Ever wonder what Billy Corgan does in his spare time? Here's the harsh reality: He plays with puppets. Last night, he put on a puppet show entitled "Gothageddon" - a wrestling match including doll versions of himself, Robert Smith, Amanda Palmer, and Peter Murphy. The show was preceded by a two-hour video chat with long-time Corgan collaborator Linda Strawberry, photographer Kristin Burns and Kat Turner, Billy's personal chef. Seriously. Check out the ridiculousness below (all voices done by The Bald One himself), complete with a James Iha appearance at the end.
Click here to watch the post-show puppet interviews.
One of my favorite films growing up was Little Shop of Horrors, although, looking back on it now, maybe it wasn't the most appropriate movie for a kid to love. Nevertheless, there was singing and dancing and I thought Audrey was so pretty (the girl, not the plant) that I wanted to be just like her (again, not the best role model for a kid).
A week before Halloween, popular Chicago venue The Hideout plans to bring the musical to life. The cast and crew will be made up of Hideout employees, musicians, friends and regulars. As Hideout owner Tim Tuten says: "This is true 'Community Theater.'" Come and see if Hideout employee Tyler Myers lives up to the legend of Steve Martin as "The Dentist" (no pressure, Tyler) or if musician and regular Marvin Tate makes a believable man eating plant. No matter what, a fun time is sure to be had by all, and it's the perfect way to get geared up for playing dress-up yourself a week later.
Showtimes are: Thursday, October 22 and Friday October 23 at 8pm, Saturday October 24 at 3pm and 8pm, and Sunday October 25 at 3pm and 7:30pm. Tickets are $15.
Plenty of zombie-loving Thriller fiends got their stagger on Saturday at the Thriller-themed Zombie Walk in Wicker Park. Our own Kirstie Shanley snapped some great pics.
Sky Saxon, best known as the lead singer of The Seeds, passed away last Thursday in Austin, the cause of death not yet released. Shortly afterward, a previously unreleased song featuring Sky Saxon and Billy Corgan hit the net, thanks to the Facebook of Kerry Brown, a long-time collaborator and friend of Corgan. The accompanying video serves as a tribute to Saxon, featuring a photo montage by photographer Kristin Burns. Watch an untagged version of the video here on Facebook.
I'm really liking Bat for Lashes' new single, "Daniel," from her latest album Two Suns, of which she has an awesome video for on YouTube. "Daniel, when I first saw you/I knew that you had a flame in your heart/And under wild blue skies/Marlboro ruby skies/I found a home in your eyes/And we'd never be apart," singer Natasha Khan begins the song.
The song got me thinking...the Daniels in this world must make strong impression on lots of singers. The song made me revist two other odes to mysterious Daniels.
Pack up the car with your Crate & Barrel picnic table, lawn chairs, blanket, food, and of course the libations...It's almost Ravinia season! Every summer the outdoor suburban venue beckons concert-goers to sit in the lawn, relax and soak in the sunshine and music.*
The Highland Park Library holds a collection of Ravinia posters spanning the last 35 years, and you can see them all on their Flickr page. The posters began with a contest in 1974 held by the Women's Board of the Ravinia Festival, and each season has its own design. While the library holds more than 20 posters, its collection is not complete. They are asking that if you hold a poster from one of the missing years and would be interested in donating it, to contact the Library Director (847-432-0216).
Ravinia recently announced their 2009 schedule including performances from Indigo Girls, Pat Benatar, Steve Miller Band, Herbie Hancock, Femi Kuti, Yo-Yo Ma, and of course, the Chicago Symphony Orchestra. View the full schedule here.
*Be sure to stake your claim early, because by the time the show starts you wont be able to find one visible patch of grass in the whole place.
While he may have once been a running punchline on The Young Ones, it seems that Leonard Cohen's pop-culture status has been overwhelming rehabbed in recent decades. So much so that, as he prepares to tour the U.S. for the first time in over 15 years, it looks like his fans (including those hoping to catch his performance at the Chicago Theater in May) might consider teaming up with those of Bruce Springsteen for a class action suit against Ticketmaster. The Reader's "Crickets" blog tells why.
Ever wish there was a listening party for people who get as excited about music-release-Tuesday as you do? You're in luck. The Weekly Leak, Monday nights at Sonotheque, gives you a slight sneak preview of the next day's best releases. The pros at The Decider, Reckless Records and WHPK narrow the week's releases down to a few gems for you to listen, discuss and enjoy. They also have giveaways from selected bands and give you the opportunity to purchase the releases before anyone else.
Tonight's featured releases are the Strange Boys' Strange Boys & Girls Club, Bishop Allen's GRR, and Neko Case's Middle Cyclone (previewed here last week).
Sonotheque is located at 1444 W. Chicago Ave. The party gets started at 9pm and admission is free. 21+
Between the recent boom of digital music sales and the current economic downturn, some music fans have lately been speculating about the fate of brick-and-mortar independent record stores. With that in mind, the March issue of GQ features "The Last Record Store" by contributor Dan Kennedy, in which Kennedy profiles -- and spends a couple of weeks working at -- the indie record shop Kiss The Sky in Geneva, IL. (Note: The article is not yet available via the publication's online edition.)
Also of local interest in the same issue: Kanye West makes the mag's latest list of "The 10 Most Stylish Men in America," and explains his low Day-Glo policy for photo shoots.
I was jamming with a friend of mine when we met Drew [Peterson] singing in the next space. He is actually not bad and is a nice guy. Anyway my friend took a photo with his iphone. Don't know if this is news, but you can use these photos if you want.
All I can say is, with all the other craziness in Drew Peterson's life, the fact that he found the time to hit the studio and lay down some tracks is impressive. Maybe he has more than a little bit in common with R.Kelly?
Hey trusty reader! Are you headed to D.C. for the inauguration? Are you also lucky enough to have a ticket to the Hideout's sold out Big Shoulders Ball (featuring scads of Chicagotalent) at Black Cat on Monday night? If so, and you'd like to do some live blogging (or text messaging, or photography) for Transmission, give me a shout! Email me at transmission {at} gapersblock {dot} com with the subject line "Big Shoulders".
Chances are you're familiar with the work of local visual artist Cody Hudson by now; either by way of his silkscreened posters for various events and venues, his public art installations, or perhaps even his work as in-house designer (under the moniker Struggle Inc.) for the Chocolate Industries record label. Or you might know him -- along with Mike Genovese and Juan Angel Chávez -- as one of a core cluster of this city's most notable street artists.
This weekend, Hudson will be trotting out a new batch of work at a show that opens this Friday evening at the Andrew Rafacz Gallery in the West Loop. Entitled "Tambourine Solo: Take One," the exhibition will also feature musical accompaniment -- a musical score crafted by local musician Zachary Mastoon. In recent years Mastoon's released albums of shoegazey, downtempo tunes under the name Caural. The score for "Tambourine Solo," incidently, was originally done in collaboration with Hudson for a show that took place at New Image Art in L.A. this past August. So peep the work, hear the soundtrack, maybe even buy a print of something. 835 W. Washington, 5-8 PM. 312-404-9188 for info. The exhibition is scheduled to run until January 24.
A little afternoon video delight. What does Tortoise/Sea & Cake drummer and percussionist extraordinaire John McEntire do while on a break from a recent show in Toronto? (It ain't a run for Tim Horton's, that's for sure.)
Colin Meloy and The Decemberists made an impromptu Get Out the Vote PSA at their concert at the University of Chicago this past weekend. (Thanks, Matt!)
Chances are you heard a fair amount this past spring about the so-called Chicago Promoters Ordinance, and about how -- after rapid grassroots mobilzation from the city's cultural community -- the Ordinance was tabled for a later date.
But in the face of the city's current budget woes, as municipal powers look for ways to fill a $496 million-dollar budget deficit, you can expect they'll be looking for a lot of ways to squeeze out revenue -- tapping into whatever resources that seem viable. Which most likely means that the Ordinance could be making a re-appearance at the earliest opportunity.
As Sun-Times music critic Jim DeRogatis describes it, the Chicago Promoters Ordinance (aka the "Event Promoters Ordinance," or Chapter 4-157) constitutes "a full-on war against the music community." But that's only one part of the larger picture. In case you hadn't followed the details very closely, the Ordinance would have a detrimental effect on culture in Chicago that would extend far beyond the indie music and dance scene. It would also affect the city's art and performance venues of every stripe -- including theater, comedy, literary events, as well as alternative arts spaces and galleries. In short, the scope of the Ordinance would effectively sever this city's cultural life at the roots.
By way of a recap, local multimedia producers JaGoFF and TheRecordIndustry have put together their own video documentary Chicago's Promoters' Ordinance Kills Independent Music. Shot over the past summer and quickly posted for viral circulation, the documentary features interviews with Jim DeRogatis and Chicago Tribune music journalist Greg Kot; as well as commentary by a bevy of other Chicago scene-movers including Shawn Campbell from CHIRP, DJs Derrick Carter and James Lauer, Galapagos4 hip-hop DJ/producer Maker, and plenty of other figures from Chicago's multi-faceted cultural landscape.
The video's long on testimonials, but also features some excellent info and commentary -- most notably an extensive walk-through of the Ordinance provided by Henry H. Perritt Jr. As a law professor and cultural advocate, Perritt subjects the Ordinance to a relentless critique in terms of its legal and cultural ramifications, and offers the verdict that the thing is both "unconstitutional" and "just plain bonkers."
Stay tuned, because we'll most likely be seeing more of the Chicago Promoters Ordinance in the future. And that'll probably end up being sooner than later.
As we approach two major events in the next few weeks, Halloween and Election Day, it is time for children regardless of age to dress up as their favorite character, politician, monster, etc. In offices buildings across the country adults will be joining in on the celebration and acting like the children they once were. Through the thin walls of my beige cubicle I can over hear departments planning their themes and costumes. On Tuesday, one department had voted on dressing as their favorite political figures (how exciting!), and they had McCain, Obama, Palin, Bidden all covered. On Wednesday they were told that the "climate was too politically charged" and they had to settle for dressing as the folks from Grey's Anatomy. That phrase stuck in my head for a while, "Politically Charged", what does that mean? What would happen if someone came to work on October 31st dressed as John McCain? Would there be violence? Seriously, it is Halloween!
Now in the midst of a new European tour, Chicago's electro-tribal "irritainment" pioneers Mahjongg are releasing a new single via the K Records label. The a-side, "Free Grooverider," features a different sound from that of their recent album; with the group serving up some a dose of bouncy, Kraftwerkian synth-pop. The track's title, however, is intended as a topical protest and homage devoted to one of techno's leading innovators, DJ Grooverider.
Gastr del Sol, Mirror Repair EP, 1994, Drag City Records
As it goes with music, the best art can often be a little unruly, a bit difficult -- doesn't behave, in other words. It can prompt discussion, steer conversation in unforeseen directions, or -- at its most poignant -- sometimes render speech useless altogether.
Throughout the course of its long and diverse history, the Drag City label has dealt with its share of musical artists who defy pat categorization -- releasing records by the likes of Bonnie "Prince" Billy, Royal Trux, Silver Jews, Gastr del Sol, U.S. Maple, Joanna Newsome, and many others. Not only do many of these musicians also produce visual work on the side, but a few of them have collaborated with artists in other disciplines. Case in point: The stalwart experimental-rock outfit Red Krayola, whose ranks have included a number of internationally-established artists from the visual art realm -- benefitting from contributions by Albert Oehlen (see above) and Christopher Williams, as well as sometimes collaborated with members of the British conceptual art collective Art & Language.
To showcase this facet of the label's history, Drag City and the UIC's Gallery 400 recently mounted the exhibition Chances Are The Comets In Our Future - A Visual Introduction To Drag City. As expected, the show features cover art and various designs from the DC back catalog, but it also includes miscellaneous art-works from label artist such as Ian Svenonius, Neil Michael Haggerty, and Will Oldham. Also included as related pieces by Oelhen, Williams, Stephen Prina, and legendary punk designer/illustrator Savage Pencil.
The exhibition is currently on view at Gallery 400 at the UIC School of Architecture and the Arts, is free to the public, and runs until October 8. For directions, gallery hours and additional info, see the Gallery's website.
As we told you about last week, Chicago indie hip-hop emcee Rhymefest issued a pretty bold statement when he was prepping listeners for the release of his new video. The video, which is for his new track "Stolen," stated officially circulating this past Tuesday, and here it is:
Civil war...genocide...refugees...blood diamonds. Yep, Rhymefest definitely isn't treading lightly with the narrative this time around.
By chance, I found myself in San Francisco last Friday, and able to score a ticket to the US Air Guitar National Championship Finals. More than two dozen air rockers from across the country competed to become the US Champion, representing us in Finland later this year.
Though Chicago's champion, Nordic Thunder, called upon the gods of rock to grant him victory over his foes, he fell just short of the compulsory round. That doesn't mean he didn't rock, though -- competition was so close that fifth place was a tie, and the next best contestant missed by just a tenth of a point.
And seriously, how do you beat a guy who breaks his thumb while playing an invisible guitar? That's right, US Champion Hot Lixx Hulahan managed somehow to land thumb down during his onstage acrobatics, badly mangling it, yet continued to perform and rode that bad-assness all the way to the win.
I am not enough of a Radiohead fan to accurately review one of their concerts. But I am enough of a fan of the English language to know that they need to take a clearer look at their stage show:
Notice anything around the 40-second mark of that video? "Everything in It's Right Place"? Even one of the biggest bands in the world shouldn't be above proper grammar. Otherwise, I can't be the only person to think that the Field Museum should receive an assist for the unintentionally perfect fireworks display that took place behind Radiohead's headlining Lollapalooza set on Friday evening. The synchronization between those fireworks and "Fake Plastic Trees" was truly trascendent.
The sweet sounds of clubland can now be downloaded from the "Interweb." As of August 1, you can listen to a live performances from Smart Bar (as well as other clubs and venues around the world) via Awdio.com, the first system to broadcast 100% music live over the web. The system was founded in Paris in 2006 by a team of young entrepreneurs in music, entertainment and design. A free 45-day trial membership is available to Smart Bar patrons. For more details visit the Awdio website. Word on the street is that Sonotheque is joining up as well. Now you can go to clubland without stepping away from your computer.
Chicago music maker (and expert whistler) Andrew Bird has been writing a monthly column in the New York Times since April. He's writing about songwriting, album making, and hanging with Wilco (who he'll play with in Mass. in August) in the studio. Who knew? Well, now you do!
I doubt that we'll see Barack Obama jamming out to Stevie Wonder while munching on a turkey leg this weekend at the Taste, but the presumed Democratic presidential nominee does dig some classic '70s rock and R&B. The latest issue of Rolling Stone takes a look at what's on Obama's iPod—Stones, Dylan, Jay-Z and The Boss (and we don't mean, Daley).
A flotsam bit of Chicago musical history from a certain ominous year. "The Cubs? My sister likes 'em." Here's to knowing how to stagger your clientele.
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Update: Our friend Steve helped identify some of the people in the clip...
"That guy in the top hat is Devon from Out of Order. Their big song went as follows: 'Took you out to dinner. / Thought you were a winner. / You're so lame. / Why are you so lame? / You're so lame. / Why are you so lame?'
"The band onstage is D.O.A. from Vancouver. Their lead singer Joey Shithead wrote a book last year called I, Shithead. And it's good, too!"
One youngster went to Lollapalooza back in 1992, and it left quite an impression on him (and his opinion of big music fests) over the years. If you'd like to see one festival-goer's reminiscences, in beautiful graph form, then head on over to this clever NYTimes article and see how your memories of three hot summer days of music might compare.
Heads up, y'all. In case you hadn't been paying attention, Chicago has become something of a hotbed for "hipster rap" in the past few years. This week's edition of the Reader, hitting the streets on Thursday, features an intriguing "Sharp Darts" feature by Miles Raymer on a new wave of haterisms – prompted by a couple of webzine articles that have recently stirred up some debate and are landing a number of Chicago hip-hop artists at the top of a couple of shit lists (see here and here).
Come hell or hot weather (whenever that might be), it looks like it's time to just call it -- break out the grill, take the winter coats to the dry cleaners, and just get on with business.
And here here we have a little something to help soundtrack the transition. Local mash-up misfits The Hood Internet keep busy when it comes to crafting and cranking out tracks and mixes, and this week they've added yet a new mixtape to the stack. Entitled "The Hood Internet vs. Chicago," it's a 24-track fat sack of downloadable "bastard pop," sporting an exclusively hometown theme. As in: Juice vs. Liz Phair, Cool Kids vs. Frankie Knuckles, Twista vs The Sea and Cake, R. Kelly vs. Casiotone For The Painfully Alone, and a bunch of other such business (one of which manages to slip in a bit of the "Superbowl Shuffle").
So go and get it via download from The Hood Internet's website. Get a peep of the tracklisting on the other side of the jump.
Agreed: this "spring" weather is officially, uh, bullshit. Here it is nearly June in Chicago and we're still having to keep some layers handy. Be that as it may, that hasn't stopped some of us from breaking out the summer tunes weeks ago and trying to absorb some warmth from vicarious sources.
So, as you close your eyes and picture July and tell yourself that it will (eventually) get warmer, Austin's DJ Chicken George has something that'll help pull you through the lingering chill. By way of the latest Blentwell podcast, he's served up a summery mix that was recently recorded at Chicago's own Darkroom. It's a deep set of hip-hop, nu-jazz, neo-soul, dope beats, and some remixed dusties; all of it building into an uptempo homestretch that caps off -- in a solid Southside summer barbeque tradition – with a tight reworking of a classic Roy Ayers cut. Recommended. Soak it up until the higher temperatures finally kick in.
DJ Chicken George - "Darkroom Mix" (courtesy of Mr. Blentwell)
In a promotional campaign for his new single "Hair Braider," Chicago R&B crooner R. Kelly is propositioning fans to send him pictures of themselves. Pictures of themselves sporting their braids, that is. Zig-zags, cornrows, dookies, whatever -- he wants you to show them off by uploading your snapshots his site.
The song is the advance single off of Kelly's forthcoming album, 12 Play: Fourth Quarter, which is slated to be released this summer. Since the contest is being hosted via a Song BMG/Jive's webpage, we're assuming that the promo campaign cleared the label's legal department before going live.
Fans and visitors to the site are invited to vote on the entrees' photos. The contest's judges, however, may have a tough row to how, as it appears (after Gapers Block hit refresh about 20-something times) that people are randomly uploading pictures of their bald, buzz-cutted, be-hatted, coiffed, and mostly non-braided selves to site -- perhaps having mistaken it for just another internet social network opportunity. So, as expected, the jury might be out on this one for a while.
When I was a kid, I was certain that the apocalypse was right around the corner. The constant sabre-rattling of the nuclear arms race with the Soviets, a steady diet of evangelical dogma about the imminent approach of Armageddon; it all pointed to total annihilation occurring within my lifetime, or (more likely) before I even saw adulthood. What's more, in the spring of 1982, an ominous celestial event was to occur -- that being the rare phenomenon of syzygy, when all of the planets of the solar system were to briefly align in their orbits around the sun. Some theorized that the effects of this freak occurrence would create all sorts of seismic and tidal catastrophes on Earth. I recall a summer camp playmate telling me that, as he understood it, the event would result in the destruction of Earth; our planet would be ripped apart when it was caught between the dueling gravities of Jupiter and the sun. Yep, we were all gonna die. And soon.
Needless to say, the spring of '82 passed with nary a tremor; so obviously my campmate was wrong. This summer, however, might be another thing altogether. Thanks to the organizers of Lollapalooza, another ominous alignment might be in the offing. In recent weeks, some hearsay's had it that big-namers like Radiohead, Nine Inch Nails, and Bloc Party have agreed to play. But the big rumor that's been pinging around the internet the past few days is that the festival has scheduled the polar entities of Miley Cyrus and Nine Inch Nails to headline on the same evening -- with Cyrus appearing on one stage while the NIN crew play on other end of the festival grounds.
en·core [ŏn'kôr'] n. 1. A demand by an audience for an additional performance, usually expressed by applause.
There was a time not long ago when anyone who regularly attended concerts was treated to encores all of the time, whether they wanted one (or two) or not. Set lists were/are written with line breaks to indicate the end of a set and the beginning of a planned encore. (Let's not even get into the set lists crafted to note when a band banters with the crowd.) The definition became hazy as audiences foresaw encores when roadies would tweak gear in the dark. The thrill of spontaneity eroded as nearly every band would leave at least one good song for an inevitable encore. Although, the strategy famously backfired for Janis Joplin at the 1968 Stax/Volt Yuletide Thing when she kept "Piece of My Heart" and "Ball and Chain" for an encore that was thwarted by a lukewarm audience.
The raucous applause that should induce encores became tepid and the act was mechanical. But recently the encore has been given stingy treatment by some headlining acts. Over Wilco's five-night Riviera residency last month, Jeff Tweedy made some comments disparaging expected encores, such as "When we're done, we don't wanna come back." Once those shows ended, the house lights and a pop song would come on while everyone justifiably went bananas to show their appreciation and ask for one more. (This request was usually honored.) Around that same time, Super Furry Animals took a stonewalling approach at Metro by holding signs that read "Resist Phony Encores" and not returning to the stage. And these are bands putting on shows that'd warrant real encores from adoring crowds. So why does the latest flavor-of-the-month leave the one song that the blogs love until after the smoke break at the 40-minute point? It should be a privilege instead of a right to be asked to play more. If performers continue to spurn every encore, perhaps they will begin to mean something again when truly deserved by the artist and the audience.
That's right, add a Grammy Award to Barack Obama's list of achievements. Sunday, at the 50th Annual Grammy Awards (well, at the pre-show where they hand out all the other awards), the Illinois Senator and Democratic Presidential candidate beat out two former U.S. Presidents for the Best Spoken Word award. Obama won for the spoken word edition of his book The Audacity Of Hope: Thoughts On Reclaiming The American Dream, beating Bill Clinton and Jimmy Carter along with Maya Angelou and Alan Alda who rounded out the category which includes poetry, audio books and story telling. [Insert comment about somebody Baracking something else here.]
Before there was Dan Deacon and his battery of patchworked electronic gear, Chicago long ago embraced Quintron and his home-constructed Drum Buddy. The Drum Buddy, a custom-built light-activated analog drum machine of the artist's own patented invention, has long been a part of Quintron & Miss Pussycat's musical act.
In yet another music-related eBay story, the New Orleans-based entertainer is auctioning off the last model in a series of ten Drum Buddies via eBay. Recent purchasers of the Drum Buddy have included Laurie Anderson and Wilco's Nels Cline--the latter having reportedly bought two of the contraptions. Chances are that Quintron and his wife Miss Pussycat could use the profits, given that their 9th Ward home/business, the Spellcaster Lodge, was wiped out by post-Katrina flood waters back in 2005.
The auction of the last Drum Buddy kicked off with a starting price of $999, and is scheduled to end on February 5, the first day of Mardi Gras celebrations. After that, Quintron and Miss Pussycat will be hitting the road to serve as the opening act on Black Lips' nationwide tour. Both bands will be arriving in Chicago on March 1st to play a show at the Logan Square Auditorium.
Some very, very late news for those of us uninitiated into the world of Urdu music: apparently, one of the biggest musical legends of Pakistan and India -- now an American -- lives in Chicago. Yesterday's episode of the public radio program "The World" profiled singer Munni Begum, a woman known for putting Urdu poems to music in songs called "ghazals". Listen to it here.
But while popular with those on the sub-continent, the next generation isn't impressed with this kind of music. Funniest lines from the story come from a 13 year old girl listening to Begum:
"Like in our car she'll be like oooooh, ahhhh for like the whole song. That's why you can't understand her because it's like ooooohs and ahhhs, haaas, whoos, blah, blah, blah."
Begum's own son, a high school student in Chicago, isn't really into ghazals either.
"My son, he don't like my song, my music. He like rap music."
Charged with performing a verse in a tribute to honorees Tribe Called Quest at last night's VH1 HipHop Honors show, Lupe went out...and forgot a quarter of the lyrics he was supposed to do. Compounding the disaster was the fact that he was performing for an audience full of people who knew the lyrics, and on stage with Pharrell WIlliams and Common apparently set the bar too high.
Afterwards, he blamed the incident on not growing up on Tribe's material and not having actually LISTENED to the albums Tribe's catalog is comprised of. What began as simply forgetting the lines at an awards show ballooned into a PR nightmare when one of hiphop's up-and-coming artists admitted not really giving a damn about it.
Breakout southside hip-hop duo The Cool Kids have a new video out for their track "Black Mags." It's currently up on MTV.com, and you help represent the the new Chi scene by voting to push the Kids up on the network's "Freshman 5" contest. Maybe I missed some stuff, but this may be the first appearance of a rap act proudly spotlighting shortie lo-buck rides since Another Bad Creation's "Playground."
In related news, Cool Kids associate Hollywood Holt became something of a international phenomenon a short while back when he dropped his video for "Throw a Kit." The clip was instantly relayed to moped-enthusiast websites and chatboards the world over, and -- for lack of any opposing candidates -- became something of a mopedder's hip-hop anthem. But word has it that Holt's moped was stolen a few days ago. Apparently the theft took place somewhere in the vicinity of Jackson and Western.
UPDATE: Reached for comment after presstime of the above, Mr. Holt reported: "Yeah. My cousin caught the dude. Thanx though man."
There’s an old anecdote about the Velvet Underground that I absolutely love. Attributed to Brian Eno, it goes that not many people bought their first record in 1967, but everybody that did started a band. A similar statement can probably be made about their artistic collaborator and producer, Andy Warhol. While both parties are now the celebrated mainstream torch-bearers of avant-garde art and rock’n’roll, it’s a testament to their challenging and sometimes obtuse material that their work initially resonated with certain kinds of people, those frustrated and dismayed by mainstream, consumer-driven artistic bile. There is a possibility, of course, that the influence of Warhol and the Velvet Underground also helped foster the perception of art and rock as culturally elitist, artistic fodder for those folks who are “hip” or “in the know”. This perception is unfair and unfortunate, as I’ve always felt art and rock to be hilarious, highly accessible and generally inclusive.
This Saturday, September 29th, in celebration of their 40th anniversary, the Museum of Contemporary Art launches the first major exhibition distilling the fusion of art and rock music over the last forty years, beginning with that first Warhol-Underground collaboration. Titled Sympathy for the Devil: Art and Rock Since 1967, the exhibit promises a full-on orgy of art, photographs, album covers, music videos, and mixed media, loosely arranged in six geographical sections: New York, Los Angeles/West Coast, Midwestern America, UK, Europe, and the Rest of the World. Personally, I’m most excited for paintings from the Destroy All Monsters collective, celebrating their cultural roots in Detroit, as well as Rita Ackerman’s new wall-to-ceiling mural set to adorn the MCA entrance wall. There’s a film from David Byrne, Funkadelic’s The Electric Spanking of War Babies album covers, a Daydream Nation video and a host of other gems and surprises hidden throughout three floors, all designed to unify the themes of irreverence and rebellion inherent in both art and rock’n’roll. I have a feeling this will go down as one of those once-in-a-lifetime, not-to-be-missed-for-any-reason, go-see-it-twice, this-is-why-rock’n’roll-matters exhibits.
Saturday kicks off the proceedings with a panel presentation, Exploring the Connection Between Art and Rock and Rock that features a discussion between artists and musicians Rita Ackerman, Christian Marclay and Peter Saville. That can be found in the MCA Theater at 1pm.
On October 2nd, at noon, get the inside scoop on the whole exhibit with MCA curator, Dominic Molon.
And, on Sunday, October 7th from 1pm to 6pm, the MCA teams up with Intonation to present a Chicago indie-rock extravaganza held on the plaza with local bands Califone, the 1900s, Flosstradamus with the Cool Kids, the Eternals, Headache City, and Poster Children.
All events are free. In fact, the first 40 days are also free, in honor of the MCA’s 40th Anniversary (so that's cool). Exhibit runs until January 8, 2008.
A bit late on this: One of the Chicago rock scene's more colorful characters passed away earlier this summer. August "Auggy Doggy" Tsanakis was best known as the guy who sold bootleg concert videos out of his car outside shows. He was struck and killed by a Metra train on June 30. More rememberanes here and here. (Thanks, Ron.)
Back when I was an art-school undergrad, our department was paid a visit by artist Roger Brown. The son of a local grocer from Opelika, Alabama, Brown was a hometown boy made good who'd gone off to attend the School of the Art Institute and become a Windy City cultural fixture via his affiliation with the whole Chicago Imagist movement. He'd brought some slides of his recent paintings, and among them was a work that depicted a cameo portrait of Kenny Rogers hovering over a pastoral expanse of the Great American Heartland. Asked why he'd put a likeness of the country vocalist in the painting, Brown replied, "Because I always thought Kenny Rogers looked a lot like God."
Well folks, if you were planning to hit the Chicago Country Music Festival in Grant Park this Saturday, then you'll have the chance to see a stage full of deific doppelgängers. Not only will The Man himself be performing, but the Festival's reportedly hosting a Kenny Rogers Look-alike Contest! And, for shizzle—this has the makings of a big event, as it appears that impersonating Kenny Rogers is something of a cottage industry throughout the country (see here, here, and here). Indeed, it seems that even Kenny himself has had to put some effort into looking like Kenny in recent years. So here's your chance to see the man who was once voted Favorite Singer of All Time in a joint USA Today/People magazine poll without having to make the haul to Branson. It all gets underway at 3pm at the Petrillo Music Shell, Saturday.
Right. Let's face it: Some things just don't cross the pond, don't transplant to these shores. Some things are just too, uh, British. Case in point: grime and dubstep never really caught on here outside of a fringe listenership. And nobody here knows quite to make of all that "chav" and "tikkiny" slang biz. Which explains why Lady Sovereign has yet to really catch on with American audiences. Jay-Z thought he had a hot item on his hands when he signed her to Def Jam a couple of years back (after her first EP appeared on the Chicago-based Chocolate Industries label). And Def Jam's tried to throw some industry push behind her. First there was the guest appearance from Missy Elliot on the remix of "Love Me or Hate Me," and the new single "Those Were The Days" sports some mainstream hip-hop production that's clearly geared for the U.S. radio market. And now, as you probably heard, she's been touring with Gwen Stefani--meaning that she'll be appearing with Stefani at First Midwest Bank Ampitheater in Tinley Park on Friday evening.
Lady Sov will, apparently, also be appearing at The Underground in Chicago proper later in the evening, kicking out a short set at an RSVP aftershow engagement. Some buzz has culminated around the online video diary she's been keeping as she tours the States. And given the exhaustion she's reportedly been suffering on tour and the drama that transpired during her recent appearance in NYC, it may all be a wait-and-see affair. If you feel like taking your chances to see if she makes it or not, you can RSVP here. 56 E. Illinois. 10pm until whenever.
[mp3]: Lady Sovereign – "Hoodie" (SpankRock remix)
What are the rules for this sporadic featurette you ask? I have no idea. If I were to hazard a a guess I'd say the primary requirement is for the band to have only a MySpace page and no other website. Also the band must be from Illinois (that's called the Gapers Block rule) and finally and the rule most difficult to fulfill, the band must be great.
Anni Rossi fits the bill perfectly. Anni Rossi is to the viola what Fred Lonberg Holm is to the cello. That is to say she's one of the few musicians to use her "classical" instrument in a way that its creators hadn't intended.
If Anni Rossi's been know for anything in the past it's been for experimenting with her instrument and music. In 2007 she'll release a record called Afton that should put her more in the forefront of musical discourse, certainly with fans/friends/critics of the likes of Regina Spector, Tori Amos, and Ani Difranco. Listen to "Wheelpusher" otherwise know as "that bee song" on Anni's MySpace page and download her song "Ecology" below.
Merlin Bronques takes wicked and sexy pictures. Girls show him lots of cleavage and guys flex their tats. Dark Wave Disco drops new wave electro from a fab stable of DJs. Sonotheque has a great sound system and is always crawling with highly (un)fashionable kids. Svedka likes to give away free cocktails. Combine all these into one night (DJs are not Rockstars) and you'll get 2 things - tons of about-to-turn stale hipsters and a hardcore night of partying. The actual sounds will come from Trancid, Mark Gertz, Alexander Technique and DJ Cat. Photos from Lastnightsparty, free Svedka from 9-10 pm and more visuals from Panic Films round things out. Swing through Saturday night and watch the circus unfold.
Impossible as it may seem to you (i.e. the average Chicago hipster) there is a thriving experimental, anti-folk music scene in Decateur, Il. Milly Geronimo is one member of that scene. And she's our "Random (Great) MySpace Band of the Week". Milly describes her music as "visual, celtic and glam" but none of those come even remotely close. However under the all important "sounds like" section she hits the nail on the head with the phrase, "A murmur from under your bed".
Milly Geronimo has recorded for Tract Records, Sanitary, Popmonster and will release a new cd in 2007 called A Girl Among Windmills on PJ records. I like the scratchy lofi sound of the song "Wind Chimes" streaming on her MySpace page. Milly Geronimo has a couple shows in Chicago in May. Give her a warm welcome to the big city and befriend her now!
If I have my way and no one complains hopefully R.(G).B.O.M. can be a regular feature. How is it that Aras and the Volodkas can make the most amazing music with clearly limited home-brewed technology, yet they can't cobble together a Geocities website or return my emails? My plan was to discover the band, post an mp3, sign them to my non-existent indie record label and the rest would be history. No such luck, though. But such is the way of genius.
I came across Aras and the Volodkas (basically just one dude in his Downers Grove apartment) a couple of months ago and have returned to his MySpace page sporadically ever since, hoping there will be live show listings, blog posts or more info about a promised 2007 release titled A Recipe For Disaster. But no luck on that front either. However at least there is an apt description of the band's sound:
"If The Beach Boys and The Beatles forgot how to sing in key and mingled at a benefit for "animal face off"
There's also a selection of streamable tracks. I highly recommend "The World" or "Girls With Glasses". Hey Aras, give me a call it's still not too late. Until next time...
Congratulations to Bloomington, Indiana's Secretly Canadian. They turn 100 this year (100 releases, not years). According to the press release this makes them the first label to release 100 records in Hoosier state history. They are celebrating this accomplishment by releasing a 2 cd set of SC bands covering other SC bands' songs. Here's David Fischoff (who we wrote about here) covering Damian Jurado's "Abilene".
Also today, Chicago label and "Cosmopolitan pop mecca" Minty Fresh records has announced the signing of the indie pop band White Shoes & The Couples Company. This band has been flooded with accolades including "the best indie pop band from Indonesia ever", "one of the best bands on MySpace" and "one of the 25 most crushworthy bands." Here's their insanely catchy song "Tentan Cita".
The I-GO cars that are parked strategically around town will soon have another accessory - compilation CDs of songs by Chicago musicians. Now through March 28, artists are invited to upload up to 2 songs (each 3MB or less) for submission on I-GO Audio Emissions. Voting will run from April 1 through 15. Just like any online voting adventure, expect some horrible band to corral all of their friends to vote a million times. So do your part to vote for songs that are actually good and that you wouldn't mind hearing were you to use an I-GO vehicle.
If you think going out on Sunday night is a bad idea, then The End at Smartbar is not for you. Help celebrate their one year anniversary with James Lauer, Paul in Chicago and many other DJs. Funky Couture sponsors this weekly event. There are few week ending (or is it beginning?) events that match The End. There's no cover for this industry night bash and Heineken is on special. Winter is over, it's time to party like it.
It usually takes a fair amount of effort for me not to include a link to Achewood, my official Favorite Thing On The Internet, in every post, but since we already did one hip-hop Lincoln post today, I figure I should chime in with The Notorious L.I.N.C.O.L.N.
You may recall an article in the Reader last summer about Chicago DJ John Ciba's discovery of Neal Hemphill's recordings and the compilation, The Birmingham Sound: The Soul of Neal Hemphill, Vol. 1, that came from his digging (and a lot of help from Hemphill's family). It features some of Birmingham, Alabama's best deep southern soul. On Saturday, Ciba and James Porter, operating as East of Edens Soul Express, DJ late at the Hideout spinning gems and floorshakers. The fun starts at 11:30 and costs $5.
With so manyversions popping up, do you really need another? Oh yes. Featuring the barely-day old custom helmets on the lions at the Art Institute, Chicago citizens singing in a "We Are the World"-type studio set and a couple of appearances by George Wendt you can watch or sing along to this version of "Bear Down, Chicago Bears" presented by the Illinois Bureau of Tourism. Don't know the words yet? Just follow the dancing bear. [Thanks, Sarah]
• "Pure Hype," WHPK's weekly live rock radio show, will feature a performance by Kaspar Hausertonight from 9 to 10:30pm. Next Friday is Cococoma. UPDATE: Whoops, shift those dates forward a week. Kaspar Hauser is on the 26th, while tonight members of K. K. Rampage will visit the studio and play some unreleased recordings. (Thanks, John!)
• Acme Art Works, 1741 N. Western, is running a Jazz Mondays series. Jan. 22 is the John Goldman Quartet, Jan. 29 will be the Jangeun Bae Trio or Quartet, and Feb. 5 will be the Jim Gailloreto Jazz String Quintet. $5 or pay what you can.
• Michael STU, regular pianist at the Red Head Piano Bar, is releasing a CD, and the bar is throwing him a party on Sunday, Jan. 28. More details here.
• Hey, did you notice we've got an RSS feed? Get your Transmission fix, including the weekly feature, in the privacy of your own feedreader.
So, you want to get into the music industry, but don't know where to start? Or maybe you're just interested in learning more about music production software but don't have the cash? Music Industry Workshops has your hook-up: they're offering free classes on ProTools, setting up a home studio, and MIDI sampling and sequencing. Just the sort of thing to give you a little push in the right direction. [via]
Round up your mates (read: a team of four, including you) and head down the pub (read: Smart Bar) to impress the world (read: Chicago) with your knowledge of music trivia (read: stuff crowding your brain and probably taking up space that could be better used). Elliot Eastwick's bringing his World Famous Pub Quiz to town a week from Monday night, the 30th of October. Participation is free, and things'll kick off at 8pm. There are a few days to brush up -- plenty of time to make it through the 1500-page All Music Guide, right? Oh, and it's not entirely free: bring a prize (which apparently "can suck") to contribute to the prize pool.
Fame and tranquility can never be bedfellows. Pitchforkmedia brings us the story (in some detail) that the Wilco frontman hauled-off-and-decked a fan who ran onstage and tried to kiss him at a show in Springfield, Missouri. Best part? This explaination from the production manager: "Jeff was certainly justified, especially with Dimebag Darrell and that sort of thing."
The Chicago Music Commission is presenting a series of forums in their Musicians at Work series. Inspired by the popularity of a similar program for visual artists, these forums offer professional advice and ideas for working (or aspiring) musicians in Chicago. The focus of the October 30th session is "DIY Reaching the Public" with other pertinent topics to follow. Is it any wonder Chicago is pumping out some of the freshest talent in the nation?
How well do you know your Dylan trivia? Well enough to connect, say, Sid Vicious to Robert Zimmerman in six steps or less? Find out with Coudal Partners' latest diversion and you could win a copy of Dylan's new album, Modern Times.
Thursday, August 31st, is Dance Day at Millennium Park (see Slowdown). There'll be programming from 10am on, culminating in a special taping of Chic-A-Go-Go. Performers on the show will include Urban Definition, a group of high school students who spent the summer working with the Chicago Urban League to release their first CD and perform a series of concerts, and Yuri Lane, a human beat box who has performed in Hip Hop theater festivals around the globe. Miss Mia and Ratso will also host Thax Douglas as he prepares to leave town. After years of going to gigs, surely you have an opinion about him -- now's your chance to say goodbye.
Chicago has one of the most interesting radio spectrums in the country, ranging from religious broadcasts to Spanish language sports coverage to such narrow musical niches as "smooth jazz." Several schools, at both the university and high school level, also compete with the commercial stations for your attention. Here's a list of stations around Chicagoland that you might tune in as you wander the roads.
On the high school front:
• Elgin Public Schools: WEPS, 88.9 FM
• Evanston Township HS: WKR, (cable/Internet only)
• Glenbrook North & South: WGBK, 88.5 FM
• Hinsdale South: WHSD, 88.5 FM
• Homewood-Flossmoor HS: WHFH, 88.5 FM
• Lyons Township HS (LaGrange): WLTL, 88.1 FM
• Maine Township HS (Park Ridge): WMTH, 90.5 FM (8 Watts strong!)
• New Trier: WNTH, 88.1 FM
• Downers Grove HS: WDGC, 88.3 FM Colleges:
• Columbia College: WCRX, 88.1 FM
• College of DuPage: WDCB, 90.9 FM
• Elmhurst College: WRSE, 88.7 FM
• Illinois Institute of Technology: WIIT, 88.9 FM
• Lake Forest College: WLFC, 88.9 FM (formerly WMXM)
• Lewis University: WLRA, 88.1 FM (no site)
• Loyola University: WLUW, 88.7 FM
• Kennedy-King College: WKKC, 89.3 FM
• Moody Bible Institute: WMBI, 90.1 FM / 1110 AM
• Northeastern Illinois University: WZRD, 88.3 FM
• Northwestern University: WNUR 89.3 FM
• North Central College: WONC, 89.1 FM
• St. Xavier University: WXAV, 88.3 FM
• Triton College: WRRG, 88.9 FM
• University of Chicago: WHPK, 88.5 FM
• UIC: WUIC, 89.5 FM
• University of St. Francis (Joliet): WCSF, 88.7 FM
• Wheaton College: WETN, 88.1 FM
Also of interest is Radio Arte, WRTE 90.5 FM, run by the Mexican Fine Arts Museum.
A note about frequencies: Many of these stations overlap; because they're so low-frequency (usually 100 Watts or less) they don't cover much ground. Chances are you won't hear them if you're more than a couple miles from the transmitter, so more than one station can easily share the same spot on the radio dial.
When talking musical influences with Helen Money, it's easy to forget her instrument of choice: cello. She references Bob Mould's Beaster, with its wall of sound and intense, thought-obliterating guitar work. She speaks of The Who and all the crazy rock bands she was exposed to in the '80s. "The stuff I like sounds like life or death," she reasons. And this coming from a woman with a picture of Jimi Hendrix taped to her cello case like he's a saint.
Transmission is the music section of Gapers Block. It aims to highlight Chicago music in its many varied forms, as well as cover touring acts performing in the city.
Editor: Anne Holub, ash@gapersblock.com
Transmission staff inbox: transmission@gapersblock.com
We're putting together a list of Chicago bands on 
