Let's face it: When you think of mirth, excitement, and song-and-dance numbers, you think of MBAs.
At least, that's the hope of the more than 80 Northwestern graduate students behind the comic variety show Special K! Produced and performed by matriculators at the Kellogg Graduate School of Management, the revue hits the stage this week at the Norris University Center in Evanston. Nightly shows were from May 2-5, with two shows tonight. The assemblage of amusements -- including live-action and digital skits, song parodies, a short film, and a riff on Saturday Night Live's "Weekend Update" segment -- represents the culmination of months of extracurricular work.
So what's funny about business school? Plenty, according to second-year marketing major Chris Reynolds, one of the creative directors. He says the show mines humor from human relationships and heightened emotions, not accounting textbooks. Audiences who don't know their fixed assets from a hole in the ground can still relate to the tension of working with peers in close quarters, or of striking out on an uncertain career path.
The School of the Art Institute of Chicago's annual fashion show -- probably the tastiest treat for your eyes in Chicago all year -- is taking place this Thursday in Millennium Park. This year's show, featuring more than 300 garments from SAIC's Fashion Design BFA candidates showcased by more than 70 hot and sexy professional models, will be the largest ever in the show's 78-year history. It will conclude with the elaborate and diverse creations of more than 40 seniors, the largest graduating class in SAIC Fashion Design history.
I was able to go last year (and I'll be posting all about this year's show here next week) and I had to pick my jaw up off the floor at the end of the show. While some of the designs are just okay, and most of them are not "ready to wear," the vision and spark that these shows feature is astounding. This is SAIC, people. Nobody's cutting corners or playing it safe. Who says Chicago doesn't know fashion? It's right in front of us, slapping us in the face at this show. I highly recommend you pick up a ticket immediately.
Tickets aren't cheap, though. The 9am dress rehearsal will run you $40. The noon and 3pm shows are $75, and admissions to the super hot-shit evening gala, "THE WALK" (which includes cocktails and dinner) costs a steep $500. BUT, it is a benefit, with proceeds supporting scholarship funds for future visionaries. For tickets and more information, visit SAIC's site. For Mia DiMeo's coverage of last year's show, click here.
It is not that Marc Bamuthi Joseph sees the world differently, but that he sees the world - and some of the world's problems and challenges - more clearly than others. Much of his past work and his current performance project investigates and dissect issues of the environment for the underserved and communities of color. The rise of the green movement - despite the movement's power and importance - has also created a limited, often one-sided interpretation of and reaction to environmental issues.
"It became clear," Bamuthi began, "that there was a homogeneous population with a certain kind of literacy and a certain kind of vocabulary that bordered on jargon in terms of environmental consciousness and environmental actions."
Bamuthi's latest project at the Museum of Contemporary Art, Chicago (MCA), red, black and GREEN: a blues, a multimedia performance work combining text, dance, and visuals and in collaboration with Chicago-artist Theaster Gates, addresses the discrepancies of the goals and actions of the environmental and green movements with the various communities often ignored.
This is not for the faint of heart, but few good things are: The Homocult Show (featuring a screening of Homocult & other Esoterica) takes place this weekend at S&S Project(NSFW) in Bridgeport, and a visit is highly recommended, especially if you're looking to step a little outside of the box.
Homocult & other Esoterica is a group of short experimental queer films focused on magick & the occult, curated by Daniel McKernan.
Many of the films capture the spirit of arch-gay cinematic spell-casters Kenneth Anger and Derek Jarman, especially those made by the program's more (in)famous participants, such as Throbbing Gristle alumni Genesis Breyer P-Orridge and Peter Christopherson. The younger contributors, such as Black Sun Productions, are clearly influenced by P-Orridge and Christopherson's bold career choices; their homages make the films crackle with cross-generational currents of erotic, creative energy.
-- Flavorpill
The Architecture & Design Film Festival (ADFF) returns to Chicago this April for its third year and will be bringing with it an entirely new line up of 31 films from 13 countries. The festival is the largest in the nation that celebrates architecture and design. The five-day event, held at the Music Box Theatre, will comprise feature-length films, documentaries and shorts, as well as panel discussions with filmmakers, architects, designers and industry leaders.
This year's repertoire profiles the drama, glory and creative spirit behind world-renowned constructions and architects.
ADFF will begin the festival with the award-winning Unfinished Spaces, which chronicles the overdue revitalization of Cuba's National Art Schools project. Designed by three radical young artists commissioned by Fidel Castro and Che Guevara in 1961, at the onset of the Revolution, the schools gained momentum quickly, but construction was abruptly halted in the wake of the political climate and the architects were deemed irrelevant. After 40 years, the schools are in use, but remain unfinished. Now, Castro invites the architects to return and fulfill their long forgotten dream.
True stories are often the most compelling in film. People are drawn to the stunning realities revealed in a grass roots documentary, or the retelling of a series of fantastic and awe-inspiring events that lead to either personal accomplishment or demise. As moving as these films can be, is there an irreconcilable disconnect between the silver screen and the life it portrays? Can cinema ever really depict the "truth"?
This is the question the Night School offshoot of Facets Film School poses in its 10th series, "Reel People." Midnight screenings, lectures and discussions will take place every Saturday from February 25 to April 21 at Facets Multi-Media, 1517 W. Fullerton Ave.
For those who love musical numbers in their intergalactic adventure, Chicago-based improv group Octavarius presents Stars! Wars! The Musical!
Join Luke, Leia and the gang of robots for this one-night-only showing at Mercury Theater on Friday, March 9 at 8pm. After its premier in November, the musical is back by popular demand, telling the story of Star Wars: a New Hope with original song and dance numbers, accompanied by a live band.
Following the musical, attendees will get a bonus improv set from Octavarius, joined by R2D2 who will be playing himself.
Tickets are regularly $10, but discounted admission of $7 will be offered to audience members who dress like their favorite Star Wars character or bring a light saber - like you wouldn't have done that anyway.
The top-ranked troupe will have just come off one of the longest running independent improv shows at ComedySportz where they perform on Sundays at 7pm, with a final show on February 26. To learn more about the group, view videos and listen to their weekly themed podcasts visit their homepage.
Still looking for something special to do for Valentine's Day? The Black Ensemble Theater presents For Lovers Only (And For People Who Love Themselves). This special, one night tribute to love will be a must see event hosted by Ms. Dawn. The most famous love songs of all time such as Al Green's "Love & Happiness", Otis Redding's "Try a Little Tenderness", and Etta James' "At Last" will be performed by the Black Ensemble Theater Performers. As Jackie Taylor states, "There's nothing more fitting than to spend Valentine's Day celebrating some of the best love songs of all time."
The Black Ensemble Theater's second floor theater will be transformed into a "Love Club" complete with champagne, dessert, and a four-piece band. This event will take place on February 14 at the Black Ensemble Theater Cultural Center, 2250 N. Clark St. Tickets will be $125 per couple and $65 for single tickets. Tickets may be purchased at Ticketmaster or by calling 773-769-4451. Reserve your tickets today!
Just released is both a short trailer and behind the scenes look at the upcoming animated short Cadaver. A "cinematic poem" inspired by Shakespeare and Shel Silverstein, the film features Christopher Lloyd, Kathy Bates and Chicago's Tavi Gevinson, who also covers "Heart of Gold" for the film's soundtrack.
Photography and body art will merge into an interesting twist of events for the Chicago Photography Center. They will be having a fundraiser entitled I (heart) Ink on Feb. 3 from 7pm to 10pm at the Chicago Photography Center, 3301 N. Lincoln Ave., and the cost starts at $75. This wonderfully interesting event will benefit the center and also will serve as the opening reception for the photographic exhibit The Art of Tattoo. To reserve your spot, visit the Chicago Photography website.
In addition, a workshop on tattoo photography will be held on Feb. 4 from 3pm to 6pm at the center. The general opening of the "Art of Tattoo" will also be on the 4th from 7pm to 9pm. To register for the tattoo photography workshop, click here.
The Chicago Artist's Coalition (CAC) is at it again, providing a creative haven for emerging artists struggling to gather the resources needed to make their art a reality.
Two shows open tomorrow in their remarkably transformative space, the HATCH Projects, located in the gallery-riddled West Loop on 217 N. Carpenter.
The first is a solo show, Ascent, featuring artist Homa Shojaie. The second exhibit is the result of a collaboration between CAC and their resident HATCH Project artists, the Twelve Galleries Project, and the ladies of Quite Strong.
Love art, food and wine? Looking for programming that features all three? Check out "The Dinner Party", presented by "Fear No Art Chicago", a WTTW show that goes behind the scenes to show art being made. And like "Fear No Art", this show is hosted by Elysabeth Alfano. "The Dinner Party" will feature three artists and a celebrity chef who will join in food, art, wine and conversation for one hour. The celebrities that will be featured on the premiere are artist Tony Fitzpatrick, musician Jon Langford, Jeff award winning director Rachel Rockwell, and Dinner Party Chef Homaro Cantu of Moto and iNG. Other guests that will be featured on future shows include soul singer J.C. Brooks, Second City and Uptown Member Billy Bungeroth, Luna Negra Coreographer Gustavo Ramirez Sansano, Dinner Party Chef and "Top Chef" runner-up Dale Levitski of Sprout, Poi Dog Pondering's Frank Orall, and Photographer SANDRO. With this list of guests, this show is a must see!
The MCA Chicago continues its year of in-depth, audience-focused changes with its latest MCA Stage production, The Matter of Origins. Choreographed by original Dance Exchange artistic director Liz Lerman, this multimedia-heavy and theatrical performance continues to push the boundaries of contemporary dance. The work is co-presented with the Chicago Humanities Festival, whose 2011 theme of Technology runs through the core of the dance work.
In a press release, Lerman said that The Matter of Origins examines, "how the human mind flips and stretches to comprehend things that are incredibly small, large, fast, or far beyond the categories of known experience." For the traditional dance fan, the performance offers a one-of-a-kind experience that draws on both history and the reactions of audience members.
Michael Gross and Jessica Wolfrum are busy. The life of a River North Chicago Dance Company member demands a lot, but the rewards are plentiful. And for a company as distinguished and praised as River North Dance, the rewards can be as abstract as personal connections to each choreographed dance piece to performance trips around the world.
Gross and Wolfrum are freshly back from a trip to Germany where the company performed their "On the Edge," and "Flavors of American Jazz" program. Each program showcases the diversity of the company's repertoire, with works that vary between the accessible and the abstract.
"I have found that the pieces we have in our repertoire provide a very diverse range of techniques and styles to consistently provide challenges for the dances," Gross began. "We like challenges. They are the things that help us to constantly push ourselves to improve and become the most versatile artists that we can possible be."
Get a head start on Chicago Artist Month this weekend with the kickoff event -- the Ravenswood Art Walk, which will feature the work of over 200 local artists, including over 40 open studios. This opening night event this Friday will also include live performances and some damn good food by some of Ravenswood's best restaurants.
The Friday night event will kickoff at 7pm in and around the Ravenswood Event Center (4011 N. Ravenswood), with ample spillage out into the street (Ravenswood Ave. itself will be shut down between Montrose and Sunnyside for a street fair)(Stop by the GB booth!). The fun won't stop Friday, though, so make sure to stop by on Saturday and/or Sunday for more festivities. Bring the kids. Details here. MORE details, including a schedule of performances, can be found here. Click here for a map. Best of all, admission is FREE!
Comedy Cares is a non-profit fundraising organization founded by Chicago comedian Ever Mainard that utilizes comedy as a source of revenue for programs and individuals in need of assistance. This months event will raise revenue for the Broadway Youth Center and the services that it provides.
The show will take place on September 23 at 8pm at the Lucky Shamrock (2723 North Halsted) and will be hosted by Mainard, who is best known for her podcast Dates with Ever and as a member of Chicago Underground Comedy.
The lineup features the best acts in Chicago and includes: Lisa Laureta (the people under the stairs), Kelsie Huff (the kates, Bruiser, Boulder International Fringe Festival) Bill Cruz (host of Gutter Mouth open mic) Ryan Walker, Gwen Laroka (winner of Last Loca Standing) Adam Burke (host of Coles Open Mic, Chicago Underground Comedy) Caitlin Bergh (Cameron Esposito's Side Mullet Nation), and Jeff Gandy.
A trailer for Sketchbook 9, to give you an idea of what Sketchbook is.
Collaboraction theater company's wildly popular annual Sketchbook festival begins tonight at the Chopin Theater. Sketchbook is a lively multi-media event, combining several art forms including theater, music, visual art, new technologies and bombastic partying, anchored by a show that features several short plays. Selected from hundreds of submissions, Sketchbook brings together the collective talents of more than two hundred pioneering directors, designers, actors, musicians and artists from Chicago and around the country for a jaw-dropping evening of creativity, experimentation, and celebration.
The charisma, technicality, and athleticism of the Alvin Ailey Dance Theater sets the group apart from other contemporaries. Works such as the masterpiece "Revelations" invoke a fiery, visceral reaction in the audience. The group returns to Chicago beginning tonight for an eclectic engagement that includes six Chicago premieres at the Auditorium Theatre (50 East Congress).
Company member Glenn Allen Sims claimed that first watching the Alvin Ailey Dance Theater perform motivated him to push forward more aggressively in his dance practice.
"It really motivated me to just want to dance," Sims said. Originally from New Jersey, Sims first auditioned for the theater in 1993. In 1997, he graduated from Julliard and auditioned again. Since then, his immense talents have been broadcast in a number of different performances, some of which will be making their local debut.
If Chicago is a beer city, then our status is one that is in a state of flux. Although our selection is on par with other cities of similar size, our mass breweries are far outpaced by towns with more-established emerging and DIY breweries. However, the number of smaller breweries continues to grow with each year and home brewing has increasingly expanded as an option for the individual or groups more deeply invested in a hands-on and locally sourced means of food production.
For his latest community-oriented project, artist Christopher Tourre aims to bring the culture of the home brewery to the masses. Entitled PUBLIC BREWERY, Tourre organized a temporary and experimental brewery that includes a series of workshops and gatherings at the Spoke's Residency Project Space that will allow guests to brew their own beer or soda using either their own ingredients or locally produced food items such as cherries, honey, and crabapple blossom syrup.
The process of storytelling constantly evolves and adapts to the demands, technology, and forms of communication that dominate contemporary society. In the rehearsals for Mordine & Company Dance Theater's debut spring performance, LifeSpeak, Founder, Artistic Director, and choreographer Shirley Mordine undertook a similar approach to the development of her work. On a cold, gray, and blistery Monday afternoon, five women and one man took light direction from Mordine and manipulated the choreography already set in place in order to better tell the story behind the performance.
"The dance is itself. It could be quite different from where you started," Mordine said. "Similar to listening to music, you don't expect the music to be illustrative of what was just written on the paper. It's just a point of departure."
Whether you're an opera aficionado or an opera virgin, consider exposing yourself to an avant-garde take on it this week with Mexico City's Teatro de Ciertos Habitantes' El Gallo: Opera for Actors-- part of the MCA's Global Stage Series. This piece of experimental theater, opening this Wednesday with a short run (through May 1), features a music director and five singers pushing themselves to their limits, "teetering between insanity and euphoria as they work through their deepest
inhibitions." Sung entirely in a made-up language, El Gallo features a score and libretto by British composer, Paul Barker, who conducts the music-- performed live by Chicago's MAVerick Ensemble.
Chicago's largest art fair, Art Chicago, has taken a hit in recent years due to mismanagement and other logistical issues. For the local art community, the fair - now a massive four-day event encompassing multiple floors of the Merchandise Mart - often isolates or ignores the eclectic, diverse, and ever-changing Chicago and Midwest-based art galleries, publications, and institutions.
Three of Chicago's most celebrated art entities-- threewalls, Roots and Culture, and Public Media Institute-- present the MDW Fair, a celebration and gathering of Chicagoland area independent art initiatives, spaces, galleries, publishers, and artist groups, and something of a response to the much larger fair which takes place the following weekend. Running April 23 and 24, the fair aims to "demonstrate the diversity, strength, and vision of the people/places making it happen in the art ecology of our region."
Nick Prueher and Joe Picket share thrift store gold at the Found Footage Festival.
The Found Footage Festival, a one-of-a-kind event showcasing videos found at garage sales and thrift stores and in warehouses and dumpsters throughout North America, is returning to Chicago tomorrow night at the Music Box, in conjunction with a special 25th anniversary screening of the documentary Heavy Metal Parking Lot, which was videotaped in a concert arena parking lot before a Judas Priest show in Maryland in 1986.
In addition to hosting in-person FFF screenings, curators Joe Pickett and Nick Prueher are also the brains and brawn behind the documentaries Dirty Country and Winnebago Man, and have written for The Onion and the Late Show with David Letterman.
If you were lucky enough to catch FFF last summer, you got to see a rare screening of the 1987 film Computer Beach Party at The Empty Bottle. Tomorrow's show at the Music Box promises to be every bit as fun. Among the new clips to be featured are:
-Self-hypnosis videos about how to be a better lover, businessman, and bowler
-A 1986 home movie taken during a debaucherous weekend in Florida
-A collection of ventriloquism how-to videos that will forever haunt you
-A brand-new compilation of exercise videos featuring Cher, Lyle Alzado and the American Gladiators
With a tour that's taking them to 75 cities in the U.S., Canada, and the U.K., Prueher and Pickett are on the road quite a bit these days, but I managed to catch Prueher on the phone for a few minutes en route to Baltimore last week.
Jazz musician Miles Davis' work-- eclectic, enigmatic, and full-bodied-- is the inspiration and soundtrack to River North Chicago Dance Company's latest performance. Titled Simply Miles, Simply Us, the original work was choreographed by artistic director Frank Chaves with assistance from company members Christian Denice and Ricky Ruiz. Featuring some of Davis' most influential and groundbreaking pieces such as "Blue in Green," from the 1959 album Kind of Blue, and an excerpt from the 1970 double album, Bitches Brew, Simply Miles, Simply Us, promises a diverse array of Davis' work.
The world premiere performance marks not only a first for the dance company for the venue. This is the first time the Auditorium Theatre, in conjunction with the Wharton Center for the Performing Arts at Michigan State University, has commissioned a new work. The performance is also presented as part of the the theatre's ongoing Miles Davis Festival, a city-wide celebration marking the 85th anniversary of Illinois native Davis' birth. In addition to the one-night-only debut performance, the company will also present additional work from Chaves as well as choreographers Sherry Zunker, Ashley Roland, and Robert Battle.
Tickets (starting at $30) for the April 16 engagement are on sale and available at the Auditorium Theatre of Roosevelt University box office at 50 East Congress Parkway, online, or by calling Ticketmaster at 800-982-2787. The performance begins at 8pm.
If you haven't made plans for Friday yet, consider buying a ticket for Urban Gateways' 50th Anniversary Gala &/or Gala Undone After Party. Gala starts at 6pm, and tickets are a steep $350, but the after party (Gala Undone) is affordable for normal folks, with tickets going for $40 in advance or $50 at the door. The event will feature veteran Urban Gateways artist James "Casper" Jankowiak, who will create an interactive mural during the event, a performance by Urban Gateways touring artists and resident performing ensemble of the Chicago Human Rhythm Project, BAM! and a late-night dance party to the music of DJ Mister Wolf (of Only Children). Also on hand will be plenty of munchies, an open bar and a silent auction.
Gala Undone will take place this Friday, April 1 from 9:30 to midnight at Venue One (1044 W. Randolph). More details here.
A Gaia poster bomb on 18th Street; photo courtesy of the artist
Internationally lauded street artist, Gaia, is officially here-- all over the place. A series of projects showcasing Gaia's work around town, collectively titled GAIA: Resplendent Semblance launched a few weeks ago with a bunch of work pasted up all over the city, a collection of work at Pawn Works (which opened last Friday) and a show of new, large scale paintings and collages at Maxwell Colette Gallery, which will open this Friday.
A few months ago, I had the experience of watching people get on stage and sing songs, read journal entries, poems, and one person read a selection from 125 handwritten pages of a story based on the film Jurassic Park. What these pieces shared in common was that they were all written when the readers were under 21 years old. This prompted me to think -- I've got boxes of old spiral-bound notebooks, composition books, and cloth-bound journals from my youth, all moldering in my basement; what would happen if I cracked them open?
Mortified is a reading series that plumbs the depths of our youth at our angstiest, our most unintentionally hilarious, and our most impressionable, before we learned the nuances of the adult world and how to navigate it. Based in L.A., Shay DeGrandis directs the Chicago chapter of Mortified, which started in 2006. When she's not directing Mortified, DeGrandis works at the School of the Art Institute of Chicago, where she schedules classes, among other things. "LA and NY seem to have a more consistent stream of applicants than we do here," she says, "I imagine it's because of their high per capita actor ratio -- they have a lot of willing people who desire an audience. People in Chicago have amazing stories to tell but it's harder to get them to participate, to be vulnerable, to get on stage and bear their most private moments. But when they do, they touch the audience's heart as well as their funny bone... and sometimes other places, too."
Criticallyacclaimed comedy troupe Octavarius is premiering a new show series titled "Octavarius: Battle for the Belt," tomorrow night (March 13) at 7pm at Stage 773. Additional performances will take place on March 20 & 27. Colt Cabana, former WWE and current Ring of Honor superstar, is a special guest of the series, making an in-person appearance on night two (the 20th) and video appearances on night one and three. "The Ego" Robert Anthony, CZW Heavyweight Champion, will make a surprise appearance on the final night of the series (the 27th). The stage will be transformed into a wrestling ring, complete with ropes, turnbuckles and a Jumbotron. Tickets are $15 per show, or $25 for a ringside pass to all three nights. Audience members are encouraged to make a sign cheering or jeering their favorite Octavarius superstars, and receive tickets at a discounted rate of $12. For more information, visit Octavarius.com.
Filmmaker Amy Grappell has featured works in Sundance film fest, winning honorable mention. She has also shown work at SXSW, Rotterdam film fest, and among many others. Now, she will be presenting work at University of Chicago's contemporary art gallery The Renaissance Society.
The opening reception will take place this Sunday (March 13) from 4pm to 7pm, and will include a discussion with Grappell from 5pm to 6pm, in room 307 at Cobb Hall.
The Museum of Contemporary Art Chicago's re-vamped monthly party, First Fridays, continues to combine music, visual arts, and exclusive events. March's theme is Robots and includes selected tunes by DJ Josh Madden and an appearance by Billy Bot of Slideshow Theatre.
Compared to previous iterations of the event, March's celebration is fantastically heavy on the museum's bread and butter, the arts. Club Nutz return to the museum after a week-long summer residency as part of Here/Not There. In its latest presentation, visitors can view a robot stand-up comedian, a robotic magic show, an open mic, and DJ dance parties. Visitors also get a behind-the-scenes look at the filming of artist Kirsten Leenaars' soap opera based on MCA staff members. As well, Takeshi Moro, the latest artist in the UBS 12 x 12: New Artists/New Work series open his solo exhibition of photographic works and designed objects.
First Fridays: Robots takes place Friday, March 4 from 6 pm to 10 pm. Tickets are $10 for MCA members, $13 in advance, or $18 at the door. All tickets include museum admission, live entertainment, and hors d'oeuvres. For more information, visit mcachicago.org.
Rehearsal floors scuffed by years of wear and tear stood out against the gray skyline of the Chicago loop. The rehearsals for the Joffrey Ballet's latest production, The Merry Widow, were in contrast to the gorgeous, sumptuous theatrical feast of the live production. Still, the vivacity of the live show -- consistently humorous and a visual treat for the senses -- was evident among the performances by the cast members and the enthusiasm of original choreographer Ronald Hynd.
Originally an adaptation of Franz Lehar's The Merry Widow, Hynd's choreography (coupled with lush costumes by Roberta Guidi di Bagno and orchestral accompaniment by the Chicago Sinfonietta) showcases a love story between the beautiful widow, Hanna Glawari and the Count Danilo, during the glitz and glamor of 20th century Paris.
"I started with a blank canvas," Hynd said. "I had to bring the thing down to its essence, to what the music was saying. Follow the music and the spirit of the music, and the show reveals many intriguing cross currents."
Pictured is an image from Dated: A Cautionary Tale for Facebook Users, a tragicomic monologue with multimedia projections, written by Ira Gamerman. Photo by Kirstie Shanley.
If you are one of the many people who have heard about Chicago's vibrant independent theater scene, but haven't made it out to see anything because your perception of theater has been tainted by cheesy musicals, you may want to free up a night this month or next to check out Collaboraction's Sketchbook REVERB.
"Sketchbook has proven to be this place where we've found a way to make theater super tasty and consumable to a young diverse audience," explains Anthony Moseley, director. "The audience is not just made up of people who go to a lot of theater."
It's all about the details. A great outfit is comprised not only of fashionable, quality clothing, but also the personal touches-- a perfectly folded cuff, a slew of gold buttons-- that distinguish one pretty young thing from the rest. On her popular street style blog, Chicago Looks, Brazilian-native Isa Giallorenzo hunts down the stylistically distinguishable Chicagoans roaming the galleries, music festivals, and vintage fashion sales that litter the neighborhoods. In one photograph, a young Black man's hair is wrapped and tied in a brown turban. He leans against a stone wall, hands stuffed within the pockets of loose army green pants as his chest, covered in a salmon pink t-shirt and thick suspenders, is thrust out proudly. In another snapshot, a twenty-something woman stays warm in a dramatically long blue coat seemingly cut to compliment the white-blonde bangs that nearly cover her eyes. Each photograph is a portrait of Chicago, a moment of time documenting one person in a city of millions.
Giallorenzo works not unlike a documentarian. She takes not only full-body shots but also close-ups of the little details that make an outfit pop. It is no surprise then to learn that the photographer comes from a journalism background. The role of a street style photographer entails investigating a look. The image is a form of storytelling as well as the answer to an abundance of questions: Why does this outfit work when others don't? Does the person make the style, or vice versa? Can anyone really pull off that look?
Jim Nutt made a rare appearance yesterday at the preview of his much anticipated show at the Museum of Contemporary Art, Coming into Character, which officially opens today. Though the Chicago artist does not currently reside in our city, his involvement in the off-beat Hairy Who group and the Imagism movement that can be seen as a quintessential milestone in Chicago art history, makes him a local treasure.
Coming into Character is an extensive collection that exemplifies his work's ability to be simultaneously stunning and grotesque. His acrylics on plexiglass are startlingly colorful and the extensive details of the often vulgar subjects pull the viewer in with a bizarre intensity. Severed limbs, skewed facial features, and unforgiving interpretations of genitalia may confuse some and offend others, but Nutt's ability to capture the senses cannot be denied.
Many of Nutt's pieces in Coming into Character are accompanied by the drawings that he experimented with before jumping into the final project. The ghosts of erased lines provide a fascinating glimpse into the experimental nature of Nutt's process.
Baltimore-based theater group, The Missoula Oblongata, is bringing their newest play, Clamlump, to Ball Hall on Monday, Feb. 14. The description of the play is pretty mindboggling except for the bit about it being set "deep in the hollows of a boarded up stadium," but if you check out TMO's website I think you will be convinced to go whether or not you understand what you're going for. The play will feature a live score performed by Travis Sehorn and an opening act by ventriloquist, April Camlin. BYOP(illow) to sit on. Click here to visit the Facebook event page, or here to visit The Missoula Oblongata's website. Ball Hall's address is secret because the city will try to get their hands into the venue's (empty) pockets if they are given the opportunity. If you wanna go, you've gotta find out where it is for yourself. You can thank the city for that. Admission will most likely require a small donation, but has not yet been specified.
Alysse Dalessandro, Matt Kasin, Kirsten Kilponen, Benjamin Bradshaw
What is the aesthetic underground if not constantly evolving? For members of the "vintage underground," this constant evolution concerns space and the possibilities one venue can provide in telling stories of design and style.
The participants in this Friday's DRUNK MALL (Bummer Town, The Gaudy God, Jenstyle, SisterMan, and The Sometimes Store) curate a crafty collection of vintage goods pulled from the stylistically-unique '80s and '90s. Their choices are attuned to the wants of post-modern vintage hunters whose tastes are more than just jeans and a white t-shirt.
DRUNK MALL is not the first event of its kind, and it is the roaming spirit of the event that best defines the idea of the current "vintage underground." The past year included a noticeable increase in these curated, collective, community sales at parties, trunk shows, fashion presentations, and gay night clubs. The attention to vintage wear fits along with the sporadic nature of these events.
"Shopping for vintage is like shopping handmade -- people like this idea of owning something unique and hand-selected rather than buying mass-produced goods," said Alysse Dalessandro, co-owner of The Sometimes Store. And like the items they sell, these sales are one-off events, not permanent fixtures. Blink and you'll miss it.
Kate Bush is not a recluse as much as she is an artist who understands the importance of patience (and perhaps perfectionism) when creating music. Her work ethic is counter to contemporary music trends where a new record must be released each year to sustain an increasingly finicky international audience. This great span of time between albums has subsequently helped sustain an entrenched cult fan base whose devotion is now heard through musicians such as British chanteuse Bat For Lashes, Icelandic gem Bjork, Tori Amos, as well as newer singers like Lia Ices or Glasser.
It is in the interest of Bush's local fanbase that writer Joe Erbentraut (along with promoter Joshua Wulbert) created "A Tribute to Kate Bush," an evening dedicated to Ms. Bush, as well as the numerous singers whose aesthetics are closely related to or influenced by her work.
The idea for the evening originated organically. One bout of procrastination a few months ago led Erbentraut to his vinyl collection which includes many albums by the singer. He then mentioned the idea to Wulbert, a DJ and promoter for the monthly "gothy, dark, and swirly" party Procession, held at Late Bar.
"In recent memory, I've heard of tribute nights to Bjork, Robyn, Annie Lennox and Fleetwood Mac, and thought Kate more than deserved the same here in Chicago," Erbentraut said. The event is not only unique to Chicago; it is also unique across many cities nationally, as Bush's fan base has, only recently, begun to celebrate her truly unique sound.
Martine Syms and Marco Kane Braunchweiler of the West Loop art shop/community space Golden Age once again demonstrate a potent knack for exhibiting up-and-coming artists primed for success. The shop's latest project features Jon Rafman in his first solo exhibition, The Age Demanded. In the exhibition, Rafman mixes a variety of different media (video, photography, and painting) in celebration and critique of technology and the "consciousness" it reflects. The Age Demanded opens tonight and included an "existential tour" through Second Life, the still-popular virtual environment that eerily promotes and masks different facets of contemporary life.
The opening lasts from 6pm to 9pm, and the exhibition runs through December 10. Golden Age is locate at 119 N Peoria, #2D.
Elaborately costumed performers re-enact the 1809 Napoleonic Battle of Aspen-Essling, one of Europe's bloodiest conflicts. Suddenly, cameras roll on to the stage, someone shouts out directions to the actors on stage, and the scene shifts from a supposed re-enactment to a scene from a live filming. In EMPIRE (Art & Politics), collaborators Superamas create a hybrid theater production that acts not only as a counter-history to European modernity, but also as a comedic meta-narrative.
How is reality constructed and manipulated through the stories we share? EMPIRE (Art & Politics) moves from a re-enactment to a behind the scenes glimpse of the film process to a premiere party for said film. Along the way, the story morphs from one idea to the next and it is ultimately up to the audience to determine the truth in the tale. Combining elements of theater, new media, visual art, and contemporary dance, Vienna and Paris-based collaborative Superamas explore themes of everyday life. In the case of their latest production, the way we create, interpret and ultimately understand stories is as relevant to Napoleonic-era Europeans as it is to modern day, hyper-connected global citizens. EMPIRE (Art & Politics) is running in conjunction with the exhibition Luc Tuymans, and as part of the MCA Global Stage series at the MCA Stage. The MCA Stage is located at 220 E Chicago Ave. Tickets are $28, $22 for MCA members and $10 for students. Purchase tickets through the MCA Box Office or by phone at 312-397-4010.
From the minds (and hips) that brought burlesque to Pink Floyd's 'The Wall' comes Hot & Heavy Burlesque's Tribute to 'This is Spinal Tap'. Playing at the Viaduct Theater (3111 N. Western Avenue) from Friday June 4th through Sunday June 6th, the classic mockumentary is re-imagined with a little glitter, a little latex, and a lot of shimmy.
A full cast of Chicago actors will perform the classic, quotable scenes with burlesque dancers giving their interpretations mixed in. The bevy of burlesque vixens promise to go to 11 with all your Spinal Tap favorites including Sex Farm, Stonehenge, Big Bottom, Heavy Duty, Bitch School, and more.
The illustrious Version festival starts this Thursday with Territories, a group exhibition at the Zhou B. Art Center. Also, starting that night at midnight Version fest presents six episodes of experimental television featuring works submitted to this year's festival. Watch every night of the festival at midnight to view a 30 minute episode on Chicago Cable Access Channel 19 (CANTV).
On Friday the opening party for Version Festival kicks off at 8pm at Co-Prosperity Sphere, promising more unabashed creativity and wild rock and roll than any one human being could hope to completely absorb in one night. The meat and potatoes of the show Friday will most likely be the live music by amazing local acts including Mahjongg, Brilliant Pebbles, and Mr666 (among others), but the show will be garnished by art and entertainment by Telefantasy Studios-- a group of artists specializing in Sci-Fi/fantasy film productions who claim that their aim is to "transport people to realms never before imagined and to tell heroic stories with dazzling special effects." For the Version fest opening party they will create a temporary soundstage for performance, and they want everyone to come in costume as a Sci-Fi/fantasy character to be filmed, photographed, interviewed, and auditioned.
On Friday, the Chicago Opera Theater opens its 2010 season with Moses in Egypt, an opera by Gioachino Rossini that hasn't been performed in Chicago since 1863. The piece was chosen by supporters of Chicago Opera Theater through a fundraising initiative called The People's Opera in which supporters voted with their dollars on which opera to choose.
The story of Moses freeing the Hebrews from Egypt is told through the eyes of a young couple, who, like all great tragic lovers, are threatened by the conflict that surrounds them. Andrea Concetti plays the role of Moses, and the star-crossed lovers Elcia and Osiride are played by Manuela Bisceglie and Taylor Stayton. Anka Lupes designed the costumes and the set, which is dominated by a large skylight that holds the Israelites captive. Andrew Eggert, who directs, describes the dramatic ending of the piece: "we have taken a symbolic approach to the parting of the Red Sea. Rather than a literal separation of the waters, the audience can expect a surprise of light and motion that represents the progression of the Israelites towards their aspirations for the future."
The twins: Ashleigh LaThrop and Paige Collins. Photo by Peter Coombs
Something awesome is happening at Steppenwolf this week. Garage Rep, a theatrical program combining three productions from three of Chicago's most innovative theater companies, is opening. The three plays--Adore, punkplay, and The Twins Would Like to Say--are being presented in repertory through April 25.
This morning I spoke with Devon de Mayo and Seth Bockley about their play, The Twins Would Like to Say--the culmination of a lot of work between a troupe of enthusiastic and ambitious local creatives (Chicago-based Dog and Pony Theatre Company--which de Mayo is co-founder of). The Twins Would Like to Say is an interactive performance based on the true story of a pair of identical twins June and Jennifer Gibbons, Caribbean immigrants trying to find their place in provincial Wales in the 1970s. At eight years old they made a pact to speak to no one but each other--a pact that lasted over 20 years. Because they were unable to express themselves verbally in their daily lives, they took to writing and their imaginary worlds blossomed into a collection of highly imaginative novels detailing provocative themes like teenage lust and rebellion.
The Zhou B. Art Center, a rather new art studio in Bridgeport, has high expectations and even deeper ambitions in stake for Chicago's contemporary artist community.
Gallery owners and brothers, Shan Zuo and Da Huang Zhou's latest exhibition celebrates young artists from all over the United States, featuring recent MFA (Masters of Fine Arts) candidates and recipients working in the medium of contemporary painting. The National Wet Paint Exhibition, a reference to the collective of fresh artists, starts January 15 at the 87,000 square-foot gallery--a gallery that houses several exhibition spaces, artist studios, a café and even an art store.
Think of Wet Paint as a representation of contemporary art graduate programs across the country, seeking to display resulting innovations in painting materials, techniques and methods. There's even a free multimedia iPhone app to keep patrons up to date on the artists and their exhibitions.
"Weatherbee's Revenge," a solo show by California-bred New York artist Mark Mulroney is opening at ebersmoore gallery next Friday. The work, though "dirty" in nature, has a clean, pop sensibility that makes it massively appealing. You must admit, Mulroney makes reliving the horrors of adolescence kind of fun.
The press release for the show opens with Mulroney explaining how a book about puberty scarred him as a child. He describes how his youthful imagination completely misconstrued the information given him: "My theory was as follows...If you are ever to shower with another boy this giant sperm would erupt from your stomach, fall to the floor of the shower and lay there wet and smiling all the while whistling a little tune."
Celebrating its 15th anniversary, Anime Central (ACen), the Midwest's largest anime convention, does not so much arrive as it does engulf. Tim Rolph takes you inside with 24,000+ niche hobby fans of all ages, heights, weights, costumes, handicaps and weapons. Read this feature »
Let's face it: When you think of mirth, excitement, and song-and-dance numbers, you think of MBAs.
The School of the Art Institute of Chicago's annual fashion show -- probably the tastiest treat for your eyes in Chicago all year -- is taking place this Thursday in Millennium Park. This year's show, featuring more than 300 garments from SAIC's Fashion Design BFA candidates showcased by more than 70 hot and sexy professional models, will be the largest ever in the show's 78-year history. It will conclude with the elaborate and diverse creations of more than 40 seniors, the largest graduating class in SAIC Fashion Design history. 
This is not for the faint of heart, but few good things are: The Homocult Show (featuring a screening of Homocult & other Esoterica) takes place this weekend at 
ADFF will begin the festival with the award-winning 
True stories are often the most compelling in film. People are drawn to the stunning realities revealed in a grass roots documentary, or the retelling of a series of fantastic and awe-inspiring events that lead to either personal accomplishment or demise. As moving as these films can be, is there an irreconcilable disconnect between the silver screen and the life it portrays? Can cinema ever really depict the "truth"? 
Still looking for something special to do for Valentine's Day? The Black Ensemble Theater presents For Lovers Only (And For People Who Love Themselves). This special, one night tribute to love will be a must see event hosted by Ms. Dawn. The most famous love songs of all time such as Al Green's "Love & Happiness", Otis Redding's "Try a Little Tenderness", and Etta James' "At Last" will be performed by the Black Ensemble Theater Performers. As Jackie Taylor states, "There's nothing more fitting than to spend Valentine's Day celebrating some of the best love songs of all time."
Photography and body art will merge into an interesting twist of events for the Chicago Photography Center. They will be having a fundraiser entitled I (heart) Ink on Feb. 3 from 7pm to 10pm at the 
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