Chances are you heard a fair amount this past spring about the so-called Chicago Promoters Ordinance, and about how -- after rapid grassroots mobilzation from the city's cultural community -- the Ordinance was tabled for a later date.
But in the face of the city's current budget woes, as municipal powers look for ways to fill a $496 million-dollar budget deficit, you can expect they'll be looking for a lot of ways to squeeze out revenue -- tapping into whatever resources that seem viable. Which most likely means that the Ordinance could be making a re-appearance at the earliest opportunity.
As Sun-Times music critic Jim DeRogatis describes it, the Chicago Promoters Ordinance (aka the "Event Promoters Ordinance," or Chapter 4-157) constitutes "a full-on war against the music community." But that's only one part of the larger picture. In case you hadn't followed the details very closely, the Ordinance would have a detrimental effect on culture in Chicago that would extend far beyond the indie music and dance scene. It would also affect the city's art and performance venues of every stripe -- including theater, comedy, literary events, as well as alternative arts spaces and galleries. In short, the scope of the Ordinance would effectively sever this city's cultural life at the roots.
By way of a recap, local multimedia producers JaGoFF and TheRecordIndustry have put together their own video documentary Chicago's Promoters' Ordinance Kills Independent Music. Shot over the past summer and quickly posted for viral circulation, the documentary features interviews with Jim DeRogatis and Chicago Tribune music journalist Greg Kot; as well as commentary by a bevy of other Chicago scene-movers including Shawn Campbell from CHIRP, DJs Derrick Carter and James Lauer, Galapagos4 hip-hop DJ/producer Maker, and plenty of other figures from Chicago's multi-faceted cultural landscape.
The video's long on testimonials, but also features some excellent info and commentary -- most notably an extensive walk-through of the Ordinance provided by Henry H. Perritt Jr. As a law professor and cultural advocate, Perritt subjects the Ordinance to a relentless critique in terms of its legal and cultural ramifications, and offers the verdict that the thing is both "unconstitutional" and "just plain bonkers."
Stay tuned, because we'll most likely be seeing more of the Chicago Promoters Ordinance in the future. And that'll probably end up being sooner than later.
Even though the crowd was mostly Cubs fans celebrating a win, all clamoring for a chorus or two of Steve Goodman's tune "Go Cubs Go", musician Ted Wulfers should have let the request go the way of "Freebird". Instead, he played a few minutes of the song...while doing a set at a Milwaukee bar inside Miller Park. The Brewers fans didn't appreciate it, and he lost a future booking at the bar as a result.
The Future of Music Coalition, a national non-profit "education, research and advocacy organization that identifies, examines, interprets and translates the challenging issues at the intersection of music, law, technology and policy," is holding a workshop titled "What's the Future for Musicians?" at the Old Town School of Folk Music on September 22, from noon to 7pm. Quoth the news release:
The "What's the Future for Musicians?" seminar will provide musicians, songwriters, independent label owners and music fans with practical advice about a range of internet-based promotion and distribution options, how to navigate the health insurance landscape, the importance of open internet structures and how copyright law and business models affect musician compensation. Breakout sessions will give attendees a chance to interact with the experts on the latest developments in music, technology and policy. The forum is a great opportunity to network with other musicians while getting informed on topical issues.
Panelists will include several FMC folks as well as Nan Warshaw, co-owner of Bloodshot Records; Frank Mauceri from Smog Veil Records; Shawn Campbell from the Chicago Independent Radio Project; Todd Bachman, producer of "Sound Opinions" and more. The organizers also promise a "special conversation" with Rob Sevier of Numero Group about how they find the artists they highlight and how they get permission to re-release recordings.
Gastr del Sol, Mirror Repair EP, 1994, Drag City Records
As it goes with music, the best art can often be a little unruly, a bit difficult -- doesn't behave, in other words. It can prompt discussion, steer conversation in unforeseen directions, or -- at its most poignant -- sometimes render speech useless altogether.
Throughout the course of its long and diverse history, the Drag City label has dealt with its share of musical artists who defy pat categorization -- releasing records by the likes of Bonnie "Prince" Billy, Royal Trux, Silver Jews, Gastr del Sol, U.S. Maple, Joanna Newsome, and many others. Not only do many of these musicians also produce visual work on the side, but a few of them have collaborated with artists in other disciplines. Case in point: The stalwart experimental-rock outfit Red Krayola, whose ranks have included a number of internationally-established artists from the visual art realm -- benefitting from contributions by Albert Oehlen (see above) and Christopher Williams, as well as sometimes collaborated with members of the British conceptual art collective Art & Language.
To showcase this facet of the label's history, Drag City and the UIC's Gallery 400 recently mounted the exhibition Chances Are The Comets In Our Future - A Visual Introduction To Drag City. As expected, the show features cover art and various designs from the DC back catalog, but it also includes miscellaneous art-works from label artist such as Ian Svenonius, Neil Michael Haggerty, and Will Oldham. Also included as related pieces by Oelhen, Williams, Stephen Prina, and legendary punk designer/illustrator Savage Pencil.
The exhibition is currently on view at Gallery 400 at the UIC School of Architecture and the Arts, is free to the public, and runs until October 8. For directions, gallery hours and additional info, see the Gallery's website.
SXSW, America's (and perhaps the world's) largest music festival, posted its list of performing bands yesterday, and Chicago bands are legion. A list of all 34 local acts -- and a bunch from within driving distance -- follows after the jump.
Love them, loathe them, want to move in — you know a rock dive when you're in one. Catch up on our favorites, and maybe find a new home away from home this week.
SXSW, America's (and perhaps the world's) largest music festival, posted 
