. You can get tickets here. Codebreaker opens.

    Mitchell Bandur

    Concert Mon Apr 28 2008

    Jason Ajemian's Smokeless Heat

    tanaka-ajemian.jpg

    Chicago's jazz and improvised music scene has produced a disproportionate share of iconoclasts and radicals in its long and colorful history. The city that works nurtured Sun Ra and Andrew Hill, Roscoe Mitchell and Lester Bowie, to name just a handful. While Jason Ajemian hasn't reached the musical heights or accomplishments of the aforementioned bunch, he certainly belongs to the Chicago constellation of musical individuality. His concept and approach is anything but traditional, but the results are unique and sometimes extraordinary.

    His recent Delmark release with his band Smokeless Heat, The Art of Dying, is emblematic of his approach and musical values. The core of the band consists of Ajemian on bass, Tim Haldeman on saxophone, and Nori Tanaka on drums. Haldeman and Ajemian have a deep musical connection nurtured over years of Sunday sessions that Ajemian held at the Bridgeport Coffee House, where they'd play for hours as a duo with an occasional extra guest. Nori Tanaka was a natural choice for the drummer spot in the band, given his association with Ajemian in A Cushicle, a band that includes Jeff Parker. These chains of collaboration are endemic in the Chicago scene, and they produce the kind of music that we find on The Art of Dying. On the release they are also joined by Jaimie Branch, Jason Adasiewicz and Matt Schneider.

    Continue reading this entry »

    Daniel Melnick

    Concert Mon Apr 28 2008

    Easy Tiger

    rlt.jpgLast November I received a mysterious e-mail, “What’s your address? Thanks, Tony”. Unsure who Tony was or what he wanted to send me I gave him my P.O. box number and anxiously waited. With in days I was holding in my hand a brown cardboard cd case with an image that looked like it may have been from the twenty’s of a woman posing with a stuffed tiger. I turned the package over and saw the imprint Sanitary Records, and still questioned the sound or content of this album metaphorically called, This is Sometimes a Riverbed. I placed in the disc in the car stereo and waited for answers. Somber acoustic guitars filled the spaces between the rich but fading vocals, as the singer nearly cried, “Life is Easy” (Yes, Still). I am nearly hypnotized by the potent mixture of joy, despair, melody, and lo-fi glory.

    You see, Tony is actually Tony Presley, the deep baritone voice behind the name Real Live Tigers. He is from Austin, TX and has come to survive off of DIY tours and small indie releases. Fresh off of a tour of the United Kingdom and parts of Germany with the like minded Dustin & The Furniture, Tony lands in Chicago this weekend for three shows. Often performing bare foot and rocking on his knees, the meditative nature of soulful tones become vivid and clear and nearly lift the crowd from their basement or backyard location to the “Flood Plains” or riverbeds he likes to mention in his songs.

    Real Live Tigers will be playing at the Lowercase Collective (2307 N. Springfield Ave.) on May 1st @ 7:00pm, The Foster Home (4136 Lawn Ave, Western Springs, IL) on May 2nd @ 6:00pm $5, and South Union Arts (1352 S. Union) on May 3rd @ 8:00pm $8.

    Jason Behrends

    Concert Thu Apr 24 2008

    Liberation of the Horn

    SLF.jpgWhen it comes to liberation fronts there aren’t a lot of positive connotations associated with them. You think of animals being freed from cages already carrying an infectious disease, or domestic terrorists sinking whaling ships or blowing up oil refineries. However, when speaking sonically, liberation can be a very powerful thing. To think of a trumpet or saxophone being let out of its cage and allowed roam free, soar even, over chaotic liberated bongo drums. Voices, not restricted by words, chant and echo around the mix. This is musical freedom!

    Philadelphia’s Sonic Liberation Front is an octet fronted by percussionist Kevin Diehl, a protégé of free jazz pioneer Sunny Murray. Their latest album, Change Over Time, was released in 2006 (High Two), and received high praise for advancements in both the world of jazz and in world music. “The Next Thing That Happens” opened the album at frantic pace with the rapid patter of bongos leading to vivid horns and surprising electronics.

    [mp3]: Sonic Liberation Front - “The Next Thing That Happens

    Sonic Liberation Front will be playing at Uncommon Ground (1401 W. Devon Ave.) tomorrow night @ 10:00pm. Many events SELL OUT only reservations (773-465-9801) guarantee seating and there is a $20.00 per person minimum.

    Jason Behrends

    Concert Wed Apr 23 2008

    To thine own synth be true

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    Above: Aaron Dilloway rocks with his mouth full

    I heard a sad rumor that the Flowershop (2159 W. 21st Place, at Leavitt north of Cermak) is closing their doors to shows in June. While the Pilsen location may have seemed out of the way to far-north (or suburban) show-comers, the space seemed to kickstart a whole rash of smaller venues in Pilsen and surrounding areas, making the south and west sides of Chicago the hot spots for all manner of neck-snappin' experimental madness. And now, like Sanjuro, the Flowershop is raising an eyebrow, and with a brusque "see ya around," is walking off into the sunset, eh?

    Well, not yet.

    This Friday (April 25), THRILL to the sight and sound of six hot-roxxs experimental scienticians flexing their musical lab-coats for one more major hoo-rah before the Flower Shop goes back to...well, I don't know. Selling flowers? Before they go, they invited on rather big-name mofo to see 'em off. All the way from Oberlin, Ohio (by way of Ann Arbor, MI), give it up for...

    Continue reading this entry »

    Chris Sienko

    Concert Wed Apr 23 2008

    Rock the Bells is Coming! (Kinda.)

    We here at Transmission were excited, EXCITED, to hear that the yearly Rock the Bells Tour was opening in Chicago in July. An all-star lineup! The reunification of A Tribe Called Quest! Whatever Wu Tang members decide to show up! De La Soul! Rakim! Local hip-hop makes good in Kid Sister and The Cool Kids! All that, and more, and outdoors!

    Except, um, it won't be in Chicago proper.

    Initial announcements say that it'll be at First Midwest Bank Amphitheatre. Know where that is, kids? Tinley Park. Better than, say, road-tripping to Indy or Madison, but to say "Chicago" brings up thoughts of, well, not a Metra ride to the burbs, into "Chicagoland".

    Check the site for further info, mailing lists, giveaways, and other niceties.

    Troy Hunter

    Concert Wed Apr 23 2008

    Immediate Sound Turns Two

    Immediate Sound, the series curated by Umbrella Music presenter Mitch Cocanig and musician/presenter Ken Vandermark, has been successfully putting on concerts every Wednesday for the past two years at the Hideout. To celebrate two years of presenting top notch music that is often marginalized by traditional media outlets and mainstream culture, they are hosting a special Friday and Saturday night program of music this Friday, April 25th and Saturday, April 26th.

    Continue reading this entry »

    Daniel Melnick

    Concert Wed Apr 23 2008

    Keep the Record Spinnin’

    Tedesco.jpgI first saw Chicago’s Dan Tedesco perform last October in a small corner of the Full Moon Bar & Grill in Batavia, IL. Ripped jeans, worn t-shirt, harmonica around his neck, acoustic guitar, and a serious love for rock n’ roll, Dan was ready as he entered the bar. There were maybe fifteen people in place, some cared and some didn’t, but the quantity of people was not important to him. As he tuned and prepared his guitar, he was almost giddy as if everything between performances was meaningless. Waiting for the show to begin I thought about the true meaning of rock n’ roll, the true purpose of music. Records sales, mp3’s, blogs, promos, none of these things crossed my mind. At the heart of music is the passion to share your story and your song. To share with the audience, yes, but to also share with those who came before you and those who will follow. As Dan began to sing it was clear he was filled with this passion, and even though he was in the same room as me he was singing and stomping and strumming for a purpose way beyond me, way beyond that bar. Dan sings to keep the record spinning, to contribute a line to the song, to play rock n’ roll.

    Drawing comparisons to both Bob Dylan and Bruce Springsteen, but he plays and writes in a voice that is all his own. He relentlessly tours the Midwest, in fact he has four shows in the area this week, including a rare appearance with a full band called The Long Haul. For all of his upcoming shows, and a few free downloads, please visit his ReverbNation page.

    Dan Tedesco and The Long Haul will be playing at The Kinetic Playground this Friday (April 25th). Also playing that night are Jackpot Donnie and How Far to Austin. Tickets are $8 and doors open at 9:00pm.

    Jason Behrends

    Concert Wed Apr 23 2008

    Constantines Achieving Heights


    Everybody is familiar with bands who go through the motions live and leave crowds shrugging at the end. Even great songs can sound mediocre after such performances. But there's a rarer creature out there - the band who improves on their recorded output in front of an audience. This is what Toronto's Constantines do. They're the type of band who you see live and think, "Why can't they make these songs sound this good on an album?!" Now, that's not implying that their records are anywhere near bad. It's just a testament to how dynamic they are live.

    Whether it's Bryan Webb's raw vocals or Steve Lambke's intricate guitaring or Doug MacGregor's drumming assault, there is a little something extra in their music when they're in the same room as opposed to on the stereo. The trudging songs that the band has perfected over the years ("You Are a Conductor", "Time Can Be Overcome") stand out right along with the brooding rock anthems ("Nighttime/Anytime (It's Alright)", "Working Full-Time"). There is no reason to believe that they won't do live for the upcoming Kensington Heights what they've done for its predecessors.

    Constantines headline the Empty Bottle on Thursday. Brooklyn's Oakley Hall and Austin's The Fall Collection open the show at 9PM. Tickets are $12.

    James Ziegenfus

    Concert Tue Apr 22 2008

    These Guys Are From England and Who Gives a ..., Part 23

    If you were to believe all the heavy-breathing banter from the likes of NME, the Observer, and Drowned In Sound over the past 9 months or so, Foals just might be this year's contender for Big U.K. Breakout Band of The Year. But then again, we're used to hearing those sorts of proclamations coming over the big water every other season. That's just the British music press being the British music press. And there's plenty of reasons to be skeptical this time around, seeing how so many people drank the kool-aid of that Klaxons hype back in 2007.

    In the case of Foals, some of the advance hubbub for their debut album Antidotes started washing up on these shores months ago. It was bound to. Foals had been through the rounds of the usual Brit music-biz grooming – which means singles, a video for each single, TV appearances, etcetera. Then along came word of a debut album recorded with TVOTR's Dave Sitek in New York with some assistance from the Antibalas horn section, capped off with a signing to Sub Pop for U.S. distribution. Talk about sailing through customs with all the right stamps of indie-pop credibility on your passport.

    Nevertheless, Foals seem about as wary of the industry machinations as anyone else. There's more than a few sarcastic taunts and self-deprecating barbs scattered throughout Antidotes, with the band seeding the field for critics, haters-in-waiting, and would-be fans alike. And no doubt it all has something to do with why they describe themselves as "SNOTTY ART SCHOOL DROPOUTS HUNGRY FOR THE DOLLAR" on their Myspace page.

    Continue reading this entry »

    Graham Sanford

    Concert Mon Apr 21 2008

    When Life Gives You Lemons, Stop Making Damned Lemonade.


    Sometimes the pull of stereotype is too strong. Somehow, you look at Sean "Slug" Daley and there's no way he can really be a wordsmith that's any good. You look at Anthony "Ant" Davis and think that there was no way this guy makes beats of any merit. They're white (looking) and appear in photos, well, not very hip-hoppy.

    But to hell with appearances. Ant and Slug make up Atmosphere, and the new album out Tuesday is "When Life Gives You Lemons, You Paint That Shit Gold". They'll be at the Metro for the next couple of days on the album-support tour, and Ant himself will be working the merch table.

    Because it's not gangsta, and it's not all that "urban", the mantle of "king of emo rap" has been bestowed on Slug's head, and it's just funny how the stereotypes come into play when the norm of what's "hip-pop" and "real" comes into play. Ant's sonics don't fit the sample-heavy orchestrations that certain artists thrive on. Slug's subject material is pretty far from the mainstream norm, as failed relationships and storytelling involving some decidedly non-glamorous subjects (blue collar workers, children living with unhappy parents, etc.) that probably lends him to be tagged with a label that would assure him indie popular appeal. Appeal hasn't translated into multi-plat album sales, but appeal nonetheless. Hey, the internet love counts for something.

    Atmosphere enjoys a loyal fanbase in the Midwest, being from Minneapolis and all, and the Chicago shows should be absolutely packed. Tuesday is all ages, with doors at 6 and show at 6:30. Wednesday is 18 and over, doors at 8, show at 9. Tickets are $20, $22 at the door.

    Download "Shoulda Known", the first single
    - Shoulda Known video, hosted at myspace

    Troy Hunter

    Concert Mon Apr 21 2008

    Colin Meloy @ Park West

    After a string of missed opportunities and tragically plagued shows in Chicago in the last 6 months, Colin Meloy leaves the Decemberists as he embarks on his third solo tour, and first extended one, in support of his debut solo album, Colin Meloy Sings Live!

    The album was recorded during his last solo tour in 2006 and includes a fair mix of hits from the Decemberists catalog as well as his own solo work. The album is generally a good listen, in part due to the fact that I never want Colin Meloy to stop singing, ever. The overall feeling, however, is like an understated Decemberists album. Obviously, the covers are greatly stripped down, but not in the quaint, approachable sense you like from an acoustic cover but instead slightly emphasizes the missing Decemberists. Red Right Ankle and other predominately Meloy songs, however, emerge with an almost rustic simplicity that make you appreciate them that much more. At one point in reference to the songs, Meloy asks the crowd to simply "imagine it's harder", a good overall point to how one should listen to the album. In addition to the Decemberists Unplugged cuts, the solo works of Colin Meloy very effectively make you really sad. If you'll come with me on an extended metaphor for a second, these acoustic works are written to soundtrack the part of the movie of your life when you're driving cross country away from your significant other before you realize it's all been a terrible mistake and you promptly turn around and fly back into their arms.
    Included in the album are the fun quips and banter so characteristically Meloy. Throwing the few bits of humor into an otherwise emotional and anything but uplifting album, the chit chat in between the songs makes him seem like a real person beyond the brilliant and mysterious intellectual that Colin Meloy plays.

    Colin Meloy will be playing Park West tonight with special guest Laura Gibson. Doors 6 PM/ Show @ 7:30. $20, All Ages.

    Emily Kaiser

    Concert Mon Apr 21 2008

    "Secret" Moby DJ set @ SmartBar Tomorrow!

    Love or hate Moby, you have to concede the point that he has done a lot to mainstream electronic music in the US. His live shows are quite entertaining however, and he obviously has an ear for good sounds. Moby plays a DJ set at the SmartBar tomorrow night as part of a Myspace secret show. Doors at 7 PM, show at 9 PM, first come first served, so expect a line up.

    Dan Snedigar

    Concert Mon Apr 21 2008

    Joe Pug's New EP - "Nation Of Heat"

    Bon Iver was the big, inexplicable blog success story of 2008. Inexplicable because his down tempo folk music is so low key as to be absolutely sleepy and that's typically not the music that rockets to the top of the blogosphere. And inexplicable to me because I actually like it. Who's next then? Could be Chicagoan Joe Pug.

    Like Bon Iver, Joe's got someone in his corner helping to get the word out. And like Bon Iver, Joe's a singer-songwriter who wears his influences on his sleeve. It's too obvious to list those influences here. Just listen to "Hymn #101" below to figure it out for yourself. So is Joe Pug the next blog success story? I don't know; it's a mystery how these things happen. But with a brand new EP called Nation Of Heat, a record release show at Schubas on May 3rd, and a growing fanbase I wouldn't bet against him.

    [mp3]: Joe Pug - "Hymn #101"

    Craig Bonnell

    Concert Fri Apr 18 2008

    Backyard Tire Fire Visits Sun Studio

    The Bloomington based roots rock band Backyard Tire Fire probably had great expectations and lofty goals when they were just starting out playing in their brother's/uncle's/great aunt's garage but somehow I bet playing a set at Sun Studios was not one of them. To play at the studios where Elvis, Jerry Lee and Johnny all recorded their seminal work must have been a dream come true. Here's the video the band can show to their grandkids in 50 years.

    The band plays on a crazy triple bill tonight at Metro opening up for Nashville Pussy and Reverend Horton Heat.

    [video]: Backyard Tire Fire - "Honey To A Bee"


    P.S. Here's a song or two from an acoustic set the band performed in February in their home town of Bloomington, IL.

    [mp3]: Backyard Tire Fire - "I Only Cry When My Momma's Sick"
    [mp3]: Backyard Tire Fire - "Sick Of Debt"

    Craig Bonnell

    Concert Wed Apr 16 2008

    The Gourds

    A friend of mine from Austin, Texas is trying to convince me to head out to The Gourds at Schubas tonight. He's seen the band 10 or 11 times and is still excited every chance he gets to see them live. This is the same guy who tried to convince his freshman dorm that The Flaming Lips were the best band ever (and that was in 1987).

    The band's blend of bluegrass, country, soul, blues and rock make this a show I don't need to have my arm twisted to hard to attend. Their closest contemporary band is probably the other Texas based group not afraid to blend all these genre's in a sonic stew - namely The Asylum Street Spankers. The Gourds play two shows at 7pm and 11pm tonight.

    The band released their ninth record last year called Noble Creatures. These songs are from 2004's Blood of the Ram.

    [mp3]: The Gourds - "Lower 48"
    [mp3]: The Gourds - "Escalade"

    P.S. Comments were opened up a couple of days back so feel free to chime in below when the feeling strikes you.

    Craig Bonnell

    Concert Mon Apr 14 2008

    24 bands in 72 hours? Really?

    It's a magical week for those of you with iron ears, lead-lined stomachs, and a taste for strong, bitter musical substances, because for the next three days, two different Chicago venues (The Empty Bottle on Tuesday, AV-Aerie on Wednesday and Thursday) will present no less than TWENTY FOUR different acts for your mid-week surrender to the void. Watch your productivity at work plummet to just-short-of-grounds-for-dismissal levels, as a whole slew of crazy mofos keep you out all night, whether you're jumping up and down, frugging, throwing horns, or just standing in the back and nodding approval. Your choice man - nobody's here to judge.

    Continue reading this entry »

    Chris Sienko

    Concert Mon Apr 14 2008

    Manifest Density

    From the sound of it, Meat Beat Manifesto has fallen in love with bass all over again.

    As pioneering veterans of the industrial music scene of the early '90s, Meat Beat Manifesto has stayed prolifically active over the years. New albums have consistently appeared every few years, with frontman and maestro Jack Dangers also tirelessly issuing work via a plethora of solo- and sideline aliases in the off seasons. (Some of them quite serious, others not-so.) While MBM have never strayed too far from the initial dark, dystopic, and paranoid demeanor of their industrial origins, their work of the past decade or so has found them venturing further afield into more abstract and experimental terrain. Chalk it all up to Dangers's workaholic craftsmanship and attention to sonic detail, his encyclopedic knowledge of electronic music, and his obsessive gearhounding of analog sound equipment; but MBM albums have continued to surprise or engage listeners over the years.

    Continue reading this entry »

    Graham Sanford

    Review Mon Apr 14 2008

    From Lake Ponchatrain to Lake Michigan

    It's like playing your stereo loudly with the door closed after a funeral. The sense of loss, but the need to keep going, if only to be thankful for still being here, but also a renewed vigor to leave something tangible behind when it is time to go.

    That's the general mood of New Orleans-based artists since Hurricane Katrina, and the New Orleans Jazz Orchestra brought a little flavor of what remains of Sin City South with them in their performance Friday night.

    An almost capacity crowd were treated to a two hour show that took on a somber, yet celebratory tone as second line, for the hard and brash solos, and maybe a surprise or two, and the musicians delivered.

    Continue reading this entry »

    Troy Hunter

    Concert Sun Apr 13 2008

    Country Hall of Famer Charlie Louvin @ Heartland 4/16

    If only for the fact that Charlie Louvin is one of the more substantial remaining links with the history of Country music, there ought to be a little more excitement about his show this week at Chicago's Heartland Cafe, yet I haven't seen much ink spilled about it. Oh well, for those who are paying attention to the slowly but steadily increasing quality of bookings at this northside outpost, this show offers an opportunity to see someone who really is worthy of the title "living legend".

    "Charlie Louvin"

    Louvin is most famous for his work with his brother Ira in the '40s, 50s and '60s, when American music was being hammered into a recognizable business model. The Louvin Brothers managed to parlay their distinctive harmonies into a successful career that spanned two decades. The Louvin's career as a duo came to an end in the mid-1960's, and brother Ira was soon killed in a tragic car accident. Charlie Louvin continued on a solo career and has occasionally released albums on his own, including 2007's Grammy-nominated Charlie Louvin, an album of Louving Brothers songs featuring Charlie performing with artists ranging from Jeff Tweedy to Elvis Costello. The Louvin Brothers were inducted into the Country Music Hall of Fame in 2001.

    Charlie Louvin plays the Heartland Cafe Wednesday, April 16th at 8pm.

    Dan Snedigar / Comments (2)

    Event Fri Apr 11 2008

    CHIRP Record Fair Entertainment Schedule

    The Music-Buying Event Formally Known As the WLUW Record Fair kicks off Saturday, April 12 and continues through Sunday, April 13. Now held as a fund raiser for CHIRP (Chicago Independent Radio Project), the sixth annual fair will be held at the Pulaski Park Fieldhouse (1419 W. Blackhawk St.). Saturday hours are from 10 a.m. to 6 p.m., and Sunday is from 10 a.m. to 5 p.m. Admission is $7, or $5 if you can get your hands on one of their ads. There's also a special pre-admission price for Saturday that will allow you to sneak in at 8 a.m.

    Entrance details aside, there'll be much more at the record fair than two rooms full of music vendors and a plethora of record geeks: CHIRP has also set up two days' worth of DJs and local live acts, including Mahjonng, Black Bear Combo, and the Revelettes. Check out the schedule:

    CHIRP DJs (second gym)

    Saturday:

    10am – 11am – Carrie Weston
    11am – 12pm - Elizabeth Ramborger
    12pm – 1pm – Christopher Shively
    1pm – 2pm – Jenny Lizak
    2pm – 3pm – Deirdre Titel
    3pm – 4pm – Emily Agustin
    4pm – 5pm - Mica Alaniz
    5pm – 6pm – Michael Ardaiolo

    Sunday:

    10am – 11am – Dan Morgridge
    11am – 12pm – Erik Roldan
    12pm – 1pm – Jen Van Matre
    1pm – 2pm – Nick White
    2pm – 3pm – Megan Timmons (Dj Megatron)
    3pm – 4pm – Tony Breed
    4pm – 5pm – Rachel Hinsdale

    Main Stage

    Saturday:
    10am - 11am Dr. Drase
    11am - 12pm Raise High the Roofbeam
    12pm - 1pm Dylan Posa
    1pm - 2pm Speck Mountain
    2pm - 3pm Blue Ribbon Glee Club
    3pm - The Revelettes
    3pm - 4pm The Soul Rebel's Chic-A-Go-Go Dance Party
    4pm The Revelettes
    4pm - 5pm Black Bear Combo
    5pm - 6pm Colorlist

    Sunday:
    10am - 11am William Luck
    11am - 12pm Johnny from J+J+J (DJ Set)
    12pm - 1pm Ferdinand Fox
    1pm - 1:30pm DJ Nick Tracy, DJ Limbs / Chicago Breakerz
    1:30 - 2:30pm Yea Big & Kid Static
    2:30pm - 3:30pm Mahjongg (DJ Set)
    3:30pm - 4:30pm Willy Joy & Capcom (DJ Set)
    4:30pm - 5:00pm DJ Mary Nisi spins finds from the fair

    For more information, visit CHIRP's record fair page. While you're there, stop by the Gapers Block booth!

    Kara Luger

    Contest Thu Apr 10 2008

    Really Quick Contest: Head of Femur

    You've already read about Head of Femur's new album Great Plains over in the Transmission Feature this week, then you know that they're excited to play Schubas Friday night in celebration of the album's release. Be a part of that number (along with a friend) and be the first to email us at contests (at) gapersblock (dot) com with the subject line "thighbone" and you and a friend (sorry kids, you must both be 21+) will get to see the show for free! [Update:] We have a winner! Congrats to Shira!

    Anne Holub

    Concert Thu Apr 10 2008

    New Model Army Got Old

    The reunion train continues to move on down the track as summer looms. Now that all the a-list bands are back together and the smaller b-list indie bands (The Feelies, Big Dipper) are making a go of it, it's time to for the c-listers.

    It's a little harsh to put New Model Army in that category because at the height of their fame they were able to mix anthemic punk flavored rock with jingoistic leftist political songs like few others. They were catchy and radical at the same time. Like U2, they were a band you could bring home to mum and dad and at least hope they'd get it. The band resurfaced last year with a new record called High. Below is the single from it called "Wired".

    The band plays this Saturday at The Note.

    [mp3]: New Model Army - "Wired"

    Here's their 80's anti-American tirade "51st State"


    Craig Bonnell / Comments (1)

    Concert Thu Apr 10 2008

    Man Man & Yeasayer play Chicago, next Wednesday

    Step right up, step right up and see for yourselves. With limbs and beards a-flailin', the howling hirsute mass that is the Philly fivesome Man Man hits town to play a headlining show at the Logan Square Auditorium next Wednesday night.

    The band's new, and third, album is out this very week. Entitled Rabbits Habits, it features plenty of new tunes that'll make folks want to stomp around, jump on the bed, and maybe lick up the last spillings of gin off the cabaret floor. Yeah sure, the too-tidy production and mixing often tosses a wet blanket over the trashcan fire of the band's demented cartoon caterwauling; but that only reinforces what anyone who's ever seen the group perform already knows -- that the best way to experience Man Man's beet-faced bellowing sing-a-longs and Waitsian batshit ballyhoo is live and in person.

    And if Man Man's "Viking-vaudeville, manic gypsy jazz" isn't enough to cap off your evening, then they'll raise you a round of some "Middle Eastern-psych-snap-gospel" as well; because they're bringing the hubbub-raising Yeasayer along with them to open up for the evening. These fellahs are scoring their own take on the End Times like a pack of fledgling Andrew Lloyd Webers, and they've been rolling in the accolades, because -- thanks to them -- never has the twilight of Western Civ sounded so downright sexy. So if your head ain't spinning already, it will be soon enough. With that kind of start-to-finish fervor and theatrical spark, this show may likely be the most enervating double-billing of the season. The line forms to the right. Careful of that curtain there, little lady. You're quite welcome.

    Man Man and Yeasayer play the Logan Sqaure Auditorium on Wednesday, April 16. Tickets are $13 in advance, $15 at the door. 2539 N Kedzie. Showtime is 9 PM.

    [video]: Man Man – In the studio (Pitchfork profile)
    [video]: Man Man – "10 lb. Moustache"
    [video]: Yeasayer – "Wait For The Summer"

    Graham Sanford

    Concert Tue Apr 08 2008

    The Lineup That Went Unnoticed

    Maybe it was because it was released on April Fool's Day, or that it was eclipsed by lineup announcements by some other local music fests you might have heard about, but the release of a partial lineup for this year's free Taste of Chicago music events went off as a whisper, not a shout. Always a great opportunity to see quality music for absolutely no dollars at all, the Taste of Chicago music events consistently bring in a range of acts from legends to newcomers. This year looks to be no exception with headliner Stevie Wonder gracing the stage at Grant Park on June 28 and Chicago's own Plain White T's following on June 29. The last three performances (on July 4, 5, and 6th) have yet to be announced.

    Here's the lineup as of last week:

    June 27 - Chaka Kahn
    June 28 - Stevie Wonder
    June 29 - Plain White T's
    June 30 - Broadway in Chicago
    July 1 - Joss Stone
    July 2 - Fantasia
    July 3 - Grant Park Orchestra

    Anne Holub

    Concert Mon Apr 07 2008

    The Whole Lollapalooza Lineup

    Well, the rumors were true, and the headliners weren't much of a shock after being leaked Friday. The promoters of Lollapalooza were really aiming for a big media event today when they announced the full 2008 Lollapalooza lineup, but what they got was a bit of a shrug. Still, if you're a stickler for knowing exactly where your nearly $200 ticket price is going, you can check out the whole 3-day shebang, at the flash-heavy Lollapalooza site, or just keep reading.

    Continue reading this entry »

    Anne Holub

    Concert Mon Apr 07 2008

    Sam Baker/Gurf Morlix bring a bit of Texas to Bill's Blues Bar

    The best show in Chicago this week is in Evanston. It's at the occasionally misnamed Bill's Blues. On Thursday two of Austin's finest singer songwriters will be playing Bill's.

    Gurf Morlix is a name that anyone in the americana or alt-country world knows well from his early work on guitar and production for Lucinda Williams. He has also produced scores of records from artists in the americana world as well as released several critically acclaimed solo records. He doesn't get out of Texas much, but is a world traveler compared to Sam Baker.

    Sam Baker has an interesting story. He's at an age (52) where he could probably have 8-10 solo albums under his belt. But instead an event in 1986 sidetracked his life. Sam was traveling in Peru where as he tells it he "got in the middle of someone else's war". The train he was traveling in was blown up by a terrorist bomb planted by "the shining path". Several passengers died including a German family sitting next to Sam. Sam suffered many injuries and nearly bled to death. One of his injuries was to his right hand another caused brain damage and he was laid up in bed for 20 years. It's astounding to imagine that since seeing him perform today you'd hardly notice (he can hold a pick, but just barely, and his guitar playing is simple but beautiful).

    The brain damage resulted in Sam being unable to remember words. Which is perhaps the most incredible part of the story, since it's with words that Sam Baker now excels. Check out "Juarez" from Sam's 2007 release Pretty World below. And catch the tandem at Bill's Blues Bar this Thursday at 8pm.


    [streaming mp3]: Sam Baker - "Juarez"

    Craig Bonnell

    Concert Mon Apr 07 2008

    Touchy Subjects

    After playing an opening slot for Battles back in November, Caribou return to Chicago this Friday night to play a headlining set at the Empty Bottle. On their latest tour, they're bringing along their current touring companions -- the British buzz-band Fuck Buttons.

    There's three things you need to know about Fuck Buttons: (1) Fuck Buttons is the duo of Andrew Hung and Benjamin John Power who hail from the British city of Bristol, (2) after playing a number of prestigious European music festivals in 2007, anticipation for their recently-released debut album was high in some indie-rock circles, and (3) Fuck Buttons is a noise-rock outfit. Or, more accurately, a noise-rock band with a rare degree of indie-rock appeal.

    Featuring boardwork assistance from John Cummings of Mogwai and Shellac's Bob Weston, the Buttons' debut album, Street Horrrsing, hit stores last month and has been met with laudatory reviews. This warm reception largely hangs on the fact that the groups's debut contains enough vaguely melodic elements to provide points of access for those who otherwise might be noise-rock averse. Tracks like "Sweet Love For Planet Earth" and "Race You To My Bedroom/Spirit Rise" coast along on droning swells of analog keyboards à la Stereolab and chiming, sustained loops of pedaled guitar chords that hang in the air like the heaviest and haziest of shoegaze riffs; while the tribal percussion and delay-drenched animalistic chatter of "Okay Let's Talk About Magic" recalls 23 Skidoo's post-punk forays into urban neo-primitivism. But throughout Street Horrrsing's six lengthy tracks, the duo inevitably disrupts the music's oceanic sweeps and swells with an bursts of noise and distorted vocals; breaking through the pall like garbled distress signals transmitted from the heart of a storm raging somewhere over the horizon.

    Caribou and Fuck Buttons play the Empty Bottle this Friday night. 1035 S. Western Ave. Ticket are $10 in advance, $12 the night of. Show starts at 10pm.

    [video]: Fuck Buttons – "Bright Tomorrow"

    Graham Sanford

    Concert Fri Apr 04 2008

    Old Gord’s Records: Lightfoot Plays Waukegan’s Genesee Theater

    Gordon Lightfoot review


    John Greenfield and Elizabeth Winkowski outside the Genesee Theater

    [John Greenfield sent us in this heartfelt review of Gordon Lightfoot's concert in nearby Waukegan.]

    I first got interested in Gordon Lightfoot in 2000 when I saw the indie film Parsley Days, about a female bike repair instructor in Halifax, Nova Scotia. The excellent soundtrack includes Julie Doiron's cover of Lightfoot's melancholy "Early Morning Rain," about a womanizer trying to get home to his family. As the speaker stands drunkenly by a runway he laments: "You can't jump a jet plane / Like you can a freight train / So I'd best be on my way / In the early morning rain."

    I'm not sure how my girlfriend Elizabeth, born well after Lightfoot's mid-'70s heyday, discovered his adult-contemporary folk-rock. She owns a dozen of his albums on vinyl and they're currently in heavy rotation on her plastic portable phonograph.

    But it's easy to understand the appeal of the man behind hits like "Sundown," "If You Could Read My Mind" and the "Wreck of the Edmund Fitzgerald." Ruggedly good-looking, the singer-songwriter from Orilla, Ontario, became an icon of north-of-the-border masculinity: tough but sensitive; manly but not macho. His understated, bittersweet lyrics about romance and adventure, set against mellow acoustic backdrops, embody the Canadian ideal sometimes ascribed to Neil Young: strong feelings expressed quietly.

    For my 37th birthday in March, Liz gave me a framed copy of a postcard with the Gordon Lightfoot stamp issued by the Canada Post. That Friday we jumped a Metra train up to Waukegan, IL, to catch the troubadour on tour at the recently restored Genesee Theater.

    Continue reading this entry »

    Anne Holub / Comments (1)

    Concert Fri Apr 04 2008

    Lollapalooza Lineup Leaked

    Big news from the Sun-Times Jim DeRogatis latest blog post. Many of the major acts for Lollapalooza have been confirmed (from his source): Radiohead, Wilco, Rage Against the Machine, Cool Kids, Kayne, G.Love, Gnarls Barkley and many more. The official announcement from promoters C3 Presents is supposed to come Monday, but this is a great foundation of artists for the 2008 festival. Stay tuned for more information.

    Brent Kado

    Concert Thu Apr 03 2008

    Yesterday's Tomorrow Revisited

    There was a time, just a few years ago, when Autechre pretty much set and defined what electronic music was and could be. As pioneers of the dubiously-named subgenre known as IDM ("intelligent dance music"), the duo of Sean Booth and Rob Brown were inventively redrawing the outermost boundaries of digital music-making with each new album. But electronic music has changed a great deal in recent years; with much of its experimental wing moving into a more conventionally pop-minded, user-friendly direction. Nothing doing for Autechre. As their new recording Quaristice confirms, Autechre never gave a toss about competing with Daft Punk, and they're not about to start now.

    While Quaristice sports its share of the daunting sonic abstraction and industrial-grade rhythms that have long been the Autechre signature style, it's also the most austere material the duo's released in nearly fifteen years. Rather than the dense, hermetically self-contained sonic universes that the duo's created over the past decade or so, the album unfolds as a series of open, amorphous musical sketches that feed and bleed into one another; frequently dissolving into dark, almost cinematic-like interludes. At times, Quaristice is like listening to the audio equivalent of ice-nine, as its sustained, crystalline timbres seem to cast a flash-freezing chill on everything within reach.

    Continue reading this entry »

    Graham Sanford

    Concert Tue Apr 01 2008

    The Filth and the Fatuous

    Depending on who you ask, the Anti-Nowhere League were either one of the best bands of the post-Sex Pistols second wave of early '80s UK punk, or one of the absolute worst fucking bands to have ever walked the face of the planet.

    From the outset, the group was roundly despised by the British independent music press, reviled as a outfit of troglodytic riff-raff who'd misunderstood punk's ethos and attitude and were hi-jacking the music for their own cretinous purposes. League songs like "I Hate People" and the vilely misogynistic "Woman" didn't do much to endear them to the establishment, and the lyrics to many of their earliest tunes resulted in the band's records being banned throughout the UK.

    Granted, being seen as an act of no artistic merits within a scene that was unanimously regarded as having, uh, no artistic merits is something of a dubious achievement. Whatever the case, the group's 1982 debut EP and 1984's We Are…The League became immediate classics, if not templates for much of the bellowing, anthemic punk that has followed over the years. Not only that, but a few of their songs have been taken in the repertoires of various metal acts – most notably Metallica's cover of the League's "So What?"

    Continue reading this entry »

    Graham Sanford

    DJ / Dance Tue Apr 01 2008

    Outdanced Makes Wednesdays Worth Staying Home

    There is a party at Funky Buddha Lounge every Tuesday night that is notrious for debauchery and cutting edge music. Outdanced has been bringing out the hottest Chicago scenesters for almost two years now. Mixes dance-hungry hipsters, exotic clubbers and edgy-fashionistas, the Funky Buddha on Tuesday has a wicked weekend feel. Cheap drinks ($1 beers and mango vodka shots) and reduced admission with RSVP, usually helps insure a packed house. Tonight disco-house floor drivers Riot in Belgium will help keep the party frenzied into the night. Local DJ crew Dark Wave Disco spins as well. The night will be filmed by Avant/Chicago.

    Brent Kado

    Concert Mon Mar 31 2008

    It's a family affair for The Felice Brothers and Justin Townes Earle at Schubas on Tuesday night

    Not since Uncle Tupelo helped coin the term "no depression" and the resulting alt-country/americana movement of the 80's have there been so many great bands emerging that rely on a sound rooted in the folk songs of Woody Gutherie, the near jam band grooves of The Band, and the literary songs of Bob Dylan. Off the top of my head I'm thinking of Chatham County Line, The Avett Brothers and AA Bondy.

    In the case of The Felice Brothers the boys in the band (actual brothers) even have a shared geography with The Band. They're natives of upstate NY; a stones throw from both the Hudson River and the Catskill Mountains. To say they've absorbed and been influenced by this region is to undersell the importance their rural background has on their everyman tales of lovable losers. The Felice Brothers' American debut has just been released by Connor Oberst's Team Love Records and this is their first headlining tour of the states.

    [mp3]: The Felice Brothers - "Frankie's Gun"

    [mp3]: The Felice Brothers - "Wonderful Life"

    Sure he's Steve Earle's kid and yes he's been saddled with a tough middle name to live up to. But on his new record for Bloodshot Justin Townes Earle makes a fairly clean break from his family ties and delivers a record that's more diverse than anything his two namesakes ever recorded.

    You can hear one of the directions that he heads in on the breeezy, 1920's-jugband-meets-speakeasy tune "Hard Livin'". Meanwhile on “Who Am I To Say” JT does sound like dear old dad at times, but before drugs, middle age, smoking and a hard living altered his voice to the point that it’s now just a low growl. The song itself is an autobiographical tale that attempts to deal with his dad’s myth and his flawed relationship with him. This is one hell of a lineup for a Tuesday night in Chicago.

    Catch both bands at Schubas Tuesday night starting at 9pm.

    [mp3]: Justin Townes Earle - "Hard Livin'"

    [mp3]: Justin Townes Earle - "Who Am I To Say"

    P.S. The Felice Brothers are busking fools, so if you see a group of scruffy cats set up on some street corner on the northside of Chicago you can bet it's them getting a quick set in before or after their Schubas gig.

    BONUS: We've got an autographed copy of the brand new Justin Townes Earle album The Good Life (thanks to the nice folks at Bloodshot Records) to give away to one lucky reader. Just be the first to email us at contests (at) gapersblock (dot) com with the subject "The Good Life" and you're the lucky duck! [UPDATE: We have a winner! Congrats to Cassi!]

    Craig Bonnell

    Concert Fri Mar 28 2008

    KEXP To Broadcast Live from Pitchfork Fest, More Bands Announced

    kexp.jpg

    Pitchfork Music Festival announced today that KEXP, the "where the music matters" public radio station in Seattle known for its innovative music and web programming, will broadcast live from the actual festival and from Chicago in the days running up to the festival.

    The announcement helps bolster KEXP's efforts to become the nation's top new music/rock station via its internet stream. KEXP replaces KCRWMUSIC.COM (Santa Monica, CA) as the chief radio sponsor, and why KCRW did not grab this opportunity is unknown. The fact that, for two years in a row, public radio stations from other states have sponsored the festival seems to demonstrate how sorely lacking Chicago is of a great rock station, public or commercial.

    In addition to the radio broadcast announcement, the festival announced the following newly added acts to the lineup, and expects to announce more in April.

    Those newly announced acts are:

    * Dinosaur Jr
    * The Pitchfork Music Festival and All Tomorrow's Parties present "Don't Look Back" featuring Mission of Burma performing "Vs."
    * Jarvis Cocker
    * Ghostface & Raekwon
    * The Apples in Stereo
    * Jay Reatard
    * Ruby Suns
    * Dirty Projectors
    * Cut Copy
    * A Hawk and A Hacksaw
    * Fuck Buttons
    * King Khan & His Shrines
    * Occidental Brothers Dance Band International

    They will join the following previously announced performers:

    * The Pitchfork Music Festival and All Tomorrow's Parties present "Don't Look Back" featuring Public Enemy performing "It Takes A Nation of Millions to Hold Us Back"
    * Animal Collective
    * Spiritualized
    * !!!
    * M. Ward
    * Boris
    * Vampire Weekend
    * Dizzee Rascal
    * No Age
    * Atlas Sound
    * Fleet Foxes
    * Extra Golden
    * El Guincho
    * and more than a dozen others TBA

    David Polk

    Concert Thu Mar 27 2008

    Beyond the Niche

    Brother Ali has the albino/Muslim/Midwestern rapper market covered.

    The lack of pigmentation, conversion to Orthodox Islam and landlocked location are certainly interesting conversation fodder, but Brother Ali isn’t out to earn a big thumbs-up for the attributes that make him unique.

    “I am what I am, I do what I do, I’m bold about it, and I believe in it,” he says. “I don’t think that that’s the focus.”

    What fans are tuning into is Brother Ali’s tight lyricism and skills as an MC. After moving to Minneapolis at 15, the boy formerly known as Jason Newman — now Ali Newman — found himself knee-deep in the burgeoning Midwestern hip-hop scene. He was signed to Rhymesayers Entertainment, whose roster includes indie hip-hop heavy hitters such as Atmosphere and Eyedea and Abilities, and in 2004 released his well-received debut album, Shadows on the Sun.

    A lot can happen in three years, and Brother Ali’s latest CD, The Undisputed Truth, is a chronicle of that time. His decade-long marriage crumbled. (At the mosque’s urging, he married at 17.) He gained custody of his son, but briefly found himself without a place to stay. Eventually, Brother Ali got back on track, and he’s now happily remarried.

    Though Brother Ali has had difficulties in recent years, he remains proud of who he is and where he’s from.
    “I think [Midwestern rappers] had to work harder to get it,” he says. “We basically learned a lot from the actual music, rather than copping off a scene, because we weren’t in New York, we weren’t in Los Angeles. We don’t make our music for the music industry. We make our music for people who listen to us.”

    The Truth Is Here Tour, featuring Brother Ali with Abstract Rude, Toki Wright, and BK-One
    March 31 at the Abbey Pub

    Kara Luger

    Concert Thu Mar 27 2008

    A Night At The (Mega Man Rock) Opera

    Its time you got equipped with: awesome. Nashville's Protomen are a group with one serious claim to fame - they've written an entire concept album based off of the immortal NES classic series Mega Man. Spaghetti westerns about Dr. Light, industrial sceamalongs about Gutsman, and a couple thousand guitar solos representing duels between Mega Man and the villain eponym of the band ought satisfy any hipster who's been hiding his inner nerd too long. They open for Howling Rain and Thunderwing tonight at the Empty Bottle at 9PM - bring 8 E tanks, er, dollars, with you for cover.

    Dan Morgridge

    Concert Wed Mar 26 2008

    Bass minds think alike

    Drew Gress_Color.jpg

    above: A boy and his bass are not soon parted

    Tomorrow night (Thursday the 27th), head downtown to the Chicago Cultural Center for yet another installment in the Chicago Department of Cultural Affairs' "New Music, New Millennium" series. This series of free shows is going on from now through the end of May at the Claudia Cassidy Theater, 77 E. Randolph STreet, and starts at 7 p.m.

    Continue reading this entry »

    Chris Sienko

    Concert Tue Mar 25 2008

    Guitar Gods

    michellewebb.jpg

    Above: Count the number of strings on Michelle Webb's instrument, win a prize. But not really.


    Michelle Webb, an improviser from Las Cruces, NM, slings her 76-string (give or take) across her back and heads north to play Enemy in Wicker Park (1550 N. Milwaukee Avenue, 3rd Floor), along with locals Mykel Boyd and Magic Missile.

    Webb lists her influences as Elliott Sharp, Bill Laswell, Taj Mahal, Sonny Sharrock, and Diamanda Galas, among many others, and includes a Sonny Sharrock quote about the necessity of primal qualities to one's music and muse. Her pictures indicate a musician with a strong commitment to unusual guitar-based machinery, strings lapsing well into the double-digits and effects pedals for miles, which is why I'm thinking that Elliott Sharp is going to figure heavily in this event. Sound samples include a track rather suspiciously called "Bailey" - elegy for a recently-fallen legend, perhaps? - which plays both contemplative and engulfing, a thick, effects-driven undertow. I would guess the live experience enhances the whole a thousand-fold - seeing Elliott Sharp and Zeena Parkins way back when, I know that watching the actual attack of the strings in a live context was integral to the musical experience (moreso than most modern experimental music, which comes from boxes), rather than just hearing the swirl of sounds on ye olde digital coaster when I got home.

    Mykel Boyd, owner of the Somnimage and Power Silence labels, performs with his digital/analogue driftworks, clean and tight, blinding you with clouds of microscopic feathers.

    Meanwhile, the recently reinvigorated Magic Missile (previously a duo of Jason Soliday on guitar and Jon Satrom on electronics and films, now including Animal Law guitarist Geoff Guy on second axe) wraps themselves, the stage, themselves, and their instruments in blinding white light and fabric, detuning, groaning, preparing you for your journey into the mouth of infinity.

    As usual, starts early (8 p.m.) due to noise ordinances, and costs $5.

    Chris Sienko

    Concert Mon Mar 24 2008

    Not-so-'Familiar' Sounds Come With Locals @ Lakeshore Theater

    Algernon don't simply wish to play songs: they are here to turn your entire world upside down. Or at least that's what they claim to in press releases. Despite the fact that I still find myself decidedly unflipped, these Chicago locals' newest release, Familiar Espionage, did take me through quite some ride.

    One of the better tracks, "Beneath the Ailing Flesh" sets itself up like the Brady Bunch theme song being played through the chilling, slow radio from Apollo 13, taking itself from the upbeat feel of the previous song into a much darker place with ever more desperate but intense breaths for the deteriorating oxygen supply. Over the course of the album this formula stays pretty consistent, taking us through ups and downs in each 7 minute mini-journey whose destination is disappointingly always the place we began. They never can really release that 70s schwag type tone from their music, but when they do move past it their soundscapes move deeper into a very intriguing territory. The fine line separating noise rock from migraine is toed, but when it's good it's good, and they do nail it at points. Overall, however, those explorations are not enough to pull the album out of that repetitive feel and being stuck with a keyboard from a bad game-show.

    Algernon will be playing the Lakeshore Theater tonight, the perfect kind of venue to make instrumental, "neopsycadelicpostrockjazz" soundtrips like these interesting. Show goes on at 8 PM and would be a good night for the $8 you'll spend. Algernon as well as Akasha will be opening for the soul jams of fellow Chicago octet Eli Jones.

    Emily Kaiser

    Concert Mon Mar 24 2008

    Oh, Jens...

    What is it with these young men and their fascination with the past, what with their string ensembles and fedoras and their melodramatic lyrics? And how is it that they’re helping to influence an entire indie-pop aesthetic?

    Jens Lekman is one such young man, a singer-songwriter driven by a seemingly unquenchable thirst to churn out EP after EP. Hailing originally from Gothenburg, Sweden, Lekman manages to stride that fine line between old and new. He’s not wackadoo enough to earn the “what on Earth is in that Scandinavian water?” nod that’s used to explain the likes of Björk and Sigur Ros. But from the onset of his first full-length release, 2004’s When I Said I Wanted to Be Your Dog, Lekman has skipped happily from genre to genre, all while maintaining a decidedly old-fashioned feel.

    His latest album, 2007’s Night Falls Over Kortedala, finds Lekman experimenting less but sounding far more self-assured. “And I Remember Every Kiss” opens with the swell of strings and timpani to a big, boffo, Hollywood climax (with sampled strings from legendary violinist Enoch Light), while Lekman himself makes an equally grand statement: “And I would never kiss anyone/ Who doesn’t burn me like the sun/ And I remember every kiss like my first kiss.”

    But such a sweeping, your-beauty-blots-out-the-sun declaration is not really Lekman’s speed. He’s much more of a homebody. As every good boyfriend knows, it’s the little things that count in a relationship; noticing the tiny details about your sweetheart is a sure way to up the twitterpation. Case in point is the love ballad “Your Arms Around Me.” In it, Lekman accidentally slices off the tip of his finger while cutting an avocado; his girlfriend wraps his hand in toilet paper and takes him to the emergency room. That’s all. But somehow, in Lekman’s from-the-heart storytelling, it’s absolutely enough.

    Jens Lekman and the Honeydrips

    Monday, March 31, at the Logan Square Auditorium

    Kara Luger

    Concert Mon Mar 24 2008

    Gild Your Idols

    With his 2007 debut full-length Secret Lawns, the Portland-based artist known as Panther (aka Charlie Salas-Humara) served up a bedroom-recording spread that ran wall-to-wall with buzzing electro-ish keyboards, punchy thuzzed-out beatbox rhythms, and plenty of white boy faux-soul warbling -- the jittery, lo-fi equivalent of a Jamie Lidell record, effectively. After Secret Lawns, Salas-Humaras signed to the Kill Rock Stars label and met up with drummer Joe Kelly; and the two have been working together to bring Panther one step in the direction of being a proper, functioning band. As a result, aanyone looking for more of the same from Panther in 2008 might be in for a mild surprise.

    Panther's new album, 14 kt God, finds the pair tucking into a 13-song batch of tight-yet-ragged, funk-tinged pop tunes. The album's long on grooves and gusto, with Kelly providing most of the propulsion throughout. Expectedly, its stylistic trimmings are of the ubiquitous punk-funk pedigree; but in a leaner and less polished manner that's often closer to a suburban basement than it is to, say, Brooklyn. And while the larger part of 14 kt God runs a little thin on hooks or much that's likely to weigh any heavy anchor in your memory, a few tracks like "Her Past Are The Trees" and "Total Sexy Church" reveal Salas-Humara making attempts to branch out as a songwriter in transition -- fleshing out the arrangements with cello and small-ensemble stringwork that brings some rich, moody contrasts and coloring to the tunes.

    Panther plays a headlining set at The Abbey this Thursday evening. The biggest draw here, however, most likely will be local "crypto-Christian" punk jesters Detholz!, who'll be playing third on the bill. U.S. Girls and Slow Gun Showgun open. 3420 W. Grace, at Elston. Doors open at 8pm and the show starts at 9pm. Tickets are $8 in advance and $10 at the door. Ages 18 and up.

    [video]: Panther – "Diamonds, Violence"
    [video]: Panther – "You Don't Want Your Nails Done" (2007)

    Graham Sanford

    Concert Sat Mar 22 2008

    Slits, Old Time Relijun, and More: A Review

    You know, I could start by discussing The Slits' recent headlining performance at the Subterranean, but supposedly it's spring, and it's a holiday weekend, and I'm determined to keep a positive attitude. In short, let's discuss what was great about the evening.

    What was great was every other band that performed. For the first time in a couple of months, I came away from a show with a few new bands to excitedly research online. Kicking off the evening was the Chicago-based husband-wife duo, Post Honeymoon. Armed with only keyboards, bass, and a drum kit, the two pounded out catchy songs in the tune of early Kill Rock Stars fodder (think a more dancey Slant 6). While sometimes shaky on the delivery, it was forgivable and even more exciting to find out that the set was only their second show.

    Another, even further stripped-down male/female duo, Shellshag played next. Low-fi punk rock thumped out via Shellhead on guitar and drummer Jen Shag. What the songs lacked in variety, the band made up for in crazy, infectious energy. Facing one another, trading back-and-forth vocals, it was like watching Iggy Pop and Captain Caveman go bananas onstage. Shag, in particular is fun to watch: Drumming standing up and wearing sleigh bells about her person, she plays while dancing and leaping about. They obviously love performing, and that excitement bled into the audience in no time.

    Continue reading this entry »

    Kara Luger

    Concert Fri Mar 21 2008

    Soul Providin'.

    "Underground hip-hop" is probably as overused as a concept as "indie pop sensibilities," but at the very least, the former is not overtly aimed at getting mainstream critical approval and showing up on TRL or 106 & Park anytime soon. For every mainstream hip-hop artist played in the burbs or in dance clubs across the city, there are an uncertain quantity of artists that simply do their thing, and do it well out of the limelight.

    In 2007, Los Angeles-based duo Blu (lyricist) and Exile (soundscapes) released Below the Heavens, which garnered critical acclaim but minimal sales. Featuring a flow that is reminiscent of a sped-up Common and an everyman personality and subject matter that makes the lyrics accessible to most listeners, Blu is a relative newcomer to the industry, so the urge to crown him the Next Big Thing is evident, but he’s solid at what he does. Exile’s sonics are on the side of simple, providing atmospherics that stay out of Blu’s way, but with enough technical adroitness to not make it seem easy.

    So now, Blu & Exile visit Chicago on Saturday night amidst a crowd of Chicago underground luminaries. Subterranean has a well-deserved reputation for hosting “underground” and supporting hip-hop in general, and this is no different. Tickets are ten bones, and the show starts at 10pm and goes til 3am. When was the last time you were up until 3am for a good (clean) reason? Good hip-hop is a great reason. Info is here.


    -Blu & Exile - "Soul Amazing"

    Troy Hunter

    Concert Fri Mar 21 2008

    Review: Justice @ the Riveria

    My body still shakes in 2/4 since arguably the biggest throw-down in Chicago last night, Justice at the Riveria. The sold-out madhouse could be unexpected by this other French techno-duo, but Justice brought in toll one of the biggest albums of 2007, Cross, and unleashed it on the masses. And unleash they did. Two shadowy figures behind giant stacks of amps, intense sets of wires and tables, and a dazzling lit up cross, the understated visual stimulation meshed perfectly in tandem with the brilliant overload of electronic sound. Refreshingly, the underwhelming response to the single that broke the band into the realm they occupy in indie-ville, D.A.N.C.E., showed that the majority of techno fans do not need nor appreciate being told what to like, and can fish out the quality for themselves. The rest of the set was masterful. Justice kept the momentum in such purposeful chaotic control, and the crowd was bowing at their knees by the end in appreciation for the experience.

    Emily Kaiser

    Concert Fri Mar 21 2008

    Maniacs on the prowl in Wicker Park

    More madness at Enemy (1550 N. Milwaukee, 3rd Floor) this Saturday, as three totally parabolic nightmare-walkers stalk your sleeping hours with fogs of dissonance and hilarity.

    Blood Waterfall, according to their Myspace page, sound like "Lee Ranaldo, Thurston Moore, and Zach Hill watching commercials," and invoke the Luttenbachers, Braxton, Brotzmann and Melt-Banana in their "influences" section. Believe it or not, that actually pretty much nails it.

    Sexual Freedom, formerly known as Gays in the Military, burst free from their shackles once again to thug up the ears and pass around some of the generous helpings of kinky theatricality that has left Wicker Park in awe since the halcyon days of the Big Horse. Swoon....

    Squid Fist are from Minneapolis, and seem to live in a Black Metal cave while foraging in noise trashcans for tender morsels. Thrashing and clattering, squirming and squeaking, a 2001-esque new-rebirth-style space baby is being born on this very stage for you.

    Jason Soliday (Enemy's host and resident) and Anthony Decanini will open. I've heard Soliday many times, but not with Mr. Decanini, so this promises to be a new and different direction. Try it, you'll like it! 8 p.m. sharp, $5.

    Chris Sienko

    Concert Thu Mar 20 2008

    A sight for sore ears

    Friday night at the Empty Bottle (1035 N. Western Avenue) will bring those who jab sharps bits of painful audio into their eardrums for fun to a eye-rolling fit of unfettered ecstasy, with three different flavors of dark chocolately sonic weaponry on tap. Michigan/New York-based Sightings have been atomizing their core sound (guitar/bass/drum) and restructuring the fragments into more and more complex tapestries for so many years, it's almost hard to remember how they started out. All of their album son Load Records have been radical jump-offs from all prior endeavors, with Mark Morgan's trademark tinfoil-deluxe guitar sound leading the way. Cleveland' Emeralds have gone from 0 to 60 in the word-of-mouth dragstrip, with a synth-based drone sound that gets people whispering all manner of high-minded names ("LaMonnnnnnnte...") out of the corner of their mouths as the brain matter oozes out of their ears. Opening up is Akhkhazu, another new project by Seth Sher, formerly of the Coughs, and now also of Oakeater. Primal and percussive, Akhkhazu summons all manor of major and minor demons from beneath the floor, first to your delight, then to your horror.

    Festivities, as usual, get underway at 10 p.m., and the cost is $8.

    Chris Sienko

    Concert Thu Mar 20 2008

    It's your funeral if you miss it, dude...

    Ronny's, 2101 N. California, has lately become a new rally point for fringe and experimental bands in the Wicker/Buck/Logan area of town, setting up lo-fi but well-tended stakes on a fertile patch of ground for up and coming weirdos, essentially filling the void now left by the much-missed Big Horse. Sunday night (the 23rd) brings four tumultuous blasts of grave gloom that will no doubt be well-reinforced by yet another freakin' layer of snow we're supposed to get, like, any second now. Great.

    On tap:

    • Velnias: This Black Metal band from Naperville made a huge splash at Mr. City recently, and now return to finish the job they started alongside other such feral children as Oakeater and...
    • Locrian: Guitar/synth with deep, dark textures. More fun in the dead world.
    • Winters in Osaka: Grindcore/power electronic group brings fear and tembling down upon the heads of their most faithful
    • Druids of Huge: Great. Visible. Crashing.

    Events launch at 9 p.m., and it's $5 at the door.

    Chris Sienko

    Concert Thu Mar 20 2008

    Sax-a-ma-phoooone.....

    The Chicago Department of Cultural Affairs' "New Music, New Millennium" series puts another notch in its upright bass neck this Saturday, welcoming saxophonist Donny McCaslin to the Chicago Cultural Center. If you've been following the NMNM series so far, you might be slightly surprised to see that this show is on Saturday at 1 p.m. (the rest of the shows have been weeknights), but it's still in the Claudia Cassidy Musical Theater in the Cultural Center building, 77 E Randolph. As with all of the concerts in this series (still six more to go after this one), the event is FREE.

    McCaslin performs from his 2007 album In Pursuit, along with a large ensemble, in a style that suggests the innovations of middle '60s "modern" jazz before moving into more uncharted, late-'60s free styles. I can hear Coltrane, Oliver Nelson, Eric Dolphy, Jackie McLean and more in the sound samples from the artist's web site. A luscious sound with tinges of the type of Latin-jazz fire you could hear regularly in early Gato Barbieri. (If you can't get enough, McCaslin also plays later that night at the Green Mill [4802 N. Broadway] with the same ensemble)

    Chris Sienko

    Concert Thu Mar 20 2008

    Trigger finger

    Bischoff.jpg

    This Saturday, Lampo closes out its winter season with its fourth show, a return performance by electronic/computer music legend John Bischoff, who will perform four pieces for you. Show starts at 9 p.m. at the new Lampo, 216 W. Chicago Ave, 2nd Floor. Cost is $12 at the door.

    Bischoff is not only a 30 year veteran of composed electronic music, but he's also pioneered the concept of "computer network music." His most known setup is a 20-year old computer network called The Hub, normally played by multiple players, but here, all "band members" are played by John himself. In this work, "one player broadcasts a rhythmic 'trigger' message to create a timing grid upon which all musical actions are based. All players—in this version, all played by the composer—respond to some statistical percentage of the triggers, a choice that is continuously variable between all or none, by generating sounds of their own creation." If this sounds like an upper mathematics take on Terry Riley's "In C," you might be right. I don't know - I frankly don't understand that part. However, you can check out the sound samples for yourself, which are more than worthy - "Piano 7 Hz" shuffles a deck of piano chords with hissing, whirrling electronic sounds, to provide parlor-music played by a fast-deteriorating automaton. Other tracks like "Aperture" (title track from the CD of the same name on 23Five Recordings) suggest Xenakis' electronic scribble but with a more floral background - light and airy, but also industrial and uneasy. The Lampo web site has more information about the four pieces being performed, but I can't explain the processes, so I simply direct you there instead.

    Chris Sienko / Comments (1)

    Concert Wed Mar 19 2008

    ...and a one, and a two, and a one, two, three-point-one-four....

    Steve.Lehman.Yellow.jpg

    Elastic Arts Foundation's weekly Improvised Music Series (every Thursday, 2830 N. Milwaukee Ave, 2nd Floor, above Friendship's Chinese Restaurant) has been a stable location to hear emergent sounds, forms, and ideas floating through the collective ether of the free improvisation music scene. As this form of sonic architecture is best served in a live environment, the importance of a stable location to watch the ongoing experiments is crucial.

    This week, a truly distinctive new composer/improvisor will appear before you. Steve Lehman, alto saxist by trade, but skilled in the ultra-complex compositional arts (he's been taught by Anthony Braxton, Jackie McLean, George Lewis, and "spectral school" legend Tristan Mereil, which says plenty about the dude's range), plays two sets at Elastic, one a solo set for sax and solo electronics, and a second with a quartet that includes Greg Ward on second alto sax, Katinka Kleijn on 'cello, and Quin Kirchner on drums. A quick peruse through the sound files at the artist's web site suggest a composer with a thoroughly mathematical mind, a truly sadistic streak when it comes to scoring drum parts (for serious, each and every rhythm part I listened to sounded like it would send anyone short of McCoy Tyner into the hospital with a dislocated rim-shot), and an appreciation for music that suggest a deep understanding of both the most difficult AND prettiest parts of Eric Dolphy's Out to Lunch. Early records show Lehman playing a form of chamber music, more recent albums, such as Demian as Posthuman, also suggest an interest in modern dub and the more OUT side of outsider hip-hop (Spectre, Sensational, Scotty Hard). Get your five-legged rhumba pants on and SHAKE IT!

    10 p.m., suggested donation $5 - $10.

    Chris Sienko

    Concert Mon Mar 17 2008

    Stop Watching TV!: The Boredoms' Circular Logic

    Since they first came together on the Osaka noise scene of the mid-1980s, The Boredoms have always been one of the music world's most unwieldy and inexplicable acts. Starting out as an outfit of frenetic, genre-mulching rawk'n'roll destructivists, they've since undergone a circuitous musical evolution over the past decade. Like a supernova constricting into a neutron star, the band refocused its musical energy to become purveyors of dense and droning space-rock in the late 1990s before finally arriving at their present trance-inducing, tribal incarnation as the most apeshit drum circle on earth.

    Boredoms fans will have a chance to see the band play a special "in the round" performance at the Congress Theater next Wednesday evening. The show will be one of the few dates on their current U.S. tour where the group will be able to perform the way they want to -- interfacing in a circle in the center of the venue while the audience will be free to gather around on the periphery.

    Continue reading this entry »

    Graham Sanford

    Concert Sat Mar 15 2008

    Still Slitty

    This is your chance to catch a wildly energetic lineup and see some legendary dub-punk in action: The Slits will be playing on Wednesday, March 19 at the Subterranean. Singer Ari Up has led a rotating cast of Slits (the only other semi-original member is Tessa Pollitt) since the band's inception in 1976, freaking everyone out with their 1979 debut album, Cut (perhaps it was the controversial, muddy 'n nekkid cover). Since then, she has continued to make music via her bands The Slits and The New Age Steppers, as well as her solo albums. And oh man, those dreads!

    The gals will be playing with Old Time Relijun, a K Records troupe that is as awesome as they are completely polarizing: It seems either you really love their brand of in-your-face, discordant dance rock, or you really don't. Frankly, I'm excited -- they'll have just come off of playing at SXSW and they'll be raring to go. Also opening are Shellshag and Post Honeymoon. Get'cher tickets here or at the door.

    Kara Luger

    Concert Sat Mar 15 2008

    Sunday evening, coming down - experimental music in Wicker Park

    Sunday Show at Enemy.jpg

    above: Why are all these men in obvious distress?

    Sunday's not normally a go-out-to-the-shows kind of night, especially if you've still got a mouthful of green teeth and a Throbby O'Hangover that will not vacate. Still, it should be noted that Sunday night at Enemy (1550 N. Milwaukee Avenue, 3rd floor), an evening of top-quality experimental music will be going down, with a lineup that features some seldom-seens. Show starts at 7 p.m. SHARP due to noise considerations in the neighborhood, so don't dawdle! $5 at the door, BYOB.

    Continue reading this entry »

    Chris Sienko

    Concert Fri Mar 14 2008

    The Raveonettes at Double Door 3/18 - Free Ticket Giveaway!

    If all you look at is The Raveonettes bio, they might seem to skirt precariously close to lapsing into schtick. Two somewhat glammy Danes trafficking in close-harmony vocals, shimmery '50's and early '60's pop sounds and somewhat dark lyrical subject matter could be the stuff of disaster. They manage to pull it off convincingly, however, and since their first full length album Chain Gang of Love came out in 2003 they have continued to make music that is more mod homage than staid apery.

    The Raveonettes play the Double Door Tuesday the 18th with guests Black Acid. Tickets $15.

    For one lucky Transmission reader, however, we've got a pair of tickets to give away for the Ravonette's 3/18 show at the Double Door. If you're 21+, just be the first to email us at contests (at) gapersblock (dot) com with the subject line "Raveon" and you're in luck! UPDATE! We have a winner! Congrats to Eric!

    Dan Snedigar

    Concert Thu Mar 13 2008

    Review: Dropkick Murphys @ Congress Theater

    Hey Chicago, are you Irish? Catholic? A fervent soldier of all things punk? If so, there's is no question you were at the Dropkick Murphys show last night at the Congress Theater. Dropkick has been tearing the roof off Chicago for upwards of 12 years now, and by the looks of it many of their fans have been right there with them along the way. This all goes in to the proof for one basic fact about the Dropkick Murphys: They are very, very good at what they do.

    Openers Big D and the Kids Table enjoyed a good time despite the slight clash between Big D and Dropkick fans in the pits. While the poor, skinny ska kids tried earnestly to skank in circle pits, they were more often than not quickly knocked to the side by a spinning, flailing, beer-belly looking for a hardcore mosh. Mild territorial conflicts aside, only a few bruised noses could not prevent the kids from enjoying the brass-colored, feel-good tunes of Big D.

    Continue reading this entry »

    Emily Kaiser

    Concert Thu Mar 13 2008

    Safe Crackers

    Tonight, the Chicago Department for Cultural Affairs continues its "New Music/New Millennium" series of FREE avant garde jazz/improvised music concerts at the Chicago Cultural Center (77 East Randolph Street). Start time is 7 p.m.

    Ben Allison (bass) fronts the quintet Man Size Safe, featuring Michael Blake (Saxophone), Steve Cardenas (Guitar), Ron Horton (Trumpet), and Michael Sarin (Drums). Although I was able to find no live footage of Man Size Safe online, you can check Ben's excellent web site above and click around for the Man Size Safe site. There are lots of lovely streaming songs to listen to while you click away - I'm not as versed in modern Jazz as I'd like to be, but I can hear some '80s Tim Berne, maybe some Either/Orchestra, and also the Spontaneous Music Ensemble's Karyobin, the way that album sounds like jazz, but also kind of sounds like a flock of migrating birds - abstract, but within a gentle framework. Man Size Safe is described as a "Cinematic, rock-meets-Americana sound." Guess that explains the guitar.

    For more proof of powers, check out Ben Allison with a different lineup at the Green Mill below:

    Chris Sienko

    Concert Wed Mar 12 2008

    AfroFolk Kicks off @ Old Town School

    lobi.jpg

    As you buy your Pitchfork Festival tickets today, perhaps hoping to have another chance at hearing Vampire Weekend's African rhythms (their April 6 concert at the Metro is sold out), consider checking out the Old Town School of Folk Music's spring AfroFolk series, which debuts today. Actually, you'd be crazy not to, considering that it's FREE.

    Tonight, singer, guitarist and songwriter Lobi Traoré, of Bamako Mali performs with Dutch singer and guitarist, Joep Pelt, and the result is a blues-infused African jam sesssion.

    Gary and Laura Maurer Concert Hall :: 4544 N Lincoln Ave. in Lincoln Square. Call 773-728-6000 to reserve the free tickets.

    David Polk

    Concert Mon Mar 10 2008

    Festival Season Hits High Gear w/Pitchfork Announcement

    Maybe you already got your tickets to Bonnaroo, perhaps you got an early Lollapalooza pass, or perhaps you were waiting for this Wednesday the 12th, when tickets to the annual Pitchfork Music Festival go on sale. In its two year lifespan, the festival has gained many lauds for the diverse and of-the-moment lineup and solid value, only tarnished somewhat by last years grumbles about growing pains evidenced most clearly in the obvious technical and production stumbles.

    The lineup is still skeletal, as are all festival pre-sale lineups, but it looks alright, with Public Enemy slated to play their classic "It Takes a Nation of Millions to Hold Us Back", and current prep-popsters Vampire Weekend and '90s British psychedelic superstars Spiritualized making appearances. Keep track of new developments on the undercard and get your tickets Wednesday 3/12 at www.pitchforkmusicfestival.com.

    Dan Snedigar

    Concert Mon Mar 10 2008

    Saturday: Norweggie Electronica Showcase @ the Bottle

    For over a decade, Oslo has been one of Europe's most active hotbeds of creative energy. This has been doubly true of the city's music scene -- especially in the domains of experimental jazz, electronica, and indie rock. And perhaps no other person has epitomized that fervent activity than the multi-talented artist Kim Hiorthøy.

    Hiorthøy first gained attention as one of Oslo's most promising and distinctive talents on the international graphic design market. As a visual artist, illustrator, photographer, and filmmaker, he's most known outside of Norway for the sleeve work he's done as the in-house artist and designer for the experimental music label Rune Grammofon. But in 2001, Hiorthøy made his recording debut when he released his album Hei via the Smalltown Supersound label. The album quickly proved a blueprint for what some would later dub the "folktronica" scene, and to this day remains one of the subgenre's richest and most elegant moments.

    Continue reading this entry »

    Graham Sanford

    Concert Fri Mar 07 2008

    Lollapalooza Update

    It's that magical time of the year when Front Gate gets absolutely bombed with requests for Lollapalooza presale tickets. The few thousand tickets that went on sale for $60 this morning were snatched up in minutes. The next round goes on sale March 25. And even though the full lineup won't be announced for weeks or even months yet, Greg Kot is reporting that Radiohead and Nine Inch Nails will headline.

    At last night's Galapalooza event, it was revealed that Sharon Jones & the Dap-Kings will play the fundraiser on July 31 and also do a set during the August 1-3 festival. This will make the second year in a row the Dap-Kings play the annual festival. This year, though, their frontwoman should be more stable than last year's.

    James Ziegenfus

    Concert Thu Mar 06 2008

    Taking over, one stage at a time.

    sm-lust309b.jpg

    Once a month, Metro hosts Nocturna, which is "an 18+ dark alternative dance night". Those who blanche at "dark alternative" need not fear, for shaking your ass is a language most musical genres can understand. With sets by DJ Scary Lady Sarah, a monthly guest from Germany, the bill also features Camera and reModern.

    Notably, The Lusties take the stage for their first career takeover of the Metro. After paying dues at smaller venues around the city and state, they take the stage as a quintet that rocks out with fast rhythms, vocal sass, and good musicianship that certainly don¹t evoke thoughts of vampires singing sadly about something or another. So go get your alternative dance on!

    Tickets are ten bones, available from the Metro box office (oddly enough, not online), but each group's site has a printable flyer for free entry. The music starts up at 8pm on Saturday night.

    Troy Hunter

    Concert Thu Mar 06 2008

    Sending the 4-Star City to the Lone Star City

    The title might be awkward, but the party will be anything but. And the cause? Worth it. This Saturday, beginning at noon and continuing all the way into the wee hours of the morning, the Hideout hosts a day-long music festival devoted to benefiting 18 Chicago bands who are all bound for South by Southwest in Austin, Texas. These are some of the hottest and brightest musicians Chicago has to offer and here’s hoping their SXSW experience helps up the ante on the national scale too.

    Each band will receive a case of Goose Island 312 and a bag of road munchies from Whole Foods, and the take from the admission price will be split up evenly amongst all of the musicians to help with transportation costs. Additionally, the show is sponsored by ASCAP , who is providing the support for quick band changes.

    Details and lineup below!

    Doors: Open at 11:30am.

    Tickets: No advance tickets will be sold. First come first serve. $10 for the entire day (in and out permitted)

    Featuring. . .
    12:00—Sybris
    12:45—Apteka
    1:30—Cameron McGill
    2:15—Mittens on Strings
    3:00—JT and the Clouds
    3:45—The Hood Internet
    4:30—Hollywood Holt
    5:15—Bound Stems
    6:00—Make Believe
    6:45—Reds and Blue
    7:30—Pit Er Pat
    8:15—Waco Brothers
    9:00—Tight Phantomz
    9:45—Killer Whales
    10:30—Icy Demons
    11:15—Tom Schraeder & His Ego
    12:00—Ezra Furman and the Harpoons
    12:45—The Scotland Yard Gospel Choir

    Godspeed local giants! May the good people of Austin never know what hit them!

    Nicholas Ward

    Concert Wed Mar 05 2008

    Sunday Night At The Orphanage

    The Orphanage throws a pretty mean Sunday night get together featuring an art showcase, musical guests and a delicious vegan buffett. This week the non-profit Bridgeport spaces welcomes Daniel Knox, who had gained sudden recognition being handed picked by David Lynch and Daman Albarn for thier projects. Also on the bill Henhouse Prowlers, Kumpera Tum as well as artists Luara Hobson, Sharon Parment and Kado. (from this here site and writer of this post!) The event is being filmed as part of a new docu/series on Chicago music and culture, so swing by the Orphanage and you could be in pictures. (and catch some great art)

    Brent Kado

    Concert Tue Mar 04 2008

    The Gutter Twins @ the Metro this Friday

    GutterTwinspic.jpg

    If you’re as much a fan of early alt rock as I am, you too have been excited about this for a long time. A musical collaboration between Mark Lanegan (the Screaming Trees) and Greg Dulli (the Afghan Whigs, the Twilight Singers), the first album from the Gutter Twins is a project over four years in the making. With so much time between inception and completion, one might expect Saturnalia to disappoint fans of explosive alt rock. One would be wrong.

    When I first heard “Idle Hands” streaming on the Myspace a few months ago, I thought it sounded an awful lot like the Screaming Trees, with its crunchy guitars that roll over swirling strings as Lanegan delivers his familiar growl. While it I found it to be pretty great, it was exactly what I expected from this particular group.

    But upon listening to the entirety of the album yesterday, it became immediately clear to me that the Gutter Twins aren’t interested in re-hashing the past in any way, shape, or form. My initial response to Saturnalia is that it’s a surprisingly cinematic turn that showcases the band exploring more unique sonic textures, as opposed to merely rocking your face off (though they get after that too). The landscape they’ve created is a gothic wasteland where men walk the streets armed with black trench coats and secrets worth dying for. I have no doubt too that repeated listens will continue to lend richness and depth to the material.

    My main concern for their late show at the Metro on Friday is that they will only have a handful of tour dates under their belt and lack the consistent reps to provide a truly cohesive show. Sure, they’ve been collaborating on and off for a number of years, but who knows how their presences will balance one another in a live setting. We can only trust in their ability and experience as musicians that they, like the album they represent, will deliver the goods.

    The Gutter Twins play an 18 and over show this Friday, March 7th at the Metro. Great Northern opens. Tickets are $19.50 and the doors open at 11pm.

    Nicholas Ward

    DJ / Dance Tue Mar 04 2008

    Beaucoup Bounce Saturday

    This Saturday's installment of Subterranean's No Mas Tequila dance party welcomes out-of-town guest Ghislain Poirier. Having first emerged from the underground hip-hop scene in Montreal back in 2000, Poirier soon gained attention after releasing a string of albums and EPs via the Chicago-based Chocolate Industries label. He's become a major linchpin on the diverse Montreal music scene, bringing big crowds together with his monthly Bounce Le Gros parties and building a broad international fanbase.

    Poirier initially made his name as a DJ and producer of leftfield beats. But with his 2007 No Ground Under LP (released on the Ninja Tune label), he moved solidly into the pocket with the sound he's been brewing up these past couple of years -- ruff'n'tumble riddims from the Caribbean, South America, Africa, and the Middle East threaded on deep, block-rattling basslines with a fair amount of digital dirt throw in for good measure. Given No Mas Tequila resident DJs Zebo and C's own respective backgrounds as ragga-junglist trackmasters, Poirier's "digital dancehall" style couldn't be in better company.

    No Mas Tequila takes place downstairs at Subterranean this Saturday evening. Zebo, DJ C, and Murderbot will be warming up the decks and getting the beats rolling. Poirier headlines. 9p-3pm. Admission is $5 after 11pm. 2011 W. North Ave.

    [mp3]: Ghislain Poirier - "Bastard Bass" mix set (courtesy of Pitchfork)
    [video]: Ghislain Poirier - No Ground Under promo clip
    [video]: Ghislain Poirier - "Don't Smile, It's Post-Modern" (2005)

    Graham Sanford

    Concert Tue Mar 04 2008

    Rock Against Recession Begins Tomorrow Night

    The Metro's spanking-new Rock Against Recession concert series is set to begin tomorrow night with a solid set of local Chicago acts. The series aims to bring you a variety of these local acts for the low low price of FREE.

    Tomorrow night's features include Yourself and the Air, who design their sound around guitar soundscapes a la Explosions in the Sky. On top of that they add a nice level of vocals cutting enough to bring you back down but mild enough to be enjoyable.
    Airiel play a similar sort of airy rock best accompanied by panning scenes of city lights, despite the fact they look as if they should be fronted by Jared Leto. The other side of their repertoire grows a bit heavier but you still struggle to dig any real meaning out of it.
    Slings and Arrows bring the tighter jams with an upbeat melancholy that turns to a scant groove at all the appropriate moments.
    To the band wrapping up the collection, someone should probably tell Empires that emo is out of fashion, but the heart on their sleeve beats so loudly over palm muted guitars and formulaic bridges that I doubt they'd hear.

    The doors open at 8pm, and admission is **FREE** if you get there before the show starts at 9pm. Admission after that will only run you $5, making it completely worth it if only you hadn't missed that free hour. 18 + for this show and 21+ to go see DJ Jessica from OFFICE in the Smart Bar afterwards.

    Emily Kaiser

    Concert Mon Mar 03 2008

    Adrian Belew Power Trio at Martyrs

    Adrian Belew may the best guitarist you've never heard of. Though now known mainly through his nearly three decades with King Crimson, his CV reads like a roll call of some of the greatest tours in history. In 1977, he began playing behind notorious musical perfectionist Frank Zappa, and appeared in the 1979 concert film Baby Snakes. Concurrently, he hired himself out to back David Bowie on his Heros tour in 1979. He contributed to the Talking Heads iconicRemain in Light album and played on their subsequent tour. Round out the resume with sessions work for Peter Gabriel, Laurie Anderson, and even the Crash Test Dummies, and it becomes clear that he has kept very busy.

    There have been ruminations about a possible upcoming King Crimson tour, but if you want to see what the prolific Belew has been up to lately, you'll get your chance Wednesday when the Adrian Belew Power Trio plays Martyrs. The power trio, is comprised of Belew and siblings Eric and Julie Slick, who he met through a show he played for the Paul Green School of Rock, apparently proving that their placement program works OK. Musically, the group has all the stripped down drive of your stock power trio, with a healthy dose of Belew's signature oddity thrown in to keep things fresh.

    Adrian Belew Power Trio plays Martyrs at 3855 N. Lincoln Ave. on Wednesday, 3/5. Doors open at 8pm and tickets are $25.

    Dan Snedigar

    Concert Sun Mar 02 2008

    Lots of Free Music

    newgeneration.jpg

    The New Generation Quartet Performs Wednesday, March 12 7PM @ the Chicago Cultural Center for FREE


    You could go a concert every day this month and not pay a dime.

    The Old Town School of Folk Music recently announced its Afrofolk series lineup for spring. The weekly series, which occurs on Wednesdays at 8:30PM, features groups from Africa, the Caribbean and, of course, Chicago. The concerts begin March 19 and will feature some groups that appear to be pretty big deals in their home countries of Mali, Jamaica, Burkina Faso, Brazil and elsewhere. Why am I writing about this now? Being free, reservations are recommended. Just call the number listed on the Old Town School's website and the night of each performance you'll receive a regular printed ticket. If you decide you want to go at the last minute, show up anyway and hope that people don't show up (usually this is the case).

    The Chicago Cultural Center has free events nearly every day. The music series feature great up and coming as well as established music acts including grammy-award winning Eighth Blackbird (March 16). Many concerts happen during the day for those working in the loop.

    David Polk

    Concert Fri Feb 29 2008

    Tonight - glass and panic!

    TONIGHT!!

    Enemy (1550 N. Milwaukee Avenue, 3rd floor, just upstairs from Heaven Gallery)
    9 p.m.
    $5 donation

    Justice Yeldham (Australia's most maniacal - really and truly must be seen to be believed - intense, bloody, hilarious, frightening aktions involving a large sheet of glass and one very scarred face. Yes, face)
    Panicsville (first Chicago show in over a year, and also a release party for their new LP, a split with Irr. App. (Ext.)
    Is (Young Gun of local noise continues to amaze - 1-sided LP on Rococo still around at Reckless and other places, check it out)
    Miracle Worker ("experimental blues," sez their Myspace page)

    Chris Sienko

    Concert Thu Feb 28 2008

    Jim Bianco "Sings" Tonight at Schubas

    People are already talking about the Bowerbirds show at Schubas next Tuesday night. And while that should be a pretty cool show I wouldn't look past tonight's show at Schubas either. It features a trio of singer-songwriters from all over the country. But it's Jim Bianco's NYC cabaret lounge folk by way of LA that I'm most exited about. More info about tonight's show here.

    Jim's been a fixture in that LA singer songwriter scene dominated by the club Hotel Cafe and the radio station KCRW. The new record is called simply Sing and on "I've Got A Thing For You" that's what Jim Bianco does.

    [mp3]: Jim Bianco - "I've Got A Thing For You"

    I'm not sure what the Gapers Block policy is on mildly NSFW videos, but I guess we'll both find out together. Here's the video for the above song which features international fetish model Courtney Cruz.

    Craig Bonnell

    Concert Wed Feb 27 2008

    Preview: Snoop Dogg @ HOB

    Since he first showed up with Dr. Dre for "Deep Cover", Snoop Dogg's rise to notoriety and fame has landed him in so many side projects that even his wikipedia page is confused. He's done movies (porm and otherwise), puts out an album every couple of years, and brought "-izzle" to the burbs and boardrooms.

    Now Snoop visits Chicago in a rare appearance Thursday night. He has a new album to pub, Ego Trippin, He has any number of singles that are getting play on those "urban" Clear Channel radio stations. He has almost 15 years of material to draw off of, in addition to his television persona of goofball. He's a media superstar, but he still has to do a show.

    So what does he do in that live show? Thursday night, he'll put his rep of having a good live show to test.

    Show starts at 11:30, so you might as well let work know that you're not going to be in on time Friday, if you go at all. Tickets still available!

    Troy Hunter

    Concert Mon Feb 25 2008

    Pucker up

    You know, for all the Black Lips' reputation for being vomiting, urinating, makeout-crazy, and fireworks-exploding (which may or may not have to do with the kissing) rock 'n roll wildchildren, their music is remarkably, well, tame. Don't get me wrong, the Athens-based quartet have consistently issued albums (including 2007's Good Bad Not Evil) that are all sorts of dancey fun in a dirty blues-meets-dirty '60s garage rock kind of way. But, you know, all of their live-show lore brings to mind Cramps-like danger; perhaps that sort of peeing and puking energy is difficult to recreate in a studio environment.

    See for yourself at the Logan Square Auditorium on Saturday, March 1. Hot Machines, Quintron & Miss Pussycat, and the Get Drunk DJs open. Check here for tickets.

    Kara Luger

    Concert Sun Feb 24 2008

    Dolly Delayed

    In case you haven't heard, you'll have to wait a bit longer for a chance to see country music legend Dolly Parton perform in Chicago. Ticketholders for this coming weekend's Dolly shows at the Chicago Theatre should keep their heads up (and tickets handy), however, as the singer has only postponed the start of her Backwoods Barbie Tour due to back pain (from, well, you know). Dolly will now hit Chicago May 8th and May 9th and tickets for the 2/29 and 3/1 shows will be honored (full revised tour dates after the bump).

    And, hey, her album Backwoods Barbie hits the stores this Tuesday, Feb. 26th so you can get a good dose of Dolly to keep you going until May.

    Continue reading this entry »

    Anne Holub

    Concert Fri Feb 22 2008

    Radio Free Chicago Presents:

    Radio Free Chicago is throwing a "post-Valentine blues"/ George Washington birthday extravaganza tonight at the Heart of Gold featuring three very solid local acts.

    Unicycle Loves You offers some soft styles of indie pop with a hint of synth that provide nothing but excellent opportunities to dance like an idiot. The Safes hit you the other way with a distorted angst cleverly disguised in an upbeat dance-punk formula. The Pinks rap it up with some mellow, sincere jams. Their voices strike a chord with the Beach Boys (yet, they're a girl group, figure that one out) and their guitar grooves just make you feel good.

    Stop on down a the Heart of Gold (3036 N. Lincoln) TONIGHT with a "suggested donation" of $5. The show starts at 9 and is 21+. C'mon now, it's not THAT cold anymore.

    Emily Kaiser

    Concert Thu Feb 21 2008

    Wolf Eyes, Rubber-O-Cement, No Fucker @ Empty Bottle (Saturday)

    Saturday, February 23
    The Empty Bottle (1035 N. Western Avenue)

    You don't pull on Superman's cape...you don't spit in the wind...you don't pull the mask off that ol' Lone Ranger...and you DON'T MISS WOLF EYES WHEN THEY COME THROUGH TOWN. It's just as much an iron-clad rule as the previous three - from about 2002 to the present, Wolf Eyes have been one of the very best live bands around, time and time again. The three-way mind-meld between Nate Young, John Olson, and Mike Connelly has gone past telepathic and into the realms of elemental. Throwing up rickety bridges over chasms of deep-pit howling, dungeon-master chain frenzy and fist-pump mega-thunder, the live Wolf Eyes experience mirrors Tom Smith's declaration that music should always "either kick fucking ass, or act definitively as the rest between kicks." You get the big bang and the black-hole implosion, all in one place.

    Also on tour is Rubber-O-Cement, a seven-foot-tall squishy-headed thing-beast that plays a bass made from...I don't know what. Aluminum siding, maybe. And I think there's a castle on-stage that rattles around and makes noise as well. If any of this paragraph made the slightest bit of sense to you, you were probably already coming to this anyway.

    No Fucker are "Very Punk" in the way that Vivian from the Young Ones is "Very Metal." Which is to say, moreso than usual. They, too, shall kick your ass.

    Co-sponsored by Arthur Magazine. 10:00 p.m., $10.

    Chris Sienko

    Concert Thu Feb 21 2008

    "Hey you...don't watch that, watch this! This is the heavy heavy monster sound!"

    "Pictures and Sounds" is an annual event hosted by WHPK (88.5 FM) in which musicians improvise soundtracks to silent films. Past events have brought out folk musicians working with Harry Smith films, free jazz orchestras accompanying the Vienna Aktionists, as well as moments less combative. This year's event goes right for the jugular, though, with industrial waste a-plenty and few hummable hooks to be found among the bones.

    • The Fortieth Day bring their resident video-shape-shifter Noise Crush (aka Lisa Slodki) for barren landscapes set to uneasy REM cycles
    • Ghost Ice, St. Louis' most beloved, shall no doubt once again cement his reputation as "out of town guy who brings out even the most reclusive too-cool-for-school Chicago concert-goers with his awesomeness"
    • Mykel Boyd turns conventional electronics into 53 different words for snow
    • Mac Blackout (of the Functional Blackouts) eats tapes for breakfast, and walks out on the check


    It all goes down on Saturday at 6 p.m. (starts early in case you wanna haul ass uptown to see Wolf Eyes and Rubber-O-Cement [and by golly, you should]), and it's FREE. 5811 S. Ellis Avenue, Room 310.

    Chris Sienko

    Concert Thu Feb 21 2008

    Strange Strings (Lampo Winter concert series)

    Cooper-Holm.jpg
    (Photo of Fred Lonberg Holm by Patricia Lay-Dorsey)

    If the winter-ravaged inside of your head currently sounds like the infamous Bernard Hermann theme from Psycho right now, come to Lampo this Saturday and replace that old cadence with some new bowed/plucked string classics. It's the second concert in Lampo's Winter 2008 series, held at their new venue, 216 W. Chicago Ave., 2nd Floor. Starts at 9 p.m., and it costs $12.

    On the docket: a improvised duo meeting between Australian harpist Clare Cooper (she also plays the Chinese guzheng, but I don't know how you refer to someone who plays that...guzhengist, I guess [bless you!]) and Chicago 'cellist Fred Lonberg-Holm. Cooper differentiates herself from other avant harpists like Zeena Parkins through a more mechanical, alien approach to the sound-making possibilities of the instrument, emphasizing alien, magical sounds over gratuitous displays of virtuosity (she has that too, though). Lonberg-Holm has been terrorizing steel-wound strings with catgut for decades, with a background that includes free improv, modern classical, and skronky rock, making it hard to avoid comparisons with another miraclized 'cello player, the late Tom Cora.

    If your soul can be set afire via improvisational music, then let this concert be the Zippo.

    Chris Sienko

    Concert Thu Feb 21 2008

    The Metro's Rocking Against Recession

    rockagainstrecession.jpgThe Metro just announced a new Wednesday night concert series, "Rock Against Recession," featuring local acts across a wide range of genres.

    The first show will be March 5 and features Airiel, Slings and Arrows, Yourself and the Air, and Empires. The doors open at 8pm, and there's free admission till 9pm; after that it's $5. The shows will all be 18 and over, but there will be drink specials for the of-age crowd: $3 Leinenkugels in Metro, and you're welcome to wander down to Smartbar, where Jessica from OFFICE will be deejaying and the SoCo and Jack Daniels cocktails are $3 and PBRs are $2.

    Andrew Huff

    Concert Wed Feb 20 2008

    I Will

    StVincent.jpg

    It’s not terribly shocking that St. Vincent’s debut album is so terrific. Annie Clark (her real name) has been a guitarist in both the Polyphonic Spree and Sufjan Stevens’ touring band, so it’s natural to assume that her first offering would be fairly accomplished. What is amazing, however, is that with one fell swoop, she managed to outdo both of those acts with a record that is more cohesive, richer and—dare I say it—better than anything the Spree or Sufjan has produced.

    (As a side note, I realize that it’s probably heresy as both an indie fan and a Chicago resident to criticize Master Stevens, but I think his work is frequently overproduced to a degree that borders on absurd. You might disagree—that’s why we love this website.)

    Marry Me (released last year on Beggar’s Banquet) is an orchestral pop circus that is bursting forth with ideas and de-constructed melodies. Some of the brilliance of the album is that the tracks consistently travel in unexpected directions. On “Now Now”, her delightful alto collides against a wall of breakdown reverb and a jack-in-the-box chorus. “Your Lips are Red” begins with a dangle of wind chimes before leading the listener on a frightening industrial journey of punched electrical notes (P.S. Clark can absolutely shred). Cleverly balanced against the terror and tremor of that number is the title piano ballad, a sultry cabaret piece complete with hand claps, horns and a rush of strings.

    In a live setting, St. Vincent promises to keep the viewer on their toes, with a rotating arsenal of musicians playing a variety of instruments to achieve her unique sound. She can be found this Saturday for two shows at Schubas. And stay tuned to Transmission in the next few days, we’ll be holding a ticket giveaway!

    Nicholas Ward

    Concert Tue Feb 19 2008

    Skyriding By Word Of Mouth

    As a co-founder and pioneering member of the Anticon collective, Sole has always been a champion sprinter in the most-words-per-verse indie rap marathon. What's more, the dauntingly verbose emcee has clearly had a lot on his mind these past several years, judging from the brooding lyrical turn he's taken of late -- flipping scripts of dense, panoptic weight-of-the-worldisms that are prose-like in form and philosophical in scope. It amounts to the sound, as a certain songwriter once put it, of someone sinking in the quicksand of his own thoughts.

    As demonstrated by Sole's previous album, 2005's cluttered and meandering Live From Rome, this onslaught of agon can make for an overburdened and fatiguing listening experience. But the recently released, self-titled Sole & The Skyrider Band LP manages to escape the same fate, thanks to the collaborative assistance of the erstwhile Florida-based trio Skyrider, whose arrangements lend Sole's treatises some much-needed breathing room and buoyancy.

    Continue reading this entry »

    Graham Sanford

    Concert Tue Feb 19 2008

    The three ages of "The Siezer" (aka Akhkhazu a.o. @ Triage - Empty Bottle)

    After an extended time at Elastic, the once-monthly Triage series (spearheaded by Chicago experimental music scions Blake Edwards, Vadim Sprikut and Brian Labycz) puts down stakes at the Empty Bottle (1035 N. Western) starting tonight (Tuesday), with a four-set lineup sure to shake the freezing rain and sleet outta your earholes.

    • Akhkhazu is Seth Sher, most recently of Oakeater, and previously of the Coughs, here performing solo; ethereal, percussive, incantory, undertow.
    • I Love Presets, a long-running collective (Jon Satrom, Rob Ray, Jason Soliday), make the most of re-wired versions of a variety of low-tech devices, both audio and visual. The results are like when you'd put the Nintendo cartridge not all the way in to the sytem, and everything would get really blitty and scary, and eeking noises would come out, and you'd turn it off quick for fear you were breaking it, but in this case, you leave it running, and the distortions compound and get more furious, familiar graphics turning inside out, seeking a logical pattern that is, intentionally or otherwise, denied them.
    • Providence's Geoff Mullen plays guitar, but in the way that ARC is a guitar album, or Outside Pleasure or Aida or No Pussyfooting. Something lies in the way between the six strings and the ear, and that something is Geoff Mullen. (Effects too, no doubt. - ed.)
    • Eli Keszler made a tape called Wolvers, which gets all my respect. He drones, he chimes, he delights.

    9 p.m., $8

    Chris Sienko

    Concert Mon Feb 18 2008

    Have fun; flirt poorly

    BadFlirt.jpg

    Here is a perfect excuse for you to check out Bad Flirt. A Montreal six-piece, they’ve been churning out their own particular brand of sexy pop for a couple of years now, and if there is such a thing as an indie-rock aesthetic, these cats have it in spades: low-fi recordings backed by walls of reverb, nuanced keyboards and the romantic melodies of a gifted lead singer (founding member Jasamine White Glutz). For their forthcoming record, Bad Flirt has teamed up with producer/mixer Howard Bilerman (Arcade Fire, Wolf Parade, etc.). First single “Heart of Darkness” is a party waiting to happen, a danceable explosion that is all silky vocals and funky grooves: sweaty, subversive and oh-so-much fun. Only under the radar indie bands like this one will make it their mission for you to have a kickin’ good time. And you will, but only if you join Bad Flirt this Thursday at the Beat Kitchen, in support of A Common Enemy and playing with Coupleskate and Sam Vicari. Shows starts at 9pm.

    Nicholas Ward

    Concert Fri Feb 15 2008

    Mars Volta Tickets Onsale Tomorrow

    The Mars Volta have spooked us all with their new album The Bedlam in Goliath. A creepy back story involving evil spirits and a ouija board may be real to you or not, but it's effect on the sound of the album is indisputable. Ever-increasingly recently the album and the band have been berated for being self-indulgent and unnecessarily outrageous. But with the indie genre seemingly stuck in a rut of one guitar and a crooning, slightly caustic voice, please, please, give me the outrageous.

    That outrageous can be found in the Mars Volta live act, an intense experience you will never be able to pull yourself out of. Prepare to be annihilated by the music performed to it's fullest extent. And with the new album of dark spirits, the coloring of the show should be even more extreme. The Mars Volta arrives in Chicago on their lastest tour on April 20 at the Aragon Ballroom, and tickets, going on sale tomorrow morning, will run you a mean $32.50.

    Shows for this tour have been selling out quick, so you might want to pull a Ticketmaster-page-refreshing session tomorrow morning when they go on sale to the general public to ensure your opportunity for the possible haunting and guaranteed outrageous.

    Show: The Mars Volta @ Aragon Ballroom, Sunday, 4/20, 7 PM
    Tickets: $32.50, Onsale tomorrow, 2/16, via Ticketmaster @11 AM CST

    Emily Kaiser

    Concert Thu Feb 14 2008

    Police Return

    The Police will be back in Chicago May 10, on the second leg of their reunion tour. Tickets for the Allstate Arena show -- for which Elvis Costello & The Attractions will be the openers -- go on sale Feb. 25. There's a four-ticket limit.

    In other coming soon news, tickets go on sale this Saturday, Feb. 16, for the Breeders at Metro May 31 and The Mars Volta at the Aragon April 20.

    Andrew Huff

    Concert Thu Feb 14 2008

    Super Furries Bring the Tunes, Tone Down the Rest


    The resurgence of Welsh rock music in the 1990s produced numerous good or even great acts that found success in pockets across Europe while remaining relatively unknown in the United States. But slipping between the Manic Street Preachers and Stereophonics who followed familiar trends of being idolized across the pond and ignored here, Super Furry Animals took a different route by somehow being consistent in their work and fame. They've been lauded similarly in the UK and US for a tremendous string of top-notch albums, including perhaps the most successful Welsh language rock album of all-time.

    Owing their successes to well-received singles and albums, a little luck, some famous fans, and an extraordinary live show, the Super Furries have come a long way since their techno and ambient music beginnings gave way to a more guitar-driven psychedelic rock sound. Since then they've dabbled in drum & bass, garage rock, electronica, soul, etc.

    In the past the band has wowed audiences with a full audio/visual performance that begins as soon as the openers stop playing and ends minutes after SFA has left the stage. This time around, though, they're touring lighter and presenting a stripped-down rock'n'roll show that brings to the forefront the music instead of the gimmicks. (Although, the music has always been excellent behind the costumes, designs and go carts.) They'll support their first Rough Trade album, Hey Venus!, at Metro on Saturday. Columbus, OH's Times New Viking and New York's Jeffrey Lewis open the show at 9PM.

    James Ziegenfus

    Concert Thu Feb 14 2008

    When Carnivores Attack

    For the handful that heard it, Food For Animals' first EP, Scavengers, was one of the boldest musical debuts of 2004. Throughout its blitzkrieg 22-minute stretch, emcee Vulture Voltaire kicked bellicose verses about the current political climate and contemporary hip-hop while deejay Ricky Rabbit served up a fragmented blizzard of samples and sonic schrapnel punctuated by punchy, thuzzed-out beats. It was noisy, boisterous, incredibly exciting -- a speaker-shredding monster. And given all that, it wasn't surprising to learn that the two guys responsible for it were veterans of the D.C. hardcore punk scene.

    The duo took a brief hiatus in the intervening three years. Recently, they've relocated to Baltimore and taken in a third member when emcee HY came aboard. The release of their new debut full-length, Belly, finds Food For Animals broadening their musical palette, both musically and lyrically. Vulture V has largely sidelined his penchant for socio-political rants this time out, and HY brings some welcome humor and stylistic balance to the mix. The two emcees sling rhymes that don't so much ride the beat as tease it out of Rick Rab's digital onslaughts. And yeah, while there's the juked beats on "Virgogo" and some slo-mo skrewd vocals hooks on a couple of tracks, a majority of Belly's content falls in the most outbound orbit from contemporary hip-hop. Fair to say that it's an animal that eats backpackers for breakfast.

    Food For Animals will be appearing at the AV-aerie next Saturday, February 23. They're currently touring with Bay Area freeform skronksters Mi Ami, who are also on the bill. Chicago's Pit er Pat headline for the evening, Scalpels open, and DJ Mayor Aspirin spins between sets. (Now how's that for a diverse billing?) 2000 W. Fulton. It all gets underway at 9pm and admission is $8. All ages show.

    [mp3]: Food For Animals - "Cut and Paste" (2004)
    [mp3]: Food For Animals - "Swampy (Summer Jam)"
    [mp3]: Food For Animals - "Mutumbo"

    Graham Sanford

    Concert Wed Feb 13 2008

    Non-Cheesy GF/BF Approved Valentine's Day Shows

    When did Valentine's Day become such a great night for shows? Here's my pick of a couple that float my particular boat:

    Sarah Borges and the Broken Hearts plays the cozy suburban confines of Fitzgerald's. Sarah's a straight-up rock and roll girl whose music is infused with elements of soul and alt-country. There'll be a tear or two in her whiskey tomorrow night for sure.

    [mp3]: Sarah Borges - The Day We Met

    Marc Olson (ex-Jayhawks) bares his soul and wears his heart on his sleeve at Martyr's.

    [mp3]: Marc Olson - Clifton Bridge

    Don't forget the AA Bondy show over at Beat Kitchen. I wrote about it here last week.

    [mp3]: AA Bondy There's A Reason

    Craig Bonnell

    Concert Tue Feb 12 2008

    Sanctioned Swearing

    If you're going to name your band Holy Fuck, you kind of have to make sure your music walks the walk. Luckily, the Toronto-based crew's wigglesome, spacey electronica bring it on with noise to spare. The culmination of beats, low-fi vocalizations and cyclical dance tracks featured on Holy Fuck's debut album, LP, is especially interesting considering that they do it all without any laptops or preprogrammed tomfoolery.

    Wanna see how they pull it together? I know I do. Check their show out at Schubas on Sunday, February 17. Brooklyn-based trio A Place to Bury Strangers opens.

    Kara Luger

    Concert Tue Feb 12 2008

    Those Powers That Be

    While it seems that poise, a modicum of polish, and a few thin ideas are all it takes to pull an act together in Williamsburg these days; it requires a unique degree of creative and collaborative chemistry to transcend the "just another band from Brooklyn" syndrome. Such is the case with the noise-punk trio These Are Powers. Guitarist Anna Barie and bassist Pat Noecker first came together to form These Are Powers back in 2006 -- Noecker having formerly been a member of Liars, and Anna was then working in the band Knife Skills. The rest of the equation fell firmly into place when the pair took on Brenmar Someday drummer Bill Salas while summering in Chicago this past year. Salas returned with the band to New York in time for them to complete work on their debut LP, Terrific Seasons.

    Much of These Are Powers' musical energy takes its cue from classic NYC no-wave precedents, the sort of tribal noise that the likes of Mars, 8-Eyed Spy, and (a then appropriately named) Sonic Youth were churning out in the trash-strewn Lower East Side back in the mid-1980s. Onstage, Barie's a dynamo, a one-woman maelstrom of daemonic vocals and frenzied slide-guitar, as she and Noecker whip up a delirium over gnarled, interlocking rhythms. Their music could be considered "heady" stuff, but its jolt is mainly visceral -- often dizzying, sometimes harrowing, and urgently rhythmic to its core.

    These Are Powers will be playing the AV-aerie next Wednesday evening, February 20th. Local naïf-savant popsters Bird Names will also be on the bill. Adam Griffin and Laromlab open. 2000 W. Fulton. Admission is $8 and the show starts at 9:30pm.

    [video]: These Are Powers - "You Come With Nothing" (live)
    [video]: These Are Powers - "Peel Some Off" (live)
    [mp3]: These Are Powers - "Little Sisters of Beijing"

    Graham Sanford

    Music Business Fri Feb 08 2008

    SXSW: Chicago Represent!

    sxsw 08 music chicagoSXSW, America's (and perhaps the world's) largest music festival, posted its list of performing bands yesterday, and Chicago bands are legion. A list of all 34 local acts -- and a bunch from within driving distance -- follows after the jump.

    Continue reading this entry »

    Andrew Huff

    Concert Fri Feb 08 2008

    Rock Fusion Invasion?

    butterfly_660.jpg
    The Classically-Infused Band Butterfly Assassins


    Rock musicians have always played with other genres and different instrumentations, but it seems that, of late, fans and critics have been heaping extra attention on such groups. Three bands about to perform in Chicago are good examples of this possible trend and are worth checking out:

    A young Chicago-based band apparently comprised of a group of former high school band geek friends, Butterfly Assassins infuses classical elements into its otherwise standard but catchy and lively rock songs. They've won several battle-of-the-band competitions in Illinois and reportedly have the ear of Ed Stasium, a Grammy award-winning producer and engineer who’s worked with The Ramones. They perform Saturday at 9:30 @ Subterranean ($8).

    March 8 @ Schuba's, Canadian group The Acorn will perform music influenced by Smithsonian recordings of 50's Honduran folk music and West African sounds. Their music is cheerful, refreshing and a lot of fun.

    And finally, the newest darlings of the rock world (or at least parts of it) Vampire Weekend perform at the Metro on Sunday, April 6 in a highly anticipated performance. Their music invites endless comparisons to Paul Simon because of its African influences, and for good reason their show is expected to sell out quickly. Tickets go on sale tomorrow at noon.

    David Polk

    Concert Fri Feb 08 2008

    Baby Dee Still Awesome (Empty Bottle: Not)

    dee350.jpg

    Indie Tom Waits-ish meets cabaret performer Baby Dee, whom I wrote about (and loved) back in November, came back to Chicago last night for a double bill with punk(ish) marching band Mucca Pazza at the Empty Bottle. It was then that I realized that, while the Empty Bottle is a fun place to visit, it's a really lousy place to stay for a concert. Unless the concert is made up of blaring brass and percussion like Mucca Pazza.

    Dee, an emotive, sometimes tender and melancholy performer gives a superb intimate performance, complete with stories and commentary. Dee uses a wide-range of dynamics and plays the harp. With its bar and the associated hubbub situated in the back of the room, removed from the stage at the front of the room, the audience could barely hear Dee, and many songs turned into shushing contests between the front and back. Dee, a trooper, kept playing as if the room were a small, quiet space, but connection with the audience was especially difficult.

    If I had seen her last night for the first time, I would have left having seen nothing special and heard not much at all. Correct venues are important, people! If last night was your first Dee experience, I implore you to see her again somewhere else!

    David Polk

    Concert Fri Feb 08 2008

    Introducing Keren Ann

    Image and video hosting by TinyPic

    By simply naming her fifth studio album, and her first entirely sung in English, Keren Ann, the Israeli-born, Paris-raised singer seems to have taken on a self-confidence. Already well known in France, Keren made her US debut on the Blue Note Records imprint, Metro Blue, in 2004 with Not Going Anywhere, a collection of gentle lullabies. She followed up with Nolita, a half-French, half-English affair inspired by the New York neighborhood she lived. Both Anywhere and Nolita are worthy listens — especially if you're a fan of Cat Power or Juana Molina — but they still didn't bring her the fame of her label mate Norah Jones (which is probably a good thing). However, Keren Ann could change all that. Recorded in Paris, New York, Los Angeles, Iceland and Israel, Keren Ann is as cosmopolitan as its locales, though it never comes across as trying too hard. The album's standout single, "Lay Your Head Down," is a folky-pop song that starts out with Karen's Dylan-esque delivery amongst handclaps, before ending in a wash of melancholy strings, that just as well could become as ubiquitous as one of Miss Jones'.

    Listen to "Lay Your Head Down."

    Keren Ann visits the Lakeshore Theater, 3175 N Broadway, on Sunday. Former Luna members Dean & Britta open the show. Show's at 9pm, tix are $20.

    JP Pfafflin

    Concert Fri Feb 08 2008

    Russian Circles' New Notes From the Underground

    While the world has waited for the release of Chinese Democracy, metal has undergone a lot of changes. It's responded to the backlash against its hair-hopping halcyon days by absorbing influences and ideas from across the rock spectrum, splintering off into a number of enclaves that probe the perimeters of the genre's creedal heaviness.

    Case in point, the Chicago instrumental trio Russian Circles. The band's 2006 album Enter received a lot of glowing praise via print and online venues that cover the heftier ends of the musical spectrum, and it sent critics scrambling for labels to sum up the the band's sound. If you were to string all the resulting desciptives together, then Russian Circles are reputedly a math-/prog-/post-rock metal trio with melodic, neo-Mahlerian shoegaze affinities. Or something like that.

    Continue reading this entry »

    Graham Sanford

    Concert Thu Feb 07 2008

    Get your blight on - Metal, drone, horror noise @ Mr. City

    I mean, why not? It's totally crap out anyway. You know you're depressed. This is the sixth or seventh sunless day in a row. Sometimes, the only way to get out of a black cloud is to go straight into the center of it. And if you live your life like that, my friend, have I ever got a show for you...

    This Saturday at Mr. City (1133 W. Fulton Market - enter on May, one block East of Racine), three locally-conjured apparitions shall sway before you, beckoning you into a cloud of despair from which will envelop you from now until the Taste of Chicago rolls around. Velnias hail from Naperville, and are said to evoke the very best of the classic black metal tradition - think Gorgoroth, early Darkthrone, Ulver maybe - a sight and sound that is always welcome to ears accustomed only to the most fetid beauties in life. Oakeater sprang from the putrefying corpse of the Coughs, a horrific crossroads point between Comus' steaming woodlands and the scrapyard way-stations of early Controlled Bleeding - percussion, drum (as in singular), bass, noise, howls, and more. Locrian generally take two guitars and 2 x 100 pedals and let them scatter out to far deep corners of space...sometimes, the destination is littered with stars, but I suspect for this show, a more desolate portion of the map will be explored.
    9 p.m., $5, BYOB, dress warm.

    Chris Sienko

    Concert Thu Feb 07 2008

    C64 Madness From Laromlab

    I'm not a big fan of electronic music (sorry dj-loving Transmission scribes). However, for some odd reason I love the sound of 8Bit or c64 (short for Commodore 64). 8Bit is a subgenre that is based on the blips and beeps made by primitive computer and console games of the early 80's.

    All of this relates to Chicago in that Av-Aerie is bringing Laromlab to town on Feb. 20. Laromlab is Brendan Harrod from Bowling Green, Kentucky. He's one of the foremost names behind 8Bit - or as he prefers to call it - Chiptune music. His new self-titled record is out on Feb. 12 on Mushpot Records.

    The complete Av-Aerie schedule is up at Empty Bottle's site. The Feb. 20 show is with These Are Powers and Bird Names.

    [mp3]: Laromlab - Night Drive

    Craig Bonnell

    Artist Thu Feb 07 2008

    The Return of Airiel

    Airiel had quite a major 2007 between a lot of touring, recording and releasing a new album (The Battle of Sealand), and losing a couple members near its end. On Friday they'll make their 2008 live debut with both a new drummer and bassist at Darkroom. It should be business as usual for Airiel, though, as they pummel ears with layers upon layers of heavy guitar sound and delight eyes with trippy visuals. The show with Apteka precedes the Chicago shoegaze/psychedelic rock band's sold out gig with A Place to Bury Strangers and Holy Fuck at Schubas next weekend. Later this year they'll tour the west coast with Film School and the UK with Ulrich Schnauss. DJs open the night at 9PM. The cover's $7. Bring ear plugs.

    James Ziegenfus

    Concert Thu Feb 07 2008

    A lamb is not made of bread, an Axolotl is not a fish but lives in water, and The Skaters do not own skateboards...what can this mean?

    AV-aerie.jpg
    Clockwise from upper left: Lambsbread, Axolotl, Skaters, C. Spencer Yeh.

    It's a respectable hike to anywhere from the AV-Aerie (2000 W. Fulton), but that works to its advantage sometimes. The end-of-the-world feel of its west loop location isolates the events, preventing easy escape hatches to a bar or convenience store for smokes. You're here for the duration; please do not remove your seatbelt until the ride has come to a complete stop.

    This land-of-neverland location works well for the four out-of-town guests appearing there on Friday (9 p.m., $5 donation, not BYOB, so bring $$$s for beer), each of whom finds it fun to take you, sonically speaking, to the furthest edge of town, and drive off, laughing as you disappear into a pinpoint in the rearview mirror.

    Continue reading this entry »

    Chris Sienko

    Concert Wed Feb 06 2008

    The Whigs are on a Mission

    TheWhigs.jpg

    The opener sets the tone. Blasting forth with fierce guitar and pounding drums, The Whigs’ “Like a Vibration” begins in mid-throttle, a surly and subversive ode to the spirit of rock’n’roll. Parker Gispert doesn’t just sing, he howls, inflecting his raspy baritone with gravel and a growl. On the other side of your speakers, that’s Julian Dorio filling beautifully, pumping out a pulsating beat. But before you even get settled, it’s over, an instant, two and a half minute alt rock classic. On Mission Control, the Whigs second album and first with ATO Records, they attempt to prove that all the hype thrown their way by Rolling Stone and co. was deserved. They almost succeed.

    Clearly inspired by indie pioneers the Replacements, the Whigs manage to craft a tightly-structured record that is short, explosive and pure (very few over dubs here from producer Rob Schnapf—he of Elliott Smith and Guided by Voices fame). Not everything works. “I Never Want to Go Home” is an attempt at mournful melancholy that falls flat due to boring lyrics (“Sleep my darling, don’t you cry”) and the absence of Gispert’s lovable snarl. Similarly, “Sleep Sunshine” is a lazy and slow bit of psychedelic hogwash that is downright snooze-worthy. If these guys are ever going to be half as good as their heroes, they’re gonna need to conjure some irreverence and foster the ability to snarl and emote simultaneously.

    But damnitt, when Mission Control is on it cannot be stopped. From the funkiness of “Production City” to the freak-out fuzz of “Right Hand on My Heart” to the exuberant chorus of “Already Young”, there are some great moments on this album. “Need You Need You” is a blistering jam that will take any listener back to their favorite beer-soaked college bar. And it serves a reminder that there’s no harm in balls-to-the-walls rock’n’roll. It’s as refreshing as a cheap draft on a hot night.

    Joining the Whigs this Saturday at Schubas is Tulsa, a Massachusetts band that tackles a wildly different sonic approach. With a name taken from Larry Clark’s stark photos of Oklahoma youth, they craft introspective, country-tinged melodies that (with subdued drumming, acoustic strumming and vocal delays) go more for haunting than truly volcanic. The occasional crunch guitar lick on their recent I Was Submerged EP, helps provide balance and nicely obscures some heavy-handed lyricism.

    The Whigs and Tulsa play at 10pm this Saturday at Schubas. The Rikters open and tickets are $12.

    Nicholas Ward

    Artist Wed Feb 06 2008

    A.A. Bondy Is One Old Soul

    On first listen, the acoustic blues based songs off of A.A. Bondy's new record do not sound like they're coming out of the mouth of a twenty-something, indie-rock slacker kid or from the former leader of the rock band Verbena. In fact, his style of folk blues is most reminiscent of the gentle finger-picked blues of the Piedmont (but most will just throw him in with Dylan et al and hope for the best).

    The song "Vice Rag" is just that: a long list of all the things one shouldn't be doing. It's sung in such a beaten down tone you wonder if Bondy himself has been down that road and lived to tell. Either way, and no matter how you slice it, A.A. Bondy will become one of the new voices in roots music over the next 5 years. Here's his song "Vice Rag" off of his 2007 release American Hearts, plus a video of an impromptu jam session with rising stars The Felice Brothers and The Pines.

    A.A. Bondy is the second act on a nice little lineup featuring Kevin Devine and The Jealous Girlfriends at Beat Kitchen on Feb. 14. Buy tickets here.

    [mp3]: AA Bondy - "Vice Rag"

    [video]: AA Bondy - "American Hearts"

    Craig Bonnell

    Concert Wed Feb 06 2008

    From The Jam (Who Are Most Of The Jam) Jam @ Abbey Pub

    Bassist Bruce Foxton and drummer Rick Buckler, formerly of The Jam, now known as From The Jam, played the Abbey Pub on Monday. Here's a video clip of them finishing the encore with "A Town Called Malice".



    Did you also know it's another musical Rick's birthday today?

    Dan Morgridge

    Event Tue Feb 05 2008

    For Valentine's Day: Hearts. Flowers. Grindin'.

    So, uh, Valentine's Day is next week. And if you know what's in your own best interests, you won't eff it up or fumble the occasion, right? There's plenty of things you could do for your special someone, but if going out dancing factors into your plans, the folks at CHIRP (the Chicago Independent Radio Project) are there to help in the best way possible. For the third year running, they're throwing their FlosstraPROMus V-Day benefit blowout.

    The whole thing's going off at the Abbey Pub next Thursday night. As you might've guessed, the event is also a prom-themed celebration. Meaning that you can do Valentine's Day in style AND relive your high school prom night under more auspicious circumstances--starting with better music to dance to. Of course, Flosstradamus will be there to steer the party into high gear. Topping it all off, the organizers have procured the services of nightlife shutterbug Clayton Huack from Everyoneisfamous to provide prom portraits for attendees.

    Joining Flosstradamus will be DJ C & Murderbot. Maybe you've caught them around town, recently. The pair are recent transplants to Chicago. DJ C runs the Mashit! label, and for a decade operated as a pioneering figure in Boston's experimental electronic/dance scene. He and his Mashit associates are mainly known for rolling in a rough'n'tumble ragga-jungle and breakcore style; but C's a pretty eclectic and versatile DJ on the decks, and he and Murderbot will be spinning tunes that'll get the evening on the proper track.

    Given the theme of the evening, attendees are welcome (and encouraged) to dress "formally"--but of course it's not required. Abbey Pub, Thursday Feb 14, 10:30pm. Admission is $7.

    [video]: FlosstraPROMUS 2007 clip
    [mp3]: DJ C - "Bouncement" mix set
    [links]: Event info on Going and Myspace

    Graham Sanford

    Concert Mon Feb 04 2008

    Nothin' from nothin' means somethin' - FREE shows at the Chicago Cultural Center

    Finally answering the age-old musical question, "Whaddya want for nothin'?", the Chicago Department of Cultural Affairs gives you eleven juicy slices of avant-garde music shenanigans at the Chicago Cultural Center (77 East Randolph Street) in the Claudia Cassidy Music Theater for eleven easy payments of just $0 each. That's right...eleven shows, and not so much as a gentle love-tap to your wallet! Shows start February 19, and continue on through May 21, most at 7 p.m., with one Saturday afternoon show (the March 22 event) at 1 p.m.

    Over the next several months, Transmission will offer individual show listings for each event, but in the meantime, here is a master schedule to get the ball rolling:

    Continue reading this entry »

    Chris Sienko

    Concert Mon Feb 04 2008

    Diplo Has Ways Of Making You Jiggle It

    Diplo, the mini-mogul of his not quite Jay-Z-sized empire Mad Decent, will return to SmartBar this Friday. Last time he was in the Metro's basement, he was accompanied by local heavyweights Bald Eagle and Flosstradamus. This time around, B-More club music maestro Blaqstarr (who applied his bump-touch to the boards on Young Leek's "Jiggle It") will open for Mr. Pentz, and if it's half as exciting as last time, the crowd will be dripping sweat well into the AM. Wallet damage is $15, 21+ only, and doors/show start at 10PM.

    Dan Morgridge

    Benefit Fri Feb 01 2008

    Ponderosa Stomp Benefit @ Hideout 2/2

    This weekend at the Hideout, you can hear some hot tunes that'll melt your heart. This benefit for the New Orleans' music festival, the Ponderosa Stomp, features some amazing Soul and Blues musicians. The Festival (this year slated for April 29 & 30 at the House of Blues in New Orleans) celebrates the legacy, revitalizes the careers and preserves the history of American music's unsung heroes. Through oral histories with musical stylists, iconoclasts, and trailblazers, and a regular concert series staged at New Orleans' Ogden Museum of Southern Art, among other concerts including its signature annual concert, The Ponderosa Stomp Foundation provides musical legends a platform to perform and expose audiences to their pioneering cultural contributions to American contemporary music.

    Saturday's event features special guest Syl Johnson, who'll lead off the Soul end of the spectrum alongside Chicago bands JC Brooks and the Uptown Sound, The Stacks, and Adam Fitz and the Part Timers. A bonus: throughout the night, till 3am, the East of Edens Soul Express will spin dusty '45s for your pleasure.

    The benefit for the New Orleans' Ponderosa Stomp festival takes place Saturday, Feb. 2 at The Hideout at 1354 W. Wabansia. Tickets are $10 ($12/door) and music starts at 9pm.

    Anne Holub

    Concert Fri Feb 01 2008

    John Hammond @ Schubas

    John Hammond is a fascinating individual. Son of that “other” John Hammond (the late producer, musician and talent scout credited with discovering Pete Seeger, Aretha Franklin, Bob Dylan and others) as well as a member of the Vanderbilt family, John Paul Hammond has been a blues singer and guitarist since he released the first of his 29 albums in 1962. While never fully embraced commercially, his success comes from a small but strong fan base and one can-you-believe-it story: apparently, he’s the only person who can claim to have had both Eric Clapton and Jimi Hendrix in his band at the same time.

    I came to John Hammond through my own adoration of his good buddy, Tom Waits, who produced 2001’s Wicked Grin, a complete collection of Waits covers. On that record, Hammond doesn’t even try to match Waits’ foot-stomping, balladeering brilliance, instead turning every track into a shaking boogie-woogie, owning the songs like all the great blues musicians do. In fact, what continually impresses me about that effort is its remarkable cohesion. While the songs are Waits, the stamp is all Hammond and Wicked Grin is both an ode to a friend and a swing for the fence.

    This Saturday, Hammond stops into town for a special evening at Schubas, where he'll be playing cuts from last year's Push Comes to Shove. Tickets are $20 and the show starts at 7:30pm.

    Nicholas Ward

    Concert Thu Jan 31 2008

    Dawn Landes Gets Short-Shrifted

    Dawn Landes has found herself, as far as I can tell she's a gentle soul, in the (un)fortunate position of opening up for two of the bruisiest rockers in alt-country - Will Hoge and Jason Isbell (ex-Drive By Truckers). I hope this shy and quiet performer can make her music heard over the hordes of rowdy alt-country fans sure to fill Double Door for this show.

    Dawn's record Fireproof was self-released ages ago, but it has since been picked up by the French "americana" label Fargo Records and on March 4 it'll have a proper release in the US by Cooking Vinyl Records. Dawn's song "Tired Of This Life" is just about pitch perfect with it's gentle acoustic guitar and breathy, undulating vocals.

    Get to Double Door early on Feb. 8th to catch the opening set by this up and comer.


    [mp3]: Dawn Landes - "Tired Of This Life"

    Dawn made a bit of a stir about 6 months ago with her bluegrass cover of the PB&J hit "Young Folks. Here's the YouTube video that started all the commotion.

    [video] "Young Folks"

    Craig Bonnell

    Concert Wed Jan 30 2008

    Liars: Meandering On A Rift

    You can't expect a liar to ever keep their story straight, and it seems you can't rely on Liars to deliver two similar albums in a row. Initially embraced as one of NYC's pioneering dance-punk revivalists with the release of their debut LP back in 2001, Liars turned around and released the David Sitek-produced sophomore album They Were Wrong, So We Drowned--a difficult concept album that sent critics and trend-jumping fans scurrying for the exits. Alienating listeners with the odd indulgent effort is one thing, but turning it into a perpetual career move quite another. In that respect, Liars haven't made things easy for anyone, let alone for themselves.

    But with the miasmic storybook surrealism of 2005's Drum's Not Dead and last year's self-titled LP, Liars have been gradually tunneling their way back toward melodies, hooks, and other conventional rock pro formas; albeit by way of delving into the most primitive depths of 60s psych-garage. If anything, one gets the feeling that the band are as fascinated with raw sonic coloring--the mood that a certain degree of distortion or cavernous reverb or lingering timbres can bring to a song--as they are with the humdrum nuts and bolts of songs themselves. Be that as it may, from the mangled biker-rock riffage of "Plaster Casts Of Everything" to the languorous drift of "Sailing To Byzantium," Liars featured some of the band's strongest material to date. And live, their shows are often a dizzying mix of chaos, charisma, and sheer musical ferocity.

    Liars play Metro next Tuesday night, February 5. Recent Sub Pop-signees and band-to-watch No Age are set to open the show. Doors open at 7pm, the show starts at 8pm. 3730 N. Clark St. Tickets are $16.

    [video]: Liars - "Plaster Casts Of Everything"
    [video]: Liars - short doc on making of s/t LP

    Graham Sanford

    Concert Tue Jan 29 2008

    Dancing with Essex Chanel

    Let's face it: Wedding dances can outright suck. Luckily, in the new album Dancing at Weddings, Essex Chanel brings the wedding dance to your living room -- albeit without the embarrassingly drunk uncle attempting to do the Worm on the dance floor.

    Essex Chanel is the solo project of Chicago-based musician/artist/all-around busy bee Travis Lee Wiggins, who also performs in the Summer Salts and Fetla. Dancing at Weddings sort of serves as an tutorial, opening with a loopy, roaming bassline over background shouts to "Get up and dance!" Soon what one can only assume is a party robot intercedes. On second thought, you better bust out that Worm.

    Continue reading this entry »

    Kara Luger

    Concert Mon Jan 28 2008

    Mahjongg: Love means never having to apologize to the police

    The Chicago outfit Mahjongg recently went on tour, aiming to round up converts to Kontpab--which is both the title for their new album that's now being released on K Records and the name of a post-millennial cult that the band recently started. Actually, the stuff about the cult's just a bunch of presskit monkeyshines; but the album's for real, and Mahjongg will be returning to home base to play a record-release party at Subterranean this Thursday.

    If you threw a party and invited Suicide and Konono No1 to play in your basement, what would it sound like? Kontpab probably best answers that question. In the time that's lapsed since their prior LP, Raydoncong2005, Mahjongg has undergone some slight personnel changes. Their sound has changed a little, as well. Save for bass, guitars are largely out and keyboards dominate -- specifically keyboards of the gritty, pulsing electro-punk variety.

    Continue reading this entry »

    Graham Sanford

    Artist Fri Jan 25 2008

    People Who Don't Do Anything In Pretty Good Bands, Vol. 1

    Do you remember that the Mighty Mighty Bosstones had one guy who didn't really do anything? His name's Ben and he danced during their shows, sometimes joined in on choruses, and was officially titled "Bosstone" in their credits. There's a guy in Chicago's Ultra Sonic Edukators who seems awfully close to that description, except more annoying. He's probably an integral part of the band away from the stage, but his antics are reminiscent of a middle child seeking attention from anyone and everyone. Unfortunately, he's rather hard to miss live.

    Otherwise, this band is pretty good. Even though they refer to Super Furry Animals and Blur as major influences, they often sound more like Oasis stealing a chapter from the Weezer book of hooks. (And, coincidentally, they'll be recording their first album with Weezer's Brian Bell.) They have an EP out now called Bad Blood and have played Schubas each Monday in January. Next week's openers are Maradona and the Loyal Divide. The show is 18+ (beware of a young crowd), starts at 8:00 PM, and the cover's $6.

    James Ziegenfus

    Album Thu Jan 24 2008

    Honky-Tonk Friday (On Thursday!) - The Blue Line Riders

    I've got this Friday feature thingy on my personal music blog called Honky-Tonk Friday. I'm always excited to include Chicago bands but it's an infrequent occurrence at best. I prepared this post to go up soon on the Chicago country band The Blue Line Riders. However, I'm swamped over there with new music and this has been on the back-burner now for a few weeks, but with an impending gig by The Blue Line Riders I thought it'd be nice to share this with the fine readers of Transmission first.

    There's not more than a handful of great honky-tonk bands in Chicago. Separate those out that write their own material and those that don't, and you're down to even fewer. Sift out the bands that can write a country love song as pretty as "(Our Love's A) Bar Room At Closing Time" and you're left with just one - The Blue Line Riders. The band that's been a fixture over at the California Clipper has just released it's solo debut.

    They'll be appearing next, at where else, The California Clipper on Friday, February 22.

    Buy the new self-titled debut record here via CDBaby.


    [mp3]: The Blue Line Riders - (Our Love's A) Bar Room At Closing Time

    Bonus

    [mp3]: The Blue Line Riders - Drinkin' and Drivin'

    Craig Bonnell

    DVD & Video Wed Jan 23 2008

    Wig Out with Dan Deacon

    Remember this summer at the Pitchfork Music Festival? And how ridiculously hot and crowded it was and how everyone packed in like proverbial sardines to hear Dan Deacon play his kaleidoscopic electronica? And how everyone got crazy-happy until the set was shut down by fire marshals? (Let's just say there were too many sardines in the tin can.)

    Well, his performance/DVD showing will be completely different from that. For one, it'll be far more frigid outside. And for two, Deacon will be at the relatively far comfier Lakeshore Theater to show Ultimate Reality, a collaborative DVD he did with Jimmy Joe Roche. Ultimate Reality will play on a giant screen, accompanied by Jeremy Hyman (Ponytail) and Kevin O’Meara (Video Hippoes) live on drums.

    And before your thoughts turn to Pink Floyd and laser pigs, let me throw this at you: Ultimate Reality's content is Deacon's music set to a psychedelic montage of Arnold Schwarzenegger films. Enough said. The show is on Friday, Jan. 25 at 9 p.m., and it'll only set you back $8.

    Kara Luger

    Concert Tue Jan 22 2008

    No Love for the Midwest in the Valley

    The lineup for the Coachella Valley Music and Arts Festival was announced yesterday, for any of you festival freaks that plan on making the pilgrimmage to Indie, CA in late April. While I will reserve my thoughts on the lineup for my own personal soapbox, what mostly concerns me is the troubling lack of Midwestern--specifically Chicago--talent. Despite the Cool Kids, scheduled for Day 3, did organizers even attempt to pull from our fair city? I mean, the Redwalls, OFFICE, friggin Wilco would be perfect for a three-day outdoor party. I'm not trying to come off like a curmudgeon here, but I am little disappointed in the lack of Midwest love.

    No matter, though. At least we got Pitchfork. And the Block Party. And Lollapalooza.

    Nicholas Ward

    Concert Mon Jan 21 2008

    DJ Shadow & Cut Chemist pitch The Hard Sell

    Eight turntables, four mixers, two effects pedals, a video projection backdrop, and a crafty introductory film by former Chicago-based video and music producer Ben Stokes (see the two clips below). That's what DJ Shadow and Cut Chemist are bringing with them on the road as they take The Hard Sell on an extended international tour. And fattening up the package is wonky turntable wunderkind Kid Koala (!), who signed on as the tour's opening act.

    Back in 1999, Shadow and Cut Chemist, the Bay Area's twin titans of turntablism, teamed up to produce the Brainfreeze mix CD and its accompanying tour. Strictly using 7" 45s of obscure funk tracks and the occasional bit of goofy vintage ad-rock, the deftly mixed and flawlessly paced collaboration touched off something of a craze in the waning days of turntablism's popularity. They later aimed to top themselves on 2001's follow-up, Product Placement; but by doubling the number of tracks used for the mix, the pair mainly succeeded in over-egging the pudding a bit.

    Now it's over seven years later, and the duo have teamed up to give fans another go with their new mix project, The Hard Sell. But according to a review by hip-hop critic Oliver Wang, the new Shadow & Chemist effort is not just a third installment to their prior ventures. Instead of a mere mix session, The Hard Sell is also a full-fledged collaborative beat composition in which the two DJs apply their skills in creating an orchestrated soundscape of beats, samples, scratching, and manipulated sounds.

    DJ Shadow & Cut Chemist will be performing in Chicago on Friday, February 1st at Park West Theater. Doors open at 7:30, the show starts at 9pm. Tickets are $30. 18 and up show.

    (And FYI: If you want to catch the show, then you might want to go ahead and move on getting tix -- because dates in other cities have been selling out in advance.)

    UPDATE, 1/22: Nope, scratch that. As predicted, Park West reports that the DJ Shadow & Cut Chemist show is now completely sold out. For those without (ahem!) alternative resources for finding tickets, stay tuned to see if a second Chicago date will be added to the tour.

    [video]: The Hard Sell intro film
    [video]: DJ Shadow & Cut Chemist - live @ Hollywood Bowl promo clip

    Graham Sanford

    Concert Thu Jan 17 2008

    William Elliott Whitmore at Reggies Live

    In one days time, on Jan. 18, William Elliott Whitmore will bring his indie folk-blues to Reggies Live. WEW is a tattooed young white guy who sounds like the weathered and worn bluesmen of old. But instead of playing an electric guitar, he is most often caught with a banjo in hand. His sound then is truly his own.

    Look I don't have a lot of time, but you should really check this out and head to the show if you can.

    [mp3]: William Elliott Whitmore - "The Chariot" (you've got to poke around a bit for a direct link to the mp3)

    [mp3]: William Elliott Whitmore - "Does Me No Good" (Via Daytrotter)

    Craig Bonnell

    Concert Wed Jan 16 2008

    Rhymefest Working His Way To The Top

    Rhymefest has been kicking around as Chicago's next hip-hop big deal for awhile now.  Getting his name out as a collaborator on Kayne's West's College Dropout and as one of the few freestylers who could hand Eminem his lunch in a rap battle, Rhyme's name is known.  But his music, well, not as much.  His first album, Blue Collar, got more press for who was on it - Kayne, Chris Thomas King, Mark Ronson, Ol' Dirty Bastard - then for Rhyme's sound of common man struggles and no frills approach. The album, his long awaited debut, caught the attention of folks in the industry though. From Talib Kweli to Lil' John more and more people began to discover his solid Midwest style. With his second album out this spring, El Che reads like the Rap games Who's Who. Eminem, Crucial Conflcit, Lil' John, Nas, DJ Jazzy Jeff, John Legend, Ghostface, The Game, Raekwon, Method Man all show up as do pals Kayne, Ronson and DJ Premier.  Rhyme makes no bones that he wants this album to appeal to as many people as possible, but not to stroke his ego.  He wants his positive message to shine through, pointing to the likes of KRS-One and Public Enemy as the kind of image hip-hop needs today.  And while we wait for El Che, his Man in the Mirror streams free from his Myspace page.  A tribute and dedication to the King of Pop, the album has got praise from many spots including Greg Kot's accolades. A little bit of rap, a dash of soul and lots of 80's dance, Man in the Mirror is a look into what Rhyme's range and musical personality is like.  See him at the Metro on Friday with local underground risers Yea Big + Kid Static.

    Brent Kado

    Concert Wed Jan 16 2008

    XXX Dance Party

    No, this dance party is not porntastic; it's in celebration of DJ Dr. Drase's 30th birthday. Who cares if you don't know Drase personally - this is your chance to pretend you do and drink and dance in his honor. Drase, who co-hosts the weekly Hump Day Dance Party on WLUW 88.7 FM, is having the big blow-out at the Hideout on Thursday, January 17 at 9:30 p.m. The Gutter Butter DJs will be spinning booty beats all night long, pausing only to allow a smattering of wackadoo variety acts perform. Admission is $5.

    Kara Luger

    Concert Wed Jan 16 2008

    Tomorrow Never Knows Starts Tonight!

    Despite the spat of warm weather a few weeks ago, winter in the Midwest can be might depressing--I'm sure most of you, like me, spend your time complaining about the temperature and that godforsaken wind and yearning for summer, with its promises of barbeques, trips to the lake and outdoor music festivals. It's the festival that's a true gem, as there is possibly nothing better in the world than lying on the cool grass and listening to a potpourri of live musical stylings wafting in and out and through ear holes. Hell, I'm getting a little bitter just thinking about the cold beer and pleasant surroundings.

    Into this wintry abyss, comes Tomorrow Never Knows 2008, Schubas' fourth annual mid-winter festival that won't succeed in changing the weather, but will most likely alter your mind a little bit. Starting tonight, you can stop by that quiet tavern on the corner of Belmont and Southport for five sultry nights of the best indie music has to offer. In addition to a terrific Wednesday thru Sunday lineup, there will be DJs upstairs nightly as well as a Southern and Roots Rock Tribute Show on Saturday and Sunday afternoon from Paul Green's Chicago School of Rock Music.

    Tickets are $15 nightly, and $55 for a five-day pass. Visit the website for the full lineup. While giving a nod to all of the fine musicians on display, I've included my own personal highlights below:

    On Thursday, catch Bobby Conn, that weirdo showstopping song and dance man whose live shows have become legendary around Transmission. He'll be playing material from his latest record, King for a Day, but there's a better than average chance we'll get his experimental-showtunes take on a couple of classic pop songs.

    Friday sees local pop rock stalwarts, the Redwalls, taking one for the team and stepping in for Cloud Cult, who recently cancelled due to personal reasons. Watch as their 60s influenced wall of garage-y sound attempts to blow the roof off.

    Saturday night will prove not to be dead, as it serves as TNK's party night, with funkadelic hip-hop guru Ohmega Watts, followed by Canadian rapper Cadence Weapon (who is finally old enough to drink) and a throw-down headlining set from happy hardcore ace, White Williams.

    Venerable indie rockers, the Walkmen (now elder statesmen in this universe) play Sunday, and while their individual show is sold out, tickets can still be gleaned from that five-day pass. The past few years has seen a couple of creative stumbles from this rock'n'roll cabaret ensemble (the unfortunate Pussy Cats cover album, anyone?) but even if Bows and Arrows ends up being their only masterpiece, it's still enough to add to the Canon.

    Read all our Tomorrow Never Knows coverage.

    Nicholas Ward

    Album Wed Jan 16 2008

    My My My, Have We Traveled Back in Time?

    My My My, a chill local band that released this past fall their new album, Conjugation Nation, is self-described as sounded like “The Shins fronted by Cat Stevens.” This is wrong. While likely never going to share a stage with Jimmy Hendrix or end up on a Garden State reincarnation soundtrack, My My My would find a very appropriate place among big names had they put out this album ten years ago. The album is carried by upbeat alt-pop and happy crooning evident that the members really like to feel good about their music and want you to feel good about it, too. There is a twist of Jimmy Eat World in their lyrics and a dash John Mayer in their G-A-D guitar lines. And with various riffs that evoke an essence of Belle and Sebastian, it is evident that My My My wants to do more with their sound, but can’t break out of the comfortable formula that worked so well for Third Eye Blind and Everclear. They unsuccessfully drift from this standard alt-rock sound in songs such as “Stallion” and “Chemistry is for Lovers”, and have twelve too many “Oh’s”, “Whoa’s”, and “Na Na Na’s”, but that doesn’t mean you can deny the infectious catchy-ness when they hit it spot on in songs such as “See-Thru” and “Sadder at the Seams”. '90s alt-rock is good and over, and I doubt My My My is trying to dig it up again. They’re just trying to make fun music that is so forgotten about in our strictly serious sense of indie rock these days. Conjugation Nation makes you remember those naïve days when music was just good, no strings attached.

    My My My will be playing this Friday, Jan 18th @ The Note
    Show starts at 9, they go on at 10
    Performing with Project Ultra, The Help Desk, and Meryll. 21 +

    Emily Kaiser

    Benefit Tue Jan 15 2008

    Shaping Up

    Nestled amidst all of the recent development in Printers Row, the loft venue and recording studio The Shape Shoppe has been an intimate, off-the-path hub for fractured pop and DIY experimental merriment. Aside from being a local nexus in the Elephant 6 network, a number of fringe-dwelling luminaries have either played or recorded on its premises over the past few years—including Dan Deacon, Beirut, Man Man, Icy Demons, Pit er Pat, the Bird Names, and Akron/Family.

    But this past spring, proprietor Griffin "Blue Hawaii" Rodriguez began renovating the recording studio in order to give it a much-needed upgrade. To help offset the costs of the undertaking, the Shape Shoppe will be throwing a big ree-raw benefit show at The Hideout this Friday. The Killer Whales, who recently reformed after a lapse in activity, are scheduled to play. Also on the bill are ramshackle pop-folksters The Bird Names, Michael Columbia, and swingin' 70's west-coast groove revivalists Bronze. Given the line-up, its' the sort of show that'll provide non-stop opportunities to shout, sing, and dance along. DJs Hologram Trav and White Lightning spin between sets. 1354 W. Wabansia, 9pm. Admission is $10.

    [video]: Bronze – "On the Clock"
    [video]: The Bird Names – Chic-a-Go-Go performance

    Graham Sanford

    Concert Fri Jan 11 2008

    Let Me Tell You 'Bout

    BirdandBee.jpg

    The Bird and the Bee (I’m not sure who is who) write the kind of pitch-perfect pop melodies that stick in your craw, and that would be supremely annoying were they not so lovely. While they inhabit the same boy-girl, keys-beats-vox universe of the Blow, Mates of State and the Spectacles, Greg Kursten and Inara George bring a more-disciplined jazz approach to pop music. They reportedly hooked up over a love of jazz standards, and indeed it sounds like they’re penning their own standards as they go along. Stand-out single, “Polite Dance Song”, is a buoyant number that isn’t terribly danceable but is populated by rudimentary dance lyrics, delivered with polite indifference (“Give it up for me, please/ Put your hands in the air/ If you know what’s good for you, you wanna shake it like you just don’t care’). If I can lob any complaint in the direction of the Bird and the Bee, it’s that the music is too perfect, too measured. It doesn’t really feel lived in or breathed through, not quite jazz but certainly not rock’n’roll.

    Such criticisms can be easily dispelled by a killer live performance, though, so be sure to check out the Bird and the Bee this very evening at Schubas, where they’ll be performing with a larger ensemble. Show starts at 10pm, and Charlie Wadhams opens.

    Nicholas Ward

    Concert Wed Jan 09 2008

    Midwest Skatefest: More Than Boards

    skatefest.jpg

    Skating culture and music have been tied together since the Bones Brigade videos popular in the Eighties. It's a tradition that continues on as strong as ever.  This weekend the Midwest Skatefest goes down in Tinley Park and while skateboarding is the main draw, Saturday is chalked full of some grinding hip-hop acts. Heavily buzzed Cool Kids play one of a few U.S. shows before jetting off on a serious world tour.  The Cool Kids video for Black Mags was a BMX homage, but hey Lupe had already featured boards in a video.  The Cool Kids lean heavily on the simple bass sound of the late Eighties (Erik B and Erick Sermon) but mix in more current hipster-hop stylings like synth or indie dance samples. Opening for M.I.A. and being featured in loads of mainstream mags, Cool Kids are moving to be the next big Chicago hip-hop export. Also on the bill for Midwest Skatefest - Eyedea & Abilities, Intel, Shock Stars and Yea Big + Kid Static plus many more. Sponsors include Hypepromtions, Fuze Beverages and Fuse.TV. This is a perfect excuse to make the short trip down to Krush Skatepark (just a couple blocks away from the Metra) and catch skating demos, gear displays and some hot music.

    Brent Kado

    Concert Wed Jan 09 2008

    Your New Favorite(s)

    I have to admit, what first led me to write up Stanley Ross was state pride -- I've gotta stick up for my fellow North Dakotan expats. But thanks to the Internet's fantastic ability to present multiple truths at once (see: Wikipedia.com), further research has completely befuddled me as to whether or not Stanley Ross is a person, or if it's simply the name of the band.

    Nevertheless, here is what I know to be (probably) true:

    * At least one member is from North Dakota, which lists milk as its state beverage.
    * The band plays really catchy '60s-tinged indie rock.
    * The record release party for their latest CD, Favorites, is Thursday, Jan. 10 at Schubas.
    * They will be playing with Arriver and The Coke Dares.
    * Sorry, kids -- the show is 21+ only.

    Kara Luger

    Concert Tue Jan 08 2008

    Aww. . .Don't Be Shy

    GunshyPhoto.jpg

    Were it not for the Gunshy, I would probably never understand the term “concept album”. To me, any album that is more than just a collection of songs and that strives to be singular in construction, like a symphony with multiple movements, is a concept album. Doesn’t that describe infinite releases, thereby rendering the term inconsequential? Perhaps. Except that the Gunshy have actually crafted the truest form of a concept album. For their fourth album, There’s No Love in This War (available from Latest Flame), they’ve taken a particular conceit (the seventeen letters that Matt Arbogast’s grandfather wrote his grandmother from 1943 to 1945, while knee deep in World War II), to craft a full story with living and breathing characters, that speaks of war and guilt and silence and love. The music is gritty, with a gravel-road country vibe that reflects the violence inherent in the material, but there’s still a soft underbelly, a touch of elegiac horns and elegant strings weaving in and out.

    While Arbogast’s voice resembles Tom Waits so much that I wonder if he’s doing an impression or just really likes coffee and cigarettes, what really gives this material resonance is that he’s not just telling someone else’s tale. The letters tell Matt’s life too, his history, and they mirror his own fear and uncertainty, of war and of death, in a way that is sincere without being ironic and serious without being heavy-handed.

    On Wednesday, the Gunshy return to the Empty Bottle at 9pm, after a performing absence of nearly three years. The Readysuits play first followed by buoyant, off-kilter pop group Bedtime, both making their Bottle debut. Tickets are a scant $7.

    Nicholas Ward

    Concert Tue Jan 08 2008

    Get Your Sikh On

    After its long evolution as the nightlife music of choice for young Asians in the UK, Bhangra has been lurking on the periphery of the dance music scene for over ten years without ever making much of a crossover into the the non-Desi mainstream. But this past year has seen yet another flare-up of some more Indo-fusion rumblings. First there was the Bollywood-inspired excursion of MadLib's Beat Konducta In India, as well as DJ Om's debut album Reheated Naan & Curry (the latter of which was released on the Chicago-based Galapagos4 label). And in the Bhangra camp proper, DJ Rehka--who's held down the Basement Bhangra event in NYC for a decade--recently made some waves when she released her debut CD.

    Built on rhythms from the Punjab region of India, Bhangra is rousing and infectuous music. In its current pop form, Bhangra's absorbed influences from Euro-techno, hip-hop, and Jamaican dancehall along the way. It pumps and it bumps with a beat all its own, and sparks a response from the crowd wherever it's played.

    Chicago's Bhangratheque (aka DJ Jimmy Singh) will be bringing it to the party at Sonotheque this Friday night, in what's part of a recently-established series of events for Bhangratheque. He'll be joined by colleague DJ RedLox, and they'll be selling (and giving away) copies of their new mix-CD for the occasion. 1444 W. Chicago, $10 cover. Doors open at 9pm.

    [video]: DJ Rehka - "Basement Bhangra" iaLink profile spot
    [video]: DJ Rang - Bhangra mixing demo

    Graham Sanford

    Concert Tue Jan 08 2008

    Ezra, Cameron Oh My!

    Two artists that share a love of Chicago and a style that could best be described as twisted folk play this week. One at a tried and true world class venue, the other at a brand new space on the far North side. Both shows should be standouts.

    First up on Saturday the 12th at Schuba's is Ezra Furman and the Harpoons (Minty Fresh). Ezra plays a kind of hyper anti-folk. His songs can run the gamut from Dylanesque musings to screaming emo-tinged freakouts. "My Soul Has Escaped My Body" is one of the latter types. It's from his debut record, Banging Down The Doors, on Minty Fresh.

    [mp3]: "My Soul Has Escaped From My Body" - Ezra Furman

    Next up is Cameron McGill who starts a Wednesday residence at the new Uncommon Ground on Devon on January 16. Cameron has completed the recording of a new cd, Hold On Beauty, that will be out in the beginning of February. His music is most often compared to Jeff Buckley which makes sense since Cameron has been involved in the Uncommon Ground's annual tribute for years now. But his music, while rooted in folk, has become richer and more layered in the last few years. Here are two older songs from his back catalog:

    [mp3]: Cameron McGill - "Make Out Face" (via Litpark)
    [mp3]: Cameron McGill - "Depression Glass" (via Litpark)

    Craig Bonnell

    Concert Mon Jan 07 2008

    Of sharks, bongs, and deep-fryers

    Must be something in the air...it's a weird one, isn't it? Like the skies are boiling or something. Who's ever heard of 60 degree weather at the start of January?! Like an omen, or a harbinger or something. Something's coming...

    Yes, Mr. Narrator, something IS coming. Two somethings, in fact. On a random Tuesday (January 8), with a strangely tepid moisture in the air, you have your choice to two completely incredible concerting opportunities.

    Over at Ronny's (2101 N. California), you can thrill to a world of punk/metal extremities, as four of Chicago's finest get your fist to pumpin'. From the furious crust/grind velocity of Al-Thawra to bleak punk noise from the Daily Void, to the bowel-loosening thunder of Bongripper and Animal Law, rest assured that no distortion pedal shall remain unstomped. 9 p.m., $6 at the door.

    Speaking of distortion pedals, the Empty Bottle (1035 N. Westrn Avenue) will be ringing with the sound of heavy shred, only without all those pesky melodies and riffs and things that the folks at Ronny's will be concerning themselves with. Vancouver ultra-distort legend The Rita is in town for a one-night-only event, with seven bands loading the bill to maximum heaviosity. Expect Bottle debuts from MI's Body Collector and WI's Raperies (Like Draperies), who was recently awarded a "worst bandname 2007" commendation from The Onion, as well as local representation from Is, Shattered Hymen, Mykel Boyd, and Augment (another Bottle debut). As the Rita pushes his rack of distortion pedals (yes, multiple) to their absolute limit, your mind floods with a gallon of hiss and crumble, bringing to mind the severe stillness of anything from minimalist painting to deep-sea diving to that time when you stuck your head in a deep-fryer to impress some chick. It's hot, cool, and will affect you for life. 9 p.m., $10

    Chris Sienko

    Benefit Mon Jan 07 2008

    Pit er Pickle

    On January 19th, The Dill Pickle Food Co-Op is holding a fund-raiser that should appeal to anyone's inner hedonist and activist at the same time. Based on the famous Dill Pickle Club from the turn of last century (a place that "welcomed hoboes, prostitutes, professors, and every variety of nonconformist passing through Chicago"), the organization is aiming to create a storefront food co-op on the north side. They've worked for years to establish themselves as a non-profit entity, raise awareness, and raise money through grants and fund-raisers. You can do your part to help by attending one of these very events, this one showcasing performances from Pit er Pat, Detholz, and Reds and Blue. DJ sets from Bobby Conn and WLUW's Mary Nisi will end the event on a dancin' note from 11:30pm 'til 1am. A donation bar on top of everything else brings you one fine evening for 15 bones. All proceeds go towards the Co-op, so drink with a clean conscience. Doors open at 8pm, performances start at 9pm. It all happens at the AV-Aerie at 2000 W. Fulton (the old open-end gallery).

    Dan Morgridge

    Concert Sat Jan 05 2008

    Dial Radio M for OFFICE

    We'd like to thank Chicago Public Radio for sponsoring Transmission. They've been advertising an upcoming event that's right up our alley: Tony Sarabia of "Radio M" will be hosting an evening with OFFICE, one of Chicago's up and coming bands, next Wednesday, Jan. 9, at 8pm in the Victory Gardens Biograph Theater, 2433 N. Lincoln. The band will be sharing anecdotes and stories, and playing songs from their latest album, A Night at the Ritz, and prior. Tickets are just $15 -- $10 if you're a CPR member.

    Andrew Huff

    Concert Sat Jan 05 2008

    Stompin' at the Playground

    Can't handle the 25+ member marching band excitement that is Mucca Pazza? Then try the bite-sized Black Bear Combo! The Chicago-based quartet (featuring a far more sparse sax/sousaphone/accordian/bass drum combination) still produce a big sound, tapping Eastern European traditional music as much as it does New Orleans jazz stomps. The point is, it's all very fun and super danceable.

    Catch them tonight when they play with DJ Rob Hallick (Arcadia, The Changes) and Environmental Encroachment at the Kinetic Playground. Tickets are $7 and doors open at 9.

    Kara Luger

    Concert Thu Jan 03 2008

    Going Straight Up to the Top, Oh Yeah!

    B1gT1meMatches.jpg

    Ever wonder what Prince’s “Die 4 U” would sound like as sung by gravelly-voiced Tom Waits? (Me too!) Well wonder no longer, good people, for B1g T1me is here to save the day. Technically a cover band, B1g T1me takes that particular niche of live music a few steps further by offering stripped down, revved up, blues-turned-on-its-ear interpretations of popular hit songs from late last century. One part circus, one part theatre, one part Jarmusch film, they offer the “soundtrack for that one day you woke up underneath an abandoned car near the railroad tracks in a town you don’t recognize with an empty fifth of Old Crow spilled onto your bleeding wrist which has soaked through the half pack of Pall Malls you are clutching and in your other hand you’re holding a letter from someone you’ve never met who refers to you by name and writes bluntly about the shape your suit is in.” While B1g T1me is certainly faithful to the spirit of Tom Waits’ music, and Waits can be a little obtuse for passing fans, the presence of hit songs ensures that no one will require a tour guide into this world.

    Now if you’re a fearless reader of Transmission, you will note that Anne already entertained a perfect live music experience with these cats just this past summer, which should serve as reason enough to make the long haul over to the Abbey Pub every Thursday from January 14th to February 10th. Star and Garter Burlesque act as special guests, complimenting the circus elements nicely. Tom Waits (and probably Bertolt Brecht) would be proud.

    Nicholas Ward

    Concert Mon Dec 31 2007

    Death By Butterfly

    I have to admit, usually when someone mentions the words "concept album," i start sprinting the other way. But Butterfly Assassins might be one to something.

    The Chicago quintet, which features the indie rock dream line-up of rock instrumentation plus piano and cello, has an upcoming concept album, Sylvia, due this winter on Old Flame Records. According to their press, the album revolves around a turn-of-the-century Russian gal named Sylvia who spends over a decade staring across a table at an old man (as turn-of-the-century Russians are wont to do). But melancholy won't do for our Sylvia, and she busts out for adventure in the 19th-century world. But you know, it kind of, well, rocks in a moody, melodic, and grandiose, Arcade Fire-meets-Queen kind of way.

    Check out their upcoming show at the Metro with The Lifeline and Absent Star on Friday, January 11. The admission is free if you snag the flyer from the band's MySpace page before 8:00 p.m.

    Kara Luger

    Concert Thu Dec 27 2007

    NYE: Exit with a curse, enter with an airhorn...

    If 2007 amounted to much of anything in dance music arena, it was death by blog-house--the saturation bombing of tawdry third-gen (or is it fourth?) electro flavors-of-the-week. All of that aside, it also marked the advent of some newly innervating sounds sparking the dancefloor as the wonky, careening, maddening thump of "Fidget House" filtering in from the other side of the Atlantic.

    SmartBar impresario and DJ James Amato was paying attention and quickly got with it. In the latter half of the year, he not only booked Fidget House pioneers like Switch and Jesse Rose for Chicago appearances, but he also started his own fidgety Chi-centric chapter; establishing the Potty Mouth label for like-minded local DJs and producers, as well as a stateside outlet for foriegn compatriots like The Bulgarian and The Crookers.

    This New Year's Eve, the Potty Mouth crew is set to commandeer the Smart Bar and steer 2008 in a fresher and funkier direction. Headlining for the evening will be godfather Switch himself, who'll be in town from London for a return angagement that'll keep the spot jumping. Switch is hailed by many as the pioneer of the Fidget sound. He's been hailed by some as the dance/electronic Artist Of The Year, and he had a heavy helping hand in the production of MIA's latest album. Getting the evening started are James Amato himself, Potty Mouth associate Santiago, and hometown crowd-pleaser Justin Long. Tickets $30 advance, $35 night of. It all kicks off at 9pm. 3730 N. Clark.

    [mp3]: The Bulgarian mix set
    [mp3]: Santiago mix set

    Graham Sanford

    Concert Thu Dec 27 2007

    A Kick-In-the-Face Kind of New Year's Eve

    So you've been invited to a dozen soirees to ring in the New Year, each fancier than the last. Champagne and tasteful tapas? Soft, ambient music and scintillating conversation? Hell no! You want action, and talking to other people is for jerks!

    Consider the New Years Eve Pegboy show your safe harbor, my friend. Dance and drink the night away as one of Chicago's classic punka rocka groups eases you into 2008. They'll be playing the Note along with fellow Chicago-area bands The Methadones, Arrivals, and The Brokedowns. Sorry, kids -- it's a 21 and up show. Get your tickets here.

    Kara Luger

    Concert Thu Dec 27 2007

    One Last Holiday Party...

    No, the holidays aren’t quite over yet. Squeezing the last life out of this time of year, promoters Victim of Time will be hosting one more holiday party. Though it might have been more accurate to allude to a hungover Santa, the “Drunk Santa Holiday Party” is put up at the Cobra Lounge, showcasing a few small local Chicago acts. Oh yea, and it’s FREE.

    A piece of advice, skip The Smith Westerns. They produce a lot of noise and very little music. In other realms this could be it’s own artistic expression, but The Smith Westerns do it badly, and (or so it appears) on purpose. Joke bands are fun and all, but in this case, even at a free show, it’s just not worth it.

    For those who’ve always wanted to catch a band in its inception, Headspacer could promise to be a band to love later on. This is their first show, so come on down to meet the newest addition to the Chicago scene. “Farmer” has a damn catchy riff that keeps you listening through the mush that resulted from recording a song on a $15 tape deck (a fact they boast about unapologetically). If their other material is like this at all, and the Cobra P.A. system is anything above a MacBook built-in microphone, Headspacer will make for a good time.

    Lover! is the band you want to see. They’re lively and upbeat and play a great kind of lo-fi, no frills rock. They’ve got a new single out this year, featuring the song “Forced to the Ground.” Ever wonder what would happen if the Beach Boys decided to take a dark turn in their music? Check out this band.

    The show starts at 10 tonight at The Cobra Lounge, and is 21+.

    Emily Kaiser

    Concert Thu Dec 27 2007

    The Getouts Help Fight Holiday Blues

    We know that the post-holiday depression might already be settling in. So shut off Superbad (you've seen it four times), get off the couch and head over to the Empty Bottle for a triple billing almost designed for busting the good ol' winter doldrums. First up is the Outlaw Family Band playing an Americana mix molding classic folk, low-key southern rock and meandering roots music that would brighten even the sourest Scrooge's day. Penthouse Sweets have a sound many compare to the Old 97's or the Replacements. It sounds that good. Featuring well schooled members of the Chicago music scene, Penthouse Sweets play a sunny, forthright music perfect for almost anyone's tastes. The Getouts are releasing their debut album How To Save A Drowning Horse and headling the show tonight. From every bit of what we've heard, this album is good. Maybe Best of '08 good. The Getouts mash up sounds into a unique garagesque buffett making music that isn't terribly complex, but certainly something different. Fuzzy and frank, the Getouts are the band that will officially end any holiday hangover you have and get you focused on the crazy New Year's parties about to take off. Music starts at 9 p.m. and the cost is $7.

    Brent Kado

    Concert Tue Dec 18 2007

    No, They Don't Do "A Love Supreme"

    What's in a name? Everything and nothing, maybe. But if you're in a band, at some point you have to collectively decide to call yourselves something. That in itself can be a creative hurdle that some aspiring music artists never successfully overcome. In the end, does it matter if you call yourselves the Caveat Emptors or the Not Dead Yets or the Dirty Merkins or We Came To Wreck Your Pity Party or whatever? Not sure, but how different would the legacy of Joy Division have been if they'd stuck with their first adopted moniker, the Stiff Kittens? So yeah, names can be tricky.

    Take Coltrane Motion, for example. Coltrane Motion are not a jazz ensemble. The trio started out as a bedroom-recording DIY outfit in Ohio before they relocated to Chicago about four years ago. And while there's exactly eight seconds of squeaky soprano sax smear during the opening of their tune "Ex-Girlfriend In A Coma," the band bears no musical resemblance to their venerated namesake, but instead play what they call -- for lack of a better label -- electronic indie-pop. After numerous releases on their own Datawaslost label, the band released their latest album, Songs About Music, earlier this year.

    From start to finish, Songs About Music is a fun and enjoyable listen. The guys definitely aren't hook-averse, offering up tunes that are sometimes breezy and wistful and sport catchy choruses. At other times they dig into darker, droning domains that fit snuggly into orbit around planet Shoegaze. In terms of songwriting styles, the cover a lot of bases and thread it all together with a thick sound that's heavy on buzzing, textural keyboard and guitar washes, all laid atop funky, punchy rhythms that all but mandate hip-shaking. And while it may epitomize something akin to a new "indie-pop sensibility," the core of its charm and catchiness is about as new-school as The Seeds or Question Mark and the Mysterians.

    You can catch Coltrane Motion at Schubas this Wednesday evening. Hearsay has it that they throw a lot of energy into their sets and put on a good show. Butterfly Assassins and Let's Get Out Of This Terrible Sandwich Shop open. 3159 N. Southport. Show starts at 9pm and admission is $5.

    [mp3]: Coltrane Motion - Twenty-Seven"
    [mp3]: Coltrane Motion - "I Guess The Kids Are Okay"
    [mp3]: Coltrane Motion - "How To Be"

    Graham Sanford

    Concert Mon Dec 17 2007

    Your week beats our year...and a half

    It's the end of the year, and everybody's scrambling to end the year in style. End-of-year holiday gatherings always bring up the inevitable fin de siecle feelings in us all as we race toward another new beginning. Among all the other enders and beginners that come with the final weeks of 2007, it's time you help the Elastic Foundation (2830 N. Milwaukee Ave, 2nd Floor) celebrate a year and a half of hosting Triage, a monthly musical series dedicated to showcasing free improvisation and experimental music exploration from this city and others. As the series sets its sails for the Empty Bottle in 2008, now's your last chance to dig this lovely venue which you might not have otherwise been privy to. Show starts at 8, suggested admission donation $5.

    As this will be a hello/goodbye affair, expect a party atmosphere as you drift off to these sonic reducers: trio project Series Founders features Vadim Sprikut (Shattered Hymen a.o.), Brian Labycz, and Blake Edwards in a contemplative, field-recording-intensive atmosphere; Mykel Boyd will bring a lake of rippling effects to the lower end of your oh-so-sensitive ear-bones; Neil Jendon (ex-Zelienople) throbs amighty, scoring the war of never-neverland for guitar, synth, sampler, and more; also, instrument-makers (and vocal ululaters) par excellance Carol Genetti and Eric Leonardson will take the crowd by storm with their newest piece for golden throats and Electro-Who-Cardio-Schlooks tuned to resonant F minor. Just because your shoes are too tight doesn't mean you can't head over and indulge some roast beast with the rest of us. See you there!

    Chris Sienko

    Concert Mon Dec 17 2007

    OUTDANCED! feat. The Sounds

    Every Tuesday night the Funky Buddha Lounge has been running its Outdanced! series of bands and DJs that bring the funk without the baggage of weekend warriors and obligations for anything besides really excellent music you’re willing to sacrifice a work/school hangover for.

    Head over there tomorrow night where The Sounds will be hosting an after-party following their sold-out Vic Theater show. This Swedish group’s 2006 Dying To Say This To You is an immensely strong collection of rock, straight up, with each song blanketed in it’s own unique blend of synth and dance beats. Lead singer Maja Ivarsson’s vocals hit you in a place rarely touched by female vocalists, crawling along the lower octaves and with a dark timbre that provide great contrast with the upbeat musicality of the rest of the band. If for nothing else, maybe she’ll sing us a line or two from that Snakes on a Plane song.

    The show is featuring guest DJ Jason Tyler. Hopefully he does a better job mixing The Sounds than Patrick Stump. The “official” after-party set starts at 11 PM w/ a $5 cover and, of course, 21+.

    Emily Kaiser

    Concert Mon Dec 17 2007

    OFFICE, 1900s, The Narrator and Mannequin Men @ Metro

    Here at Transmission, we're all set for some well-deserved time off for the holidays. If you're busy planning your pre-Xmas weekend like we are, then you should start it off right with a 4-pack of great local bands Friday night at the Metro. It's the start of the club's Home for the Holidays weekend, and they've got some great local talent lined up. OFFICE returns to town after a winter West Coast tour with Freer to play a triumphant show for their adoring fans. They're hot on the heels of the fall release of their first full-length album, A Night at the Ritz. They're joined by indie favs the 1900s (returning from an East Coast tour), The Narrator (hot off the plane from Japan) and the tougher grunge-like sounds of Mannequin Men (who've been around town this winter, not on tour, but that's cool). Tickets are $10, and the show's 18+. Doors open at 8pm and the show starts at 9pm.

    Anne Holub

    Concert Mon Dec 17 2007

    The Jones Street Boys Return To Chicago

    New York may not be the epicenter of bluegrass flavored indie rock, but there are a couple of great bands fitting that description calling the big apple home. One of the bands in the forefront and in the limelight (with raves from Greil Marcus and a recent run as Deli band of the month) is The Jones Street Boys. The leaders of the band, Danny Ecker and Jonathan Hull, are both mid-west transplants who've infused their music with that humble plains sound of lonesome wind and rich earth crunching underfoot (riyl Bodeans, The Jayhawks).

    The band has taken NYC by storm impressing many at their unofficial CMJ showcase, getting great reviews for their debut release and a good reputation as a live band not to be missed. The guys return this Friday for a sort of homecoming show at the Beat Kitchen at 9pm.

    I challenge you to listen to the heartland rock of "Last Time" from their debut Overcome without tapping your foot, nodding along to the stand-up bass and harmonizing right alongside the dual vocals of Erker and Hull.

    [mp3]: The Jones Street Boys - "The Last Time"

    "Last Time" video

    Craig Bonnell

    Concert Mon Dec 17 2007

    New Year's Eve With Umphrey's McGee

    Those with holes left in their end of the year social calendars could do much worse this NYE than to catch local band done good Umphrey's McGee at Uptown's Aragon Ballroom. The 2007 installment of what is becoming a traditional Chicago year ender also serves as a celebration of the band's 10th anniversary.

    Formed in 1997 in South Bend, Umphrey's McGee have become summer festival staples and, in the mind of some, inheritors of the Grateful Dead, Phish jam band mantle. While there are some parallels to be drawn — ever-changing setlists, a rabid fanbase apt to see multiple shows and dissect the nuances on forums such as umphreaks.com, and a firm foot in improvisational rock — Umphrey's has a lot that separates it from the pack of current and recent jam-rockers. First, the band seems to draw from a deeper musical pool, pulling from Zappa, King Crimson, and Yes as much as from the Dead or Phish. With tongue planted firmly in cheek, the band has been known to cover everything from Toto to Radiohead to Snoop Dog.

    Tickets to all three nights of Umphrey's Chicago stand are still available, with The Wailers opening Saturday 12/29 and Chicago's Tortoise providing support Sunday 12/30. Monday's NYE show will feature a video tribute for the band's 10th anniversary.

    Dan Snedigar

    Concert Wed Dec 12 2007

    Salute for Something New

    So I must confess that I’m not a huge fan of the metallic doom and gloom that will be displayed tomorrow night at the Empty Bottle by Haptic, Wrnlrd, and Cristal (but Chris S. is and that’s how we do listening diversity). But my inability to rally around this music is beside the point. The evening is as much about some new music as it is a sneak preview of a brand new label that is committed to adapting their products to current industry trends.

    At this point, if you haven’t heard Radiohead’s 2007 success story, you’ve probably been living in a cave (no offense to cave dwellers). The main take-home message from Radiohead’s revolutionary business move was that we should probably stop selling CDs to listeners, because listeners aren’t buying CDs. Enter FSS, short for Flingco Sound System. Launching in 2008, FSS will be selling their particular brand of sonic introspection on limited edition, high equality vinyl LPs and as high bitrate digital downloads. Only. Additionally, FSS will offer a one-year subscription service, which will reward patrons with pre-release mailings, free downloads and a variety of special treats. If only my favorite pop and indie rock labels did such a thing! This is why you should support FSS—while they may not pour your particular brand of vodka, they’re putting the pressure on others to get you just as drunk.

    Tomorrow’s FSS release show presents the digital noisescapes of Cristal, the experimental black metal of Wrnlrd and the variegated dronewerks of Chicago local, Haptic. Show starts at 9pm. Tickets are $8.

    Nicholas Ward

    Concert Tue Dec 11 2007

    Welcome back, Schmickler (and Lampo too!)

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    Fresh from their last trip to Home Depot, and still a little buzzy from the paint fumes, local experimental music arts venture Lampo announces the grand opening of its new home, a second floor space on Chicago Avenue, between Franklin and Wells (216 W. Chicago, to be precise). Residing over a former post office, the new Lampo looks forward to bigger and better performances in the years to come, and happily announces show #101 this Saturday!

    Electro-digital puppet master Marcus Schmickler returns after a five-year absence (two if you count his duet with Thomas Lehn) to grace Lampo with one of his most recent compositions, an eight-channel beast called "Altars of Science," this Saturday (Dec. 15) at 9 p.m. ($12 admission) Expect the sounds of digital ghosts getting to work grinding, mulching, and spinning horrible around your head at a dizzying rate. The Lampo press release mentions a lot of things like "Granual synthesis" and "cellular automata treatments of a string quartet," and that all sounds like biology homework to me. The proof, however, is in the burbling, crazy pudding that Schmickler with bring to a boil before your very ears. Take the processes with as many grains of salt as you wish, but don't miss the sonic tempests that result!

    Lampo will return to its full seasons in early winter 2008. Check the Lampo site for more information about subscribing to their announcement lists (I highly recommend the postcard treament, as their design job is superb, and the postcards are a nice heavy cardstock...a welcome relief from more magazine renewal notices that arrive every other day).

    Chris Sienko

    Concert Tue Dec 11 2007

    On My Radio...and in the club

    Haptic, a three-piece unit of center-of-mind free-zoners from right here in town, perform their drone excitations for wood, metal (that's guitars and drums to you, f(r)iend) on a two-night hometown tour, first over the cracklin' ether, and then in the fabulous flesh.

    Tomorrow night (Wednesday), tune into WLUW (88.7 FM, or stream at wluw.org) at 9 p.m. for Haptic on the radio. Then, wait approximately 23.5 hours (or go about your daily business in the meantime, either suits me fine) and head out to the Empty Bottle (1035 N. Western Avenue) to see Haptic test the full range of the Bottle's PA system. Also on tap are Wrnlrd and Cristal, both from Virginia (Arlington and Richmond, respectively). While there, check out the band's recently-released, hot-off-the-stampers-new release, a 7" on the Ent'racte label of England (get it here, cuz overseas shipping from Old Blimey is nuts these days!).

    More band info here.

    Chris Sienko

    Concert Tue Dec 11 2007

    Bump It Up

    The weather forecast for Saturday, December 15, is overcast with a high of 27 degrees. That, my friend, is the perfect weather to check out the the FUSE TREE show at Wise Fools Pub.

    Headlining is Bump, a Detroit-based group big on the festie scene with their eclectic organic electronica (Dude. I totally made myself a bit dizzy just typing that). Chicago reggae/funksters Akasha and Dyer, Indiana's own Land of Atlantis will be opening. The whole shindig kicks off at 8:45 p.m., and costs a mighty $7. But if I know you, you're going to opt for the killer $30 wristband, which includes admission and a case of the all-you-can-drink drunkies.

    Kara Luger

    Concert Tue Dec 11 2007

    Free Russian Circles

    Local act Russian Circles add some post-rock instrumental deliciousness to your frozen Holiday season this Thursday at the Double Door. A great replacement for listening to All of a Sudden I Miss Everyone indoors, Russian Circles has garnered comparisons to everyone from Explosions in the Sky, Godspeed You Black Emperor!, and Pelican to Mogwai, Mono, and Fugazi. And that's not even the best part: the show is completely and utterly free. Yeah.

    The Chicago trio Russian Circles formed in 2004, self-releasing a debut EP in 2005 that quickly sold-out. A signing to Chicago's Flameshovel Records resulted in Enter, released 2006. The band is currently recording a new album with producer Matt Bayles, scheduled for a spring 2008 release through Suicide Squeeze Records. Until then, get out to the Double Door to quench your thirst for (free!) climactic instrumental rock.

    Russian Circles (w/ These Arms are Snakes and Holy Roman Empire) @ Double Door, Thur 12/13, 8pm. 21+, free.

    Michael Schmitt

    Concert Mon Dec 10 2007

    An Evening with Wilco...X 5

    Chicago's beloved Wilco has just announced a five day residency it will embark on this February 15- 20 at the Rivera Theater. The motivation to keep coming back after day two? They’ve promised to play every song in their catalog in a series of five “one-of-a-kind” setlists that aim to go in the dark depths of their collections that may not have been played for a while, or perhaps ever.

    With 6 studio albums, including last year’s Sky Blue Sky, this residency will be a rare opportunity for Wilco enthusiasts to reconnect with the obscure channels of the band, and newcomers to appreciate past Wilco they may have missed out on. The clearly necessary five days may seem to be Wilco overload, but the historical experience should prove to be monumental.

    If you have a full week to spare for Wilco, five-day package presales begin Wednesday morning, and single-show presales continue next week. Check out here for various information regarding those.
    Single tickets are $35 plus outrageous Ticketmaster charges and go on sale to the public Saturday, December 15 at 10 a.m.

    Emily Kaiser

    Concert Fri Dec 07 2007

    Dropping Bombs

    When a band hails from Europe, the United States and the Middle East, the phrase “dropping the bomb” takes on a new meaning.

    Although the band’s ethnic mix could be considered an unlikely socio-political goulash, Balkan Beat Box wants you to forget any preconceived notions about warring factions and concentrate on the wild mishmash of musical styles, which incorporates Middle Eastern, Mediterranean and European cultures, while adding a healthy dose of electronica and punk aesthetic.

    BBB boasts three Americans and three Israelis (who claim Romanian, Polish and Yemenite ancestors) in their lineup, along with Bulgarian choir singers and an Iranian rapper. Their latest album, Nu Med, is just the exotic dance party one would expect from two musicians whose past work includes Gogol Bordello (Kaplan as a band member, Muskat as a producer).

    While BBB shares Gogol’s party atmosphere, they leave out a lot of the more chaotic elements. Instead, Nu Med, recorded in Brooklyn, focuses on introducing amazing world musicians, whose contributions truly make the album. Dessislava Stefanova’s Bulgarian a cappella children’s song is layered atop hypnotic beats in “Joro Boro,” and Syrian singer Dunia melds rapping with traditional ululations in “Habibi Min Zaman.”

    Catch 'em tonight at the Logan Square Auditorium with Loto Ball Show.

    Kara Luger

    Concert Fri Dec 07 2007

    Comptrollin'

    Comp.jpg

    I first wrote about Comptroller Records a few months ago, when referencing the brilliant EP Bridget Quits, from the Sharks. Well, tomorrow, the good people at this brand new local label will circle the wagons at Ronny’s and suit up for their coming-out party, Comptrollin’ on a Saturday Night, and they promise an ecstatically good time.

    Kicking things off at 9pm is the debut of the Spectacles, a two-person, boy-girl, keys-guitar-drum machine outfit spotlighting the usual brand of synth pop expected from this particular formation. Thankfully for me, I happen to find this sound totally endearing and cute, especially when a girl sings about ice cream and sweetness and love over a simple and blistering riff, like they do on “insatiable”. It’s almost as if they’re envisioning some anthem for a 14-year old girl, re-cast in an alternate universe of butterflies and chocolate and dreams that don’t actually exist in real life. And kudos to them for tackling one of my favorite songs, the Talking Heads’ “Naïve Melody” and closing it with the solo from the Stop Making Sense version.

    Playing second are the Sharks. The past few months have done nothing to dull my love of Bridget Quits, their 5-song debut and the very first Comptroller release. The music on the EP is fast, loose, noisy rock’n’roll of the kind rarely seen since the mid-90s, and listening to “the kidz know best” gets me all-nostalgic for teenage basement parties I never actually attended. Echoing what seems to be a refreshing trend for Comptroller Records, the Sharks refuse to take themselves and their music too seriously, but they’re skilled enough to make seriously awesome music. The re-addition of Evan “The General” Skow on keys means a more diverse sound, but there’s no way that will turn down the charm. In fact, since I wasn’t able to catch their record release a few months ago, I’m most excited to catch this endearing bunch of Islamofascists turned conventional rock band (and forgive me for once again printing that ridiculous back-story but I think it’s perversely hilarious).

    Closing the set for the evening will be the Fake Fictions, returning to Chicago stages with a brand new album in tow, Krakatoa. While I’m unfamiliar with the band that is being called a “local favorite” (I know, I’m real uncool), the band has called their newest release “raw, stripped down, and loud”, three adjectives that light my rock’n’roll flame and I hope to be back in a few months with a review of the new record.

    Comptroller Records have a good thing going, a no bullshit approach to fun, catchy, stripped-down tunes, the kind of sonic elements that make rock’n’roll so irresistible in the first place. Tomorrow, in addition all of the heavy hitters, they will showcase an elaborate set design by Mechazilla, an acoustic performance by Mark Danjer of Poem2Song and the vaudeville trickery of Magic Superstars. The whole night should be festive and spirited, a great way to battle the cold weather blues.

    Nicholas Ward

    Concert Wed Dec 05 2007

    Hideout Gets Heavy

    I'll confess to have had my flings with noodly hippy jam rock and precious art pop, but lately, I have been developing a new theory centered on the basic premise that heavy metal music may be why God saw fit to send man the electric guitar. Chicagoans will have a chance to put that theory to the test this Saturday as the generally mild-mannered Hideout presents Hideout Gets Heavy, featuring three up-and-comers in the increasingly interesting Chicago metal scene. Leading the bill is Indian, celebrating their second release on local label Seventh Rule. Also appearing is Rabid Rabbit, something of a local super group featuring former members of Frontier, Camaro Rouge and Galactic Inmate and Den of Vipers and their sludgy grind.

    A late night DJ set by Bruce Lamont of Yakuza winds things up.

    More information and tickets at the Hideout's website. Show starts at 9pm, Saturday 12/8.

    Dan Snedigar

    Concert Wed Dec 05 2007

    Kleavage Tour Comes To Town

    Going to the club in Chicago is a serious crap shoot.  At least half the time it's the same old tired DJs spinning the same 10 songs they spin everynight from club to club. But Chicago is blessed with some great DJs no doubt and we are the only really stop for travelling electronic artists as they bounce back and forth from coast to coast.  Thursday night we are getting a visit from two DJs who are quickly making their names known.  Coming to town on the Kleavage Tour, Tittsworth (URB Next 100) and Klever make hyper dance music. So hyper that last time Tittsworth was through Chicago, a full-out mosh pit got going.  Both DJs drop in hip-hop, rock, and club tracks, but do so with rapid-fire, precise mixes and unique beats.  As previous show reviews point out get ready for explict lyrics, rowdy crowds and lots of sweat.  This is gonna get crazy.  Locals Zebo and Heather Doble join the madness at Berlin. Pix by Avant/Chicago. $6 with RSVP here.

    Brent Kado

    Concert Tue Dec 04 2007

    Swooning, Crooning, Cold War Kids

    I have never quite figured out what it is the Cold War Kids are trying to do when they make music, but I can’t say it’s not refreshingly intriguing. Strange jazz undertones and upbeat rock beats seemingly stolen from every successful pop song of the last 20 years litter an album with songs about an alcoholic family man and saints on death row. The harsh but approachable vocals of Nathan Willett make the overall listening experience just awkward and uncomfortable enough for you to not be able to get away.

    Despite a slight slowdown after the hype of their 2006 debut Robbers & Cowards, Cold War Kids have still sold out the Metro this Friday. Doors open at 5:30 and if you’ll want to search for scalpers, don’t let them charge you more then $5 over the $16 face price of the ticket.


    Cold War Kids @ Metro, 12/7, 6:30 PM, w/ AA Bondy, We Barbarians.

    Emily Kaiser

    Concert Tue Dec 04 2007

    Redwalls @ the Metro

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    This is by far my favorite story of the year: local indie darlings The Redwalls ready the follow-up to their major label debut for national conglomerate, Capital Records. They bring in producer Tore Johansson (Frank Ferdinand, OK Go) to explore grittier sonic territories while still expanding the band’s sun-drenched power pop. This they do, recording The Redwalls live to tape in an effort to capture raw emotion and the ethos of their energetic live show. Then Capital, who paid for the sucker, merged with Virgin Records and the Redwalls were swiftly shown the door.

    (If I may get on my soapbox, for just a moment: while I appreciate Capitol’s willingness to give the band their rights to the album, why the hell did the Redwalls get dropped? This isn’t like Wilco, who turned out an obtuse but rewarding offering a few years back. The Redwalls make very pleasant, enjoyable, fun pop music. You’re honestly telling me, Capitol Records, that you didn’t have room for them? You get behind Yellowcard and Coldplay, but deny exposure to a perfectly good group from the Chicago suburbs? Really??)

    Enter MAD Dragon Records, a student-run label from Drexel University in Philadelphia, who came in to save the day and released the Redwalls third full-length album in October. DeRo loves it, Miles from the Reader thinks it's cool, and I find it pretty damn good. Indie rock wins again! Yayyy, indie rock!!!!

    The Redwalls aren’t re-inventing the wheel but they can count themselves among a growing number of Chicago bands who really know their way around a pop song. The Redwalls doesn’t really explore a grittier sound, so much as tighten everything up and let the drums provide a tougher backbeat. “Summer Romance” is one of those classic pop love songs that soars and flies and urges kids to turn their windows down and stick their hands into the beautiful summer breeze. “Modern Diet” is another stellar standout, a shaking and pounding 60s-influenced number with a nice shout-along chorus and some terrific, clean breaks. There are some really solid jams here and Capitol probably had a hit on their hands, and I hope they live to regret the day they showed the Redwalls the door.

    The Redwalls play this Saturday, December 8th at the Metro. Show starts at 7pm. Jonathan Rice and the Whigs open.

    Nicholas Ward

    Concert Tue Dec 04 2007

    "Jewish Hipster" Sean Altman @ Beat Kitchen

    shirtimage.jpg

    This Sunday at the Beat Kitchen, a member of the so-called (by the NY Times, so it must be true) "Jewish Hipster" movement, Sean Altman, performs his solo act of comedic Jewish-themed songs called "Jewmongous: Taller than Jesus." Altman is touring to promote his new album release of the same title. Imagine Adam Sandler's "Hannukah Song" except that Altman's songs manage to be both dumb and not funny (i.e. songs called "Be My Little Shabbos Goy" and "What The Hell Is Simchas Torah?"). But who knows, maybe the live act is funnier, and there are so few Hannukah-themed events this time of year that every little bit counts.

    See the NY Times article on Jewish hipsters here and the SF Gate article here.

    Sunday, December 9 at 7PM (doors at 6PM). (773) 281-4444, $10.00 Students / $15.00 In Advance / $18.00. 2100 W. Belmont

    David Polk

    Concert Tue Dec 04 2007

    Breeders Up All Night

    The Breeders have been added to Second City's annual 24-hour benefit, dubbed this year as The Second City That Never Sleeps: Letters to Santa. Along with Chicago mainstays, Jeff Tweedy, Sally Tims, Robbie Fulks, and Will Oldham, The sisters Deal will be performing with long-time producer Steve Albini at 1:00 AM and then as The Breeders at 3:30 AM. The Breeders, who are in town recording the latest LP with Albini, have 14 songs lined up for their upcoming, title-less effort and will be debuting new material in their first live performances in years!

    The benefit begins tonight at 7:00 PM, with the following as the current schedule:

    8:00 pm Sally Timms (Mekons) & Janet Bean (Freakwater)
    10:30 pm Jeff Tweedy (Wilco)
    1:00 am Steve Albini & Kim & Kelley Deal
    3:30 am Kim & Kelley Deal (Breeders)
    5:00 am TBA
    7:30 am The Bitter Tears
    10:00 am Jon Langford (Mekons)
    12:30 pm Robbie Fulks
    3:00 pm TBA
    5:00 pm The Blisters

    Tickets are $10 and can be purchased online at Theatermania.com

    John Lombardo

    Concert Mon Dec 03 2007

    Ferraby Lionheart Visits The Abbey (sounds like a chapter from "King Arthur")

    Ferraby Lionheart is yet another sensitive singer-songwriter from LA (now living in Nashville). Despite getting oodles of good press from music blogs, his music has never struck me as that original or compelling. Richard Hawley on the other hand is a complete and wonderful contradiction: he's a young English bloke who sounds like Roy Orbison would have if he recorded at Sun Studios. Think a kind of polished, loungy version of Nick Cave.

    See for yourself how these two compliment each other (or not) Thursday night at The Abbey.

    [mp3]: Ferraby Lionheart - Small Planet

    Acoustic tracks from Richard Hawley:

    [mp3]: Richard Hawley - Darlin'
    [mp3]: Richard Hawley - Precious Sight

    Craig Bonnell

    Concert Fri Nov 30 2007

    The Fervor @ Reggie's

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    Louisville, Kentucky band The Fervor craft simply structured music that is filled out and expanded with rich harmonies and a touch of shoegazing guitar fuzz. The songs on their debut full-length, The Bleeder, are piano-driven ballads that are held together by a stunning set of vocals. Natalie Felker’s voice is supple and strong, edgy but warm, and her presence in this music makes it feel complete. Her rising and falling on “Brushfire” gives it a surprising depth, while she turns a rather rudimentary bit of philosophy on “Let’s Fight” (the oft-repeated line “With every new beginning comes an end/We’re born again”) into a warning, a challenge and a comfort. The music of the Fervor is for Sunday morning over coffee and the paper and while they don’t exactly move me out of my seat, the music is honest and heartfelt. They may not be entirely suited for Reggie’s, but that’s where they’ll be this Saturday at 11pm, sandwiched between Disliking Silence and the Morningsides. And while the Reggie’s website makes no mention of this new band, I have been assured by drummer Mat Herron that they will, in fact, be in attendance.

    Nicholas Ward

    Concert Tue Nov 27 2007

    The freshest Fresh Tables money can buy


    photo by Joseph Mohan
    This Friday, the cold weather calls for simple things to beat the cold - warm layers of winter blubber, steamy alphabet soup, and, er, pandas. Well long story short, locals Uncle Grandpa Records are having a Fresh Tables EP release party for label locus Spiller Whale at Subterranean. Recorded with Bobby Conn's lovely wife Monica Boo-Boo on half of the tracks and produced by the Tight Phantomz' Mike Lust, the record looks to hit hard with it's four tracks of sax-assisted, sexy harmonic tunes. Openers include new labelmates RSTLNE and Australia/Brooklyn's smile-a-delic Panda Band, who just saw some love for their release "This Vital Chapter". Tickets are $8; doors are at 9:00PM.

    Dan Morgridge

    Concert Tue Nov 27 2007

    Get Hitched With Unwed Sailor (& friends)

    This Friday, Chicago hosts two post-rock instrumental boomers (oh, and one indie-pop group). Unwed Sailor and This Will Destroy You (with Kid, You'll Move Mountains along for the ride) come to the Beat Kitchen.

    Unwed Sailor first got their start in 1998 in Seattle by guiding member Johnathon Ford. Since then, Unwed Sailor has released four albums, gone through their fair share of members and collaborators, and has switched localities more than a few times (including Chicago, once upon a time). Joined by collaborators from groups as diverse as Damien Jurado (Melissa Palladino), Hong Kong pop artist Nicholas Tse, and a few Okie members of country outfit Lasso -- not to mention Ford's own music history which includes emocore revivalists Roadside Monument and indie pop group Pedro the Lion, and filmmaker Chris Bennett who contributed a 30-minute film movie to Unwed Sailor's 2002 album Stateless -- it's not surprising that Unwed Sailor's releases are some of the most diverse post-rock ambient instrumental albums out there (well, as diverse as post-rock ambient instrumental albums can be). 2001's The Faithful Anchor is your more straightforward instrumental album, while The Marionette and the Music Box in 2003 is an odd fairy tale of, obviously, a marionette doll searching for a music box. The listener (as well as the marionette, I suppose) is helped along with artwork from Jamie Hunt. Needless to say, a live show from Ford (and whoever he has helping him out nowadays) is sure to be interesting. Also, keep an eye out for their newest album, Little Wars which should be coming out soon.

    This Will Destroy You is a bit more traditional (or contemporary?) in their post-rock-ness, garnering obvious comparisons to Explosions in the Sky from their 2006 debut Young Mountain. Ambient, dramatic, and climactic, This Will Destroy You plays the age old instrumental game of slow build ups and emotional explosions--but still manages to keep it fresh and interesting.

    Kid, You'll Move Mountains is the odd man out, playing with vocals (gasp!) and also a classical pianist (Nina Jones). Created in April of 2006, Kid, You'll Move Mountains features members from all over the Midwest, and are frequently predicted to blow up sometime soon. Do you really want to risk that they'll get big and never play a nice, intimate show like this again? No, you don't.

    Unwed Sailor, This Will Destroy You, and Kid, You'll Move Mountains @ Beat Kitchen, 11/30, 9PM. 18+, $10.

    Michael Schmitt

    Concert Tue Nov 20 2007

    M.I.A/Low B, Cool Kids @ HOB and Vic

    M.I.A.

    Chicago's hip-hop fans definitely have something to give thanks for this week, with two holiday bookend shows from insurgent rap superstar M.I.A. and Chicago's hometown heroes Cool Kids.

    M.I.A. (real name Maya Arulpragasam) is the British-Sri Lankan artist whose melange approach to music blends everything from ragga to dancehall and back to hip-hop. M.I.A. became a critical darling in 2005 on the heels of the release of her debut album Arular and North American concerts at the sold out Bowery in New York and a stellar set at the 2006 Coachella festival.

    Low B

    Accompanying M.I.A. on this tour is DJ Low B (formerly Low Budget) who is one half (with Diplo) of the duo Hollertronix. This influential Philadelphia-based duo was at the forefront of the current trend towards eclectic DJing, mixing and mashing everything from indie to soul to old school rap in one frenetic mix. Low B himself is definitely a product of the age of rap. His personal sets draw heavily on classic rap platters and crate-digger soul numbers. There is also news from the Hollertronix camp that there is another M.I.A. mix tape in the works, a sort of Piracy Funds Terrorism part 2.

    Cool Kids

    As if the headliner alone weren't enough to get you out of the house, M.I.A.'s opener is none other than Chicago's own up-and-comers Cool Kids. Touring in advance of their debut album and on the heels of a standout set at this past summer's Pitchfork Festival, Cool Kids seem on the cusp of well deserved wide recognition.

    M.I.A with DJ Low B and Cool Kids play two shows this week, Wednesday 11/21 at the House of Blues and Friday 11/23 at The Vic.

    Really Cool Contest! We've got a pair of tickets to give away to one lucky reader to the show tomorrow night (11/21) at the House of Blues. The first to email contests (at) gapersblock.com with the subject line "I'm Cool" gets the pair! UPDATE! We have a winner! Congrats to Eric!

    Dan Snedigar

    Concert Mon Nov 19 2007

    The Agony & the Ecstasy

    If anything, the Baltimore-based trio Celebration deliver a mighty big wallop for a three-piece. After the dizzying, tumultuousness of their impressive 2005 debut, the band has pared things a bit on the newly-released follow-up, The Modern Tribe. Dark, carnivalesque organ and propulsive drumming still fuel their tunes; but these days they’re opting for slightly more sparse and sweeping arrangements that help clear some of the clutter from the stage in order to foreground the vocals of frontwoman Katrina Ford.

    Which is all much for the better, seeing how Ford’s vocals is the band’s most distinctive and magnetic asset. She howls and she moans and keeps the range that falls between the two on solid lockdown, packing more raw emotive intensity and nuancing into a single couplet than most manage in the span of an entire album. Bonus points will no doubt be awarded to the new album because fellow tribesters TV On The Radio step in to lend a hand on a couple of tunes; but when all is said and done, Celebration can handle everything pretty superbly on their own.

    Celebration will be headlining this Friday at the Empty Bottle. Kill Me Tomorrow and Aleks & the Drummer are scheduled to open. 1035 N. Western Ave. Showtime is 10pm, and tickets are $8.

    [video]: Celebration - "Evergreen"

    Graham Sanford

    Review Mon Nov 19 2007

    Review: Mission of Burma @ Abbey Pub

    Mission of Burma

    To be succinct, the show was good. Mission of Burma made an off tour stop at Chicago's Abbey Pub last Friday evening. After a procession of capable but somewhat uninteresting openers, Burma stepped up and brought the perhaps 3/4 capacity crowd to the floor. They served up new songs and their still fresh sounding '80's back catalog with equal aplomb and left the crowd wanting more, proving that Mission of Burma's heyday is now.

    Dan Snedigar

    Artist Mon Nov 19 2007

    Thanksgiving with Percolator

    If you thought the Get Up Kids were good and gone, you can put an end to your angst-ridden moping, and leave the dark corner for at least an evening to see a reincarnation, Percolator, play Ronny’s Bar this Wednesday. In preparation for having to spend all of Thursday with relatives, these Chicago locals will help you get one last whine out before the turkey and family values. Self-described as “pretty raucous” when it comes to live shows, they say they just want to “entertain and surprise people.” And with hooks that evoke Ted Leo & The Pharmacists, and an enthusiasm heard genuinely through their tunes, it should promise to do at least that. They’ve just finished recording their first record, Man is Not a Bird, which is streaming on their website for your listening pleasure. In addition to Thanksgiving, they’ll also be around the southside Dec 6th for a show at Reggie’s Rock Club.

    Percolator @ Ronny’s Bar, Wed 11/21, 9 PM, 21+
    @ Reggie’s Rock Club, Thurs 12/6, 8 PM, $6, 18+

    Emily Kaiser

    Concert Mon Nov 19 2007

    Free AfroFolk Concerts @ Old Town School

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    Not enough people know about the free concerts at the Old Town School of Folk Music Wednesday nights at 8:30pm. In early fall, the free series was called "La Pena" and featured Latin American performers. Last week, a new AfroFolk series began and will feature musicians from Haiti, Zimbabwe, Nigeria and good old Chicago.

    No, you probably haven't heard of any of the groups scheduled, but the Chicago compatriots of the musicians that happen to be performing usually have and line up out the door to attend. The coolest part is that you may have unintentionally come to see the biggest pop star of a country on the other side of the globe. And there you are, the envy of every Nigerian or Haitian or whatever, seeing them in one of the most intimate settings possible for free. Bastard!

    Up this week is Haitian singer Tifane (pictured above), who was honored in Haiti as “Revelation of the Year” in 2005 and then “Best Female Singer” in 2006 by Musique en Folie and the Hatian Entertainment Awards.

    No need to wait in line though, call for free reservations: 773-728-6000. The Old Town School of Folk Music, 4544 N. Lincoln Ave.

    David Polk

    Concert Mon Nov 19 2007

    B1g t1me fun

    Chicago seems to be breeding an entire sub-genre of well executed high-concept, low-brow theatrical rockers. In the past year or so, on the advice of friends, I have been introduced to the oddball exuberance of The Bitter Tears, and the peculiar camp of Let's Get Out of this Terrible Sandwich Shop. I must admit, however, that I was blindsided by the sheer weirdness of b1g t1me.

    Last summer, I met some friends for drinks at Simon's in Andersonville on a Sunday. An interesting looking quartet was setting up in the corner. I asked what they did and the bartender summed it up; "They do '80's one-hit-wonder songs in the style of Tom Waits."

    And that they do, more or less. What followed was two hours of pure fun, easily the most interesting accidental concert I've seen in years. The band manages an uncanny mimicry of Waits' style, wringing new meaning from songs that we've all heard a thousand times. Tom Petty's Don't Come Around Here No More takes on a decidedly threatening tone. Dio's Holy Diver is transformed from slapstick metal to a gospel-like call-and-response number. While the concept seems dubious on paper, there's definitely something else going on. By mixing a spot-on homage to Waits' innovative style with classic material that has subtly begged from day one for reinterpretation, b1g t1me manages to create something that easily stands on its own.

    B1g t1me plays this Wednesday 11/21 at Quenchers Saloon, corner of Fullerton and Western.

    Dan Snedigar

    Concert Mon Nov 19 2007

    Free OFFICE, bourbon and late-for-work excuses

    It's a slow week at work, so why not take advantage of the good folks at SPIN & Knob Creek bourbon and RSVP for a free show at Schubas tomorrow night starring local art/pop phenoms OFFICE? Why not, indeed. All you need to know is OFFICE starts at 8pm, the sponsors will be serving free Knob Creek cocktails, it's a 21+ event, and you have to RSVP before noon tomorrow (11/20) to knobcreek@spin.com in order to get on the list (before it fills up). You might need one of these on Wednesday morning, but you didn't get them here.

    Anne Holub

    Concert Sun Nov 18 2007

    sally's Final Show At Empty Bottle

    Bands come, bands go. Some die, some are killed, some commit suicide.  What the case is with sally, who will play their final show tonight at the Empty Bottle, is still a mystery.  In an email sent out to their fans just 6 days prior to the show, sally offers up sentiments on their ending, but no one's words seem to point to reasons except for frontman and founder Charlie Deet's explanations. In the literary email Deets offers up that he felt it was time to move on and explore new musical avenues.  Deets is an artistic mastermind - photographer, musician and label head - so we look forward to his future. But as for now we're forced to mourn a band that had the mark of emerging greatness.  sally began their musical magic in early 2004 and brought a raw, but dynamic self-titled debut months after forming.  With an two E.P.'s in the next two years sally's sound smoothed out from it's hectic beginnings.  This past spring sally released their sophomore full length, Long Live The New Flesh finding the band merging moods fused together perfectly.  Despite a sporadic show schedule, sally slowly built a dedicated fanbase with vigorous and vibrant concerts. Sadly the final show has arrived.  There are no words for the end of something that seemed to be just starting.  Mustering up a thank you and remember what was might be all there is to do.

    Brent Kado

    Concert Sat Nov 17 2007

    Robbers to Rock Schubas


    Ever since "New Evil" broke in 2003, Robbers on High Street have often been discussed as impersonators of similar-sounding bands like Spoon and many of their contemporaries in New York City. The Fine Lines EP and Tree City in the next two years were acclaimed releases that didn't stop critics from simply calling them ripoffs.

    But 2007's Grand Animals has changed the pigeonholing critiques. Italian composer Daniele Luppi, whose resume includes Gnarls Barkley and John Legend, produced the record that showcases Robbers on High Street's love for 60s and 70s pop music. With clear influences from the Kinks and Piero Umiliani throughout the record, it's obvious that Robbers on High Street are carving their own path now.

    The energetic live band returns to Chicago for a third time in 2007 with a gig at Schubas on Sunday night. Great Northern and Happy Salmon open at 9PM. Admission is $12.

    James Ziegenfus

    Concert Fri Nov 16 2007

    Concert Review: Baby Dee @ Hideout 11/15

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    Last night at the Hideout, New York-based musician Baby Dee performed wearing a silky blouse, checkerboard capris, argyle socks, work boots and insane, untamed curly hair that covered a full two thirds of her face. Both her appearance and music are completely unclassifiable, the former falling somewhere between masculine and feminine, the latter a mixture of tender cabaret, guttural indie chanson and non-sequitur cackling comedy routine. The result was a wildy entertaining and assertively authentic performance that ended with the audience not wanting to go home, even after midnight on a cold work night in Chicago.

    Her Wikipedia entry defines her as a “transgender musician from Cleveland” and her label, Drag City, describes her as “the badly angelic, Shirley Temple obsessed, high riding cat that ruled the streets of lower Manhattan in the nineties.” Neither description is particularly helpful, especially since most of the audience was neither from Manhattan nor probably old enough to have really noticed the mid nineties. So, the next time she's in down, or the next time you're in NYC, do yourself a favor and see for yourself.

    Continue reading this entry »

    David Polk

    Concert Fri Nov 16 2007

    DJ Spooky Does Chicago History

    If you had to cast a modern day Renaissance Man, you'd find that the role fits DJ-Philosopher-Writer-Conceptual Artist Paul Miller (AKA DJ Spooky) like a glove.

    On the heels of the opening of his "Link City: Chicago" (PDF) exhibit at the Art Institute, DJ Spooky will bring his interest in Urban Studies to the Chicago History Museum where he'll perform a Chicago-themed Subliminal Strings set which is being hyped as a "rich tapestry of sound and images that explore the idea of the city as a form in constant flux, an energy force continually changing over time".

    It's a predictably eclectic offering from DJ Spooky who has most recently been working with the Trojan Records catalog. No one does the combination of high concept and high energy quite like DJ Spooky.

    DJ Spooky performs at the Chicago History Museum on Saturday, Nov. 17th, at 7:00PM. Tickets ($30 / $15 Students) are still available.

    Shaz Rasul

    Concert Wed Nov 14 2007

    Review: Neil Young @ Chicago Theatre, 11/13

    I have a theory that pertains to shows like last night's at the Chicago Theatre: the more high profile an artist, the more annoying the crowd. Maybe it's because the majority probably only go to one or two concerts each year or that they think they're entitled to yell out whatever they want because they paid an absurd admission. Whether it's the fat dude wearing a sleeveless button-down shirt and sweatpants or the soccer mom in her best Lane Bryant, it typically comes down to many oldsters trying to relive their glory days while totally forgetting what they were all about. What unites this riff raff is thankfully the same thing that keeps them quiet at least during the songs. When Neil Young plays, people listen. However, between songs is a different story.

    On Tuesday night, on tour to promote Chrome Dreams II, Neil Young took a page from Rust Never Sleeps by performing acoustic and electric sets that wound through his deep discography. The acoustic set highlights were old album tracks like "Mellow My Mind" and "Cowgirl in the Sand" that drew huge ovations. Obviously, the 62-year old's voice isn't the same as it was when he recorded many of these songs, so he wavered a bit on the high notes. But his guitar-playing is still subtly fantastic.

    Now, one great thing about a concert by an artist with such a rich history is the element of surprise. Any next song could potentially be one of hundreds. But that didn't exist on this night because a painting depicting an interpretation of each song was displayed on the side of the stage. So everyone in the audience knew at one point that "Everybody Knows This is Nowhere" would be next. There was no chance for pure elation when identifying the first notes. (And the artist made at least one spelling error - "Bad Fog of Lonliness.") With 4 songs from Chrome Dreams II at the core of the electric set, "The Loner" and "Oh, Lonesome Me" sounded like gold to the ears of anyone wanting to hear classics. A 20-minute jam on "No Hidden Path" ended the set and gave way to the encore of "Cinnamon Girl" and "Tonight's the Night." Both were tremendous, naturally.

    Tuesday's audience was in for a special treat - "The Sultan." You may ask, "What are you talking about?" Well, "The Sultan" was an instrumental recorded by Neil Young's first band, the Squires, in 1963. The record is very rare and it's doubtful the song's been performed live in 40+ years, but we heard it. Overall, this was a performance that clearly showed the range of Neil Young through the years. Between forgotten album tracks, hit singles, political attacks and good-natured anthems, he treated the audience to a hint of where he's been and what he's done through his career. And what a career it's been.

    James Ziegenfus

    Concert Wed Nov 14 2007

    Hop on the Bus

    Busdriver, nee Regan Farquhar, comes from authentic hip-hop stock.

    Back in the day, his father wrote Krush Groove, the seminal eighties’ hip-hop, Def Jam movie, an opportunity that allowed Busdriver a look into his future career.

    “Getting to meet LL Cool J, Run-DMC and The Fat Boys as a preteen led me to believe I had some insight into rapper ethos,” he says. “I remember that [Def Jam] basically paid LL Cool J in shoes — eighteen or twenty-five pairs of Adidas.”

    The impression made upon the young Busdriver was extensive. He began rapping when he was nine and recorded his first album, with the forgettable group 4/29, at age thirteen. But it wasn’t all smooth, and the ladies didn’t necessarily love cool Regan. In his usual self-effacing style, he describes 4/29’s sound as “a bad Kris Kross, minus the Jermaine Dupri coaching and expansive teeny-bopper fan base. It took me years to be actually competent as a rhymer. The formative years were incredibly rough.”

    Luckily for listeners, Busdriver’s lyrical style has improved exponentially since those baggy backward-jeans days. His flow, a fast-talking staccato that revels in jazzy diatribes, offbeat in topic as well as tempo. His lyrics are wordy, intellectual and extremely literate. He’ll throw down a word like “troglodyte” as if it were the most normal rap epithet since “wack.”

    His latest album — his first on the Anti-/Epitaph label — is RoadKillOvercoat, and it finds Busdriver exploring thicker, weirder beats and rants but with a decidedly pop edge. His producers, Boom Bip and Nobody, effectively manage to keep up with Busdriver’s eclectic tastes, laying down beats alternately hard and dreamy.

    See him in action when he performs this Friday, Nov. 16, at the Empty Bottle with Daedelus and Antimc.

    Kara Luger

    Concert Tue Nov 13 2007

    Mission of Burma @ Abbey Pub

    F. Scott Fitzgerald once said that "In American lives, there are no second acts." I'm pretty sure that that theory doesn't hold water, and if you want to see direct evidence in the contrary, Mission of Burma will make a strong case at the Abbey Pub this Friday.

    Mission of Burma formed in Boston in 1979, part of America's burgeoning post-punk/new wave movement. Unlike many punk groups, the members of M.O.B. (Roger Miller - guitar, Clint Conley - bass and Peter Prescott - drums) were well versed in their instruments and grounded in a sense of history that encompassed late '60's proto-punks such as the MC5 and The Stooges. Burma's songs were driving, angular rockers with intelligent, acerbic lyrics; audio pastiches of swirling guitar filtered through the soundboard by original audio engineer and tape loop artist Martin Swopes. In their first iteration, Burma's impact was limited to a single studio album Vs., one EP Signals, Calls and Marches and a couple of singles, all originally released on the Boston label Ace of Hearts. While their output was critically acclaimed, the band disbanded in 1983, in part due to Miller's worsening tinnitus.

    1983 may have seen the end of the band's first act, but Michael Azzerad's 2001 punk rock paean This Band Could Be Your Life featured a chapter on the group, introducing them to a new audience. After some exploratory touring in 2002, with Bob Westen of Shellac manning the console and tape deck, Burma released two new studio albums, 2004's ONoffON and 2006's The Obliterati, effectively tripling their original output. Both albums ended up on year-end lists, and the band's live shows seem to maintain more vitality than a band off a 20 year hiatus has a right to possess. While it would be tempting to compare them to their early '80's heyday, it may be closer to the truth to say that their heyday is now.

    Mission of Burma plays Chicago's Abbey Pub Friday, Nov. 16 at 9:00 PM with Weber Club, Helicopters, Comasoft and Fun Club opening.

    Dan Snedigar

    Concert Tue Nov 13 2007

    All Smiles Tomorrow Night

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    Sometimes I cringe when I hear an artist is playing a solo acoustic show, particularly when their recordings feature a poppy wall of sonic layering. But I have a feeling All Smiles, the solo project of former Grandaddy guitarist Jim Fairfield, will be able to pull it off. His debut album, Ten Readings of a Warning, is a collection of simple and lovely melodies backed by a variety of flourishes and an army of different drummers (from bands like Sleater Kinney, Modest Mouse, Menomena). But the noisy inflections don’t necessarily make the songs, they make them better. The tracks have a stark but uplifting quality and the record, according to Jim, “sounds like the places it was recorded. You can hear the walls, and the floors, and the ceilings, and you can hear the cars, and the trees, and the guys selling drugs outside.” It’s this commitment to authenticity that makes tomorrow night’s show at Martyrs’ a must-see, electric, acoustic or otherwise.

    Ed Gray and Kasper Hauser open for All Smiles tomorrow, November 14th, at Martyrs’. Show starts at 8pm. Tickets are $7.

    Nicholas Ward

    Concert Tue Nov 13 2007

    Chicago Gets Out on the Dance Floor

    Indie kids, so often constrained to standing and toe-tapping at shows, are finally given the chance to dance the restlessness out this weekend when the Rx Bandits and Men, Women, & Children play the Metro. Rx Bandits promise to provide a good skank for all those dying to let loose to the syncopated sounds of trombones. After a 3 year dry spell, the Bandits were back last October with a new album, a new label, and plenty of energy to catapult them through Bamboozle, Bonnaroo, and a bi-costal tour. The new album, …And the Battle Begun, a refreshingly mature ska work, should provide for, as bassist Joe Troy describes on the Rx blog, a “sweaty, sweet…and succulent” night.

    Post-Glassjaw dance-punk projects strike again (see: Head Automatica), this time in the form of ex-guitarist Todd Weinstock’s new band Men, Women, & Children, opening for Rx Bandits on their East Coast and Midwest slots. They have been touring heavily in support of their self-titled debut, released last year, the Bandits being the most recent mainstay they have paired up with. There has been the promise of a few new tracks, but it may be worth it to arrive on time to an already early scheduled all-ages Metro show just to hear “Dance In My Blood”, a conglomeration of techno-beats and guitar riffs that succeeds at neither but still results in the most upbeat of dance tunes.

    Rx Bandits, MWC @ Metro, 11/16
    Doors open at 5:30, show begins at 6. Tickets are $14 adv/$16 day of show.
    Also appearing are two Chicago locals: Nurses and, for the Chicago night only, Maps & Atlases.

    Emily Kaiser

    Album Mon Nov 12 2007

    Viva Voce: Re-Issues, Bonus Material, and Live Shows

    After releasing Get Yr Blood Sucked Out to critical acclaim last year, the husband and wife duo Viva Voce are re-releasing long sought after albums Lovers, Lead the Way! (2003) and The Heat Can Melt Your Brain (2004)--along with bonus material, which includes B-sides, live performances, remixes, and some demo takes. Reissued Nov 13 (tomorrow!) on the band's Amore!Phonics label, these two albums have up until now been out-of-print and wickedly hard to find. But no more!

    Additionally, the indie duo play Riviera Theater 11/15 and Champaign, IL (in the Assembly Hall at the University of Illinois) on 11/16. This (plus a show in Nebraska) finishes up a 2 month tour supporting Jimmy Eat World, after which Viva Voce plans to head back to studios. A follow-up to Get Yr Blood Sucked Out is scheduled for a 2008 release.

    Viva Voce - "Fashionably Lonely" (from Lovers, Lead the Way!, 2003)
    Viva Voce - "Free Nude Celebs" (from The Heat Can Melt Your Brain, 2004)
    Viva Voce - "Wrecking Ball" (Tunng Remix, as bonus track on 2xCD)

    Viva Voce (w/ Jimmy Eat World) @ Riviera Theater, 11/15, 8PM, all ages, $24

    Continue reading this entry »

    Michael Schmitt

    Benefit Mon Nov 12 2007

    Practice Safe Listening: Signs You Have Hearing Loss

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    You read this blog and, therefore, you go to shows. And, more often than not, the shows are loud.

    Now consider your grandparents, who probably have problems hearing what you tell them, and then imagine yourself when you get to be 80 or so years old. While growing up, your grandparents didn't have iPods, stereos, ultra big speakers at rock concerts (or rock for that matter). You experience those noises every day, and what the American Hearing Research Foundation is trying to tell us, essentially, is that we're screwed if we don't do something about it.

    On Sunday, November 18, 2007, the American Hearing Research Foundation (AHRF) will hold a benefit concert at the Empty Bottle to help raise awareness of noise-induced hearing loss. Proceeds from the show will help the AHRF fund research into hearing loss at universities and hospitals throughout the United States and Canada, which the Chicago-based foundation has been doing for more than 30 years with over 165 research projects under its belt. Local bands Le Concorde, The Handcuffs and The Its will perform (all have or have witnessed hearing loss). Free Earlove earplugs for the first ones in.

    Admission is only $8. Click through for hearing loss facts and signs:

    Continue reading this entry »

    David Polk

    Concert Sun Nov 11 2007

    Here Come The Drones

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    The Drones have been poised to make a splash in the States for almost five years now, but getting to the country has been a challenge in itself. The band's full length debut, Here Comes The Lies, was met with heavy praise from native Australian, English and U.S. sources, but touring on the world stage was limited. After troubles with their label, the Drones choose to work hard at getting recorded material back from the label and end the contract.  It was nearly three years later when they finally released their sophomore muse Wait Long by the River and the Bodies of Your Enemies Will Float By. With an international release, more extensive touring and critical praise followed. 2006's Gala Mill continued to solidified the band's eccentric post-punk sound. But as the Drones continue their expansive touring here in the U.S. don't expect to see a post-punk style ala the Rapture or Interpol. With a raw sometimes harsh approach, the Drones mix in styles and sounds, skirting the lines between garage, psychedelia and blues rock. Opening up for Band of Horses Sunday and Monday at the Metro, their style will no doubt contrast the organic, soulful sound of the headliner

    Brent Kado

    Concert Fri Nov 09 2007

    Review: Battles @ Metro 11/8

    It was Revenge of the Nerds last night as “math rock” arrived at the Metro in the form of Battles and Caribou. Whatever that genre means, exactly, after experiencing the show I did last night I can safely say I do not care. Caribou opened and, although never having heard them before, I was immediately drawn in. A backdrop behind the band had logarithmic moving patterns projected onto it, eliminating the band members themselves as any sort of visual focal point, absorbing you completely in the sound environments they created.

    Battles nonchalantly gathered on the stage, seemingly regular guys if everyone in the audience hadn’t known the musical power they were capable of. All gathered upstage, drummer included, surrounded by an array of keyboards, guitars, and other electronics the capacity of which no one was entirely sure until they started playing. Once they did begin, Battles wasted no time in creating the most awesome of soundscapes. Wild guitars, memorizing lights, and the eerie vocal lines of Tyondai Braxton absorbed all present, audience and band included, in the potent musical scenery that is Battles.

    Continue reading this entry »

    Emily Kaiser

    Concert Thu Nov 08 2007

    David Dondero And Some Other Guy At Beat Kitchen Tomorrow

    I know I should write about the headliner of tomorrow night's show at the Beat Kitchen. I know that Richard Buckner is revered like few others in the music world. His fans are rabid, often comparing notes about set lists as if he was the second coming of Bruce Springsteen, Elliott Smith and Kurt Cobain all rolled into one manic depressive singer songwriter. His songs range from the simple to the impenetrable and usually fit musically into a down-tempo americana mold. I know I should write about Richard Buckner but I won't.

    That's because David Dondero is opening for him at the Beat Kitchen on Nov. 9. David Dondero uses the fairly conventional folk song structure (folk like Woody Guthrie not Tracy Chapman) to get across his often unconventional ideas about love, sex, politics and faith. His songs are more linear than Richard Buckner's and often tell a good (autobiographical) story. The only complaint I've ever heard about Dondero is that he sounds a little bit like Bright Eyes (that could be one of the reasons he's signed to Connor Oberst's Team Love Records). But that's a non-starter since David Dondero predates the appearance of Bright Eyes by several years.

    David Dondero's new record Simple Love is a follow-up to his critically acclaimed release South Of The South. On "Rothko Chapel" David explores his ideas about faith and religion through an example of an unconventional church in Texas that has Rothko canvases hanging in the alter.
    He goes on to explain that his religion is in "nature, art and literacy". It's a beautiful song that somehow manages to morph into a love song for a woman who's heart is like the Rothko Chapel. This should be a great show, get there early and don't miss a minute of David Dondero's set. More info at the Beat Kitchen website here.

    [mp3]: David Dondero - "Rothko Chapel"

    [mp3]: David Dondero - "When The Heart Breaks Deep"

    Bonus mp3:

    [mp3]: David Dondero - "Separation"

    Craig Bonnell

    Concert Wed Nov 07 2007

    French Canadians!

    French-fluent mildly punk-ish rockers Malajube appear at the Empty Bottle this Friday. Originating from Montreal, the young group garners comparisons to The Flaming Lips, Sparklehorse, Super Furry Animals, and The Unicorns. You've probably heard their song "Montréal - 40°C" without realizing it on the Radio Shack ads that ran during the whole "Back to School" marketing time. Catchy to the end, their 2006 album Trompe-L'oeil has done much to push the Canadian band into the mainstream psyche of indie rock. Beyond their very alluring instrumental attacks though, I have to pull a stupid uneducated American moment and confess I have no idea what their lyrics are about--as they are all in French. Together with the Clash-influenced Jai Alai Savant and local act Light Pollution, it should be a rowdy good time.

    Malajube, Jai Alai Savant, and Light Pollution @ The Empty Bottle, 11/9/07, 10PM, 21+, $10.

    Malajube - "Montréal - 40°C" (From 2006's Trompe-L'oeil)

    Michael Schmitt

    Concert Wed Nov 07 2007

    The Goddamn Shame and Lab Partner at The Empty Bottle Tonight

    Everyone's favorite noisepop bruisers are back for their first club show since new drummer Matt Kotheimer stepped in for the off-to-Europe Jon Hersh. Kotheimer brings a different element to the band, suddenly prompting all manner of unprovoked Replacements comparisons. Lab Partners, from Reverb Records, opens. All this and an early reading by Lydia Lunch for $7 tonight at The Empty Bottle, 1035 N Western Ave. 21+, 10pm.

    Nilay Patel

    Concert Wed Nov 07 2007

    Jon Brion on New Year's Eve

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    New Year's Eve isn't exactly right around the corner (only 54 days until 2008! Can you believe it?) but it's never too early to start making plans. The good people at Intonation know this and have done all of us a huge favor by scheduling the legendary producer and musician, Jon Brion, to play not one but two sets in the Harris Theater at Millennium Park.

    Known globally as a producer for Fiona Apple, Kanye West, and Rufus Wainwright, as well as the genius behind the soundtrack to Eternal Sunshine of the Spotless Mind, Brion has cultivated a reputation for playing stellar one-man shows at LA's Largo, building jaw-dropping and spontaneous compositions as he switches deftly from guitar to piano to drums. For this show, he will no doubt pull out all the stops and there's a better than average chance a few famous music friends will drop by for the festivities.

    Tickets are $85 and include a full New Year's Eve Party with dancing, drinks and frivolity plus the two sets and that is a flat rate, with the house being sold from front to back, which means that if you purchase your tickets right when they go on sale on November 9th (this Friday), you may sit in the front row.

    Tickets for this New Year's madness can be purchased at the Harris Theater Box Office (312-334-7777), or online at www.harristheaterchicago.org.

    Nicholas Ward

    Concert Wed Nov 07 2007

    My Brightest Diamond to Light Up Chicago

    It is always refreshing to find some genuine musical maturity in a world of indie musicians taking themselves too seriously. Awe-inspiring vocal talent doesn’t hurt either. My Brightest Diamond, the solo-project of multi-instrumentalist Shara Worden, brings to the table that and so much more. Worden grew up in Michigan and toured briefly as a part of Sufjan Steven’s Illinoisemakers, but broke onto the scene as My Brightest Diamond with her debut in 2006, Bring Me the Workhorse. A student of opera and classical music, this dive into avant-garde rock draws the listener into dark crevices of minor chords, string quartets, and penetrating vocals more akin to Nico and, yes, Whitney Houston than anyone on the scene today.

    If you happened to catch the Decemberists play at the Riv early this year, you would have seen My Brightest Diamond’s formidable opening set, including a killer cover of Led Zeppelin’s “No Quarter”. Any doubts one had upon seeing a tiny chick fumbling with the size of a double-neck guitar were snuffed when she opened her mouth and hit the first note. My Brightest Diamond embarks on a headlining tour tomorrow, arriving in Chicago on Sunday at the Lakeshore Theater. Anyone looking for the thought-to-be-extinct feeling of being knocked over by a performance solely because of the music should check this out.

    My Brightest Diamond @ Lakeshore Theater, Sun 11/11, 9 PM, $13
    Also appearing: Tim Fite

    Emily Kaiser

    Concert Tue Nov 06 2007

    Strap Your Armor On...

    At this year's Pitchfork Music Festival, all eyes were on Battles. And with their lush, wigged-out electro-prog-math rock and bro-fros, they did not disappoint. It's no wonder, since band members include the likes of guitarist David Konopka (Lynx), drummer John Stanier (Helmet, Tomahawk), keyboardist/guitarist Ian Williams (Don Caballero), and avant musician Tyondai Braxton. Their debut full-length CD, Mirrored, made indie kids and noise freaks swoon all summer.

    If all else, challenge yourself: Can you dance to it? Can you dance to it and still maintain an iota of coolness? Catch Battles in all their glory when they play with Caribou, Born Ruffians, and White Williams at the Metro on Thursday, Nov. 8.

    Kara Luger

    Concert Sun Nov 04 2007

    Monday, Free Show: Iva Bittová at the Chicago Cultural Center

    Renowned avant-garde violinist and vocalist Iva Bittová doesn't make it stateside very often, and her appearances in Chicago have been few and far between. But thanks to the organizers of the Umbrella Music Festival, you'll have a chance to see her perform for free this Monday evening.

    The daughter of a Romani (or "gypsy") musician father, Bittová hails from the Moravian region of the Czech Republic. In the 1970s and '80s, she had held down careers as a film and theater actress, and was the vocalist for the Czech fusion-rock band Dunaj before taking up studies in classical violin. Over the past two decades, she's done a fair amount of work with classical material, recording the works of composers such as Leoš Janáček and Béla Bartók. What she's most known for, however, is creating what she calls her "own personal folk music."

    Bittová style and technique on violin and vocals (she plays and sings simultaneously) relies heavily on improvisation and involves a brilliantly unique combination of classical precision, "experimental" improvisation, and a strong folk-ish, fiddler sensibility that comes from her Slavic and Romani background. Musically, it all adds up to a listening experience that's spellbinding, sometimes frightening, and often piercingly beautiful. To all of this add that her stage performances are said to be absolutely riveting. (Proof: Check the second clip below.)

    Iva Bittová will be in the Preston Bradley Hall of the Chicago Cultural Center on Monday evening as part of the Umbrella fest. Bittová will be performing solo and is scheduled to go on at 7:15pm. 78 E. Washington St. The performance is free to the public.

    [video] Iva Bittová - "Proudem mléka"
    [video] Iva Bittová - duet with Pavel Fajt, circa 1989
    [video] Iva Bittová & Vladimir Václavek - "Sto iet" ("Hundred Years")

    Graham Sanford

    Concert Fri Nov 02 2007

    Some Things Not Lost In The Fire...

    The press kit for the North Carolina outfit The Annuals would have us believe that the band is of the "should appeal to fans of Arcade Fire" stripe. Such reductivism and coattail-riding is the bread and butter of music industry blurbsters and hype merchants. Granted, there's plenty on the band's latest EP, Frelen Mas, to give teeth to the comparison. But fortunately, the Annuals know to pare back on the storm and stress and end-of-the-worldness much of the time, allowing more space for the listener to cozy into. And they prove that they're (thankfully) capable of bringing a little much-needed humor and whimsicality to the table.

    On Frelen Mas, instruments and leads get passed around quite playfully, and the Annuals actually sound like they know how to enjoy themselves and keep the caterwauling and histrionics within reasonable limits. While their version of "Swing Low Sweet Chariot" doesn't really do the band or the songbook staple any great favors, there's still a fair amount of lush and capacious prettiness to be found throughout. Not to mention that they manage to pull together something that's damned near sexy with “Such a Mess.”

    And, oh yeah, Sneak Attack Media is currently hosting a contest where fans and listeners are welcome to mashup an Annuals’ tune with some material by labelmates The Manchester Orchestra. Which, given the similarity between the two artists, ain’t exactly like mixing anchovies and ice cream. (Check the links below to hear the two bands covering each other's songs.)

    The Annuals will be playing at Subterranean this coming Tuesday evening. Manchester Orchestra and The Nevers are also on the bill. 2011 W. North Ave. Doors open at 6;30pm, show starts at 7; and tickets are $10 in advance, $12 the night of.

    [mp3]: The Annuals - "Where Have You Been?"
    [mp3]: Manchester Orchestra - "Brother"

    Graham Sanford

    Concert Fri Nov 02 2007

    Brighton MA, The Forms, and Brad Peterson head to the Beat Kitchen

    The clocks fall back at 2AM on Saturday night, so you've got an extra hour with which to do your witching -- and Brighton, MA, The Forms, and Brad Peterson will be waiting for you at the Beat Kitchen. Headlining chamber-rockers Brighton MA have been confidently described to me as sounding like "what would have happened if Bob Dylan got drunk with The Kinks. And maybe Van Morrison showed up with some drum mallets. And there was a light show." That's quite an act to lead into, but the lush instrumentation of Brooklyn's The Forms seems like it might be able to keep up, with all manner of piano-driven melodies washing over layers of synths and vocal harmonies. Longtime Chicago resident Brad Peterson will open the night with his eponynous backing band and catalog of danceable folk-pop, and then, instead of going home, the rest of the city will spill out before you for one more glorious hour. I'll be there. Will you?

    Brighton, MA, The Forms, and Brad Peterson at the Beat Kitchen, 1100 W. Belmont. Doors @ 9:00 pm, show @ 9:30pm, $10.00 ($8 advance). 18 and over.

    Nilay Patel

    Concert Thu Nov 01 2007

    All Your Bass Are Belong To Us

    After playing merry prankster on the breakcore scene for a brief stint, Drop The Lime (aka Luca Venezia) threw all and sundry a big curveball with his breakout album We Never Sleep in 2006. The LP marked an bewildering and ambitious follow-me-now branching out--one that embraced a more party- and listener-friendly sound that ranged from dancefloor bangers to cabaret crooning. Spun on a thread of stylistic twists and somersaults, it didn't exactly hurt that Venezia hammered the whole thing home with the ultimate above-the-sheets caress-fest soundtrack "Turn Out The Lights."

    Nonetheless, it's his party-ripping DJ sets that Venezia's been hanging his hat on lately. He's become the accidental impresario behind the die-hard Trouble & Bass dance scene in New York within the past two years, spearheaded his own subgenre by specializing in what can only be described as a monsterous breed of "dirty-electro-bootybass-grimey house." It's the sort of stuff that moves like a panther: dark, growling, riding low and incredibly fast. It goes 0-140 BPMs in 20 seconds flat and renders the entire Ed Banger catalog sluggish and obsolete just as quickly. And somehow he's managed to carry over some of the silliness and wrecktitude that characterized his early breakcore output.

    Drop The Lime is spinning with fellow Brooklynite XXXChange (of SpankRock affiliation) Friday evening at Sonotheque. Also on hand will be hometown fave Jordan Z and other New Indie residents. And even though Sonotheque's floorplan isn't exactly designed for optimal dancing, expect to get all frenzied and sweaty -- so much so that you might actually hurt the next day. But hey, you'll have an extra hour to recuperate this weekend, so go get with that. 1444 W. Chicago. Admission is $10, doors open at 9pm.

    [mp3]: Drop The Lime - mix set + tracks (via Trash Menagerie)
    [video]: Drop The Lime - "Hear Me"
    [video]: Drop The Lime - "Butterscotch"

    Graham Sanford

    Concert Thu Nov 01 2007

    Clap Your Hands Say Welcome

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    It seems that every passing year of indie rock brings with it at least one completely out-of-left-field self-release success story. Clap Your Hands Say Yeah cooled off 2005, Tapes ‘n Tapes rocked 2006, and 2007 now belongs to Pale Young Gentlemen (sorry, Radiohead, does not actually count).

    Hailing from Madison, Wisconsin, Pale Young Gentlemen play the kind of classically-inspired pop rock that is becoming almost commonplace in today’s musical landscape. Orchestral arrangements abound in many an indie rock outfit so the kind of music they’re playing—pop melodies mixed with swirling strings and bouncy, cabaret-inspired piano—isn’t exactly new, but there’s something fresh about the whole affair. First, the obligatory cellist (Liz Weamer) is actually an integral part of the music, not shoved into the background like in most pop bands; her work is a focal point of the melodies, rather than relegated to a fill-in-the-holes kind of status. Additionally, the focus is on the arrangements, with songs as compositions, complete movements and carefully constructed choruses, more overtly classical than their contemporaries.

    But what really sets the Pale Young Gentlemen apart is their flair for the dramatic. I imagine at some point these cats probably took a few theatre classes, as their presentational style would make Kurt Weill, Jacques Brel and the Tom Waits of Black Rider proud. “Saturday Night” swings with a bawdy melody, while “Clap Your Hands” shakes and shimmies just enough to make any young man or woman do an awkward, half-drunken turn around the barroom. “Fraulein” dances a rock’n’roll waltz about unrequited love that avoids lapsing into over-the-top quirkiness. The tracks are carefully measured but still remain loose and while lead singer Michael Reisenauer occasionally approaches Chris Martin territory that misstep can certainly be forgiven, because there’s something really exciting about these new musical voices. The drool that critics have laid at the doorstep of Pale Young Gentlemen’s eponymous debut is justly deserved and it’ll be exciting to witness how they handle their newfound success, both personally and artistically.

    For now, you can catch the Pale Young Gentlemen as they step away from their humble home to the north for a show this Monday, at the Hideout, opening for the Panda Band.

    Nicholas Ward

    Concert Wed Oct 31 2007

    The Hideout Becomes a Hot Club de Paris

    This Friday, Liverpool rockers Hot Club de Paris add a European touch to Hideout. Minimalistic in instrumentation, the trio nonetheless dish out enough melodic hooks to keep you staring at their MySpace page much longer than necessary. Listing influences as diverse as Cap'N Jazz, Black Flag, Don Caballero, and The Police, Hot Club de Paris sound like they're a very young Bloc Party (but maybe vocalist Matthew Smith just sounds like Kele Okereke?), with a member who keeps insisting that the band cover Love of Diagrams--while listening to enough Tokyo Police Club to have TPC's stuttered bass lines subconsciously rub off in tracks like "Your Face Looks All Wrong." The band -- who's members met while working part-time at a racetrack -- released their debut album Drop It 'Til It Pops on Moshi Moshi last year, with 2 more singles out this summer. Catchy, innovative, and from across the pond (so who knows when they'll be over again?), definitely try to get out to this show.

    Hot Club de Paris @ The Hideout, 11/2, 8PM, 21+, $8 (also playing Head of Skulls)

    Michael Schmitt

    Concert Mon Oct 29 2007

    Film School meets Land of Talk @ Schubas

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    I’m not sure Schubas is going to be able to hold Film School. The band plays the kind of shimmering rock that threatens to explode into the galaxy at any moment and I only hope that the backroom of my favorite venue can hold out after a sure-to-be electric Halloween show. Their latest release, Hideout, features layered melodies awash in a wall of reverb and feedback and wistful romance, complete with a hard-charging rhythm section. Songs like “Lectric” balance a surprisingly danceable beat with a pair of blistering riffs, while “Two Kinds” exposes a more standard synth-driven pop love jam. All styles of Film School seem to work because the mood is kept playful and the bombast is kept to a minimum. Word on the street is that these cats totally kick ass live (and did I mention they’re playing on Halloween???????).

    Film School is joined at Schubas by Land of Talk, a balls-to-the-wall rock’n’roll outfit from indie rock headquarters, Montreal. They fill the void where Rock meets Rock and are fronted by the daughter of North America’s first female alligator wrestler and backed by Montreal’s skinniest drummer and fattest bass player.

    Schubas. Wednesday, October 31st and Thursday, November 1st. Film School. Land of Talk. Eulogies open. 9pm. $12. Rock’n’roll.

    BONUS We're giving away two pairs of tickets to see Film School at Schubas. One pair for each night! Be one of the first 2 to write us at contests [at] gapersblock [dot] com with the subject "Schooled!", and tell us which night you'd prefer. First come, first served! Hurry up! Update: We're all done! Congrats to Liz and Congrats to Kate!

    Nicholas Ward

    Concert Fri Oct 26 2007

    Review: The Weakerthans @ Metro 10/25/07

    Weakerthans at Metro 10/25/07 #1

    All-ages early shows at the Metro are always kind of strange, an odd mix of random jaded hipsters, teenagers vibrating slightly with the excitement of their first show, lost-looking parents, and hardcore fans all thrown together and soaked in booze until the band appears and everyone unites for the briefest of instants before the house lights come up and scatters the crowd to the wind once again. The Weakerthans are an ideal band for such a moment, blending their punk cred with folk instrumentation, wordy singalong lyrics and a shy, almost bashful stage presence that invites the audience to be give as much to the performance as the band itself. This played out in myriad ways last night -- when singer John Samson forgot the words to "Left and Leaving," the crowd was already singing along at full blast, and the turnabout was so complete he handed ten dollars to a kid in the front row, calling it a "partial refund," and when the band came on for an encore they played several more songs than they had obviously intended.

    I foolishly didn't take any notes last night, so I've drank away the setlist and other fun details -- instead I'm left with a general impression of warmth and affection. Considering how a packed house at the Metro seemed to spill onto Clark Street all at once and then vanish instantly, I'm convinced it's the right impression for a band that's made a living making intensely personal music that seems to speak to everyone.

    Nilay Patel

    Concert Fri Oct 26 2007

    Review: Evidence and Little Brother @ Abbey Pub

    “Oh, woe is me. I have no label. My fans love me, but my label won’t promote my new album.”

    Sound like the latest indie-rock darling with pop sensibilities? Well, believe it or not, veteran hip-hop artists have that too. And a few of them showed up at the Abbey Pub last night.

    Lasting three and a half hours, a packed Abbey Pub was treated to a rollicking show. The crowd reacted warmly to the two opening acts, both local artists with a ton of energy and sporadic DAT problems. Members of The Away Team, part of the Hall of Justus conglomerate which includes Little Brother, took to the stage before giving way to Evidence. In between sets, the DJ would spin classic hip-hop, enough to keep the crowd warmed up and loud.

    Evidence, one-third of Dilated Peoples, embarked on a solo career earlier this year with The Weatherman LP. Dilated’s had more commercial success - their single “This Way”, produced by Kanye West, garnered them the most attention - but their credibility lies in the fact that they largely did things themselves and, to Capitol’s relief, within their extended family of other artists and producers. Read: cheaply. Last night, Evidence performed a few songs off his solo effort, including the single "Mr Slow Flow", as well as his parts off of Dilated hits like “This Way” and “Back Again”.

    Little Brother performed a few tracks from Getback, as well as “Lovin It” from 2005’s The Minstrel Show. Big Pooh and Phonte gave the old fans “For You” from their first label release The Listening, which was a nice surprise. Interspersed throughout the performance was a lot of banter about misogyny, current events, and an age check call and response that quite plainly revealed that quite a few of their fans aren’t the college-age kids, but 25- and even 30-year olds. It was clear that they enjoyed giving a show, and the crowd enjoyed them for it.

    Continue reading this entry »

    Troy Hunter

    Concert Fri Oct 26 2007

    Cast Your Nets

    At once experimental, folk, country, rock, and more than a little bit of crazy, Castanets come into town this coming Monday for a night at the Empty Bottle. The group is essentially Raymond Rapos, supported by a revolving door of talent from other fine groups such as Pinback and Tristeza. Rapos' back-story involves testing out of high school (!) and traveling the country via Greyhound bus, before releasing his first album Cathedral in 2004. His latest work, In the Vines, is Castanets' third record, and was released Tuesday (10/23). Written after a year of depression and a mugging, Rapos is melancholy and desperate in In the Vines--features that stimulate his song-writing to new heights.

    Also playing are Tunng (a group who's members got their musical start in soft-core porn and are commonly described as "futurefolk") and Deer Tick (the stage name for John McCauley and drummer Dennis Ryan who deliver an earnest brand of lo-fi folk rock). A well-matching line-up, it promises to be a memorable evening.

    Castanets, Tunng, and Deer Tick @ Empty Bottle, 10/29, 9pm. 21+, $10 advance, $12 at door

    Castanets - "A Song Is Not the Song of the World" (from First Light's Freeze in 2006)

    Michael Schmitt

    Concert Thu Oct 25 2007

    Hellacious D

    This Sunday night sees a return performance from the Oakland noise-rock outfit D Yellow Swans as they roll through town in the course of their latest tour. It's been six years since the duo first started kicking up dust back at their initial home base in Portland, and in the intervening years they've released a beleaguering batch of material, with a back catalog of some 60 releases--many of them in very limited editions.

    For the sake of sheer perversity, the group continually changes part of their name, having the "D" take a different form with each release (e.g., standing for Das, Die, Drowned, Dreamed, Detained, Dyad, Damned, etc etc). But if one thing about them has remained consistent, it's how they deliver tangled, surging masses of bottom-heavy noise--all churned out via guitar and a labyrinthine patchwork of mixers, effects units, and drum machines. As evidenced by Live During War Crimes II, a recent collection of their live material, D Yellow Swans’ sound involves a loose, improvised approach to whipping up a sonic maelstrom; one deeply indebted to the early industrial excursions of perennial faves Throbbing Gristle.

    Continue reading this entry »

    Graham Sanford

    Concert Thu Oct 25 2007

    Bigger And Better Each Time In Town

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    Certain genres of music seem to have typical trajectories for bands lifespans.  The process of learning the tricks of the trade, paying your dues and hopefully making it big enough to at least muster a living via your band comes in various forms in all genres.  In the jamband genre it is general procedure to cut an album every year or so, then tour feverishly, hawking the album and building up a fan base slowly as you go.  After years of repeating this process, a tipping point will be reached and larger, more mainstream success will fall upon the band.   And while Lotus is certainly part of the post-jam movement, their rise up the ladder of live musical entertainment has followed the tried and true jamband formula.  Last year they played two comfortably full shows at Martyr's on a very tough Halloween weekend, returned in the spring the night before Easter and almost sold out the Abbey Pub.  Logically a better and slightly bigger venue would await them when the tour rolled into town again.  Playing at the Parkwest this Friday, Lotus' sound will resonate even better at a more modern and acoustical-minded venue.  The band is no stranger to theater shows having played to packed and sold out crowds in Denver, San Fransisco and along the East Coast for a couple years now. And their popularity now spreading nationwide.  With a new double disc live album, Escaping Sargasso Sea and the soon-to-be-released Copy/Paste/Repeat of Lotus songs remixed by the likes of Juan Maclean, DJ Harry and Lymbyc System, Lotus' catalog is expanding in sync with their fan base.  If you are looking for an affordable, energetic music experience, Lotus' varied array of styles from electronic to post-rock is a sure thing. Minimalistic progressive rockers Unwed Sailor open around 9 p.m.

    Brent Kado

    Concert Wed Oct 24 2007

    Funniest. Show Announcement. Evar!

    The following email just showed up in the Transmission inbox:

    The Following Email Transmission is From Eddie Vedder But Had To Be Translated in ITALICS Using The Patent-Pending 'Vedder-Translator' Because Frankly, Nobody Can Understand Him Even When He Types

    Freeeeeeeeeeeeeeezin, ramma shamma lamma shabba dabba, robba dow dow. Agaain.
    Hey, Folks. Eddie Vedder here.

    On a ceiling, on a Porsche of butter, say, I wanna leave, I wanna leave Bennigan's!
    The DOUBLE DOOR is having their Annual Halloween Bash This SATURDAY, OCTOBER 27 @ 9pm!

    Ay yeeeeeeeeeahhhhhhhhh can you see dem? Round my porch, potato heeeeeeeeey!
    THE SLEEPERS are appearing as PEARL JAM this year! Boy, am I honored.

    Yeah, uh huh huh. Yeah yeah yeah yeah!
    This show usually sells out FAST, so get tickets in advance at DOUBLE DOOR.

    What the f**k is a babba. Shameon samfor a salad. Sane a lane for a pecan, ooooooooooohhh oooooh.......ooooooh!
    Lots of folks dress up, so put on a costume if you want! It's a Halloween Party! .

    Aye Aye Aye Aye Aye Aye Aye Aye Aye yeahayyeahh!
    They're on SECOND so get there early.

    Uh, huh. Uh, huh.
    Did you really think I wouldn't mention Ticketmaster in this email? They are a corporate regime known for having a monopoly on ticketing sales in the American Entertainment Industry. Their stranglehold on the control of large arena concerts makes it difficult for small companies to enter the non-existent competition of ticketing sales. We at Pearl Jam stand hard and strong against companies such as Ticketmaster, and look to perform at alternate venues to entertain our fanbase and provide an exhilarating concert experience without 'convenience charges.' Unfortunately, in our corporate, capitalistic, monopolistic society, we have been forced to succumb to said control of this entertainment industry and therefore have no choice but to allow Ticketmaster to sell tickets to our concerts over their internet-based web of corporate monopoly. Therefore, and heretofor, if you feel that the only way you may find yourself to attend the concert listed above as the DOUBLE DOOR HALLOWEEN BASH is through purchasing tickets through Ticketmaster, we will not judge you. Just don't let them make you pay for parking, because there are plenty of parking meters and free neighborhood spots. OK?

    If that didn't convince you, maybe the rest of the Halloween Bash line-up will help. In addition to The Sleepers as Pearl Jam, Blackbox will play as Local H, The Midnight Shows as Boy George & Culture Club, Thunderwing w/Mike O'Connell will be The MC5, Catfish Haven will channel The Misfits, and The Last Vegas will appear as Alice Cooper. Tickets are just $12, and getting them in advance (via TicketMaster or at the DD box office) is a very good idea.

    Andrew Huff

    News Wed Oct 24 2007

    Four Million Tongues Festival schedule unveiled

    For three consecutive evenings in the second weekend of November, Plastic Crimewave and the Empty Bottle will be hosting the fourth annual installment of the Million Tongues Festival. That means three nights of "acid folk," New Weird Americana, and a cross-spectrum array of experimental music. As of Tuesday evening, the final roster for the festival has been announced, and it looks like (once again) some additonal support is being contributed by the folks at Arthur magazine.

    We're passing along the full schedule below. Note that, due to an especially packed billing and some resulting spill-over, all shows start at 9pm at the AV-Aerie except the Valerie Project. Check the Empty Bottle's website for more information regarding scheduling and tickets.

    Continue reading this entry »

    Graham Sanford

    Concert Wed Oct 24 2007

    Scotland Yard Gospel Choir: A Review

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    I can offer very little insight into the Scotland Yard Gospel Choir as a band or as people. I’ve never seen them in concert, or shared omelets and tea with them at the Pick Me Up Café (but thankfully Tom Lynch has, and you can check out his great New City expose here). Truthfully, and I realize I’m venturing into uncharted waters here, I’ve never actually heard their music. I’m unfamiliar with the first record, I Bet You Say That To All the Boys, the self-released one before Matthew Kerstein left to form Brighton, MA. So as a result, I can only offer a newborn’s look at the SYGC world and their second album, the aptly title Scotland Yard Gospel Choir, out now on Bloodshot Records, and which I just picked up yesterday from my local record shop. What follows is my reaction.

    Things get off to fast start with “Aspidistra”, a buoyant pop tune that concerns old days spent buying drugs, in which the narrator refuses to regret his past indulgences while focusing on current and future abstinence. A brilliant and fast opener, “Aspidistra” reaches its point of climax, its point of potential musical explosion, only to end abruptly. Immediately, the listener is left wanting more. It’s a neat device used throughout most of the album, where the songs feel like they’re going to erupt or deconstruct only to race to an early conclusion. The tracks of principal songwriter, Elia Einhorn, aren’t ditties despite their consistently short length; they’re fully formed stories breathed full of life and heart and emotion, traits increasingly unseen in today’s indie pop (in fact, I daresay that of all recent Chicago pop releases, this one has the most mettle). Soon-to-be crowd favorite, “I Never Thought I Could Feel This Way For a Boy”, bounces a schoolyard yarn about a young boy falling for another young boy, and the fear of chastisement from his other classmates. There is tenderness and joy here, balanced by terror and loneliness and the desire “to be loved by everyone at the end of the day”. It's this careful balance that helps provide the core of this record. But although Elia could easily lapse into misplaced melancholy, the album is not a downer but an uplifting look at fighting for comfort and love and a place to call home. “Broken Front Teeth” is a stunner that showcases the vocal and emotional range of cellist Ellen O’Hayer. A traditional-sounding folk ballad, it layers a simple acoustic guitar with a mournful accordion, while she peruses old photos that collect memories and fuel nostalgia. If there's a criticism to be made, it's with the closing gospel free-for-all, "Everything You Paid For", which doesn't quite go where I feel it needs to in order to unleash all of the sounds reigned in on the previous eight tracks. But that's an inconsequential quibble that more reflects my personal taste than the band's short-comings.

    Continue reading this entry »

    Nicholas Ward

    Concert Tue Oct 23 2007

    Graveface Throwing a Monster Bash

    Remember those childhood days of yesteryear, when your stay-at-home mother would prepare all sorts of goopy, scary, imaginative "feels" together, and you and your friends would pass the "witch's eyes" and "werewolf guts" around? Of course you don't. But lovely local label Graveface is doing their best imitation via a label showcase, passing around an Octopus Project (very melty), Appleseed Cast (safe - no razors in them!), Dreamend (alright, I'm out of clever analogies) and special guests Enon. The Abbey Pub is the venue, and costumes are the request — there will be gift bags for all in costume, as well as a contest. A haunted house and some vintage horror flicks will finish off the ambiance, for a final cost of 15 dollars. Sorry, young-uns: it's an 18+ event, so either get back to trick-or-treating or enjoy another awkward moment courtesy of your mid-teenage years.

    Dan Morgridge

    Concert Tue Oct 23 2007

    Wigged Out: Scout Niblett at the Empty Bottle

    Imagine my surprise when the ghostly pale woman two-fisting a drink 'n cig combo at the bar turned out to be the one and only Scout Niblett. To be honest, with her oversized camo jacket and dirty, disheveled blonde wig that she kept tugging down, she sort of looked like a methed-out version of my aunt. (Check out the wig here, as she cavorts with a skeletal - literally - Will Oldham.)

    Call it a ruse to get attention or an attempt to blend in; either way Niblett managed to do both during her set Saturday, Oct. 20 at the Empty Bottle. She opened for the Stars of Track and Field, thus suffering that which plagues all opening acts: a loud audience. It's a shame, since Niblett deserves a certain amount of concentration to enjoy. She's not necessarily whisper-quiet, but she's a very deliberate singer/songwriter, and her music is simple enough to be drowned out amid chit-chatty scenesters.

    Armed with a guitar and an accompanying drummer, Niblett began her set with tracks from her latest album, This Fool Can Die Now. The CD is slow, sweet, and full of love songs, and that's exactly how Niblett slid into her set. Interestingly, even when performing the lovely "Do You Want to Be Buried With My People," she still appears oddly fierce, singing through clenched teeth as if going for the jugular. But while This Fool waxes poetic, it still maintains some of the bite that gives color to her previous work; when she ripped into the discordant monster-stomper "Let Thine Heart Be Warmed," it temporarily shocked the gabbering audience into paying attention. Even the two girls next to me, stopped gossiping about who did what on Facebook. "Whoa," said one, her eyes wide.

    Alas, as soon as she returned to softer works, she lost the the crowd again. Which was too bad -- her performance, though sometimes a little too simplistic, was incredibly powerful. By the time she closed with "Nevada," it was clear that both she -- and the audience, eager to see the headliner -- had had enough for the night.

    Kara Luger

    Concert Tue Oct 23 2007

    Luke Temple/Chuck Prophet At Schubas

    Luke Temple's had some early successes in his career to date including a song selected for Grey's Anatomy and a notable word of praise from Sufjan Stevens. To my ears he wrote one of the great score-a-new-girlfriend mixtape songs with "Make Right With You" from his 2005 debut Hold A Match For A Gasoline World. I was expecting his new record, Snowbeast, to be a bit of concession to the hype, but instead he's made the most challenging record of his short career. It's some odd combination of Sufjanish indie folk together with lofi experimental bedroom pop. There's plenty of weird instrumentation, but the real surprise is the deep bass and Luke's upper registry vocals. All these elements combine to make one of the best records of the year. Snowbeast is available here through Mill Pond Records (owned by a former Sup Pop intern). Luke Temple joins Chuck Prophet for a 10pm show at Schubas on Oct. 27.

    [mp3]: Luke Temple - "Saturday People"

    [mp3]: Luke Temple - "People Do"

    Oh yeah and the great Chuck Prophet is headlining. Even if you don't remember his band Green On Red from the late 80's/early 90's you should have come in contact with his recent string of solid solo records. He's perfected a kind of euro-trash americana soul sound. Here's the slinky "Freckle Song" from his new Yep Roc release Soap and Water.

    [mp3]: Chuck Prophet - "Freckle Song"

    Craig Bonnell

    Concert Mon Oct 22 2007

    The Thermals

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    I was raised in the Methodist faith, which isn’t really a faith at all but a denomination of a faith; it’s actually more of a tradition. So I guess I was raised in the Methodist tradition, which is highly traditional and phenomenally boring. As my parents only listened to the radio and I didn’t have an older brother to teach me what was cool, music wasn’t an integral part of my upbringing. I shuffled through a hazy life supplemented by Christian hymns and early 90s R&B. At seventeen, I had a best friend who loved rock’n’roll and was willing to show me the ropes, so I broke free from Christianity and the radio and never looked back. Since then, it’s been all rock’n’roll all the time, but somehow it wasn’t until the Thermals released The Body, the Blood, the Machine last year that any music tapped in to how I personally feel about Christianity—that it provides hope for a great many people while serving as a powerful vehicle for our society’s constant state of fear. The third LP from this Portland pot-pop-punk trio, TBTBTM tells the story of a young couple who must flee a United States governed by faux-Christians. The loose concept album is fiercely critical of world that isn’t quite ours but that isn’t far off and it totally and completely rocks.

    The Thermals don’t so much reinvent the punk rock form, as bitch slap it and make it their slave. “Here’s Your Future” opens with a droning organ and a classic riff while lead singer Hutch Harris plays the part of punk rock preacher (“God reached his hand down from the sky/ He flooded the land and he set in on fire”) before assaulting the senses with a full-on guitar bass drum attack. “A Pillar of Salt” is a catchy and frightening jam about running in terror away from the powers that be, to find a place where “we won’t have to die, we won’t have to deny our dirty god, our dirty bodies.” The whole approach of TBTBTM is simple and pure and by the end of its loud and loose 35 minutes, I usually go right back to the beginning. Live, the Thermals transform into a foursome of energy, while their boisterous crowds sing-a-long to every song. Chicago welcomes the Thermals back for the third time this calendar year, and it’s easy to see why we love them. This big city is comprised of a lot of folks from small Midwestern towns who can really get a behind a guy who screams, “I can’t believe I got so far with a head so empty.” We understand, because we can’t believe it either.

    The Thermals rock the Logan Square Auditorium this Wednesday, October 24th. In an odd but inspired pairing, local pop favorites Chin Up Chin Up open. Show starts at 8:30pm and ticket info can be found here.

    Nicholas Ward

    Concert Sun Oct 21 2007

    King for a Monday

    Mondays are difficult for live music venues. Going out on a Monday requires pacing because nobody wants to throw off their sleep schedule for an entire week right away. However, sometimes there's just a really strong pull to go out on a Monday and potentially lose some sleep in favor of having a great time. Bobby Conn is one of these pulls. His live shows are true performances filled with surprises. (The last show I saw featured absolutely scorching covers of Hot Chocolate's "Every 1's a Winner" and Sweet's "Action.") With a tight band comprised of musicians from a plethora of other Chicago acts, Bobby Conn's not just a gimmick either. His outlandish acts have by now been trumped by the fact that he's a savvy musician and songwriter. He's worth the late night out.

    The Hideout hosts Bobby Conn for free at 9PM on Monday.

    James Ziegenfus

    Review Sat Oct 20 2007

    Review: Digitalism @ Smartbar, 10/19

    Hailing from Hamburg, Germany, Digitalism's arc has been like many other electronic rock acts of the last few years - popping up via remixes, releasing a single or three, developing a reputation as good live performers thanks to an array of visuals, and dropping a full-length album that amasses critical praise.

    Friday was their second Smartbar show of 2007 and the first since Idealism's release. The stage area took up a large chunk of space to the right of the DJ booth and, thus, tightened quarters in the already small Smartbar. With condensation dripping from the ceiling and the floor packed with bodies, Digitalism took over from Dark Wave Disco residents at 1:30 a.m. Featuring a custom electronic drum kit, numerous pieces of Korg equipment, a sampler and a synth, and a Shure 55 series microphone, Jens Moelle and İsmail Tüfekçi churned out a rather tame set that sounded like a live mix of Idealism with minor variations from the record. They never strayed far from distortion and pounding beats, apparently preferring to stay in their wheelhouse. But it was crisp and clear during the 50-minute set. Only the extended "Homezone" got tiringly long, with most tunes mixing in and out of each other seamlessly. Despite the absence of a few of their better songs ("Pogo", for one), Digitalism shined (literally, due to the bright lighting) on this night as they worked Smartbar up into a frenzy into the early morning hours.

    James Ziegenfus

    Concert Fri Oct 19 2007

    Trainer in Residency

    The Hideout has just announced that they have released additional tickets to the 6 Shellac shows slated for December. The additional tickets are only available at the bar itself on Tuesday between 7:00-2:00, Wednesday-Friday from 4:00-2:00, and Saturday from 7:00-3:00.

    Openers for the shows have also just ben announced. The Bitter Tears will play on Thursday, Mike Lust's Tight Phantomz on Friday, Allroh for Saturday's noon show, Bearclaw for the Saturday night show, Helen Money for the early Sunday show and Quatre Tete for the late Sunday show.

    John Lombardo

    Concert Fri Oct 19 2007

    Nada Surf Sells Out Chicago

    Nada Surf, once a major label darling (Elektra), has forged a new existence for themselves as an independent band rising again.  While it may be impossible for the band to escape their unwarranted label as a "one hit wonder", Nada Surf is pushing forward the way few bands from the post-alternative era have.  Slow and steady the band has rebuilt their fan base from the ground up connecting via an active touring schedule and on-line avenues.  Now over 10 years after their smash hit Popular was an MTV anthem, Nada Surf continues with the quirky offerings like Popular, but has found meaningful songwriting and a memorable, energetic sound.  Their album The Weight Is The Gift, produced by Chris Walla (Death Cab For Cutie) found a whole new generation digging the sounds of Nada Surf.  Coming to Chicago for a two night stand with openers The Little Ones and Sea Wolf, the band's popularity precedes them as both shows at Schubas sold out weeks ago.  With a new album in the works for the spring, Nada Surf will no doubt be back again and for Chicago's sake, hopefully at a bigger venue.

    Brent Kado

    Concert Thu Oct 18 2007

    ALO Drop Funky Dance Sound At Double Door

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    ALO (Animal Liberation Orchestra) stretches so far live that they often end up right back at the same place.  From trance to reggae, their sound generally stays in the realm of danceable funk. ALO's live sound is certainly their forte and other acts have taken notice.  Opening slots for Dave Matthews Band, Galactic and Jack Johnson (whose label their on) keeping coming and so do the fans.  A sure theater sell-out on the West Coast, ALO is quickly winning over fans across the nation.  Riding off the success of a spring release, Roses & Clover, ALO is making inroads here in Chicago.  Catch them tonight at the Double Door with Dearborn.

    Brent Kado

    Concert Wed Oct 17 2007

    Malcolm Holcombe

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    Look at that picture. What do you think he sounds like? If you said some kind of cross between John Prine, Greg Brown and Steve Earl than you guessed right. It seems October 19 is turning into the best night of the year for roots music with at least two competing concerts to choose between. I already wrote about Chris Smither at the Beverly Arts Center but now I've just learned that Malcolm Holcombe is playing the extreme other side of Chicago at The Red Line Tap in the heart of Rogers Park (adjacent to Heartland Cafe).

    Malcolm has been playing his brand of gloomy folk blues since the mid 80's, recording and self releasing cds and touring like a backwoods Medicine show hawker. In 2007/2008 he's hooked up with the new NC label Echo Mountain Records. Combine that with the fact that his weathered and parched voice has finally reached the perfect timbre (finally accumulating the right mix of alcohol and tobacco - think Tom Waits in the late 70's) and perhaps his songs will finally connect to at least a broader base than the folk circuit he presently travels in. Here's "Sparrows And Sparrows" from his acclaimed 2006 release Not Fogotten. Songs:Illinois (full disclosure - that's me) has a song from his new ep, Wager).

    Craig Bonnell

    Concert Tue Oct 16 2007

    Jazz You've Heard From Guys You've Never Heard Of

    Throwing around a label like jazz super-group is a not something to do lightly.  But with credentials like these we have no problem marking Rudder with that very label.  Rudder is a four-piece from New York that includes Chris Cheek (saxophones), Henry Hey (keyboards), Tim Lefebvre (bass) and Keith Carlock. (Drums) A collective listing of their musically accomplishments easily reviles their inclusion in the stratosphere of jazz super-group. Credits include touring and recorded with everyone from Bill Evans, Harry Belafonte, PM Dawn, Bill Frisell, Phil Ramone, Blues Brothers, Steely Dan and Rod Stewart as well as works heard on The Apprentice, The Sopranos, Letterman, 30 Rock, Oceans 12 and 13 and Harold & Kumar Go To White Castle.  Together the group plays an eclectic style of Nu-jazz fusing together electronic and jambands sounds, with jazzy undertones.  Live shows are tour de force displays and although the band plays solely instrumental, the sound is strong.  Catch them tonight at Martyr's with locals Crawl.

    Brent Kado

    Concert Mon Oct 15 2007

    Chris Smither (Beverly Arts Center)

    If you ever find yourself at a cocktail party discussing "intelligent design" with a fervent and well-versed fundamentalist, and you are getting increasingly frustrated and tongue tied, just whip out Chris Smither's song "Origin Of The Species". The song makes a bit of a mockery of several bible stories and "intelligent design" in particular with lines like, "the human race survived because all those brothers found wives but where they came from aint' nobody knows" and "then came the flood go figure, like New Orleans, only bigger". It's just one song in a long career of masterful storytelling combined with exquisite acoustic guitar playing. In fact Chris Smither is one of those musical rarities (joining the small club containing Richard Thompson) that is equally acclaimed for his writing/singing as he is for his incredible guitar playing.

    "Origin of the Species" can be found on Chris' 2006 release Leave The Light On. Leave The Light On is Smither's 20th release since his debut record I'm A Stranger Too! that was released in 1970. Celebrate Chris Smither now as he's as relevant as ever and before he becomes an elder statesman of folk blues. Chris Smither plays the Beverly Arts Center at 2407 W. 111th St on October 19, more info here.

    [mp3]: Chris Smither - "Origins of the Species"

    Bonus:

    [mp3]: Chris Smither - "No Love Today"

    Live video of "Origin Of The Species"

    Craig Bonnell

    Concert Mon Oct 15 2007

    (Mini) Lusophone Invasion

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    This week, and apparently coincidentally, two Grammy-nominated stars of the musical Lusophone (Portuguese-speaking) world descend on Chicago for separate performances. Both women are also apparently here to show that Lusophones are hotter than the rest of us.

    Continue reading this entry »

    David Polk

    Concert Mon Oct 15 2007

    The Sharks

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    Sometimes I think indie rock has gotten way out of hand. A random list of indie band names reads like an exercise in hipster one-upsmanship (see Architecture in Helsinki, TV on the Radio, Scotland Yard Gospel Choir) and albums frequently receive a gross amount of over-production that gets in the way of the actual music. Oftentimes the simplest approach to rock’n’roll is the most expressive and exciting.

    Take the Sharks, for example. On their first official release, Bridget Quits, these Logan Square locals blast through 16 minutes of loud, noisy, and loose rock’n’roll. The songs are about girls, and getting high, and staying out late—all the important shit. A browse of their website reveals a perversely hilarious “backstory” detailing their humble beginnings as an Islamic terrorist cell turned conventional rock band (so it’s nice to see they’re not taking themselves too seriously). And on first spin of the EP, it’s clear that they’re big fans of Pavement and Weezer, as they straddle the line between indifference and sincerity, while incorporating a healthy amount of vocal flourishes over top of some charming, reverbed guitar licks. But rather than acting as a tired retread of the mid-90s, the Sharks can stand on their own. “I am a man” is a refreshing little ditty that sounds like it was actually recorded in someone’s garage, and “blues call” is a stripped-down jam that features improvised soloing over a rumbling and jagged bass riff. And even though I can tell what the Sharks listened to when they were eighteen years old, their work is fresh and creative and tons of fun. They might only be playing rock’n’roll, but it’s refreshing to hear this kind of music again (frankly, I kinda missed it) and I hope they’re able to kick out the jams for years to come.

    The Sharks celebrate the release of their first EP, Bridget Quits, this evening with a free show at the Empty Bottle. The release also marks the first offering from newly minted Chicago label, Comptroller Records. Doors open at 9pm. The Sharks play first followed by A Tundra and Scottish band Frightened Rabbit.

    Nicholas Ward

    Concert Fri Oct 12 2007

    Michigan Attacks!

    Sunday features an invasion from across the lake, and ground zero happens to be Schubas. A quick dossier on the combatants:

    Saturday Looks Good to Me – more often than not compared to the Beach Boys – feature a run-through of quality Michigan indie acts. Frontman Fred Thomas (who now lives in Brooklyn I suppose, but I shall still push on with this Michigan theme) from Flashpapr and Lovesick, Erika Hoffmann of Godzuki, Risa Buburniak and Brooke Rossi of the Sparklers, and Chad Gilchrist of Outrageous Cherry and His Name Is Alive. The band released their first album in 2000, and their latest Fill Up the Room comes out 10/23. The band had this to say about the show: "An extended band and different instrumentation, still a party, but focusing more on our dreamier and experimental songs as well as the guitar solo freakouts. We'll be playing songs for these shows that have never been preformed live before…[the show] will be recorded professionally and then released in a deluxe double-live gatefold LP set sometime next year!!!"

    Mason Proper makes their home in Ypsilanti, Michigan (originally calling themselves Patterns in Paris). They’ve most recently re-released their 2006 debut There Is a Moth in Your Chest in March 2007. Melancholy and experimental, Mason Proper sound most like the Arcade Fire or Death Cab for Cutie--even The Decemberists at a long stretch (but maybe that’s just cause frontman Jonathan Visgr looks like Colin Meloy).

    Great Lakes Myth Society play a catchy brand of Americana/folk/indie-pop, even while adding a layer of eeriness (I suppose that's the "Myth Society" part). The band released their sophomore album Compass Rose Bouquet in July 2007 to high critical acclaim, and Michigan is definitely a major part of their music. With song titles like "Days of Apple Pies," "Summer Bonfire," and "The Gales of 1838," there’s a classic Midwest mystique in GLMS’ music that’s quite alluring. The band moniker says it all.

    Schubas, 10/14, 5PM, All Ages, $10

    "Can't Ever Sleep" - Saturday Looks Good to Me (Sound on Sound, 2006)
    "100 Yrs" - Mason Proper (There Is A Moth In Your Chest, 2007
    "Isabella County, 1992" - Great Lakes Myth Society (Great Lakes Myth Society, 2005)

    Michael Schmitt

    Concert Thu Oct 11 2007

    Ring in the New Year with Someone Special. . . .Or with Spoon

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    Don't have tickets to Spoon's sold out show tonight at the Riv? Don't fret. Today at noon, you can purchase tickets for Spoon's New Year eve extravaganza at the Metro, which is sure to sell out pretty soon also. Joined by some as-yet-unnamed special guests, Britt Daniel and Co. will grace the Windy City for the fourth time since their sixth full length album Ga Ga Ga Ga Ga hit the streets this summer. 2007 may well prove to be the year of Spoon, as Ga Ga Ga Ga Ga debuted at an astonishing number 10 in July and had all of the critics falling backwards over themselves with praise. So if you don't work, haven't got a family, and love indie rock more than all things, get yourself a ticket. This show is not to be missed.

    Nicholas Ward

    Concert Thu Oct 11 2007

    The Can Kickers bring their punk fiddle tunes to Chicago (MoJoe's Hothouse, Oct. 22)

    The Can Kickers seem to know just everybody. When I mention the band to any other touring group inevitably I get nodding heads of approval, if not looks of sheer astonishment. It helps that they live out of their van and tour constantly. It also helps that they are complete originals. They play a kind of punk-celtic-bluegrass-old-timey concoction, they add to that a 1950's era Communist streak that would have got them blacklisted by McCarthy.

    I'm not sure if their energetic shows will ever translate onto disc, but their most recent release, Live At Lavazone, which captures a live show in Philly, comes close. Here's two from The Can Kickers who return to Chicago to play MoJoe's Hothouse at 2849 W. Belmont on Oct. 22.

    [mp3] The Cankickers - Rachel Corrie

    [mp3] The Cankickers - Afghanistan Traveller

    Bonus Song:
    [mp3]: The Cankickers - Strike The Bell

    Craig Bonnell

    Concert Wed Oct 10 2007

    Double Door Haven

    Local trailer-park donned act Catfish Haven resurface this Friday at Double Door. The roots band took most of the summer off to work on their sophomore full-length, seconding Tell Me which was released in September of 2006. After Friday they head to New York for CMJ. Never heard of them? Ever-melodic, Catfish Haven combine the twangy roots of the south (frontman George Hunter grew up in Missouri, the band is named for a trailer park there) and the smooth influences of the north (i.e. Chicago). Hunter's scratchy vocals fit perfectly over this mix...perhaps what Iron & Wine might sound like if Samuel Beam indulged in excessive amounts of drinking and smoking. In any case, the band loves a good time and their live shows are always a treat, not to mention the possibility of new tracks after a summer of song-writing.

    Catfish Haven (w/ Wax Fang) @ Double Door, 10/12, 8pm. 21+, $10.

    Michael Schmitt

    Concert Wed Oct 10 2007

    Who's the Surprise?

    Maybe you noticed in the Reader that some band you've never heard of (and who didn't even have a MySpace page), Reefer Duberland, was headlining the Empty Bottle on Thursday. And you thought, "Who is that?!" Well, it appears a lot of people wondered that because rumors were thrown around all Monday and Tuesday on the identity of the special "surprise" guest. Was it someone already town, possibly even playing another show that night? Was it a one-off? What was the story? For a while, it seemed so secretive that perhaps only the cooperation of international intelligence agencies would crack it. But as more and more possibilities were eliminated, the message must've become rather clear because now the $10 show is sold out. What Transmission would really like to know is where that alias came from. Although, we suppose it's at least better than playing a show under the name of Cuddleworthy.

    James Ziegenfus

    Concert Mon Oct 08 2007

    Finding Music The Old Fashioned Way

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    In today's online music machine, finding quality, new music is easier then ever. Whether you are cruising around Myspace, checking out the blogs or getting a link to killer song from a friend via email, the Internet has made this generation the most exciting in music history. Word of mouth from people whose musical opinion you respect is the most effective way to find new bands in my mind. And that's exactly how I caught on to soon-to-be buzz band Dr. Dog, albeit in somewhat unconventional means. Some friends of mine are in a band called Lotus in Philadelphia. Last fall when they were on tour and came through Chicago they told me about another Philly band they were into called Dr. Dog. But they hadn't discovered them at a small club show, ran across an article in a local paper or even heard about Dr. Dog online. They discovered this off-the-wall group one night as they where leaving one of their apartments and heard an interesting sound coming from a house next door, a sound of a well-polished group of musicians. After introductions, one thing led to another and Lotus met Dr. dog and subsequently I started checking out clips and MP3s of theirs online.

    Fast forward to February of this year and the release of Dr. Dog's fifth album, We All Belong. The follow up to the oft acclaimed Easy Beat and EP Takers And Leavers, Dr. Dog used their new found recognition for not and self produced the album but with better equipment then previous releases. What came of the sessions was a tighter, crisper sound but still some of the lo-fi feeling of their previous releases. Still crammed full of Sixties-era psychedelic pop, We All Belong doesn't delve as much into the flowery sounds as it does the oddities and abstractions of that genre, but the cheery aspects of the album are still evident. They bring their eclectic mash of sounds to the Empty Bottle tonight with equally psychedelic and varied in sound, Apollo Sunshine. Park The Van label mates The High Strung open.

    Brent Kado

    Concert Mon Oct 08 2007

    Musicircus: Big lineup, small audience, good time

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    Yesterday's Musicircus at the Chicago Cultural Center was an interesting and fun little festival featuring dozens of random musical groups, poets and dancers performing in different rooms from 12 - 4PM. Performers included everyone from members of the Chicago Youth Orchestra to avant-garde video art installations. Depending on the time they entered the building, visitors could heard the sounds of several groups leaking into the lobby at the same time and were free to roam wherever they wanted to seek them out.

    It's too bad then that despite the large crowds on Michigan Avenue and in Millennium Park across the street, not too many people showed up.

    Continue reading this entry »

    David Polk

    Concert Fri Oct 05 2007

    1900s at Reckless Records!

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    After work plans this evening? No?

    Then head to Reckless Records in Wicker Park for a special performance from orchestral pop septet the 1900s. And then buy their new album Cold & Kind, recently released on Parasol Records. Set starts at 6pm. And it's free! And a little bird told me the band has conjured something unique for this instore.

    Can't make it tonight? The 1900s hold down Intonation this Sunday at the MCA.

    Nicholas Ward

    Concert Thu Oct 04 2007

    Sunday: John Cage's Musicircus

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    The Chicago Composers' Forum presents Musicircus this Sunday, a four-hour performance piece featuring hundreds of performers of many different genres, each one doing their act simultaneously, as specified by composer John Cage when he first put together a Musicircus performance at the University of Illinois in 1967.

    From the official description, it's hard glean any more specific information about what this is all about, but the event has an entire philosophy behind it and it's all written there. Considering that it was advertised at this summer's Printer's Ball, which was busted by the police, it should prove to be a fun event.

    The event runs from 12:00 to 4:00 PM at the Chicago Cultural Center, and the event is free and open to the public. Chicago Cultural Center: 78 E. Washington St. 773.418.0119 See the Musicircus Website for more (vague but intriguing) details.

    David Polk

    Concert Thu Oct 04 2007

    Elvis on the Lake

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    It’s nearly impossible to listen to Elvis Perkins without thinking of his unique and melancholy personal history. His father, actor Anthony Perkins, succumbed to AIDS in 1992. Almost exactly nine years later, his mother, noted photographer Berry Berenson, died on American Airlines Flight 11 on September 11, 2001. While his debut album Ash Wednesday isn’t strictly a biographer of his life, or a reaction to 9/11, these horrific losses completely inform the work without overwhelming it.

    As a neo-folk troubadour, comparisons to Nick Drake, Van Morrison and especially Bob Dylan are apt and obvious, and there is a lot of religious iconography that suggest both Astral Weeks and John Wesley Harding, but I feel the music is powerful enough to stand on its own. Ash Wednesday has a classic and homespun feel, and while little of it is fresh or original, it’s just so damn good that none of that matters. Recorded in analog, live and mostly improvised, the album is broken into two distinct sides, as though it were a record that affords its listeners time to pause before flipping from one side to the other. Side One is filled with brighter, more up-tempo melodies and opens with “While You Were Sleeping”, an absolute stunner. Perkins’ raspy baritone sings over a light acoustic guitar, which is then layered slowly with an upright bass followed by brushed drums then strings and horns and a didgeridoo and a hand saw and soft female vocals. It’s a rolling, easy-going ode to his father that openly hints at an ocean of melancholy. “Ash Wednesday” serves as the de-facto Side Two starter with unholy wailing, haunting lyrics (“No one will survive Ash Wednesday”), and the slow drum beat of a death march; it’s a jarring shift that sets the tone for the more somber approach of the second half. According to Perkins himself, that song, “represents the dividing line between the songs written before and the songs written after the dark day (9/11).” The ballad style of the latter frame continues until the finale, “Good Friday”, which features the singer finding comfort in his songs, as if they too represented holy significance. The religiosity of the record, while overtly Christian, is teasingly ambiguous, as are the images of sleep and dreams, of heaven and love and nostalgia and missed opportunities. There is an astounding amount of sadness and loss etched within the cracks of these songs, but hope ultimately prevails, the idea that if we remain together (lovers and friends, parents and children, you and me, us and them) then we’ll all make it to the other side—wherever that may be. Ash Wednesday is a highly accomplished debut with hidden surprises, pitch perfect production, and the soul of a young man who has done enough living to sing about it.

    Elvis Perkins in Dearland (his four-piece band) ease into Chicago this Sunday at the Lakeshore Theater for a Schubas’ sponsored show. The Lakeshore is a perfect venue for the band, as the amazing acoustics of the space promise a pristine clarity to showcase his layered tones. Brighton, MA (Chicago locals poised for a big breakout) opens. Show starts at 9pm. Tickets are a steal at $14.

    Nicholas Ward

    Concert Wed Oct 03 2007

    The Desert Meets The Big City at Old Town School of Folk Music - Eleni Mandell & Howe Gelb

    On the surface this double bill of Eleni Mandell and Howe Gelb at the Old Town School seems like an odd one. Eleni is a fairly polished indie-lounge singer vis a vis Suzanne Vega. While Howe (leader of Giant Sand) is a diamond in the rough, an Arizona tumbleweed whose live shows with Giant Sand are more known for their lack of structure than anything else. Neither artist is particularly indebted to folk music (although, of the two, Howe's use of blues and gospel is more pronounced) and both are outsiders in their respective sub genres.

    What they do share is a love of atmosphere in music. Howe's music makes the desert palpable and the dust stings your eyes, while Eleni brings us the musical version of the film "Barfly" replete with martini's and swanky nightclubs. There'll be plenty of sustain, distortion and reverb to go around at Old Town School of Folk Music this Saturday night at 8pm. More info here.

    [mp3]: Eleni Mandell - "Girls"

    Howe Gelb - "Train Singer Song" (2007)

    Craig Bonnell

    Concert Wed Oct 03 2007

    Get Dirty

    Brooklyn's Dirty on Purpose bring their shoegaze-infused lo-fi indie-pop (hyphen fun!) to the Empty Bottle this Friday. Achieving new levels of popularity and success from their 2006 release Hallelujah Sirens, the four-some excels at bittersweet bright (yet melancholy filled) melodies such as "My Summer Dress" or "Lake Effect." But the truly juicy tracks are ones like "Monument," purely instrumental tracks full of raging feedback and distortion, similar to what The Smashing Pumpkins might have sounded like if they were a My Bloody Valentine cover act. Following up Hallelujah Sirens, Dirty on Purpose will soon be releasing a new EP Like Bees. They'll be sure to pull out some new tracks for their show, so keep an ear pealed.

    Dirty on Purpose @ Empty Bottle, 10/5, 10PM. 21+, $12. Also playing are Fujiya & Miyagi.

    "No Radio" (from Hallelujah Sirens)

    Michael Schmitt

    Concert Tue Oct 02 2007

    Submerged in Tulsa

    Boston natives Tulsa want you to be ever curious. Taking their name from a Larry Clark book of photographs, Tulsa describe their music as the pursuit of life, or "staying hungry for life, upholding that curiosity." Their debut EP I Was Submerged (released October 9th on Park the Van Records) carries with it some sort of trippy mist that’s so heavy it could break your back; yet so addictive you’ll never want to leave. There are layers of fear, anger, desperation, frustration, and awe built into every track, all coated with mystery that awaits your curiosity.

    Tulsa play at South Union Arts 10/4/07, 8PM (Also playing are Anon, Good Nurse and The Syllable Section)

    Tracks from I Was Submerged:
    "Shaker"
    "Mass"
    "Rafter"

    Continue reading this entry »

    Michael Schmitt

    Concert Tue Oct 02 2007

    So Far From Home

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    I first heard and saw Scottish band the Twilight Sad this past summer at Pitchfork Music Festival. They opened Saturday with a noisy half hour set to a handful of bemused and bewildered onlookers. It was probably the most inopportune time for them to be playing. The park opened later than expected that day, so most of the festival goers filed in after they finished. So not only did very few get to experience the set, it was approximately 85 degrees that day, and the Twilight Sad is not summer pop music. It’s for a rainy, lonely night after you break up with your significant other, or a long cab ride home after work, or a Thursday in October at the Empty Bottle.

    Their debut album Fourteen Autumns and Fifteen Winters opens with a piano key driving into oblivion and an acoustic guitar playing lamentably. As fuzzed out electrics rise and fall, strings hover over slowly pounding drums, and lead singer James Graham (in a full-on Scottish brogue) warbles about ruined plans and hotel rooms and someone’s (probably a lover’s) loss of manners. The noise crescendos to a furious pitch before coming back down, retreating into a corner, and leaving us once again with that lonely piano key. “Cold Days from the Birdhouse” initiates the sonic and emotional themes that mark most of the album. It’s loud and noisy, and they employ and layer a variety of different instruments to achieve their chaotic sound. The jangly glitter and soaring vocals openly hint at mournful regret for seasons long past, moments that will never be returned. The success of the Twilight Sad is that the music is at once familiar and unique, abrasive and lovely, abstract yet comforting.

    The Twilight Sad do indeed play this Thursday, October 4th, at the Empty Bottle. Local bands Thin Hymns and Health and Beauty open. Show starts at 9pm. Tickets are $10 in advance, or $12 at the door. And it will be loud.

    Nicholas Ward

    Concert Fri Sep 28 2007

    Voxtrot, for Free?

    Austin indie-pop act Voxtrot are bringing their vintage, super-sunny guitar melodies to the Metro. OhMyRockness is offering a contest for free tickets to the show, head over here to take a shot at it. If not, here's the low-down on the show:

    Voxtrot, The Little Ones, Sleeping States @ the Metro -- Thursday, 10/04, 9pm. All ages, $14.

    Voxtrot - "The Start of Something" (Raised by Wolves, 2005)

    Michael Schmitt

    Concert Thu Sep 27 2007

    The Beats, The Hits, The Blow

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    The Blow is from Portland, Oregon.
    The Blow is the project of Khaela Maricich but used to include Jona Bechtolt.
    Jona Bechtolt recently left the Blow to spend time working on YACHT.
    The Blow’s most recent album is called Paper Television.
    The songs on Paper Television are lovely, simple pop tunes about falling in love and wanting to fall in love, delivered with an aching tenderness and backed by beats, bleeps and bloops.
    The beats, bleeps and bloops were created by Jona Bechtolt, so it will be curious to discover how the Blow looks and sounds live.
    The Blow will be appearing live at the Empty Bottle this coming Monday, October 1st.
    The show starts at 9pm.
    Tickets are $12.
    High Places open, followed by videohippos.
    Nicholas thinks the Blow would appreciate the over-simplified structure of this post.
    Nicholas really likes the Blow and thinks the Blow would really like him.
    Nicholas really hopes the Blow plays “Fists Up” this Monday because that’s his favorite song, even though he recognizes that it’s ridiculous for a band to only play the songs that their fans want to hear.
    Nicholas thinks that bands should play the songs they want to play, because it will be more fun for everybody.
    Nicholas hopes you’ll come see the Blow this coming Monday, because it will be a lot of fun.
    Nicholas really likes fun.

    Nicholas Ward

    Concert Thu Sep 27 2007

    Bon Mots Restart Hype Machine

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    If you were into any facet of indie music in 2004, Le Main Drag by the Bon Mots was an album you most certainly heard or heard someone talking about.  The group's debut garnered more ink and college radio play then most band's could wish for in a decade.  Spin called the Bon Mots, "one of most promising new bands out there," and the Reader claimed that Le Main Drag was, "a lush, mature, and audacious mix of heady guitar fizz and old-fashioned pop songwriting."   From the Sun-Times to USA Today Le Main Drag got stellar marks.  Now after almost three years the Bon Mots return with their sophomore release, Forty Days and Forty Nights with the Bon Mots. The band has expanded their sound with more lush harmonies and deeper instrumentation. Take a listen to Emily's Birds and On Her Telephone on their Myspace page and you'll hear the Sixties style pop wadding in atmospheric haze.  And while Forty Days and Forty Nights has yet to go on sale you can get an advance copy Friday at the Hideout and see the Bon Mots and Welcome to Ashley for only $8.  Catch the band now (and get their album) that everyone will be buzzing about in a few months now.

    Brent Kado

    Concert Wed Sep 26 2007

    The Queensmen take to The Note

    I've seen The Queensmen at so many different, semi-strange venues (outside at a college, South Union Arts) that at this point the combination of the band's polished 60s mod-pop and a general feeling of adventure has taken on a Pavlovian quality in my mind -- so much so that every time I see someone in a sharp suit I gear up to down a beer and encounter oddness.

    Which is why Friday's show at The Note promises to be an interesting one -- onstage at a proper venue with a stellar soundsystem, The Queensmen will have ample opportunity to bring some class to the preening hipster mob that's overrun Wicker Park. There's no studiously practiced irony here, no bandannas or skinny jeans, just angular, melodic guitar-pop performed by three guys in sharp suits. How can you refuse?

    The Queensmen at The Note, Friday, Sept. 28, 930pm, 21+. With Deals Gone Bad.

    Nilay Patel

    Concert Wed Sep 26 2007

    Lollapalooza 2008 Dates Set

    Wasn't Lollapalooza not even two months ago? Well, yes, but that doesn't mean you can't plan for next year already. The festival will be held August 1-3, 2008 throughout Grant Park again. So let's start speculating about who'll headline!

    James Ziegenfus

    Concert Wed Sep 26 2007

    The Punks Are Writing Love Songs


    I just wrote up an elaborate post on the Lucksmiths. Unfortunately James beat me to the punch by 30 seconds. Anyway I deleted all that and I now second James' recommendation. In my deleted post I also mention Tullycraft's upcoming record. Here's a song from each.

    Here's a cover of the 1968 hit "I Started A Joke" by The Bee Gees that can be found on the The Lucksmiths new 2cd set of b-sides and covers titled Spring A Leak:

    [mp3] The Lucksmiths - "I Started A Joke"

    And just for kicks here's the new single from Tullycraft off their forthcoming record Every Scene Needs A Center:

    [mp3]: Tullycraft - "The Punks Are Writing Love Songs"

    Craig Bonnell

    Concert Wed Sep 26 2007

    No Hiccups with the Lucksmiths

    Australia's Lucksmiths have released 7 albums, 5 EPs, and 3 compilations, including 2007's Spring a Leak, since forming in 1993. Over the last 14 years, they have churned out often heartbreaking and yet smile-inducing pop songs filled with clever usage of the English language punctuated exquisitely by singer Tali White. (Although, most songs are written by guitarist Marty Donald.)

    Their latest release, Spring A Leak, is a collection of cover songs, compilation tracks, radio sessions, live cuts, alternate versions, and other rarities from their extensive past. The Lucksmiths open at 9PM for New Zealand's Brunettes and Los Angeles' Ferraby Lionheart at Schubas tonight.

    James Ziegenfus

    Concert Tue Sep 25 2007

    All the Ladies in the House ... An Estrojam Review

    Silly me: I thought crotch-grabbing was a hip-hop move relegated only to the male contingent. I was proved wrong time and time again as the performers of Friday night's girl-centric Estrojam installment at the Abbey Pub grabbed said crotches, got sweaty and shirtless, and owned the stage as much any man.

    Friday's set was mainly made up of hip-hop artists, topped with a swan song performance by legendary group ESG. While overall the night was full of energy emanating both from the audience as well as on stage, at times the microphones were plagued by squealy sound problems. Kicking things off was Chicago's own chemist-slash-rapper, Psalm One, who slyly beckoned the audience, "Come closer -- I'm gonna tell you secrets." The low, funky triplets of "Macaroni and Cheese" got the audience riled, while the hot-hipped "Beat the Drum" sealed the deal.

    Psalm One's laid-back flow paved the way nicely for Bahamadia, whose tight set proved the Philly-based MC deserves a major comeback. Where her work in the '90s generally saw her as the kind of relaxed rhymer whose vocals made her an excellent guest on tracks by The Roots, Erykah Badu, Morcheeba, and Talib Kweli, this night saw a different side of Bahamadia. She delivered classics and newer tracks with a hard, rapid delivery, while her cohort, DJ Statik, kept up with her every step of the way. As he slowed down the pace, playing tracks by other classic b-girls like MC Lyte, Monie Love, and Rah Digga, Bahamadia just laughed: "Aw, man. This is senior hip-hop, right here."

    By the time the dirrrty South's Yo Majesty hit the stage, the crowd's excitement was palpable: what to expect from one of the year's most buzzed-about hip-hop groups? Wild dance beats and wild dance parties were certainly on the roster, events that often culminate in at least one of the members -- who, to be honest, do not look unlike Lil' Wayne -- taking off her shirt. And while yes, this event did indeed take place, it's almost expected of them -- and should going to a Yo Majesty show become a Countdown to Breasts? Anyway, it only lasted about 10 minutes before the (wo-)Man came down on the shirtless hullaballoo. But you get the point: YM put on a super fun live show as-is, nipple or no.

    The evening's star performers, ESG, earned their stripes during the '70s as their beat-heavy blend of funk, soul, and rock, which made them one of the most sampled bands to date. The night marked their last performance as a group, and the music geeks crawled out of the woodwork to witness it. Originally a quartet of sisters based out of the South Bronx, the latest incarnation includes original vocalist Renee Scroggins and what apparently is her daughter, Christelle, on guitar and percussion and niece, Nicole, on bass, while an unnamed fellow acted as drummer.

    And you know what? The ESG groove is a good one. Their old hits are still fun and funky, and it's obvious that Renee was having a great time onstage. But it's also obvious the band is at its end, as the music was basically being held up by Renee's vocals and the Unknown Drummer's tight drum work. The rest was sort of a rudimentary mess, a weird funk circus, as Christelle got caught up in showboating. It certainly made for some interesting entertainment, but as she did a sexed-up tambourine act, one couldn't help but wonder if ESG should've simply stuck to what they've always done best: bring on the sweet, jam-worthy beats.

    Kara Luger

    Concert Mon Sep 24 2007

    Roots Riddim Meets The Avant-Garde Uptown

    Back in 2000, the Israeli-born, NYC-based composer and producer Raz Mesinai was asked to provide a soundtrack for the film Hellraiser 6. Rising to the task at hand, a majority of the score Mesinai handed in was ultimately rejected by the filmmakers; reportedly because the music -- filled with screeching atonal orchestrations, found sound, and drifting voices -- proved too unsettling and creepy and severe for the film in question.

    Mesinai first emerged on the scene in the mid '90s as one half of the "illbient" duo Sub Dub. Over the intervening years, he's worked across the spectrum of the New York experimental music community, most often releasing material under the moniker Badawi. While he's never entirely shed his affinity for deep bass and heavy reverb, he's been additionally putting his skills as a percussionist to work, crafting evocative soundscapes that are densely woven with Mahgrebi and Middle-Eastern rhythms. Recent projects have found him branching out into more unstructured musical territory and working more frequently with prepared piano and electronics. Mesinai eventually, and perhaps inevitably, ended up recording for John Zorn's Tzadik imprint; releasing three albums under his own name through the label's Composers and Radical Jewish Culture series.

    Badawi is playing Wednesday night at the Empty Bottle as part of The Wire magazine's Adventures in Modern Music festival. He'll be performing third on a bill that also features White Magic, Holy Fuck, and Graveyards. 1035 N. Western. Admission is $15, and the show gets underway at 9 PM.

    [mp3]: Sub Dub – "Dawa Zangpo" (1995)
    [mp3]: Badawi – "I Said Oblivion" (2004)
    [video]: Raz Mesinai interview (2006)

    Graham Sanford

    Review Mon Sep 24 2007

    Review: Jose Gonzalez -- In Our Nature

    in-our-nature.jpgIt's strange to think that the most exposure most people have had to José González is as the soundtrack to a European Sony commercial, but for a while his cover of The Knife's "Heartbearts" seemed destined to doom him to the same minor relevance as Trio.


    Of course, VW also famously used Nick Drake, so maybe that's the most appropriate place to start thinking about González' second record, In Our Nature, because it's hard to avoid the Drake comparison. González has mastered his version of the acoustic singer / songwriter act, and he's not shy about doing his best trick over and over again -- In Our Nature is ten cuts of reverb-drenched multitracked vocals over nimble acoustic guitar, with the occasional bits-and-pieces percussion deployed to make things seem even more gentle than before.

    In fact, the addition of percussion (and some other textural instrumentation) and a slight bump in tempo is all that really separates In Our Nature from González' previous effort, Veneer. Played back to back, one flows into the other with remarkable ease, and it's almost as though the albums were meant to be played this way, slowly building to a climatic cover of Massive Attack's "Teardrop" before easing back down into the sparseness of "The Nest" and then finally closing with the soaring "Cycling Trivialities," which is a musical wonder in desperate need of a new title and lyrics.

    Recorded entirely on tape (and without any concern for the attendant noise issues -- check out that insane motor whine from 5:44 on in "Cycling Trivialities") In Our Nature is a throwback album from a throwback performer. While it's hard to remember a time when bands didn't always have laptops, Gonzålez isn't at all shy about being just a guy with a guitar and a knack for acoustic arrangement. Hopefully that'll lead to something more meaningful than a commercial for a TV set one of these days.

    In Our Nature goes on sale tomorrow, 9/25, and González will be playing at Park West as part of his North American tour on October 4 -- tickets are $18.

    Nilay Patel

    Concert Mon Sep 24 2007

    Metric meets again

    The satellite bands of Broken Social Scene have always made for a complex family tree, but some branches have been making even further splits. Emily Haines has been going it alone for a bit. Jason hopped behind the production board a bit for the Lovely Feathers. Josh and Joules got antsy and began trying to Bang Lime to pass the time. But after careful reconsideration, both are setting aside their dalliances and reforming their own musical Voltron: Metric is back. They're playing the Metro tomorrow night, and they'll be joined by chiptune specialists Crystal Castles (they're more than a Klaxons remix, people!) and the ungoogle-able, New Yorkier of the two bands recently known as The Virgins. The show starts at 7:30, but remember — that's less than a megasecond in metric time.

    Really Quick Contest!
    We'll give a copy of the recently re-issued (and quite popular) Metric CD Grow Up and Blow Away to the first reader to email us at inbox (at) gapersblock.com with the subject line "I Love the Metric System!". Good Luck! Update! We have a winner! Congrats to Melissa!

    Dan Morgridge

    News Mon Sep 24 2007

    Vivaldi meets global warming?


    Tickets to the Chicago Humanities Festival are on sale to the public starting today (members of the CHF were able to start buying two weeks ago) and the program includes a few musical events that relate -- or kind of relate -- to the grand theme of global climate change.

    Continue reading this entry »

    David Polk

    Benefit Sun Sep 23 2007

    Yes, Peace Fest Happening




    According to an email from organizer Michael Patrick, the “Power to the Peaceful” festival will be happening in Chicago. “It most certainly is happening. . . most of our press has been very underground. Kind of artist for artist sake kind of thing,” said Patrick. This grass-roots, separate and smaller version of the original San Francisco Festival will happen next weekend, September 28 and 29. Proceeds will go to Amnesty International.

    Continue reading this entry »

    David Polk

    Concert Fri Sep 21 2007

    Eilen Jewell Band Kicks Off Oktoberfest

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    I'm going to throw my hat into the ring with a concert suggestion of my own for this weekend, in particular for tonight. Somehow (at least from my perspective) the village of Oak Park has done Oktoberfest right this year. For what is really just a small town celebration the village has brought in some pretty talented artists. Gone from years past are the local yokel celtic band, the paint-by-numbers cover groups and the local-boy-nearly-done-good indie rock. Instead, in it's place are bands like The Waco Brothers, Anna Fermin's Trigger Gospel and The Infamous Stringdusters.

    I'll be out in attendance tonight at 6:30pm to see The Eilen Jewell Band (it'll be the second time she's played Oak Park this week, the first in my living room last Sunday). If you've got any interest in western swing infused folk along the lines of Gillian Welch or Lucinda Williams than you should hop on board the el and head West tonight (get off at the Oak Park St. stop).

    Eilen's new record Letters From Sinners and Strangers has gotten rave 4 star reviews from The Washington Post, The Philadelphia Inquirer and The Irish Times, as well as being featured on NPR's World Cafe. "Boundary County" is from her 2005 debut record of the same name.

    [mp3]: Eilen Jewell - "Boundary County"

    Craig Bonnell

    Concert Fri Sep 21 2007

    Yes, I Think I Shall

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    May Or May Not is adorable. This past Monday, they festooned the back room of Schubas with light blue balloons and a variety of fake end-of-high-school awards (Most Outrageous, Cutest Couple, etc.). On stage, they looked like the strange amalgamation of the spunky yet whip-smart cheerleader, the geeky chess team captain, the bookish literary buff and the too-cool-for-school stoner. Everything about them screamed cute.

    But by saddling them with the “cute” moniker, I mean not to suggest that this band frequented style over substance. While May Or May Not act has mastered their kaleidoscopic look, all of that would mean absolutely nothing if the songs didn’t deliver. But fortunately, they did. With their influences on full display (Beach Boys, Brian Eno, New Pornographers, Clap Your Hands Say Yeah), these young Chicago locals bounced happily through a collection of nostalgia-inflected psychedelic pop jams, backed with just the right amount of guitar fuzz and pounding drums. The music was infectious and delightful, and more than a few tunes reminded me of lazy summer afternoons spent driving around the suburbs in my dad’s turquoise Escort. It’s familiar and time-honored without being tired. In fact, the warm melodies kept me off-guard and pleasantly surprised.

    They’re not yet punching a hole through the greater sonic landscape, but May Or May Not employ enough hand claps, crescendos, and sing-a-long choruses to suggest that greener pastures await. For now, join me this Monday, September 24th at Schubas for the conclusion of their month-long residency and the release of their latest album, A Kaleidoscope of Egos. Atlantic Divide plays first, followed by Charlemagne, playing in support of new album, We Can Build an Island. Show starts at 9pm.

    Nicholas Ward

    Concert Thu Sep 20 2007

    Freaky Friday

    Hey look, if you're looking to get out there this Friday night and do some dancing and cut loose, you really have no excuse, because there's plenty going on. Too much, perhaps -- but you definitely have options. First, there's Bonde Do Rolê at the Empty Bottle. Then there's the (quite frankly amazing) billing of Friday's installment of Estrojam, which features ESG, Yo! Majesty, Bahamadia, and Psalm One.

    And on the less high-profile tip, The Liars Club is hosting an in-town appearance by Passions, who recently signed to the trés-chaud Parisian label Kitsuné, and is affiliated with the Trouble & Bass network in NYC. (In fact, Passions is really the more dancefloor-friendly/less "dark" alter ego of T&B instigator Mathhead.) So: Take your pick, aim for the most attractive venue, and get your circulation primed and pumped before the autumn chill comes creeping in.

    [video]: Bonde Do Rolê - "Office Boy" (live)
    [mp3]: Passions - Kitsuné promo mix

    Graham Sanford

    Concert Wed Sep 19 2007

    Nashville's Giant Bear Live @ Red Line Tap

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    Americana/roots rock/alt country (or whatever it's called this week) can easily veer into a rut deeper than delta mud. Take your generally average indie washouts, add a used steel guitar and some twang, and you have an operable, but uninspiring band. A quick listen to Giant Bear’s self-titled debut album quickly separates this kernel of wheat from the usual chaff. Their sound veers from something like a less edgy Steve Earle to Cowboy Junkies poetics, Allman-esque southern drivers to a funk based Country take on “Head Like a Hole.” This band is as improbably effective as the Decemberists but with a working-man’s blue collar rather than puffy Victorian shirts.

    After touring hard behind their first album, Giant Bear hits the road again, working out new material for an upcoming release that has supposedly garnered some label interest. It’s hard to fault their concept or execution, and reviews of their live shows drip with superlatives, so their show Friday 9/21 at the Red Line Tap in Rogers Park should be a good one. After all, isn’t high concept more fun with one foot in the gutter?

    [mp3] "Nashville" - Giant Bear

    Giant Bear plays 10pm, Friday, 9/21 at the Red Line Tap, $5
    They will also perform on WLUW's "Full on Friday" radio show at 3pm, 9/21

    Dan Snedigar

    Concert Wed Sep 19 2007

    Red Gone Wild? Tonight's Da Night.

    One of the genre’s underrated lyricists, Redman’s subject matter is largely
    weed and how badly you suck compared to him. He has yet to enjoy huge commercial success, but his live shows are long, bass-filled affairs. By no means can you call him socially conscious, he nevertheless fills in a void in hip-hop where it’s still cool to rhyme well, do dumb things, and be backed with enough thump to make both weed-addled and sober asses move.

    What Redman has that a lot of mainstream artists today don't have (for commercial purposes, anyway) is a sense of humor. It's hard to laugh in a genre where most of the CD racks contain images of black dudes daring you to buy the album or they'll fuck you up, but Red's sense of humor has prevailed long after his peers went into the business of scaring white hipsters into giving them money to hear about how hard they are.

    Redman brings his Red Gone Wild tour party to the Abbey Pub today. Show's at 9, tickets are $25 at the door or online, and the contact high should get you around 9:07, accompanied by bouncing. Numerous local acts open, so Red won't make it to stage before 11 or so, but a good time should be had.

    -"Tonight's The Night" (1992)

    Troy Hunter

    Concert Tue Sep 18 2007

    Rachel Ries' New Record and CD Release Show

    Rachel Ries (myspace) is a classically trained South Dakotan farm girl who now resides in Chicago. On her last record For You Only she used the folk medium to tell her stories of desire, lost love and displacement. On the new record, Without A Bird, it sounds like Rachel has almost come to terms with life in Chicago, while still retaining a certain homesickness for the plains of her youth. There are more tales of relationships that don't come to fruition, missed opportunities and a lot of comings and goings (leaving Chicago, visits from an ex, unable to leave bad relationships).

    All the sounds (guitar, piano, cello) and styles (swing, jazz, and country) that were found on For You Only are back and have been built upon on Without a Bird. The result is an unclassifiable sound that won't fit tidily into any one genre. Although it does sidestep noirish jazz, soul barring folk and boozy blues. What to some in the industry would be a music marketing nightmare, is instead a joy to behold for the adventurous listener unconcerned with the indie rock trends of the moment.

    Rachel has signed up some of Chicago's best musicians to appear on record and at her live shows. Her cd release party this Sunday, Sept. 23 at The Hideout is a must see. Here's a song from Without A Bird that you'll be able to pick up this Sunday night when you go to the show! "Fine, I'm Fine" is a song that aches with self-doubt ("I've got so much to learn, if I'm in this for good"), gives a shout-out to Andrew Bird ("just put on that Bird song, you know how he sings") and questions life in Chicago ("because I could pick a small town on the prairie instead, stop telling lies and be early to bed") all in a smidge over 3 minutes. It's a good example of the songs found on Without A Bird. Buy the new record (and there really is a record - 180 grams and all) throught Rachel's MySpace page here.

    [mp3]: Rachel Ries - "Fine, I'm Fine"

    Craig Bonnell

    Concert Tue Sep 18 2007

    The Heaven Seventies

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    Indie rock is dead.  Not independent rock - that will live on forever in some form, depending on one's definition of independent.(and rock)   Indie rock the genre though is at the morgue, about to be embalmed, then buried next to disco, ska and nu metal.  No one knows for sure when it died. Indie rocks death might have something to do (fittingly enough) with The Killers or easy to get Mp3 downloads.  Maybe all the people who listened to those bloggers that claimed that Clap Your Hands Say Yeah (or the Arctic Monkeys, Jet, etc.) were the second coming, realized they'd been duped and are now lashing out against indie rock.  But what are they listening to today?  What's the next wave? 

    Introduce yourself to The Heaven Seventies.  This local band, who've just released their second single, Devotion, plan on going about the whole rock business format a bit differently. And they might be onto something in music's next phase were Youtube and Myspace present the hit makers. The Heaven Seventies (or H70s) are like many Chicago bands - members have been in many other groups, they come from various musical and entertainment backgrounds (member Nilay Patel even does some writing for this very site) and thier sound in unique but warmly familiar.  But they are unlike many other bands in that they feel the "write-record-release-tour" cycle is tired and in today's technologically driven age, somewhat unnecessary.  The H70s not only mix together the stylings of many popular genres, they also look to connect with fans in fresh ways.  The band is young.  Their single release show this Thursday will only be their fourth.  But the band's sound is mature. This is no small part to the effort they put into the whole song creation process. They understand that quality is a process that can't be skimped on. Crafting sounds that are danceable with pop sensibilities, H70s are bound to get you moving, smiling and maybe even signing along.

    The Heaven Seventies play an 18+ show this Thursday at the Subterranean with My Were They and Technicolour Stallion.

    Brent Kado

    Concert Mon Sep 17 2007

    Roll Over

    The Summer Salts are traditionalists, rocking with nothing but three band members and a dream. Oh, and a hefty indie-pop sensibility. The Chicago trio (Travis Wiggins, Michael Rice, and Eoin Burke) want to share the love with you, gentle listener, at their show this Saturday, Sept. 22 at the Underground Lounge.

    Kara Luger

    Benefit Fri Sep 14 2007

    Discover Your Inner Folkster

    This Saturday at 11AM, tickets go on sale for the Old Town School of Folk Music’s 50th anniversary “Really Big Show” at the Auditorium Theatre on December 1st at 7PM.

    10 years ago, for its 40th anniversary concert, folk superstars like Emmylou Harris, Jackson Browne and Arlo Guthrie performed at the Medinah Temple. This year, the lineup is a more diverse, including not only traditional folk musicians such as guitarist David Bromberg, but also sounds from the Sones de México Ensemble and a work by the Luna Negra Dance Theatre. Banjo virtuoso Bela Fleck, harmonica master Corky Siegel and a slew of other folkies will also be there along with Wilco band leader Jeff Tweedy (Tweedy?! Well, as bluesman Big Bill Broonzy, who performed at the school’s opening night in 1957, once said, “all music is folk music. I ain't never heard a horse sing a song”).

    Continue reading this entry »

    David Polk

    Concert Thu Sep 13 2007

    Dancing Primates on Wheels

    Bananas, glow-sticks, and airborne poo. These are a few of things you might expect when a simian mobile disco comes to town.

    But in fact, Simian Mobile Disco is a two-man crew from the UK who've become one of the foremost artists in the recent "nu-rave"/"new Big Beat" craze. Like their associates Justice, the guys in SMD have a prior (though short-lived) background in the indie-rock scene, and have transplanted that sensibility into making hook-heavy nu-rave techno with a lot of crossover appeal. They've recently done remix work for the likes of Björk, The Presets, and the Klaxons; and anticipation has been riding high for the release of their Attack Decay Sustain Release LP, which dropped in the U.S. just this past week.

    Simian Mobile Disco is slated to headline for the Flavorpill Third Anniversary bash at the Empty Bottle next Tuesday. That however is an RSVP-only event; so if you haven't tried to make your reservation yet, don't bother -- because it's been "at capacity" for a couple of days now. But reportedly the duo is also scheduled to appear at the Funky Buddha Lounge later the same evening, spinning a guest DJ set for the Estrojam kickoff party. And yeah, I said reportedly -- because corroborating info is pretty sketchy. So keep your ear to the ground if you're looking to attend.

    [video]: Simian Mobile Disco – "It's The Beat"

    Graham Sanford

    Concert Thu Sep 13 2007

    Matt The Electrician


    An unsung artist is playing an under appreciated venue in an all but forgotten part of town this weekend. So if you root for underdogs, Matt The Electrician's show this Saturday night at Fitzgeralds in Berwyn may be the show to take in this weekend. Matt The Electrician is a singer-songwriter from Austin whose humble beginnings (as an electrician) and his present life as a devoted family man inspire his songs of everyday life.

    His new record One Thing Right was self-released this summer. Matt is a fixture in Austin often holding down residencies in a number of clubs and selling out those off-night weekly shows regularly. PopMatters said this about his live show:

    "One of Matt's greatest achievements as an artist is his ability to consistently use humor as an emotional device without sacrificing the songs' craftsmanship. Matt is inarguably hilarious, but it's a sense of humor that, unlike many other snarky songwriters, doesn't evaporate upon repeated listens. It was one of the best live shows I've ever seen."

    I've fallen hard for his song "Happy Ending" which is about keeping a bit of hope in the face of death.

    [mp3] Matt the Electrician - "Happy Ending"

    Craig Bonnell

    Concert Thu Sep 13 2007

    Felis Urbanius

    Even though Tigercity are based out of Brooklyn, that doesn't mean that they play punk-funk or any variety of electro-/blog-house fare. Instead, what they play is deeply stylized pop, the sort that some are inclined to call "loungey," perhaps for the way their music brings to mind the sleek, contempo- designerly look that so many nightspots have gone for of late -- all padded leatherette seats, gleaming contours, underlit glass surfaces, and the like.

    As demonstrated on their new Pretend Not To Love EP, Tigercity aim for a nuanced and cosmopolitan style of pop that's oh-so attentive to sophisticated musical hooks and mannerisms, glossed with ocassional and mild touches of uptown funkiness. They also sound like they've taken more than a few pages from the songbook of late-period Roxy Music, opting to engage the latter's capital-r romanticism while skipping Bryan Ferry's world-wearied Casanova-isms in favor of heat-of-the-moment unguardedness. Or, as another source has it: "Tigercity play Brooklynized disco-pop by way of the Bee Gees and Prince."

    Tigercity's Pretend Not To Love is available via iTunes. The band will be playing at Schuba's next Friday evening, September 21. Stylofone and LMNOP open. 3159 N. Southport Ave. Admission is $10, and the show starts at 10pm.

    Graham Sanford

    Concert Wed Sep 12 2007

    None shall pass.

    Aesop Rock makes hiphop records in an indie rock type of way. The lyrics are esoteric, the beats are supremely crafted, and he really should appeal to people who want lyrics and interesting soundscapes but want to avoid looking like they like rap too much for appearances sake.

    He'll be appaearing at the Metro this Thursday with backing from Rob Sonic and DJ Big Wiz, who helped him out on his latest effort, None Shall Pass. Tickets are $17.50 for this all ages show. 6:30 is the start time.


    -Video for "None Shall Pass", featuring art from Jeremy Fish

    Troy Hunter

    Concert Wed Sep 12 2007

    White Stripes Cancel Tour

    Not exactly Chicago news, but I know a lot of people who were pumped about seeing the White Stripes at the Aragon in October, but it looks like they're going to be disappointed -- citing Meg White's "anxiety issues," the band has canceled their entire US tour. Bummer. Ticketholders should call the Aragon at (773) 561-9500 to get their scrilla back.

    Nilay Patel

    Concert Wed Sep 12 2007

    Amp Throws, Whammie Sleeves, and Knit Hats for Your High Hat

    The Renegade Craft Fair is once again teaming up with some aural accompaniment to ensure the head-banging-est half-stitch hocking you've ever hoped to witness: Meet the Do-Division Street Fest. Topping the bill on Saturday is Steve Albini's favorite band, Urge Overkill. Then on Sunday night, see David Lowery perform with his college-radio favorite-but-still-second-most-familiar band Camper Van Beethoven. (Request "Low" at your own risk).
    Throw in a DJ stage with elder statesmen of the boards Danny the Wildchild, Frankie Vega, and Johnny Fiasco, and you'll be glad you bought that new, clean (and likely adorable) t-shirt by the end of the night. Event starts at noon; a full music schedule can be found here.

    Dan Morgridge

    Concert Tue Sep 11 2007

    Let's Get Fidgetal, part II

    Maybe it's all part of an international conspiracy to bassquake the planet, but it looks like this weekend is about as solid as it gets for visiting top-tier talent from across the pond. There's not one, but two such events in the offing; and that may mean a choice is in order. So if you don't feel like shelling out the skrilla for the Diplo & Switch show this Saturday, and would maybe prefer to go to a similar outing where an actual dancefloor is involved, then you should head to Smart Bar on Friday, where Berlin-by-way-of-London DJ Jesse Rose will be making a guest appearance.

    As a deejay and producer, Rose is one of a small cadre of new-school trackmasters who's come to the fore of the UK dance music scene. Along with fellow travelers Graeme Sinden and Joshua Harvey, his tracks have perhaps most exemplified the burgeoning "Fidget House" sound that's been brewing on the other side of the Atlantic of late. Of course, the "Fidget" label is a bit dodgey, but this is neither the time nor place to split nomenclatural hairs. Just let it be said that Jesse Rose and his musical co-conspirators have been responsible for crafting some of the most exciting dance tracks of the past year or so.

    What makes it all so fun is that Rose & co. are not averse to playing cheeky and loose with House music pro formas. They know how to keep the music dancefloor functional while throwing in all sorts of curveballs -- like punctuating a track with touches of electronic scribble, or aggressively pushing the high-hats to the foreground for the sake of sheer perversity. Better yet is their habit of threading tracks with massive, grime-y bass tones -- low-end wallops that bounce and wobble all over the beat like a big cartoon hippo. (To hear this aesthetic taken to its extreme, check Sinden & The Count of Monte Cristal's recent remix of Pharoahe Monche's "Body Baby.") The end effect is sometimes so ridiculously dope that it's almost comical; as likely to incite laughter as dancing, if not both at the same time.

    Jesse Rose will be playing a headlining set at Smart Bar this Friday evening. Hiroki opens. Tickets and admission are $10 before midnight, $12 after. Doors open at 10. 3730 N. Clark.

    Graham Sanford

    Concert Mon Sep 10 2007

    Ramp Chicago Electronic Music Industry Night at Sonotheque

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    Continuing on in their series of second Tuesday industry nights at Sonotheque, the good folks behind Ramp Chicago will once again be setting up shop tomorrow night for a little electronically musical mingling. Guest performers Miles Tillman and Mystery Palace will be providing the beats -- Mystery Palace features Ryan Olcott, who earned a super-rare 10.0 from the 'fork with his former band, 12 Rods -- and house DJs Liz Revision and Emulsion should keep things interesting in the meantime. $5 gets you in the door -- what you do after that is up to you. 9PM at Sonotheque, 1444 W. Chicago.

    Nilay Patel

    Concert Sun Sep 09 2007

    Juke Crewin' Uptown

    “I have this horrible feeling," Flosstradamus's Josh Young recently admitted to Fader, "[That] we might get hated on super hard.” Young was referring to Flosstradmus's role in helping spread the juke sound to "outsider"/non-Southside audiences. And yeah, given how territorial folks get about such things, that could conceivably happen. But whatever the case, it looks like the popularity of jukin' might be destined to break out -- be it on a crosstown or nation-wide level. Case in point: Check Sasha Frere-Jones's three-paragraph writeup of "Watch My Feet," the breakout track by southside Chi hip-hop artist Dude 'N' Nem that appears in the front pages of the latest New Yorker.

    "Watch My Feet" has not only become the definitive juke tune of the season; but might be the track that puts the southside juke music scene (and the footwork that goes with it) on the map. And small wonder, because it's a helluva summer party joint -- deftly anchored with a steady, slow-rolling bass thump that keeps the whole thing on cruise control while the beats and verses flip into triple-speed juke mode. And the accompanying video (see above) complements the cut perfectly.

    You can check out Dude 'N' Nem this Wednesday night, as they'll be kicking it with -- surprise, surprise -- Flosstradamus at Subterranean. Willy Joy opens. 2120 W. North Ave. Doors open at 9:30, show starts at 10. Admission is $5.

    Graham Sanford

    Concert Fri Sep 07 2007

    How Much Art Can You Take?

    Notoriously nude Minneapolis punks, Dillinger Four have announced a special in-store performance at Reckless Records' Wicker Park store. The pop-heavy punk veterans have augmented their September 15th date at The Note with a free, all ages performance down the street starting at 7:00pm.

    Reckless Records - 1532 N Milwaukee. 773-235-3727.

    John Lombardo

    Concert Thu Sep 06 2007

    Let's Get Fidgetal

    While it may be a matter of recent dispute about just how much Diplo had to do with shaping M.I.A.'s 2005 debut Arular, one thing is for certain: he's done plenty else in the past few years. He pioneered the reigning school of this-under-that remixing via his work in Hollertronix, he likewise helped popularize the whole Brazilian baile/carioca/favela-funk craze by bringing it to American audiences, and -- as demonstrated by his Mad Decent Radio podcasts -- he possesses a staggering, globe-spanning knowledge of party music.

    Enter London deejay Switch, aka Solid Groove. Switch was not only in Jamaica recording with Diplo just a few weeks ago, but it's no contest that he did play a major role in co-producing M.I.A.'s new album. His own track "A Bit Patchy" has been the most unavoidable club cut of the past year, and he's quickly become a much sought-after producer/remixer on the dance music scene. Switch has also been credited for trailblazing a whole new subgenre in dance music -- fidget house, or just plain fidget to many. So what's fidget, exactly? Truth be told, there's no clear consensus on the matter, because Switch invented the label up as a joke; and, having now seen it stick, somewhat regrets doing so. Whatever the case, lots of people are claiming it as some "next level" ish, and that the best tracks coming out of the UK this past year have all come from Switch and his fidgety fellow-travelers. (About whom, more in a later post.)

    Both Switch and Diplo will be spinning sets at Metro next Saturday night, September 15. Considering that Diplo's taking the headlining slot, the place is undoubtedly going to be packed. Also up on the bill is deejay and Smart Bar impresario James Amato, who's recently pitched his own tent in Camp Fidget by establishing the Potty Mouth Music label/network for new-school house DJs. It all goes off next Saturday night at Metro and 11pm. Tickets are $20.

    Graham Sanford

    Concert Wed Sep 05 2007

    Cute Name, Serious Sound

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    Coupleskate is a band only Chicago could produce. A throw back of sorts to 90's alternative groups compiled of all females, Coupleskate brings a slightly low rock vibe, but aren't afriad to hammer in a little distortion to keep listeners on their toes. Together for almost five years the band has went through multiple lineup changes with a spring addition of a new bassist. But thier cohesiveness is not in question musically. The band's gruff yet heartfelt style mixes together nicely. Openers include Kaspar Hauser and Belfrie. Wednesday at the Sub't.

    Brent Kado

    Concert Tue Sep 04 2007

    The Sounds of Signage

    Signing Choir is the solo effort of Joey King, bassist for the Chicago glam-/psych-pop outfit The M's. The Choir's self-titled debut, to be released this week on Brilliante, is the culmination of of five year's worth of sideline songwriting and recording. Left to his preferences and devices, King cozies into low-fidelity space quite comfortably and furnishes it well; exploiting the four-track, bedroom recording aesthetic to maximum effect. Throughout there's plenty of fuzzy and bottom-heavy riffs, amplifier hum, and the grain of the voice cloaked in varied degrees of distortion.

    Despite these deliberate rough edges, King proves himself an astute craftsmen when it comes to tailoring his songs with subtle, contrasting sonic details. He gravitates toward a post-mod mish-mash of pop stylings, and the Signing Choir sound is more pointedly "rockish" (in an early-90s college-radio way) than the Anglophilic hookiness of The M's usual material. He cranks things into bouncy mode on "Comb Your Hair" and "The Beths," and King proves himself consistently pop-savvy in the offing. But in its later stretch, the album settles into more shadowy terrain that's reminiscent of the shoe-gazing languidity of Dinosaur Jr. -- moody and ruminative, it's the sound of thoughts and feeling turning themselves over to see how their undersides fare against the light of day.

    Brilliante Records and Schubas will be host a record release party for the Signing Choir CD this Saturday night, with Signing Choir -- featuring King with friends and The M's guitarist Robert Hicks -- headlining. Rock Plaza Central and Casey Dienel are on the opening bill, and DJ LA*Jesus will be spinning some tunes between sets. 3159 N. Southport. 10pm, admission is $8.

    Graham Sanford

    Concert Mon Sep 03 2007

    Sutras Along The Hudson

    Over past decade, the Manhattan-based pianist, composer, and improvisor Vijay Iyer has risen through the ranks of the experimental fringe of the NYC music scene and has worked with a staggering number of artists in the jazz and electronic music scenes. A supremely gifted and versatle player, he served as a long-term member of Greg Tate's revolving-door ensemble Burnt Sugar Arkestra Chamber, gigged with a host of avant-jazz titans like Roscoe Mitchell and Wadada Leo Smith, and created the ambitious multimedia performances In What Language? and Still Life With Commentator with his frequent partner in collaboration, spoken-word/post-hiphop maverick Mike Ladd.

    Amidst all this activity, he's also released numerous albums on the Savoy label and either leads or serves as a sidemen in about a half-dozen ensembles and collaborative projects, and has most recently gotten his propers by topping Downbeat magazine's critics polls for the past two years. One of his latest projects is Tirtha, an Indo-fusion trio that includes guitarist Prasanna and tablaist Nitin Mitta. The trio will be giving a performance in the Preston Bradley Hall of the Chicago Cultural Center this Thursday evening. Admission is free, and the performance begins at 7pm. 78 E. Washington.

    Graham Sanford

    Concert Fri Aug 31 2007

    The Dowry Bring Their Tales Of The Sea To Chicago


    I've had the music of the band The Dowry ruminating and stewing in my head for the last month or so, but was unsure if I'd ever get up the gumption to do a post. But the band's in town this weekend to support their new release The Circus and the Sea and are playing Heartland Cafe, so that's a perfect opportunity to link to a song and encourage you to check out their music.

    The Dowry are from downstate Illinois and record for a decent little label called Thinker Thought Records. The nearest contemporary band that shares their love of pirate sea shanties and gothic Americana is probably Murder by Death but at times you'll be able to hear a bit of the gypsy punk of Gogol Bordello (especially the song "Pleasure Island"). Catch them tonight at 10pm at Heartland Cafe.

    [mp3]: The Dowry - Pleasure Island

    Craig Bonnell

    Concert Thu Aug 30 2007

    ...and he didn't do Rockit.

    Heard at tonight's Herbie Hancock performance, which opened JazzFest...

    Herbie decided to givea quick bio of some of the players in the quartet, mentioning some of their stints with other musical acts, including Eric Clapton, Dave Matthews Band, Sting, and others. He then polled the audience on what he was going to perform next. "Should we do this?" he'd ask. "I don't know, maybe we should do this instead." This went on for a while; too long for some audience members' patience and tact, so when he offered the question up again after more lengthy banter, the reply from a patron in the gallery was "Do something!"

    Troy Hunter

    Artist Thu Aug 30 2007

    One Flew Over the Cuckold's Nest

    What was it that André Breton said in one of his Surrealist manifestos, that "Beauty will be compulsive, or not at all"? Or wait…maybe he said that it would be convulsive. It's been misquoted so often that I can't remember which it is. But anyway, nevermind -- it's neither here nor there. For the Chicago band The Bird Names, the answer is that it will be both.

    The Bird Names are about to release their third album, Wooden Lake/Sexual Diner, and chances are this is the first you're hearing about them. They've been around for about four-plus years, and have been playing in lofts and art spaces and clubs around town since the start. At first, they changed their own name many times over; and have had a number of members, friends, and valued contributors pass through their ranks all the while. On some evenings there's only a core group of about four or five people on stage when they play, on others so many of their extended family show up and join in that they can barely fit everyone on the stage. Sometimes they play plugged-in and very loudly, and on some occasions they perform much more subdued acoustic sets.

    Continue reading this entry »

    Graham Sanford

    Concert Wed Aug 29 2007

    Loud Choir Loud

    Heralded as Chicago's first and only punk rock choir, Blue Ribbon Glee Club have been reconstructing all of your punk rock favs. Made up of 25 local musicians, including members of Black Apple, The Record Low, Tense Forms, and Devin Davis, the ensemble performs covers of modern classics by The Clash and The Pixies to name a few. Clad in matching outfits and armed with songbooks, the glee club performs largely accapella, assigning individual members guitar lines, bass rythyms, and even song-specific effects, resulting in impressively accurate re-creations.

    Come check out the choir as they perform at The Hideout's annual block party next weekend.

    [mp3]: Waiting Room (Fugazi)
    [mp3]: Where Is My Mind? (The Pixies)

    John Lombardo

    Concert Wed Aug 29 2007

    "Dona Got A Ramblin' Mind" And She's Ramblin' To Chicago

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    Carolina Chocolate Drops is one of only a small handful of Piedmont style, string/jug bands playing the folk circuit today. They've been singled out of late because of the release of their new record and for the fact that on top of playing traditional string band music (which is rare in and of itself) this group is continuing the tradition of African-Americans playing this style of music.

    The group is sponsored in part by The Music Maker Foundation which is a North Carolina based non-profit that directly supports artists that play traditional music (usually blues, folk and appalachian). Next weekend Carolina Chocolate Drops will bring their lively, danceable, string band sound to the Old Town School Of folk Music on Sunday, September 9. More info here.

    [mp3]: Carolina Chocolate Drops - Starry Crown
    [mp3]: Carolina Chocolate Drops - Rickett's Hornpipe

    Craig Bonnell

    Concert Tue Aug 28 2007

    Go All The Way...With a Machine

    If there's one time-honored tradition in Chicago, it's having its stage musicians transform themselves into DJs during their spare time. Scott Lucas does it, Greg Corner does it, Rob Lowe does it (but what doesn't he do, really) and now Aleks (and the Drummer) Andra is joining the club. Fresh off her Outdanced performance at Funky Buddha, she'll be joined by fellow DJ newbie Hilary Rawk (of the eponymic magazine) and the Reverend Felix Groove at Liar's Club on Thursday night. Throw in a medley of Machine Media DJ goodness, the usual crowd of the Liar's Club, and our own Brent helping with hosting duties, and it's destined to be one fierce dance party. Just make sure you don't mess with the pool players!

    Dan Morgridge

    Concert Mon Aug 27 2007

    Terra Diablo

    After becoming a household name in the UK, the Scottish quartet Terra Diablo is now on tour in the U.S., hoping to make similar strides here. Touting their second album, Deluge Songs (due out September 18th on Nocturnal Records via RED/Sony), the band is already popular. Just two weeks into their tour, the song “Setting Suns” has placed at number 17 in the U.S. singles charts.

    Formed in 2000, by four mates in Glasgow who met through work (a music store, no less) and school, Terra Diablo went from being just another local band, to being on the verge of making a dent in the notoriously tough U.S. market. Perhaps what can help the band in this endeavor, i.e. success in the U.S., is that Evanescence producer Jeremy Parker mixed the album. Also, the band’s current label is based in New Orleans. What also helps of course is the music itself.

    Deluge Songs is a hybrid album, containing elements of post-Nirvana alt-rock as well as the shoegazer style -- a healthy abundance of droning guitars, super-loudness and instrumentation that melds together. The music is also twofold in another manner: it’s one part accessible to the mainstream, and yet contains enough individualism for discerning indie rock fans. It’s no surprise that “Setting Suns” -- which contains the familiar, Kurt Cobain-influenced visceral urgency -- is doing well on the charts. Yet there is other, less commercially inclined songs worthy of listening. Take the song “Quiet,” which is the opposite of being noiseless. Unfettered and emotionally fluid, the song is sweetly melodic yet abrasive and upbeat at the same time. “Walked Away,” with even more lush harmonies, is another pick for the indie crowd. Perhaps what is most striking about Deluge is the juxtaposition between an irreverent, optimistic aggressiveness and a yearning dreaminess.

    Listen to a live session of Terra Diablo tonight, on Q101 and catch them live on Tuesday night at the Elbo Room. $5. 8:30 pm

    Marla Seidell

    Concert Mon Aug 27 2007

    Late Night Radio

    1amradio

    The One AM Radio (aka Hrishikesh Hirway) is playing a special free show tonight at The Empty Bottle as part of their beloved Free Music Monday series. Hirway's live performances are constantly a suprise, usually quite different than his one-man recorded efforts. After almost a decade of performing and releasing split records with the likes of Ted Leo and the ferocious Jerome's Dream, The One AM Radio has refined its gentle attack with this year's This Too Will Pass.

    Come check out The One AM Radio as they make their Chicago stop with tourmates Montag and and experimental duo Lymbyc Systym.

    John Lombardo

    Concert Sat Aug 25 2007

    The only hip-hop event this weekend.

    We at Transmission would be remiss if we ignored hip-hop's largest concert (in terms of names) as it comes to our fair city. Rock the Bells is Sunday, and, while tickets are available, we can't imagine why you wouldn't have yours already.

    The lineup is immense and should be a show for the ages. Headlined by the Wu-Tang Clan, the show is a collection of some great hip-hop talent and great energy.

    The undercard includes the "eclectic" MF DOOM, Mississippi's own David Banner, Immortal Technique, Jedi Mind Tricks, and Slum Village, spreading the gospel of departed producer J-Dilla.

    The heavyweights include Pharoahe Monch, Talib Kweli, and Nas, who lead up to the always-momentous reunification of the Wu on stage. Supernatural and Rahzel ensure that there will be no dead air.

    Tickets are $41, with the VIP package clocking in at $121, with some pretty decent privileges.

    Troy Hunter

    Concert Thu Aug 23 2007

    Pelican. Two Shows.

    I'm wracking my brain for an appropriate bird-related pun or metaphor that I can use with Pelican, but unfortunately, my thought processes were swept away with the heavy rains.

    What you need to know is this: the sorta Chicago/sorta L.A. band Pelican is an instrumental four-piece who dish out a heavy mix of shredding metal, psychedelic freak-outs, and melodic indie wanderings. Their latest album, City of Echoes, continues the dense, molasses rock (or "mo-ro," as i'm sure bloggers now will be calling it), but manages to approach the same-ol', same-ol' in fairly new, offbeat -- and often off-tempo -- ways.

    Lucky you can catch them this weekend at two different shows: Friday, Aug. 24 at Beat Kitchen and again on Saturday, Aug. 25 at the Empty Bottle.

    Kara Luger

    Concert Thu Aug 23 2007

    "Whatch'all Know About Jukin'?"

    If you've caught sets by Kid Sister or Hollywood Holt or any of the other recent up-and-coming South Side hip-hop club artists, then chances are you might’ve heard the above question posed to the audience from the stage at some point. Any local culture-cognizant North Side club-rat is probably going to say "yeah" by way of response. But while the acts in question have been responsible for bringing the sound of "juke" to new audiences—slipping in something akin to juked beats under a few tracks as their sets propel into the crowd-moving home stretch—the music is still very much an exclusively South and West Side thing, as are the moves that go with it

    That may change as of next Friday night when Smart Bar hosts Juke-It-Palooza, The event, its organizers hope, will give club-goers a chance to experience the music from two of the biggest names on the local juke scene.

    Continue reading this entry »

    Graham Sanford

    Concert Thu Aug 23 2007

    60 Antelopes per Lion is not only a good idea...it's the ANIMAL LAW (tonight)

    Clockwise from top: Lovely Little Girls, Fat Worm of Error, a tape by Youth of the Beast, and a pic I found while Google Image Searching for "Animal Law"

    Tonight at Enemy (1550 N. Milwaukee Ave, 3rd Floor), a humid and rain-besotted Wicker Park jams out to a Bacchanalian orgy of sweaty riffs, purposely shambling costume-rock, one man-drum-army hallucinations, and the sweet sweet sounds of a little child crying over spilt birthday cake.

    Continue reading this entry »

    Chris Sienko

    Concert Thu Aug 23 2007

    Bark and Brew

    For all you Fugazi die-hards that have been been cursing the world ever since 2002's announced hiatus, tonight might be your night. Join Owen (aka Mike Kinsella) as he channels all of the DC pioneers, playing a night of covers AS Fugazi. This one-off (?) performance is to headline a benefit for the Windy City Animal Foundation, a Chicago-based volunteer-run animal rescue program. Joining Kinsella to champion the cause will be Mark Rose of Spitalfield and the widely heralded DJ Matt Roan.

    Tickets are $15, $20 at the door with proceeds going to a great cause. For more info, check out www.schubas.com.

    John Lombardo

    Concert Thu Aug 23 2007

    Roommate @ South Union Arts


    Photo: Hayley Murphy

    Beginning in 2000 as a solo project, Roommate (a.k.a. Kent Lambert) released Celebs, which focused on the concept of fame. The EP caught the ears of a few prominent listeners and some years later Lambert arranged Roommate to perform live. Considering the simple yet full electronic and breezy cacophonous sound of Roommate, Lambert is perfectly fine playing solo, but is often joined by numerous musicians live to give the music a little extra depth. (On Friday he'll be accompanied by Anton Hatwich on bass, Justin Petertil on guitar, Seth Vanek on drums, and Luther Rochester on the Buchla Music Easel and percussion.)

    Originally a digital-only release earlier this year, New Steam has recently been pressed for a limited 10" vinyl run in a hand-printed sleeve. (Really, this is a piece of art to own.) Two Roommate-penned songs share space with two covers (Red Red Meat's "Quarter Horses" and Broadcast's "Until Then") that shine new light on the songwriting of the originals. (And speaking of covers, Roommate's Songs the Animals Taught Us has a cover of Big Head Todd's "Dinner with Ivan" that is quite interesting.)

    Roommate will perform a wide variety of songs, including many from the LP scheduled for release next February, at South Union Arts, 1352 S. Union, with Judson Claiborne and the Singleman Affair. The show begins at 9PM.

    James Ziegenfus

    Concert Tue Aug 21 2007

    Beijing Blanket Bingo

    What's all this about "cultural imperialism," eh? Okay, granted -- there's been no shortage of exoticist fetishization afoot in the ping-ponging of intercultural exchange over the years. But fortunately for all involved, the global village does provide for two-way traffic. Case in point: the Chinese surf-rock combo Red Chamber. When they first started up in the 1960s, the music they played was most likely not what Chairman Mao had in mind for toeing the "party" line of the Cultural Revolution. Hail, hail decadent and politically-incorrect Western influences! And "Bali Hai" while you're at it.

    Red Chamber (not to be confused with these gals) reportedly went on a long hiatus sometime in the 1970s, eventually resurfacing over two decades later to give the whole thing another go. The recent CD Red Chamber Brings You The Mao Sound, released on the locally-based Far East Audio label, gives a good taste of the band's repertoire. The disc features one track from a vintage bootleg cassette by the band, another from a live performance from a festival in Penang circa 1971, and five others recorded during a more recent set cranked out in the studios of WZRD in 2005.

    While a few tunes sport occasional, fleeting moments where the musical traditions of the band's homeland sneak in, there's largely no sense of wonky east-west mutational "fusion" to be found. It's an elegantly rocking affair, one that recalls The Ventures at their best. And when they swerve slightly off-path, the rewards are plentiful. "Edo Lullaby" features some expansive guitarwork that's distinctly psychedelic in its spaciousness. And dig the Link Wray-styled bluesy strut undergirding the otherwise brisk "Flushing Face, Smiling Heart (Slow Soul)."

    Or just go see Red Chamber for yourself when they will be playing at The Hideout this Thursday evening. Chicago lounge-folk-popsters Can.Ky.Ree open. 9pm show. Tickets $7 in advance, $8 the day of. 1354 W. Wabansia.

    [mp3]: Red Chamber - "Flushing Face, Smiling Heart (Slow Soul)"
    [mp3]: Red Chamber - "Apricot"

    Graham Sanford

    Concert Tue Aug 21 2007

    Xounds! It's Xome!! At Elastic!!! TONIGHT!!!!



    Clockwise from left: Xome, TV Pow, IS, The Fortieth Day

    Life is full of choices. For example, you could do like I did last night and send off a cover letter for a job you really want, claiming that you have exceptional proofreading skills, and that you "never miss a typo." And then send it out with two glaring typos. And then spend the rest of the night punching yourself in the arm at 15 minutes intervals.

    OR, you could do something totally sensible. For example, you could take your bruised arm up to Elastic (2830 N. Milwaukee, 2nd floor - near the six-way at Kimball, Diversey and Milwaukee, upstairs from the chinese restaurant) for their weekly "Triage" series. It's TONIGHT at 8 p.m.! Pay the nice person $5 at the door, bring some beer if you want, and check out four superstar ensembles of electroacoustic, minimalist, and pulsing drone magic.

    Continue reading this entry »

    Chris Sienko

    Concert Sat Aug 18 2007

    Dread-Beat, Drums & Cowbell

    The guys in the NYC outfit Professor Murder are cheeky enough to name themselves after a character from Mr. Show, sarcastic enough to appropriate the dubious epithet of "happy hardcore" to describe themselves, and just perverse enough to nick the chorus from CRASS's "Do They Owe Us a Living?" for a hook on their debut single. Musically, they play that clattering, groove-heavy style of dance-punk that the likes of !!! and the Faint have mining these past several years; and they do so with the proper amount of party-piloting fervor. And if you missed them at the Pitchfork Festival last month, you can see them at the Empty Bottle this Monday for the venue's usual free Monday-evening show.

    Also on the bill is Chicago's own The Jai-Alai Savant, who'll balance the show out solidly with their mix of anthemic rockers and dub-soaked excursions. Throwing a little gravel into the batter is local drum-circle experimentalists Waterbabies -- an ensemble that includes members of Mahjonng and Bobby Conn's band. And as if that weren't enough of a mixed bag, When The Eagle Met the Wolf -- a duo featuring Life During Wartime DJ's Bald Eagle -- will be spinning tunes throughout. 1035 N, Western Ave., 9pm. Free!

    [mp3]: Professor Murder - "Live on WOXY"
    [video]: The Jai-Alai Savant - "White on White Crime"

    Graham Sanford

    Concert Wed Aug 15 2007

    Get While The Getting's Good...

    As you may have heard, the Beastie Boys recently released a new album. Entitled The Mix-Up, it's another sans-vocal outting from the guys; and to support the thing, they've kicked off a global tour. Reportedly, they've been booking mostly smaller venues this time around and are playing instrumental sets (or "mostly instrumental" sets, it turns out), with drummer Fredo Ortiz and DJ Mix Master Mike accompanying the band on stage.

    The final stop of the tour finds them hitting Chicago to play the Riviera theater on September 26. Due to limited seating, a good many dates on the tour have already sold out. As of this writing, tickets for the Chicago show are still available. Tix are $48, plus (one expects) the standard add-on fees from...well, you can probably guess.

    * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *

    Update!: It now looks like a second Chicago date has been added. According to the Ticketmaster website, the Beasties will also be playing the Charter One Pavilion at Northerly Island on Thursday, September 27. Tickets for the event are, at present, not yet available.

    Graham Sanford

    Concert Tue Aug 14 2007

    High Places Within Reach

    The latest addition to the list of buzz-worthy Brooklyn duos, High Places have been bowling over audiences with their light as a feather sound. Existing somewhere between a more youthful sounding Broadcast and the legendary Young Marble Giants, Mary Pearson and Robert Barber have been crafting some of the most dreamy lo-fi percussion-heavy pop out there right now. Finishing up a series of dates with Soft Circle (ex-Black Dicer Hisham Bharoocha), High places are also joined tonight by Rob Lowe's Lichens and Chicago noisenik tag-team Locks.

    Empty Bottle - 1035 N. Western. 773-276-3600. 9:00pm. $8.

    John Lombardo

    Concert Thu Aug 09 2007

    Free Booze With Office And Others

    Chicago's Indie Rock scene is so expolisve right now that buzz band is a label that could be bestowed on dozens of groups. One of those groups is The Office. If you haven't got a chance to see them yet, do it - it's worth the time and money. (since this show is free it's really worth the money) Next in line for Chicago buzz band - Cracklin Moth. So you can see them both for free at Schubas with Freer, don't sleep. Also free beer and giveaways.  Thank Myopenbar with a shot of Jager.

    Capwql9n

    Brent Kado

    Concert Wed Aug 08 2007

    Throw A Kit On That, Get Caked...Holla!!

    Maybe you've seen him crowd-surfing during sets by The Cool Kids, or maybe you've seen him and his Murder Gang moped crew cruising around the city, or maybe you've actually caught one of his recent appearances around town. Who I'm talking about is up-and-comer Southside emcee Hollywood Holt. So far, Holt's only released about a half-dozen or so unproduced, demo mp3 tracks; but the YouTube-circulated video for "Throw A Kit On That" recently made him something of an instant cult hero with moped enthusiasts the world over. He flexes with a definitively Southside sound, mixing buttery "diamond in the back / sunroof top"-styled elegance with a booty-rolling bump that's deeply rooted in a red-dirt, down-yonder party groove. And while "Stuntin' In My Caddy" probably won't displace Masta Ace's "Born To Roll" as the ultimate (s)low-rider's anthem, it sports its share of back-to-basics cold-diss verses that are just as hilarious.

    And this Saturday is a good chance to catch him in a tight, lively environment at this month's installation of the Life During Wartime DJs' Hideout dance party. Aside from the mainstay crew of DJs Bald Eagle and Mother Hubbard, there'll be a live set from Hollywood Holt, who'll be kicking it along with his DJ and producer Million Dollar Mano. Also up on the bill is a special DJ set from the Chicago mash-up crew The Hood Internet. Much of the Hood's rollin' modus of late has been matching hip-hop hits to "alt-rock" staples, resulting in such hybrid mutations as R. Kelly vs. Broken Social Scene, Shop Boyz vs. Polyphonic Spree, and UGK vs. TV On The Radio. So go and get treated. 1354 N. Wabansia, Saturday August 11, 9pm-close. Admission is $8 ($5 after midnight).

    [video]: Hollywood Holt - "Throw A Kit On That"

    Graham Sanford

    Concert Wed Aug 08 2007

    "Pull off your pantyhose..."


    In my other life as one of the 1000's of music bloggers flooding the information superhighway with free mp3's I have written about no single band as often as I have about The Felice Brothers. This trio of real life brothers started out busking on the streets in upsate NY, then self released a record or two, and just recently went international with their label debut for Loose Records out of the UK.

    None of my descriptions of the band can match Gabe Soria's of Vice Magazine:

    “Singers of ragged and lovely Catskills harmonies, rickety gospel backporch jams, 19th century medicine show charmers, cheap suit rhapsodizers, watchers of the Nashville skyline, part-time residents and always-welcome houseguests at Big Pink, students of Bob Dylan and Levon Helm, the Partridge Family in pinstripes and scruffy beards.”

    Their music (as it is now) breaks no new ground, but their ability to capture different era's, either with their poignant lyrics or their rootsy music, is uncanny. Both of these elements come together in the near waltz-like jam "The Ballad of Lou the Welterweight." Catch The Felice Brothers at 9pm sharp this Friday at Uncommon Ground in Wrigleyville.

    [mp3]: The Felice Brothers - "The Ballad of Lou the Welterwight"

    Craig Bonnell

    Concert Tue Aug 07 2007

    GB Anniversary Party Alumni Hit Chicago Friday Night

    If you've made it out to either of the last two Gapers Block anniversary parties at the Hideout, then you've been lucky enough to hear two of our favorite local bands, Canasta (from our 2006 party) and the Occidental Brothers Dance Band International (from this past May). Well, this Friday night, August 10th, you can beat the heat and catch both of these bands again (though not on the same bill, so you'll have to make a choice).

    –Head out to the Double Door to see indie rockers Canasta cast a few well-crafted lyrics out into the crowd. They'll headline a benefit show for the Chicago Independent Radio Project (CHIRP), the brainchild of Shawn Campbell who hopes to fund a non-profit community radio station to replace WLUW. They'll be joined by Plane, May Or May Not, and Driftless Pony Club. Tickets are $20 (correction) $10.

    –Or, a bit further south and slightly west, see the Occidental Brothers Dance Band International play their very first booty shaking Empty Bottle show, starting at 10pm along with the Billy Dolan Band and dj Wayne Montana. Tickets are $8.

    Anne Holub

    Concert Tue Aug 07 2007

    Cruising Myspace Provides A Winner

    Xy1024_b4e1a89bcd862923a658feefdaa4

    Finding new music on Myspace is always a crap shoot, but we came across a local band called Fast Falls the Eventide and were immediately hooked. Their soulful grunge sound offers up meaningful feel with enough power to call it rock. Slightly atmospheric and experimental, FFTE puts forth a gutsy, entrancing sound. Together less than a year, look for this name to pop up more and more. They play with Roosevelt Jenkins and Once in Forever at Subterranean on Wednesday. All ages, $8.

    Brent Kado

    Concert Mon Aug 06 2007

    My Night with the Angels

    Who needs Lollapalooza when you've got the Black Angels at Schubas? This thought was in my head as I made my way through the crowd in the Schubas music hall on Saturday, round about midnight. Granted, it was packed in there, but I didn't have to shell out a silly amount of cash, deal with heat, massive crowds or drunken fools.

    My first impression of the 6-person band (girl drummer included) from
    Austin, Texas was wow--the spirit of Jim Morrison has finally been resurrected. The music was fierce, as rock ought to be. Incendiary rock amped up so hard you could feel the walls shake. And the reason I immediately thought of Morrison? The psychedelic element, first off, and second, the 8mm films playing on the large movie screen behind the band--images of the American southwest, native Americans, the Trail of Tears, stuff like that. Then there were the disturbing and passionate lyrics. Talking about Vietnam, boys dying in Iraq, killing and dying.

    And the audience, swaying and head bobbing, was trance-like, in synch with the band, the music and the film show. This band has revived the transcendental religious experience of rock that was laid down by the Doors. And in true rock fashion, the Black Angels provocatively use music to examine the American experience --in this case our lust for land and the resulting consequences.

    Impressive. When the Black Angels finished their set it was pretty surprising that an hour had just gone by. The audience demanded more. Two encores later I stood riveted and transfixed by a band that brought the soul of rock back to life. Sexy, aggressive and rebellious, the Angels seduced me, as well as the rest of the audience, as no one seemed particularly ready to leave.

    Marla Seidell

    Concert Mon Aug 06 2007

    Mika Miko Set to Wreck Reckless

    West Coast hyper-kinnetic punk unit, Mika Miko, have announced a special in-store at Reckless Records' Wicker Park location on August 22. The Kill Rock Stars darlings will offer a preview of the action before their show at the Empty Bottle with Black Ladies and Fake Fictions later that night. Don't let the 4:00pm start time dissuade you from slipping out of work early. This show will be well-worth all of the demerits!

    John Lombardo

    Concert Mon Aug 06 2007

    Cal’s Extends Festival Season

    Long-time rock and roll hangout Cal’s Liquors is hosting a two-day festival this upcoming weekend (August 11 & 12). The fest will present 18 bands in two days, featuring Mannequin Men, The Dials, Headache City, and a special Phenoms reunion performance!

    Saturday
    3 p.m.: Fetor
    4 p.m.: Shopping
    5 p.m.: Teenage Imposters
    6 p.m.: The Negligents
    7 p.m.: The Magic
    8 p.m.: White Devil
    9 p.m.: The Get Outs
    10 p.m.: Dorian Taj
    11 p.m.: Hot as Hell
    Midnight.: Rabid Rabbit
    12:30 a.m.: The Phenoms

    Sunday
    6 p.m.: Disrobe
    7 p.m.: The Yolks
    8 p.m.: Mannequin Men
    9 p.m.: Romance Novels
    10 p.m.: The Dials
    11 p.m.: Wax Museums
    Midnight: Headache City

    Check out Cal's Myspace page for up to date information. Cal’s Liqours - 400 S. Wells. (312) 922-6392.

    John Lombardo

    Concert Fri Aug 03 2007

    Legendary.

    Stevie Wonder is coming to Chicago.

    He announced today that he is going on his first US tour in 12 years, and Northerly Island is his Chicago stop.

    Tickets are available August 11th, and no price has been given, although one would imagine that a Stevie Wonder concert, at an expensive venue, plus AWESOME service charges from our FAVORITE ticket broker, would make this an $80 ticket easily.

    Troy Hunter

    Concert Fri Aug 03 2007

    This weekend, you MUST turn off the TiVo and the air conditioner and GET OUT TO SHOWS

    It's official - Chicago just managed to stuff two weeks worth of killer entertainment into three nights. It's been like that a lot lately.

    On Friday, you must make a choice - will you go to Enemy (1550 N. Milwaukee Ave) at 9 p.m. and pay $5 to see Social Junk (from Ashland, Kentucky), Unseen|Unknown, and Abduction (both from Chicago); OR, will you go to Hotti Biscotti (3545 W. Fullerton) and pay nothing at the door to see a cavalcade of dancey, costumey, droney, weirdness from the likes of William Sides Atari Party, EaVil, The Buoyant Sea, David Diarreah, Hate Moms, and others? Well, what say you? It's a win-win answer, but you still must choose.

    Continue reading this entry »

    Chris Sienko

    Concert Thu Aug 02 2007

    A little rain before the Lolla storm...

    Have an interest in seeing a Lollapalooza artist, but not trying to fork over that much cash for one day?

    Soulive makes an appearance at the Double Door tonight in support of their upcoming album, No Place Like Soul. From the previews on their site, there is a definite attempt to slow it down, to be a bit more than the "jam-funk band" this writer has called them at some points in the past. It's not bad to be a jam-funk band, it's just what they do well, and I don't suspect that a smaller, more intimate venue (than Grant Park, anyway) will lend itself to some of these new efforts. I expect they'll go with some upbeat stuff that will move asses off the wall and get heads nodding. Lord knows they've rocked it before.

    Show starts at 10, doors open at 8. You weren't planning to get a full 8 hours of sleep before work tomorrow anyway. Tickets are $20 from our favorite ticket broker.

    Troy Hunter

    Concert Wed Aug 01 2007

    "Sitting by the train tracks reading Kafka to the sky"

    [mp3]: Jason Webley - "Eleven Saints"

    Usually the song's at the end of the post but why is that? The song is what really matters and all the rest is just "dancing about architecture". In this case Jason Webley's song, "Eleven Saints", is catchy, clever and has a great mix of folk, gypsy, and accordian music (btw the simple stop gap animated video is a bit of an internet sensation with 76,000 views to date). I think some of the best lines from "Eleven Saints" are:

    "If my cat looks scared it's because he knows he's not going to heaven"
    "If you'd like to bake me a loaf of bread, it's got to be on leaven"
    "Coffee percolating....going wheeeeeee"

    Jason Webley is part of a four band lineup this Friday, Aug. 3rd at South Union Arts. I'm sure this former street musician and all around man of the arts will leave you captivated.

    Bonus track:

    [mp3]: Jason Webley - "Map"

    Craig Bonnell

    Concert Tue Jul 31 2007

    Popular Outdanced Brings Aleks & The Drummer

    2007_07_31

    Outdanced, the ol' Tuesday night sure-thing at Funky Buddha Lounge is looking mighty fine this eve.  Dandi Wind, (Canada, new wave glam) Flufftronix (Bloomington, IN., electro-crunk) and hot buzzing band Aleks and the Drummer (Chicago, hallucinating rock) provide deep, dope sounds.  Cheap sauce, fabulous people and this guy putting your face all over the Net included. RSVP here.

    Brent Kado

    Concert Sat Jul 28 2007

    Joan Comes to Chicago

    Joan Wasser relies on honesty as a form of protest. On the website of her band, Joan as Policewoman, she laments about the state of things--the "media lying to you," and the “sense of distrust in the air.” To counterattack this state of affairs, she offers her latest endeavor, the album Real Life (Cheap Lullaby, US release), on which she explores pain and heartache, with enough honesty to set the world on fire.

    The album, released in the UK last year, is now being introduced across the country as Joan as Policewoman embarks on their first US Real Life tour. The music on the album is hauntingly gorgeous, but one would expect nothing less from the uber-talented Wasser, whose first gig in music was as a violinist for the Boston University Symphony Orchestra. Wassers takes on violin on the album, not to mention guitar, keyboard and lead vocals. Reinforcements come from Rainy Orteca on bass and backup vocals, and from Ben Perowsky on drums/percussion and vocals. The mood is mellow earthiness, and particularly poignant and poetic are the candid lyrics, crafted by Wasser. "I’ve been on the ride before / it never stops at all," she sings in the popular track, The Ride.

    Wassers has described her music as American Soul, a mixup of soul and punk--Al Green, Nina Simone, and the Smiths combined. She used to be punk, don’t forget, when she performed with the Dambuilders in the 90s, not to mention her stints with other bands, including Hot Trix and Black Beetle. Yet there are other indie musicians that come to mind when hearing Wasser’s current sound--Rufus Wainwright and Beth Orton, in particular, as both are also talented in being "real" in their music. Wasser, the consummate indie music professional, has collaborated with Wainwright, as well as with numerous others, including Elton John, Lou Reed and Sheryl Crow.

    “For me, the most subversive you can be these days is to be totally honest, and to really laud beauty,” Wasser has said. To be honest about one’s emotions in an era of half-truths is bold, and Joan as Policewoman has this type of music protest crafted to perfection.

    Joan as Policewoman plays at Schuba’s on Tuesday. 9pm $10

    Marla Seidell

    Concert Fri Jul 27 2007

    Blitzen Trapper


    I once proclaimed Blitzen Trapper the best unsigned band in America. I would have thought by now that this situation would be resolved. But the band self released their recent full-length record to a barrage of great press from the smallest blogs right on up to a rave from Pitchfork.

    They still deserve your attention as they are one of the most creative and at time unsettling bands to appear in a long time. I say unsettling because the band is able to shift genre's from song to song and even within a song. For example, check out the electro-funk, Beck-like sounds of "Love I Exclaim" or the countrified southern rock of the title track, "Wild Mountain Nation", from their most recent release. Blitzen Trapper perform Saturday the 28th at The Empty Bottle.

    (Edit: A reader emailed to say Sup Pop has signed Blitzen Trapper. It'll be awhile `til we see their Sub Pop debut though.)

    [mp3]: Blitzen Trapper - "Wild Mountain Nation" (Via Pitchfork)

    Bonus back catalog:

    [mp3]: Blitzen Trapper - "Summer Twin"
    [mp3]: Blitzen Trapper - "Love I Exclaim"

    Craig Bonnell

    Concert Thu Jul 26 2007

    Ra Ra Riot tonight at The Beat Kitchen

    Partying like indie rockstars isn't a task for the faint of heart, but TX has got you covered with a Thursday night rock'n'roll itinerary that's sure to put a little jump in your cords : start out the night at The Beat Kitchen with New York state indie popsters Ra Ra Riot, and then follow the band over to the Five Star for the afterparty / TX one year anniversary. Show starts at 8:30 and should be around $8, but the chance to get wasted with the band after the show remains priceless.

    Nilay Patel

    Concert Wed Jul 25 2007

    Machine Fest Loft Dance Party

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    Rawk Magazine is just a loft party throwing machine. And Friday they join the Machine, Machine Media that is for Machine Fest. Modemtotem is going down in the warehouse part of town with Menowah, Deep Element and Nightfox. Three very groovy DJs well worth $5. This will also be a chance to get out and hear more about what you can do to stop the city's efforts to stiffle non-mainstream parties. Don't miss the crazy and good of Machine Fest.

    Brent Kado

    Concert Mon Jul 23 2007

    Wilco in Millennium Park September 12?

    Hot on the heels of The Decemberist's well-received show at The Pritzker Pavilion in Millennium Park, the Trib's main man Greg Kot has apparently gotten word that Wilco will be playing a show in the spaceship-looking bandshell on September 12. Unfortunately, it looks like it won't be free, with 3,000 tickets for the main area coming in "under $50" and 7,000 lawn seats going for around $10. The show was due to be announced today but it doesn't look like that's going to happen -- keep an eye on TX and we'll let you know when things go down.

    UPDATE: Yep, it's official. Tickets are $45 and $10, available through TicketSatan or at the Vic box office with no service fee.

    Nilay Patel

    Concert Mon Jul 23 2007

    The Gospel According To Alela Diane


    Alela Diane loves her cat. That's one strike against her. Her music's been categorized as freak folk and that should be strike number two. But somehow despite these long odds I like Alela's brand of hippy folk. I like that the first 650 copies of her record Pirate's Gospel were hand sewn with lace and on each was an original drawing of a ship. I like the rural folk of "The Rifle", it reminds me of the Little House On The Prairie books-on-tape I'm forced to listen to on long car trips with my 5 year old son. She'll be at The Hideout on Thursday the 26th. Show starts at 9pm. Ezra Furman opens. More info here.

    [mp3]: Alela Diane - "The Rifle"

    Video for "The Rifle"

    Craig Bonnell

    Concert Fri Jul 20 2007

    Chicago Gets Zuned

    I'm not a crazy, iPod-loving, Microsoft-bashing Zune hater. Although I do wonder who the hell bought 1.2 million of those turds. Anyway Zune is throwing a free event in Chicago called Live At The BBQ this Sunday at some mystery location. Thankfully I think they've dropped that horrible "Welcome To The Social" tagline. So if you're up for selling your soul, giving up all your key demographic information, and losing your remaining hipster cred fill out this registration form for a chance to win tickets to see Mos Def, Bilal, Little Brother, and Chicago's own Qualo between 3pm and 10pm on Sunday, July 22.

    Oh yeah and don't bring your new iPhone.

    Craig Bonnell

    Concert Thu Jul 19 2007

    Best Show For The $ This Weekend

    Machine Fest (thrown by Machine Media) is all about the music and one thing for sure, they know how to book a show.  Tonight's lineup (J+J+J, Arks, Charlie Deets and Aleks and the Drummer) is one of the more solid top-to-bottom events we've seen in awhile.  And all for only $5. (yep 5 bucks on a Friday night) So to hell with Harry Potter, get on over to the Double Door and hear the buzz of tomorrow, tonight.

    Brent Kado

    Concert Thu Jul 19 2007

    Rose Polenzani Comes Home


    (Kissing Micha Barton, Micha's subway billboard actually)

    Ex-Chicagoan Rose Polenzani is now a native Bostonian (actually Somerville or as we used to say Slumerville). She returns to Chicago this week with a show at Uncommon Ground on Saturday the 21st at 11pm.

    First and foremost Rose is a great singer songwriter, she's also active in the gay and lesbian music community. She's recorded for Amy Ray's (Indigo Girls) Daemon label, as well as for Rykodisc. Her last release was 2004's self-released CD August. Rose is funny, charming, silly and at times poignant live; this should be an intimate show at one of Chicago's best acoustic venues.

    [mp3]: Rose Polenzani - "Abalin" (w/Andrew Bird)

    On a slightly related note here's one of my favorite songs from last year. It's The Pernice Brothers' song "Somerville".

    [mp3]: Pernice Brothers - "Somerville"

    Craig Bonnell

    Review Mon Jul 16 2007

    We (Heart) Chicago: Two-Thirds of a Recap

    As reported last week, the Empty Bottle was hosting a weekend-long shindiggity series of afterparty shows to coincide with the Pitchfork Fest. The cornucopia spilled over, proved too much for yours truly to take in to its fullest. And while there's nothing like a "scene report" thing to rub your face in the business about the party that you missed, couldn't get into, etc., this one leaves plenty of room for reciprocal nyeh-nyeh payback…

    Continue reading this entry »

    Graham Sanford

    Concert Thu Jul 12 2007

    Rawk Out After Swaying At P-Fork

    S_d74c2bdc8a61e7e661025966ec1f0a62Some people know how to rock (or sway) and others Rawk!  Rawk Magazine never disappoints when they throw a party and with a Pitchfork after event going down this Saturday, take the oppurtunity to check out their famous loft bashes.  And while you've probably seen other Pitchfork after parties advertised there is one major reason to choose Skeet, Skeet, Skeet - the line up is stellar.  Menowah, Machine Drum, Matt Roan and Flashbulb will be dropping beats and sounds. Art will be on display, beer will be free and a cash bar is also availible.  This is a 21+ event so the kiddies will be at other parties, but with a non-bar locale, (Fulton St. Collective) you'll be without the bar attitudes.(and prices) RSVP here for cheap 10 buck admission.

    Brent Kado

    Concert Thu Jul 12 2007

    The Band With An Odd Name

    If you follow the city's music scene to any length it's probable you've heard of Brighton, MA and probably read something about how their name is odd, considering they're a band from Chicago. Still, odd name aside, Brighton, MA is a band of note with a sound that is making music fans take a close listen. Formed by Matthew Kerstein, formerly of popular Scotland Yard Gospel Choir, the band has recently released a self-titled debut. Brighton, MA doesn't come off with a typical indie sound easily traced back to any musical forefather. Thier style is as much tied in Sixties pop as is in standard mood music of today's fare. Warm, simple and entrancing, Brighton, MA often offers up songs that feel like they deserve to be on Wes Anderson movie soundtracks. See what they can do live tonight at the Lakeshore Theater with Lacona and Gringo Starr.

    Brent Kado

    Concert Tue Jul 10 2007

    Strewn With Exclamation Marks and Brought to You With Love


    artwork courtesy of Struggle Inc.

    This weekend, there'll be no shortage of clubs hosting afterparties for the Pitchfork Music Festival, but it looks like the Empty Bottle has pulled out all the stops by stepping up with the most ambitious of all. Entitled "We ♥ Chicago," the Bottle's series of afterparty events offers three straight nights of merrymaking and dancing with a top-shelf selection of bands and DJs.

    Looking down the schedule for the series, you probably notice a lot of exclamation points. And hey, that sense of excitement is perfectly appropriate because the whole affair is poised to be one of the biggest party events of the year. In case you missed it, here's the whole swoll package:

    Friday, July 13
    Gravy Train!!!!
    The Cool Kids
    GutterButter DJs

    Saturday, July 14
    Chromeo
    Flosstradamus
    Vyle

    Sunday, July 15
    Yo! Majesty
    Marjongg
    My!Gay!Husband!

    Continue reading this entry »

    Graham Sanford

    Concert Mon Jul 09 2007

    Bouncing In The Presence of Royalty


    Photo courtesy of Clayton Hauch at EveryoneIsFamous.

    Enough with the talking, honey…let's get down to the nasty. And what better opportunity for it than this weekend when Yo! Majesty sets up a temporary regal residency here in Chi?

    The rowdy Floridian punk-funk-electro-crunk trio received a red carpet welcome when they made their Chicago debut at the Funky Buddha back in early March, and they ripped the spot proud and proper. At the time, the group was just on the cusp of a come-up, and the appearance was only one of a few that they'd made away from their home turf. Since then, they've received a lot more attention and are in big demand, partly thanks to the frenzied mp3 circulation of their tracks "Club Action" and "Kryptonite Pussy," and to their recent set at SXSW. This summer has them touring like mad all over the country, and they're reportedly putting down some tracks for a new release.

    This Friday night, Yo! Majesty will be bringing the heat at Sonotheque. But if that conflicts with your plans, you'll have another chance to catch them on Sunday when they play at the Empty Bottle's Pitchfork afterparty. Check Sonotheque's site for details about Friday, and more here shortly on the Bottle goings-on. So stay tuned.

    Graham Sanford

    Concert Sat Jul 07 2007

    Mutants From Beyond Bahia

    Artistic posterity is a tricky biz. Some things get lost or simply fall by the wayside, many fall short of canonical merits, and others – due to being in the wrong place or time (if not both) -- have to patiently wait for proper, overdue recognition. In the case of Brazilian psych-pop ensemble Os Mutantes, it was all a matter of geography. Formed in 1966, the trio was an integral part of the Tropicalismo movement -- a musical response to the cultural and political temperament of the times and a concerted effort by a cadre of restless musicians to "mod"-ify Brazilian popular music by taking it in new, inventive directions. With Os Mutantes, that direction involved an embracing of trippy, rockish influences from Europe and the U.S., and coming up with a delightfully odd and energetic mix of bossa nova, psychedelic pop, and whimsical musical experimentation. But it was not until the 1999 release of the Everything Is Possible collection on David Byrne's Luaka Bop imprint that many music fans outside of Brazil finally heard any of the group's material from the 1960s and early 1970s.

    After a decades-long stretch of inactivity, Os Mutantes reunited in 2006, with vocalist Zèlia Duncan taking the place of former member Rita Lee, and began playing concerts together. Their appearance at last summer's Pitchfork Festival marked a triumphant return, and was greeted with an outpouring of enthusiasm and accolades. At present, Luaka Bop will soon be putting out an expanded reissue of Everything Is Possible, and late July sees the release of Live at the Barbican, a double-DVD set of the group's 2006 reunion show in London.

    Having finally found a global audience, the band is presently making another sojourn from São Paulo to tour again. The current tour includes only four cities in North America, and they'll be playing at Metro this Wednesday night. DJ Joe Bryl will be spinning tunes throughout the evening. 3730 N. Clark. Tickets are $26 in advance, $31 day of. Doors open at 8pm, show starts at 9. 18 & over show.

    [video]: Os Mutantes - "Bread & Circuses" documentary trailer
    [video]: Gilberto Gil & Os Mutantes - "Domingo No Parque"

    Graham Sanford

    Concert Sat Jul 07 2007

    Won't You be Our Neighbor?

    It's time to look back fondly on our misbegotten youth, and it's time to warp those memories a bit. What better way to do that than with the Weird Kids Dance Party at the Darkroom?

    The theme is kids' music, and boy howdy, have they got fun. Spinning tracks are DJ Arpad, Rocktober's Jake Austen, and the WLUW Hump Day Day Dance Party Mobile Unit. Chicago hip hopsters The Cool Kids will be kickin' it live, and Daniel Knox will be crooning versions of songs by our favorite sweater-wearer, Mr. Rogers. Of course, you can bet your pants there will be more than just dancing -- expect some games, prizes, and general F-U-N.

    The deets: the hullaballoo is on Monday, July 9, from 9 p.m. to close. The cover is a paltry $7, and the proceeds benefit WLUW 88.7 FM. Just go, already.

    Kara Luger

    Concert Fri Jul 06 2007

    New Indie Goes Triple-X

    The latest installment in the New Indie Mafia event series gets kicking at Sonotheque this evening, featuring a headlining DJ set from XXXChange. He's a keystone member and one-third of the Baltimore Bass Connection, the deejay trio that lays down the tracks and mix sets for Spank Rock. Ever since the blow-up of SpankRo's 2006 debut YoYoYoYoYo, XXXChange and the crew have been touring relentlessly, yet he's still found time to keep his own efforts rolling with unbroken momentum. Over the past year, he's been regularly spinning club dates and dance parties in Brooklyn, supplying remixes for Bonde do Role, Beck, Lily Allen, and a host of others, as well as producing tracks for Kid Sister and Philly up-and-comer Amanda Blank. Renowned for his speed and craftiness on the decks, his DJ sets are brilliantly eclectic and often threaded by the sputter and bump of old-school beatbox electro. Also spinning are Jordan Z, Miss Gab, and Ian Hixxx. 1444 W. Chicago. Doors open at 10pm, admission is $10.

    Graham Sanford

    Blog Fri Jul 06 2007

    Lolla mp3 Previews at Can You See The Sunset

    The Chicago restaurant recommendations in yesterday's third post might or might not pass muster at Drive-Thru, but Can You See The Sunset From The Southside?'s efforts at posting mp3 samples from this year's Lollapalooza lineup are definitely Transmission-worthy. See also parts one and two. If you don't know enough about Carey Ott and Elvis Perkins to choose between the two, Eric is at your service; don't forget he's also one of the producers of tonight's Blogapalooza show at Cal's Bar.

    Kris Vire

    Concert Thu Jul 05 2007

    Cellorific

    For over a decade, Rasputina's been making an unlikely mix of guitar rock heroes, classical music snobs, and mopey-faced goth kids swoon. Take equal parts historically obsessed histrionics, fantastic corsetry, and licks that would make Jimmy Page proud, and it's easy to see why. Add the fact that the New York-based trio is entirely made up of two cello-playin' gals and a drummer, and you've got yerself a deal, mister.

    Rasputina is currently touring in support of their sixth and latest full-length album, Oh Perilous World, which finds the band mixing up their usual chamber rock doings with a fair amount of allegorical theatrical numbers. Dare we say it: a musical? Don't worry -- once ringleader Melora Creager plugs in her cello, it's obvious the band hasn't lost any of its cajones.

    Catch them at their upcoming show with opener Jana Hunter at the Abbey Pub on Sunday, July 8.

    Kara Luger

    Concert Thu Jul 05 2007

    Hear How Indie Rock Saved His Life

    John Sellers was forlorn until a little thing called indie rock came into his life as a teen. He's scrounged for tapes, followed bands overseas and even given up meat in the name of Morrissey (though not for very long). Now he's all grown up (and writing for the likes of GQ, Spin and the New York Times for a living). He's come to town to do some reading from his book Perfect From Now On: How Indie Rock Saved My Life, but Saturday night, he's going to help the Beat Kitchen rock with the likes of Chicago's own Guided By Voices tribute band the Textbook Committee. They'll pay homage to Bob Pollard along with (another local band) Farewell Captain who will forego their own originals to do a set of indie-rock cover songs by Pavement, Archers of Loaf and Superchunk all by John's request. Head on out and rock it like it's the days when MTV still played videos, and U2 was just some Irish dudes with questionable hair.

    They'll play the late show at the Kitchen Saturday. Doors open at 10:30 pm, music starts at 11pm. Tickets are $7, 21+.

    Anne Holub

    Concert Thu Jul 05 2007

    Blogapalooza Visits Cal's Bar

    poster
    Alright let me put my cards on the table. I am one of the sponsors of this week's little rock show at Cal's (400 S. Wells). Of course and as a result I'm biased and partial to the bill that was thrown together. Partly because I, along with two other Chicago area blogs (Can You See the Sunset and Big Rock Candy Mountain), have been slaving over hot coals to put this show together. The lineup is Latest Flame recording artist The Gunshy, Frontier Ruckus from Ann Arbor and Chicago's Satellite 66.

    Music starts at 10pm with The Gunshy. Eric from BRCM described his music as "combining a little Tom Waits, a smidge of Eric Bachman/Crooked Fingers, and a mesa-top full of burnt desert filtered through urban neon sprawl, the Gunshy play a gritty Western noir through the greasy windows of your favorite Old Style bar."

    [mp3]: The Gunshy - "Souls"

    Frontier Ruckus are the talk of the town (Ann Arbor that is). They've been opening up for Michigan bands like Canada, Great Lakes Myth Society and Chris Bathgate over the last year or so. On top of that they were just named Best Folk Artist by Real Detroit Weekly. The band has a musical stew type of sound with lots of instruments swapped and bowed and tooted. Lyrically the songs are dense, although not as obvious and historically relevant as say The Decemberists. I'm told from various sources that the live show is amazing.

    [mp3]: Frontier Ruckus - "Adirondack Amish Holler"

    Closing off the night will be Satellite 66 who will be bringing their Luna influenced indie rock back to the club that gave them their first gig in Chicago.

    [mp3]: Satellite 66 - "Going Home"

    Join us at Cal's this Friday the 6th. If you work downtown don't even bother going home just meet us at 400 S. Wells. The cover is only $5 and the PBR is very cheap.

    Craig Bonnell

    Concert Mon Jul 02 2007

    Hideout Block Party Headliners Announced

    The Hideout Block Party, now in its 11th year, has announced its headliners for the September 7-8 festival. Bloc Party will return to Chicago for yet another show (no word yet on whether they'll bring their own lighting rig this time) Friday and local star Andrew Bird tops Saturday's list of performers. The Frames and Mucca Pazza also play, along with many other as-yet-unannounced acts. Tickets for the weekend will go on sale Tuesday, July 3.

    James Ziegenfus

    Concert Mon Jul 02 2007

    Chicago is Creepy

    She sends shivers down your spine with her mega-watt voice and incandescent harmonies, holds you in the palm of her hand with a sparkling, tongue in cheek sense of humor. She's Jenny Owen Youngs, and Chicago was graced with her magnetic presence last night at Schuba's.

    "Hello Chicago," she said in her gentle, understated manner, taking the stage dressed hip and casual in a yellow t-shirt emblazoned with the words "Community Chest" (from Monopoly), a blue skirt, and yellow Converse sneakers. In response, the Chicago audience, a bit shy in warming up to her, but enthusiastic all the same, greeted her with a genuine but delayed kind of awkward cheer. "Chicago is creepy," she noted wryly, making the audience laugh.

    It's hard to decide which was better last night: Owen Young's pop culture satire or her music – as she was at the top of her game in both. Highlights were her assaults on Justin Timberlake and Avril Lavigne, as well as songs from her album, Batten the Hatches (recently re-released by Nettwerk Records). The irreverent and poetic "Fuck was I" was as equally enthralling as the upbeat honky tonk in "Coyote." Then there were the musical montages – the artist blending two songs together in a parody. Bits of "Milkshake" by Kelis Roger-Jones were mixed in with Kelly Clarkson's "Since You’ve Been Gone," to hilarious effect. She ended the show with her namesake finale: an unabashed rendition of Nelly's "It’s Getting Hot in Herre," with a bit of "Wonderwall" by Oasis thrown into the chorus.

    "Chicago is the best place to play, because of you, but don’t tell other cities that," she told the audience, in response to them being eagerly engaged in her antics, every step of the way. "In New York everybody would be too busy smoking." We’ll wait anxiously for super-cool chick Jenny Owen Youngs to come back to "creepy Chicago" soon—work her magic on us once again.

    Marla Seidell

    Concert Mon Jul 02 2007

    The Taste - Beyond The Big Names

    As always there's a plethora of talent coming to the Taste of Chicago.  And what makes it even better is all the shows are free and allow you to bring your own snacks and drinks. (unlike other city fests)  With an all-star lineup that features the likes of Cheap Trick, John Mayer, Black Crowes and Los Lonely Boys, some of the lesser acts get lost in the shuffle.  Umphreys Mcgee is one obvious choice of a band that few have heard of that will bring fans a whole new musical experience.  But the two bands opening for John Mayer on the Fourth are without a doubt two groups you should arrive early for.  Rodrigo y Gabriela are an acoustic duo from Mexico that are influenced by in part by heavy metal.  While cutting their chops in the Mexico City club scene the two decided to take their multi-dimensional guitar education into a group and formed their current partnership.  Moving to Dublin (yes Ireland) the group found fans as street performers and in the bars while they developed a diverse, organic guitar sounds.  Their sound tends to be a more upbeat, vivacious groove that is high on energy and passion, which may get lost in a massive outdoor venue, but will be perfect mood music for a delightful afternoon. The mood of the concert will definitely shift when Robert Randolph and the Family Band take the stage. 

    Continue reading this entry »

    Brent Kado

    Concert Fri Jun 29 2007

    Get Him Eat Him Page France


    (Page France)

    The humble little Beat Kitchen has surpassed all of its' rivals with an unequaled one-two punch this weekend of Page France on Friday and Get Him Eat Him on Saturday. There's no way to tie these two disparate bands in a nice little bow for you, other than saying they both favor the sly, coying, and ever so frantic indie rock that get's the big music blog sites all a twitter. It's eminently likeable, catchy rock bordering on pop that's as smart as the Decemberists, while not hung-up on finding antiquated words to impress music critics with. Both band have new records out; Page France's ...And The Family Telephone was released in May by Suicide Squeeze Records and Get Him Eat Him's new one, Arms Down, is just out on Absolutely Kosher (they also have a limited edition purple vinyl 7" out on Catbird Records)

    [mp3]: Page France - "Hat And Rabbit"
    [mp3]: Get Him Eat Him - "2X2"

    Craig Bonnell

    Concert Fri Jun 29 2007

    Don't forget....Fugue State!!

    According to Wikipedia, a "Fugue State" is something like amnesia, but it's not somehow, because...uh...oh blah blah, woof woof, the entry is written in doctor-ese, and I didn't get what they were talking about, so instead of sticking with it, I went into the other room for a root beer.

    Anyway, it's kind of like amnesia. But not.

    What it's also kind of like is a two-night music festival going down at the Empty Bottle (1035 N. Western) - starting TONIGHT (Friday)!! Yes, it put such a fog on my brain, I FORGOT to write about it until just now! Oh no...the FUGUE STATE!

    Anyway, Fugue State the festival is spearheaded by local experimental music label Rebis Records, hosted graciously by The Empty Bottle, and billed as "a celebration of the drone in all its many manifestations, as interpreted by many of Chicago's finest musicians." It's seriously a killer lineup too - if your head is the type of head that gets all melty and shimmery in the presence of a great drone, be it generated by electronic device or rock and roll implement (i.e. guitar), you probably already know names like Haptic, Goldblood, DRMWPN (Dreamweapon), Number None, The Fortieth Day, and Estombello. Heck, you may even know names like Good Stuff House (OMG, Zelienople + the guy from Souled American!!!), Matt Clark, David Daniell, and The Zoo Wheel as well! I don't. But that's why I'm going...to find out.

    Full info on the festival, including band bios, can be found at the Rebis Records Fugue State festival page. Shows start at 8 p.m. on both Friday and Saturday night. Admission for one night is $12, two nights is $20.

    Chris Sienko

    Concert Thu Jun 28 2007

    Michael McDermott Tries To Move On From 620 W. Surf


    Ok. We're taking about Chicago, right? So in that context does the name Michael McDermott really need any introduction? Since a lot of the kids haven't heard about Paul McCartney's other band, I suppose he does. Thumbnail sketch then. Michael had a huge hit with the song "A Wall I Must Climb" from his 1991 debut 620 W. Surf. While I never connected with that over produced AOR-ready song, the title track was very poetic and appealing (especially for someone who lived right down the street from the actual 620 W. Surf). His debut was hailed as the record of the year and Michael himself as the coming of the new messiah, but since no one can live up to that subsequent records failed to deliver the same knockout punch.

    Now a decade or two later Michael McDermott is back with a new album, Noise From Words, on the hip label One Little Indian. On first listen the new single "No Words" is more of along the lines of "A Wall I Must Climb" but I'll reserve judgment and give Michael a pass until I can hear the whole record. Buy it here now. Catch Michael McDermott at Martyr's on June 29.

    [mp3]: Michael McDermott - "No Words"

    Craig Bonnell

    Random Thu Jun 28 2007

    Know When to Run...

    Photo Sharing and Video Hosting at Photobucket
    Not pictured: The Holy Ghost

    Back when I was an art-school undergrad, our department was paid a visit by artist Roger Brown. The son of a local grocer from Opelika, Alabama, Brown was a hometown boy made good who'd gone off to attend the School of the Art Institute and become a Windy City cultural fixture via his affiliation with the whole Chicago Imagist movement. He'd brought some slides of his recent paintings, and among them was a work that depicted a cameo portrait of Kenny Rogers hovering over a pastoral expanse of the Great American Heartland. Asked why he'd put a likeness of the country vocalist in the painting, Brown replied, "Because I always thought Kenny Rogers looked a lot like God."

    Well folks, if you were planning to hit the Chicago Country Music Festival in Grant Park this Saturday, then you'll have the chance to see a stage full of deific doppelgängers. Not only will The Man himself be performing, but the Festival's reportedly hosting a Kenny Rogers Look-alike Contest! And, for shizzle—this has the makings of a big event, as it appears that impersonating Kenny Rogers is something of a cottage industry throughout the country (see here, here, and here). Indeed, it seems that even Kenny himself has had to put some effort into looking like Kenny in recent years. So here's your chance to see the man who was once voted Favorite Singer of All Time in a joint USA Today/People magazine poll without having to make the haul to Branson. It all gets underway at 3pm at the Petrillo Music Shell, Saturday.

    Graham Sanford

    Concert Wed Jun 27 2007

    The Boy Who Floated Freely


    Ramona Cordova is big in France (and Italy, Greece and much of Western Europe). I'm not sure why Europeans fell so hard for his strange blend of Walt Disney meets Antony and the Johnsons. His debut record, "The Boy Who Floated Freely", is a concept album of 11 songs about a boy who washes up on an island of gypsies and magical fairies. But it works...seriously!

    Ramona Cordova plays Chicago tonight at 8pm at South Union Arts. Below is an mp3 from his debut courtesy of Les In Rocks (France's "Rolling Stone").

    [mp3]: Ramona Cordova - "One Day Someday"

    An impressive amateur video of "Giver's Reply"

    Craig Bonnell

    Concert Tue Jun 26 2007

    A Basket Full of Mallets and a Yard Littered With Limbs

    Tortoise pops its head out of its collective shell to make an in-town appearance at the Metro this weekend. Granted, it's been three years since they released an album of new material, but expecting a regular schedule from an entity that never fully behaved like a "band" in any conventional, rock-wise sense would be like asking Jackson Pollock to color between the lines. And it isn't like the band's their activities have been slack in the interim. Recent efforts have seen them all busy with their various side projects, be it the recent effort from The Sea & Cake, Doug McCombs continuing work under his Brokeback pseudonym, or guitarist Jeff Parker being the indefatigable and multi-skilled musician about town. Not to mention that this past week saw the release of the Bumps LP--a one-off project by drummers John McEntire, John Herndon, and Dan Bitney.

    Despite all of the tangential bustle, Tortoise has reportedly been working on new material, and recently contributing some music for an upcoming documentary on Robert Moog. They're making a quick excursion of touring through major cities across North America. Sunday night will find them making a quick stopover at home base to play the Metro. Touring with the band and featured on the opening bill is Joan of Arc offshoot Make Believe. Somewhat newsworthily, the occasion marks one of Tim Kinsella's final performances with the group (in case you missed it, story here). So catch that while you can. First up on the billing is David Daniell. 3730 N. Clark. Tickets are $19. Doors open at 7pm, show starts at 8. 18 & over.

    Graham Sanford

    Concert Tue Jun 26 2007

    Boost Your Hot IQ!

    Feeling kinda dumb?

    Wishing you were hotter?

    Wishing you had the kind of book smarts that drive the _____ (plural gender) wild?

    Look no further, friend. Featuring intelligent lyrics and poppy, angular hooks (not to mention cuter-than-hell musicians -- check out the gum-snapping drummer, Elaine), the Hot IQs can meet your every rock 'n roll need. The Denver-based trio are swinging through Chicago in support of their new EP, Dangling Modifier, and will be playing at the Kinetic Playground on Thursday, June 28.

    What, not hot enough for you? How 'bout I toss in the equally hot Unicycle Loves You, a local group who just signed with Chicago-based label Highwheel Records (whose roster includes Arks, Walking Bicycles, and Bang! Bang!). DJ Brian J will also be spinning, whose attractiveness I can only assume is on par with the others.

    Kara Luger

    Concert Tue Jun 26 2007

    No Time Left for Hedging

    This year's Pitchfork music festival is nearly sold out! If you want to get in on the mid-July music weekend, you'd better act fast. Pitchfork Media announced this week that 2-day weekend passes are gone gone gone. Friday's already sold out, so you'd better get going if you want to hear the likes of The New Pornographers, Yoko Ono, De La Soul, Stephen Malkmus, Clipse or Iron & Wine (plus oodles more) this summer. It's $25 per day (which is less than you dropped at the bar the other night, so what's your excuse now?).

    Anne Holub

    Concert Tue Jun 26 2007

    Them Roaring Twenties Play At Home

    June26thwithalg Don't waste your cash on flyers to promo a show, just make some and put them up.  It's good advice and it seems Them Roaring Twenties have started in the right direction. The venue is thier loft above Lava Lounge and the Twenties make music you'll wanna check tonight. A mix of sporadic-experimental jazz tinged liberally with soft-rock, it's nice music to build up the night with. They'll be joined by Algernon Cadwallader. (West Philly band that sounds like a guitar-driven Ween) Show starts early at 8, so you can catch this and then head out for more madness

    Brent Kado

    Concert Mon Jun 25 2007

    4th of July Kicks Off Early On June 29 At Fitzgerald's "American Music Festival"


    (Holmes Brothers)

    Fitzgerald's 4th of July weekend long party is a Chicago (Berwyn!?) institution. The lineup is fairly consistent year to year and that's probably because tastes don't change at quite the same pace in roots music as they do in indie rock. Artists are able to age gracefully and actually become more productive, nuanced and successful as they age. American Music Fest mainstays like Marcia Ball, Terrence Simian, and Beausoleil are back once again, but there are also a nice group of newcomers on the lineup including Hayes Carll, Elana James and The Holmes Brothers.

    One of the biggest draws this year may well be the southern soul cooking of Wishbone Restaurant ( a new addition to the Fitzgerald's complex and the fest in particular). If the weather cooperates this is a can't miss weekend of music. Festivities begin Friday, June 29 and go though Tuesday, July 3 (closed Monday). Tickets are $25 at the door and kids are welcome (only $5). More info here. Here's an an assortment of mp3's from artists appearing at this years fest.

    [mp3]: Hayes Carll - "Wish I Hadn't Stayed So Long"
    [mp3]: Hayes Carll - "Little Rock"

    [mp3]: Holmes Brothers - "Gasoline Drawers"

    [mp3]: Elana James - "24 Hours A Day"

    Craig Bonnell

    Concert Thu Jun 21 2007

    Re-Open End

    A new show space is opening its doors in the loft that previously housed Open End Gallery. Continuing on where its predecessor left off, AV-aerie has begun scheduling performances to rival the amazing shows that Open End hosted in the past (Deerhoof, the Mountain Goats, etc). AV-aerie has announced a special performance by LA's long-running spazz unit The Mae Shi on August 8th, as well as Portland's Deer or the Doe and Junkface on Sept 10th.

    Stay tuned for more exciting performance news. For more info on AV-aerie, check out: www.av-aerie.org.

    John Lombardo

    Concert Thu Jun 21 2007

    Halellujah The Hills Mix It Up


    Not enough bands have full fledged fight songs. What is a fight song anyway? I guess it's a song where the band is self referential to the extreme, even going as far as singing in the third person about the band. Hallelujah The Hills from Boston have the latest, greatest example of a band fight song.

    The band is newly signed to Misra/Absolutely Kosher and is tearing up the blog world with their debut Collective Psychosis Begone. Catch their frantic, skattershot punk (mixed with strings and horns) June 25 at The Note opening up for Southerly.

    [mp3]: Hallelujah The Hills - "Hallelujah The Hills"
    [mp3]: Southerly - "Soldiers"
    [mp3]: Southerly - "Dreams That Make Men Free"

    Craig Bonnell

    Concert Thu Jun 21 2007

    Record Release Show = Fine Time

    Bottleposter We had the pleasure of hearing sally's latest album, long live the new flesh, before it was even mastered.  It is an intense, emotive album that pushes the experimental envelope just enough without alienating.  Now the album is officially on the street and tonight sally (with fellow Paribus Record mates LMNOP and upstart MeanOhio) heads to the Empty Bottle for a record release show.  sally live is a striking experience with their soul-gripping sound more prominent in person.  Show time is 9:30 and the cost is a reasonable 7 bucks.

    Brent Kado

    Concert Wed Jun 20 2007

    Read a Book, Disprove Science, Spout Your Blowhole

    This Friday night at South Union Arts, you can get quite a lot done with the musical stylings of the night's fine performers. Armed with a new name and coming off an opening spot for Loney, Dear at Schubas, Picture Books (nee Erik Harms & The Trophy Wives) will top the bill. Fable & The World Flat are importing some lo-fi smoothness from Milwaukee into the affair. Spiller Whale will perform their first hometown appearance (and presumably make sure everyone has a whale of a good time, a-ho ho ho ho)!
    Ahem. Show starts at 8PM.

    Spiller Whale (photo: Joseph Mohan)

    Dan Morgridge

    Concert Wed Jun 20 2007

    Y'all Feel Like Funkin' It Up?

    Let's talk about some prototypical "booty bass" stuff, if not about the key ingredients of almost everything that's now considered funky. By that I mean that special punch of the drum and wobble of bass that dutifully informs you that your ass is meant for greater things than just sittin' on. If any city can claim proprietorship over funk, it's New Orleans. That beat was very much there in the Crescent City's insular r&b scene throughout the 1950s and '60s, rooted in early jazz and blues and then reanimated years later via the sampler in hip-hop. And if you've been down there and you went to the right (meaning: local, non-touristy) places where the younger brass bands play, then you know it continues to thrive and evolve and move people to this day.

    The native N.O. version of it is unmistakable, as are the moves that go with it. When it starts up, you can pick out the born-and-bred locals by how they automatically respond to the rhythm—instinctively sinking into a stance that involves a certain splay of the feet and crook of the knees, followed by a distinctly indigenous sway and bounce of the hips that intensifies as the band works its way into full swing mode. And while it may be something of an epiphany to some that a tuba (a tuba!) could get a roomful of rumps to shaking, anyone who's experienced any of this first-hand can verify it as fact. That's one of the reasons that the guys in the Rebirth Brass Band call their tuba player Philip Frazier "The Staple."

    Continue reading this entry »

    Graham Sanford

    Benefit Tue Jun 19 2007

    Let My Children Hear Music

    A big evening at Darkroom is shaping up for this Friday. It's the big DJ LA* Jesus Benefit Birthday Bash, and plenty of participants have piled on to celebrate and make the thing happen for a worthy cause. DJ LA* Jesus been an amusing fixture on the local club scene these past few years, and not unlike his namesake, has landed his own devout following around town. He's slung a good many crafty bootleg remixes (Missy E's "Pass The Dutchie" atop New Order's "Blue Monday," anyone?), and has recently done some legit remix work for The Flaming Lips and Apostle of Hustle. And this Friday is His his birthday, and a big to-do is in order. Entertainment-wise, DJ LA* Jesus himself will be spinning, as will Bald Eagle of the Life During Wartime crew, and deejay Lipschitz. But wait, it ain't over! The evening will also feature an appearance by dance-popsters Walter Meego, who will reportedly contribute to the DJing and perform a live set, as well.

    As for the Benefit portion of the evening is concerned, proceeds will go to Rock For Kids, the Chicago non-profit organization that helps provide music education and lessons to homeless and underprivileged children. A lot of folks have signed on to provide incentives, and there will reportedly be giveaways that might allow you to chance to get free stuff from Threadless, studio time at Rax Trax studios, a free haircut from Ben Mollin, and tickets to upcoming shows around town (word has it that the Metro will be holding a raffle for tix to see Clap Your Hand Say Yeah and Cold War Kids). 2210 W. Chicago. It all gets underway at 9pm. $6 at the door or you can buy advanced tickets from the club.

    Graham Sanford

    Concert Tue Jun 19 2007

    The Bitch(es) is Back

    After a too-long absence, the SF-by-way-of-Columbus femme fatales of noise/drone, 16 Bitch Pile-Up, return to Chicago for a night of bass guitars played with knives, long mic cords, chains on concrete, and, er, yoga moves. Show goes down at Enemy (1550 N. Milwaukee, 3rd floor) on Wednesday June 20th. $5 donation, BYOB.


    Shannon Walter and Sarah Cathers of 16 Bitch Pile-Up. Photo by Bill T. Miller. More live images of 16 Bitch Pile-Up can by found Here.

    Continue reading this entry »

    Chris Sienko

    Concert Tue Jun 19 2007

    A Great Tuesday Night Lineup At Schubas


    (Ben Weaver)

    So there's a great show tonight at Schubas. It must have been one of those rare times for a booker when all the stars align and you're able to bring in three very complimentary artists. Opening up is Romantica (or more accurately leader Ben Kyle), followed by Ezra Furman and then capped off by Ben Weaver.

    Ben Kyle (leader of Romantica) is originally from Ireland, but now lives in Minneapolis. It seems odd to hear such stereotypically American sounding music from Ben Kyle. But his version of Americana is definitely informed by his Irish roots as drinking at the pub, "girls from Donegal way" and many references to God/Jesus can be found in his songs. America (2024 Records) is the new record from Romantica.

    I've mentioned Ezra and his band The Harpoons in this space before (here) so I'm not going to get into it again now. However, tonight's show will be a solo affair for Ezra and it will probably bring out his quirkier side and a bunch of fun songs (a la Jonathan Richman).

    Ben Weaver is the headliner and one of the most acclaimed solo artists in the midwest. His self-released records (he runs his label out of a Minneapolis casket company warehouse) have been garnering critical acclaim for years. His latest, Paper Sky, ups the ante with production by Brian Deck and a fuller, more complex sound. He'll be solo at this show; so just him, an acoustic guitar, and his songs.

    [mp3] Ben Weaver - "Grieve All You Want"
    [mp3] Ezra Fuhrman - "How Long Diana"
    [mp3] Romantica - "Drink The Night Away"

    Craig Bonnell

    Concert Mon Jun 18 2007

    Super Tiny Review: Changes and Walkmen @ Taste of Randolph Street

    walkmen_randolph-sm2.jpg

    The home listener can easily recreate this event by standing in the rain with their iPod at maximum volume and the EQ set to "Treble Booster." Perfectionists are encouraged to first pay $5 for a confusingly bullshit taco.

    Photo of The Walkmen by Flickr user ehtysrofnahtanoj.

    Nilay Patel

    Concert Thu Jun 14 2007

    Shake, Rattle, and Growl

    Does it strike anyone else as odd that certain animals are considered "in"? The last few years have seen the influx of all things unicorns, ligers, and owls; lordy, don't even get me started on wolves. I'm waiting for spiny echidnas to be the next hot beast.

    That being said, Brooklyn-based Panthers are riding a similar wave of mammalian coolness, not only for their air-brushed t-shirt potential, but for their sheer rockability. Having toured with explosive live acts such as The Yeah Yeah Yeahs, Erase Errata, Liars, and The Rapture, Panthers have learned a thing or two about getting a crowd going. Their latest album, The Trick, finds the band taking a turn from their formerly D.C. punk influence, and heading in a more indie and good ol'-fashioned rawk direction. Not bad.

    Check out the growly quintet at the Empty Bottle on Friday, June 15. They're playing with Big Business and Raise the Red Lantern, and the show will only set you back 8 bones.

    Kara Luger

    Concert Thu Jun 14 2007

    Of disfigured stingrays and ex-burn wards

    East Coast (as well as points further inland) is representin' at Enemy this Friday (8:30 p.m.; 1550 N. Milwaukee Ave, 3rd Floor; $5 donation). It's a grab-bag of musical styles, all of them shrouded in great mystery.

    They used to call him Burn Ward, but now they don't at his request. Benny Nelson (of Boston, MA) operated under this nom de noise for three years before jettisoning it and its tough-guy associations to perform under his own initials, BRN. I haven't heard this new incarnation, but I do know that in his past life, Benny could shear a sheep with his high-ends alone, and as a member of the long-running power electronics ensemble Fire in the Head, you can bet that his gift to you shall not be perfumed or demure.

    New Jersey-ite 2673 is know to many by his dizzying array of split releases with other artists, ranging from Jessica Rylan to Chicago's own Kevin Drumm. He runs this Bone Tooth Horn tape label, and seems to get expoenentially better with each recorded outing.

    A Jenny Haniver is a dried-up cuttlefish or stingray that's carved by sailors, varnished, and sold as a gross little figurine to tourists. You learn something new every day, huh? Another thing that is a Jenny Haniver is New Jersey experimental legend-in-the-making King Darves. This is the kind of guy that's got folks disclaimering with things like "I normally HATE this kind of stuff, but THIS guy is GOOD." So, if you hate this kind of stuff, c'mon down anyway, because THIS guy is GOOD!

    Then there's Adam Strohm. His output may be slim (does he even have a record out yet?), and his appearances infrequent, but this Chicagoan will wow you with his delicate but full-frequency audio drama. Come see what the fuss is all about.

    Chris Sienko

    Concert Thu Jun 14 2007

    Wicker Park Fest Line-up Announced

    After a stellar line-up of boogaloo bands last year, Silver Wrapper is presenting another all-star cast to the teen blocks of Damen for donation prices. The confirmed acts for the 2007 Wicker Park Fest include glitch-hop mastermind Prefuse 73, experimental alt-jazzers Benevento/Russo Duo, Modest Mouse buddies Dirty Dozen Brass Band (whose name says it all) and an unscheduled but planned set from Man Man, whose sound was once aptly described as "a pirate ship filled with puppets". The suggested donation is five dollars, but you can be a total jerk and see all these great bands (and many more) for free, because that's how nice this event is. It all goes down on July 30th and 31st.

    Dan Morgridge

    Concert Thu Jun 14 2007

    Beyond Spiderland

    First, they didn't come back for the Touch and Go 25th Anniversary. Then, you got bummed out that their All Tomorrow's Parties/Pitchfork Music Festival performance is now completely sold out. But Slint fans, have hope! They've just announced a show at the Abbey Pub on July 14th, one eve immediately following their Friday performance of Spiderland. You could be a two-day roadie for the band, and tell your kids how you followed them around on tour in your younger days! Or you could just hear "Good Morning Captain" two nights in a row. Either way, tickets go on sale this Saturday.

    Dan Morgridge

    Concert Wed Jun 13 2007

    Here's What I Like About Your Mom...


    Plastic Little emcees PackofRats and Mr. Bombadillo

    You'd expect that the Philly "party rap" crew Plastic Little might not have the clearest memory of their first Chicago show, which went off at the Empty Bottle this past January. When the band took the stage after a heat-bringing set from Kid Sister, they were bandying about a liter bottle of Maker's Mark that was already two-thirds dead. But throwed or not, they delivered an unfalteringly high-energy show—with emcess PackofRats, Mr. Bombadillo, and Jon Thousand all over the stage for the entirety of their set, kicking hilarious rhymes over club-banging cuts that kept the crowd moving. And yeah...they remember the night quite well, actually.

    Talking to Plastic Little emcee Kurt Hunte (aka Mr. Bombadillo), he tells me it was one of their favorite shows on the tour. "Easily I'd say we met with the best crowd, the best response, that we've experienced outside of Philly and Pennsylvania." The tour was the group's first time making a nationwide juant, getting out of the East Coast scene that'd been their circuit for the past several years. They'll be returning to Chicago this Friday evening, having been booked by the Bottle to play inside Juan Chávez's Speaker Project at the Hyde Park Art Center.

    Continue reading this entry »

    Graham Sanford

    Concert Wed Jun 13 2007

    Spanish for 100's New Direction

    Seattle's Spanish for 100 has undergone a rather significant transformation recently, shifting from their Americana influences to more of an edgy indie-rock sensibility. Their upcoming album, Say What You Want To Say, follows 2006's Metric by mere months and yet sounds like a band well on their way through a new mission. But it's not like they've abandoned what's made their name in the Pacific Northwest as much as they've honed in on a sound that is more in line with the direction of the band. Illinois native Aaron Starkey's intricate shoegaze-influenced guitaring and Corey Passons soaring vocals highlight Say What You Want To Say in a way that Spanish for 100 hasn't before recognized. With the help of Johnny Sangster, who's concentrated on producing Seattle-area bands like Mudhoney and the Briefs, and Phil Ek, whose mixing can be heard on records by Pretty Girls Make Graves and the Shins, Spanish for 100 seems to be putting all their chips in on this hand. See if their bet pays off at the Empty Bottle tomorrow evening. They are sandwiched between two Chicago bands - Frisbie and Sleep with the Fishes. The show begins at 9:30 and it's only $7.

    [mp3]: Spanish for 100 - Attack!

    James Ziegenfus

    Concert Tue Jun 12 2007

    Chicago Blues Fest Day 4: Reviews

    Sunday was by far the strongest day of this year's festival, featuring a wide variety of styles and some of the biggest draws. Since most of those draws were aging veterans, when I looked up at circling birds I often was relieved to see that they were only seagulls and not vultures. It was a day to enjoy the gritty showmanship of old-school acts, at the same time musing about how their shoes will be filled.

    Continue reading this entry »

    Steve Pasek

    Concert Tue Jun 12 2007

    Consider Yourself Served

    For many DJs, the business of spinning and mixing mostly involves playing what folks know and want to hear, what'll keep the joint moving. But for a few brilliant pioneers, the venture can also involve taking the dancefloor on a far-flung rhythmic journey, one that cuts across a plethora of musical style and genres, crossing a broad spectrum of musical history without once losing the beat. Such is the case with the veteran UK crews of Coldcut and DJ Food, both of whom have been operating out of London for over 15 years.

    Originally, DJ Food started out as a revolving-door collaborative effort between Matt Black and Jonathan More of Coldcut, with the assistance of deejays Strictly Kev and PC. Their early reputation rested on their getting the downtempo/trip-hop scene rolling with their set of Jazz Brakes releases back in the early 1990s. Shortly thereafter, Kev and PC took over the DJ Food project, and quickly made a name for themselves as world-renowned champions of eclectic, genre-spanning beat science mixology via their broadcasts on the Solid Steel radio program on KISS FM (currently on the BBC) in London.

    Continue reading this entry »

    Graham Sanford

    Concert Mon Jun 11 2007

    Free Music at the Pontiac Cafe All Summer

    The Pontiac was founded by General Ronald C. Motors in 1867.By this point you should know damn well that you should be spending your Thursdays with TX but in case you were looking for something a little more mellow, popular Wicker Park outdoor spot Pontiac Cafe will be hosting free music every Thursday night until August 16th. The schedule is pretty loaded with Chicago locals, and ranges from hip-hop to laptop-shoegaze to your standard singer-songwriter acoustic noodling. Apparently you'll also be able to pick up a free compilation CD of the acts at each show as well -- not bad, not bad at all. Shows start at 9 each week, and the Pontiac is located at 1571 N. Damen, just a hair off the Damen / North / Milwaukee intersection. But you totally knew that already, you sly little hipster minx.

    June 14th - O'Neill and Wean w/ Helicopters
    June 21st - HOTEL45 (with Dan Darrah) w/ Dave Tamkin and Jessica Sonner
    June 28th - Burn Rome Burn, David Golan, and Chris Buehrle
    July 5th - Weber Band w/ Brilliants and Jay O'Malley
    July 12 - Santa and Helicopters
    July 19 - Burn Rome Burn and Leave
    July 26 - Bumpus With Chris Buehrle
    August 2 - Al Weber with Dave Tamkin
    August 9 - Leave
    August 16 - Air This Side of Caution w/ Soulfix

    Nilay Patel

    Concert Mon Jun 11 2007

    Mouthus, Mouth-you, Mouth-everyone

    Tuesday night, the Elastic Arts Foundation (2830 N. Milwaukee, one block NW of Milwaukee/Kimball, above Friendship Chinese Restaurant) once again unleash a barrage of wild sound for your wild summer soul. An emphasis this time on "rock" instruments played for instensity and tension, sturm und drang, firepower and forward momentum. That kinda thing.

    On tap:

    - Mouthus (Ecstatic Peace! recording artists, and NYC's reigning kings of the free-form power-duo format for some time now - fresh off an ass-blasting appearance at the No Fun Festival)
    - Cousins of Reggae (more power-duo insanity from Montreal, featured on a split 12" with the Mouth-boys above)
    - The Fortieth Day + Noisecrush (Chicago's Mark Solotroff and Isidro Reyes of BLOODYMINDED go all TG on your ass + video accompaniment!)
    - Locrian (Chicago duo spinning webs of guitar shimmer, build and release, build and release)
    - Druids of Huge (newest noise nomads on the Chicago tundra - the fresh thundering drone from up the way)

    8 p.m., $6 suggested donation.

    Chris Sienko

    Concert Mon Jun 11 2007

    James Apollo's "Hide Your Heart In A Hive"


    South Union Arts usually books some fairly extreme artists. Don't get me wrong their booking policy is one of the most exciting in the city, but I wonder how much of it is a joy to listen to. On Wednesday, June 13, South Union Arts welcomes the well-traveled, americana music of James Apollo. And while he won't stretch the limits of experimental music, I'm sure his rustic songs will delight those in attendance.

    James Apollo's new record is called Hide Your Heart In A Hive. Besides mining the bluesy sounds of his birth state of Arkansas, James brings a bit of the carny hawker or snake oil salesman to the Waitesque song "Bad Old Buzzard." The record as a whole is like a musical tour of the americana genre with hints of blues, folk, early jazz, jug music and on and on. Catch him live on the 13th at South Union Arts at 7pm on a bill with Mossyrock, Elizabeth Blair and Tusker.

    [mp3]: James Apollo - "I've Got It Easy"
    [mp3]: James Apollo - "Bad Old Buzzard"

    Craig Bonnell

    Artist Sun Jun 10 2007

    Rivers Known & Oceans Crossed

    This week sees a pair of events celebrating the release of the new album from two Chicago jazz titans, tenor saxophonist Fred Anderson and percussionist Hamid Drake. Entitled From The River To The Ocean, the album was recorded by John McEntire at Soma Studios and it's a full-ensemble affair that features outstanding accompaniment from multi-instrumentalist Harrison Bankhead of 8 Bold Souls affiliation, bassist Joshua Abrams, and AACM guitarist Jeff Parker (of Tortoise, Chicago Underground Quartet, et al.) who steps in for three of the album's five tracks. Tuesday night, the full ensemble will be playing at an RSVP event at the headquarters of Stop Smiling magazine. The performance will be hosted by local author, curator, and musician John Corbett, who'll be conducting a public q&a with the band throughout the set. And on Wednesday night, the band will playing a regular evening set at Anderson's Velvet Lounge.

    Continue reading this entry »

    Graham Sanford

    Concert Fri Jun 08 2007

    Summer's Here & The Time Is Right...

    Yep. The weather's nice and folks are fully getting out in it, the festival season's in full swing, and there's no shortage of things to do around town this weekend. And here's another one: This weekend sees a special appearance of the original lineup of the Life During Wartime DJs at the Hideout's Saturday night dance party. LDW mainstays Bald Eagle and Mother Hubbard welcome the return of alumus J2K, who had to duck out last summer when his other DJ crew Flosstradamus began to blow up on a national level. Also on the bill for the evening's entertainment: An appearance from People Noise, a Louisville, KY outfit that features former members of VHS or Beta. That's Saturday, 1354 W. Wabansia. 9pm-3am. Admission is $8 ($5 after 11:30).

    Graham Sanford

    Concert Thu Jun 07 2007

    Approximately Infinite Omniverse

    Depending on whom you listen to, eyewitness accounts of live shows by the NYC outfit Gang Gang Dance alternately describe the band as playing either dance-punk, free jazz, freak folk, neo-psych something-or-other, or straight-up noise. Admittedly, the band has done its share of murking up the waters, seeing how each of their releases sounds considerably different from each other. Their 2004 eponymous LP, for instance, might be described as: Yoko Ono sings Uzbek torch songs with Sun Ra's Arkestra and rhythmic assistance from Einstürzende Neubauten. The audio-companion EP to their newly-released Retina Riddim DVD is little more than a tight, noisy, rhythmically-edited sound collage that keyboardist Brian DeGraw put together via a sequencer. Between those two efforts falls their superb 2005 album God's Money, on which the band offered their most accessible and song-oriented material to date—with singer Liz Bougatsos's multi-tracked vocals spinning dervish-like circles around the band as they furrowed into an eclectic, urban neo-tribalist groove. Pan-cultural influences abounded throughout, revealing traces of Algerian raï, Indonesian pop, gamelan-like lullabies, equatorial rhythms, and other such far-flung elements. The results were often hypnotic and bewilderingly beautiful, like the collision (or convergence, morelike) of transglobal radio signals, all of them intermeshing to form something newly, wholly other.

    Gang Gang Dance is reportedly finishing up work on a fourth LP, and they're scheduled to play the Empty Bottle this Saturday. They're no easier to pin down from the company they keep, having previously toured with everyone from TV On The Radio to SpankRock. On their current sojourn, they're due to soon link up with Ariel Pink and Architecture In Helsinki somewhere en route. Saturday's performance at the Bottle, however, is geared for those with more heavily experimental tastes. On the opening bill is OCRILIM, the latest avant-metal project from Orthrelm guitarist Mick Barr, who recently released an album on John Zorn's Tzadik imprint. Local ambient-sludge noizeniks Teith get things started. 1035 N. Western. 10pm, $10.

    [mp3]: Gang Gang Dance - "Glory In Itself/Egyptian"
    [mp3]: Gang Gang Dance - "Egowar"
    [video]: Gang Gang Dance - "Retina Riddim" (excerpt)

    Graham Sanford

    Concert Tue Jun 05 2007

    Free Show: Passerines, Queensmen and Golden Bear at South Union Arts Wednesday

    passerines.jpg
    Those looking to get a better bargain on earnest pop would do well to make it down to South Union Arts tomorrow night, as locals The Passerines (pictured) and The Queensmen will be joined by Austin's The Golden Bear for a night of free merrymaking. The Passerines, led by former mmHg bass player Gabe McElwain and poptart Emily Cooper, are playing their last few shows before allowing themselves to be torn asunder by the evil temptations of San Francisco, while both The Queensmen and The Golden Bear play overdriven 60's pop -- The Golden Bear in particular smacks of nothing moreso than a less-sarcastic Quasi, while The Queensmen ply their carefree melodic wares with style and aplomb. Show starts at 8, South Union Arts is located at 1352 S. Union. No word on age restrictions (doubtful at SUA), but patrons wearing Mod attire will receive admiring looks from all in attendance.

    UPDATE: Apparently donations are gratefully accepted at SUA, for those who cannot fathom not paying for such invigorating entertainment.

    Nilay Patel

    Concert Tue Jun 05 2007

    Poltzmania Returns To Schubas

    Steve Poltz is not a blog darling, he doesn't have a new record out, he's not part of a buzz-worthy tour package and frankly he's not getting any younger. But even with all these strikes against him he's headlining (and the only act performing) at Schubas on June 9.

    How do people even know who Steve Poltz is you ask? Well it just so happens he co-wrote one of the most popular songs of all time (Jewel's "You Were Meant For Me"). And his band, The Rugburns, had a nice cult following back in the 90's. His solo work has won accolades from some of the biggest/best publications and artists (including Neil Young). At the moment he's working solo, mostly playing smaller clubs and house concerts. On June 9th you can see him at Schubas (which is a lot like a house concert except with cocktail waitresses and hand stamps). Steve's pretty free and easy with his mp3's, so I'll share a couple of my favorite Poltz songs with you.

    [mp3]: Impala
    [mp3]: Chinese Vacation
    [mp3]: Single Life - The Rugburns

    Craig Bonnell

    Concert Mon Jun 04 2007

    Songs for Lymbyc Days

    If you missed Prefuse 73 at Sonotheque the other night, then this one'll help you split the difference. The Empty Bottle's free Monday night event serves up a full spectrum of beats for urban music heads tonight—from block-rocking to head-nodding to shoe-gazing. First up is local emcee/DJ/producer Vyle, who's been getting a considerable amount of attention nationally for his "hoodtronic" style of leftfield track production. He's sharing the bill with Hefty and Eastern Development recording artist Eliot Lipp. Headlining is Lymbyc Systym, the sibling pair of Mike and Jared Bell, who—like Eliot Lipp—share an affinity for vintage keyboards and breakbeats. Their recent album Love Your Abuser offers a array of rich, downtempo beat compositions that provide the ideal soundtrack for dreamy, rainy-day meditations. Which, given the forecast for the week to come, just might be in order. 1035 N. Western. 9:30 pm. And it's free.

    [mp3]: Vyle - "Strobemouth" (Drop The Lime remix)
    [mp3]: Eliot Lipp - "Eyesore"
    [mp3]: The Lymbyc Systym - "Carved By Glaciers"

    Graham Sanford

    Concert Fri Jun 01 2007

    Merge Underground

    The smoky confines of underground (read: 2nd & 3rd floor) indie haven The Subterranean hosts a magical double shot of Merge Records this weekend. Tonight, Raleigh power couple The Rosebuds bring the New Wave as they tour in support of recent release Night of the Furies. Where earlier Rosebuds records focused on dynamic guitar pop a la The Kinks or The Romantics, Night showcases the keyboards over the guitars and place plastic ivory-tapper Kelly Crisp's vocals in more of the spotlight. The results are compelling: the synth-wave of "Get Up Get Out" beckons the stay-at-home crowd out into a city's summer night, the dark "When the Lights Went Out" haunts with a dirty bass line and Crisp's grim vocals, and "I Better Run" channels '80s dub with dark keyboard washes to tell a sinister stroy of an extended family out to get an inheritance. It may sound ridiculous, but it works wonderfully. Get show info here.

    [streaming] The Rosebuds - Night of the Furies (entire album)

    Saturday night at The Subterranean, Merge artists The Clientele will no doubt make the journey from London to Chicago worth your while. With last month's God Save the Clientele, Alasdair Maclean takes the best of The Monkees, mixes in some intense strings, and pulls off a pop concoction that could be the best easy listen of the summer. It's already gleaned a Best New Music from Pitchfork, so the hipsters will certainly be there in force. But don't let scensters discourage you - the music is so pretty, it's worth braving the tight pants crowd for a chance to listen to the soaring melodies of "Here Comes the Phantom," the swelling strings of "Bookshop Cassonova," or the dripping reverb of "Nothing But Sunshine." Go depressed, leave encouraged and probably determined to get tighter pants. Get some show specifics here.

    [streaming] The Clientele - God Save the Clientele (entire album)

    Brandon Forbes

    Concert Wed May 30 2007

    A Threesome in a Darkroom

    M_fb4da638ca36db894c874b5e5bf87c2eAiriel is one of the band's that has quietly risen to the top of the city's burgeoning Indie music scene.  Using a cooled stew of ambient rock and melodic noise, Airiel is a smooth dance. Thursday they'll be at the Darkroom with A Place To Bury Strangers and La Scala.  Boneshaker Records is showcasing these three bands off their label and Filter Magazine is getting in the mix with 'em.  Show is a low $8.

    Brent Kado

    Concert Wed May 30 2007

    The Rabbit Factory's "The Birmingham Sound Volume 1" - A Chicago Connection

    The Hideout is taking part in a bi-coastal event (if you consider Lake Michigan a coastal waterway) when they host night two of Rabbit Factory Inc. "Presents: 2 Nights of Classic Southern Soul" on June 23. Appearing at The Hideout will be Clarence Reid, Roscoe Robinson, and Ralph "Soul" Jackson plus Rabbit Factory owner and Chicago boy John Ciba as dj and I imagine master of ceremonies for this evening of lost soul chesnuts. Here's a couple of quotes about this collection of artists and the accompanying cd The Birmingham Sound Vol. 1:

    “To make a long story short: if you're a fan of Southern soul, you need to check out this anthology. I think it's great that folks like Ciba are putting in so much work to unearth these lost sides.”
    –Oliver Wang, Soul-Sides

    “The compositions and recordings coming out of Hemphill’s Birmingham studio were of such consistently high quality, even the tunes by local housewreckers like Bill Butterbean Flippo, Little Lois Barber, Ralph ‘Soul’ Jackson, David Sea, Eddie Steele and Chuck Strong sound like shouldabeen hits… Looks like the boys at Numero Group, Stones Throw, Ubiquity and Light In The Attic have a new crate-digging competitor.” –Tim Perlich, NOW Magazine Toronto

    “This stunning compilation now gives Neal Hemphill his due…awash in shoulda-been hits. Love of music drove him, and this compilation is a wonderful testament to that enduring devotion.”
    –Jo-Ann Greene, All Music

    This early show starts at 5pm at The Hideout on June 23. Here's one of the lost soul nuggets available on The Birmingham Sound Vol. 1:

    [mp3]: Set Me Free - Ralph "Soul" Jackson

    Craig Bonnell

    Artist Wed May 30 2007

    With Hearts All Aflutter...

    This has been a whirlwind month for Chicago’s Pit er Pat. They’re in the final stretch of a tour that’s had them playing 28 cities in as many days. It's their second — or is it third? — such excursion playing out to support their most recent LP, the John McEntire-produced Pyramids, which was released on Thrill Jockey this past fall. This Friday has them playing their final gig of the country-wide circuit, winding down with a homecoming set at the Empty Bottle. The show involves a meager $8 admission and kicks off at 10pm.Touring companions Priestbird are also on the bill, with local psych-folk trio Scalpels scheduled to open.

    As a special bonus for fans, Thrill Jockey recently posted a page featuring Pit er Pat performing covers of some of their own cult fave songs. Featured are the band’s interpretations of tunes by Yoko Ono, Oneida, Sade (yeah, you read that correctly), and the perennial classic “Underneath the Arches.” Check ‘em out:

    [mp3]: Pit er Pat - "Dogtown"
    [mp3]: Pit er Pat - "Sheets of Easter"
    [mp3]: Pit er Pat - "Feel No Pain"
    [mp3]: Pit er Pat - "Underneath the Arches"

    Graham Sanford

    Concert Tue May 29 2007

    In Case You Didn't Get The Memo...

    Bouncy, synthy, power-pop hook-slingers Office pop their head up out of their cubicles to play a show at the Empty Bottle this Sunday. The up-and-coming local darlings, who've generated no small amount of buzz for themselves with their appearances at SXSW, are reportedly taking an extended breather for a few month until the release of their sophomore album that’s slated to drop in September. Their local gigs have been few and far between lately, so Sunday’s the night to go and catch them. Supporting them on the bill is the Detroit combo Freer, who are accompanying to promote their self-release debut CD, Secret Chorus. Favourite Sons also open. Show starts at 9:30, tickets are $8.

    Graham Sanford

    Concert Mon May 28 2007

    Watch This

    Watchers are a good example of Chicago band dichotomy.

    Take their frontman, singer/keyboardist Michael Guarrine. As Watchers opened for The Eternals at a recent show, Guarrine appeared a slight, bald, well-dressed man, looking for all the world like the equally awkward David Byrne. Moments later, however, he was a wildman, contorting and humping audience members while band members, guitarist Ethan D'Ercole, bassist Chris Kralik, drummer Jess Birch, and percussionist Damien Thompson looked on.

    Their latest album, Vampire Driver, doesn't betray the dichotomy, but sticks to its wildman story. Opening with "Chess Champion," the song proves a jangly, raw-nerved jaunt indicative, of the rest of the CD. Which is not to say there aren't plenty of grooves present: tracks like "Young One" and "Crumbs" add hips a-swinging to the mix. No Wave legend James Chance (Contortions) also shows up, as do fellow Chicagoans Damon Locks and Wayne Montana from The Eternals and Trenchmouth, but where The Eternals are beefing up their sonic layering, Watchers seem intent on doing just the opposite, evident on the angular "S.I.S.I.A.I." and "I Don't Want It."

    Experience the hip shakin', audience humpin' good time for yourself at the Vampire Driver CD release party at Schubas on June 2. Jai Alai Savant and the aforementioned Eternals will be opening, so make sure to wear dancing pants.

    Kara Luger

    Concert Fri May 25 2007

    "Don't Call Us Old Timey And We Won't Call You Emo"

    One of the best shows of the week takes place at the Hideout tomorrow night. From Chicago, Babyteeth will bring their campy version of disco inspired punk, as if The Who were the backing band for a presentation of Rocky Horror Picture Show. While Thunder In The Valley from the Twin Cities will bring "it" with it's mix of "an exuberant blend of rock and ragtime."

    Catch both bands Saturday night at The Hideout.

    [mp3]: Altar - Thunder In The Valley
    [mp3]: So the Story Goes - Thunder In The Valley

    [mp3]: The Simp - Babyteeth

    Craig Bonnell

    Concert Fri May 25 2007

    Memorial Day Brunch

    The Skeleton News is having a benefit to help continue the free, monthly newspaper. Come celebrate Memorial Day with a brunch featuring homemade pancakes, eggs, bacon, scones, and mimosas! Along with the breakfast spread will be performances by Lesser Birds of Paradise founder Mark Janka and Dead Dare.

    The brunch is happening at 2120 W. 21st St. just off the Damen pink line. Suggested donation $10. Support your local free press!

    John Lombardo

    Concert Fri May 25 2007

    Up for Opera?

    Yet another Chicago Opera Theater production is getting good press. This time it's Hector Berlioz's Béatrice et Bénédict, a comedic libretto based on Shakespeare's Much Ado About Nothing. The show provides a fine counterbalance to COT's recent dark, Jungian/Freudian explorations of Erwartung and Bluebeard's Castle. Tickets are still available for the four remaining performances.

    Oh, and while you're at it, you may want to listen to Gretchen Helfrich interviewing the COT's director, Brian Dickie [mp3].

    David Schalliol

    Concert Thu May 24 2007

    Fun, Loud, and on a School Night? Chik, Chik, Chik.


    Gal brings heat. Love to Susana Meza for the flick.


    The following is a conversation between fellow Transmission conspirator Graham and I after !!!'s impressive showing last night at the Metro. He's a veteran of such shows; this was really the first show of its kind for me. A good time was had by all, and we both had our takes on our expectations and experience at the show.

    Words continue on.

    Continue reading this entry »

    Troy Hunter

    Concert Thu May 24 2007

    Summer Fest Lines Up

    The line-up for this year's Wicker Park Festival has finally been announced. Building off of last summer's line-up of charismatic local rockers and touring acts, the festival has announced that Don Caballero, Maritime, and Man Man will be amongst the bands joining the slew of local stand-outs such as The Race, Pit Er Pat, Sybris, and Russian Circles. There is also a rumor that The Thermals, who incidentally play the night before the fest at Subterranean, will make an appearnce on one of the stages set along Damen Ave.

    The festival takes place on July 28th-29th. For more info and updates, check out www.wickerparkbucktown.com or the festival's myspace page at www.myspace.com/wickerparkfest.

    John Lombardo

    Concert Thu May 24 2007

    Just can't wait to get on the road again

    Spring is in the air, a song is in your heart, and vacation days are being expended in 10 day intervals. That's right - it's touring season!

    Blake Edwards, aka Vertonen, aka the head of the CIP label (see archives for an article on CIP by yours truly) is taking to the road starting TONIGHT (Enemy, 1550 N. Milwaukee, Chicago, 9 p.m., $5 suggested donation). He's launching the "Nice Moments" tour with Bostonian turntable wrecker Jason Talbot. Talbot plays a turntable the way it seems like your bratty younger brother did on the rare moment you let him put a record on the record player - only deliberaely, and for 20 minutes at a time. SCRRRRRRTCH! goes the modified needle across custom-scuffed vinyl. Quiet, loud - just like Nirvana. And just like real nirvana, too!

    Continue reading this entry »

    Chris Sienko

    Concert Wed May 23 2007

    3 Reasons to Watch

    Three reasons why you should go see The Silent Years at the Metro this Friday (7pm, $9): the immense voice of vocalist Josh Epstein, catchy lyrics, and the chance to see one of the best garage bands of the year. No, seriously. Hailing from Detroit, this quartet has put together an amalgam of delicate and sophisticated sounds that kicks them up a notch from the average indie band. Their debut release, The Silent Years (No Alternative, 2006), is impressive—sweet melodies and unabashed, guitar-driving rock—for a band just starting out. Just give a listen to “Someone to Keep Us Warm”—you’ll be singing along in no time. See if you don’t recognize the Beatles in their blend of poignant lyrics and simple, yet perfect harmonies. “Lidocaine” is a good example. This song is witty and wise, and Epstein sings it without a trace of sentimentality: "Lidocaine, thanks so much for making me feel sane / all these people seem a little bit less lame / Everyone needs to escape their pain."

    Go to the band's myspace page to claims tickets that give you $3 off!

    Marla Seidell

    Concert Wed May 23 2007

    For those of you not going to Farm Aid anytime soon...

    The Empty Bottle has just announced a new Tuesday-night series of concerts (or in their choice words, "an ongoing programming concern") entitled "Music of Changes". "The goal of the series is to bring varying 'fringe' or 'outsider' musics together for evenings that are to feature wildly disparate elements, but ones that will share an underlying 'anti-commercialist' aesthetic bent," says Pete Toalson. The Bottle website also states that "evenings that will not be bound by musical limitations". It is uncertain what particular other anti-capitalist gusto will demonstrated beyond gathering these bands together for a paid concert experience, but the $7 price is certainly a good start (keeping in mind that Monday nights at the Bottle are "free" only on PBR's promotional dime) in showing good intentions. The first outing will take place on June 19th, with The Late Severa Wires, In The Country (from Norway), and Mykel Boyd.

    Dan Morgridge

    Concert Tue May 22 2007

    Dale Watson's new video (complete with Desperate Housewives cameo)

    Dale Watson is in town this week playing a CD release show at Martyrs on May 23rd. This may be just one of the countless shows Dale performs in the Chicagoland area or it may be a bit more. See, Dale Watson stopped flitting around the edges of Johnny Cash adoration and went straight for the jugular on his new record. He recorded his new album, From The Cradle To The Grave, in Johnny's old homestead (that has since burned to the ground), his first single could be an outtake from any of the recent Johnny Cash American Recordings' CDs and in the video that accompanies the single he appears in a Cash-like Western trench coat.

    I suppose you could cynically say this is merely a poor imitation, but since few do it better, and few have lived through as much tragedy as Dale has, I think you've got to cut him some slack. Either way it should be a great hard core, honky-tonk show tomorrow night. Buy Dale Watson's new record here, direct from Hyena Records.

    "Justice For All" (Check out the Desperate Housewives cameo)

    Craig Bonnell

    Concert Mon May 21 2007

    Pure Unbridled Unsanity

    Grown out of the the late-80's New York Hardcore underground, Unsane have successfully blended the prevailing values of volume, speed, and power into a whole new monster. After ending a decade-long run in 2000, Unsane re-united in 2003 to release a greatest hits record and are now back in full-force on the heels of their newest release Visqueen for Mike Patton's Ipecac label.

    The trio who helped to define the Amphetamine Reptile sound while defying most critics' relentlessly hurled "grunge" labeling of the era, seem to sound more relevant today than ever. Returning to the fold with a healthy dose of their patented gore-gone-wild, blood-soaked visuals and joining forces with LA uniform-clad powerhouse, 400 blows, this Thursday's show looks to be more brutal than ever!

    Unsane play Thursday at Subterranean (2011 North Ave.) with 400 Blows, Mouth of the Architect, and Sweet Cobra. For more info call (773) 278-6600.

    John Lombardo

    Concert Thu May 17 2007

    More Mucca Tonight At Martyr's

    Of course you've heard about Mucca Pazza. Maybe you've heard about the fact that they once did a concert while paddling down the Chicago River, or about their after show thing for Conan O'Brien, or maybe you just missed them at last weekend's Looptopia. Either way you've got about 5 hours `til they hit the stage at Martyr's. They'll be playing with Slavic Soul Party, their NYC Balkan counterpart. It should be a wild night of Eastern European, gypsy-infused dance music. Tonight at Martyrs starting at 9pm with Stone (from Ulele) and Slavic Soul Party.

    [mp3]:Teknochek - Slavic Soul Party

    Craig Bonnell

    Concert Thu May 17 2007

    Diplo Was Here - Flosstradamus @ SubT review

    Nothing less than a "special" guest was promised last night for Flosstradamus's Wednesday residency at Subterranean, and the dinosaur picture posted in the comments dropped the correct hint - just after midnight, Diplo himself showed up to rock the boards. The crowd had commandeered the stage for most of the night, and Diplo's entrance cleared the view for only a song or so before they returned against the various pleas from Josh and others. A miniature "Soul Train" began, this time with Josh and a friend blocking off room for individuals to show their best moves for a few moments - much juking, sweat, and stage-diving occurred. Diplo played some of his usual dancefloor-demolishing heavy-hitter remixes, and dropped the new M.I.A. track in as well - has reconciliation occurred between the DJ world's Brad and Angelina?

    The sound man cued the lights at 1:30, but Floss implored that "these people are gonna riot if we don't get one more song" and get it they did, dropping a long, gritty mix of "Young Folks" and "Walk It Out". The crowd lingered long afterwards.

    Dan Morgridge

    Artist Wed May 16 2007

    Life, Liberty, and the Pursuit of Dancing


    Four more years!!!: DJs Bald Eagle and Mother Hubbard

    It's been four years since the Life During Wartime DJs crew came together and started spinning at clubs in Chicago. They're still at it, and their chosen moniker is, unfortunately, still relevant. The duo of DJs Bald Eagle and Mother Hubbard currently bills its homebase monthly appearance at The Hideout as “Chicago’s Dance Party.” While that may sound like a bold claim, it’s certainly apt. The past two years have seen LDW move to the top of the local popularity index, having proven themselves to be one of Chicago’s most reliable homegrown party-sparkers. This weekend sees them celebrating their four-year anniversary with a two-night dance party at The Hideout.

    Continue reading this entry »

    Graham Sanford

    Concert Tue May 15 2007

    Respekt Is Due

    There are pianists, there are vocalists, and then there is a subgenre mix of the two that is the Quirky Piano Chick (see: Tori Amos, Fiona Apple, et al).

    Regina Spektor is the latest in this breed, and her May 13 concert/recital at the Riviera showcased that which is gloriously captial-Q Quirky about the Russian-born, Brooklyn-raised performer. All the necessary accoutrements were in place: female-heavy fanbase, singing along with every word? Check. Stuffed snake draped around the neck as a fashion accessory? Check and check.

    Fellow New Yawker Only Son (Jack Dishel, of Stipplicon and the Moldy Peaches) opened, a lone man armed with nothing but an acoustic guitar and a dream. Unfortunately, he could've benefited from a backing band as well (which he apparently sometimes performs with). Instead, backing instrumentation was provided by pressing "Play" on a stool-bound Ipod. Whether it was due to bad soundboard mixing, or simply forgetting one's band members at home, Only Son's guitar playing was lost in the shuffle. The effect was largely that of watching someone at karaoke.

    Continue reading this entry »

    Kara Luger

    Concert Tue May 15 2007

    West of the Fields

    Bombastic choruses, space-rock progressions, and eccentric personalities - Brit pop, thy name is guilty pleasure. Unlike Muse or Travis or (gulp) Oasis, British rock newcomers Fields, while channeling a certain type of heart-on-its-sleeve, layered-haircut rock, do manage (for the most part) to raise above this easy Britpop designation on their freshman release Everything Last Winter. What they do sound like is more akin to early Idlewild - jangly pop-rock that stays away from balladry and focuses more on bringing the noise. That said, the group is still caught between a cultural music wave that trades high in bombast and low in inventiveness, evidenced by the tension between the unique chord progression and suggestive animated video for album opener "Song for the Fields," and the overt glam-fest, in both video and song, of album closer "If You Fail We All Fail." For those interested in working out the band's dialectics, see the videos for both songs below. For those just interested in seeing a good show, see Fields on their first stateside tour tomorrow night at The Empty Bottle. Show is at 9:30 and tickets are $10 advance, $12 at the door.

    Fields - "Song for the Fields"

    Fields - "If You Fail, We All Fail"

    [streaming] Fields - Everything Last Winter (entire album)

    Brandon Forbes

    Concert Sun May 13 2007

    The Shaky Hands Shake Things Up


    There was once a great mp3 blog called "Indie Don't Dance". The site was run by a teacher in training. I loved her selection of music and her joie de vivre. It's defunct now. I think she moved away and got a good job (the deathnell to any great mp3 blogger). But I still think about that title now and then and how apropos it is to the indie rock world. The Portland based band, The Shaky Hands, have just got to make the kids move their feet, but from the looks of their clever little video for the song "Why and How Come" it's still a constant battle, even for them. I love the bit with the cell phones. That's so true. At Amy Winehouse there were little orbs of light aglow throughout the theater, casting everyone in an erie orb of blueish light. Here's the video:

    The band is in Chicago for the first time this Tuesday playing The Note. They'll be playing songs from their debut record The Shaky Hands (Holoscene Music). I wish we'd solve the comments issue here at Transmission. If you could comment I would defy you not to love these songs. Oh yeah, if you go to the show please be the one dancing up front.

    [mp3]: The Sleepless - Shaky Hands
    [mp3]: Why and How Come - The Shaky Hands

    Craig Bonnell

    Concert Sat May 12 2007

    Three-quarters alien, and no signs of stopping

    Tonight: XYIMALLOO, Panicsville, Silvum, Walter Carson, Caves
    Location: Nihilist, 2255 S. Michigan, apt 4E (ring buzzer)
    Date/time: Tonight (May 12), 8 p.m.
    Cost: $5

    Please put down your Shaggs bendable action figures, turn off your Daniel Johnston interactive adventure game (just....just save your location then, OK?), and for God's sake, take off those damn Wild Man Fischer plush slippers and hie thine ass down to Chinatown tonight - there's something happening here that is much much MUCH more important than your weekly date with Roky Erickson's ouija board.

    For the past 30 years, the musician XYIMALLOO (nee Naofumi Ishimaru), a musician so far outside of the "outside" that using the awful, codified term "outsider art" feels so, so insulting, has been blowing a couple hundred minds per country (his best known release was an LP retrospective on Old Gold about 10 years ago) with tape after tape (and lately, CDr) of completely personal, affectless, ORIGINAL music that seems to be without precedent or follower. YXIMALLOO's muse seemed to be born with himself, and I see nobody really picking up the flag, so I suspect it'll die with YXIMALLOO (but you better see him live before that happens!).

    Continue reading this entry »

    Chris Sienko

    Concert Fri May 11 2007

    Life in a Few Stolen Moments


    (photo courtesy of Robert Loerzel)

    No two ways about it, John Lennox is a singer-slash-songwriter. He’s the kind that some might lazily label "alt-country" or some such animal. But for Lennox, such pigeonholing doesn’t amount to much. He started out playing guitar in various indie and experimental rock combos in his native Ontario years ago before gravitating toward his current musical modus. Ultimately, for him it’s more about the song than any stylistic conceits, and he has sense enough to know that a picture only mumbles if it’s craftlessly hung in the dimmest of lighting. Admittedly, the country-blues-folk-etcetera rubric fits for the way Lennox’s songs deal with the universalizing stuff — with love, loss, yearning, fond reminiscences, obligation, regret, and of the hard-won emotional insight and perspective gained from such things. In the end, the impression his 2005 album Into The Bull's Shoulder leaves isn't unlike that of a long cross-country drive, the sort you undertake with the purpose of being there for a certain someone in an hour of need. It manages to capture the gravity of those moments when you're aiming through those sparser stretches, when the radio goes laconic and you instead listen inside yourself, briefly allowing yourself to think of the why and whatfor of what you're doing, of the reasons for the journey taken.

    Lennox also seems to have an exceptional knack for pulling together a good band. His last album demonstartes as much, and judging from his recent performances around town, he's managed to do it a second time after relocating to Chicago this past year. His current band features a collection of local musicians who usually gig on the local jazz circuit, including drummer Daniel Groll, who can bang out some fat Southern soul-styled licks when the occasion calls for it. On the more uptempo numbers, the crew deals out some country-blues swing that can get your foots scooting and hips swaying. His songs are varied in mood and feature arrangements that are astutely tailored to match. A faint tinge of Blonde on Blonde-vintage Dylan colors some tunes. And on the slower numbers, you sometimes catch a Willie Nelson-ish lilt creeping into his voice. Lyrically, he's fairly plainspoken, but the occasional poetic twist turns up. Such is the case on the aching duet "No One Loves You," with its opening verse: “I can hear voices / I can see devils / and counterfeit rebels in the street. / Chinese flowers / Gloves made of powder / And infrequent showers relieve the heat.” Recent material reveals Lennox moving in a slightly more rock-ish direction on some tunes, proving that he’s not limiting himself to balladeering and honky-tonkness.

    The John Lennox Band will be playing at the Empty Bottle next Tuesday night, so this is a good time to catch him. He’s in the opening slot on the bill, warming things up for Merle the Mule and Barely American, meaning that this is one instance when you’ll want to get there by opening time. Show starts at 9:30 pm, and admission is $7.

    [mp3]: John Lennox - "You Got To Move"
    [mp3]: John Lennox - "Pretty Green Eyes"

    Graham Sanford

    Concert Thu May 10 2007

    Review: Mando Diao, The Films, Pop Levi @ Double Door

    mando-diao-front.jpg
    Something is very strange in Rockville when the only people you meet at a relatively well-attended show are PR people. A lot of people came out to see Swedish rockers Mando Diao at the Double Door last night, but even the charming young lady with the socks and the cigarettes turned out to be a PR intern. (Side note: Has anyone ever noticed that the Double Door smells like the inside of a suitcase after a week in France? It's all stale cigarettes and sex and foolish fashion decisions that obviously made sense at the time, you know? My fucking notebook smelled like smoke and mating this morning. But I digress.) That's a shame, too, because Mando Diao came out hard, muscling through a terrific hour-long set complete with shout-outs to Elvis and a shirtless accoustic encore.

    Continue reading this entry »

    Nilay Patel

    Concert Wed May 09 2007

    Dude. Seriously.

    Alright, stop me if you've heard this one: four heavy metal band members climb the top of dreaded Blood Mountain in order to find a crystal skull. Here's where it gets a little foggy: once they find it, the skull is inserted into their heads, and lo, the skull enables them to travel beyond their simple "reptile brain" and further their personal evolution. Of course, along the way there's wolves and other beasties. But how can one skull be inserted into four heads? That's really where the storyline falls apart.

    Sound familiar? Then you've been listening to Mastodon's latest album, Blood Mountain, in which the group shreds without abandon, all to a Tolkien-themed tale. Seems dang goofy, right? It is, kinda, but not without some heavy indie-supported cred: Josh Homme and Cedric Bixler appear on the album, and the group perform the theme song in the latest Aqua Teen Hunger Force Movie. Hilarity ensues.

    Ride the rawk wave and free your reptile brain at their show at the Riviera on Saturday, May 12. Opening are punk heroes Against Me!, Cursive, and Planes Mistaken for Stars.

    Kara Luger

    Concert Wed May 09 2007

    DIY DIY DIY, My Darling!

    Brookyln die-hard duo Japanther have been turning heads and winning over fans for years now. What’s their secret? Could it be their straight-ahead balls to the wall rock philosophy or their undeniably dancey beats? Maybe its their DIY or die recording/touring ethic? Maybe their constant explorations of other mediums (staging theatrical renditions of their albums, providing the back-drop for a rock-puppet opera, performing along with choreographed synchronized swimming ensembles)?

    Whatever the secret is, Ian Vanek and Matt Reily kick off their Summer of Love ‘07 touring spree at the amazing newcomer gallery space People Projects! Heart Shaped Hate, MM/DD/YYYY, and Milwaukee phenom MC JuiceboXXX open. 2129 N. Milwaukee Ave. Show starts at 8:00 pm sharp.

    John Lombardo

    Concert Wed May 09 2007

    I Was Born In A Small Town

    Let us be the first to say that Bloomington, IN. is the next Omaha.  With bands like The Coke Dares, Impossible Shapes, Vollmar and labels such as Secretly Canadian, Jagjaguwar and The Fuck Me Stupid Mountain Princess Recording Collective, one of the few cultural bright spots in the Hoosier state isn't just about basketball anymore. Tonight The Post will be bringing their meandering, hypnotic groove to the Empty Bottle and put on a display of what Bloomington has to offer.  Somewhere between the Secret Machines and Grandaddy, The Post makes music that echoes heavy like the low-lying quaries of Southern Indiana.  Enjoy them with Buqlette and Above.Below Sea Level starting at 9:30.

    Brent Kado

    Concert Mon May 07 2007

    American Gods Must Be Crazy

    Sure, the world can be a pretty twisted and horrific place sometimes. No joke. And it's for that reason alone that hip-hop renaissance man El-P isn't likely to ever drop a straight-up party jam. Case in point: On his current tour, he’s been taking it to the stage dressed as a Guantanamo Bay detainee — bedecked in orange prison garb and his face smeared with stage blood. The get-up is a theatrical holdover from his latest video shoot, and fairly typical of what some would expect from the man. Expected, I say, because for El-Producto, hip-hop is as much about catharsis as artifice; as much a platform for cultural commentary and dissent as for merely waxing bragadocious. He long ago demonstrated that he could serve the most lethal of battle rhymes, but the battle he’s interested in bringing these days is specifically aimed at certain (ahem) higher powers than at rival emcees.

    Continue reading this entry »

    Graham Sanford

    Concert Mon May 07 2007

    Music For (Gay) Tourists

    Chris Garneau will inevitably be lumped together with uber sensitive singer-songwriters like Sufjan Stevens and Rufus Wainwright. But Chris' lyrics are more obtuse and his music is more rooted in chamber folk; it's stark but beautiful stuff dominated by piano and cello. Chris Garneau's 2007 release, Music For Tourists (Absolutely Kosher), is high atop my records to die for list and from the video's that are floating around the web his live show seems as intimate and breathless as the songs on that record.

    Chris Garneau is appearing in Chicago this Saturday, May 12 as part of The Old Town School Of Folk Music's "Alt Q Festival". According to The Old Town School's website: "The ALT Q Festival is a celebration of the Lesbian, Gay, Bisexual, and Transgendered experience through music and performance. Conceived by Scott Free for the Old Town School of Folk Music, a portion of the proceeds of this event will be given to the AIDS Foundation of Chicago." Appearing with Chris Garneau will be the Chicago band Actor Slash Model, Tom Yore, and Natalia Zuckerman. More info here, tickets here.

    [mp3]: Not Nice - Chris Garneau

    Chris Garneau "Relief" from Music For Tourists

    Craig Bonnell

    Concert Sat May 05 2007

    Let's Call It Math Alt-Country

    When you think of music at Fireside Bowl a band like Cup N' String is not first to pop into your mind.  Cup N' String plays music thick in country pain and covered in casual indie rock. Vocals that both rise and howl, set to the background of subtle roots psychedelia and straight-forward Americana sounds, Cup N' String's sound is art alt-country.(or math alt-country if you prefer)  Catch this unique style tonight at Fireside Bowl with Al Schorsch and KT the band. Show time is 9 p.m.

    Brent Kado

    Concert Fri May 04 2007

    Permanent Records Adds Art

    Ukranian Village record shop/community space Permanent Records is having its first art opening tonight! The Show entitled What Comes Out of Eel Kram's Egg? will feature pictures by Chicago artist Lee Marks. Music performances from newcomers Bedfellows, Dios Mi Dios, and Lee Marks' own Oriental Headress.

    Tonight's show starts at 6:00pm and is FREE and all-ages. 1914 W. Chicago Ave.

    For more info: www.myspace.com/permanentwax

    John Lombardo

    Concert Fri May 04 2007

    Amy Winehouse/Patrick Wolf At The Vic

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    My mother-in-law would take one look at Amy Winehouse and declare her a poor soul. It's hard to define that term, since the poor souls she's usually referring to are neither poor nor particularly soulful. But when it comes to Amy Winehouse I expect she's right. Her very public battle with alcohol abuse, issues with her weight, ex-boyfriends and her professionalism have seemingly started to take their toll. In fact her offstage antics seem to have taken over her onstage persona. As a result many in the audience at last night's Vic Theater show were as concerned with "will she or won't", "is she or isn't she", and "oh no she didn't"/"oh yes she did" than with whether she was hitting the right note, coming in on cue or flubbing her lines.

    At last night's show she was on the edge: the edge of consciousness, boredom and a truly wonderful performance. But for me her public persona got in the way of really enjoying the music. And the music was pretty great, in fact, it turned out it was virtually guaranteed. That's because the Amy Winehouse juggernaught has hired, arguably the best Motown and classic r`n'b band in the country, The Dap Kings (of Sharon Jones and the Dap Kings fame seen performing here on Conan in 2005). This ten piece band was hired after showcasing with Amy Winehouse recently in Austin and LA. While this new arrangement is clearly a temporary paid gig for the band, it's hard to argue with their professionalism, attire and general all around funkiness. So no matter what show Amy Winehouse performed, the rowdy and eclectic sold-out crowd at the Vic was guaranteed a good time.

    Continue reading this entry »

    Craig Bonnell

    Concert Thu May 03 2007

    Surplus Value For Your Ears

    If Broken Social Scene perfected anthems for seventeen-year old girls, the noise operas constructed by Brooklyn's Parts & Labor can best be described as anthems for middle-aged mechanics. In other words, move over AC/DC. While inserting simple, Celtic-esque harmonies onto layers upon layers of guitar squall, schizophrenic drums, and electronic freak-outs might seem overbearing, the forumla works well and it doesn't take much effort to see a gaggle of oil-stained work bibs bobbing in time to the rhythm. Indeed, with Mapmaker, Parts & Labor's fourth album due out May 22nd on Jagjaguwar, the three piece have made their most accesible record to date. Opener "Fractured Skies" builds upon layered noised until it climaxes in a barrage of joyous horns. "Long Way Down" grows from a simple guitar hook and running-in-place tom licks to add sharp cymbal notes and then melts down into a screeching keyboard fuzz-jam. Minutemen anit-war cover "King of the Hill" avoids any Hank Hill references and instead re-interprets the song with flute swirls, high-end keys and pounding percussion. If you can make it through the 2 minute intro that sounds like a TV getting its guts ripped out, "Ghosts Will Burn" rewards with a quirky drum-driven ode to the supernatural. Bombastic closer "Knives and Pencils" drops in the middle into a lone synth hook that then builds back up into an everyman noise-anthem. It's what P&L do best - tear it down to build it up.

    To get torn up and rebuilt yourself, make plans to see Parts & Labor support Mapmaker as the second act opening for ADULT. tomorrow night at the Empty Bottle (details here). Already got Air tickets you can't ditch? No worries, the noise crew will return to the Bottle on July 3rd on the back leg of the tour.

    [mp3] Fractured Skies - Parts & Labor

    Brandon Forbes

    Concert Thu May 03 2007

    Do the (Apostle of) Hustle x3!

    If you missed out on hearing Apostle of Hustle open for Andrew Bird a few weeks ago, you're in luck. The group will hit Schubas for a triple shot of headlining shows on consecutive Wednesdays in June (the 13th, 20th and 27th) each for just a measly $8. The Canadian group, founded by Broken Social Scene singer/songwriter Andrew Whiteman, brings an eclectic, drumming, strumming, dance-tastic sound to the stage and it'll be great to check them out in a cozy space like Schubas. Check out tunes on their MySpace page, or their wonderfully freaky little Arts & Crafts label site.

    Tickets go on sale Friday at noon and the shows are 18+. Openers vary night to night, and include Ola Podrida, among others TBA.

    Anne Holub

    Concert Wed May 02 2007

    The Sound Of All The Things You Aren't

    Pablo Picasso once said of his own artistic methods, "I don’t seek, I find." Amon Tobin could probably say the same for his own music-making. Many consider the globe-trotting, Brazilian-born beatmaestro to be the Stephen Hawking of sampling-based music, and there’s plenty to justify the ranking. Over the past decade, he’s made a career of taking bold steps forward with each album and effing up the heads of his fanatically committed fanbase every time. Recent sidesteps have seen him making excursions into more cinematically-inclined domain, working with a chorus and orchestra to create scores for a video game and a Hungarian horror film. But through it all, he never strays far from his trademark style—crafting densely-layered tracks filled with polyrhythmic counterpoint, morphic beat constructions that ride and writhe on their own self-generating momentum.

    When Tobin set out to record Foley Room, his recently released sixth LP, he opted for a different approach than before. The operative rule he laid down for himself: No more use of samples of prerecorded music, all material will be mic'd from live sources. He sank money into buying his own mobile recording gear, and went about grabbing sounds from whatever sources he encountered or devised, laying down the undergirdings of the LP with a tapestry of "found sound" and field recordings. These sounds — zoo animals, toys, the purr and roar of a motorcycle engine, kitchen utensils, an ant scurrying around inside a ball of tinfoil, et al.—are manipulated, mutated, and complexly interwoven. It's all in keeping with Tobin’s affinity for taking sounds and “changing their direction,” and the results are often stunning. The Slavic gothicism of "Bloodstone" deliriously waltzes about on the dissonant scraping and screeching of strings as laid down by the Kronos Quartet, over which Tobin places a tarantella-like piano motif that hangs like a chandelier of icicles. On "Ester's" the piano returns again, but this time in the form of a Debussian étude entangled in acrobatic sex with a Harley Davidson. Throughout, the album pivots and twists on some of the most ferocious rhythms Tobin’s laid down to date. But it also features less frenzied moments, offering richly detailed and immersive soundscapes that are arrestingly, spine-chillingly beautiful.

    Tobin will be in town this Saturday evening, performing a headlining set at Metro. As a DJ, he likes his beats edgy, heavy, harsh, and high-velocity, especially favoring material of the so-called "drill 'n bass" variety. But he’s frequently prone to throwing in all sorts of curve balls and leftfield tangents, exhibiting the same sort of eclecticism, inventiveness, and ingenious whimsy that drives his own music. WLUW's Abstract Science DJs Chris Widman and Luke Stokes are slated to get the beats rolling. Tickets are $16, and the show is 18 and over. Doors open at 11pm, and the show gears up at 11:30pm.

    [video]: Amon Tobin - "Foley Room, trailer #2"
    [mp3]: Amon Tobin - "Ester's"

    Graham Sanford

    Concert Wed May 02 2007

    Too Young

    Throat-bearded Canadian electro-pop duo Junior Boys, the studs of many a '06 year-end list, make their way to the smoky sauna that is the Empty Bottle tomorrow night. Rather than go on and on about how amazing "In the Morning" is, or why So This Is Goodbye needs to be played at least once a week to keep your stress levels down, it might be better to let some news tidbits speak for the band themselves.

    - Recent remix EP The Dead Horse features dynamite takes on "In the Morning" by electro-gods Hot Chip and "Like A Child" by Carl Craig.

    - Chicago Innerview chews the fat with our heroes in this month's issue.

    - Didn't get So This Is Goodbye last year? For shame, but redemption draweth nigh in the shape of a deluxe re-release featuring an extra disc of b-sides and remixes (including the tracks off of The Dead Horse EP), which is due out June 5 [via].

    And if you haven't heard it, here's one of the best songs of last year that, if nothing else, should get you to the show at the Empty Bottle on Thursday night. Details here.

    [streaming] In the Morning - Junior Boys

    Brandon Forbes

    Concert Wed May 02 2007

    Modern Maturity

    Some people mellow with age, others just grow more rancorous and bitter. The former happens with most musicians, while a good many couples go the latter route. The Detroit electro duo ADULT., which is comprised of the husband-and-wife team of Nicola Kuperus and Adam Lee, doesn't have to sweat such stuff. They've made a musical career of being spikey and abrasive, and they're not about to knock it off for the sake of pandering to the Prairie Home Companion set. In fact, as their latest LP Why Bother? demonstrates, they're just as likely to notch up the edginess by the smallest of degrees. The album, recently released on the Thrill Jockey label, reveals their music growing slightly more frayed and corrosive around the edges, with the couple tossing in more dischordant textures and tonalities than on previous efforts. "I Feel Worse When I'm With You" punches along pretty heartily on it's own, thanks to some bolstering basswork and a bridge awash in noise that sounds like someone madly scanning a shortwave radio dial. "You Don't Worry Enough" likewise benefits from some muscle and depth added with additional guitar and deeper mixing. And from beginning to end, there's the insistent sputter and thump of the beatbox, providing that very low-budget retro new-waviness feel that has been their calling card from the get-go.

    ADULT. will be playing at the Empty Bottle this Friday night. Brooklynite trio Parts and Labor are playing on the bill, about which we'll have more to say later. Tussle also opens. Show starts at 10pm, tickets are $12.

    Graham Sanford

    Concert Tue May 01 2007

    Swedetastic

    Apparently, the Swedish do not use serial commas.

    This would account for why I thought the band Peter Björn and John were a duo. Nej! In fact, the Stockholm-based group are a trio (Peter Morén, Björn Yttling, and John Eriksson) whose neo-'60s power pop sounds are a breath of cold, crisp fjord air in the indie scene.

    Dig it live at the Empty Bottle on Tuesday, May 8. And get this: they're so flippin' Swedetastic that they're playing not one but two shows that evening: 7:30 and 10 p.m. Au Revoir Simone opens the first set, and Fujiya & Miyagi open the second. Now quit making excuses and go already.

    Kara Luger

    Concert Tue May 01 2007

    Erie Polka Electronica?

    No it's not the sound from a new Perry Farrell side project, it's local duo Aleks and the Drummer. Fresh off their VersionFest performace Saturday Aleks and the Drummer drops by the Bottle tonight keeping the Polish electro hoping. Their sound is part erie nightmare, part polka and part hypnotic dance music. Quite a mix, huh?  It needs to be heard to be understood.  Show starts at 9:30 and cost $8. Also playing, Baltimore's Celebration and Tirra Lirra. 

    Brent Kado

    Concert Tue May 01 2007

    Taste of Chicago Lineup Announced

    Taste of Chicago will run from June 29 through July 8 at Grant Park and the surrounding streets. For the extended July 4 weekend, the Taste once again brings in some huge names and a few surprises for the free crowds to enjoy. (Don't expect anything like when the Replacements broke up onstage, though.)

    This year's July 4 show will be headlined by the abominable John Mayer, but the opening acts may be worth your time. Robert Randolph & the Family Band, who're renowned for electrifying performances, and Ireland via Mexico's Rodrigo y Gabriela, who'll play Chicago for the fourth time in nine months, will open the day at 3PM.

    Toledo R&B/Soul musician/producer Lyfe Jennings plays July 5. Friday's show features the Black Crowes. And Saturday's lineup is a big Midwestern rock'n'roll revue with Cheap Trick, Soul Asylum, and Cracker. The weekend ends with a headlining set by Los Lonely Boys.

    James Ziegenfus

    Concert Fri Apr 27 2007

    A Perfect Double Bill - Deadstring Brothers/Matt Mays & El Torpedo


    Leave it to Schubas to put on the best rock show of the weekend...on Monday night! On Monday the 30th Matt Mays & El Torpedo from Canada and The Deadstring Brothers from Detroit will bring their brand of feel good rock to Chicago. I'm most psyched about seeing the Deadstring Brothers again. They mix both the garage and the Motown sounds that Detroit is known for and add to that big Rolling Stone guitar riffs and swirling hammond organ chords. I thought that the song "Sacred Heart" off their Bloodshot Records' debut, Starving Winter Report, was one of the catchiest from all of 2006.

    I'm not as up on Matt Mays & El Torpedo as I should be (since I'm kinda nuts for Canadians). But check out the downloadable video below to get a feel for them.

    [mp3]: Sacred Heart - Deadstring Brothers
    [mp3]: Lonely Days - Deadstring Brothers

    [mp4 video] Cocaine Cowgirl - Matt Mays and El Torpedo

    Craig Bonnell

    Concert Fri Apr 27 2007

    Hideout Dance Party

    Sadly we're still living during "war time", but with parties like this who cares, right?  Well not exactly but here is a chance to get out and do some good ol' fashioned rug cutting with Life During War Time DJs - Bald Eagle, Mother Hubbard, Kampfire Killaz and Love of Diagrams.  At the Hideout Saturday, 9 pm., these DJs bring all sorts of styles to the decks.  Hideout has cheap beer, so pay the 8 bucks to get your groove on and get tipsy on canned beer.

    Brent Kado

    Concert Thu Apr 26 2007

    This Beat Is Bulletproof

    Upon hearing "Uprising," the 1999 debut single by Antibalas Afrobeat Orchestra, many listeners mistook it for a long-lost obscurity circa early-70s Lagos. Imagine the surprise when it turned out that the thing had been cut by a group of modern-day Brooklynites. Fact is, it was an easy enough misjudgment to make, even for listeners long familiar with Fela Kuti’s afrobeat. One reason for this was that the joint was mic’d & recorded in just the “right” way that it sounded like something of that vintage and origin. But the main thing that put it over was that it'd been taken to the stage by musicians who weren’t merely copping a style, but understood and — more crucially — genuinely felt the music they were playing down to its deepest marrow. Naturally, it also didn’t hurt that the responsible party clearly involved musicians who possessed some well-seasoned and nuanced chops. Like the best of afrobeat, it was a megablast of motherland funk — eruptive, fierce, and monumentally powerful. As Bunny Wailer might’ve said: “Some things they come to you, other things they come at you, but this sound it moves right through you.”

    Continue reading this entry »

    Graham Sanford

    Concert Thu Apr 26 2007

    Free Show at Double Door

    No dough show tonight at the Double Door for Metromix Rock N Vote winners.  Appearing will be The Wiitala Brothers, White Hot Knife, Animate Objects and The Saps. Animate Objects play a blend of soulful jazz chilled with some organic hip-hop.  They bring moods from sweet love-making music to bounce-the-floor dance cuts. The Wiitala Brothers are real brothers, in fact they're twins.  They lay forth low-key, cloudy alt-folk sounds that both drizzle and rumble. The Saps and White Hot Knife are standard pop rock music that would make Q101 proud. (remember these bands were picked by Metromix readers) Show starts at 8 p.m.

    Brent Kado

    Concert Thu Apr 26 2007

    Love of Diagrams Love The Hideout

    In addition to their gig opening for Ted Leo at Saturday's show at Metro, Love of Diagrams will be playing later that night at The Hideout. Joining the Life During Wartime DJs, the Melbourne trio return to the Hideout to extend their earlier electrifying performance in March.

    The Diagrams' new full-length release Mosaic (Matador) was recorded here in Chicago with Bob Weston at the legendary Electrical Audio. Check out the band and wish them goodbye as they play their last U.S. shows before returning down under.

    John Lombardo

    Concert Thu Apr 26 2007

    Art is not a mirror; art is JOSEPH HAMMER (Saturday)


    This Saturday, Lampo puts the 99th notch on their collective bedpost a performance from tape-loop virtuoso Joseph Hammer, titled "Road Less Traveled." The event takes place at Odum (2116 W. Chicago) and starts at 9 p.m. Admission is $10.

    Hammer is a lifelong member of the Los Angeles Free Music Society (LAFMS) and a member of projects like Solid Eye, Dinosaurs With Horns, Points of Friction, Joe + Joe and many others. His primary "axe" is a monophonic reel-to-reel tape recorder with an adjustable recording head. In a nutshell, the sounds go on the tape selectively, with parts of previous sounds being erased, parts of the new sounds added, all in a smeary, impressionistic way.

    Continue reading this entry »

    Chris Sienko

    Concert Thu Apr 26 2007

    Too Many MCs Not Enough Mics?


    Not likely, so do you want some hip-hop to launch the weekend?  Want to go to Wicker Park?  Well 1 for 2 ain't bad?  Head over to the Subteranean tonight for some of the city's freshest wordslayers.  Qualo (URB Next 100 honorees), Hollywood Holt, Million $ Mano and the Cool Kids all get a shot at making you move. $7 gets you in with a 10 p.m. start time. 

    Brent Kado

    Concert Wed Apr 25 2007

    XBXRX Dance the El

    Polyvinyl's West Coast thrash-dance quartet, XBXRX, will be joining Miss Mia, Ratso, and maybe even Lil' Ratso as they continue their celebration of Chic-A-Go-Go's 500th episode milestone. The taping will take place on Sunday April 29th at the Chicago Access Network Studios, located at 322 S. Green St. (one block west of Halsted) from 1:00-4:00 PM.

    The uniform-clad noiseniks (featuring Chicago expat Weasel Walter on drums) will play a show later that night for all you dancing impaired out there at Schuba's with KK Rampage and black metal duo Ettrick.

    For more info on Chic-A-Go-Go, email Ratso himself at ratso@roctober.com or check out http://www.roctober.com/chicagogo.

    John Lombardo

    Concert Wed Apr 25 2007

    Disorder In The Court

    There are two not-so-noble destinies that can befall a pop tune these days. One is for it to be used in a car commercial. Another is for it to turn up as the soundtrack to a high-speed car chase in a blockbuster action film. You know — the kind that usually ends with a huge explosion? Riiight. For whatever it may be worth, the music of the Parisian electro duo Justice is much more likely to succumb to that latter fate. Or perhaps, invariably, both.

    As someone once said, "the price of justice is eternal publicity." And hey, if there's one thing Justice knows about, it's publicity. They got plenty of it thanks to Kanye West's outburst at the Grammy Awards last year, and their alliance with Ed Banger and Vice Records has kept that ball rolling. Lots of buzz and enthusiasm surrounded the release of their Waters of Nazareth EP this past spring; and while the thing was only three tracks deep, padded out with a couple of guest remixes, it was just enough of a teaser to whet mass anticipation for the duo's debut album, which is due out sometime this summer.

    As far as Justice's em-oh is concerned, comparisons to Daft Punk have been many. But to my ears, it's most amped-up moments are reminiscent of the growl and grit of early material by the Chemical Brothers and Depth Charge. They throw plenty of dirt in the tracks, with lots of keyboard burps, bursts of noise, and squealy bits. Douse that all down with acid squelch, and pile atop distorted anolog synth that surges like a heavy guitar buzz-riff (the sort that pulls double-duty by carrying both the bass and the treble) and you've got the hottest variety of clublife thumpity-thump going this season. It's the aural equiv of an amphetamine surge — your heartbeat pounding in your ears amidst dancefloor sweat and smoke stinging your eyes. Meaning that at the end of the night, it just stinks of decadence and dirty fun. And sexy? Sure...but definitely in a way that involves more teeth than tongue. Granted, it's the sort of thing that'll probably be cluttering up the resale bins about eighteen months from now; but for the time being, some folks can't seem to get enough of it.

    Justice will be at Smart Bar this Saturday night. In keeping with what seems to be an unwritten rule for such shows, Transcid and Mark Gertz will also be spinning DJ sets. Doors open at 10pm, and tickets are $15.

    Graham Sanford

    Review Tue Apr 24 2007

    Top Of The Pops, Mum! (Or: DIY Your Hair Black & Never Look Back)

    If you're familiar with Art Brut, then you know that the band met with a lot of buzz when they released their first album, Bang Bang Rock And Roll, about a year ago. As often happens with new bands, many music fans are already wary as to the merits of the hype. That, however, did not prevent Friday’s show at Subterranean from selling out well in advance. And those buying tickets and attending were not, by and large, curious-but-cautious trend-jumpers or fickle, fair-weather fans. Rather they were there because they like the band, they like good music. To demonstrate the latter point, the crowd proved very receptive and enthusiastic about welcoming Chicago’s Jai-Alai Savant, the sole band on the opening bill.

    Continue reading this entry »

    Graham Sanford

    Concert Tue Apr 24 2007

    NYC's Alt-Country Traveling Carnival Show Arriving At The Hideout Thursday


    (The Defibulators)
    It seems fitting that a trio of underground, alt-country bands from NYC would be playing a club with a name like The Hideout. By default the genre that Andy Friedman & Other Failures, The Defibulators and The Two Man Gentlemen Band have chosen is neglected and marginalized across the country and I'm guessing that's only magnified in an indietastic city like New York. But despite being genre-challenged, each group has received it's fair share of glowing regional and national press. Andy Friedman (The Boston Globe called him an "erudite redneck") headlines this show. He is a strange modern-day renaissance man; he achieved initial fame as an illustrator and cartoonist for The New Yorker (although his work has also appeared in the Tribune), but of late he's been focusing on his loose, rootsy take on art country. His new record, Taken Man (good review here), is out now on his own City Salvage label.

    Here's three good reasons to head out to The Hideout on Thursday the 26th.

    [mp3]: White Knuckle Death - Andy Friedman & Other Failures
    [mp3]: Milktrain To Paydirt - The Defribulators
    [mp3]: The Hindenberg Disaster - Two Man Gentleman Band

    Craig Bonnell

    Concert Mon Apr 23 2007

    Go-Go Gore Gore Girls!

    Like sneering rock 'n roll girls in tiny skirts? Who doesn't? Rock-hatin' Communists, that's who. Show your love of democracy (or leggy rock 'n roll girls) with the Gore Gore Girls at Schubas on Friday, May 4. Combining powerful guitar riffs and thumping drums, along with Nancy Sinatra's boots and heavy eyeliner, the Gore Gore Girls' raucous live shows have earned them flocks of fans -- and with good reason. Opening the show are local bands Farewell Captain and Panther Style.

    Kara Luger

    Concert Mon Apr 23 2007

    Delicious funky jazz house cocktail

    DJ Mark Farina didn't start spinning his tasty beats until 2 am Sunday morning at Smartbar, but it was well worth the wait. The party, which had already started with DJ Heather's sensual and trippy deep house tracks, kicked into high groove when Farina took over. This was some of the best dance music I have heard as of late. Farina's ability to mix different genres is part of what makes his funky sounds so pleasurable. His music is a well-shaken cocktail--a fusion of downtempo, acid jazz, disco and house that can get even the most dance-shy folks out on the floor. There were a couple of reasons for this double treat--Mark Farina and DJ Heather--performing on the same night. It was Heather's birthday, for one, and secondly, an occasion to celebrate the release of House of Om (Om Records), a super smooth and stylish compilation to definitely add to your collection. This sweet 18-track CD mixed by Farina features Kerri Chandler, Uneaq, and King Kooba, among others, and is perfect for the dance floor or just chillin'.

    Marla Seidell

    Concert Mon Apr 23 2007

    Follow the White Rabbits

    Midwesterners by way of Bushwick, Brooklyn, the six blokes in White Rabbits haven't lost the earnestness of their Missouri upbringing. On their forthcoming full-length Fort Nightly, due May 22nd via Say Hey Records, the intense energy of the Walkmen transfers nicely into the playfulness of Clap Your Hands Say Yeah, all while keeping solid songwriting, and storytelling, in tact. Lead single "The Plot" relates an awkward domestic dispute through dynamic percussion and a melodic hook that you can't shake - it's danceable, but hardly disposable. Speaking of dancing, "While We Go Dancing" uses bar room keys and a Billy Idol rhythm section to get the job done right, and the massive harmonies and percussive ivory-tickling on "Kids on My Shoulders" get you moving. Part of the White Rabbits' musical camaraderie is realized, no doubt, by their physical proximity - they all live together in a loft, sans heat, and all sleep on the same platform. Don't believe me? Check the proof. And check White Rabbits as the middle part of a nice triple-threat bill at Schubas tomorrow night, Tuesday, April 24. Former Grandaddy guitarist All Smiles opens and pop rock personality Richard Swift headlines. Show starts at 9 and tickets are $12 at the door and $10 online.

    [streaming] - From Fort Nightly - White Rabbits

    Brandon Forbes

    Concert Mon Apr 23 2007

    Pink Nasty @ The Lakeshore Theatre

    Image and video hosting by TinyPic

    As the younger sister to hardcorexxx rapper Black Nasty, Austin-based singer-songwriter Pink Nasty (née Sara Beck) takes a decidedly less abrasive (and less controversial) approach to her music, as she frames her folky, soulful chirp with some really hooky indie rock. Pink’s currently touring on her excellent self-released sophomore LP, Mold The Gold, which features a drop-dead gorgeous duet with Bonnie “Prince” Billy, with whom she has shared the stage as one of his band members. Miss Nasty stops by the Lakeshore Theater tonight with The Black (not her, bro, though – the band). 9pm. $8.

    [MP3] Pink Nasty tracks on Hype Machine

    JP Pfafflin

    Concert Mon Apr 23 2007

    Spouse, Cola Wars, Heaven Seventies

    This Tuesday night, the early-nineties-indie sounds of Massachusettians Spouse (featuring members of Pedro the Lion and Silver Jews) and local power-poppers Cola Wars will play alongside the debut performance of the Heaven Seventies. In addition to their nine-foot video screen of re-edited bollywood movie madness, the Seventies will also feature Transmission's own Nilay Patel - he's buying all the drinks! Show starts at 8:30 at the Elbo Room.

    Dan Morgridge

    Concert Mon Apr 23 2007

    The Wolf Who Cried Boy (Is Fame Hard)

    For those of you quick enough to buy Amy Winehouse tickets this weekend for her upcoming show at the Vic (May 3rd, moved from two dates at Schubas), you'll be catching more than the drink-lovin' diva that night. Wunderkind Patrick Wolf, whose latest album The Magic Position has received fantastic critical acclaim, will be opening for Winehouse - and possibly making his last-ever Chicago visit. A post on Stereogum this morning reveals a letter from Patrick discussing how a recent incident involving his drummer has apparently been the straw that broke the camel's back - he plans to make an appearance in November with a London Orchestra his final concert.
    So if you want to see the 23-year-old in the Windy City limits, start haggling for tickets now - it may be your last chance (at least until he realizes he can't retire on three Tomlab albums worth of royalties).

    Dan Morgridge

    Concert Mon Apr 23 2007

    Sweet Noise At Schubas

    Ghostland Observatory makes dancing a must.  Their slick electro sound tied up in a knot with indie-pop glides across the room whipping listeners to attention.  They come to Schubas tonight with opener Popstatic, promising to excite and move you without bashing you over the head.  Ghostland Observatory is an Austin based duo that are easy to compare to Daft Punk, but dig a little deeper and Felix Da Housecat and Orbital parallel as well.  This is a pretty wicked show for a Monday night, prepare thy self.

    Brent Kado

    Concert Sat Apr 21 2007

    Pitchfork Update...Again

    The Pitchfork Music Festival continues its slow but steady lineup revelation for this year's three-day swelterfest in July by announcing yesterday afternoon the final two parts to its All Tommorrow's Parties Friday night "Don't Look Back" feature. For those who don't know, or haven't read a music blog in a while, the "Don't Look Back" show will feature, as Pitchfork has put it, three classic bands playing one of their classic albums in its entirety. Sonic Youth's Daydream Nation had already been revealed as the first act, and yesterday's announcement ended the suspense over the final two slots. Besides NYC's avant-punks, "Don't Look Back" will feature Pitchfork favorites Slint playing their all-important Spiderland, and the Wu-Tang's GZA rolling through his '95 opus Liquid Swords. The announcement is certainly exciting, but it leaves us pining for what might have been: Pavement's Crooked Rain, Crooked Rain? Neutral Milk Hotel's Aeroplane Over the Sea? Built to Spill's Perfect From Now On? Wishful thinking aside, the whole "entire album being played" gimmick makes the Friday night "Don't Look Back" set-up pretty unique in what will no doubt be the most essential aspect of the festival for many, despite the great Saturday and Sunday lineup already announced. Plus, it starts at 7 PM so, you know, it'll only be around 95 degrees, instead of the 125 degrees that will doubtlessly scorch the Union Park hipster faithful during the rest of the festival. Tickets for the "Don't Look Back" feature on Friday night, July 13 are $15 bucks and you can get them here.

    Brandon Forbes

    Concert Fri Apr 20 2007

    I Predict a L'il Riot

    Just in case the verdict is still out on your musical plans for this evening, let me add to the confusion. Tonight at the Vic a nice triple bill awaits those willing to hit Lakeview for the evening. While pop rock exploitationists Kaiser Chiefs headline with their Brit-like punk sensibilities and moody heartthrobs The Walkmen shake and bake at the number two spot, the opening position goes to a little known, yet certainly buzz-worthy, band from SoCal. The Little Ones take methodic melodic rock to near-perfection - lead single "Oh MJ!" from this year's Sing Song mini-LP gives new definition to "feelin' groovy." Check out the video below if you don't believe, where people caught in the everyday breakout into a Narnia-esque world soaked in the sweet sounds of our heroes. Oh, and the S & G-funk reference above is not lost on the Little Ones either. The Vic's doors open at 7:30, and Little Ones drop the first notes of the sounds of sunshine at 8 PM. Tickets are still available at $24 bones a pop through the dreaded Ticketmaster online.

    [mp3] Lovers Who Uncover - The Little Ones

    Video: Oh Mj! - The Little Ones

    Brandon Forbes

    Concert Fri Apr 20 2007

    Make Room for Winehouse

    A result of rather frenzied demand, Jam Productions has combined and moved the two May 3rd Amy Winehouse shows scheduled at Schubas into one 7:30pm show down the street at The Vic Theatre. All Schubas tickets will be honored, of course, but if you're one of the hundreds looking for one, you can take your chances over in Ticketmaster land tomorrow morning at 10am. Given the amount of airplay that "Rehab" has received on WXRT, you can bet there'll be a bit of a stampede. It's sad to see the shows leave a nice, intimate (and smoke-free) venue like Schubas, but, ah well.

    Anne Holub

    Concert Fri Apr 20 2007

    Decemberists hit Millennium Park

    If you miss the Decemberists this time around (they perform tonight at the Riviera Theater, 8pm), don't worry. You'll have another chance to see them this summer. In a special concert celebrating Metro's 25th anniversary, the five-piece indie rock band hailing from Portland, Oregon performs alongside the Grant Park Orchestra in Millennium Park on July 18. Brand-new orchestral arrangements of The Decemberists' songs are to be arranged and conducted by Sean O'Loughlin, who has arranged music for Blue Man Group, Pink Martini and Christian McBride, among others.

    Unusual pairings and eclectic instrumentation are nothing new for the Decemberists, who released their fourth full-length album, The Crane Wife, on 3 October 2006 (Capitol Records). Their music, compared to Neutral Milk Hotel and Belle and Sebastian, is best described as upbeat pop wrapped around passionate ballads. Lending its uniqueness to a lush musical arrangement (accordion, Hammond organ and upright bass included), their songs are infused by such diverse strains as the sea chantey, Irish jig and klezmer. Pastoral lyrics shaped around a folkloric, storytelling style paint wistful pictures of winter, love and other moods. The well-spun songs are the creative brainchild of singer/songwriter and frontman Colin Meloy, who was inspired to write Crane Wife by a Japanese folk tale he came across in the children's section of a Portland bookstore. The band, which named themselves after the Russian Decembrist Revolt and the feelings associated with December, includes Nate Query (bass), Jenny Conlee (keyboards and
    accordion), Chris Funk (pedal steel guitar), and John Moen (drums).

    The Decemberists perform with the Grant Park Orchestra, conducted by Sean O'Loughlin in the Jay Pritzker Pavilion at Millennium Park on July 18, at 6:30 pm. The concert is free and open to the public.

    Marla Seidell

    Concert Fri Apr 20 2007

    4/20 Is A Day For Music

    If you didn't know that 4/20 was officially the best day to go out and see live music, you've been "officially" informed.  Here is a list of shows that offer the best chances to get high. (on music, what else?)

    Backyard Tire Fire, New Monsoon and JJ Grey and MOFRO - House of Blues, 9 p.m., $18.50.  This show provides a great mix of four acts dropping lots of funk and world-music inspired jazz glazed with rock.

    Brothers Past with openers Orchard Lounge - Beat Kitchen, 9 p.m., $10 - Brothers Past drive home a flavored mix of electronica and rock that breaks a sweat.

    e.s.t. (Esbjorn Svensson Trio) - Hothouse, 9 and 10:30 p.m, $20.  Smooth jazz Swedes that may throw in electronic grooves or rock riffs making mesmerizing mind music.

    Continue reading this entry »

    Brent Kado

    Concert Fri Apr 20 2007

    Dear Shows Off Bigs Hands

    Matthew Dear makes music that gives us hope for the future of sound.  While he is not the guy leading the charge up the hill, he's the second line admiral who moves in and perfects the job.  Whether he is coming at us as Jabberjaw, False, Audion and now Big Hands, Dear is a master of musical moods.  He employs a live band to tour with for the first time in support of Asa Breed and is using the Empty Bottle as a warm-up spot.(the band has only released a single and this will be their second gig) The Nice 'Em Up Boys and Flesh open.  $10

    Brent Kado

    Concert Thu Apr 19 2007

    Not Just A Sickness You Want to Avoid


    (Photo by Teppei)

    Upon initial categorization, Japan's Mono fits somewhere between the post-rock dalliance of Mogwai and the epic sound waves of Explosions in the Sky. But from the moment you really start to listen to last year's You Are There, you realize easy categorization is not the name of the game here. Mono aren't about fitting a genre-mold or a label - they're about blowing your mind with sonic compositions of cathartic intensity. Quiet beauty to squalling feedback, harmonious guitar movements to tidal waves of noise, You Are There moves from the depths to the heights and back again. This isn't just transporation - it's transcendental exploration. And their live shows, the story goes, are even better. So do yourself a favor and let this fearsome Japanese foursome challenge your ears and blow your mind at The Empty Bottle's late show Friday night. Show starts at 9:30. Mono friends world's end girlfriend go on second and The Drift open. Tickets are $12 and earplugs are a $1 so bring $13 if you don't have any. You're going to need them.

    [streaming] Mono - Moonlight

    Brandon Forbes

    Concert Thu Apr 19 2007

    Sonic Engineering 1°1

    Play louder. That's the imperative, and we’ve had a half-plus century of glorious racket that’s come of it. Let all that have ears hear, and let them that hear move their feet.

    So it was for Congolese cab driver and musician Mawangu Mingiedi when he started the group Konono N°1 over 25 years ago. Playing villages and parties, Mawangu and company encountered the challenge of making their music audible for larger gatherings and competing to be heard over the din of urban Kinshasa. And that proverbial mother of invention dictated that they scrounge and salvage and solder together the means of getting it across. Resorting to a ramshackle remedy of plugging-in, they wired up their acoustic likembés (or thumb pianos), built a clattering drumkit from scrap metal, and rigged their own DIY soundsystem for broadcasting block-party rhythms to all within earshot.

    As far as Congolese music goes, Konono's style of native "trance" music pre-dates recent afro-pop sensations such as soukous and highlife by centuries. Theirs is a celebratory music, rooted in the ages-old tradition of "praise" songs, devotionals honoring the spirits of the departed. But with amplification comes the possibility of distortion, especially when you're working with equipment designed for more rudimentary purposes — the sort of megaphones designed for little more than squawking announcements at a train station, for instance. Pumped through a jerry-rigged PA system, the music’s polyrhythmic density taxes the channels until its timbres and tonalities blur and merge into a overwhelming mass of percussive sound — a fuzzed-out, skronky ur-funk, if you will. By force of sheer power, volume, and its own rootsy rawness, it’s a sound that can subsume and penetrate the listener to their corporeal essence. And if it doesn't prompt you to at least bob or shake your pelvic nethers, then maybe your friends should hail for a medic.

    The widely-distributed release of Konono's 2005 CD Congotronics became a surprise cross-over hit with indie music heads. Their music has since been covered by The Ex, and they reportedly will be making an appearance on Björk's forthcoming album. They'll be playing at the Empty Bottle next Tuesday night. They don't make it stateside too often, and seeing them in a smaller venue guarantees a maximized acoustic experience. Tickets are $20, and the show is scheduled to kick off at 10pm.

    [video]: Konono N°1 - "Lufuala Ndonga"

    Graham Sanford

    Concert Wed Apr 18 2007

    Cloud Cult at Schubas (Read Quickly. Don't Linger. Show Starts In 2 Hours)

    I'm not even going to pretend this is not a cut and paste job because it is. This arrived in the ol' inbox today, and since it truly does sound like a great show, with a much buzzed about band (Cloud Cult), and some kind of liquor deal it was too good a post to pass up.

    "En Prise Entertainment and UR Chicago magazine are bringing three amazing bands to Schubas tonight (Wednesday the 18th) for what is sure to be a great show. Minneapolis' Cloud Cult, who were profiled in the April issue of UR Chicago, are headlining and will be playing songs from their latest album, The Meaning Of 8, which is easily one of the best independent releases of the year.

    Support will be provided by one of Chicago's best local bands, Skybox, and Louisville, Kentucky's Waxfang (friends with Jim James of My Morning Jacket). And just to sweeten the deal, there is Hosted Jack Daniels and Coke Zero cocktails from 9-10pm! details below."

    What are you waiting for! Go! Go! You've only got an hour to get there for the free cocktails!

    [mp3]: Cloud Cult - Take Your Medicine

    [mp3]: Skybox - Various Kitchen Utensils

    [mp3]: Waxfang - Majestic

    Craig Bonnell

    Concert Wed Apr 18 2007

    Radio Soulwax Will Eat Your iPod For Breakfast

    At the height of the mash-up/"bootleg" craze of a few years ago, no one was killing it faster and harder than the Radio Soulwax crew. Soulwax had started out as a Belgian alt-rock outfit in the 1990s before leaders Stephan and David Dewaele began focusing on their sideline deejay work. Under their alter-ego 2ManyDJs, The Dewaele brothers soon began cranking out bootleg mix CDs, radio broadcasts, and remixes at a dizzingly profilic rate. Faster than you can say, "get your crunk outta my grunge," their work quickly became the standard-bearing template for the "bastard pop" anti-genre, demonstrating the interchangeability of pop components and formulae with their mix-and-match style of blending tracks — such as slapping Salt'n'Pepa's "Push It" over The Stooges' "No Fun," or juxtaposing Nirvana with Destiny's Child.

    Soulwax has recently reemerged as a fully-operative band, sporting a sound that fits comfily in with the recent trend for pulsing, "dirty" electro-rock. Meanwhile, 2ManyDJs has remained active and absorbed additional contributors, producing legit remixes for numerous artists like Gorillaz, Bloc Party, Ladytron, and they've just dropped one for the Klaxon's "Gravity's Rainbow." The current Radio Soulwax tour of the U.S. winds down at Coachella before the group heads off to the Cannes Film Festival for the premier screening of a documentary about their recent summer tour. They're arriving in town to take over the Metro this Saturday night. For the occasion, Soulwax (the band) will reportedly play the entirity of their 2005 Nite Versions album, and 2ManyDJs and FIXED associates JDH and Dave P will take to decks to serve up a mix set. Like-minded local deejays Bald Eagle and Popstatic will also be spinning. Doors open at 9pm, tickets are $15.

    Graham Sanford

    Concert Wed Apr 18 2007

    God of Thunder: limited engagement, two nights only!

    The last time metal-bashing junk acrobat Z'ev played in Chicago, it was 1986, at a long-gone venue called N.A.M.E. Gallery. The event, captured on a 10" vinyl record housed in two heavy pieces of etched sheet metal and released by Chicago's Crippled Intellect Productions label (now out of print, I believe), played with the resonances of metal (grinding, heaving sounds, atmospheric whines giving way to compressed-air riot-horn shrieks) as well as the pounding sounds of metal against metal, with rhythms that sound like a Scottish pipe & drum percussionist playing the inside of a water tower. In the intervening 21 years, Z'ev has explored many other natural materials and media, creating a living sound-space that links the organic (dude) and the inorganic (stuff) into harmonious confluence (ker-POW!).

    Z'ev returns to the Chicago area for the first time since N.A.M.E. Gallery with two shows on two consecutive nights. Tonight, check out Wicker Park's Enemy space (1550 N. Milwaukee Ave, 3rd floor) for Z'ev pt. 1, along with Chicago experimental legend Illusion of Safety, whose own live appearances are rapidly becoming as rare as a $5 pitcher on Saturday night. 9 p.m., suggested donation $10. Tomorrow, the Empty Bottle will also host Z'ev, along with Sikhara (true "nomadic" ritual music ensemble), Vertonen (waves and tones, drones and tight spaces), and Magic is Kuntmaster (one-woman fairytale horrorshow). 9:30, $7 in advance, $10 at the door.

    Chris Sienko

    Concert Tue Apr 17 2007

    Gettin' Busy With the Kid

    Well, if you're still bummed about the cancellation of last Friday's A-Trak and Flosstradamus show at Smart Bar, you have two chances to catch Flosstradamus this week. Between zipping in and out of town to spark crowds in other cities, they're playing a couple of events in Chicago. They'll be performing with Kid Sister at Subterranean tomorrow night. Kid Sister has also had a busy schedule of late, since both she and the Floss guys have been cited as the next big blow-up for 2007. Having seen Sis tear it up around town a number of times in the past year, I've been amazed at how she keeps getting better each time. Dynamic and adorable, she dances and bounces all over the stage while she raps. Her energy is positively infectuous; and she, in turn, gets likewise amped by the excitement of the crowd. And she's usually at her best when she joins Floss to kick it during one of their sets. If that weren't enough, Brooklyn deejay and remixer Nick Catchdubs is scheduled to man the decks, too — meaning that this party's going to be a monster. (Yep. Looks like Thurday's going to be a low-productivity day for some of us.) The Cool Kids are billed to open. 2011 W. North Ave. 9pm-2pm. Tickets are five dollars.

    And, oh yeah...if you can't do Wednesday, Flosstradamus will also be spinning at Sonotheque this Friday evening. Check the club's website for further details.

    Graham Sanford

    Concert Sun Apr 15 2007

    Dana Falconberry @ Cal's Bar

    I took my own advice and saw Dana Falconberry at Cal's Bar last night. Cal's is a hole in the wall, a shot and beer joint and proud of it. But around the edges music paraphernalia is starting to creep it's way in. Tour posters, broken guitars, band stickers and assorted musical nicknacks adorn the walls. The stage is the cold barren cement floor. But the place is small, cozy, laid back and the sound is good (beers are cheap - $2.50).

    I was surprised that Dana turned up as a trio for the night. Dana's guitar and vocals were accompanied by beautiful harmonies and assorted percussion from two fellow Austinites (Erica and Gina). By percussion I mean stolen children's toys, foot stomps and old battered coke cans squished along to the beat. Dana played songs from her new ep Paper Sailboat and newer songs she's still working the kinks out of. After the band resolved some distortion/feedback issues they quickly found a grove. One of the standouts was the gypsy flavored "Leave In The Middle Of The Night". Fan favorite "Sadie" was the closer. Anyway just wanted to let you know that a good time was had by all.

    "Sadie" video

    Craig Bonnell

    Concert Fri Apr 13 2007

    Rage Against The Big Mac

    If you can't make it out to Oak Brook to protest Mcdonald's ridiculously cheap food, (and substandard labor practices) Saturday at the Federal Plaza is another spot to participate. And with better sounds too. A Latin American style parade, sponsored by the Coalition of Immokalee Workers, will march from the Plaza to Rock and Roll Mcdonalds (600 N. Clark St.) and end with a concert (back at the Plaza) featuring both Tom Morello and Zach de la Rocha as solo acts. Hopefully they will play a few tunes together.  Also on the bill musically Hot 8 Brass Band, Olmeca and many others.

    Brent Kado

    Concert Thu Apr 12 2007

    Want those Klaxons tickets?

    WLUW will be announcing how to get e-tickets to the Klaxons show this weekend - passes do not guarantee entry though, so get your ticket and then get there early!

    (Full disclosure: this author is a employee of WLUW.)

    Dan Morgridge

    Concert Thu Apr 12 2007

    Spring/Winter Sunshine

    With only two guitars, Ecstatic Sunshine has managed make some of the wildest orchestrated noise this side of Yngwie Malmsteen! The Baltimore duo (featuring members of Ponytail) combine frantic note-picking, hammer-ons run amok, and alternating solos as they blast through their highly developed, clearly un-improvised intricate rock songs! ES have successfully distilled the most central element of rock and roll, fed it speed cut with steroids and blast it out live for you to try decipher. Tonight they perform with Tim Kinsella & Todd Mattei and Light Pollution at South Union Arts (1352 S. Union) at 8:00pm.

    [mp3]: Pocketknife

    John Lombardo

    Concert Thu Apr 12 2007

    F.O.S. (Friends Of Sufjan) - Denison Witmer/Rosie Thomas At Beat Kitchen

    You know that expression "I went to a boxing match and a hockey game broke out" (is that right?), well there is now an indie rock equivelent. If you go see Rosie Thomas and Denison Witmer at The Beat Kitchen on Sunday night you may leave saying "I went to an indie rock concert and a comedy show broke out". That's because the opening band is Sheila Saputo (aka Rosie Thomas in disguise). Sheila's a nerdy, out-of-place, painfully awkward, young girl who loves to partake in awful karaoke, tennis lessons and play with chickens. Think Andy Kaufman in a dress. It's an odd turn for the often quite serious Rosie Thomas, it's almost like a split personality.

    As the title of this posts hints at, both Rosie Thomas and Denison Witmer have collaborated with Sufjan Stevens. In fact for a brief time it was rumored (on Pitchfork, no less) that Rosie was carrying Sufjan's child, but that turned out to be a hoax created by Rosie (or was it Sheila?). Here's Sufjan's letter to the editor in response:

    "First of all, I would like to thank everyone who called or sent notes of congratulations about the news of my baby. I am so proud.

    Secondly, the baby is a hoax. I had nothing to do with the baby hoax. I was as shocked as everyone else about the baby. Matthew's story was so convincing I almost believed it myself.

    Thirdly, something you need to know about Rosie is that she's really weird and she's really funny. So it's no surprise that she could pull this off, this imaginary baby. But the fact is, Rosie is not carrying my baby. As far as I know, we spent quality time in the studio, not in bed. If Rosie's pregnant, it's not my baby. Maybe it's Denison's baby. Maybe it's an alien baby. I don't know. All I know is that the baby is probably going to grow up to be a clown, or a mime, or a bassoon player or something funny like that. Most babies come out crying, but Rosie's baby is going to be born laughing its butt off."

    Besides all the wackiness that may be in store, Denison and Rosie should put on a great show of indie folk. They're touring in support of Rosie Thomas' These Friends Of Mine which was recorded in NYC with Sufjan and Denison and released March 13 on Rosie's own imprint. Both will probably appear solo and together, accompanied only by acoustic guitar, which should let their songwriting prowess shine through. Here's a song from each and bizarre little You Tube video of Rosie's alter ego Sheila Saputo.

    See all three (or is it two?) this Sunday night at an early show at Beat Kitchen, should start around 6pm.

    [mp3]: Denison Witmer Are You Lonely

    [mp3]: Rosie Thomas Much Farther To Go

    Sheila Saputo "Sheila's phrases to live by"

    Craig Bonnell

    Concert Thu Apr 12 2007

    Let Me Take You Mo' Higher

    Beantown emcee Mr. Lif is completely on some Noam Chomsky type ish — not just with how he kicks the linguistics, but also with how he flexes on socio-political issues when he's on the mic. His 2002 cut "Home of the Brave" was the first song I heard that fully (and scathingly) addressed post-9/11 American paranoia and foreign policy. As a socially-minded emcee, Lif manages to make such lyrical content work in a manner that other "conscious" hip-hop usually doesn't. His p.o.v. is more off-handedly observational than preachy, more by-the-way than bombastic. Delivery-wise, he's savvy with switching up the meter, doubling-back on the verse with compressed or internalized rhymes. Lif readily admits that his lyrics are as fueled by what he sees in the world that pisses him off as they are by his passion for hip-hop and making music. And it's paid off well for him, judging from how he frequently attracts and collaborates with some of the most respected emcess and producers in the indie rap scene.

    Continue reading this entry »

    Graham Sanford

    Concert Wed Apr 11 2007

    Lollapalooza Lineup Confirmed!

    It would seem we can now officially confirm the Lollapalooza lineup announced at the Onion A/V Club earlier today, as it's band-for-band the same as the lineup printed in the inside-back-cover of "tomorrow's" issue of Time Out Chicago. I'm pleased with my investment, how about you?

    Kris Vire

    Concert Wed Apr 11 2007

    Lollapalooza Lineup! Who Actually Waits Anymore?!

    Now you've plunked down $165 for Lollapalooza tickets and you're wondering, "I wonder who I'll actually see." The lineup's officially announced tomorrow, but The Onion's A/V Club has posted a pretty good-looking lineup that seems to indicate Pearl Jam (Sunday), Ben Harper (Saturday), and Daft Punk (Friday) will headline. The rock-heavy lineup is pretty tame with only a handful of "Oh My God, They Got Them?!" acts, but there appears to be a lot of quality spread throughout.

    Notable local performers include the 1900s, Bound Stems, Chin Up Chin Up, Lupe Fiasco, Rhymefest, Matt Roan, and David Vandervelde.

    James Ziegenfus

    Concert Wed Apr 11 2007

    I Guess This Makes It a Derailment...

    As an update to the entry that appeared on Transmission earlier this afternoon, it now appears that &mdash at the 11th hour &mdash Friday night's A-Trak & Flosstradamus event at Smart Bar has been cancelled. For those who might've already purchased tickets, the club's website offers info about refunds. The "make-up" event for Friday eve is still TBA.

    Graham Sanford

    Concert Wed Apr 11 2007

    Dana Falconberry


    Dana Falconberry's music can shift on a dime; from truly quiet, folk-based storytelling to electronically-enhanced, buzzing indie rock (check out her two new demos streaming at MySpace). Perhaps she's still searching for her sound or perhaps she'll be an artist that doesn't settle on any one genre. As a member of the weird folk collective Peter and the Wolf, you might think she'd be tagged with the freak folk moniker, but I haven't seen that description used yet and I'm sure she'd oppose it's limitations.

    Her song "Paper Sailboat" was the one that immediately drew me to her work. It's the title track from her latest ep and is a simple, beautiful song about lost love. The second single, "Sadie", has a more produced feel with cello and moody atmospherics, but is still a song that as Dana points out in her bio deals with "loss and regret." I'm sure you'll hear these two and others when she takes the stage at Cal's Bar (400 S. Wells) at 10pm on Saturday the 14th.

    [mp3]: Sadie

    "Leave In the Middle Of The Night" on the Austin, Tx. cable access show "Almost Late Show with Bobby Bones"

    Craig Bonnell

    Concert Tue Apr 10 2007

    Hips Sway to the Hearsay

    Oh, the unintended irony. That the band who dubbed themselves The Gossip has become so much the center of such, recently. They've learned that when a band has a charismatic and outspoken frontperson, folks end up talking about nearly everything but your music. Such has been the case with the attention swarming around vocalist Beth Ditto recently. Her comments on gender, sexuality, and body-image issues have provoked no shortage of controversy, reactions so bafflingly polarized that they ultimately prove Ditto justified for raising them in the first place. But before all the tabloid-style notoriety, the band initially earned their reputation from their music and performances.

    Continue reading this entry »

    Graham Sanford

    Concert Mon Apr 09 2007

    So Swift

    Rob Swift is one well-traveled fellow. Physically, yes, touring has taken the renowned DJ and turntablist around the globe. Musically, however, the man has dipped his toe into a wide variety of genres. His prowess earned him a spot as part of the early '90s scratching scene with the renowned DJ collective the X-men (later known as the X-Ecutioners), which Swift left in 2004.

    Continue reading this entry »

    Kara Luger

    Concert Mon Apr 09 2007

    Moxie Motive


    I was just starting to wonder if the Chicago band Moxie Motive had any (moxie that is)...when about 2 minutes into their song "Flush Of Hearts" I had my answer when a blast of Pixie-esque guitar noise erupted. The band's debut ep has just been released.

    Moxie Motive have been around in some form or another since 2005. They've had their fair share of great opening opportunities including dates with Cold War Kids and Tapes `n Tapes. Now they have a chance to headline the Empty Bottle as they celebrate the release of their debut ep Friday night. Record Low and Satellite 66 are also on the bill. More info here.

    [mp3]: Flush of Hearts
    [mp3]: Gone By now

    Craig Bonnell

    Concert Fri Apr 06 2007

    Weekend Quickies

    Just in case you haven't had your spirit completely shattered by the cold snap this week and are actually prepared to do something other than eat chips and read cuteoverload.com in bed all weekend, here's a quick list of what's going down:

    Jeff Tweedy is at the Vic tonight, playing a benefit for youth scholarships. That seems like a good cause. Also a good cause: supporting the families of ticket scalpers, cause that's the only way you're getting a ticket, amigo.

    • Instrumental glitch-core duo Hella brings their peculiar brand of 8-bit metal fusion to the Abbey tonight at 10:15. 18+, for those of you dying to hang with the underage goth-Nintendo crowd.

    dada is at Park West tonight. I don't even know anything about them, except when I was in middle school like fifteen years ago they released "Dizz Knee Land," which features the immortal lyric, "I just robbed a grocery store, now I'm going to Dizz Knee Land."

    • Lot of great local stuff on Saturday: Math rockers Cola Wars at the Note at 9, and southside bruisers The Goddamn Shame play with riot grrls The Cathy Santonies at the Elbo Room at 8.

    Exene Cervenka headlines the Hideout at 9 on Saturday.

    Plus Grindhouse opens this weekend. I know Doritos are tasty, but seriously. Get your ass off the couch already.

    UPDATE: I have been informed that the cool kids no longer patronize cuteoverload and have now moved on to The Daily Puppy. This is extremely important information, and now you have it. Use it wisely.

    Nilay Patel

    Concert Fri Apr 06 2007

    Free concert - just don't go home after work!

    You're already downtown for work. It's Friday night, and you want to go home for the day, but you can't! You've got unfinished business. You've got a FREE show to check out!

    Tonight at 6 p.m., as part of the two-day viral:CULTURE symposium, Columbia College (at Hokin Annex, 623 S. Wabash) brings three immense musicians to expound on the event's central thesis: "explor[ing] the infectious nature of creativity and how individual disciplines infect, influence, mutate and inspire other visual and creative practices including fine art, graphic design, product design, advertising, fashion, video and music."

    Continue reading this entry »

    Chris Sienko

    Concert Fri Apr 06 2007

    Pre-Easter Dance Party With Lotus

    Not long ago if a group was labeled a jamband it was safe to say they sounded like Phish, the Grateful Dead or maybe Leftover Salmon. Today the genre of jambands has subdivided itself into numerous different fragments forcing a new genre distinction called Post or Nu-Jam. One of the bands to rise to the top of this burgeoning new music style is electro-rock outfit Lotus. The quintet hails from Philadelphia, but has deep roots in the Midwest, making Chicago a hot stop on their regular touring schedule. While they've steadily developed a studio resume with distinct sounding albums like Nomad and Strength of Weak Ties, it’s live where Lotus separates from the pack. They create an intense dance party fueled by electronica with indie rock sensibility and textured with ambient grooves all dusted with funk and jazz. Leave the hemp necklace at home though, this is the next generation of jambands. Catch them Saturday night at the Abbey Pub. (tickets here)

    Brent Kado

    Concert Fri Apr 06 2007

    $10 Buys A Lot These Days

    SeepeopleS is a band worth a Hamilton in their own right, but opening bands often are worth more. This might be the case tonight at Kinetic Playground. While the show acts as a CD release for SeepeopleS latest Apocalypse Cow, opening band Bockman could steal the show. Their blend of jazz and progressive rock might lean heavy or it may drift light, but the band always brings an inviting sound wrapped in these complex structures. Two more bands share the bill tonight (Scissors for Lefty and Locksley) so for $10 will certainly get your monies worth.

    Brent Kado

    Concert Thu Apr 05 2007

    Klaxon, Klax off

    Bummed you missed out on getting tickets to see UK dance-spazz rockers Klaxons at their sold out Schubas show on April 16th? Don't be. Turns out the Brit three piece will be giving a free in-store performance at Urban Outfitters on Milwaukee Ave. at 5 PM on Sunday, April 15th. We have Toyota's Yaris marketers to thank as well as America's trendiest clothing store for providing the repreive via the "Free YR Radio" campaign. Evidently, the companies have combined forces to help promote non-commercial radio in 12 major US markets by offering free in-store shows, vehicle giveaways, and CD samplers with lots of buzzworthy acts. And yep, Chicago made the cut and Klaxons got the call, so be prepared to check out overpriced ironic tees and tanks while grooving to the sounds of "Gravity's Rainbow" next Sunday evening.

    UPDATE: It seems that Chicago's best independent radio station, the crushworthy WLUW, is sponsoring the wild call of the Klaxons at Urban Outfitters and that you've got to go through them to get tix for the gig. Contact WLUW here for more info.

    Brandon Forbes

    Concert Thu Apr 05 2007

    One confirmed, 159-ish to go

    Unless you're living under a rock (and it seems even rocks get RedEyes shoved underneath them these days), you heard that Pearl Jam confirmed they're closing Lollapalooza on Monday, the day before the earlybird tickets went on sale. That, along with my convenient winning of my office NCAA pool, was enough to convince me to buy a ticket Tuesday. We're still a week away from the official lineup announcement (and the thirty-dollar price jack), but rumors are of course afloat. Check out the Lollapalooza calendar entry at Last.fm, which makes claims—with no corroborating evidence, mind you—on Beck, Daft Punk, Clap Your Hands Say Yeah, the Roots, Lupe Fiasco, Rhymefest, Peter Bjorn & John, and the New Amsterdams, among other ambassadors of awesome. Are any of them for real? We'll see.

    Kris Vire

    Concert Thu Apr 05 2007

    Tales on Tone

    Yasunao Tone is a veteran of the Fluxus movement and a former composer for Merce Cunningham's dance troupe. His new 8-channel "Paramedia Mix" speaker setup sends his compositions riccocheting around a room fast enough to give you whiplash of the eardrum.

    For the past 20 years, Tone has explored creative methods of altering CDs to make them play interestingly wrong - one way is to put pieces of tape with tiny pinholes over the playing surface, resulting in strange globules of digital freakout that differ significantly from the all-too-familiar gk-gk-gk sounds you get when you accidentally scratch your copy of "Loveless" on the coffee table. (his "Solo For Wounded CD" CD was a highlight of the late '90s Tzadik catalog)

    This bouncy, glitchy, conceptually fluxus-like show will be dropped face-first on the cinderblocks of Lampo (2116 W. Chicago) this Saturday at 9 p.m. Tone will perform a recent composition, "Wounded Kanji Dictionary," which uses graphic and musical software to craft sounds from the shapes of various Kanji characters. $12 at the door, as usual. (Stay tuned for the return of the always mind-melting Joseph Hammer near the end of the month!)

    Chris Sienko

    Concert Wed Apr 04 2007

    Nashville connection - Josh Rouse and Kyle Andrews

    Kyle Andrews and Josh Rouse are currently on tour together. They share a love of Nashville. Josh lived there for a short time and recorded his album Nashville there. Kyle is also a transplant (originally from Chicago) who has decided to stay. Kyle's latest release, Amos In Ohio, is a case of a record that was so good it just had to be heard. Originally released on a small local label in 2005, Badman Recording Company picked it up in 2006 (remastered it and added bonus tracks). The title track became a bloggers favorite into 2007 and Kyle's blend of electronically enhanced bedroom pop (it was literally recorded in his bedroom) and singer-songwriter cleverness was suddenly all the rage.

    The opening slot for Josh Rouse is a prestigious gig that will open even more doors for Kyle Andrew's quirky brand of pop music. It should also be a nice homecoming for local boy done good. They share the stage at The Old Town School of Folk Music Saturday, April 14 with two shows at 7pm and 10pm. Better get your tickets now here.

    [mp3]: Kyle Andrews - Amos In Ohio

    [mp3]: Josh Rouse - It's The Nighttime

    Craig Bonnell

    Concert Tue Apr 03 2007

    Wheels May Have Fallen Off Speedwagon

    If Eighties pop band REO Speedwagon had any amount of musical cred left after once being the hottest group on the planet, it may officially be gone. In support of their first album release in 11 years (Find Your Own Way Home) the band is going to play a free show...at the Elk Grove Village Wal-mart. And it's not like they're taking over the parking lot for the show, it's an in-store 30 minute performance proceeding an autograph session. REO Speedwagon orginated in Champaign as a hard rock group during the late Sixites and became a regional power before their stardom hit top selling stauts with a more mellow sound. The current line-up of the band includes three long time members. If you want to catch them live for free, show starts at 6 pm. Their songs are perfect background noise for shopping in such a positive place like Wally World.

    Brent Kado

    Concert Tue Apr 03 2007

    Lollapalooza: "Trust Us!"

    Lollapalooza has announced that tickets for this year's festival are now on sale. The news comes with a caveat: These are "Earlybird" tickets, which means that they're 30 dollars cheaper, but 30 dollars less informed about the line-up than those who wait to buy later. From the site: "The Earlybird price is your reward for trusting that the line-up will be as mind-numbing as ever." (Hopefully they meant mind-blowing? Don't get ahead of yourselves on the lingo curve, guys).

    In addition to this, Lollapalooza has announced that there will be no service charges added to the purchase - it's already been factored into the face cost. In addition, tickets can now be mailed to you or printed out at home - a move sure to raise the ire of hologram enthusiasts everywhere.

    Dan Morgridge

    Concert Mon Apr 02 2007

    Preview: Talib Kweli @ House of Blues

    Through the pinball trajectory of his career, Talib Kweli alternately hates the Internet and pimps it, clashing with critics on fan-site Okayplayer and promoting an Internet-only early release of a collaboration with producer Madlib. He's kept it moving, though, as he keeps active with guest spots and with the roster of his own imprint, Blacksmith Music.

    He now comes to Chicago on tour in support of quite a few projects: Blacksmith Music's first compilation release, his last solo effort, The Beautiful Struggle, and Liberation, the adventuresome Madlib project. Don't ask him anything about Black Star, though. He hates when you do that.

    All the info you need is here.

    Troy Hunter

    Concert Mon Apr 02 2007

    The Acoustic Blues of Charlie Parr

    charliejoephoto.jpg

    "Charlie Parr has failed at most things in his life," from Charlie Parr's bio.

    I've been all over the info-superhighway and heard lots of great music over the past 3 years but the acoustic blues from Charlie Parr remains some of the best roots music that I've experienced (along with the music of William Elliott Whitmore). Charlie Parr will play Uncommon Ground this Friday night at 11pm. Expect him to growl, pick, pluck and tap his foot (notice the wooden board in the photo) through a set of the most inspired folk and piedmont blues you'll ever hear.

    Charlie Parr was raised on folk, country blues and Smithsonian field recordings in Minnesota. He hasn't strayed far and recorded his new live disc right in Duluth at the Brewhouse. He's supporting the new live record titled Backslider, so without further ado here's two tracks off that one, plus another from his previous studio recording. As is the case with the best blues the studio take is only slightly more produced than the live offering. Catch his live show this Friday night at 11pm at Uncommon Ground.

    [mp3]: Prodigal Son (live) - Charlie Parr
    [mp3]: 1922 - Charlie Parr

    Bonus:

    [mp3]: Samuel Grady - Charlie Parr

    Craig Bonnell

    Concert Fri Mar 30 2007

    Lightning Bolt! U of C! Coffee!!

    Relive 2002 and all its Oops! (the tour)-infused glory by going to see Lightning Bolt this Saturday on the University of Chicago campus! It's all going down at the Cobb Coffee House (5811 S. Ellis Avenue), 8 p.m. Also appearing: Bug-Sized Mind and KK Rampage. Sponsored by WHPK. There's limited space (it is a coffee shop, after all, not the Fireside Bowl), so contact (773) 702-8289 or whpk@uchicago.edu for information. Be ready to rock, but please don't overturn any foaming machines.

    Chris Sienko

    Concert Fri Mar 30 2007

    We Know You Got Soul

    Five more bands have been announced in the line-up for the Pitchfork Music Festival.


    • Much more than three feet of entertainment will be brought by Native Tongues founding members De La Soul.

    • Pavement powerhouse and Jick-leader Stephen Malkmus will be flying solo.

    • Summer festival stalwarts The New Pornographers will woo the crowd with material from an upcoming album.

    • Tyondai Braxton will return to the fest with his new super-group Battles. (who are in town tonight!)

    • Big-local-fish-who've-just-become-big-national-fish The Ponys will return to make sure we're following their energy saving tips.


    In addition, Pitchfork has introduced a official festival podcast titled "Backline." The 'cast features festival-specific info as well as interviews with the likes of rapper Malice of Clipse, All Tomorrow's Parties founder Barry Hogan, and poster artist Jay Ryan. Episodes 1 and 2 are now available.

    Dan Morgridge

    Concert Fri Mar 30 2007

    The Dawning of Willy Joy

    I love those moments when you realize that something special is happening, that you've been lucky enough to stumble upon a rare talent just before it hits. I spend a lot of time searching for those moments, with dubious results. Oftentimes I just end up drunk, desperately trying drown with booze the plaintive wails of some trustafarian art student who has discovered that the true sound of his soul is best expressed by taking 18V of Makita's finest to a xylophone during some emo-ass guitar song with no dance break. It's a crappy price to pay, but someone's got to do it. And I don't mind drinking, so there you go.

    Other times, purely by chance, I get lucky. New Year's Eve I was in the middle of a pretty rowdy dance floor when Willy Joy, the DJ, went for the gold and cued up "Dick in a Box." Then he took that extra step and played it again, back to back. That's special, right there. That shit was a moment.

    And now, with the release of his 80's/hip-hop/electro-tastic mixtape, FLYBYNIGHT Vol. 1, and a solid gig schedule, including a residence at The Underground Lounge, it looks like the rest of you fools better get ready, cause Willy Joy's coming out huge this month. Catch him tomorrow at Tini Martini for Team Bang Gang, April 5th and 12th at Schubas for DJ's Upstairs, and April 26th for the aforementioned FLYBYNIGHT residence night at The Underground Lounge, this month with DJ Ayres from The Rub. I recommend half a bottle of tequila and the indelible image of JT with a box on his dick to get the full experience, but I'm jaded as all hell at this point. See you on the dance floor.

    Team Bang Gang with Willy Joy, Saturday, March 31st at Tini Martini, 2169 N Milwaukee Ave. 9pm, 21+

    Nilay Patel

    Concert Thu Mar 29 2007

    Prepare to be Boarded!!

    This Saturday, The Pussy Pirates return to Chicago. They're an all-gurl quintet (four members from Ann Arbor, plus one Chicagoan) who can kick up a delightful racket like nobody's biz. Natch, indebtedness to Bikini Kill will come to mind for some. But they owe much more to the first-gen crop of post-punk outfits like the Slits, X-Ray Spex, and Lilliput. As such, the Pirates are joyously energetic, exciting, and whimsically fun (and funny) in a way that the aforementioned often were. If that weren't enough, they throw in a good portion of honking, wonky saxophone to give it all extra propulsion. They'll be playing at the non-profit art space Reversible Eye, and the occasion marks a release party for the band's first full-length, Eat My Brain, Call It Art. Also playing is Chicago's Mommy Can Wait, who sport a sound that harkens back to the West Coast punk of a couple of decades hence. The occasional hint of Wild Gift-era X pokes its head up from time to time, but I'm reminded of the more riotous tunes cranked out by the likes of East Bay ruffians Blatz and the Gr'ups. The guitars growl and buzz like a stripped-rotor garbage disposal, there's some additional keyboard work to give it all some giddy and dizzying bounce, and they're crafty with switching up the styles and tempos within the span of a two-plus minute song. Once again -- fun stuff! To vary the tempo a bit, Melting Moments and the moody Alabamian combo Western Civ are also slated to play. 1103 N. California Ave (just south of Division). Things start at 8 pm, and the cover is six bucks.

    Graham Sanford

    Concert Thu Mar 29 2007

    Wham City Rockers

    Hide your daughters (and sons and breakables), Baltimore is invading the Windy City! The Baltimore-based collective Wham City has taken its acts on the road for a round robin mega tour that lands on Saturday at the Shape Shoppe. Founding member and relentless party starter Dan Deacon will be joined by mulitimedia terrorists Video Hippos, Blood Baby, Butt Stomach, Santa Dads and locals Mah Jong, Fake Lake, and Scalpels. If you were around for last Summer's Mauled By Tigers Fest show at the Shape Shoppe, you know this is a show not to be missed!

    Shape Shoppe: 2255 S. Michigan Ave. #4W. Show starts at 9:00pm. $5 donation. Click Here For more information.

    John Lombardo

    Concert Wed Mar 28 2007

    Apocalyptic sonic destruction, this Saturday

    Then, suddenly, there they are. Three of the four Horsemen of the Apocalypse ride down from the harsh Canadian tundra, one armed with a violin, another brandishing leather gloves and a microphone, the third bringing up the rear, his arsenal of synths scorching the earth behind them. They've already laid a week-long trail of destruction before they make their rendezvous in the Windy City. Here, they pick up their fourth ally, a man armed with a cluster of microphones and a leather-clad posse behind him. The four meet, nod a greeting to one another, and look in your direction. One of them gestures for you to come near.

    The question is, are you going to come out to Pilsen on Saturday (The Flowershop, 2159 W. 21st Place [on Leavitt], 9 p.m., $6 - sponsored by Busker) and take what's coming to you? Or are you going to hide from this righteous demise, claiming you've 'got a lot of TiVo to catch up on'?

    My advice: say your last goodbyes to your family, stand tall, and say hello to your demise, courtesy Burning Star Core, Prurient, Carlos Giffoni, and Bloodyminded.

    Continue reading this entry »

    Chris Sienko

    Concert Wed Mar 28 2007

    Your So-Called Formulaic Life

    Meiotic and HEFTY Records present the latest installment of their Your Formula Life at Sonotheque tomorrow night. Entitled "Standing On the Shoulders of Giants," this round presents an open showcase of local and regional talent, featuring DJ sets from artists who have helped build and shape the electronic music scene in Chicago and beyond. Headlining on the bill is Detroit deejay Clark Warner. As a promoter, radio host, and the manager of Richie Hawtin's (a.k.a. Plastikman) MINUS label, Warner's played a big role in contributing to the Motor City techno scene in recent years. Also up for the evening is John Hughes, founder and owner of Chicago's own HEFTY Records, and better known to some by his recording moniker Slicker, who'll also be deejaying. Local recording artist Magas and Audiophile will also be spinning sets. Expect an evening filled with "future roots music," offering a solid selection of minimal techno, broken beats, and various groove-worthy electronica. The whole thing gears up at 9pm at 1444 W. Chicago. Cover charge is $5.

    [mp3]: Clark Warner - "MOCAD, Detroit, 2006" mix set
    [mp3]: John Hughes - "Papercutz, Vol. 1" mix set

    Graham Sanford

    Concert Tue Mar 27 2007

    My Pretty Ponys

    Local rockers The Ponys are all grown up and have gone to greener, major-label pastures. After releasing two CDs on indie label In the Red, the group recently released Turn the Lights Out on Matador. What's the new fanciness sound like? Well Sally, lemme clue you in: take equal parts garage rock and psychadelic spaciness, add some tasty guitar riffage, and you just might have a clue.

    An even better idea would be to try them out for yourself at their CD release on Saturday, March 31. The gig is at the Logan Square Auditorium, and aiding and abetting the Ponys will be Black Lips and Mannequin Men.

    Kara Luger

    Concert Tue Mar 27 2007

    Mighty Incisors

    Chapel Hill, NC's David Karsten Daniels is the product of a bundle of musical experience. From an academic music degree in Texas to bedroom 4-track experiments in France to participation in the buzzworthy Bu Hanan collective in North Carolina, Daniels has traversed a wide musical path both geographically and sonically. February saw the release of Sharp Teeth on Fat Cat records and the variety and cogency of song composition on the record overflows with both musical rigor and pop flair. Featuring a wide range of musicians, Sharp Teeth moves from freak folk to distorted fuzz-out to New Orleans dirge to haunting piano with equal ease, creating a song sequence ripe with lyrical profundity and rock n’roll sensibility, and featuring some quite visceral cover art (see above). Equal parts Wilco, Neil Young, and Mogwai, Sharp Teeth is without doubt one of the most engaging records of the year so far. Check out the haunting "Jesus and the Devil" here.

    David will be bringing his version of contemplative folk to freak-out rock to the Empty Bottle this Thursday evening, opening for Arbouretum. The show is at 9:30 and the cost is $8.

    Brandon Forbes

    Concert Tue Mar 27 2007

    Dude looks like a Ladyhawk

    Ladyhawk

    The last time Ladyhawk came through town, they tore it up for a small group of dedicated fans at Beat Kitchen. Lead singer Duffy Driediger lived up to his rad name and belted out some power rock vocals, while his fellow bearded canucks took their style of Neil Young meets Black Mountain rock to task. Sad you missed it? You should be, but they're offering you redemption tonight at Abbey Pub. A bigger venue this time no doubt means even bigger rock, and, since the Hawk have a new LP due out this summer, some new tunes will be in order. And we'll no doubt be treated to the fantastic pieces off of last year's self-titled LP, including the dynamite song "The Dugout," one of my favorites from last year. Minus Story and Pistols at Dawn open and the show begins at 9 PM. 10 bones for quality rock.

    [mp3] Ladyhawk - The Dugout
    [mp3] Ladyhawk - War

    PS - If you miss tonight's show (for shame), put May 12th at the Abbey in your day-planner, as Ladyhawk will be back, this time with Tapes n'Tapes in tow.

    Brandon Forbes

    Concert Tue Mar 27 2007

    Concert News

    • A second Police date at Wrigley Field has been announced: Sting, etc. will perform again on July 6. Greg Kot reports that tickets for the July 5th show are being offered by ticket brokers for as much as $3400.

    • Tickets go on sale this Saturday for Eric Clapton's Crossroads Guitar Festival, which will play Toyota Park (the Fire's stadium) July 28. (Oddly, the official site doesn't list any info about this year's concert, but the Wikipedia entry does.)

    • Punk legend Exene Cervenka will play The Hideout April 7 with her band The Original Sinners. Knuckeldrager (sic). Tickets are only $12, and since there are only 150 of them, you'd better act quick.

    • Warning: Do not go anywhere near the Congress Theater on April 28. Insane Clown Posse will be performing, which means the quotient of 16-year-old, spikey-haired hoodlums hopped up on Faygo will be too high for normal humans to bear.

    That other gig may have been a fake, but Weird Al Yankovic is really coming this time! He'll be at the Star Plaza down in Merrillville, Indiana on June 30; tickets are on sale now.

    Andrew Huff

    Concert Mon Mar 26 2007

    Neko Case Closing For Sonny Smith Wednesday at Park West ;)

    sonny.jpg

    Neko Case is coming to town. Seen that...done that, right? Well she's always pretty spectacular live. For this show she has a Californian singer-songwriter named Sonny Smith opening up, he's reason enough to head out to Park West this Wednesday. It seems his record label, Belle Sound, was started solely to get Sonny Smith's new cd Fruitvale out to a larger market. The label is somehow related to the great Chuck Prophet (I think he "owns" it since the label's previous releases were Green On Red collectibles). Chuck Prophet:

    "The characters in Sonny's songs are so real, don't be surprised if they crawl out of your speakers and bum your last smoke off you. I wouldn't wish running a label on my worst enemy. Sonny is so good I had no choice."

    Sonny's previous albums have been concept records (a series of one act plays, another about broken love). The new one is also a loose concept record with all the songs based on the Fruitvale neighborhood found within the city of Oakland. "Curtis On The Corner" is a microcosom of the entire album writ small. In just one song you get plenty of imagery about the neighborhood of Fruitvale ("2 bird cages on a windowsill", "a singing butcher at the grocery store", "a pitbull singing to a police siren", and "a dead bottle-rocket on my front porch"). And you also get a sense of the folk troubodour sound found throughout, as if a kind of roughed-up Paul Simon (circa "Me and Julio Down By The Schoolyard") married a woozy and now strangely urban Townes Van Zandt. Guests on the record include Leroy Bach (Wilco), Dave Hilliard (David Byrne), Mathew Luz (Azita) and three of the most fabulous Chicago female singers ever - Nora O'Connor, Edith Frost and Kelly Hogan.

    On Wednesday the 28th Sonny Smith opens up for Neko Case at Park West get there early and no talking during the opener!

    [mp3]: Curtis On The Corner - Sonny Smith

    [mp3]: Hold On, Hold On - Neko Case

    Craig Bonnell

    Concert Mon Mar 26 2007

    Something Wicked This Way Comes

    Seattle's champions of doom and swoon, The Dead Science seem to have found a new way to slow down the coming of the seasons. The tragically clean-cut slow-core trio who recently backed up and collaborated with Chicago's Casiotone for the Painfully Alone throughout Europe, return tonight with long-time friends The Parethetical Girls and Magical, Beautiful.

    [mp3]: Drrty Magneto - From Frost Giant (Absolutely Kosher)
    [mp3]: Ossuray - from Bird Bones In the Bughouse (Absolutely Kosher)

    The Abbey Pub hosts tonight's 18 & over show. Doors at 8:00 pm, show starts at 9:00. Tickets are $8 in advance and $10 at the door. 773-478-4408 for more info.

    John Lombardo

    Concert Fri Mar 23 2007

    Odd (But Excellent) Lineup Tonight at Lakeshore Theater - Tom Brosseau and Amiina

    The Chicago Tribune (reg. required) got it right today with it's preview of Tom Brosseau at the Lakeshore Theater. But no matter how well they described his music I don't think they can get at the core of his sound. But they get pretty close with "Brousseau is a picture of romantic modesty and ageless simplicity, telling stories, plucking an acoustic guitar and warbling in a distinctive honeysuckle timbre..."

    Here's "Here Comes The Flood" off of his latest disc Grand Forks. Tom plays tonight with the Icelandic string quartet (and former Sigur Ros collaborators) Amiina at Lakeshore Theater, for more info call 773-472-3492 or visit their site here.

    [mp3]: Here Comes The Water - Tom Brosseau

    [mp3]: Hemipode - Amiina

    Craig Bonnell

    Concert Wed Mar 21 2007

    Nihil Ad Silvum Raglani (don't look it up, it's not Latin)

    Andy Ortmann's premier southside avant-noise-house-party venue Nihilist (2255 S. Michigan) is having a big ol' throwdown this Friday (9 p.m. March 23, $5 at door), featuring some rare-as-hens-teeth performances from a few choice out of towners and a few seldom-seen locals.

    St. Louis' Joe Raglani runs the Pegasus Farms label, and concocts exquisite spiral skylines (via modular analogue synths) for you to ruminate upon. Champaign, Indiana's Nick Henry unleashes a hail of gold-leaf snowflakes as Silvum; unending walks through crunching snow, dead leaves or dry grass, toward a horizon that keeps receding. Glass Bath, a local duo of Andy Ortmann (Panicsville, Nihilst Records) and Nicole Chambers (NC, Ides Recordings), puncture the silence with flints of sharpened sillica; and starting the whole thing will be dark-wave synth heroes Eavil. Pay the nice man at the door, and thank him on your way out, if you can still form complete sentences after your night-long brain scrambling.

    Chris Sienko

    Concert Wed Mar 21 2007

    Tender Knobs and Buttons

    Thought versus emotion. Indigo over red. Cool colors recede while warm colors advance. Get the balance right. That's color theory 101 -- a basic rule of visual push and pull. In musical terms, it's that same sense of balance that Berlin-based deejay and producer Ellen Allien possesses in spades, what sets her music -- and that of the artists she releases on her BPitch Control label -- apart in a scene awash with boilerplate dance music. Five years after her debut, 2006 saw the release of of her collaborative effort with labelmate Apparat. Entitled Orchestra of Bubbles, the album is a full and moodily rich affair, the result of a creative symbiosis that found both artists bringing out the best in each other. On her own, Allien's a rhymthic polymath, drawing freely from a satchel full of tricks that spans electronica subgenres. Techno and electro are key components, but she can just as easily go leftfield as get all lushly pop on your ass. Most strikingly, she has a strong ear for cushioning and counterpointing the more abstract and clinical aspects of a track with subtely oh-so human touches. Her music is often sexy, but only obliquely so. Its emotiveness and eroticism, like her sense of melody, is implied rather than directly engaged. Its warmth is like the wisp of a lover's breath on your neck. You might savor the sensation by itself, or you might decide to cozy closer to its source. The next move, dancing or otherwise, is yours.

    Allien will be in Chicago this Friday night, putting down a headlining DJ set at Smart Bar. The tour is scheduled to coincide with her audio guide to Berlin (and accompanying DVD) that will be released next month in conjunction with Time Out magazine. Up first for the evening is the San Francisco-based "micro-house" artist known as Safety Scissors, whose prior releases on the Plug Research and ~Scape labels saw him crafting vaguely pop-ish songs stretched over twitchy, hiccuping beats and glitchy laptop scribble. The evening gets under way at 10 PM. Tickets are $10 in advance, $15 the night of.

    [Video]: Ellen Allien - "Trashscapes"
    [mp3]: Ellen Allien & Apparat - "Do Not Break"

    Graham Sanford

    Concert Mon Mar 19 2007

    Big River Singing Through a Bellowing Sky

    Formed and largely led by former Boredoms and Free Kitten drummer Yoshimi P-We, OOIOO has always been a venture with no fixed musical address. But as evidenced by their recent LP Taiga, released some months ago via Thrill Jockey, they're still ever restless to strike out into more brambly terrain after a decade of experimentation. It's easily OOIOO's strongest effort to date, joyous and fierce and beautiful in its execution, one that yields unnoticed surprises upon repeated listenings. Although Taiga loosely contains much of the post-punk hodge-podgery of the group's prior efforts, it also finds them furrowing into heavily percussive, neo-tribalistic clatter, featuring plenty of pounding drums, marimbas and gamelan clanging. They switch quickly and broadly between styles throughout, occasionally breaking into zags of galloping West African funk. And through it all, Yoshimi and friends howl and hector in a mixture of cheerleading and monkeychanting, as if they're summoning or scattering the ghosts of the animistic realm. But occasionally they slow things down, grow contemplative, and settle into an interplay of elements that leaves plenty of space for the listener to crawl inside.

    They're playing at the Empty Bottle this Wednesday evening. OOIOO don't hit these shores very often, so this will be a rare chance to catch them live. And in keeping with the tempo of the recent material, they're reportedly bringing an extra along drummer for the tour. Opening for the band is Lichens, the solo project of Robert Lowe, bassist for 90 Day Men and peripheral member of TV On The Radio. Under his Lichens moniker, Lowe specializes in compositions built from hauntingly atmospheric drones and loops, over which he improvises with guitar and wordless vocals. Granted, comparable waters have been charted by a number of "avant folk" artists in recent years, but Lowe's journeys always seem to begin where others' leave off. You couldn't ask for a more complimentary billing. 1035 N. Western. The show starts at 9:30 PM, admission is $12.

    [video]: OOIOO - "UMO"
    [video]: OOIOO - "Grow Sound Tree"

    Graham Sanford

    Concert Sun Mar 18 2007

    Free Show AND Cheap Beer?

    Free Monday night shows at the Empty Bottle are about as close to Chicago musical perfection as you can get. Great bands on the rise, low cost beer and of course no cover.  Monday they have two of the cities best kept secrets - LMNOP and Charlie Deets. Throw in electro-magic from Datarock and you've got some musical mastery slated for what you thought was going to be a boring beginning of week. Show starts at 9 p.m.

    Brent Kado

    Concert Sun Mar 18 2007

    Preview: Kurt Elling @ Park West

    Some people don't like the soul patch. Some don't like his vocalese - the adding of words to instrumental jazz classics. Some haven't liked him since his anointing by mainstream jazz media as The Next Great Thing some years ago.

    As many reasons to not like him, there are quite a few reasons to enjoy ChicagoanKurt Elling's music, and, if anything, he's navigated the waters of critical dissection of his style and what his international fanbase has come to expect over twelve years and six albums to date.

    After leaving the Blue Note Records label last year, he signed a deal with Concord Records and is beginning to tour in support of his new album, nightmoves, to be released the first week of April.

    He visits the Park West tonight with the backing of the Laurence Hobgood Trio. As an added bonus, they will be selling advance copies of the new album at the show.

    [Real Audio] - Nightmoves - snippet from the album

    Troy Hunter

    Concert Fri Mar 16 2007

    All Pitchfork's Parties

    This year's Pitchfork Music Festival is shaping up to be great, thanks in part to the just-announced headliner: Sonic Youth, who will be performing their seminal Daydream Nation in its entirety as part of All Tomorrow's Parties "Don't Look Back" series. [via]

    So here's the announced line-up so far:

    Friday, July 13
    Pitchfork Music Festival
    & All Tomorrow's Parties Present: Don't Look Back

    Sonic Youth

    Saturday, July 14
    Cat Power
    Clipse
    Iron & Wine
    Girl Talk
    Grizzly Bear
    Professor Murder

    Sunday, July 15
    Of Montreal
    Jamie Lidell
    Ken Vandermark's Powerhouse Sound

    Discounted three-day passes have already sold out, but you can single-day, two-day and full-price three-day passes on Ticketweb. Get yours here.

    Andrew Huff

    Concert Fri Mar 16 2007

    Loney is Not Lonely Misspelled

    If you missed the eccentric piano pop of Frida Hyvonen and the avant-somber marches of Under Byen at the Abbey Pub earlier this week, fear not: your quota of Scandanavian pop for the week can still be met! Sweden's Loney, Dear, masterminded by pop savant Nils-Emil Svanangen, is gracing Schubas' stage Sunday evening. With Loney, Noir, the group's first stateside LP out on Sub Pop, Emil combines warm tones, jazzy instrumentation, and a troubadour vocal delivery that at times recalls fellow European crooners Sondre Lerche, Travis’ Francis Healey, and occasionally even Sigur Ros’ Jon Thor Birgisson, to create a genre-hopping sound in the best sense of the term. The mixed medium effect is devastatingly good - quirky folk slides into jazzy horns and back out again, while layered harmonies emote in perfect time. Seeing this kind of songwriting played out live, especially within the confines of Schubas' intimacy, should be dynamite. But no worries: if you've got plans this Sunday, Loney, Dear will be back to Chicago sooner than you think opening for slowcore giants Low at the Metro on Friday, April 13.

    [mp3] I Am John

    Brandon Forbes

    Concert Thu Mar 15 2007

    Who Says That Drum Machines Got No Soul?

    When it comes to getting old school, some lessons are strictly fundamental. Foundational building blocks is what I'm talking about. Case in point: The L.A.-based producer Egyptian Lover, who was a pioneering figure of the early West Coast hip-hop scene. Back in the mid-80s, he laid down such tracks as "Egypt, Egypt," "Freak-a-holic," and "What Is a DJ If He Can't Scratch?" which became archetypal classics of the electro-funk canon, ranking right alongside cuts by the likes of Kraftwerk, Soulsonic Force and Newcleus. Chances are you know the sound very well -- that pop-locking bump that's all saturated with synthetic bells, 808 kicks, vocoderized imperatives, and plenty of clappity-clap punctuation. And back in the day, Egyptian Lover's first several joints were as integral to breakdancing battles as super-wide laces and Puma sweats.

    The archeology, however, doesn't end there. While recent interest in all things booty-bass and ghettotech related has sent hipsters scrambling to seek out those essential Egyptian Lover tracks, few seem to know that he's continued recording and producing throughout the years, most recently popping his head up with the 2006 LP Platinum Pyramids. The fact that his current material sounds just as fresh as ever says something about the cyclical nature of retro-chicness -- that (maybe) if you stand in place long enough, things are bound to come around full circle.

    Continue reading this entry »

    Graham Sanford

    Concert Tue Mar 13 2007

    Hey, look who's coming back... not so exclusively this time.

    So you missed out on Morrissey at the Aragon last year because all of those pesky out-of-towners snapped up tickets first? Well, the joke's on them for flying hundreds or thousands of miles to see a man who just a few months later embarks on a US tour. He'll perform at Auditorium Theatre on May 15. While he's lost a step or two over the last twenty-some years (Holy moly, almost eligible for the joke that's the Rock and Roll Hall of Fame), he's just as charismatic as ever - only with a slightly larger admission price.

    James Ziegenfus

    Concert Tue Mar 13 2007

    Of Mice and Mayors

    Today (Tuesday), long-running south-side experimental music venue Nihilst (2225 S. Michigan, 4E. - show 9 p.m. $4 donation) will present a concert of crazed rock, jazz-noise, noise, and even a tribute to a legendary Chicago power-electronics unit.

    The White Mice are a spazz-tastic free jazz/noise chaos unit from colorful Providence, RI, with a recording on Load Records, and they will headline. Also on the bill are Mayor Daley (no relation, we think), Golden Birthday, and the debut performance of Permanent Midnight, who bills themselves as a Bloodyminded tribute act! Take a trip down the red line, past downtown, and make sure not to miss this!

    Chris Sienko

    Concert Mon Mar 12 2007

    Birthday Party!

    You know, I was just telling Gladys the other day, I says to her, Gladys, You just wait. Someday that little club of yours will grow up, and you'll look back and wonder where all the time went. I mean, look at the Metro. To think, it was a summer day in June of 1982 when the Metro started toddling across the music scene, all on its own. Now, 25 years later, it's grown into a nice venue in its own right.

    You know, if you want to celebrate the 25th anniversary with the Metro, I'm going to let you in on a little sumpin'-sumpin': they'll be celebrating with a big ol' party at the Hideout's annual block party, of all places! Goodness sakes alive! That's right, this year the party is September 7-9. Sure, it's a little early to announce it, but you know what I always tell Gladys: the early bird catches the worm! Or in this case, concert tickets! More details will be announced later, keep checking those durned websites for more information.

    Kara Luger

    Concert Fri Mar 09 2007

    Times New Viking and Clockclean er @ Permanent Records

    Here’s a band you should get to know: Columbus, Ohio’s Times New Viking, a lo-fi punk trio whose debut LP, Dig Yourself, on the revived Siltbreeze label branded the band underground darlings and garnered the attention of Matador Records, who will release the band’s next album later this year. Inevitably drawing comparisons to Guided By Voices (cos they’re lo-fi and from Ohio, right?), TNV are a blissful racket—boy-girl vocals, fuzzy guitars, and noisy, sweet keyboards, which are all part of its high-energy live shows. The band is currently touring on its brand-new album, Present The Paisley Reich.

    Banned from venues in their hometown, Philadephia’s brutal noise-rockers Clockclean er headline tonight's show. And while their controversial antics seem to take center stage, how could you not love a band that takes a sonic bow to Big Black, and is lyrically just as depraved? After all, they did open an album with: “I saw your girlfriend leaving the abortion clinic yesterday with another man.” RIYL: The Jesus Lizard, dead baby jokes.

    [MP3] Times New Viking, “We Got Rocket”
    [MP3] Clockclean er, “Hands Are For Holding”

    Times New Viking and Clockclean er play TONITE at Permanent Records, 1914 W. Chicago Ave., at 9 pm. There is a suggested donation of $5.

    JP Pfafflin

    Concert Fri Mar 09 2007

    The Many Moods (and members) of Wolf Eyes @ Enemy

    Those of you who make a point of never missing a live show by underground titans Wolf Eyes will be interested to know that tonight, Enemy (1550 N. Milwaukee Ave (3rd Floor), Chicago) will be acting like the venue equivalent of a cyclotron, breaking the trio down into its component elements, each member coming to the show with their own solo or duo project.

    Continue reading this entry »

    Chris Sienko

    Concert Wed Mar 07 2007

    The Swoon and Sigh

    According to dictionary.com, an "ambulette" is defined as the following: "A specially equipped motor vehicle for transporting convalescing or handicapped people."

    I'm taking a wild swing here, but I'm guessing the Chicago/Richmond, Va.-based band isn't trying to sell themselves to the senior citizenry. Again, that's just an assumption.

    Ambulette features singer/guitarist Maura Davis (ex-Denali, Bella Lea), a gal whose vocals range from the classic breathy swoon to a poppier version of Polly Jean Harvey. Joining her are Chicagoans guitarist Matt Clark, bassist Stephen Howard, and drummer Ryan Rapsys (ex-Pinebender, Euphone, and Joan of Arc).

    Their EP, The Lottery, is a thing of indie-pop beauty, and it'll be interesting to see what a full-length release would promise. Go check them out as they play on Saturday, March 10 at Schubas, as they play with The New Trust and the Wiitala Brothers.

    Kara Luger

    Concert Wed Mar 07 2007

    Fashion Rock? Fashion Rock.

    Greetings from the beach in Dubai, my pretties. I can't say I've missed you. It's just too...warm here.

    But while I'm wandering around the desert in utter disbelief that there exists any place on earth that requires a 3:1 ratio of Hugo Boss stores to people, you can avail yourselves of an equally angular fashion experience by attending the release party for the new Welcome to Cambridge EP, Sex and Exes, at Subterranean tomorrow night.

    I'd post more details but MySpace is filtered here for "being inconsistent with the religious, cultural, political and moral values of the United Arab Emirates." No kidding. On the other hand, Sheik Maktoum has made the tremendous decision to entirely staff his city with stacked eastern European blondes, so it's not like people here are missing out on the essential MySpace experience.

    Anyway, Welcome to Cambridge. Right. The sort of dudes that will not only steal your girlfriend, but then steal her Rock and Republics and not feel bad about it. Drink a Miller Lite for me. I'll think of you while I'm blazing down the indoor ski hill.

    Welcome to Cambridge at Subterranean, 2011 W. North Ave. $7, 8:30PM, 18+.

    Nilay Patel

    Concert Tue Mar 06 2007

    Of Pilgrims and Beehives: Joe Colley and Jason Lescalleet at Odum

    Lampo, a non-profit organization dedicated to bringing high-profile experimental musicians and installation artists to Chicago for performance, have once again outdone themselves. The people that brought Achim Wollscheid to Chicago so he could cook potato pancakes for a small army of happy, hungry hipsters; who let Maryanne Amacher turn a concrete bunker of a venue into a place where ears could be filled with three-dimensional audio hallucinations; and who recently brought the monarch of a hypothetical empire (Leif Elggren) to his adoring constituents in the Windy City, now welcome two of the premier alchemists of music made primarily with equipment not even a junkshop would take in trade.

    Friday and Saturday (9 p.m. both nights), dim the lights and chill the reel-to-reel, becuase Joe Colley and Jason Lescalleet are coming to teach Chicago a new way to boogie (while sitting stock-still in a chair, head down, eyes closed, lost in the moment). On Friday night, the artists will each perform solo sets, while Saturday's show will feature a collaborative duo performance. Tickets for each night is $12, but if you buy Friday's ticket for $12 and wish to return on Saturday, you get in free. Hotcha!

    The event takes place at Odum (2116 W. Chicago Avenue, Chicago). info@lampo.org for more information.

    Continue reading this entry »

    Chris Sienko

    Concert Tue Mar 06 2007

    Not-So-Secret Anymore Hideout Show

    It's been swirling in the rumor mill for weeks now, but only yesterday was it confirmed that the vaguely billed "A Special Presentation of the Intonation Festival" at Hideout on Sunday is, in fact, Jon Brion following up Friday's sold out Steppenwolf show with a more intimate performance. Even though tickets are sold out, a few spots will be available at the door on Sunday beginning at 8 p.m. As any diligent Hideout attendee should know, get there early to get inside.

    James Ziegenfus

    Concert Mon Mar 05 2007

    The Poetics of Abandonment

    How to make socially-cognizant hip-hop that isn't corny or didactic. Or, better yet, how to bring "the fire this time" when you're already living among the ashes. Such conundrums aren't lost on experimental hip-hop duo Dälek, who hail from the waste-lain interzone that is Newark, Newjerz. On 2004's Absence, emcee Dälek spat narratives of desolation, anger, and psychic violence in a taut, School of Rakim delivery while producer Oktopus cloaked the verses in suffocating washes of guitar noise that sounded like My Bloody Valentine in maximum sandblast mode.

    Their new release, Abandoned Language, finds them cooling their jets just a bit. Having weathered a sonic Armaggedon of their own making, the duo now sounds as if they're standing amidst the rubble, surveying the aftermath as toxic clouds receed toward the horizon. Cacophony gives way to a brooding rumble, residual tremors threaded on the most tenuous of musical nuances. Not to say it isn't less dischordant and the beats are any less heavy, but it does allow both the listener and Dälek's rhymes a little room to breathe. A lot of room, at times. Case in point: The title track, which sprawls out over the course of ten-plus minutes, its tonal swells and surges unfurling like a glacial and panoramic symphony.

    They're playing at Subterranean tomorrow night. Destructo Swarmbots and local post-rock outfit The Timeout Drawer are scheduled to open. The show starts at 9:00 PM. Tickets are $8 in advance, $10 at the door. 18 and up show. 2011 W. North Ave.

    [mp3]: Dälek - "Paragraphs Relentless"

    Graham Sanford

    Concert Mon Mar 05 2007

    Shellac for the Attack

    Emerging out of a winter-long studio hibernation, Shellac has just announced a special one-off show at the Congrees Theatre on April 15th. What's the occasion you ask? The reclusive rock heavyweights will be performing with the Stooges! Yes, those Stooges as in Iggy and the...

    The Stooges, who have been holed up at Electrical Audio recording their first new album in over 30 years will be celebrating the release of their new Albini-produced effort, The Weirdness, while Shellac will preview songs from their long-awaited fourth full-length, Excellent Italian Greyhound!

    John Lombardo

    Concert Sat Mar 03 2007

    Smoke Signals

    Quick: Smoke or fire? Which do you choose?

    Give up? Well, lucky ducky, you get to have both when Richmond, Va., quartet Smoke or Fire play loveable hole Ronny’s (2103 N. California) on Friday, March 9. They’re touring in promotion of their sophomore album, This Sinking Ship, which, well, sounds like a Fat Wreck Chords album: heavy riffs, tight ‘n speedy drumming, and shouty-yet-harmonious vocals. Mind you, it’s not meant to be entirely disparaging—unlike many bands who have similar styles, the boys of Smoke or Fire actually have their shit fairly together.


    This Sinking Shipfeatures a new drummer, Dave Atchinson (from crust-punk group From Ashes Rise) and more lyrics about drunken nights, constant touring, and broken relationships. “Irish Handcuffs” slows it down just a hair from half-time drumbeats, while recounting their glory days and rueing the inevitable aging process (“Young livers dying slowly through reckless days we’ve come to accept…/To tell the truth this shit is starting to make me sick”). “Shine,” with it’s nicely explored intro, seems to be the prerequisite song about How Politics Sucks, while “Folding the Pages” is knee-deep in urban dystopia. It’s all well and good, and fairly catchy.


    Opening is local heroes (and equally Fat Wreck-produced) The Lawrence Arms.

    Kara Luger

    Concert Fri Mar 02 2007

    A Meaningful Concert

    The story of the band Silkworm is one of accomplishment and tragedy. When drummer Michael Dahquist was struck and killed in his car by a mentally disturbed girl trying to committ suicide, the bands nearly 15 year run with Dahquist in the lineup had suddenly ended and so had Silkworm. Now almost two years later, the power of Silkworm lives on. Saturday night The Empty Bottle will host Molto Amore: A Salut! To Silkworm with bands like Century Rocket Building, Joe Sepi, Push-Pull (many who have collaborated on a Silkworm tribute CD) and others. There will be a screening of the trailer for the soon-to-be-released documentary about the band Couldn't You Wait. All proceeds will go to charity.

    Brent Kado

    Concert Thu Mar 01 2007

    Lolla Announces 2007 Headliner

    Sweet, it's gonna be like 7th grade all over again: Dero reports today that this year's Lollapalooza headliner will be "godfathers of grunge," Pearl Jam. The band last headlined the music festival, due to take place this year in Grant Park on Aug 3-5, in 1992. Personally, these fingers are crossed for an SST-era reunion of Soundgarden.

    JP Pfafflin

    Concert Thu Mar 01 2007

    Walking with Steve

    Trusty surgical masks in place, Liverpoolians Clinic descend on the North Michigan Avenue Apple Store this coming Monday, March 5th. Not only will they no doubt be playing some tracks off of their recent Visitations LP, they will be playing these tracks for FREE. The show's at 7, but I would get there much earlier if I were you as this is their only Chicago stop announced so far on the Visitations tour. For a taste of the true grandeur of the Satanic Majesties-era Stones sound Clinic are reivigorating in Visitations, you can stream a few tracks here.

    Brandon Forbes

    Concert Wed Feb 28 2007

    Charalamba...wait, how do you spell that again?

    Someone alert Blastitude, because Charalambides are coming to the Empty Bottle Thursday! I specifically invoke the name of Matt Silcock's fine music e-zine/blog here because I've yet to find any other music critic who has documented this free music/guitar drone trio with such passion and clarity (scroll alphabetically through the reviews to find 'em), even though all music writers love this group. Their new album, titled A Vintage Burden, was released in 2006 on Kranky. Zelienople and Estesombelo open. 9:30 p.m., $8

    Chris Sienko

    Concert Wed Feb 28 2007

    Drums come rumbling over the hill...only to fizz into a sea of oscillators

    The Elastic Arts Foundation, going strong since 2001 (currently located at a "sound and vision gallery" simply called ELASTIC, 2830 N. Milwaukee Ave.) offers a breathtaking variety of jazz and improvised music almost every weekend in March, and more than a few weeknights. This Saturday, EAF continues its "Elastro Electro/Acoustic" series with some very special out-of-town guests.

    Jason Khan, born in NY but relocated to Zurich, brings his introspective combination of live percussion and analogue synth in collaboration with frequent collaborator Jon Mueller (check out his Flash-y site!). The duo have an a history together, as evidenced by 2006's Supershells CD (Formed Records).

    Opening up will be Chicago trio Haptic. Featuring members of the dropp ensemble, the Civil War, pan American, and On, Haptic compare themselves to Morton Feldman (at his most serene/static) and Supersilent (at their most tumultuous), a claim that would sound like hubris coming from the mouths of lesser musicians. French guitarist Sylvain Chateau guests with the trio. 9 p.m., $5 - $10 donation suggested.

    Chris Sienko

    Concert Wed Feb 28 2007

    Umpteen Different Words for "Snow"

    As Cypress Hill proved with their post-debut output, nothing wears out its welcome quicker than a one-topic candidate. To hear some tell it, the lyrical bulk of the sophmore release by Clipse, Hell Hath No Fury, deals with the duo's former drug-dealing activities. Granted, they're far from the only ones in hip-hop dropping slang about slinging 'caine and shelling out obligatory Scarface references, but emcess Malice and Pusha T exhibit a verbal prowess that more than compensates for the limited subject matter. They're remarkably confident and crafty on the mic, flexing with a rhyme metre that bobs and weaves around the beats, sometimes making the Neptunes' backing tracks sound like only so much gratuitous golf-course applause by comparison. Which is no small feat, considering many are claiming that the album features some of the production crew's best work of late.

    Clipse will be taking the stage at Metro this Friday night. In the opening slot will be Philadelphia deejay Low B, formerly known as Low Budget. B's the sole member of Hollertronix since his partner Diplo split to make his solo move a few years back, and he's kept busy in the interim. Back in 2005, he collaborated with NYC DJ Aaron LaCrate on the widely-circulated Bmore Gutter Music mix-CD. His latest mix joint, Club Shotta, finds him getting both gully and yardie -- grafting dancehall vocals on top of Baltimore club beats, as well as throwing in plenty of crunk and dirty south hip-hop. As always, the thing sports no shortage of curveballs -- like when he drops some r&b acapellas over a severely down-shifted spin of "The Bed's Too Big Without You." Expect a lively and relentless set. Tickets are $21 in advance, $25 the day of. Doors open at 11pm.

    [mp3]: Clipse - "Wamp Wamp"
    [mp3]: Low B - "Jamrock Club Remix"

    Graham Sanford

    Concert Wed Feb 28 2007

    Beautiful and Treacherous Thing

    The Spares are officially a duo, but on their new record, Beautiful and Treacherous Thing, they have a fuller sound adding drums, bass and mandolin to the mix. Jodee Lewis' crystal clear, soaring vocals are reminiscent of Allison Krauss'. Musically the band sounds more like some type of hybrid, newgrass rather than the alt-country or americana descriptions found in their bio.

    The Spares will bring their full lineup to Martyrs for an early show on March 2nd at 7pm.

    [mp3]:Waiting For The Smoke To Clear

    Craig Bonnell

    Concert Tue Feb 27 2007

    Can Your Monkey Do The Dog?

    Sheer joyous and unbridled idiocy. There's something to be said for it, seeing how regular doses of it are often the only thing that makes adult life bearable. And the all-femme Floridian trio Yo Majesty delivers the appropriate soundtrack for it like nobody's biz. Case in point: the leave-it-all-behind mantra of "fuck that shit" that serves as the chorus for their current club hit, "Club Action." It's pure, plainspoken transcendence on the most humble of budgets, and the girls deliver it with a hearty abandon that makes me want to start doling out hugs.

    Comparisons to the Bronx punk-funk outfit ESG have been numerous, and on some levels, it works. They go to it with an energy that's disarmingly unpolished, if not giddily sloppy, at times. Unlike ESG, they're unrelentingly raunchy and play like they're throwing a party by themselves. "Kryptonite Pussy" is the funniest girl-rap thing since Fannypack's "Camel Toe" -- as salty and sassy, but dropping three times more bounce. And I don't know exactly what they have in mind with that "rub on my monkey" directive, but as far as invitiations go, it's the most intriguing I've heard in some time.

    In realtime, Yo Majesty kicks it live as a full-fledged band on drums, keyboards, and guitar. Their debut EP favors a ramshackle electro-crunk sound, and several of their tracks have touched off something of an internet remix frenzy. They'll be performing a set at the Funky Buddha Lounge this Thursday, in what will be one of the few dates they're doing outside of their home turf. They're playing in an opening slot for headliner E6. Deejays Matt Roan and Lee Foss will also be there to keep things bumping.

    [mp3]: Yo Majesty - "Club Aktionist" (Duran Duran Duran remix)
    [mp3]: Yo Majesty - "Warning"

    Graham Sanford

    Contest Tue Feb 27 2007

    Quickie Contest: VIP at Metro's Anniversary Party

    We mentioned awhile back that The Metro turns 25 this year, and that they're kicking off a year-long series of celebrations with a huge show at SXSW. Well, if you can make your way down to Emo's in Austin on March 14, we have a pair of VIP laminates for you. The first person to email inbox{at}gapersblock.com with the message "I'm a jet-set rocker" gets them. (We just checked and Southwest can get you there for as little as $220 round-trip. Just sayin'.) UPDATE: We've got our winner! Congatulations, Bianca!

    Andrew Huff

    Concert Mon Feb 26 2007

    Oh, for the Love of...

    Australia seems to grow them a little bit, well, differently Down Under. The Melbourne trio Love of Diagrams have been plodding along since 2001, cutting their teeth on a tasty full-length CD, The Target Is You, and a smattering of EPs, including the most recent, self-titled release.

    And what, pray tell, do Love of Diagrams sound like? Try this on for size, Junior: add equal parts English post-punk and NYC New Wave; add edgy guitars, thick bass lines, back-and-forth girl/boy vocals, and a healthy dose of Riot Grrrl attitude, a la Slant 6. Now set the oven to 350 degrees, and get your sweet self to one of two Chicago shows to hear it for yourself, as they play Schubas on Friday, March 2; and the Hideout on Saturday, March 3.

    Kara Luger

    Concert Mon Feb 26 2007

    Et tu Art Brut?

    English troubadours of jittery rock hooks and ridiculous hipster stories Art Brut have announced they will be gracing the stages of North America for a mini-tour in April. No doubt thanks to the intervention of Mayor Daley mining the indie faithful for a few votes before tommorrow's election, Eddie Argos and his friends are planning on stopping by our very own Chi-town on Friday, April 20th. Why the early notice? Let's just say it won't be surprising when this sells out ASAP, considering the currently scheduled venue is the Subterranean, a most intimate place to settle down with the dynamism that is Art Brut live, a power Chicago already felt on the big stage at the Pitchfork festival last year. Get your tickets early and in the meantime check out the kicking and streaming single "Nag Nag Nag Nag" here or on iTunes and look for a sophomore full-length on Downtown Records in June.

    Brandon Forbes

    Concert Sat Feb 24 2007

    Tonight, and the Week in Preview

    The warmer weather may be slow to arrive, but schedules at local venues already appear to be thawing from the usual winter doldrums.

    Tonight, Chicago's perennial avant-jazzsters 8 Bold Souls will be playing at Fred Anderson's Velvet Lounge. For those looking for livelier, more dance-friendly fare, afro-house trackmaster Osunlade will be laying down the grooves at Sonotheque this evening. Deeper Soul Recordings associates Josh Deep and Dom Ritmo will also be spinning.

    From the way that the Empty Bottle's calendar has shaped up for this coming week, you'd think it was already time for the Four Million Tongues Festival. Firstly, on Tuesday night the Plastic Crimewave Vision Celestial Guitarkestra takes to the stage. For the occasion, Plastic Crimewave sent out an open invite to colleagues and friends, telling them to bring their amps and axes and take part in a Glenn Branca/Rhys Chatham-styled all-guitar ensemble. The maestro claims (tongue-in-cheek, perhaps) that the whole endeavor will be exorcistic in intent, calibrated to chase certain malign spectres from the American cultural landscape. It may not levitate the Pentagon, but it's guaranteed to kick up a caterwauling soundscape...in the designated key of E, no less. Primordial Undermind and Screaming Yellow Zonkers open.

    For those enthralled with the weed-choked surrealism of the New Weird America stripe, two pioneering artists of the genre will be appearing at the Bottle this week. Wednesday finds MV & EE (aka Matt Valentine, formerly of Tower Recordings, and Erika Elder) set to play, with Tirra Lirra and Dirty American Organ on the supporting side of the bill. And on Thursday, Charalambides bring their haunted backwoods dronescapes to the venue, with Zelienople and Goldblood kicking things off by way of the warm-up. Check the Bottle's website for complete details.

    Graham Sanford

    Concert Thu Feb 22 2007

    Now for something completely different - Leiff Elgrenn @ Lampo

    Are you tired of the same old venues, the typical linup of bass, drums and guitar, or even of the limitations of the best dj driven music? Then how about checking out Lampo. Lampo is a Chicago non-profit that presents experimental music and intermedia events. Lampo brings artists from all over the world to Chicago, as well as supporting local composers of avante-drone material. They have a particular fondness for Sweden, in part because some of their funding comes from the American-Scandanavian Foundation and the Consulate General of Sweden.

    On February 24th at 9pm they're presenting the latest work from Swedish composer/video artist Leif Elggren titled "If Other People Exist Then They Are Totally Sealed Secrets (The Voice as an Irregular Sound Generator." The show will take place at 60Dum, which is located at 2116 W. Chicago Ave. The event is being described as consisting of "voice and video, motors and vibrating tin can crowns." After Leif's solo performance he'll perform as a duet with Chicagoan Kevin Drumm. I can't honestly tell you what to expect, but perhaps the unexpected. As an aside, Leiff also has a day job as co-monarch of Elgaland-Vargaland. Here's a brief descripition of this unusual territory:

    "Elggren also is the benevolent co-monarch (with Carl Michael von Hausswolff) of Elgaland-Vargaland, all areas of no-man's land, territories between national boundaries on both land and sea, digital and mental spaces. This nation has its own national anthem, flag, coat of arms, currency, citizens and ministers."

    So There.

    Craig Bonnell

    Concert Thu Feb 22 2007

    Better Than a Commercial Break

    Here's one of the more novel Oscar tie-ins I've heard of: The Delafields will be playing at Simon's Tavern, 5210 N. Clark St., this Sunday -- but only during the commercials and "boring parts," allowing you to catch the awards and a concert.They'll also have an Oscar pool, with prizes like a massage and tax consultation -- from members of the band! How's that for service?

    Andrew Huff

    Concert Wed Feb 21 2007

    Local Band Still Doing OK

    Umphrey's Mcgee, local prog-jam rockers, take off tonight on an extensive tour in support of their soon to be released double disc of B-Sides entitled The Bottom Half. The tour begins in Fort Lauderdale, FL and stretchs for nearly two months ending with an appearance in the city at the Green Apple Music Festival. As the band swings back through the Midwest in the middle of the tour members of the group have some very interesting gigs apart from the band. On Thursday March 8 drummer Kris Myers will play with Glenn Kotche, Rich Stitzel, and the Elmhurst Percussion Ensemble at Hammerschmidt Memorial Chapel at Elmhurst College. Guitarists Brendan Bayliss and Jake Cinninger will play as a duet at the Chicago History Museum the following night. (Cinninger is one of the most unheralded guitarist in all of music, if you've yet to get a listen, this intimate venue is a perfect spot) Look for The Bottom Half in stores on April 3.

    Brent Kado

    Concert Wed Feb 21 2007

    Free Show: SYGC, Submarine Races, Shelly Short @ Empty Bottle TONIGHT

    Mondays are usually free nights at the Bottle, but tonight a is a special exception for the Scotland Yard Gospel Choir release party - this hump day you get three bands and a DJ, todamente gratis. Recent Chicago transplant Shelley Short will kick things off at 8:30, followed by Elia and company at 9:30 performing the new single and some old favorites. Ex-Pony Ian Adam's Submarine Races (who were Bob-Mehr-approved), will cap things off at 10:30. Erik Roldan from WLUW's Think Pink will be spinning in between sets.

    Dan Morgridge

    Concert Wed Feb 21 2007

    Kaspar Hauser's new disc and record release show

    Thomas Comerford is a filmmaker and songwriter who has been making music under the Kaspar Hauser moniker since 1999. Kaspar Hauser's new, self-released record, QUIXOTIC/Taxidermy, is a completely DIY affair due out on the band's own label on February 22. You know the type of disc I'm referring to: the kind with the hand screened artwork, cardboard sleeve and an under produced, "local band" sound. Consider this an exception to the rule. Since the nature of music blogs is to write about one song, I've chosen my favorite, "King Pop."

    I like many of the lyrical fragments on "King Pop" like the lines "reinvent yourself, the records didn't sell" and "you trade your kingdom for a song." These lyrics and others like "a final relic, vinyl relic" and "the stadium is full of beer and louts" make me think this is about Michael Jackson, but I could be wrong. Musically it's jangly, midwestern rock embellished with keyboards and electronics. You can buy the new record from Kaspar Hauser here. The record release party is February 22 at The Hideout.

    [mp3]:King Pop

    Craig Bonnell

    Concert Tue Feb 20 2007

    Wanna French?

    Singing in French doesn't automatically mean insta-chick magnet, but it certainly can't hurt. The fellas of Montreal indie rock group Malajube (that's pronounced "MAL-a-zhoob," yo) are going to get the inevitable comparisons to fellow Canucks the Arcade Fire, but Malajube wander into more proggy, nearly jam-band waters. Their latest album, Trompe-l'oeil is fantastically lush, featuring aggressive drums, spaced out guitar licks and enough stylistic know-how to choke the cast of "You Can't Do That on Television."

    See the Fantastic French Foursome when they play this Friday, Feb. 23 at the Beat Kitchen (2100 W. Belmont).

    Kara Luger

    Concert Tue Feb 20 2007

    The Forest for the Trees

    Despite the small and insular nature of the Baltimore indie music scene, guitarist Dave Heumann sports an extensive cee-vee. He formerly provided backing guitar in Will Oldham's band, in Papa M, and for Cass McCombs. He's also played in a boatload of hometown outfits. Lately he's been most active as frontman for Arbouretum, whose second album, Rites of Uncovering, was recently released on Thrill Jockey. The album offers an evocative and ruminative journey. Dusky at the edges, its mood is often as hard to nail down as a waking dream scattered amidst knotty roots and ground fog. Musically, the whole thing's steeped in an early 70s folk-rock sensibility, with echoes of 'Skip' Spence's Oar drifting throughout. Admittedly, on the shorter numbers the band sounds a little overly mannered and hemmed in. They're at their strongest, however, when they allow themselves room to stretch out. Things coalesce and tension builds when the rhythm section lay down a low-timbred murmur, a bedrock from which Heumann strikes out with improv-ish soloing that builds and back-steps and ambivalently courts resolution. They'll be playing at the Empty Bottle Thursday night. Mason Proper and the Portland duo 2% Majesty open. The show starts at 9:30 PM, admission is eight bucks flat.

    Graham Sanford

    Concert Sun Feb 18 2007

    Tonight: Goldblood, Locrian, Thee Bastard Swords

    Enemy performance space (1550 N Milwaukee Ave, 3rd floor) used to be something of a "when the mood strikes us" place for shows, but it seems that the artic winds have bolstered their determination to regularly bring strangers (and bands) in from the cold, in hopes of pummeling the frostbite away with heavy jams.

    Tonight, Enemy presents you with the Plastic Crimewave spinoff band, Goldblood (as featured on this site). Steve Krakow's drone-folk duo will be accompanied by local guitar druids Locrian and newcomers Thee Bastard Swords, a group who, it must be noted, is composed primarily of the people who pay the rent at Enemy. At least they won't have to go far to stash their gear! $5 donation, 9 p.m. sharp.

    Chris Sienko

    Concert Sat Feb 17 2007

    Concert Review: Rhymefest @ Rednofive, 2/16

    Rhymefest made an very brief appearance last night at Rednofive for the Collaboraction fundraiser. After the house DJ finally let the crowd's ears recover from a couple hours of way-too-loud music, the makeshift stage was lit. Some very besequined actors sang and rapped for a while, but then finally introduced "Mr. Che Smith" to the stage. Wearing a fisherman's cap and some shades, The Blue-Collared One got the crowd into "More", doing some call and response with the chorus before then launching into an unaccompanied freestyle. He wrapped things up with a new track, presumably the title track of off "El Che"- an autobiographical rap with a Morricone-tinged beat that sparked enough interest to turn everybody's heads to the stage. After he finished, he wrapped things up by thanking "Michael Jackson" (The MC wearing the over-sequined jacket) and disappeared with his entourage.
    Link: Rhymefest's El Che YouTube Teaser ("Can't Help It")

    Dan Morgridge

    Concert Fri Feb 16 2007

    It's Ashtrays and Airhorns Time, People!

    Depending on who you talk to, Uffie's "Ready to Uff" was either one of the hottest, most bangin' club cuts of the past year, or the most fatuously annoying. But whatever Uffie lacks in skills or street cred, she's gained by way of affiliation. That being that her tracks so far have all been produced by fidgetty French electro-house auteurs Feadz and Mr. Oizo. All involved are hooked up via the Parisian label Ed Banger Records, a stable whose calling card is a gritty electro thumpitty-thump that's been this year's hipster flavor of choice. Sure, it comes highly endorsed by those swell folks at Vice magazine, but as far as getting your guilty pleasures go, you could easily do a lot worse nowadays. All awash in analog keyboard squeal and squelch, it's riotously loud and distorted in a way that sports no shortage of crossover hooks for the rockishly inclined.

    Which can all translate into raw, dirty dancefloor fun if you're not too worried about sweating up your Sevens. The skinny, then? Feadz will be performing at Sonotheque on Saturday night, and Uffie's slated to step to the mic and do her thing. Dark Wave Disco deejays Transcid and Mark Getz will also be aboard to keep the beat kicking, as will C-Mass. 1444 W. Chicago, 9PM-3AM. Admission is $15.

    [mp3]: Uffie - "Dismissed"
    [mp3]: Feadz - "110 Cloches"

    Graham Sanford

    Concert Fri Feb 16 2007

    The Goddamn Shame: Catch 'em While They're Still Alive

    It seems like every time South Side noiseboys (and girl) The Goddamn Shame have played a show recently someone has told me it's their last show, like, ever. I can only speculate as to the reasons for this, but there are precious few possibilities:
    1. Alcohol.
    2. Alright, so it's just booze.
    In any case, the Shames return to the Elbo Room this Saturday night to ply their shoegaze wares. I've heard rumours that their new EP is slowly turning into a full-length but at the rate they're going they'll be lucky to release anything before one of them spontaneously combusts. Saturday, Feb 17th, 9PM at the Elbo Room, 2871 North Lincoln Ave. $7, 21+. Part of a benefit for Naisy Dolar, 50th ward aldermanic candidate. With The Jesters, The Blue Line Riders and Greenfield Park.

    Nilay Patel

    Concert Thu Feb 15 2007

    THIS is called The Show.

    The struggle of old-school artists of every stripe has been with relevance. Do they push on with making records? Do they bask in the acclaim of yesteryear? Do they just do what they do best?
    Next Friday will be a display of all three with a show loaded with old-school. In hip-hop, the names of Doug E. Fresh, Rakim, and KRS-One evoke different reactions to aficionados, but no one can deny their place in the music's history. Part of Miller's nationwide tour for The Craft, a group of musicians who play backup in each event, next Friday's concert at The Vic may be anything from vaguely disappointing to electric, but odds are that the crowd to which those names mean anything will know the words to most everything.
    Show details are here. Show-time's supposed to be at 8:15; closer to 9 should be par for the course.

    Troy Hunter

    Concert Thu Feb 15 2007

    Charm City Loosies

    For the uninitiated, Baltimore house is the reigning booty music of late. Unlike its Chicago cousin, it's fast, gritty, and lewd -- a distinction that's earned it a number of nicknames, perhaps none so telling as "gutter music." Fueled by a punchy, accelerated beat, it guarantees a full, sweaty, and (um) nasty dancefloor whenever it gets cued up. And in the D.C./Baltimore area, it's DJ Jesse Tittsworth who's really been bringin' it these past couple of years. He made his first Chitown appearance back around Thanksgiving, and this Friday night he'll be back for a return engagement at Spot 6. His noteriety rests on the relentlessness of his sets; where he blazes through tracks and remixes on the fly, laying a Bawmer ghetto-house beat behind everything from The Cars to Ray Charles to Gnarls Barkley.

    The Bodymore bounce owes much of its energizing spark to the same style of pitch-shifted, sped-up breakbeats that made classic jungle cuts such a rush back in the day. With some of his recent tracks, Chicago's DJ Zebo splits the difference, tweaking his own old-skool junglist steez by mashing things up with some added gutter kick and remixed soul and hip-hop samples. He and his SES crew will be at the Spot as well, throwing their own selection of B'more club tracks into the mix. DJ Frankie Banks is also scheduled to spin. 3343 N. Clark St. Cover is $10.

    Graham Sanford

    Concert Thu Feb 15 2007

    Concert Review: Midlake, St. Vincent @ Schubas, 2/14

    On this Valentine's Day, Texas was, indeed, the reason. A double shot of sold out Texas-based pop graced the wooden stage at Schubas last night . Opener Annie Clark, aka St. Vincent, who expects a full-length out on Beggar's Banquet this spring, exhibited the true anachronism of the phrase "one-man band." Taking her mighty Epiphone in hand and, coupled with a few stints at the keys and an ingenius use of an amp pickup run through a bass equilizer to serve as a "stomp" kick drum, Clark asserted the power of the rock side of feminine subjectivity all by herself. Taking cue from Tori Amos in subject matter and Ani DiFranco in guitar attack made Clark's set the perfect anti-Valentine atmosphere as its subject matter covered mulitple songs about murder and relationship trouble. The loud to soft dynamics of "Now, Now" were perhaps the most abrasive, showcasing Clark's guitar playing as she scattered notes all across the fretboard and used a second, muted mic for call and response that conjured up aural memories of AM static or old phonograph magic. Subdued, tongue-in-cheek "Marry Me John" followed traditional piano-based pop a la Carole King but still kept its jilted approach as the song's narrator implored the matrimonially hesitant John to follow Holy couple Mary and Jospeh's example but "without the kid." Closer "Paris is Burning" served as a stirring anti-war anthem and ended the set on a contemplative note and revealed Clark's kinship with Joanna Newsom in vocal range.

    After a brief interval, Denton TX's finest quietly took the gear-strewn stage armed only with their trusty beards and the panther mask featured so prominetly in the artwork from last year's genius LP The Trials of Van Occupanther.

    Continue reading this entry »

    Brandon Forbes

    Concert Thu Feb 15 2007

    Four Star, meet Lone Star

    The Hideout has recently gotten in on SXSW fever. The crew from the tucked-away nightspot won't be re-locating to Austin for a week, however they will be celebrating Chicago's journeymen. On Saturday March 10th, the Hideout will host a 12 hour event featuring 16 bands, in order to raise money for their travels to Texas.

    The mini-festival is set to kick off at 12:00 noon on Saturday with entrance on a first come first served basis. Doors will open at 11:00 am with no tickets available for sale ahead of time! Tickets are $10, all funds benefiting the band with Goose Island and Whole Foods contributing food and drink for the long haul.

    The initial line-up includes: The Office, Sally Timms, The M's, The Redwalls, The Race, as well as Sybris, Maritime, and The Narrator from the Flameshovel camp. Additions to the 16-band line-up will be announced soon.

    Check out The Hideout Calendar for updates and show information.

    John Lombardo

    News Thu Feb 15 2007

    Metro Turns 25, Celebrates at ...SXSW?

    Twenty-five years ago, a little-known college rock band from Athens, Georgia took the stage at a brand new venue. R.E.M. had yet to become one of the biggest bands in the world, and likewise, Cabaret Metro (as it was known back then) had yet to become one of the best-known and best-loved concert halls in the world.

    Yep, the Metro turns 25 this year, and to celebrate, they're throwing a huge party ...at SXSW? Well, yeah. It's the music industry's biggest event, so of course they're going to play it up for the people who keep the bands coming. It's also a great opportunity to possibly introduce the world to the possible next R.E.M. — the party is a showcase for a dozen of Chicago's up-and-coming bands and a bunch of DJs (see schedule below).

    But don't worry, this is just the beginning of a year-long series of anniversary concerts right here at home — the details of which will be announced at the show — and on the Metro's email list — March 14.

    Metro 25th Anniversary Party
    Wednesday, March 14, 2007
    Noon to 6pm
    Emo’s
    603 Red River, Austin TX 78701

    Emo's (Main Room)
    1:00 - 1:30 This Is Me Smiling
    1:50 - 2:20 Sybris
    2:40 - 3:10 The Hush Sound
    3:30 - 4:00 The M’s
    4:20 - 4:50 Catfish Haven
    5:10 - 6:00 Smoking Popes

    Emo's Jr. (Side Room)
    12:45 - 1:15 Of The Opera
    1:35 - 2:05 The Prairie Cartel
    2:25 - 2:55 Cameron McGill & The Quartet Offensive
    3:15 - 3:45 Office
    4:05 - 4:40 The Changes
    5:00 - 6:00 The Redwalls

    DJ sets by Bald Eagle (Life During Wartime), DJ JS (Metro), JAM DJs
    featuring DJ poseur, DJ Anejo and dj lo-fi, DJ MR (Schubas) and more TBA

    Andrew Huff

    Concert Wed Feb 14 2007

    Floor-filler Funktional

    If you were in the electronic music tent at the Pitchfork fest this past summer, you might've seen how Matthew Dear got the whole crowd dancing. Dear specializes in pared-down, lightly textured, ever-so-slighty poppish tech-house fare -- the sort that made the Cologne/Kompakt sound so austerely and refreshingly sexy a few years back. When recording under his Audion moniker, Dear keeps things very lean, chilled, and strictly business in the classic Detroit minimal techno style. But with the two LPs and numerous EPs released under his proper name, he offers a lot more by way of counterpoint; favoring a more melodic, soulful, funkier sound that rests comfortably alongside the efforts of fellow traveller Jamie Lidell.

    As a DJ, Dear brings a fat satchel to the party. He'll be playing at Sonotheque this Thursday night, mixing up a deep selection of tech-house material. That means lots of skittering hi-hats and four-on-the-floor thump that'll keep dancefloor prerogatives at the top of the agenda, and enough glitchy scribble to make things edgey and interesting. Residents Kate Simko and DJ Sassmouth will also be sharing deck duties. 9pm-2am, 1444 W. Chicago. Admission is ten dollars.

    [mp3]: Matthew Dear - "Dog Days"

    Graham Sanford

    Concert Wed Feb 14 2007

    Prom Revisited

    The Matt & Kim/Flosstradamus Valentine's show we reported on earlier this month has recently been re-billed as FlosstraPROMus! In addition to the previously announced cute-as-all-get-out NYC duo and hometown DJ tag team, Milwaukee dance-punks The Glamour and Waterbabies (mem. of Mahjongg) will perform, along with the Sega-inspired video mixing of Thunder Horse.

    Check out the bling-riddled flyer here and Thunder Horse's nostalgic video flyer below.

    For the uninitiated, I have gathered every free Matt & Kim MP3 on the web:

    [mp3]: Yeah Yeah
    [mp3]: Verbs Before Nouns
    [mp3]: Silver Tiles

    also, here is one from Matt & Lil' Kim (feat Shanice):
    [mp3]: Verbs Before Nouns, Mothafucka

    John Lombardo

    Concert Wed Feb 14 2007

    MCA Unplugged

    In addition to their seasonal Tuesdays on the Terrace and the smattering of musical events hosted year-round, Chicago's Museum of Contemporary Art has recently announced a new event, playfully titled The Magical Acoustical Musical Showcase. The monthly series works directly with some of Chicago's longest running venues (Metro, Schuba's, Hideout), asking each to select their favorite singers and songwriters.

    The performances take place in the MCA cafe on the fourth Tuesday of every month and are FREE to the public. February's performance (on 2/27) will be the curated by The Empty Bottle and will feature an hour long acoustic set by Tim Kinsella.

    John Lombardo

    Concert Tue Feb 13 2007

    Get Scruffy

    British DJ and producer Mr. Scruff says that he likes to hit the Windy City every time he's stateside because Chicagoans know how to put a dancefloor to proper use. Back home, his club dates and radio appearances have made him a top-biller with folks who like their music swinging and funky. His key to success? No pandering to the audience, and no flashy tricks on the decks -- just play great records and the party will fall right into place.

    Scruff's three LPs on the Ninjatune label favor a jazzy, playful, downtempo sound. His DJs sets, however, find him cleverly hop-scotching across genres with a crowd-pleasing mix of soul, funk, reggae, house, jazz, afrobeat, and whatever else keeps the vibe tight. He's appearing at Smart Bar this Friday night. As is his usual preference, he'll be spinning the entire evening, working his way from deep head-nodding grooves up to the high-energy stuff that keeps the place jumping. 3730 N. Clark St. 10pm-4am, admission is $10.

    [mp3]: Mr. Scruff - mix session

    Graham Sanford

    Concert Mon Feb 12 2007

    Richard Buckner Returns To Schubas

    Richard Buckner (warning: terrible website) makes his return to Chicago next week to promote his new album Meadow (AllMusic link; trust me, it's better this way) which is a return to the rock bluster of 1998's Since. Buckner may live in New York, but he always seems to kick ass in Chicago, and specifically at Schubas, even going so far as to release the semi-secret Live at Schubas Tavern several years ago to showcase his powerful live show. Meadow is full of archetypical Buckner moments, a wash of cinematic progressions and sparsely percussive instrumentation that provides just enough context for Buckner's uniquely ragged voice. Hell, the tracklist itself reads like a poem about driving west: Town. Canyon. Lucky. Mile. Before. Window. Kingdom.

    You get the idea. Richard Buckner, Friday Feb. 23rd at Schubas, 3159 N. Southport. $12, 10pm. 21+. With Six Parts Seven.

    Nilay Patel

    Concert Mon Feb 12 2007

    Concert Review: The Shins, Viva Voce @ Congress Theater, 2/10

    Saturday night was the kind of cold that shook you to the very bone. Good thing The Shins brought the perfect thaw: an hour of burning pop brilliance. Standing in the massive line that snaked outside the Congress waiting to get into the sold out venue, I kept hoping the hype I had heard about this tour was for real. The usual live reviews of The Shins I had read were all about how subdued, boring, and similar to their recordings their sets often were. But a few new blurbs promised an expanded Shins line-up for the Wincing the Night Away tour as well as an improved dynamic sound that was bigger than anything they had done before. By the time I got through the packed lobby and past the absurdly priced beers, I was ready to see if James Mercer & company could live up to my expectations.

    But another band from Portland made The Shins payoff wait.

    Continue reading this entry »

    Brandon Forbes

    Concert Mon Feb 12 2007

    The lost art of singing well.

    After last night's Grammys, it is pretty evident that some peple can perform, but not everyone can really sing. Dianne Reeves can do both.

    A top talent, she seems to perform in a jazz vacuum. Bereft of much publicity, she nonetheless continues to perfect her craft, managing to show up in a couple of mainstream appearances while keeping credibity in the jazz world. She appeared and sang in Good Night, and Good Luck, and she'll be at the CSO this Friday, February 16th, at 8. Ticket details over here.

    Troy Hunter

    Concert Mon Feb 12 2007

    Episodic Jam

    Former Revolting Cock, Wax Trax! producer, and Reckless Records mainstay Chris Connely will be performing material from his new solo record The Episodes in celebration of its release on Feb 17th. The intimate Hideout show will be a full band show, the first that Connelly has performed in 10 years!

    Joining Connelly will be the all-star lineup of musicians that collaborated on the album, including U.S. Maple's Adam Vida, Tim Kinsella, Ben Vida, Josh Abrams, Nate Kinsella, and Jason Adasiewicz!

    For additional show info, check out hideoutchicago.com. Connelly's UK label, Durtro, has release details at here.

    John Lombardo

    Concert Mon Feb 12 2007

    Machine Records hums along with shows at Schubas and Uncommon Ground

    I think of Machine Records as a Chicago label despite the fact that they're based in Lake Geneva, Wisconsin. They've signed both local talent like Martha Berner and national acts like The Apparitions. Confirming my assumptions about Machine Records and the windy city is the fact that two of their artists have a busy week coming up in Chicago. On Friday, February 16 Martha Berner opens up for Toby Lightman at Schubas and all month long Hayward Williams plays Wednesday nights at 8pm at Uncommon Ground.

    Martha's debut cd was well received last year, which led to a new ep which came out just last month. Her recorded output separates itself from the more pedestrian singer-songwriter offerings by featuring her husky vocals, complex arrangements and literate lyrics. Here's her song "Down and Out In San Francisco" from the Ten Tiny Little Pieces ep.

    [mp3]: Down and Out in San Francisco Martha Berner

    Hayward Williams resides in Wisconsin and has been mentored by the great young singer-songwriter Jeffrey Foucault. On record his earnest folk often takes a drastic turn towards grungy rock or paint-by-numbers alt-country but this month of Wednesday's should showcase his softer, folkier side. Hayward William's Machine Records debut, Another Sailor's Dream, comes out March 7.

    [mp3]: A Glance Back Hayward Williams

    [mp3]: Redwoods Hayward Williams

    Craig Bonnell

    Concert Fri Feb 09 2007

    It's getting cold out here, so take off all your clothes...

    Gays in the Military only promise two things: total rock and total filth. A tall order on both counts, you might say! Yet, in their five years of pounding Chicago down with a heady mix of Butthole Surfers-influenced sludge rock, lurid visual spectacle (half-naked dancers, crowd agitators on roller skates, and a "porno fairy" who hands out free XXX DVDs for you to take home and "cherish"), and incomprehensible stage patter, it's hard to think of anything the city of broad shoulders has to offer that resembles the full-on drop-trou GitM experience. Maybe a trip to an old-school Division Street bathhouse with Joe Spinell as your chaperone.

    Tonight, Cal's Liquors (400 S. Wells) hosts the last Gays in the Military live experience until April. Also on the docket will be Cleveland's next emissaries of the avant garage The Pages and Chicago's own "Wizards of the Forest" (Forests? Around here?) Druids of Huge. If you're not warmed up after this show, have a doctor check you for frostbite.

    Chris Sienko

    Concert Fri Feb 09 2007

    Concertgoers! Post Your Photos!

    Goin' to a show this weekend? If you have a flickr account, you can share pictures of the show on Transmission by joining the Transmission flickr group!

    Andrew Huff

    Concert Fri Feb 09 2007

    Friday night, bands to be enjoyed...what are you waiting for?

    [Sent in by our girl Kara] Let's not waste time with idle chit-chat, people. Just know that two amazing bands will be playing tonight at Northwestern University's Norris Hall, in the Louis Room (1999 Campus Arts Drive).

    Why, I'm talking the lush 'n awesome indie group Margot and the Nuclear So and So's (you might remember when we talked to them about a month ago), with the drunky-pirate-meets-Tom Waits awesomeness of Man Man.

    The show hasn't been very highly publicized, which means all the more for you. Things kick off at 7:30pm, and you can get tickets ahead of time by calling the box office at 847/491-2305.

    Anne Holub

    Concert Fri Feb 09 2007

    Diana Jones. The best singer you've never heard!?

    Diana Jones is the most critically acclaimed, alt-country chanteuse that you've never heard of. Really you're not to be blamed. Where are you going to hear music this beautiful and emotionally raw on the Chicago's radio landscape? "Pony" is Diana Jones heartbreaking tale of an Native American girl taken from her family and from her home on the reservation. It's an adoption story gone wrong from a woman who was herself adopted at a young age. "Pony" has been nominated as Song of the Year and Diana Jones as Emerging Artist of the Year by Folk Alliance. Diana Jones' 2006 debut Rememberance of You has been praised by No Depression, The Chicago Tribune, BBC, and Nashville Scene.

    You can hear Diana Jones at Old Town School on March 11 when she opens up for Peggy Seeger.

    [mp3]: Pony Diana Jones

    Craig Bonnell

    Concert Thu Feb 08 2007

    A Weekend of Mittens on Strings

    Dirty, dark, and cold. These adjectives are on the tips of all Chicagoan tongues these days and, on Friday night at the Subterranean, they'll be in their ears as well. A veritable triumvirate of somber, muddy melody makers, local collective Mittens on Strings, avant composer The Dirty Projectors, and break-up darlings Grizzly Bear, will bring the house down tommorrow night beginning at 10 PM at the Wicker Park haunt. While Pitchfork and blogosphere hype have assured Grizzly Bear's place as one of the current "it" bands and the fuzzy postmodern art songs of The Dirty Projectors have always had a niche crew, local opener Mittens on Strings are also deserving of attention. With a rotating cast of friends and accomplices, Mittens on Strings, who have existed since 2001 but only been in Chicago for the last couple of years, produce mournful sing-a-longs for the shadows that would tickle the ears of both Lou Reed and Sparklehorse's Mark Linkous. Having played both South by Southwest and CMJ in recent years, the Mittens put their last LP, Look Up in the Sky!, out on Mountain Goat alum label Emperor Jones, and currently are offering the Strongmen, Tin Sins EP for FREE download on their webpage. Plus, there's a remix EP which should be available in April featuring, among others, mashup DJ Girl Talk, so good things are on the horizon for the band. While the bad news for those that don't already have a ticket is that the Subterranean show is sold out, the good news is that Mittens on Strings will be playing a free in-store acoustic show on Saturday at 3PM at Ukranian Village newcomer Permanent Records at 1914 W. Chicago Avenue. And if that's not enough for you, their website is offering an open invitation to come see some friends play at the Mittens on Strings loft on Sunday evening. Here's the word form the band about the private gig: "Evan from Pillars and Tongues, Elephant Micah, Cell Mates, and To the Left will all be performing starting around 8 PM. Email us if you would like more details (like an address) - mittensonstrings@hotmail.com." Sounds like you just got yourself some weekend plans.

    Brandon Forbes

    Concert Thu Feb 08 2007

    Romantic Gyrations Beat Dinner Reservations

    Ladies, gents, quit agonizing about a certain notorious date next week immediately. Are you planning time with your baby, but can't afford the florist and the five-star restaurant? Are you single, hating Hallmark for making up this holiday in the first place, and just wanting to shake your thang? Subterranean will be hosting Flosstradamus with Matt & Kim on Valentine's Eve, 10PM. It's a very reasonable five dollars, and leaves plenty of time for you to eat out, catch a movie, or eat a plate of ramen noodles shaped into a heart.
    Catch the afterparty at the Continental, where fellow IHeartComix friends Ocelot, Kampfire Killahs, and some omnipotent camera from everyoneisfamous.com will merge over from their Fuck Love party with Venus Magazine. If this combined crowd at a 4AM bar on Valentine's Day doesn't yield some final chance for a hook-up, I don't know what will.
    This will also be your last chance to catch the hometown heroes for a few weeks: Josh and Curtis take off for Portugal tomorrow to kick off a 12 stop tour of Europe with A-Trak and Kid Sister.

    Dan Morgridge

    Concert Tue Feb 06 2007

    Press In the Flesh

    Some of Chicago's finest independent musicians are gathering to support one of the city's newest independent publications. The Skeleton News, a new monthly underground newspaper out of the Pilsen, celebrates its fourth issue on February 16th with a release party/fundraiser show featuring belly dancing, a kissing booth, a drawing booth, film screenings, and a sweet raffle manned by its staff! Musical performances will include Rollin Hunt, Binges, Scalpels, and scandalous folksters Root Shoot Leaf.

    The festivities are set to take place at 217 N. Wolcott at 8:00pm. For more information about the paper or details about contributing, check out www.theskeletonnews.com.

    John Lombardo

    Concert Tue Feb 06 2007

    Venice Gas House Trolley?

    You might be asking yourself what the heck is a Venice Gas House Trolley? Well quite simply it's a three-piece jazz ensemble formed in the tradition of the Holy Barbarians of the Venice West Beat scene. (The Gashouse was their main hang) Make sense? If not here is a little more info. The band is on a mission to bridge the gap between poetry and music and does so in beat and jazz forms. Adam Pergament, a long time Madison spoken word stalwart, leads the band in a very chill yet gripping self described Flowpoetry. Swing into Phyliss' Musical Inn Thursday night for some hip jive cat daddy.

    Brent Kado

    Concert Tue Feb 06 2007

    Last-minute show announcement

    If you're masochist enough to want to leave your house tonight, the Empty Bottle offers three performers who will wrap you up in warm and fuzzy blankets of abstract sound. Neil Jendon (also of Zelienople) plays his first solo show of 2007, and it's gonna be droning organ reverie with processing. Zeropoint (Robb Drinkwater and Jason Soliday) build and re-wire cheap, discarded audio junk and turn it into the equivalent of one of those tactile books for children - rough and hurty one moment, soft and smoothy the next. Lobisomem harbors such musical criminals as Jason Ajemian (Born Heller, Triage), Garon Gaston, and Brad Loving; on the basis of their Myspace samples, it sounds like they've got Musik Von Harmonia on the brain.

    9:30, and $7 at the door. Bundle up and have that whiskey order ready.

    Chris Sienko

    Concert Tue Feb 06 2007

    Flowers Under the Attic

    If you thought the days of taking the orange (or blue) line down to Pilsen to see mind-blowing art/noise/rock spectacles were over after Texas Ballroom closed its doors, it’s time to feel like it’s 2002 all over again, because there’s a new roof over your heads, and its called the Flowershop (2159 W. 21st Place [at Leavitt] – Pink or Blue line to Damen stop). Believe it or not, the name is functional, not conceptual – the shows actually take place in the greenhouse of a flower shop! Please check your throwing-stones at the door.

    This Friday (February 9, 9:00 p.m., $6 suggested donation), prepare thyself to deal with four miracles, as Lambsbread ride west from Columbus, Ohio to batter skulls with the thighbones of Eloe Omoe (the Sun Ra sideman or the No Wave duo, your choice); Locrian spin webs of rainy-day elegy from piles of guitar-based slippery (Robert) Frippery; Mark Solotroff and Jason Soliday rep for their respective home-teams in a microphones vs. micro-tones cage match that’s sure to incite the audience’s thirst for blood; and Binges chop and dice the history of improvised jazz into pungent bouquets for sensitive folks with noses for ears.

    More show and venue information can be found here.

    Chris Sienko

    Concert Mon Feb 05 2007

    Best Leather Jacket Band Name Ever

    The gritty, urban-tonk sounds of the distinguished Detroit Cobras will give Chicago two things to rejoice about this spring. First, on Friday, March 2nd, the Cobras will strike Logan Square Auditorium. Thanks to a major promotion push by Irving Park Road country dandies Bloodshot Records, this event will not only be FREE, but feature an opening set by Chicago legends The Blacks, who will reform yet again to tantalize the ears of the dirty roots faithful. The Blacks last played at a reunion show in July of last year, and a video clip from that amazing performance is included below. But I digress: the second exciting moment brought to Cobra aficionados will be a new record, their first since 2005's Baby (check out a track from that record here), entitled Tied & True. Look for free Bloodshot samplers as give-aways at the Logan Square show and for the new Cobras record to hit shelves on April 24th.

    Brandon Forbes

    Concert Mon Feb 05 2007

    Anna Fermin's Trigger Gospel - "Yellow Rose"

    Anna Fermin's Trigger Gospel are national treasures who just happen to be based here in Chicago. I just bet there are music fans in Nashville, Austin, and LA who are kicking themselves that people in Chicago can just walk out their front door and see Anna Fermin perform. My hunch is confirmed by the fact that Anna Fermin's new disc, Go, recently reached number one on a national Americana radio chart.

    Go was available at shows at the very end of last year but has only just been made available nationally via CDBaby. The song "Yellow Rose" is a Texas-inspired ballad that doesn't forget to have a little fun. Anna Fermin's Trigger Gospel plays next on February 10 at Fitzgerald's opening for Dave Alvin and the Guilty Men.

    [mp3]: Anna Fermin's Trigger Gospel Yellow Rose

    Craig Bonnell

    Concert Fri Feb 02 2007

    The Queers Are Here

    Remember a band called The Queers that had minor stardom in the mid-Nineties? Well they're back for a 25th Anniversary party and you can see them at The Note Tuesday night. The band has released a new DVD called The Queers Are Here, a new CD (Munki Brain, hitting the street the the day of the Chicago show) and a zig-zag nationwide tour. The band formed in 1982, but didn't really get a record deal for another 10 years. Once they did, the three albums they released on Lookout Records sold decently and the band developed a dedicated following. The Queers play pop-punk with a sprinkle of surf and hint of humor. Often mistaken as anti-gay or sexist, (and with songs like "Ursula Finally Has Tits" and "Fagtown" it's an easy mistake) the band is really more about shock and adolescent hi-jinks, not negativity. Stop in The Note Tuesday night and celebrate 25 years with a band that knows how to have a crazy time.

    Brent Kado

    Concert Fri Feb 02 2007

    Hipster Girls, Hot Topic, and A Retelling of Moby Dick, Or The Life and Times of MC Lars

    Yes, it was embarrassing. And yes, it was silly. By it was damn catchy. Deadeye Dick's early '90s ode to hippy chick resurgence entitled "New Age Girl" is now forever relegated to "Best of the '90s" comps, but for a time in '94 it served its purpose. Hoping to not end up relegated to the same fate is Brooklyn cultural commentator/rapper MC Lars, whose recent single "Hipster Girl" does for Williamsburg fashionistas what Deadeye Dick did for Sierra Club hotties. A recent Stanford grad, Lars has churned out a couple EPs and last year's The Graduate LP for a surprising large fan base (dude has over 500,000 Myspace friends and his first EP sold over 10,000 copies). Unabashedly self-compared to Weird Al, the Bloodhound Gang, and collaborators Bowling for Soup, who add vocals to The Gaduate's "Download This Song," Lars wears his critical heart on his sleeve via ProTools approved samples and late '80s whiteboy rap delivery. Constructing clever tales of corporate label stooges searching for the next big thing ("Signing Emo") to setting the facts straight about consumer capitalism's absorption of punk style ("Hot Topic is Not Punk Rock") to relating the ins and outs of the ever-changing hipster aesthetic ("Hipster Girl"), the message is clear: examine your culture critically because it might just be playing you. Perhaps Lars falls into some of these corporate traps himself, however, by labeling his DIY genre as "post-punk laptop rap" for easy identification as well as pining for fame and riches on his Myspace page, but these errors are almost excusable in light of the fact that Lars can also retell Melville by way of a Supergrass sample. Check out the below video to see what I mean:

    Whether he'll end up identified as "guilty pleasure" or "blogosphere stud," Chicagoans will have a chance to judge the self-proclaimed MC for themselves at the beginning of next month. On March 3rd at Champs Rock Room MC Lars brings his game to the Windy City. Holla.

    Brandon Forbes

    Concert Fri Feb 02 2007

    Welcome to Cambridge at the Underground Lounge TONIGHT

    I just got word that local fashion-rockers Welcome To Cambridge will be playing a secret show tonight at the Underground Lounge. They're fresh out of Gravity Studios with their new album, Sex and Exes. I'll put up more info as it comes.
    9pm, Underground Lounge, 952 W. Newport.

    EDIT: It's $7.

    Nilay Patel

    Concert Fri Feb 02 2007

    Bears vs. Colts? How about Rats vs. Ponys!

    Coming down from the ecstasy high of a Bears Super Bowl victory won't be easy - and if they lose, let's not kid ourselves, the self-loathing lows will be deep and long-lasting. To pre-empt the Monday comedown, try out a double dose of quirky pop at the Empty Bottle Sunday night at 9:30. Opening local act We Will Eat Rats To Survive received a Worst Band Name of 2006 nod from the Onion's AV Club, but their Myspace page quotes a section from Louise Erdrich's Tales of Burning Love that seems to place their band name in a more philosophically enlightened position. Either way, as another group on the "Say Hi To Your Own Pet By The Trail of Dead" name bandwagon or as band representative of human striving against Darwinian odds, We Will Eat Rats deliver musically with quirky acoustic and banjo-laden pop that recalls Oh No! Oh My! and They Might Be Giants. Headliners Pony Up! take an all-female approach to the now familiar sounds of Montreal-based indie rock. Just like We Will Eat Rats, Pony Up! seem dead set on bearing the ugly truth of existence - just take the wistful harmonies of existentially disturbingly entitled single "The Truth About Cats And Dogs (Is That They Die)" off of their latest LP Make Love To The Judges With Your Eyes. Whichever way you look at it, the Empty Bottle show should be a sobering indie pop fest to bring you back from the world of men who play games for six-figure salaries to the real rat race of which you are a part. Hmm, I'm feeling that self-loathing comedown already.

    Brandon Forbes

    Concert Fri Feb 02 2007

    Automatic Sweethearts

    Honda Pavarotti, featuring members of Number One Cup & The Fire Show, The Velmas, Long Division, and Fast Product, bring their undeniably catchy and melodic indie pop to The Hideout tonight, sharing a bill with Josh Hudson's (Grimble Grumble) Titmice. 10 pm. $8.

    Chris Baran

    Concert Thu Feb 01 2007

    “And the rockets Redglaer [sic], sound-bombs bursting in air…”

    Bob Bellerue’s week beats, if not your year, at least your month. Based in Los Angeles, this noise performer/installation artist/theatre designer/curator/writer has his fingers in enough pies to open a very unhygienic bakery, and the only thing it seems he hasn’t done since 1999 is rest. You may know him as Halfnormal (releases on Banned Production, Iatrogenesis, and his own Anarchymoon Recordings), but he’s got a heaping helping of other projects, sporting colorful names like Feed the Dragon, Vegan Murderers, and The Meteor Headed for Us.

    On Friday, February 10, he performs at Wicker Park performance space Enemy (1550 N. Milwaukee Ave, 9 p.m., $5 suggested donation) as Redglaer, a project based around large, cascading whorls of textural sound, or as his catalog copy poetically puts it, “ions seduced by sunspots.” Readers of The Wire may have caught the favorable review of the new Redglaer 10” in the December issue, in the section fittingly titled “Size Matters” (it’s a 10”, geddit?).

    Continue reading this entry »

    Chris Sienko

    Concert Wed Jan 31 2007

    Surprise, It's An "Astounding Circus Punk Marching Band"

    Per Crickets, it seems buzzworthy marching band punks Mucca Pazza will be performing new material at an impromptu gig at The Hideout tommorrow night, Thursday Februrary 1st, in what is being billed as a "secret show/open rehearsal." The show is not listed on The Hideout page, but we're trusting the Reader's inside tip. If you're not the trusting type, give The Hideout a call at 773.227.4433 and see what you can dig up. Otherwise, bring $8 at 10 PM to 1354 W Wabansia for a punk and horns extravaganza. Oh, and be sure to wear your "I'd Rather Be Trombonin'" tee.

    Brandon Forbes

    Concert Wed Jan 31 2007

    Blinking Red Light

    Chicagoland's only chiptune label, Give Daddy The Knife, is temporarily shutting down. The label is host to a slew of 8-bit loving artists like from as far away as Glasgow. Saskrotch, the labels' head, isn't going anywhere though - catch him and fellow GDTK survivors KKrusty and Sir Vixx at Hotti Biscotti February 10th, for free. Power Gloves optional.

    Dan Morgridge

    Concert Wed Jan 31 2007

    Nels Cline: Jazz Edition

    Most people obviously know him from his recent work with Wilco, but Nels Cline has been on the map for a long, long time. Among the guitarist's many projects is backing up percussionist Scott Amendola in The Scott Amendola Band, which will be performing this Saturday at the Empty Bottle as part of the Empty Bottle Jazz Series. Hear some clips here. Feb. 3, 7pm at the Empty Bottle, 1035 N. Western. $10 at the door, $8 advance.

    Nilay Patel

    Concert Wed Jan 31 2007

    Pop Your Stasis

    Thanks to increasing popularity, the weekly DJs Upstairs affair at Schubas ups the ampage this month. Formerly backed with support from Threadless, it looks like The Onion has now signed on to bolster the party. February finds remixer and masher-upper Popstatic taking command of the helm, spinning crowd-pleasing mixes that make hip shaking priority one.

    Later this month, the occasion will have Popstatic facing off with other local DJs Mother Hubbard (of the Life During Wartime crew) and Matt Roan. The music gears up at 10pm each Thursday night. And hey hey hey hey, it's free -- which makes for a solid pocket of kicking your weekend off an evening earlier. Go check him out this Thursday, and keep your eye on our Slowdown listings for weekly updates.

    Graham Sanford

    Concert Tue Jan 30 2007

    All Hail

    Who can take the sunshine, sprinkle it with dew? Well, normally props would be to the Candy Man, but with High Priest’s DJing and rapping skills, he comes awfully close. High Priest first caught listeners’ collective ear when he performed with the indie hip hop quartet Anti-pop Consortium.

    Fast forward to the present, and the man is now celebrating the release of his own upcoming solo album (due February 6 on Sound Ink), Born Identity. The CD features the same slow, funky beats and intelligent lyrics that first drew folks to the Consortium, and features the likes of L.I.F.E. Long, Tunde Adebimpe from TV on the Radio, and Hisham Bharoocha (ex-Black Dice). This Thursday, Feb. 1, High Priest will be spinning and performing at the Funky Buddha Lounge with guests Eliot Lipp, Vyle, and Mano.

    Kara Luger

    Concert Tue Jan 30 2007

    To the Beat Kitchen We Go...

    Jennifer O'Connor has some well-intended preconceptions to overcome. Time Out hailed her as "Another Liz Phair or Elliott Smith waiting to happen," a reference that's almost foreboding; not only is she not entrenched in Smith's weepiness, and, well, death, but she shows no inclination toward Phair's own decline into disappointing pop.

    Something earthier is afoot on her album Over the Mountain, Across the Valley and Back to the Stars, and this organic approach anchors the album. Sure, she's working a relatively solo career, but other players show up to flesh out the CD: Yo La Tengo's James McNew and Sparklehorse's Kendall Meade, among others. The effect is a soothing, yet engaging, album. Tracks like "Century Estates" and "Sister" are tempered by O'Connor's quiet, husky voice, while "Complicated Rhyme" brandishes up-tempo Latin rhythms. See for yourself when she plays with Kevin Devine and the Goddamn Band, Koufax, and Pablo on Friday, Feb. 2 at the Beat Kitchen.

    Kara Luger

    Concert Tue Jan 30 2007

    The Dead Reckoners

    The artist owned label/cooperative Dead Reckoning Records is one of the great artistic and critical successes in independent roots music. While primarily a vehicle for Kieran Kane and Kevin Welch, the label has also released music by Tammy Rodgers, David Olney and Harry Stinson.

    Together Kieran Kane, Kevin Welch and Fats Kaplin are known as the Dead Reckoners. They'll be appearing in the Chicago area this week. This show will be more along the lines of a songwriters-in-the-round with each artist playing his songs and with plenty of storytelling in between. A must see for any neophyte songwriter. The show is this Friday, Feb. 2 at Fitzgerald's in Berwyn. Here's a sampling of what you might see, Kevin Welch's "Anna Lise Please":

    Craig Bonnell

    Concert Wed Jan 24 2007

    Kuff 'Em If They Can't Take a Joke...

    How obnoxious do you have to be to get banned from the pages of Vice magazine? To their credit, the Philly hip-hop crew Plastic Little recently became the first to earn that distinction when they placed a series of prankish ads for their debut full-length LP She’s Mature. The first advert, which detailed a hipster’s homoerotic fantasies involving Jay-Z, largely passed without comment. But when a follow-up featured a passing dis of hip-hop clothing line Triple5Soul; the mag’s editors -- fearing a loss in revenue from a staple sponsor -- pulled the band’s card post-haste. And if you’ve heard anything by Plastic Little, none of this would seem the least bit surprising. They're raw and rambunctious, ironic and "potty-mouthed," and they know how to bring that bump that gets a crowd dancing, laughing, and chanting along. After all, they openly brag, they’re only in the rap game for the free drinks.

    Despite the underground buzz kicked up by their 2005 EP, Thug Paradise, limited touring has kept Plastic Little a strictly East Coast party phenomenon over the past several years. The new album may very well help them stack a little pocket change, partially thanks to support from higher-profile associates like SpankRock, Diplo, CX Kidtronix, and King Honey. They’ll be making their Chicago debut at the Empty Bottle this Friday night, club-bangin’ with a set that’ll get the crowd “bouncing like bullets off the Popemobile.” What's more, in recent weeks the show roster's piled up as a must-catch billing of local comers like includes Kid Sister, "hoodtronic" beatslinger Vyle, and the Gutter Butter DJs. Kid Sister’s scheduled to headline, making this a hips-grinding, jawn-hollering evening from start to finish. Show starts at 10pm, tickets are $8 at the door.

    [mp3]: Plastic Little "Crambodia (featuring Ghostface Killah & SpankRock)"
    [mp3]: Plastic Little "Hi Bitches"

    UPDATE: Gawker (thanks for the link, guys) heard back from Vice, who say the ad actually did run. Anyone have proof?

    Graham Sanford

    Concert Sat Jan 20 2007

    Sing the Greys

    Scotland's Frightened Rabbit end their bio stating "Let's keep pop music alive by getting it out of that dress and into a sweater," and it couldn't make more sense. Their brand of lo-fi indie rock is comforting and warm like that favorite sweater sitting in your drawer, and their sincerity and humility is a refreshing breath of fresh air in a contemporary musical landscape dotted with forced irony and pretentious posturing.

    On their 2006 debut release Frightened Rabbit...Sing the Greys (Hits the Fan Records), brothers Scott and Grant Hutchinson conjure up an eclectic mix of sputtering percussion, chiming guitars, wheezing accordion, taut bass lines, and percolating synths, that provide the backbone for reflections on dysfunction, the doldrums, and relationships stuck in limbo. It's an aptly titled record, but don't be fooled. There is a joy, earnestness, and urgency to be found that belies much of the subject matter, as songs rush to their climax in a blur, with soaring melodies and insistent hooks rising up through the din.

    Tuesday's show at the Empty Bottle is a rare treat, as it is one of only seven dates on their brief US tour, and the band's only appearance outside of the East Coast. With Fake Fictions. 9:30 pm. $8.

    Chris Baran

    Concert Fri Jan 19 2007

    Summer Concert Season is Shaping Up

    Innerview/Ghost Media and Greg Kot are reporting that the Pitchfork Music Festival will take place July 14-15. Coupled with the already-announced Wicker Park Summer Fest and Lollapalooza the following two weekends, the Summer of '07 is looking like another marathon for concertgoers. Does that mean Intonation will be the weekend before after the 4th? Stay tuned...

    Andrew Huff

    Concert Fri Jan 19 2007

    Celebrating Lima in Chicago

    Did you know Chicago had a local Afro-Peruvian Folk band? Me neither until a short while ago. Trio Perú (featuring former members of Los Chalanes) has a Friday night residency at Taste of Perú on N. Clark and will be playing at El Arpa, 3446 W. Peterson, on Saturday in celebration of the 472nd anniversary of the founding of Lima. The band features two guitars and a cajón, which is a staple of Peruvian and Cuban music. It's basically just a box used for percussion, but looks and sounds way more interesting than that. (Trust me.) Admission is $10 and the performance starts at 8 p.m.

    James Ziegenfus

    Concert Thu Jan 18 2007

    Haziest Shade of Winter

    Musically, you might peg the Minneapolis-based artist Fog (a.k.a. Andrew Broder) as adrift in his own eccentric orbit, one that falls somewhere between the post-mod folk-pop of Beck and the Anticon camp of “outsider” hip-hop. His self-produced 2002 debut was an enigmatic affair, featuring a varied batch of tunes hung on Broder’s sampler-constructed noise collages and scribbly turntable noodlings. Lyrically, the album seemed a product of seasonal affective disorder -- a sketchily-told chronicle of reclusion and emotional turmoil during the darkest, bleakest depths of a Minnesota wintertime. “Is it depression or disease?” he mused in the opening verse of his debut single “Pneumonia,” concluding on the chorus that his life was “Hard to fix because / It took me so goddamn long / To figure out that I broke down.”

    To say that Fog outings have since grown more structured and listener-friendly is to speak in pretty relative terms. His newer songs have become considerably more, well, song-ish -- richer in terms of invitingly nuanced narratives, and fleshed-out with more conventional musical arrangements. That aside, his music retains a loosely-grounded experimental edge. You can catch Broder and his band at The Abbey this Saturday night. By way of a comparable billing, Chicago’s Brenmar Someday will also be on the supporting bill, performing his own compositions of breakbeats and found sounds that -- in both sound and spirit -- harken back to the home-spun, ramshackle charm of Broder’s earlier work. The show starts at 10pm; and tickets are $8 in advance, $10 at the door.

    Graham Sanford

    Concert Wed Jan 17 2007

    Where Rhythms Converge

    This Friday night’s line-up at Sonotheque offers a diverse bill, with Los Angeles-based artist Daedelus topping the roster. Daedelus has released a score of LPs on several labels over the past few years, each of which has cemented his status as one of the most original voices in electronic music. He specializes in eccentric and moody beatscapes -- often constructed via samples from old film music, children’s records, and the like -- that have a dreamy, sometimes storybook-ish, and quite often beautiful quality to them. Also on the bill is Atomly, who lately seems to be ditching his spazzy breakcore output in favor of laying down some chilled, minimal techno. For this evening’s event, Daedelus will be spinning a DJ set, as will Derek Plaslaiko. Plus Device is also set to perform. 1444 W. Chicago. Admission is $10. Things kick off at 9pm.

    [mp3]: Daedelus "Lights Out"
    [mp3]: Atomly "This Is Real"
    [mp3]: Plus Device "Ultra Seductive"

    Graham Sanford

    Concert Tue Jan 16 2007

    C'mon baby...

    The Reverend Peyton once told me a funny little story about last year’s Big Damn Band appearance on the NPR radio program “Michael Feldman’s Whad’ya Know.” Apparently, Peyton freaked out the radio personality with his necklace of teeth. Granted, they’re the Rev’s own teeth -- strung up very tastefully -- but nonetheless, Mr. Feldman politely backed away.

    Stretching this metaphor to the hilt, it’s safe to say the Reverend Peyton’s Big Damn Band’s live shows have bite. The Rev hoots and hollers as he deftly plucks sweet dirty blues, while the dazzling duo of his wife, Washboard Breezy and brother Jaime, keep the joint a-jumpin’. If you don’t believe me, you’re a sucker. See what all the fuss is about when the Big Damn Band plays at the Beat Kitchen this Friday, Jan. 19.

    But wait! There’s more! The whole point of the shindig is to celebrate the release of local pop tarts The Saps’ second album, C’mon Already – Start a Fire.

    The Saps stars Dan Lastick and Dan Menoni on guitars/vocals and bassist Tony Sackett.They lost a previous drummer, Brett Whitacre (36 Invisibles, Galactic Inmate, Warm Ones) to the Legendary Shack-Shakers, but filled the slot with his brother, Ryan. C’mon Already finds The Saps leaving their sneer behind for a smirk, with hop-happy rock riffs and alt-country leanings galore. Hear it for yourself at the show.

    Kara Luger

    Concert Mon Jan 15 2007

    Yes Yes Ya'll...

    In what promises to be a pan-generational wall-to-wall boom-bap fest, Reverse Promotions presents its fourth annual Sangageddon event at Smart Bar this Thursday night. Electro-funk godfather Afrika Bambaataa’s set may be the big-name draw for the occasion -- seeing how his legacy is so old-school that it’s practically pre-school and is Hall of Fame fodder to boot. But aficionados will most likely turn out to check the appearance by cut’n’paste mixer Steinski. While Steinski’s claim to fame largely rests on his “Lessons” mixes from the early 1980s, he sporadically resurfaces with a new mix or DJ appearance that proves he’s kept up his game over the years. With recent guest spots on the London mix show Solid Steel, he’s delivered mixes that are eclectic, very danceable, and often hilariously clever (for example, dropping Alec Baldwin’s venomous rant from Glengarry Glen Ross over the beat of Three Times Dope’s “Greatest Man Alive”). Also scheduled is a performance by quirkily inventive L.A. electronic musician Daedelus. Local DJs Intel, Skor, and Galapagos4 affiliate Maker will be rounding out the evening’s bill. Admission is $15 and the doors open at 10pm. If you have to work the next day, plan accordingly -- because this party, as the hours for the event suggest, just might last all the way 'til 4am.

    Graham Sanford

    Contest Fri Jan 12 2007

    Ride a Tin Horse to Lowen & Navarro

    Lowen & Navarro are playing tomorrow night at the Park West, and friends of GB Tin Horse are opening for them. The show is nearly sold out, but Tin Horse has your hook-up: enter their raffle by 3pm today and you could win a pair.

    Andrew Huff

    Concert Thu Jan 11 2007

    The Ponys: More than One Trick

    All you ever wanted as a kid was a pony, right? Well, that and a jet pack.

    Wish no more, honey, because the holidays are hitting late this year. That’s right, Mommy and Daddy got you The Ponys, who will be playing Schubas on Friday, January 12.

    A bit of backstory: The Ponys formed in early 2001 in the Windy City, when singer/guitarist Jered Gummere joined forces with (ex-Guilty Pleasures), bassist Melissa Elias and drummer Nathan Jerde (ex-Mushuganas). After releasing a couple of well-received singles, and the subsequent full-length albums Laced with Romance and the almighty Albini-produced Celebration Castle, The Ponys experienced a bit of a staff turnover, which resulted in guitarist Brian Chase joining the band.

    With that out of the way, here’s why you should be excited about seeing them play: the pretty Ponys have a brand-spankin’ new album, Turn the Lights Out, which will show up on shelves in March. I won’t spill too much now, but suffice to say the CD is very guitar-heavy in a deliciously post-punk/1970s prog rock fashion, and will rock your proverbial socks off. Check out the show to have a pre-listen. Indie-rocker Benjy Ferree has the honor of opening the show, unfortunately minus the jet pack.

    Kara Luger

    Concert Wed Jan 10 2007

    Mannequins Vs. Tigers!

    New York City may have many nicknames -- The Big Apple, Gotham City, Land of a Thousand Smells –- but “Tiger City” is not among them. Still, the Brooklyn-based young upstarts from Tiger City went ahead and named their band just that, convention be damned! The group’s MySpace page features a photo of the quartet playing arcade games, and well, they sound just like that -- extremely ‘80s synth pop-driven, and highly danceable.

    Tiger City will be opening for a Friday, Jan. 12 show at the Darkroom , starring local scuzz-punk/garage group Mannequin Men, whose recent release Showbiz Witch, was deemed by cmj.com as one of their editors' top picks of 2006. Pretty fancy.

    DJ Mother Hubbard and DJ Dufour Play round out the bill. The cover is only $5, and the show kicks off at 9 p.m. Call 773/276.1411 for more info.

    Kara Luger

    Concert Tue Jan 09 2007

    Anthems From the Blast Furnace

    In terms of far-reaching indie rock influence, Mission of Burma’s legacy ranks right up there with that of British post-punk titans like Wire, The Fall, and Gang of Four. Briefly active in the early eighties, the band supernova’d under the fatigue of restless musical exploration and prolonged high-decibel amplitude. Had they toughed it out a few more years, they might’ve watched audiences finally catch up with them and see some return on their efforts.

    The band’s two albums since reuniting in 2002 -- ONoffON and The Obliterati -- pick up where MoB left off in many respects. And, as before, their recorded output still pales in comparison to the sonic magnitude of their live performances. Reportedly, neither age, a 19-year hiatus, nor guitarist Roger Miller’s longstanding case of tinnitus has made them any less the juggernaught that they once were. They’ll be playing at the Double Door this Friday night. Chicago’s own Pinebender, who heave their share of comparable riffage, are slated to open. 1572 N. Milwaukee. Tickets are $22.50 in advance, $23 at the door. Show starts at 9pm.

    [mp3]: Mission of Burma – “Academy Fight Song” (1980)
    [mp3]: Mission of Burma – “The Set-Up” (2002)

    Graham Sanford

    Concert Sun Jan 07 2007

    Falling in Love All Over Again

    Chicago has a certain love affair with French Kicks. The Brooklyn-based quartet tour through the area often, and each time our city’s little heart goes pitter-pat (though not Pit Er Pat. That’s an entirely different, although equally awesome local band). French Kicks' post-punk sensibility, combined with a bit of throwback synth happiness, makes for tasty treats such as their albums Trial of the Century and 2006’s Two Thousand.

    Take in an eyeful of the Kicks when they play at Schubas on Weds., January 10 with the indie, atmospheric, Champaign rockers Headlights, local indie/old tymers Skybox, and Eagle Seagull. Local hip hop turntablist/mishmashers Flosstradamus will be playing upstairs, more than likely beckoning listeners to “throw their hands in the air” as the kids are wont to do nowadays.

    Kara Luger

    Concert Tue Jan 02 2007

    Feel Your Heart Go Pit Er Pat

    Chicago natives Pit Er Pat have never been interested in producing "easy" music. Though their second and latest album, Pyramids, was recorded in a swift 11 days, the trio managed to concoct something both sonically spare and rhythmically complex. Catch the shoegazing-meets-tribal-thumping live as they work their magic at Schubas on Monday, January 8th. Make Believe and Bronze open the show.

    Kara Luger

    Concert Thu Dec 21 2006

    Yuletide Flows

    From the Molemen to the Family Tree and the Nacrobats networks, Chicago has spawned its share of homegrown indie hiphop crews in the last ten years or so. One such entity is Galapagos4, a sprawling confederation of rhymeslingers and beat-makers from the Chicagoland area. This Saturday evening, they'll be putting on a show at The Abbey in what's billed as a Christmas event. The main draw here might be emcee Qwel, who's recorded with the Typical Cats crew and whose 2001 solo LP If It Ain't Been in a Pawnshop, It Can't Play The Blues was largely responsible for putting the G4 cadre on the map. Additional lyrical duties and such will be parceled out by emcees Qwazaar (also of Typical Cats), Robust, Hellsent, and deejay Maker. The odd one out on the billing is local pop band Royce, whose recently released debut LP makes them the first non-hiphop signees to the Galapagos4 label. Show starts at 9pm, tickets are $12.

    [mp3] Typical Cats - "Thin Red Line"
    [mp3] Royce - "Milwaukee"

    Graham Sanford

    Concert Wed Dec 20 2006

    Misshapes, mistakes, misfits... and Dark Wave Disco

    New York DJs the MisShapes will battle Chicago's Dark Wave Disco at Sonotheque on Friday evening. Both collectives have gained notoriety for their electronica/rock'n'roll parties (and, in the case of the Misshapes, their fashion) in their respective cities and one can only imagine the hysteria brought on by these behemoths sharing a DJ booth over the course of a night. Doors open at 9 p.m.

    James Ziegenfus

    Concert Tue Dec 19 2006

    End '06, Begin '07 with The Hold Steady

    The Hold Steady, keepers of the flame of balls-out narrative rock 'n' roll, who are playing a New Year's Eve show at the House of Blues, have added another, much cheaper show on New Year's Day.

    Nathaniel Grotte

    Concert Sat Dec 16 2006

    Losing It

    Katrina Ford, singer for avant-rock group Celebration, is merely trying to lose herself.

    Live performances tend toward the exuberant, with Ford and bandmates multi-intstumentalist Sean Antanaitis and drummer David Bergander whipping the audience into a frenzy with their restyled rock-meets-dance-meets-art style of music. In doing so, Ford, speaking during a soundcheck before a show in San Francisco, says she tries to attain a flamenco concept of duende, in which the artist completely loses themselves to the moment. It’s a state Ford says she’s accomplished during shows, when she finds herself “a complete animal to the rhythm.”

    “The goal is to be completely consumed by the moment of creation and to lose your sense of self. It’s almost like a burning ghost in you,” she says. “You’re not judging what you’re doing, you’re just experiencing. That’s a wonderful moment; you are just lost, and there’s no ego in it.”

    It’s been a long road toward reaching that Nirvana-like bliss, starting with Ford and Antanaitis’ first band while they were high schoolers in Chicago, the no-wave group Jaks. They later formed the far more subdued group Lovelife, which eventually led to the formation of Celebration. Currently based in Baltimore, the trio’s self-titled debut album is a fierce study in rhythm, couched in Ford’s unique, near-androgynous voice. After screaming her fool head off in Jaks, she’s matured to a point where she can whisper and moan as much as she can howl.

    With help from their friends, the equally avant TV on the Radio (Ford contributed backup vocals on both TVOTR albums), Celebration will continue exploring their sonic space with a new album, which will begin production in January 2007. Don’t expect the same sound, however. “The new stuff is more vocal-based melodies, with less complicated rhythm snafus,” says Ford. “It’s good, since we get ourselves into complicated corners with our music a little bit. We just want to make it sound a bit more classic or human.”

    Catch Celebration (and perhaps attain that elusive duende yourself) when they open for local heroes The Eternals on Monday, Dec. 18 at Schuba’s.

    Kara Luger

    Concert Wed Dec 13 2006

    The Weight of Nations

    Roughly ten years since rising from the remnants of Chicago post-punk outfit Trenchmouth, The Eternals are readying to release their latest full-length LP. Impeccably entitled Heavy International, the album will be the band's third. The disc isn't due out for another two months, but the pair of advance mp3s available on the group's website provides some idea of what we can expect this time around.

    In their more eruptive moments, The Eternals' music chisels at the moorings of Babylon in an energetic, dub-heavy mode. When they slow things down, however, they manage to conjure up some haunting, trans-cultural equiv of a rootsy "high and lonesome" blues. The band will be playing at Schubas this coming Monday evening. Opening for the band is the Baltimore three-piece Celebration. As their recent releases on 4AD have proven, the Charm City trio knows how to spark a torrid groove while steering clear of dance-punk cliches. Together, the two acts should make for a solidly complimentary billing. 3159 N. Southport. Doors open at 9pm. Admission $8 in advance, $10 at the venue.

    [VIDEO]: The Eternals - live in Tokyo, 2005
    [MP3]: Celebration - "New Skin"

    Graham Sanford

    Concert Wed Dec 13 2006

    Cossack Rock

    Who might you blame for inspiring the current wave of rough-edged, accordian-fueled, gypsyish tunesmithing? The Pogues and Tom Waits, most likely. But aside from scarce and long-forgotten acts like Les Negresses Vertes, I never would've pegged it as a likely (let alone popular) sub-genre; especially this many years after the fact. Nonetheless, there's been a number of such acts popping up on the scene recently -- Balkan Beatbox, Devotchka, Beirut, etc. And while Gogol Bordello are easily the most schticky of the lot, they've got the pre-req cultural and musical backgrounds to back it up and their energy is infectious enough to make you want to start smashing crockery. They'll be playing the Metro this Friday evening. Valient Thorr and Dan Sartain will handle the warming-up portion of the bill. Doors open at 6pm, show begins at 6:30. Tickets are $18.

    [mp3]: Gogol Bordello - "Greencard Husband"

    Graham Sanford

    Concert Thu Dec 07 2006

    Low, Low, Low

    Is infamously low-key alt-rock band Low the new Public Enemy?

    It's hard to say, but upcoming album promises to be a complete departure from their previous sleepy stylings. Check out the full article - Chuck D reference included - here.

    If you're lucky, they'll debut that new material at their show on Friday, Dec. 8 at the American Airlines Concert Hall (4544 N Lincoln Ave). The concert is sponsored by the fine peeps at the Old Town School of Folk Music.

    Kara Luger

    Concert Thu Dec 07 2006

    Head to the Beach

    As the holidays draw nigh, your entertainment options tend to rotate around family, fightin’, and food. Why not take a night off from the fuss and go see young upstarts play good music? Head to Silvie’s (1902 W. Irving Park Rd.) to enjoy the sweet sounds of Dominguez, Hay Perro and Maya Vada. Headlining is Black Beach (featuring former members of The Plumb) who purport to be glam, but upon listening are in fact a lo-fi garage movement waiting to happen. Of course, this might be due to the fact that many of their songs were recorded using a boom box.

    Check it out for yourself - and call them liars directly to their faces - at their show on Saturday, Dec. 9.

    Kara Luger

    Concert Wed Dec 06 2006

    Byzantine Echoes

    The all-female vocal ensemble Le Mystere des Voix Bulgares were quite the exotic sensation on the world music scene back in the early Nineties. It seemed, however, that public fascination quickly waned; perhaps due to record labels' attempts to cross-market the choir via increasingly dubious product (it may have been that wretched dance remix album that killed it). Nevertheless, in a world music market glutted with ethno-pop, the choir's music is still jarringly other -- possessing an inexplicable essence and power that can raise goosebumps or unexplainedly bring a listener to tears. The ensemble will be appearing at St. John's of Rila Church this Saturday night. Considering that their voices can fill large venues in un-mic'd performances, the acoustics ought to be superb. 5944 W Cullom St. Tickets are $30 in advance, $35 at the event.

    [mp3]: "Kaval Sviri"
    [mp3]: "Devojko Mari Hubava"

    Graham Sanford

    Concert Mon Dec 04 2006

    Double EX-posure

    Dutch anarcho-punk collective The Ex have been around for donkey's years, haven't they? And they've had strong ties to the Chicago indie rock scene for a good long stretch of their 25-plus year existence. The group's remained unslowed and unblunted throughout; and their latter-day zag into more folky territory -- mainly involving Magyar, Slavic, and Gypsy influences -- has only made their music richer and kept their performances unflaggingly impassioned. They'll be in town to play the Bottle this Friday night; but this time around, one thing about the band's Chicago stop-over might confuse a few fans -- that being their choice of accompaniment.

    They're touring with DJ /Rupture, who's recently been working on a collaborative project with Ex guitarist Andy Moor. Ever since his mp3 mix Gold Teeth Thief became a runaway viral success back in 2001, /Rupture's stacked up a broad, adventurous listenership with his 3-turntable mixes of deftly-layered hip-hop, Middle Eastern music, dancehall, dub, shrapnel-spewing breakcore, and occasional forrays into straight-up noise. The sample mp3 currently up on Moor's website gives us a taste of what we can expect from the collaboration; with Moor volleying improvised, tumultuous guitarwork against /Rupture's mix of rough-and-tumble beats.

    This Wednesday night will see Moor and /Rupture engaging in their soundclash collab at the Hideout. Two nights later, you can catch a headlining appearance from The Ex at the Empty Bottle, where DJ /Rupture will be opening up with one of his mix sets. Japanese avant-pop artist comorevi-ButtEr fLy plays first on the Bottle bill.

    [mp3]: DJ /Rupture "Gold Teeth Thief, pt. 2"
    [mp3]: The Ex & Tom Cora "State of Shock"

    Graham Sanford

    Concert Thu Nov 30 2006

    Ironically, Jam Productions Puts Snow Patrol Tickets On Sale As Snow Falls

    Jam announced that tickets to Snow Patrol at the Aragon on April 2 will go on sale tomorrow morning, as Chicago wakes up to a forecast 6"-10" of snow. Opening for Snow Patrol will be Chicago's indie darlings OK Go.

    [Author name lost in database explosion]

    Concert Wed Nov 29 2006

    Margot Wants You

    When Margot and the Nuclear So and So’s performed - and basically stole the show - at the 2005 South Park Music Festival in Colorado, they were a bursting force. Wedged into a small concert venue more appropriate for holding the solo acoustic acts that came before them, the eight members of Margot busted out with their sometimes-haunting, sometimes-cacophonous indie rock.

    Here’s your chance to experience all eight members as they bang und strum at the Subterranean this Saturday, Dec. 2. Check out a full-length interview here to learn why Margot may very well kick your ass. Opening for Margot will be Judah Johnson and Dirty on Purpose.

    Kara Luger

    Concert Wed Nov 29 2006

    Dance Party, Edgewater Style

    Ever been to scenic Edgewater? Ever wanted to squeeze yourself into a really great, not-so-big bar and dance like a monkey? Well, now’s your chance!

    Head up to the north side of town to partake in the audio pleasures of local indie/experimental/wackadoo rockers (and Edgewater residents) Skybox, as they perform what may very well be their first acoustic set at The Sovereign (6202 N. Broadway, 773/274-0057). The show will be kicking off around 10 p.m., followed by mightily bearded Arpad, who will govern the dance party as he spins ‘60s soul and the like.

    It’s all happening on Saturday, Dec. 9. Best of all, the whole damn thing is sans cover charge, and on Saturday nights, the Sov is open until 3 a.m. Get there early, because room is a bit limited and you’ll want to claim your booty-shaking space.

    Kara Luger

    Concert Wed Nov 29 2006

    The Early Bird Gets the Tickets

    Be ready at 10am on Friday, Dec. 1, and you might be one of the lucky very few to see Andrew Bird perform at the Hideout, 1354 W. Wabansia, on January 13 with Paulina Hollers opening. Tickets will be available through TicketWeb or by calling 1-866-468-3401.

    Andrew Huff

    Concert Wed Nov 22 2006

    Calexico Bringing Issues on Tour

    Touch & Go recording artists Calexico will be hitting the Southwest this December, armed with their new album and a couple of friends, namely the organizations Humane Borders and Music for America. Together, they'll be raising awareness about humanitarian issues stemming from border and immigration policies. What can you do from your couch in Chicago? Well, you can win cool stuff by helping spread the word about their cause (and the tour) by either writing your local media outlet, posting about the Calexico tour on MySpace or Facebook or on your personal blog and letting the Touch & Go folks know about it. Details are here. Every time you complete one of the opportunities from the list, you’ll be entered to win two tickets to the Calexico show nearest you, a copy of World Drifts In (Live at the Barbican) DVD, a vintage Calexico tour poster and a Music for America t-shirt. The contest will close in one week on Wednesday, November 29.

    Anne Holub

    Concert Wed Nov 22 2006

    Moz Post-Game

    Were you at the Aragon for the Mozzer last night? I couldn't make it, but it's good to read -- via morrissey-solo, not Pitchfork, obvs. -- that Julia was there. And that the show was good. That, too.

    [Author name lost in database explosion]

    Concert Wed Nov 22 2006

    Diplo-macy in Action

    You don't get to be at the top of your game by jocking someone else's steez, which is why Diplo has become such a notorati (did I just make that word up?) with the urban music set these past few years. Since quitting his half of the Philly DJ duo Hollertronix, he's beefed up his cee-vee by doing remix work for the likes of M.I.A., Spank Rock, Kanye West, the Yeah Yeah Yeahs, Le Tigre, and Gwen Stephani. He's also the prime mover behind the whole dancefloor-oriented mashup mode of mixing, that school where anything can mesh with pretty much anything else so long as the beat keeps pumping. His own finely calibrated sets are usually heavy on poplocking electro breaks, Brazilian fevala funk, Baltimore "knucklehead" house, dirty south, crunk, grime, and the occasional '80s pop tune thrown atop for crowd-pleasing good measure. And it's all expertly tailored for maximum movement from the waist down. He'll be in town to headline as guest DJ at Smart Bar this Friday night. Fellow travellers Flosstradamus are also on the bill; which means that dance-wise, this one pretty much has "relentless" written all over it. 3730 N. Clark. Doors open at 10pm, tickets are $15.

    Graham Sanford

    Concert Tue Nov 21 2006

    Lupe Fiasco for Free, Again

    Lupe Fiasco is playing another corporate-sponsored free show at the Park West on Friday. Get your invite by following the directions on this page. [via]

    Andrew Huff

    Concert Mon Nov 20 2006

    Mmm, Eucalyptus...

    Is Kid Koala the Neil Gaiman of the turntables? Well, he could be; if Gaiman had crazy crates of wax, a beautifully off-kilter musical sensibility, and a wonky sense of humor. Is the Kid, as the title of his latest album claims, Your Mom's Favorite DJ? I dunno -- I've never met your mom, but I'm sure she's pretty nice. Whichever the case may be, you'll be able to decide for yourself when Kid Koala plays The Abbey on Wednesday night. For the past decade, he's set himself apart from the usual scritchy-scratch DJ crowd with his clever beat compositions and hilariously inventive way of playing with recorded sounds. He's also proven that he can put down a dope, crowd-pleasing mix when the occasion calls for it. Kevin Franck aka Linus and Hollywood Holt open. 3420 W. Grace at Elston. Show starts at 9pm. Tickets $15 in advance, $18 at the door.

    [MP3]: Kid Koala "Skanky Panky"

    [Update]: Kid Koala will be doing a free instore performance at the Wicker Park location of Reckless Records on Tuesday, November 21st. It's set to take place at 5:30 pm, and the address is 1432 N. Milwaukee.

    Graham Sanford

    Concert Fri Nov 17 2006

    Schubas Always Knows

    Schubas has announced the line-up for the 2007 installment of its "mini-winter-indie-fest" Tomorrow Never Knows. Set to take place on five successive nights in January (10th through 14th), festival passes cost $50 and come with a free poster. Individual shows will set you back $15/ea. Both options are on sale now. The scheduled line-up includes French Kicks, The Ponys, Bound Stems, Dr. Dog, Office, Dirty On Purpose, Mucca Pazza, Headlights, The Bees, The God Dam Doo Wop Band, All Smiles, Tigercity, Skybox, Brooklyn Bridegrooms, Sano, Eagle Seagull, The A-Sides, The Early Tapes and family shows with The Blisters and School Of Rock. And, as if those aren't enough, more bands will be announced in future.

    Read all our Tomorrow Never Knows coverage.

    [Author name lost in database explosion]

    Radio Wed Nov 15 2006

    Pere Ubu this Saturday and Next

    Cleveland post-punk band Pere Ubu will be guests of Greg Kot and Jim DeRogatis on Sound Opinions this Saturday. The show begins at 7 p.m. on WBEZ and the band will be interviewed before playing a live set. (According to Pere Ubu's website, though, they only trust three European broadcasters to record them for radio.) A podcast will be available next Monday. The following Saturday, November 25, Pere Ubu will play at the Abbey Pub. For more information, check either the Abbey or Ubu Projex.

    James Ziegenfus

    Concert Wed Nov 15 2006

    Yes, It's His Real Name

    Something of a phenomenon on the East Coast these past couple of years, Baltimore/DC-area deejay Tittsworth (Jesse Tittsworth, that is) hits town to make his Chicago debut at the Big House this Saturday night. Tittsworth's a top-flight specialist at fast-paced, deftly-layered, mash-up mixing that the likes of Hollertronix, The Rub, and Flosstradamus have popularized of late. A standard set finds Titts remixing everything from Three Six Mafia to The Cars to the theme song from The Jeffersons over B'more house, booty bass, and a broad assortment of other club beats. Be prepared for maximum bump and bounce. Bug Nice will also be spinning. 2354 N. Clybourn, 2nd floor. Admission is $10, the party's on from 9pm-3am.

    [MP3]: Tittsworth "Just What You Needed"

    Graham Sanford

    Concert Wed Nov 15 2006

    Preview the New Sea & Cake Album

    Baltimore's Arbouretum play the Hideout, 1354 W. Wabansia, Saturday night, with Sam Prekop and Archer Prewitt of The Sea & Cake (and before that, the Coctails) opening. Arbouretum's pretty good, and if you're a fan of TS&C you'll be satisfied -- but word is Mssrs. Prekop and Prewitt will probably testing out some songs from their forthcoming album at this gig. Word to the wise, and at $8 a steal.

    Andrew Huff

    Concert Tue Nov 14 2006

    A New Frequency for the Freezing

    Are you ready to rock your cold-weather-appropriate, wooly socks off? Then get thee to the Subterranean this Friday, Nov. 17, when you can enjoy the sweet sounds of four sweet bands for only a paltry $7. The event is hosted by the folks behind Bandwidth (aka RadioFreeChicago.org and FuturePerfectRadio.com), whose aim is to bring fine midwestern music to the masses.

    This go-round, dig on a wide variety of indie and robot rock, as delivered by Aras & the Volodkas, Tom Cruise Control, Unicycle Loves You, and The Slats.

    Pack extra socks, kiddies -- after so many hot bands, it's going to be extra cold when you leave.

    Kara Luger

    DVD & Video Tue Nov 14 2006

    Premiere: "American Roots Music: Chicago"

    Last weekend, The Chicago History Museum (1601 N. Clark St) opened "Chicago Roots Music," an exhibit that explores the city’s ties to the jazz, blues and gospel styles that immigrated here from the South, as well as the "insurgent country" and folk scenes Chicago has more recently fostered. In conjunction with the exhibit, WTTW11 will premiere the documentary "American Roots Music: Chicago," a locally produced episode in the acclaimed PBS series of the same name. "American Roots Music: Chicago" is narrated by Chicago native Harold Ramis (famously Egon in "Ghostbusters"), and explores Chicago’s ties to jazz, blues, gospel, folk, polka and country through archival footage and interviews with locals like Studs Terkel, Jeff Tweedy, Jon Langford, Fred Anderson, and Muddy Waters. "American Roots Music: Chicago" premieres Thursday night at 9 pm.

    JP Pfafflin

    Concert Tue Nov 14 2006

    Turkey...with Rock!

    Thanksgiving is a time for family, food, and losing a little bit more of your hearing. There's a wealth of concerts (some of them double shots) in Chicago come next weekend. Big, big, concerts in giant venues, with lots of cool light shows (I'm assuming) and bass you can feel in your collar bones. (Yeah!) A little run down:

    For sheer enthusiasm, you can't beat Tenacious D at the UIC Pavillion on the 24th. Jack Black and Kyle Gass will likely be promoting their new movie, Tenacious D in "The Pick of Destiny" at the same time (Jam Productions is running a tied-in contest on their site). For the noodle-dancin' set, there's moe. at the Chicago Theater on the 24th and 25th. Keep and eye out for some patchwork baggy pants and a nose out for the patchouli, but your ears should be primed for some sweet jams (speaking of "jams", Jam is also running a contest for this show, you can try your luck). For the blues-inspired set, check two nights of The Black Keys at The Vic. I was terribly sad to miss most of their opening set for Radiohead earlier this year, and I'd love to be front row for these shows. These white boys from Ohio have been getting accolades since 2002 for their blues-styled rock riffs, and you certainly won't be disappointed in their live show if you're a fan of their studio work. Last, but certainly not least in this town, is the much-loved Wilco, hitting the Auditorium Theater for two nights (the 24th and 25th). As of now, tickets for Wilco are sold out. Tickets are running out fast for all of these shows through the usual suspects, but I'd keep an eye out for folks unloading after Thanksgiving plans get more solid next week.

    Anne Holub

    Concert Sun Nov 12 2006

    By Land, By Sea, By Dirigible

    Decemberists

    As the Decemberists' following has grown, so has the spectacle of their live shows. While organized audience participation can be fun, and it was certainly appropriate at last year's Intonation performance, it needs to serve the music, not the band's ego. Last night, in a non-festival venue, it felt too often like we were witnessing the latter, not the former.

    That said, when the focus was on the music, Colin Meloy and his compatriots worked magic. Smartly ordering the title songs from their marvelous latest album, The Crane Wife, into a chronological suite, the Decemberists elicited shivers of heartbreak. There weren't many moments as perfect, although the first encore, "Red Right Ankle," was similarly sweet. Otherwise, the set list was generally upbeat, emphasizing the more raucous aspects of the band's repertoire: "July, July!," "16 Military Wives," "Oh, Valencia," etc. At one point, Meloy launched into a crowd-inspired cover of the Clash's "Waiting for the Clampdown," a moment he said he was sure to regret.

    But it all culminated in "A Cautionary Tale," which featured several band members snaking through the crowd, playing elementary school percussion (tambourine and the like). Fine until they stopped to re-enact a battle a la Tolkien, recruiting bystanders to act as fellow elves and so on. Where that came from, I haven't a clue, but its grand-scale arbitrariness left a sour taste. Metblogs loved it, but the Decemberists weren't always about the Apocalypse. Without them, who'll sing of rent-boys on the bus mall or dreams of being an architect?

    [Author name lost in database explosion]

    Concert Fri Nov 10 2006

    Shout Out Out Out Out [not a typo]

    Look at this. It looks like fun, right? Well, the band in the picture, Shout Out Out Out Out, will be playing at the Empty Bottle on Sunday night. It is highly unlikely that they will find a way to stack their two drummers and it may even be difficult to fit their self-described "two drummers + four bass players + two samplers + five synthesizers + five cowbells + two octapads + one vocoder" onstage at the same time, but I am sure that they will try their best and put on a show worthy of your hard-earned $7. If what they look like isn't compelling enough, maybe their electronic/rock sound reminiscent of VHS or Beta, Cut Copy, and U.S.E is. The show starts at 9:30 and there are two openers.

    James Ziegenfus

    Concert Thu Nov 09 2006

    Free Food & Liquor

    Lupe Fiasco plays the Park West November 24, and tickets to the show are free. What's the catch? You've got to sign up for text-message spam marketing. The show is part of the Cingular/Sony Ericsson Flash Concerts series; text "CHI" to 35274 ("FLASH"), and be ready to respond quickly when the concert invites go out.

    Kris Vire

    Concert Thu Nov 09 2006

    Sixth Stone From the Sun

    Before there was George Clinton and his Mothership Connection, there was Sun Ra and his Cosmic Arkestra. And before Sun Ra relocated to NYC in 1961 to become something of a proto-psychedelic cult figure, the space-jazz maestro lived and gigged on Saturn the Chicago Southside. Thus the reason that the Hyde Park Art Center is currently hosting a pair of exhibitions devoted to Sun Ra's musical and artistic legacies.

    Over the years, countless musicians have claimed Sun Ra as an inspiration, Sonic Youth frontman Thurston Moore being among them. This Friday night, Moore will be leading an ensemble tribute that will also include Rollo Radford on bass, Jim Baker on synthesizer, and AACM veteran Avreeyal Ra on drums. Entitled "Music for Tomorrow's World: A Dedication to Sun Ra," the event is hosted by the The Hideout in conjunction with the HPAC. Most likely, we can some expect expansive, improvisational jamming and exploratory noise-rock of interstellar ambitions. Opening is the L.A. performance/music group My Barbarian, who'll also be spinning DJ sets throughout the evening. At the Hideout, 1354 W. Wabansia. Doors open at 9pm. Tickets are $20, and are available here.

    Graham Sanford

    Concert Tue Nov 07 2006

    K FED DOA

    Oh, poor Kevin Federline. As if being a late-night talk show host's punchline isn't bad enough, (the soon-to-be ex) Mr. Britney Spears' club tour in support of his musical debut, Playing With Fire, is tanking as well (here's Stereogum's wrap-up of last week's Webster Hall show). Well, good news is, for $2.50 in "convenience fees," you, too, can be in on the joke: The House of Blues is currently offering complimentary tickets to tomorrow night's K-Fed show here. If a pop-culture train wreck ain't your thing, Robyn Hitchcock and the Venus 3 (featuring R.E.M. / Minus 5 members Scott McCaughey, Peter Buck and Bill Rieflin) are in town tomorrow night as well, supporting the ex-Soft Boy's excellent year-end release, Ole Tarantula. 7:30 pm at Metro. $24.50.

    JP Pfafflin

    Concert Tue Nov 07 2006

    Take Up Thy Fuzz Pedal and Walk...

    Syd Barrett may have recently shuffled off of this mortal coil, but his spirit is as ever-present in the indie music scene as it's been for the past two decades. Tonight, a full lineup incarnation of Chicago psych demons Plastic Crimewave Sound will be playing at The Note, returning to the stage after a months-long spell in suspended animation. Led by local scenester and zinester Steve Krakow, the band has made a name for itself with its twisting, reverb-drenched guitarwork and stratosphere-seeking jams. Grimble Grumble and NY combo The Psychic Paramount will be supporting, and PCS member and local noisician Andy Ortmann will DJ throughout the evening. 9pm show, tickets are $6.

    Graham Sanford

    Concert Mon Nov 06 2006

    Teutonic Techno Tricksters

    Never ones to rest on formula or cozily cotton to listener expectations, the German duo Mouse on Mars have been playfully exploring the outer limits of "electronica" for nearly 13 years. Their latest album, Varcharz, is by far their most bafflingly eclectic, rambunctious, and aggressive-sounding recording to date. Foregoing MoM's usual preference for polished, warm, and organic sounds; Varcharz is a tangled mass of distorted keyboard squelch, metallic guitars, and ping-ponging rhythmic hodge-podgery.

    They'll be playing at the Empty Bottle on Tuesday night. If their prior Chicago appearances are any indication, however, they might trot out some completely different material for the occasion. MoM's Jan St. Werner will also be playing a solo set under his side-project moniker, Lithops. Canadian electro-rap ensemble Holy Fuck are also on the warm-up bill. Tickets are $15, doors open at 9:30pm.

    Bonus MoM link: Radio Free interview.

    Graham Sanford

    Concert Mon Nov 06 2006

    Where Have All the Cowbells Gone?

    Recent interviews with the Rapture have stressed how chipper the band is these days. That effervescent joy was on display at the Metro last night, as the four-piece rollicked through songs from their latest, Pieces of the People We Love, and back catalog. While rarely transporting, the show was never dull and always good-natured. Luke Jenner and Matt Safer kept things fresh by trading off on lead vocals, but the pair came together at various points to choreograph the crowd's cheerleading moves. The upbeat spirit even manifest in a kiss-in: audience members were instructed to be brave and turn to plant one on their neighbor's cheek.

    If this sounds a bit earnest, well, it was, and happily so. The band's 2003 record, Echoes, was overcast with a paranoia that couldn't be realistically sustained after Pitchfork picked it as the album of the year. That gloom -- and the sullenness that might easily have accompanied it on stage -- have apparently been banished for sunnier sounds and dispositions. As band members danced around the stage, that they were having a good time was clear, and there's little more infectious in a performance, especially when accompanied by tight musicianship. The crowd -- not quite capacity; just the right size for a venue that sometimes feels over-full -- was game, and, by the time breakout single "House of Jealous Lovers" showed up in the setlist, there were hands pumping the air and bodies pogoing in time. In this house, however, there was clearly no time for jealousy. Brooding, it seems, is so three years ago.

    The Rapturethe Presets

    Sydney's Presets opened and delivered the perfect companion set: good time electropop. Drummer Kimberley Moyes's shirt said, "The Kids Want Techno." They got it, and with a smile.

    (Additional photos here.)

    [Author name lost in database explosion]

    Concert Fri Nov 03 2006

    Chemistry Class

    As the former DJ for Jurassic 5 and Ozomatli, Cut Chemist long ago proved himself as a superb track-crafter. But whereas most turntablists hang close with the standard boom-bap, his recent solo venture was about as brilliantly well-rounded a release as one could hope for. Released this past Spring, The Audience's Listening ran an array of moods and musical flavors; and Chemist managed to keep the whole thing funky, clever, and very accessible throughtout. He plays The Abbey this Saturday, where he'll be sharing the stage with MC Lyrics Born. Also on the bill is Bostonian dee-jay and emcee Edan, whose psychedelia-soaked Beauty and the Beat LP was easily the wildest and most solid indie hip-hop pitches of 2005. Tickets are $20, the show starts at 10.

    Graham Sanford

    Concert Wed Nov 01 2006

    This Ain't No Disco...

    Whether or not you're planning to go see The Rapture at Metro this Sunday night, you'll want to step downstairs to Smart Bar for the after-show soiree. Members of the group are slated to spin a DJ set that'll spark the dancefloor with their usual eclectic mix of dance-punk, electro-funk, mutant disco, and whatever else keeps the groove going. DJ Jordan Zawideh is also scheduled to hit the decks. The show upstairs starts at 8pm, The Presets open, and tickets are $22. The after-party is free and supposed to start at 10(ish).

    Graham Sanford

    Concert Tue Oct 31 2006

    Heavy, man

    I find it hard to believe that the excellent UK funk-soul band The Brand New Heavies [MySpace] is playing Cover Band Central (also known as the Cubby Bear) for their Chicago date this Friday. Crappy venue aside, though, it'd be worth it to see the Heavies, who recently reunited with both singer N'Dea Davenport and label Delicious Vinyl to put out an album that's as good as anything in their twenty years of existence. They play with Bumpus, who have a printable $5 off flyer on their MySpace; particulars in Slowdown.

    Kris Vire

    Concert Mon Oct 30 2006

    Sleep Out @ Beat Kitchen

    In July, local indie-rock outfit Sleep Out celebrated the release of its debut album, I Was Your Shroud, a lovely, hazy pop affair that nods to the textured beauty of early ‘90s UK shoegazers like Th’ Faith Healers and Ride. Shroud was supposed to be available via brick-and-mortar stores through the Brooklyn-based indie label March Records——No surprise here, given singer-songwriter Quinn Goodwillie was also a member of one of March’s keystone bands, Kleenex Girl Wonder——but just as the album was readied for distribution, the label went on hiatus. For now, you can find the album via iTunes, or get it directly from the band when they play The Beat Kitchen on Wednesday night with Ladyhawk and So Many Dynamos.
    [MP3]: “Island Park”

    JP Pfafflin

    Concert Mon Oct 30 2006

    Domo Arigato, Mr. Roboto!

    Tonight, get your beep beep on as Darkroom rocks with three super sci-fi bands until the wee hours. Model Rocket Scientist, Mandroid (Destroyer of the human race) and Cylon Rodeo play from 8pm-3am with all their electronic glory just oozing out of their inputs. Check out Cylon Rodeo for all your Western Sci-Fi fix (imagine A Fistfull of Dollars on the dance floor), Mandroid (Destroyer of the human race) for your assimilation into electro-surf-goth and Model Rocket Scientist for your pop electronic downloads. Details in Slowdown.

    Anne Holub

    Concert Mon Oct 30 2006

    Love Her or Hate Her...

    Skilled, sassy, and refreshingly whimsical on the mic, Lady Sovereign might just be the first British grime artist to, ahem, "cross over" into the U.S. hip-hop music scene. Packing almost as much bite as it does bounce, her Vertically Challenged EP (released on the Chicago indie label Chocolate Industries) was easily one of the most enjoyable hip-hop releases of 2005. The EP caught the attention of Jay-Z, and Sovereign was quickly snapped up by Def Jam Recordings. She's playing at The Metro this Saturday night; and her appearance coincides with the release of her first full-length album, which hits the streets this week. Tickets are $15, show starts at 11:30.

    Graham Sanford

    Concert Fri Oct 27 2006

    The Hold Steady Totally Killed Me...

    ...and the rest of the Metro last night. Maybe I've just been to too many Strokes concerts, but it's always a treat to see a band that likes playing concerts, and I don't think there's any band I've seen that wants to play for you more than the Hold Steady. These guys are showmen. Frontman Craig Finn grinned throughout the 1.5-hour show, swigging beers and passing a liter of Jameson between his bandmates. Bassist Galen Polivka jumped on things (drum kit), sat on things (monitor), and flung one-dollar bills into the first three rows (which were packed, it seemed, with the very teenagers that Hold Steady songs are about). Guitarist Tad Kubler wandered in and out of the crowd (to much delight) and passed his guitar to an audience member while he worked the wah-wah pedal. A friend observed afterwards that it must be great to be in a band at this point in the arc of fame—three great albums, sold out club shows, a rabid fanbase—and the Hold Steady are certainly enjoying themselves. (The rest of my pictures are here.)

    Nathaniel Grotte

    Concert Thu Oct 26 2006

    Duran Duran - and Then There Were Four

    If you've got tickets to see Duran Duran tonight at the Sears Centre just know one thing - guitarist Andy Taylor has left the tour. According to the bands website regarding the original five members:

    "As of last weekend, however, the four of us have dissolved our partnership and will be continuing as Duran Duran without Andy, as we have reached a point in our relationship with him where there is an unworkable gulf between us and we can no longer effectively function together."

    Whoa.

    [Author name lost in database explosion]

    Concert Thu Oct 26 2006

    Save the date

    Their five-year deal okayed by the park district, promoters have just set the weekend. Lollapalooza will return August 3-5, 2007.

    Anne Holub

    Concert Thu Oct 26 2006

    Monster Mash-Up

    Paul Simon's "Fifty Ways To Leave Your Lover" sped up over a classic house beat? Sure, maybe you hate this song, but somehow it works far better when it's combined with or layered over that song. That's how the continuing appeal of "mash-up" mixing works, and it's how local DJ duo Flosstradamus have been earning their credibilty of late. Their monthly shows at the Town Hall Pub have become notoriously difficult to get into if you don't arrive early.

    Friday night, Flosstradamus will be playing at Sonotheque as part of an event sponsored by Fader magazine. Also on the bill is a set from mash-up compadre, mixmaster mp3 blogger, and Fader editor DJ Nick Catchdubs. No advance tickets, cover is only $5, and -- in keeping with the duo's regular gigs around town -- the dancefloor is going to stay packed and busy.

    Graham Sanford

    Concert Tue Oct 24 2006

    Lollapalooza Seeks 5 Year Deal With the Parks

    Chicago news outlets revealed today that the Park Department will vote today on whether to approve a 5 year deal with Lollapalooza. Citing the lucrative fiscal relationship, Park Department spokesperson Jessica Maxey-Faulkner pointed to various arboreal improvements made to the various parks with the concert generated loot.

    [Author name lost in database explosion]

    Concert Mon Oct 23 2006

    Morrissey at the Aragon

    In what's to be his only US appearance this fall, Morrissey will perform at the Aragon on November 21st. Tickets officially go on sale at noon on Saturday, but Ticketmaster lists an internet pre-sale on Friday.

    [Author name lost in database explosion]

    Concert Thu Oct 19 2006

    Real Audio Wilco

    Chicago's favorite rock-n-roll sons will be featured on NPR's Live Concert Series tonight, streaming from DC's 9:30 Club, starting not at 9:30, but around 9 (CT).

    [Author name lost in database explosion]

    Concert Thu Oct 19 2006

    The Not-So-Secret-Anymore Naked Raygun Show Tonight!!!

    Ok, last minute... the buzz in everywhere, and if ever there was a rumor to follow this one might just be it. Chicago's very own 80s hardcore and post-punk band Naked Raygun is re-emerging tonight as a secret weapon at the Mojica show. Think Gang of Four with a little more dissidence. The band had called it quits in 1992 after struggling when lead singer and guitarist John Haggarty left the building; however, they've apparently reentered and are going to shake things up tonight. If for some reason you can't get there, don't worry; you can catch them next month playing at RiotFest 06.
    The details: The show is FREE!!!! and is happening at The Cobra Lounge.

    [Author name lost in database explosion]

    Concert Thu Oct 19 2006

    Airiel at the Metro - No Cheaper Than Free!!

    Usually when a band thing ends up in my My Space box, it goes straight to the trash can. Sorry, but I don't want to catch a bunch of day-job accountants hashing out Seger tunes at the Schaumburg Flinger's. Such was decidedly NOT the case with Chicagoans Airiel. They have sort of an interesting My Bloody Valentine-meets-Neutral Milk Hotel dream pop thing going that is catchy, and as polished and fully formed conceptually as anything of the sort that I have heard locally. I have yet to catch them live, but I am going to try to see them on Saturday when they play a show at the Metro with Office and Slings & Arrows. Best of all, go before 9 pm and it is free with a downloadable ticket from their website. Even after, it is only $6 measly bucks with the ticket, $9 full price.

    [Author name lost in database explosion]

    Review Tue Oct 17 2006

    "You Sounded Better on MySpace"

    On her album Alright, Still (more about that here), Lily Allen includes a track -- the cattily titled "Not Big" -- in which she puts down a fella for all manner of inadequacies, merrily singing "how would it make you feel if I said you that you never ever made me come?" Adding insult to injury, she taunts her erstwhile partner with plans to "work her way through all his mates." In other words, this is a girl that knows what she wants and how to get it. Last night at the Double Door, though, not much of that dynamo spunk was on display: although her performance was pleasant enough, Allen came off as bored and unfocused -- which is to say nothing of her band, who stood around chatting most of the time they weren't playing. She seemed to perk up on the occasional chorus; still, it wasn't clear if it was the live Lily who'd had a burst of energy or perhaps a recorded Lily there to lend a helping hand in the background.

    Also not clear: whether we were supposed to care. Lily Allen is a one-trick pony, and it's a nice, sometimes clever trick, but there's no apparent substance behind it, and certainly there's no passion. She closed her set with "Alfie," a song indicting the laziness of a brother who can't get out of bed even at "nearly half past three." To her credit, unlike her layabout sibling, Lily Allen showed up. Asking more was obviously asking too much.

    [Author name lost in database explosion]

    Concert Thu Oct 12 2006

    The Evens, Presented by the WPA

    The EvensIan MacKaye

    Last year, Ian MacKaye and his partner, Amy Farina, released a self-titled album as the Evens. While it wasn't much of a departure from Argument-period Fugazi, sonically, if not politically, it marked a paradigm shift from MacKaye's Minor Threat origins: out with the shouting, in with the whispering. Still, when the pair brought their folk-influenced rock to Pulaski Park Fieldhouse last night, MacKaye pointedly stated that this was to be a punk show. And that's what it turned out to be, if a punk show can be an utterly charming hootenanny based in vocal harmonies. It wasn't all singing softly, though; now and again, the big stick came out, and MacKaye went after the Bush Administration in both his banter and his lyrics. The crowd had clearly grown up with MacKaye -- rather than straight-edge Xs, these hands featured wedding bands -- but for a moment, on the sing-along chorus of album highlight "Mt. Pleasant Isn't," the show's punk ethic reached back for a punk sound. Wedding rings or no, there were fists in the air.

    What's most remarkable about MacKaye is the egolessness of his performance; he banters with the crowd as a friend, not an idol, despite his seminal role in independent music for nearly three decades. His voice has been roughened by years in the "Waiting Room," and it makes a perfect complement for Farina's soulful alto; the music, too, is spare, but tight. The band plays another show tonight, Friday, the 13th (all ages, of course). Do yourself a favor, and spend the five bucks.

    [Author name lost in database explosion]

    Concert Thu Oct 12 2006

    Mini Review: Rolling Stones at Soldier Field

    I guess the weather was a blessing and a curse. For the fans who showed up to watch the Rolling Stones rock Soldier Field on their last (scheduled) Chicago visit of the Bigger Bang Tour, and for the band themselves, temperatures dropping into the upper 30's and a brisk lake shore wind complicated things. On the positive side, tepid ticket sales and over speculation seems to have created a buyer's market for tickets, enabling poor fans like myself to land tickets for small fractions of face value. For the band's part, they kept a stiff upper lip, and soldiered through new songs and hits with the aid of radiant heaters and tubes blowing hot air. Opening with a strong "You Got Me Rocking", Jagger lept into action wearing a silver trenchcoat and matching hat. The rest of the band looked like they had just gotten done picking up cold weather gear at a Ramones yard sale, with leather jackets and scarves. Early set highlights included a decent "Monkey Man" and Mick announcing a new song "She Was Hot". Mid show, the extravagant six story high staging came into play as Charlie Watts' drum riser was pushed onto a traveling section which slowly cruised to mid-field as the band launched into more "retro" selections including "Under My Thumb" and a spirited "Rough Justice". The traveling section made its way back to the main stage, and the band concluded the show with a classic triumvirate of "Sympathy for the Devil", "Jumpin' Jack Flash", and a stellar "Satisfaction". The band hustled back on for a quick "Brown Sugar" and departed to a fireworks show, no doubt thankful that their remaining US dates involve temperate climates or indoor venues.

    [Author name lost in database explosion]

    Concert Tue Oct 10 2006

    New York comes to Chicago

    Billboard Magazine carried news today that the New York Dolls have booked their first major tour in 30 years. Included is a stop at Jam's own Vic Theater on November 15. No on-sale information has been released.

    [Author name lost in database explosion]

    Concert Tue Oct 10 2006

    Wilco on sale next week

    Wilco has announced the Chicago dates on its current tour: November 24 and 25 at the Auditorium Theatre. Tickets go on sale to the public Saturday October 21 at 11am via Ticketmaster, but presale to the Wilco Fan Community starts next Wednesday at 10am; perhaps now would be a good time to sign up?

    Kris Vire

    Concert Wed Oct 04 2006

    Discount Double Door

    Get $2 off the ticket price for Saturday night's show at the Double Door compliments of Welcome to Ashley who will be playing along with Down the Line and Green Light starting at 8pm. Tickets are only $5 when you print out this bit:

    ________________________________

    __________________________________

    WELCOME TO ASHLEY

    OCTOBER 7 2006 - DOUBLE DOOR

    1572 N. Milwaukee Ave. Chicago IL

    $5 WITH THIS TICKET

    DOORS - 8PM 21+

    ______________________________

    ____________________________________

    Show details in Slowdown.

    Anne Holub

    Concert Fri Sep 29 2006

    Contest-o-rama: Branches @ the Beat Kitchen

    The weather's going to be cold and wet this weekend, so plan on some indoor activities....like seeing the Branches at the Beat Kitchen Saturday night! Contraphonic artists Branches will be having a good ole time debuting their new CD and playing with friends Crap Engine, The Black, and Pony Pants all starting at 9pm. If you wanna save yourself the cabbage for tickets, you and a friend (18+) can go for free (Double Bonus! we'll send you the new album, too). Just be the first to email us at inbox {at} gapersblock.com with the subject line I've Got Branches and you'll be the luckiest kid on your block. [Update: Congrats to Amy, our winner! Keep on reading (or maybe even RSS-ing) for more music news, events and chances to win at Transmission.]

    Anne Holub

    Concert Thu Sep 28 2006

    No Longer Without Culottes

    Last night at the Double Door, Nous Non Plus performed one of the stranger medleys of covers I've heard: "99 Luftballons" crossed with Tom Petty's "American Girl." Odd, yes, but also energetically charming. While the Nena song was sung in its original German, the rest of the set was delivered in French accents of varying credibility. A band featuring members performing under names like Celíne Dijon and François Hardonne is obviously not asking to be taken seriously, but somehow the gimmick works: the performance maintained good-natured sexiness and silliness in equal measure. Dijon introduced an anti-war song by saying, "We can't fight if we're dancing, so let's dance." True to form, this New York by way of the Left Bank sextet had toes tapping and hips shaking -- no fighting in sight.

    [Author name lost in database explosion]

    Concert Wed Sep 27 2006

    We've Got Your Tortoise, Right Here

    Friday night offers two (yes, two) chances to see and hear Chicago electronic/indie/experimental band Tortoise. We really liked their new box set, and we know it's a rare treat to see them live. We'll give you and a friend a free shot at their 7pm show at the Empty Bottle. All you have to do is be the first to email us as inbox {at} gapersblock.com with the subject line "Faster than a Tortoise" and you're in! [Update: Congrats to Jordan! Keep reading Transmission for Chicago music news and more chances at tickets to upcoming shows.]

    Anne Holub

    Concert Fri Sep 22 2006

    Are You Gonna Be Jet's MySpace Friend?

    The latest in MySpace's erroneously-named Secret Shows series: Jet at Schubas. This Sunday, 7pm. You know the drill -- it's all about the "Top 8," baby.

    [Author name lost in database explosion]

    Concert Fri Sep 22 2006

    Scotland Yard Gospel Choir Free Show

    Local chamber-pop band Scotland Yard Gospel Choir, who are far too often referred to as Chicago's Belle & Sebastian and really do sound very close to what their name would make you believe, will be playing a free show at the Kinetic Playground this evening. Bicycle, Tricycle and Opportunity School will open. The show starts at 9 and the Kinetic Playground's located at 1113 W. Lawrence, across from the Aragon.

    James Ziegenfus

    Concert Fri Sep 22 2006

    Catch Some Bound Stems, on Us

    Our featured band this week, the Bound Stems, are playing at Schubas tonight. We'll get you to the 10pm show for free, and give you a copy of their fab new album, Appreciation Night, 'cause, you know, we like you. Just be the first person to email us at inbox {at} gapersblock.com with the subject line "Bound and Determined" and you and a friend (21 and over, please) get to go to the show, and get the CD. [Update:] We have a winner! Congrats to Joey. Keep on reading Transmission for more free music.

    Anne Holub

    Concert Tue Sep 19 2006

    Annuals Bloom Underground

    So many bands on tonight's Subterranean bill! Headlined by local staples Ariel, the venue will also host up-and-coming Atlantans Snowden and another Chicago outfit, Birdnames. Our money's on Annuals, though. The experimental pop sextet hails from North Carolina, and their sound is sort of Arcade Fire, sort of Broken Social Scene, sort of Animal Collective, sort of Architecture in Helsinki, sort of other folks, too. Still, there are worse things, and they have a freshness that's all their own. That "Brother" sounds like it's backed with crickets is only an example of their youthful charm.

    [Author name lost in database explosion]

    Concert Tue Sep 19 2006

    No Fiasco, Lupe is Free Tonight

    If you jump through a few hoops, you'll get to see young up-and-coming Chicago rap artist Lupe Fiasco tonight for free at the Metro. Lupe thrilled crowds at Intonation this year, and I'm sure you've heard his cool summer jam "Kick, Push" on the radio. His new album Lupe Fiasco's Food & Liquor hits stores today, perhaps with some never-before-heard content since a large portion of his original album was leaked online. To get the special wristband needed, you have to print out your Myspace.com profile with "Secret Shows" in your top 8 friends list. Bring that printout to Tower Records at 2301 N. Clark today and you'll get your wristband good for the show tonight. Doors open at 7pm, show starts at 8pm and it's all ages. UPDATE: There's something of a fiasco, after all: Lupe's sick. :( Metro says he's still gonna show up, but it's to hang out. There's still a chance he'll rock the mic, but no guarantees.

    Anne Holub

    Concert Tue Sep 19 2006

    Tweedy, on Golden Smog

    Our Slowdown listing of tonight's Golden Smog show at the Vic mentions J. Tweedy as a possibility. BrooklynVegan sources confirm that. As I write this, tickets are still available, but they may not be for long.

    [Author name lost in database explosion]

    Concert Fri Sep 15 2006

    A Fever that You Want to Catch

    Dengue Fever is a show within a band, not just band that puts on a show. Each band member has a unique talent and aesthetic that they bring to the table, creating a plate of sounds and images that is something straight out of the past. Think Apocalypse Now meets Dick Dale. Dengue Fever's specialty is traditional Cambodian 1960's Vietnam era influenced surf rock (that's a mouthful), which has captured the attention of the indie and punk scenes of Echo Park in Los Angeles.

    Dengue Fever formed from the crossings of a rockabilly band called Jump with Joey, students from Humboldt State College in Northern California, old childhood friends, a pair of brothers and a flight from Phnom Penh, Cambodia to Long Beach, CA. With that flight Dengue Fever gained their secret weapon - Nimol. Lead singer and Cambodian celebrity, Nimol brought a powerful package of an amazing vocal range and a fine-tuned ear all in a petite five-foot frame. She doesn't need a microphone, and frequently never has to strain over the backing of a full-band and the din created from the six-foot-six inch tall bass player, Senon. This contrast just adds to the eclectic feel and psychedelic sound that is booming from the stage. Are you really experiencing this? You are.
    Since this is the case, keep an ear out for the song "Tip My Canoe" from their record Escape From Dragon House which has such a memorable melody, you’ll try your best to sing along, but unless you speak Khmer, you might not get the words exactly right.

    Now with a push from M80 and The Birdman Record Group, Dengue Fever is part of the this week and is infecting the airwaves, one club at a time.

    Dengue Fever is playing tonight at The Empty Bottle with Otto and Serena Maneesh. The show is at 10:00 PM, and tix are $10.00 in advance/$12.00 at the door.

    [Author name lost in database explosion]

    Concert Thu Sep 14 2006

    Really Quick Contest: Tickets for Cloud Cult

    Saturday night at The Abbey, Minnesota group Cloud Cult take the stage with their true "alternative" sound. The band's made the papers, not only with good reviews for their sound (two of which used the words "genius"), but also for the fact that they've repeatedly said "no" to labels who've come a' courtin'. They stick hard to their pro-environment ideals, insisting on earth-friendly packaging for their cds and working in a recording studio fueled by geothermal power. On stage, they put on a visual as well as audible show, with the vocalists taking turns creating paintings that you can bid on after the set. For the details and some mp3s, check Slowdown, but if you'd like to win a pair of tickets to the show, just be the first to email us at inbox{at}gapersblock.com with the subject line: Clouds! and you and friend will get in free! UPDATE! We have a winner! Congrats to Evelyn. Keep an eye out for more contests here at Transmission.

    Anne Holub

    Concert Tue Sep 12 2006

    Tonight Only: Have we got a deal for you

    The awesome folks at the Empty Bottle have put out a special deal on tonight's Vashti Bunyan and Archer Prewitt show at the Lakeshore Theater. Just print out a copy of this post and bring it with you to the theater and you'll get in for just $8 (that's a savings of $12, yowsah!). The show is all ages and the Lakeshore Theater is located at 3175 N. Broadway (at Belmont). The show starts at 8pm.

    Anne Holub

    Concert Tue Sep 12 2006

    Soulwax... in some form

    In what looks like somewhat of a perplexing lineup, Radio Soulwax presents Nite Versions and 2 Many DJs at Double Door on Sunday, September 17. Now, Nite Versions is an album of remixes of songs primarily from Soulwax's Any Minute Now. Radio Soulwax is how the performances of Nite Versions are being billed. 2 Many DJs is a name that David and Stephen Dewaele of Soulwax have used to released one official remix album, As Heard On Radio Soulwax Pt. 2, and at least ten bootlegs. Got it? Whatever Soulwax, in any incarnation, brings to Double Door should provide ample opportunities for dancing, though. Tickets are $15 and the show begins at 10pm.

    James Ziegenfus

    Concert Mon Sep 11 2006

    Girl Talked

    Girl Talk

    A couple of weeks ago, when we ran our Girl Talk interview, we didn't know quite what to expect of his live show. Turns out it's quite a spectacle, one that elicits little reaction other than, "Whoa, that was crazy. And weird. But fun!" Pitchfork has dug up some YouTube video of the sold-out Empty Bottle gig.

    [Author name lost in database explosion]

    Concert Tue Sep 05 2006

    Hideout Block Party Selling Out Fast

    If you're waiting till the last minute to get your tickets for this weekend's 3-day Hideout Block Party, you might want to hop to it. They've announced that single-day tickets for Saturday's music are sold out, and they've only got a limited amount of 3-day passes left to sell. If you want to get them before the day of, you'll have to buy your tickets before noon on Thursday, otherwise, you'll be taking your chances at the gates.

    Anne Holub

    Concert Tue Sep 05 2006

    A Danish Dame and her Guitar - Tina Dico

    A contemplative and sometimes thought of as moody songstress, Tina Dico has seemed to have won the hearts of her native Denmark-maybe she'll win yours too. Picked-up by Zero 7 and carried all the way to the Grammy's, Dico's sound is a warm blend of folk vocals and guitar played over ambient and downbeats, which prove to be almost as soothing as a glass of warm milk. You must stay awake though if you want to catch her reflective lyrics and decide for yourself what her music is all about.
    Dico is playing tonight at Schubas Tavern. The show is at 9:00 PM and tickets are $10.00.

    [Author name lost in database explosion]

    Concert Fri Sep 01 2006

    Electric City Rockfest Highlights

    It always seemed that Mudhoney somehow lingered in the shadows of the other Seattle bands in the late 80s and early 90s. As Nirvana, Soundgarden, Pearl Jam, Tad, and everyone else who prospered in that grunge scene either disbanded or became obsolete, Mudhoney stuck it out. Maybe it was because grunge was bound to be dated and Mudhoney's a punk band, or maybe it's just because Mark Arm writes great songs and they're a very good live band. Whatever the reason may be, people still want their Mudhoney. They'll be playing Double Door tonight as a part of Electric City Rockfest. Pittsburgh garage-rock band the Cynics will open.

    Tomorrow's Electric City Rockfest headliner is Australia's Radio Birdman. Considering they never wanted to be commercial (using a cryptic symbol instead of a name sometimes, referring to themselves as "personnel" instead of band members, etc.), Radio Birdman has spent a lot of time in the spotlight. As one of the premier Australian punk bands (but don't call them "punk") of the 1970s, along with the Saints, they crafted a style reminiscent of the Stooges and MC5 down under. Since reuniting in 1996 after nearly 18 years broken up, they've toured and have completed their first album since 1981 with Zeno Beach.

    James Ziegenfus

    Concert Wed Aug 30 2006

    Sycamore on Sunday

    Sycamore Smith, who played the Gapers Block Third Anniversary Party at the Hideout back in June, returns to Chicago for a show at Phyllis' Musical Inn, 1800 W. Division St., at 8pm tonight. No word on cover, but it's not likely to be much.

    Sycamore wowed the crowd at the GB anniversary show with his witty lyrics and unusual kazoo solos. He's got a sort of dark folk feel, singing songs of odd and menacing characters in dangerous neighborhoods. Check out some samples here, and read Ted McClelland's profile of the guy over in Detour.

    Andrew Huff

    Concert Tue Aug 29 2006

    Frequency? About Three Times This Week

    The whole city should be humming jazz this week, and local quartet Frequency is hitting the clubs a little harder than usual to join in the party. Made up of four musicians who primary instruments (flute, sax, drums, and bass) don't stray too far off the jazz standard, the excitement for this group really brews from each member's multi-instrumentalism that ranges from the Egyptian harp to kalimbas to the plastic bag. At home, you can check out their new self-titled album, and in person, they'll be playing the Empty Bottle tonight, leading a session on "the Art of the Solo" on Friday at the Chicago Jazz Festival, and headlining the Hot House on Sunday.

    Anne Holub

    Concert Mon Aug 28 2006

    Sing a Sad, Sad Song - M. Ward Coming to the Metro

    M. Ward (Wiki) (MySpace) is a skinny non-smoker from Portland, but his low-toned front porch sound could easily make you take him for a whiskey-chugging, three-pack-a-day Mississippian. September 8th, Ward comes to the Metro in support of his new record, Post-War. Some know Ward as a one-time bandmate of Grandaddy's Jason Lytle, others as the producer of Jenny Lewis's fine Rabbit Fur Coat album, and others still as the then-unknown who toured with My Morning Jacket frontman Jim James and Bright Eyes' Conor Oberst in a singer/songwriter tour during 2004. You can get to know him via MP3 here, here, and here. See him live on Austin City Limits with Conor Oberst via YouTube.

    Brooklyn's psych-pop outfit Oakley Hall (MySpace) opens. Ticketmaster has tix now for $15, plus their usual exorbitant fees.

    [Author name lost in database explosion]

    Concert Fri Aug 25 2006

    Last Minute Weekend Options

    Here it is Friday night and you still haven't figured out where to go. Never fear--we'll run down some last-minute options real quick-like and send you on your way.

    Friday:

    Saturday

    [Author name lost in database explosion]

    Concert Fri Aug 25 2006

    Touch & Go by the Hour

    Touch & Go Records has released their extraordinarily precisely timed festival lineup for their spectacular 25th Anniversary Party coming up at the Hideout in early September. Have a look, and synchronize swatches. Tickets are on sale now.

    Continue reading this entry »

    Anne Holub

    Concert Fri Aug 25 2006

    GB Contest! Tickets to Lesser Birds of Paradise

    Hey folky indie rock lovers, if you'd like to check out Saturday's show at the Hideout featuring Chicago's The Lesser Birds of Paradise, plus a copy of their new album Space Between, then be the first person to email us at inbox [at] gapersblock.com with the name of your favorite bird (or tropical flower) and you and a friend get to go for free! [Update! Congrats to Molly, who submitted the Blue-footed Booby and won! Keep checking Transmission for more chances to win tickets, and to keep up on Chicago music.]

    Anne Holub

    Concert Thu Aug 24 2006

    They Might Be Giants @ Lincoln Park Zoo

    I'm not confident the ground will be dry enough after today's storms, but They Might Be Giants will be Jammin' at the Zoo tomorrow night (8/25) anyway. Tally Hall and Chicago's own Bad Examples open. Doors open at 6:15pm; the Giants take the stage at 9pm. Tickets are $20 for adults, $10 for kids (a bit cheaper if you're a zoo member).

    Andrew Huff

    Concert Wed Aug 23 2006

    Rogue Wave Descends on Chicago

    Sub Pop's Rogue Wave hits Logan Square Auditorium September 7th in support of their new album, Descended Like Vultures. Picking up steam from inclusion on the Napoleon Dynamite soundtrack and repeated play on tv's The OC, Rogue Wave's adventurous, glistening indie pop seems destined to win over fans of like-minded indie faves Death Cab for Cutie and Built to Spill.

    Australia's The Grates and LA's Foreign Born open. Tickets are on sale now for $12.

    Also: Rogue Wave's MySpace; their "secret" second MySpace; False 45th has mp3s of RW covering Nirvana and Buddy Holly; and the video for "Publish My Love" YT, QT.

    [Author name lost in database explosion]

    Concert Wed Aug 23 2006

    When Tom Comes to Town

    Glorious Noise catches that train. Jake Brown reflects on seeing his idol, Tom Waits, live and in person.

    [Author name lost in database explosion]

    Concert Tue Aug 22 2006

    So & So's Play Rock & Roll

    Wednesday's show at the Double Door is possibly a glimpse of what would happen if we were lost at sea with a indie rock band and were trying to come up with songs to pass the time while succumbing to scurvy-induced hallucinations. Indianapolis-based Margot and the Nuclear So & So's (who I give props for name originality, and the crazy "kitten on fire" style artwork on their website) rock with a sweet guitar-cello-rhodes-crazy vocals kind of sound. Their music is filled with the contributions of their many band members' musical imput, as well as the creepy lyrics that are at the same time dark and day-dreamy. They might play "On a freezing Chicago street" or "Paper kitten nightmare", or maybe both. Support includes the Katie Todd Band with Bascom Hill starting the evening out. Tickets are $7, doors at 8pm, music at 9pm (just like counting!).

    Anne Holub

    Concert Mon Aug 21 2006

    Herbert Venue Change

    Matthew Herbert's Summerdance event this evening has been moved from Millennium Park to Metro. The performance is still free and open to all ages. It will begin at 6pm and carry on until 10pm. An after-party downstairs at Smartbar will follow.

    James Ziegenfus

    Concert Mon Aug 21 2006

    Sunday Trib Profiles Touch & Go's Corey Rusk

    Gear up for the upcoming Touch & Go Records 25th Anniversary celebration at The Hideout with this extended profile of T&G mainman Corey Trusk. Then for dessert, swing by T&G's site and enjoy some fine free mp3s and videos by the likes of !!! (aka Chk! Chk! Chk!) and Yeah Yeah Yeahs.

    [Author name lost in database explosion]

    Concert Sat Aug 19 2006

    Under the radar

    The Tribune's concert watch reports that Sonotheque plays host to the ever surprising British experimentalist Herbert Sunday evening, though their site makes no mention of it. Herbert has made a career out of creating danceable music out of household noises, found sounds, even the sounds of the human body. One local appearance is for sure, though: a free Sunday afternoon stop at the Uptown Borders.

    [Author name lost in database explosion]

    Concert Fri Aug 18 2006

    If You Feel Like Dancing...

    What are you still doing home? Haven't you heard? There's a show tonight. Chicagoan Chris Mills brings his seventeen piece band The City That Works to The Subterranean tonight and word is, they put on a phenomenal show. The real treat, though, may be the opening act.

    Brooklyn's Bishop Allen has been getting a good deal of pub lately for its ballsy 2006 release strategy. Each month, they've self-released another mail order four song EP. That's 28 tracks so far of good-natured, optimistic indie pop. The EPs have created a steadily growing fan-base, all waiting by the mailbox to see what's next. A loving tribute to a Civil War ship? Check. Moody Arcade Fire-esque anthem? Check. Even when the band's original songwriting chops lag a bit, they manage clever classic rock knockoffs like March's "The History of Excuses" (via the Stones "Street Fighting Man") or February's "Vain" (via Boston's "More Than a Feeling.") Check 'em out at the Subterranean at 10 pm tonight (Friday) and get your fill of warbly gang vocals, cheerful handclaps, and playful singalongs. More on Bishop Allen in this NPR piece from 2003.

    [Author name lost in database explosion]

    Concert Fri Aug 18 2006

    Hideout Block Party Tix Now Available

    One-day passes are now on sale for the Hideout Block Party. They're $15 in advance, which is five bucks less than they'll be at the door. Get'em while they last!

    Andrew Huff

    Review Thu Aug 17 2006

    This American Headache

    Chicago's Headache City (Myspace) bring their gritty post-garage goodness to public radio Friday, contributing a remake of the hundred year-old American traditional "The Cat Came Back" to this week's episode of This American Life. TAL airs Friday at 7pm on WBEZ and will be available in streaming audio at their site shortly thereafter.

    In the meantime, swing by Shit Sandwich Records and grab yerself a copy of Headache City's self-titled debut. Seamlessly blurring the lines between '60s garage soul and newfangled postpunk, with a dab of '80s new wave thrown in for good measure, Headache City comes off like cold PBR on a warm night with a hot girl--the music greaser teen motorcycle gangs would rock out on, if such kids existed anymore. El Goodo Audio's Robert Daniels deserves kudos for the way this record manages a greasy, sweaty swagger, even as the guitars ring clear, the vocals shine clean, and the drums always pound just so. Check out Headache City September 1st, when they headline at The Empty Bottle.

    [Author name lost in database explosion]

    Concert Wed Aug 16 2006

    Friday Fiasco

    Looking for something for Friday? How's about checking out hometown hero Lupe Fiasco for the princely sum of $10? A noted sneaker freak himself, Fiasco will be performing at the Sneaker Pimps art show, featuring 1000+ pairs of rare and limited-edition kicks. Details in Slowdown. (If you've somehow missed Lupe's video for "Kick Push" featuring skating around the near Northwest side, check it here.)

    Nathaniel Grotte

    Concert Wed Aug 16 2006

    I want it now. . .

    Mid '90's Alterna-pop Chicagoans Veruca Salt will be making an appearance at the Double Door on September 29th in support of their album Veruca Salt IV which is scheduled for release September 12th. Touring likely means that drummer Tasty J will be spending less time at his Southport eatery, Coobah.

    [Author name lost in database explosion]

    Concert Tue Aug 15 2006

    2007 is Just Around the Corner

    With ticket sales of nearly $8million this year, what to expect from next year's Lollapalooza? Its talent buyer Charles Attal tells Billboard, "I think it's only going to get bigger and better."

    [Author name lost in database explosion]

    Concert Tue Aug 15 2006

    LDN in CHI

    The "Queen of MySpace," Lily Allen, has announced an October show at the Double Door. Tickets to see her "Smile" go on sale this Saturday at noon.

    [Author name lost in database explosion]

    Concert Mon Aug 14 2006

    Carl Barat Takes a Lickin', Keeps on Tickin'

    I guess after dealing with Pete Doherty, you've gotta have some stamina for dealing with tough times, but Carl Barat of Dirty Pretty Things really showed how it's done last Friday at Schubas, performing with an arm in a sling and all. Does it get more rock 'n' roll than that?

    [Author name lost in database explosion]

    Concert Mon Aug 14 2006

    Someone Find the Bottle, Ahleuchatistas are Stopping By

    Hailing from Asheville, N.C, Ahleuchatistas is a politically charged, guitar, bass and drum driven band that get their point across through their instruments alone - lyrics aren't needed here. Their latest release, What You Will is comprised of quick songs combined with elements of jazz, which leave the listener trying desperately hard to follow the musical patterns.Though, Ahleuchatistas play intensely power-driven chords, they manage to do it without driving the crowd away, by never getting too lost in their lost moments.
    Ahleuchatistas is playing with Inishi and Lovely Little Girls
    The show begins at 9:00 PM Ahleuchatistas is on at 9:30 PM. Tonight is "free Mondays" at The Empty Bottle

    [Author name lost in database explosion]

    Concert Fri Aug 11 2006

    Take a Roll in the Dirt and Come Out Pretty

    Dirty Pretty Things(not the film, the band) is just that - a mix of all that is ugly in the music world combined with sounds of pure boisterous energy that leaves you pumped or rather angry - either way that's what a rock show is meant to be. Somehow this package of mod-inspired punk tunes, can soften the blow and make the most tasteless of things sweet to the palate. Dirty Pretty Things rose from the ashes of The Libertines, and their frontman Carl Barat along with drummer Gary Powell and guitarist Anthony Rossomando have come on strong this past spring, with the release of their record Waterloo to Anywhere. If you're looking for a British raucous and fiery experience over on this side of the pond, Dirty Pretty Things is one not to miss.
    You can catch them tonight at Schubas with Scissors for Leftys
    Show is at 10:00 PM - $15.00

    [Author name lost in database explosion]

    Concert Thu Aug 10 2006

    Lollapalooza Linksapalooza

    How do you say goodbye to a three day, eight stage, 130 band music blowout? How about a giant heap of postmortem press? Need more? There're fan-made videos on YouTube, photo upon photo at Flickr, clips, interviews, and more over at AT&T's Blue Room, and a still-being-updated list of Lollapalooza downloads over at Largehearted Boy, including a video torrent of the Sleater-Kinney goodbye gig. Oh yeah, and your friendly Transmission staffers have put together an extensive wrapup of their own, including pictures. Whew.

    [Author name lost in database explosion]

    Concert Wed Aug 09 2006

    Sort of Like an Irish Wake

    After seven years, local indie Lying in States is calling it quits, but you've got one last opportunity to pay your respects, so to speak, at 8:30 tomorrow night at the Empty Bottle. It's gonna be a long night, with Love Story in Blood Red, The Narrator, The Notes and Scratches, Where the Moon Came From Casey Meehan opening. However, you get all that rock for just $8.

    Check out the video for Lying in States' "qg" on their MySpace blog, and have a listen to a couple mp3s: "qg" and "Turn"

    Andrew Huff

    Concert Tue Aug 08 2006

    Another Street Fest? Get Out!

    Now that Lollapalooza hangovers have faded away, it's time to think about next weekend's outdoor music festival: WestFest. Urge Overkill and Local H will headline Saturday and Sunday, respectively, on Chicago Avenue between Damen and Wood. Notable support comes from Califone, Bobby Conn, and Waco Brothers. (Califone will also be at the Hideout on Sunday evening.)

    James Ziegenfus

    Concert Mon Aug 07 2006

    Fresh Toast

    Often overlooked in baseball crazed Wrigleyville, the reggae-centric Wild Hare bar has been fun every time I have ever been there. This weekend, they host British reggae singer/toaster Pato Banton who should probably draw more water than he seems to these days. If nothing else, a trip to the Hare on a Friday should be good for satisfying your Jamaican roach coach needs; there is usually a good one parked outside on the weekends.

    [Author name lost in database explosion]

    mp3 Mon Aug 07 2006

    Taste of Chicago Shows Online

    The Taste had quite a lineup for this year's July 4th show: Ray Davies, My Morning Jacket, and Mike Doughty. But if you couldn't bear the heat or the crowds or the bad barbecue sandwiches, you can find all three performances online. The Davies and MMJ shows are reg. req'd and require a bit of FLAC and torrent nerdery, but the Doughty tracks are available in a simple mp3/zip package with a streaming online player to boot. Enjoy the fireworks.

    [Author name lost in database explosion]

    Concert Sat Aug 05 2006

    Chicago Bids Adieu to Sleater-Kinney

    Corin and the skyline, Sleater-Kinney

    We'll have more extensive coverage of Lollapalooza for you next week, but, for now, here's a photoset of Sleater-Kinney's Chicago farewell.

    [Author name lost in database explosion]

    Concert Sat Aug 05 2006

    Honky Tonk Redemption

    Party a little hard this weekend? Fill your Sunday with a good dose of that which can heal us all: country music and barbeque. Start off your morning at the Horseshoe Bar's All-You-Can-Eat Sunday Brunch, complete with outstanding music from the Dimestore String Band. The chow line runs from 11am-3pm at the Horseshoe at 4115 N. Lincoln Ave. When you're done, slide on down to 1035 N. Western Avenue to the Empty Bottle, and belly up to another dose of toe tappin' with the Hoyle Brothers' Sinner Sundays. This free afternoon show (starting at 4pm) features fantastic Texas two-steppin' tunes just the right dessert to follow that Texas barbeque you chowed down on at the Horseshoe earlier.

    Anne Holub

    Concert Tue Aug 01 2006

    Retro Chic

    In all of this week's albeit deserved Lollapalooza pre-hype, it is easy to forget that there ARE other things going on around town. One option is Retro on Rosco, Roscoe Village's yearly summer fest. This year, they feature the always popular local cover group Hairbanger's Ball, Chicago street fest standards Mr. Blotto, and top notch bassist Oteil Burbridge (of the Allman Brothers' Band and Aquarium Rescue Unit fame) with his band, the Peacemakers.

    [Author name lost in database explosion]

    Concert Tue Aug 01 2006

    Missing Perssons

    Yesterday, Stereogum and Brooklyn Vegan both had items about cancellations of various dates on the Cardigans' fall US tour. The Chicago stop was still showing up on Ticketmaster, so I crossed my fingers and hoped against hope that we might be spared. Alas, word came today from the Metro: it's a no-go. Refunds are available at point of purchase.

    [Author name lost in database explosion]

    Concert Tue Aug 01 2006

    visitthenineteeneighties

    Singer-songwriter Grant-Lee Phillips brings his acclaimed songbook to Schubas Tavern tonight and tomorrow night, but it'll be the covers the kids're lining up to hear. Phillips is touring with his improbably irresistable 80's covers album, nineteeneighties. What could have been a smarmy cash-in is instead a winning, personal mixtape, recasting beloved alternahits and lesser-known numbers in the warm, strumming glow of the onetime Grant Lee Buffalo frontman's golden pipes and spacey alt.country-ish arrangements. Need a taste? Swing by his MySpace page to check out his cover of REM's "South Central Rain." Better yet, stop by Captain's Dead and check out Phillips' spooky organ/Hawaiian slide guitar remake of "Wave of Mutilation". You'll be playing it for everyone you know.

    [Author name lost in database explosion]

    Concert Tue Aug 01 2006

    Cool Tunes for a Hot Night

    If the drone of your a/c isn't enough of a harmonizer for you, head out and check the Wake Up! series at Sonotheque tonight. They'll be debuting the new EP Strumm by Chicago electronic artist Kate Simko, along with sets by DJ Sassmouth, Detroit Luv founder up-and-coming DJ Eric Cloutier and Chicago-based video artist Jeffrey Weeter will be performing real-time visuals throughout the night. Cool, indeed. Details in Slowdown.

    Anne Holub

    Concert Mon Jul 31 2006

    Remembering Pitchfork

    Over on the Gapers Block main page, we've got a feature looking back at this weekend's Pitchfork Music Festival, written/photographed by Transmission contributors Matt and Nat. Check it out.

    Andrew Huff

    Concert Sat Jul 29 2006

    Stones Roll Back to Chicago

    The Rolling Stones announced the "encore" leg of their current Bigger Bang Tour, which has earned $147.3 million in the first half of '06. The tour includes stops in concert Meccas such as Boise, ID, Missoula, MT, and Regina, Saskatchewan. Chicago's Soldier Field gets a return visit on October 11, with tickets going on sale this Monday.

    [Author name lost in database explosion]

    Concert Fri Jul 28 2006

    Clap Your Hands Say Popular

    Rewind to last September when Blogger Buzz Band™ Clap Your Hands Say Yeah first showed up in Chicago: they were supporting the National at Schubas. (I've got the photos to prove it.) Well, after a stint at Metro earlier this spring, they're playing to an even bigger venue in October, coming back for not one but two nights at the Vic. What a difference a year makes, eh? At any rate, tickets go on presale August 2.

    [Author name lost in database explosion]

    Concert Fri Jul 28 2006

    The Same, But Different

    You may be not recognize the name, but if you're up on the recent indie rock, you'll recognize the voice; Sunset Rubdown's Spencer Krug is one busy man. Of his two projects, he tells Toronto's NOW, "if, say, you played your aunt a Wolf Parade record and then a Sunset Rubdown record, she's not going to hear a great difference. But for me there is." This evening at the Metro, you can judge for yourself.

    [Author name lost in database explosion]

    Concert Thu Jul 27 2006

    "Hey, do you know about the party after the show?"

    Life During Wartime's monthly residency at Darkroom will be the site of a Lollapalooza after-party headlined by Secret Machines on Friday, August 4. The band returns to Chicago on the heels of a scintillating performance at Metro in May and in support of their latest album, Ten Silver Drops. Expect an evening rife with lights and fog, as Secret Machines has a knack for theatrics. Local (via Eureka, CA) band Walking Bicycles will open. DJs begin spinning at 9pm. Advance tickets can be purchased at Indietickets.com.

    James Ziegenfus

    Concert Thu Jul 27 2006

    You Like GB, You Like Pre-Parties

    Friday night, you can have the best of both worlds all on the same block. There's the monthly Gapers Block get-together, this time at The Gingerman Tavern, and right next door at the Metro, there'll be bands, djs, and comedians all in celebration of this weekend's Pitchfork Music Festival. (And if you're headed to the festival this weekend do two things before you leave the house: 1. remember your sunscreen and 2: check out our picks before you go.)

    Anne Holub

    Concert Thu Jul 27 2006

    Seeing Reds

    Usually, the rock flute is reserved for Jethro Tull jokes, but that's not the case for the new local group Reds and Blue, which happily employs the woodwind family into its sound (which you can't quite tie down) by adding flute, melodica and, yes, even a bassoon into the mix. Formed in late spring by keyboardist-singer Ellen Bunch after the demise of her first band ZZZZ (the quirky new wavers released an album on the downstate label Polyvinyl), Reds and Blue recently recorded a few songs for its demo — available for download on the band's website—and is starting to play shows around town. Reds and Blue plays its second show tonight at 9pm at The Note, 1565 N Milwaukee. For this show, not one, but two bassoons will take the stage. Now that's smooth.

    JP Pfafflin

    Concert Thu Jul 27 2006

    A Revival in her Own Right – Jolie Holland

    I’m a big fan of the ukulele. It’s an instrument that can bring a touch of old-timey tradition while being a little kitschy. I love that. These days I feel like the musician who plays it has taken a little extra time to master their craft, and to expand far past the likes of Don Ho. A more recently recognized ukulele player and indie songstress from San Francisco, Jolie Holland is on tour and performing tracks off of her new album, Springtime Can Kill You released from Anti Records. Jolie sound is straight out of the depression era basin, filled with roots and gospel even if she never had to survive the stock market crash of the century. Her lyrics are sweet, soulful and modern, however, she uses her voice to conjure spirits of a lost generation, telling tales that sound like they’ve been passed down from years long ago. Jolie Holland can be seen performing at Schubas tonight, at 7 and 10pm.

    [Author name lost in database explosion]

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    Feature Thu Dec 31 2015

    Our Final Transmission Days

    By The Gapers Block Transmission Staff

    Transmission staffers share their most cherished memories and moments while writing for Gapers Block.

    Read this feature »

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