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Concert Fri May 16 2008

Concert Review: Duran Duran @ Rosemont Theater

DDredElevatorred_120.jpgArriving an hour early, I had plenty of time to take in the beauty and class that is the Rosemont Theater. The grand chandelier, the plush carpet and winding stairway to the balcony, all add to the ambiance. The posters adverting Lord of the Dance and Disney Playhouse, all of the grade school aged kids walking around with their parents… wait I thought I was here for a rock concert. True, the crowd was diverse and slightly aged, and the Rosemont Theater is not going house the next Crystal Castles or Black Kids concert, but I was still anxious to hear what Simon and boys (ok, men) had to offer.


The opening band was from Leeds, England, but they go by the name Your Vegas. I have to credit lead singer Coyle Girelli for performing with a broken foot, but the bands music was simply ordinary. Advertised as “anthem rock”, everything was in its place, but I think that was the problem. The keyboards played their a role, the guitars hummed along, Coyle sang seemingly heart felt amped up ballads, but I may as well have been watching any number of average sounding radio-ready bands. The most entertaining aspect of the set was the idiot in the front row waving a giant plastic hand in front of the stage. In between songs, I ask my wife just how a band comes to play such generic music. Her answer… “Money”. I nodded.

The last time I had seen Duran Duran live was at “Twisted Christmas 4” in December of 1997. I remember Simon LeBon being a little aloof and disinterested, but that may be attributed to following the one hit wonders Chumbawamba, and sharing a bill with 311. Now ten years later, Duran Duran is back again touring in support of last year’s release, Red Carpet Massacre, which found them working with the likes of Justin Timberlake and Timbaland. Unexpected collaborations, maybe, just ask Madonna.


As the band took the stage I was less then enthused, but being surrounded by fourty-somethings screaming and jumping like teens, I couldn’t help but grin. The crowd was juiced, craving the first pulse, a small glimpse, a memory in sound. Dressed in interesting jackets with either ‘DD’ or ‘RCM’ on the pocket (which I am sure were for sale in the lobby) the “wild boys” launch their nearly two hour sets with a few new songs. Tight electronics, danceable beats, and the trademark high-pitched croon, it was all there. The crowd enjoyed the songs, but it wasn’t until ‘Hungry Like a Wolf’ began to bubble that they really started to move. Simon danced and shook like he was completely possessed with by music. At one point he jumped into the air and through a huge karate kick, and at another he began to sing into the wrong end of the cordless mic. He smiled, threw a wink, and kept going. Even though he was performing songs that he had been singing for 25 years, he sang them with energy and passion. It felt like he had just written “Girls on Film” yesterday and couldn’t wait to share it with everyone. He was having fun, dancing and joking, and it was clear he wouldn’t have spent his Wednesday night any other way. I was caught up in the energy and lights, and found myself mouthing the words to "Come Undone" and "Ordinary World". They closed the set with "Wild Boys", and I walked out satisfied and smiling, leaving the encore to the dedicated fans and their kids.

Jason Behrends / Comments (0)

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DJ / Dance Thu Mar 11 2010

D3: Deconstruct, Discover Detroit Art and Music Series

By Mica Alaniz

In the world of sports, we might be rivals. In the world of industry, we're colleagues. On the world's stage, we're close relatives, but in dance music Chicago and Detroit are the kind of sister cities that finish each others' sentences. But in light of the ever-increasing ability to connect with people of the other side of the planet, Chicago's been neglecting regular contact with our own next door neighbor. There was once a time when music, artists and energy traveled freely between the two cities, and this Friday, March 12th at Smartbar, D3: Deconstruct, Discover Detroit Art and Music Series hopes to revive this exchange of ideas.

Read this feature »

Blogroll

  Chicago Music Media

Alarm Magazine
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Can You See The Sunset From The Southside
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UR Chicago
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What to Wear During an Orange Alert
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  Venues:

Abbey Pub
Andy's Jazz Club
Aragon Ballroom
Auditorium Theatre
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Buddy Guy's Legends
California Clipper
Congress Theater
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Smartbar Subterranean
Symphony Center
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The Whistler

  Labels, Promoters
  & Shops:

Alligator Records
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Drag City
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Flameshovel Records
He Who Corrupts
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Kranky Records
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mP Shows
Permanent Records
Reckless Records
Smog Veil Records
Southport & Northport Records
Thick Records
Thrill Jockey Records Touch & Go/Quarterstick Records
Victory Records

  Further Afield:

Analog Giant
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CMJ
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Leaders 1354
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Moistworks
Music for Robots
Muzzle of Bees
My Old Kentucky Blog
NPR: All Songs Considered
Okayplayer
The Onion A.V. Club
Paste Magazine
Said The Gramophone
Shake Your Fist
Spin Magazine
Soul Sides
Stereogum
You Ain't No Picasso


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